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00:06:07Go on, Mr. Wooden.
00:06:21Well, after Nino's shoot had finished,
00:06:24I went over to Dorian and introduced myself.
00:06:29Good shoot, Bay. Good shoot. I'll see you tomorrow.
00:06:32We'll get the contacts.
00:06:33Bye.
00:06:37Lewis, right?
00:06:44How do you do, Henry?
00:06:46Hi. Nice camera.
00:06:48Oh, yes. Old faithful.
00:06:51Be my guest.
00:06:52Thanks.
00:06:55Have you been working for Bay Long?
00:06:57Oh, just today.
00:06:58They needed an extra gopher.
00:07:00Low guy on the totem pole.
00:07:02Is Bay a friend of yours?
00:07:04Old friend. And client.
00:07:05Actually, I'm her manager.
00:07:10So, you like photography, do you?
00:07:13Oh, kind of.
00:07:15I'm more into the street stuff. Mostly people.
00:07:17Ah, well, are you showing in any galleries?
00:07:20I'd love to come down and take a look.
00:07:22Well, I've been in a couple of group shows.
00:07:24That's about it.
00:07:25For now.
00:07:26For now?
00:07:27Well, I've got plans.
00:07:29Oh, excellent.
00:07:31A young man with plans.
00:07:33I've always maintained that one's aim in life should be self-development, realizing one's
00:07:39potential to the maximum.
00:07:41I mean, that's what we're here for, right, Lewis?
00:07:45Yeah.
00:07:45Yeah, I guess so.
00:07:46Then why is it, Lewis, that nowadays young people are afraid to show their feelings?
00:07:51And why do they forget to live life to its fullest and have no fear?
00:07:59Well, I don't know if I could really answer that.
00:08:01Pay no attention to him, Lewis.
00:08:03Henry's always going on about something or another.
00:08:07Thanks for the gig, Bay.
00:08:09Welcome.
00:08:10Good to meet you, Henry.
00:08:11Lewis, you ought to try getting in front of the camera.
00:08:23Right.
00:08:41I learned from Bay that Lewis and his girlfriend, Sybil, were considering marriage, an institution
00:08:48I'm not a champion of.
00:08:50Marriage makes one unselfish.
00:08:54And unselfish people are colorless.
00:08:57They lack individuality, and above all, they aren't egotistical, a quality that I have every
00:09:04intention of nurturing in Lewis.
00:09:07Sybil?
00:09:08Sybil, how are you?
00:09:10Hey, I'm sorry.
00:09:12Listen, I've got to go.
00:09:14Okay, show up to you, please.
00:09:15Sybil, come on.
00:09:16Hey, come on.
00:09:17No, I can't.
00:09:17Just lend me ten bucks.
00:09:18Jamie?
00:09:18Come back.
00:09:19Hey, get out of the place.
00:09:20No, James, I can't.
00:09:22Look, look, Sybil, Vicks.
00:09:24Lewis, help me out.
00:09:26Look, I'm here.
00:09:27This is all I got.
00:09:28Lewis, come on.
00:09:29I'm sorry.
00:09:29Twenty-five cents is what I'm supposed to do with twenty-five cents.
00:09:32I can't get high with twenty-five cents.
00:09:33Hey, just go pick that up.
00:09:35Garbage.
00:09:36That's all I've ever done.
00:09:37This is bull.
00:09:38My neighbors, they stink.
00:09:40Get me sick, pay!
00:09:43Get me sick!
00:09:50Get me sick, pay!
00:09:51Get me sick, pay!
00:10:00Get me sick!
00:10:01Check that out.
00:10:02Come on!
00:10:03Get me sick, pay!
00:10:04Hobby digestive делать!
00:10:07Get me sick, pay!
00:10:08Get me sick, pay!
00:10:08Give me sick, pay!
00:10:09I showed Nino Baraci the photo of Louis that I'd taken a base shoot.
00:10:32Nino agreed with me.
00:10:34Louis was the face of tomorrow and the perfect image for his Sauvage fragrance.
00:10:39Then, with a little bit of persuasion aimed at Tubey, and a lot of flattery directed towards
00:10:45Louis, I was able to get them to give it a whirl.
00:10:48Come on, Louis.
00:10:49Yes.
00:10:50Once more and...
00:10:51Come on, once more.
00:10:54Yes.
00:10:56Yes, go on like that.
00:10:59Just a second.
00:11:01Right.
00:11:02Okay.
00:11:03Yes.
00:11:04Okay, once more.
00:11:09Okay, and...
00:11:10Come on, Louis.
00:11:11Try to have some fun.
00:11:12Yes.
00:11:13That's it.
00:11:14That's great.
00:11:15Whoa.
00:11:16Are you okay?
00:11:17Yes.
00:11:18Yes.
00:11:19Just a second.
00:11:20Listen.
00:11:21Your tomorrow kid needs to relax and get natural.
00:11:27Being natural is just a pose, Bay.
00:11:29And the most irritating one I know.
00:11:30Louis, let's take a break.
00:11:31Oh, yeah.
00:11:32Good work.
00:11:33Here.
00:11:34Wet your whistle with this.
00:11:35I don't know, ma'am.
00:11:36Go on and just knock it back.
00:11:39Oh, no.
00:11:40No.
00:11:41No.
00:11:42No.
00:11:43No.
00:11:44No.
00:11:45No.
00:11:46No.
00:11:47No.
00:11:48No.
00:11:49No.
00:11:50No, no.
00:11:51No.
00:11:52No.
00:11:53No.
00:11:54No.
00:11:55No.
00:11:56No.
00:11:57No.
00:11:58No.
00:11:59No.
00:12:00No.
00:12:01I can't relax.
00:12:05It's all right, don't worry.
00:12:06You'll get into it.
00:12:08I think maybe you'd better...
00:12:10Please, Lewis, do not think.
00:12:13Intellect destroys the harmony of any face.
00:12:18Beauty is a form of genius, Lewis.
00:12:22It needs no explanation.
00:12:24It's one of the great facts of this world,
00:12:26like sunlight or springtime
00:12:28or the reflection in dark waters
00:12:31of that silver shell we call the moon.
00:12:34Beauty cannot be questioned.
00:12:37It has the divine right of sovereignty.
00:12:40It makes princes of those who possess it.
00:12:44You want to be a photographer, right?
00:12:47Right.
00:12:48Well, this is what you do.
00:12:49First, we establish you as a world-class supermodel.
00:12:54Then you can do whatever the hell you want.
00:12:57If it's photography, fine.
00:12:58Of course, it's up to you, Lewis.
00:13:02You have to take that first step.
00:13:08Supermodel.
00:13:17Okay.
00:13:20Okay.
00:13:21Fine, fine.
00:13:22Babe!
00:13:23Back to work.
00:13:26Yes, here we go.
00:13:27In front of the camera, he was a natural.
00:13:32He was born to be looked at.
00:13:34That's it.
00:13:34He loved to be photographed,
00:13:37to be watched.
00:13:38It made him feel alive.
00:13:41Beautiful.
00:13:45Okay, yeah, now you're into it.
00:13:48That's great.
00:13:50Okay.
00:13:50You can do it, it's great.
00:13:52You're taking me higher.
00:13:54Ride, ride,
00:13:57Jesus, he.
00:14:00Ride, ride,
00:14:04Jesus, he.
00:14:08Ride, ride, Jesus, he.
00:14:10Ride, ride, Jesus, he.
00:14:13Whoo!
00:14:13Yeah?
00:14:15That's great.
00:14:15All right.
00:14:16Have a break.
00:14:18I'm just going to keep your light.
00:14:19Okay.
00:14:19I got paid to blow up the shot I'd taken of Lewis,
00:14:37and then invited him over to my place for drinks.
00:14:43Yeah.
00:14:44Oh, I could come by this afternoon.
00:14:46Five o'clock?
00:14:47Yeah.
00:14:48Good.
00:14:49Yes.
00:14:50Yes, yes.
00:14:51Well, I told you he really is the face of tomorrow.
00:14:54You got him first, Nino.
00:14:56Well, just have the papers ready.
00:14:59Certified check?
00:15:01Yeah.
00:15:01Yeah.
00:15:01Thanks, Nino.
00:15:03Okay.
00:15:05Ciao.
00:15:08Congratulations, Lewis.
00:15:10You're now officially the new face of Savage.
00:15:13Are you kidding me?
00:15:14Well done.
00:15:16Nino sends his congratulations, too.
00:15:19He thinks this is some of the best work the Bay's ever done.
00:15:23I must say,
00:15:24I tend to agree with him.
00:15:28She's really...
00:15:30captured something.
00:15:36What's wrong?
00:15:39Nothing.
00:15:43Age.
00:15:44Makes me rather sad.
00:15:47Why?
00:15:47Is it all that terrible?
00:15:49By 50, every man has the face he deserves.
00:15:52How's that for terrifying?
00:15:55You know, I think the Bay must be some kind of sadist at heart.
00:15:59Now, you wait.
00:16:00When you get old, wrinkled, and gray,
00:16:03you'll curse her every time you look at this face.
00:16:08Henry,
00:16:09are you tripping out on me?
00:16:10Come on, let's have a drink to celebrate.
00:16:13Of course, you could always turn the tables on out like Dorian Gray.
00:16:16Like who?
00:16:17The hero of a brilliant Oscar Wilde novel.
00:16:21Champagne.
00:16:22Yeah?
00:16:24Yes, Dorian was so handsome.
00:16:28Glasses.
00:16:31He was so handsome that an artist painted his portrait.
00:16:34So Dorian made a wish.
00:16:39Ooh!
00:16:40Ooh!
00:16:41He makes a wish that the portrait grows old
00:16:44while he stays young forever.
00:16:48Oh, like a pact with the devil.
00:16:52Yeah, kind of.
00:16:55So what, it works?
00:16:56Dorian never gets any older?
00:16:57Yes.
00:16:57But it doesn't have a happy ending.
00:17:02Sounds great to me.
00:17:07You like the idea, do you?
00:17:09Wait a minute.
00:17:13If this picture changed instead of me,
00:17:17yeah, I could deal with that.
00:17:20Well, then,
00:17:21I guess that makes you the perfect candidate
00:17:23to be the new Dorian.
00:17:25What do you think?
00:17:27What do I think about what?
00:17:28Your new professional name.
00:17:31Dorian.
00:17:33Dorian?
00:17:36A little pretentious.
00:17:40Dorian.
00:17:42But I kind of like it.
00:17:45I thought you would.
00:17:47Well,
00:17:49here's to you, Dorian.
00:17:50A star is born.
00:17:55Dorian.
00:17:56A star.
00:17:58Oh!
00:17:59Oh!
00:17:59Oh!
00:18:03Oh!
00:18:05Oh!
00:18:14Oh!
00:18:19Oh!
00:18:19Oh!
00:18:21Oh!
00:18:21Oh!
00:18:22Oh!
00:18:23Oh!
00:18:23Oh!
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00:30:27Oh, come get it.
00:30:57Sibyl, stop crying, man.
00:31:11Here, take a talk of this.
00:31:18I scored some real good smack.
00:31:27Some real good stuff.
00:31:30I will take you down and carry you home.
00:31:36I'll carry on where you left off.
00:31:42I'll feed you to the lions.
00:31:48Then I'll become the lion when I swallow you piece by piece.
00:31:56And I'll fly asleep.
00:31:58She said, it feels like you're a part of me physically.
00:32:06And I'm already going into the depths of something like a mother.
00:32:16A deadly foe.
00:32:19A small cold head.
00:32:22Two fingers.
00:32:24And why am I still going to leave?
00:32:28Is silence only snow?
00:32:31All alone.
00:32:33Drifting down two bears of snow.
00:32:38You won't identify me.
00:32:44You won't identify me.
00:32:48I'll be camouflaged amongst the other white tigers near extinction.
00:32:56And soft as cake and sharp and of open seas and enemies.
00:33:08Is the freedom of the truth ringing stone cold?
00:33:22I got no pictures with you guys.
00:33:24Stop.
00:33:25I called you.
00:33:28I called you.
00:33:29I called you.
00:33:30I called you.
00:33:31She messed up, man.
00:33:33She really messed up.
00:33:34What?
00:33:35She asked for it.
00:33:36Ow, you're hurting me, man.
00:33:37You're hurting me.
00:33:38She asked for hours.
00:33:39Sybil!
00:33:40Sybil!
00:33:41You have to say goodbye at the morgue, bud.
00:33:43That's where this is going.
00:33:44What happened?
00:33:45Hey, aren't you that guy in all those eyes?
00:33:47He's right, officer.
00:33:48Actually, um, I'm his manager.
00:33:51Look, it'd be nice if you keep the lid on this.
00:33:54Yeah, come on.
00:33:55Clear it out.
00:33:56Tragic.
00:33:57Tragic.
00:33:58Just another ordeal.
00:33:59That's the way I'll write it up.
00:34:00We really appreciate that.
00:34:02No problem.
00:34:03How many times have I got to tell you?
00:34:05I'm so sorry.
00:34:07I'm so sorry.
00:34:08Okay.
00:34:13All right.
00:34:15Go upstairs and get your things together.
00:34:19I'll wait here for you.
00:34:21I'll take you up to the loft.
00:34:23It's all back.
00:34:25Yeah.
00:34:26Yeah, come on.
00:34:27I'm on my way.
00:34:45For now.
00:34:46Sam.
00:34:47What?
00:34:51What?
00:34:52It can't be.
00:34:57Here.
00:34:58Here.
00:34:59It can't be.
00:35:01There.
00:35:02Here.
00:35:03Here.
00:35:04Here.
00:35:05Here.
00:35:07Here.
00:35:08There.
00:35:13Here.
00:35:14Ich bin hier.
00:35:44Doria!
00:35:46Ja, ich helfe dir.
00:35:47Ich habe es.
00:35:48Ich habe es.
00:35:49Ist es noch etwas anderes?
00:35:50No, es geht es nicht.
00:36:14Ich habe es!
00:36:16Ich habe es.
00:36:17Ich habe es.
00:36:19Ich habe es.
00:36:20Ihr sagt mir, er hat die Bilde vermisst?
00:36:21Das soll ich mir sagen.
00:36:23Das ist das, was ich.
00:36:24Ich weiß.
00:36:25Es ist das, was ich.
00:36:27Ich weiß es funktioniert.
00:36:28Sie sind in der Zeit,
00:36:29zu kasih.
00:36:30Das ist das, was ich.
00:36:31Ich weiß.
00:36:32Ich weiß.
00:36:33Das müssen wir.
00:36:34Das ist, was ich.
00:36:36Und ich weiß.
00:36:37Das ist ein bisschen.
00:36:38Ich weiß.
00:36:39Ich weiß.
00:36:40Das ist gut.
00:36:41Das ist gut.
00:36:42Well, for the next few years, Dorian threw himself into his career.
00:36:49Managing him became a full-time job.
00:36:52Well, we had some fun.
00:36:54Made lots and lots of money.
00:36:57Something was missing.
00:37:00He grew increasingly more paranoid the more successful he became.
00:37:12Nevertheless, wherever you went, Dorian's picture was there.
00:37:25The more famous he grew, the more impossible he became to manage.
00:37:34People began to gossip about Dorian's escapades.
00:37:39I, however, rose above it all.
00:37:42Never once publicly approving or disapproving of anything he did.
00:37:53Jesus, come in!
00:38:06Come in!
00:38:07Come in!
00:38:08I can't do it.
00:38:11What the hell's going on, Dorian?
00:38:17You were due at the studio two hours ago.
00:38:20Yeah.
00:38:23Over slept.
00:38:24Um, tell him I'm sick.
00:38:28It's too late to cancel the shoot.
00:38:32And there'll be no check in the mail.
00:38:39Uh, yeah, I need a shower.
00:38:40When ever interviewed, I'd say, we're not sent into the world to air our moral prejudices.
00:38:51Hence, I never take any notice of what the press or common people say.
00:38:56And I never interfere with what charming people do.
00:39:00You make any coffee?
00:39:01You make any coffee?
00:39:02Not me.
00:39:03Not me.
00:39:04Hey, do you mind?
00:39:08No.
00:39:09Are there any more?
00:39:09I've got to split.
00:39:10Have a nice day.
00:39:11Have a nice day.
00:39:12And I'll see you later.
00:39:13Hey, wait up.
00:39:14I'm coming with you.
00:39:15What?
00:39:16Dorian, I'm worried about you.
00:39:44Dorian, I'm worried about you.
00:39:45Ich weiß nicht, dass ich mich nicht gut bin.
00:39:48Ich bin immer gut.
00:39:50Ich bin immer gut.
00:39:51Ich bin immer gut.
00:39:52Ich bin immer gut.
00:39:53Ich bin immer gut.
00:39:54Ich bin immer gut.
00:39:55Ich bin immer gut.
00:39:56Ich bin immer gut.
00:39:57Nein, du bist gut.
00:39:58Nein, du bist gut.
00:40:00Das ist gut.
00:40:01Ich bin gut.
00:40:02Ich bin gut.
00:40:03Ich habe keine Bags unter meinen Augen.
00:40:04Und keine Lines hier.
00:40:05Was ist mit dir passiert?
00:40:06Du willst wissen?
00:40:07Komm, Henry.
00:40:08Ich zeige dir.
00:40:10Komm.
00:40:11Komm.
00:40:14This.
00:40:15This is what's going on.
00:40:26Oh my god.
00:40:35What happened to it?
00:40:38When did it start transforming?
00:40:40I saw it first just after Sybil passed on.
00:40:45It's gotten worse.
00:40:47It's truly amazing.
00:40:50It's like that bullshit story you told me.
00:40:54About the other Dorian.
00:40:58I know it's hard to believe,
00:40:59but it's like it's happening to me.
00:41:03I can believe anything,
00:41:05providing it's truly incredible.
00:41:08This is not what I wanted.
00:41:12You can have whatever you want, Dorian.
00:41:14Life has everything in store for you.
00:41:16With that face,
00:41:17there's nothing you can't have.
00:41:19You're the luckiest man in the world, Dorian.
00:41:21There are no limits.
00:41:23With that sweet smile,
00:41:25the boyish grin.
00:41:26Forever, Dorian.
00:41:29Forever.
00:41:30Forever.
00:41:32We can go all the way.
00:41:33We can rule this business.
00:41:35Now it's up to you.
00:41:37Do you want to play?
00:41:43Yes.
00:41:44Yes.
00:41:45Yes.
00:41:46Yes.
00:41:47Yes!
00:41:48Yes!
00:41:49Yes!
00:41:50Go on.
00:41:51Go get dressed.
00:41:52Go on.
00:41:53We have to go see Bay.
00:41:54What?
00:41:55I've done a deal with Diana Baxter.
00:41:56Ever heard of her?
00:41:57No.
00:41:58No.
00:41:59Diana publishes books.
00:42:00Coffee table books.
00:42:01Elegant, yuppie, very expensive.
00:42:03So...
00:42:04So, I've convinced her to do a book about you.
00:42:06You know, top models, real life,
00:42:08the naked truth behind the glamour,
00:42:09that sort of ball.
00:42:10I think she'll go along with it under one condition.
00:42:13She wants Bay to do the photographs.
00:42:15So, if we can sign Bay on,
00:42:18we've got ourselves a...
00:42:20We've got ourselves a...
00:42:23We've got ourselves a...
00:42:25We've got ourselves a...
00:42:27We've got ourselves a...
00:42:29We've got ourselves a...
00:42:32Six-figure deal.
00:42:40So, what's the title of the book?
00:42:41Hold on.
00:42:42Dorian.
00:42:43A Model Life.
00:42:44Diana thinks it's going to be huge.
00:42:46Especially if you do the photographs.
00:42:49Me?
00:42:50But...
00:42:51No, no, no.
00:42:52I want you Bay.
00:42:53You're the best.
00:42:54Your tastes, your aesthetic.
00:42:57Come on.
00:42:58I really want to work with you again.
00:43:00What do you say?
00:43:01All the artistic decisions will be yours.
00:43:06And Dorian's, of course.
00:43:08No interference from anyone.
00:43:13Please.
00:43:16Okay.
00:43:17There you go.
00:43:18There you go.
00:43:19Come here.
00:43:21We're gonna have a great time.
00:43:22Dorian and Bay got to work together again.
00:43:25It was heaven for them.
00:43:29Somehow, Bay was able to help Dorian temper his ways.
00:43:33And bring out the Louis that was buried deep inside him.
00:43:37What do you really want, Dorian?
00:43:39Finish this book.
00:43:40Mm-hmm.
00:43:41And then?
00:43:42Sell a billion copies.
00:43:43Get rich and famous.
00:43:44License my name out to sheets, towels, underwear.
00:43:46Retire it all life with pure access.
00:43:48That's what Henry wants.
00:43:49I thought you wanted to take pictures.
00:43:50I do.
00:43:51So what changed?
00:43:52Nothing.
00:43:53I'm still going to, but not until the time's right.
00:43:54When would that be?
00:43:55I'm not sure.
00:43:56Henry...
00:43:57Henry.
00:43:58How long have you known Henry for?
00:43:59Hmm.
00:44:00For an eternity.
00:44:01I was one of his first clients.
00:44:02Really?
00:44:03Has he had many clients?
00:44:04Only a very select few.
00:44:05I guess that makes me one of the lucky few, right?
00:44:06I guess so.
00:44:08Henry says you're a hermit.
00:44:09No.
00:44:10No.
00:44:11He's a hermit.
00:44:12No.
00:44:13No.
00:44:14No.
00:44:15No.
00:44:16No.
00:44:17No.
00:44:18No.
00:44:19No.
00:44:20No.
00:44:21What are you doing?
00:44:22No.
00:44:23No.
00:44:24No.
00:44:25No.
00:44:26No.
00:44:27No.
00:44:28No.
00:44:29Und mich, ich muss nachdenken und machen die Szene sehen, wie visible.
00:44:34Sure thing.
00:44:36Wir sind ein Team.
00:44:37Ich bin froh, dass ich jetzt ein Spaß habe.
00:44:39Es gibt gute Zeiten, es gibt auch ein Wunsch.
00:44:41Oh, Dorian.
00:44:42Das ist das, was ich bin.
00:44:43Das ist das, was easy für mich ist.
00:44:45Ich bin in die Wohnung und ich kann fühlen, die Augen all over mich.
00:44:49Das ist das, was Henry sagt, die Welt ist all about.
00:44:53Be careful.
00:44:56Ich bete dich, Henry.
00:44:58Ich bin.
00:44:59I do, but...
00:45:02What?
00:45:03I don't like what he does to you.
00:45:05What he wants you to be.
00:45:06You're better than that, Dorian.
00:45:09Henry's all right.
00:45:11He only offers me choices.
00:45:12I'm the one who makes the decisions.
00:45:14Are you sure of that?
00:45:16Yeah, of course I am.
00:45:17He works for me.
00:45:23I wonder what Henry would think.
00:45:25He wouldn't be happy.
00:45:27No, no, he would not be happy.
00:45:29Enough about Henry.
00:45:38Maybe you need to be in another world.
00:45:42Yeah.
00:45:45Yeah, maybe.
00:45:45Please promise me
00:46:06that if you ever need to speak or whatever,
00:46:09you'll come to me.
00:46:14Yeah.
00:46:15Yeah, sure.
00:46:16I promise.
00:46:16I see a light in your eyes
00:46:27gives me but a glass.
00:46:29I, I just want to hold you close to me.
00:46:43Yeah.
00:46:43I see a light in your eyes
00:46:44Spinning round and round
00:46:48Like falling down
00:46:53What can I say?
00:47:15I love her.
00:47:20In love.
00:47:23With Bae.
00:47:30Are you insane?
00:47:36What?
00:47:37It just happened.
00:47:38Working together on the book.
00:47:41What do you want to do, marry her?
00:47:43Why not?
00:47:45I love Bae and she loves me.
00:47:48Why not?
00:47:51I'll show you why not.
00:47:53Henry!
00:48:02Stop it.
00:48:05Here.
00:48:06This is why not.
00:48:09Has Bae seen this?
00:48:10Or does she think that face you're wearing is your real one?
00:48:13Hey, she loves me.
00:48:14Loves you?
00:48:15What are you talking about?
00:48:16She doesn't even know you.
00:48:18That is you.
00:48:20Henry!
00:48:22Let's show Bae the real you.
00:48:24Hmm?
00:48:25Shall we?
00:48:26Shall we call her up?
00:48:27Get her over here?
00:48:28Yeah.
00:48:29I'll get her over here right now.
00:48:30I'll just call her.
00:48:31I know she's in.
00:48:32We're going to get her over now.
00:48:32Henry!
00:48:33Give me that.
00:48:34Look.
00:48:35I like working with her, okay?
00:48:37You know how great Bae is.
00:48:38Oh, I see.
00:48:39So you want a new career as Bae's camera assistant?
00:48:43No.
00:48:43She's going to help me with my photography.
00:48:45Look, Dorian.
00:48:46You've got a book coming out at the end of next week.
00:48:4850,000 copies pre-sold worldwide.
00:48:51That's your career.
00:48:52That's what we both work for.
00:48:58Enough.
00:48:59Enough.
00:49:01I just want a normal life.
00:49:05A normal life.
00:49:07Well, you want a nice, normal life.
00:49:11Yeah.
00:49:12Huh.
00:49:12Huh.
00:49:14Huh.
00:49:15So, you're going to marry Bae, move to New Jersey,
00:49:18have a couple of sniveling kids,
00:49:20Yes.
00:49:24So, you want to be ordinary, Dorian?
00:49:27All right.
00:49:28Well, I can make you ordinary.
00:49:31I can make you completely, inescapably ordinary.
00:49:35Henry.
00:49:36Henry.
00:49:36John.
00:49:37Henry.
00:49:37Take one last look at that picture,
00:49:39because in two seconds flat,
00:49:41that's going to be your face.
00:49:43No!
00:49:44Oh!
00:49:45Oh, man.
00:49:46Leave it alone, Henry.
00:49:47Henry.
00:49:49That's my picture.
00:49:53It's me.
00:49:58Of course, Dorian.
00:50:01Anything you say.
00:50:02So, what do we do about Bae?
00:50:14Oh, don't worry about that.
00:50:16I'll take care of her, my boy.
00:50:18We got Lexus, Mercedes,
00:50:38Range Rover,
00:50:40BMWs,
00:50:41Land Cruisers,
00:50:43Jaguars,
00:50:43Untertitelung des ZDF, 2020
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00:51:53Untertitelung des ZDF, 2020
00:51:55Untertitelung des ZDF, 2020
00:51:57Untertitelung des ZDF, 2020
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00:52:09Das war's gorgeous. Nobody's ever captured you like that.
00:52:12It's like you two were meant for each other.
00:52:19Excuse me.
00:52:22I'm sorry. I didn't realize you two were an idol.
00:52:25Fling.
00:52:27Henry. Dory. Trina.
00:52:33May I introduce you to Mariella Steiner?
00:52:36She's married to one of my oldest friends, Ron.
00:52:38Oh, good for you, honey.
00:52:39One of the richest men in Europe.
00:52:41Very impressive.
00:52:44Dorian, Henry told me this would be the book launching of the season.
00:52:49Well, I certainly hope so.
00:52:54Enchanté.
00:52:55It's quite a book.
00:52:56Oh, you've read it?
00:52:58No, I, uh, looked at the pictures.
00:53:03Oh, you must meet the photographer.
00:53:05Yes, unfortunately, our dear Bey had to leave.
00:53:08Well, I think it's going to be a huge success.
00:53:12Everyone loves to read about the dark side of New York.
00:53:16Oh, so it's that kind of book, is it?
00:53:19Well, I just might have to read it, then.
00:53:21Why read, when I can show you the real thing?
00:53:25Are you offering to be our guide?
00:53:28Our guide?
00:53:29Yes, my husband is coming to pick me up in a few minutes.
00:53:32Well, don't you think you're enough to drink?
00:53:53No, I'm fine, thank you.
00:53:56I'm sorry I missed your book launching, my friend.
00:53:59But, you know, in my world, business always comes first.
00:54:02Well?
00:54:03Business always comes first?
00:54:05First after you, money shots.
00:54:09You're a wise man, Oof.
00:54:11Yeah.
00:54:12Let's have a toast.
00:54:13To whatever the night may bring.
00:54:16Yes.
00:54:18Indeed.
00:54:19I want you to get down on your chin.
00:54:23I want you to over-excuse my skin.
00:54:29I want to know you're heavy, twisted, too.
00:54:34I want to rip you, rip you, rip you.
00:54:38I want you to over-excuse my skin.
00:54:41And I'll take you, and I'll make you.
00:54:59And I'll shake, and I'll break you.
00:55:01And I'll use, and I'll reuse you until I'm gone.
00:55:06Dorian.
00:55:09Fashion victim.
00:55:11So long!
00:55:22Dorian!
00:55:30Hello.
00:55:31Henry.
00:55:32Oh, and where have you been?
00:55:34I'm taking a vacation.
00:55:36What are you talking about?
00:55:38You've got a screen test at Fox next week.
00:55:40Not to mention the L.A. launch of the book.
00:55:42You haven't got time for a goddamn vacation.
00:55:45Yes. Well, I need a vacation.
00:55:47So I'm taking one. Understand?
00:55:49I see.
00:55:50So, where are you going?
00:55:53Germany.
00:55:55Germany? Why not?
00:55:57Oh, I see.
00:55:58So you're going with that Euro trash bimbo
00:56:00and her billionaire impotent husband, are you?
00:56:03Look here, Dorian. We have a contract.
00:56:06Body and soul, Henry.
00:56:09Body and soul, Dorian.
00:56:19So he just walked out of you?
00:56:22Yes.
00:56:23But you were still handling his doll, the book, modeling?
00:56:27Well, I still had power of attorney, yes.
00:56:30He didn't need any money.
00:56:31He was living in a huge mansion in Bavaria, for God's sake.
00:56:35I even heard that he'd tried photography again, but without my influence, that got nowhere fast.
00:56:42He reverted back to being the toy boy he was always meant to be.
00:56:55And that's how Dorian spent the next few years.
00:56:58He'd lived like a kept man, a two-bit gigolo, and made out like a bandit.
00:57:03He should have realized there was a catch.
00:57:06He wasn't really in the driver's seat.
00:57:09Ralph was.
00:57:10Mariela, my sweet, I wanted to talk with you privately before our guest joins us.
00:57:16Very well, Ralph.
00:57:18About what?
00:57:19You know, my shots, sometimes what you want and what I need are not the same.
00:57:26And I think that our dear friend Dorian has fallen into that category.
00:57:32What do you mean?
00:57:37I put a sleeping pill in his drink.
00:57:40He'd be sleeping for hours.
00:57:42Absolutely beautiful.
00:57:50Gracias.
00:57:55You know that I'm always happy to give you whatever your heart desires.
00:58:00Yes.
00:58:02But to put it delicately, I feel that Dorian has overstayed his welcome.
00:58:08Are you saying you want him to leave?
00:58:10I'm afraid so.
00:58:13Dorian.
00:58:15Yes.
00:58:17Fly away with us.
00:58:21It's time for us to say Auf Wiedersehen to Dorian.
00:58:24Well, I don't know if that's such a good idea.
00:58:27When are you leaving?
00:58:29End of the week.
00:58:31Hmm.
00:58:32A nice, sophisticated Euro triangle.
00:58:35Sounds cozy.
00:58:40Ralph, please don't.
00:58:42Please don't.
00:58:44I know the two of you have gotten rather close.
00:58:47But it's not. It's...
00:58:49No buts.
00:58:55Ralph likes you.
00:58:56I want to like him.
00:58:59Great.
00:59:01He's my husband.
00:59:03And I love him.
00:59:05But I want you.
00:59:06Thank you.
00:59:12Do I detect a schoolgirl crush on Dorian?
00:59:16Grow up.
00:59:18He's not worthy of our attention.
00:59:20He's so common.
00:59:21He is our friend.
00:59:25Well, I...
00:59:26Contracts...
00:59:28Obligation.
00:59:33I know.
00:59:36I'm your husband.
00:59:37And I want him to leave.
00:59:39I know that I...
00:59:41Get away.
00:59:42Mmm.
00:59:47But he...
00:59:49Don't ever contradict me.
00:59:51Do you understand?
00:59:57Yes.
00:59:59Now compose yourself before he arrives.
01:00:02Let me show you something I'm sure you'll find interesting.
01:00:12Dorian. Come in.
01:00:36Dorian. Come in.
01:00:42Sit down.
01:00:48Enjoy the show.
01:00:54How about some sound?
01:00:58Ralph.
01:01:00Turn it off.
01:01:02I said turn it off!
01:01:06You've been sober.
01:01:08You don't deserve it.
01:01:10I'm taking her with me.
01:01:12You really think so?
01:01:14You fool.
01:01:16You really think she'll leave all this for you?
01:01:18Take a look at her face.
01:01:19Tell me if I'm wrong.
01:01:21Look at her!
01:01:28I wish for once you would stop deciding things for me.
01:01:35After all I've done for you,
01:01:38this is how you'll repay me.
01:01:40Please.
01:01:41Please.
01:01:42Please.
01:01:43Please.
01:01:45No!
01:01:46Stop!
01:01:47Stop it!
01:01:48This is crazy!
01:01:49Stop it!
01:01:50Please!
01:01:51Stop!
01:01:52No!
01:01:53Stop it!
01:01:54This is crazy!
01:01:55Stop!
01:01:56Please!
01:01:58Please!
01:02:00No!
01:02:01No!
01:02:02No!
01:02:03No!
01:02:04No!
01:02:05No!
01:02:06No!
01:02:11You OK?
01:02:12Hi, Amory.
01:02:13Oh, oh, oh, oh, oh.
01:02:15Oh, oh, oh.
01:02:31Thorian, Thorian!
01:02:33Florian, was are we going to do? Rolf is...
01:02:46Get out.
01:02:48What?
01:02:49Get out.
01:02:50Get out!
01:02:51What is this?
01:02:53Oh my God.
01:02:55It's blood.
01:02:56The picture is bleeding.
01:02:58It's Roth's blood.
01:03:00What?
01:03:01The picture is bleeding.
01:03:02What?
01:03:03Dorian!
01:03:04Dorian!
01:03:05Listen to me, who is it in this picture?
01:03:09Who is it?
01:03:11It's me.
01:03:16Me in the picture.
01:03:21No.
01:03:22No.
01:03:23No.
01:03:24No!
01:03:25No!
01:03:26No!
01:03:27No!
01:03:28No!
01:03:29Melio!
01:03:30Mariela!
01:03:31Mariela!
01:03:32Mariela!
01:03:33Mariela!
01:03:34Mariela!
01:03:35Mariela!
01:03:36Mariela!
01:03:37No!
01:03:38Mariela!
01:03:39Mariela!
01:03:40No!
01:03:41Amor, sangrante.
01:04:11Oh, my God.
01:04:41He didn't even wait for the funerals.
01:04:49Just took off.
01:04:51That was about ten years ago.
01:04:55Did you ever hear from him?
01:04:57No.
01:05:00What about Bey, his coin?
01:05:03I don't think so.
01:05:04She would have told me if she had.
01:05:07Of course, there were rumors.
01:05:09Someone would run into him at some flesh pot somewhere on the planet.
01:05:14Some dive where they sell any kind of pleasure.
01:05:17You know, boys, girls, whatever you like.
01:05:22Pretty sordid stuff.
01:05:23From what I could gather, Dorian was caught in a mad race that took him spiraling into the depths of hell.
01:05:35He eventually landed in the midst of a perverted sex scandal in Bangkok, but charges were never made against him.
01:05:42I then heard that he'd left Thailand soon after to continue his depraved ways in other remote parts of the world.
01:05:50And then about a week ago, Bey had a big retrospective in Tribeca.
01:06:05So, I hosted a party for her at my house.
01:06:19Bey, darling, I loved it.
01:06:21It was just fabulous.
01:06:22Thank you, Diana.
01:06:23And you're taking it on the road?
01:06:24Yes.
01:06:25L.A., Chicago, Dallas.
01:06:26And maybe even Paris and London in the fall.
01:06:29Oh, my God.
01:06:30Look.
01:06:30Dorian.
01:06:35Hello, Bey.
01:06:36Trina.
01:06:37Diana.
01:06:38I don't believe it.
01:06:40Dorian.
01:06:41Look at you.
01:06:42Dammit, he's still gorgeous.
01:06:43Dorian, I'm going to kill you.
01:06:45You haven't aged a bit in 20 years.
01:06:47Who'd you go to, that Brazilian doctor?
01:06:51Good Lord.
01:06:53Look what the cat dragged in.
01:06:55Hello, Dorian.
01:07:02Hello, Henry.
01:07:03It's good to see you.
01:07:05And you.
01:07:06Oh, Dorian, look at yourself.
01:07:09How do you look so good?
01:07:12Genetics, I guess.
01:07:15Look, I'm going for a drink later on.
01:07:17Would you care to join me?
01:07:18No, I can't.
01:07:19Just drop by to say hi.
01:07:21Glad you turned up?
01:07:23Where do you stay?
01:07:24At the loft.
01:07:25Just got the place all cleaned up.
01:07:27Henry, we have to get going.
01:07:30Oh, some things never change.
01:07:33Well, I've got to drive Trina home,
01:07:36so will you be here when I get back?
01:07:37No, but I will call.
01:07:42We have to talk, Dorian.
01:07:49Henry, would you mind dropping me off along the way?
01:07:51I need my beauty sleep.
01:07:52Of course not, Diane.
01:07:54Oh, bag tomorrow.
01:07:55Yes.
01:07:56Goodbye.
01:07:56Love that.
01:07:57Lunch next time.
01:07:58Sure.
01:08:00Great to see you, Dorian.
01:08:01Yeah.
01:08:01You're looking great.
01:08:02You're looking great.
01:08:13Must have a lot of these.
01:08:15From the old days, huh?
01:08:17Every shot I ever took of you.
01:08:21I'd like to borrow your proofs.
01:08:23Which ones?
01:08:24All of them.
01:08:24Just for a little while.
01:08:27It's really important.
01:08:29Well, okay.
01:08:32Are you all right?
01:08:34Yeah.
01:08:35Yeah, it's just...
01:08:36It's kind of weird being back after all these years.
01:08:38What are you going to do with them?
01:08:44I tell you what.
01:08:46I'll show you when I'm done.
01:08:48So I can drop by tomorrow and pick those up?
01:08:50Of course.
01:08:51Call me.
01:08:52Same old number.
01:08:53I remember.
01:08:54Great.
01:09:04Excellent.
01:09:05You.
01:09:07Excuse me.
01:09:08Aren't you Dorian?
01:09:10No.
01:09:10No pictures.
01:09:11No pictures.
01:09:11Hey, Louis.
01:09:12You don't remember me?
01:09:13James, I used to live next door to you and Sybil.
01:09:20You.
01:09:21You're the guy who killed him.
01:09:22Hey, I couldn't...
01:09:23You're the guy who put the needle in her arm.
01:09:24I couldn't say no to her, man.
01:09:26She was hurting too much after that guy came to see her.
01:09:28What guy?
01:09:28The gay-haired guy.
01:09:29Wait, who?
01:09:29Henry?
01:09:30Henry?
01:09:30Yeah, man.
01:09:31She freaked out, man.
01:09:32He came to me for help.
01:09:33What?
01:09:33He paid for her drugs.
01:09:34It's all right.
01:09:42It's all right.
01:09:53I can't believe anything.
01:10:14Get out.
01:10:17There are no limits with that sweet smile, the boyish grin.
01:10:39It doesn't make me forever, Dorian.
01:10:41Forever.
01:10:42No!
01:10:43No!
01:10:43No!
01:10:44No!
01:10:44No!
01:10:45We can rule this business.
01:10:46No, it's all to you.
01:10:48Do you want to play?
01:10:51No!
01:10:51No!
01:10:52No!
01:10:52No!
01:10:53Yes!
01:10:53Yes!
01:10:54Yes!
01:10:54No!
01:10:55No!
01:10:55No!
01:10:56No!
01:10:56No!
01:10:57No!
01:10:57No!
01:10:58No!
01:10:59No!
01:10:59No!
01:11:00No!
01:11:01No!
01:11:02No!
01:11:03No!
01:11:03No!
01:11:04No!
01:11:05No!
01:11:06No!
01:11:07No!
01:11:08No!
01:11:09No!
01:11:10No!
01:11:11No!
01:11:12No!
01:11:13No!
01:11:14No!
01:11:15No!
01:11:16No!
01:11:17No!
01:11:18Look here, Dorian.
01:11:19We have cracked you.
01:11:21No!
01:11:23No!
01:11:24No!
01:11:25I didn't exist, you!
01:11:27No!
01:11:28No!
01:11:29No!
01:11:31No!
01:11:32No!
01:11:33No!
01:11:34No!
01:11:35No!
01:11:36No!
01:11:37Musik
01:11:37Musik
01:11:37Musik
01:11:40Musik
01:11:44Musik
01:11:46Musik
01:11:48Dorian came to Bey's studio
01:11:50and took away all the photographs
01:11:52that she'd taken of him
01:11:53Then on New Year's Eve
01:11:55Bey had a premonition
01:11:57and she insisted that I call him
01:11:59Nothing
01:12:01Good luck
01:12:07Untertitelung des ZDF, 2020
01:12:37Dorian?
01:13:07Dorian?
01:13:09Dorian?
01:13:23Dorian?
01:13:25Hello, bae.
01:13:27Dorian, what...
01:13:29I've been working for days.
01:13:33Then I crashed.
01:13:35Why is it so hot in here?
01:13:41I love the desert.
01:13:43Have you ever seen two scorpions fight to the death?
01:13:47It's beautiful.
01:13:51Let's get some lighting to here.
01:14:01No!
01:14:02I want you to do it!
01:14:03No!
01:14:04No!
01:14:05You're hurting me!
01:14:07No!
01:14:08No!
01:14:09What's wrong with you?
01:14:15Dorian...
01:14:20My pictures...
01:14:22Yeah, I've got some shit to work out.
01:14:29Don't like what I did with your shots?
01:14:31No!
01:14:32No!
01:14:33No!
01:14:34No!
01:14:35No!
01:14:36No!
01:14:37No!
01:14:38No!
01:14:39No!
01:14:40No!
01:14:41What have I done to you?
01:14:42Remember this?
01:14:43Recognize your great work of art?
01:14:44Oh!
01:14:45That's not mine!
01:14:46Henry shot it!
01:14:47Henry!
01:14:48I was right to warn you!
01:14:49Warn you?
01:14:50About what?
01:14:51Harry!
01:14:52You knew!
01:14:53You're not the first soul that Henry's trapped.
01:14:56He's been acting forever!
01:14:58You promise him, bae?
01:14:59What did you trade your soul for?
01:15:01Heart!
01:15:02I did it for my art!
01:15:03Your art!
01:15:07Was it worth it?
01:15:13Why, bae?
01:15:16Why?
01:15:18Dorian...
01:15:20I'm so sorry.
01:15:31I have to set you free.
01:15:33No!
01:15:34No!
01:15:35I have to do this!
01:15:36Between everyone!
01:15:37I have to!
01:15:38No!
01:15:45Come on, bae.
01:15:48No!
01:15:49No!
01:15:50Damn!
01:16:18No!
01:16:23Ah!
01:16:24There is someone, Hope!
01:16:25Ah!
01:16:30I thought you had a key to this place.
01:16:32Where's bae?
01:16:33Drink?
01:16:38I lent bae my key.
01:16:39She wanted to see you.
01:16:40Of course, naturally, you weren't answering your phone.
01:16:56What's that smell?
01:16:57Mel.
01:16:58Oh.
01:17:00Just a little eating in.
01:17:05So you went to see Sybil the night she died?
01:17:11Didn't you?
01:17:15Did I?
01:17:16Did bae come over here?
01:17:19Yeah.
01:17:21Want that drink?
01:17:23Huh.
01:17:24Well, where is she now?
01:17:26She's...
01:17:27Over there.
01:17:28There.
01:17:44Bae?
01:17:45There.
01:17:46There.
01:17:47There.
01:17:48There.
01:17:49There.
01:17:55Death is the only thing that ever terrifies me.
01:17:58I hate it.
01:18:00She tried to cut my picture.
01:18:07Poor Dory.
01:18:08It's a good thing you stopped her.
01:18:15When that picture dies, so do you.
01:18:25What are you gonna do, Henry?
01:18:27Call the police?
01:18:29The police?
01:18:30Good lord.
01:18:31No, no.
01:18:32Of course not, no.
01:18:33No, actually, I was looking for that drink you offered me.
01:18:35We can toast our future together.
01:18:38Because this goes on forever.
01:18:41Remember.
01:18:47How does that quotation go?
01:18:52What does it profit a man if to gain the whole world and lose his soul?
01:18:58His soul.
01:19:04Soul.
01:19:09Oh, Dorian.
01:19:12How lucky you are.
01:19:15What an exquisite life you've had.
01:19:18You've drunk deeply of everything.
01:19:20Nothing has ever been hidden from you.
01:19:23And it's all been no more than the sound of music to you.
01:19:27What?
01:19:29It hasn't marred you.
01:19:31You're still just the same.
01:19:32No.
01:19:34I am not the same, Henry.
01:19:37Yes.
01:19:39Yes, you are.
01:19:42You are perfect.
01:19:45Flawless.
01:19:47I wish I could change places with you.
01:19:51The world cried out against us both.
01:19:57But it has always worshipped you.
01:20:00I'm so glad that you never had any talent.
01:20:05You never carved a statue or painted a picture or produced anything outside of yourself.
01:20:12Your life has been your art.
01:20:18Your days are your sonnets.
01:20:20Your sonnets.
01:20:21Das war's für heute.
01:20:51Stop it! Dorian!
01:20:52Stop it!
01:20:52Give this to me, Henry!
01:20:53Stop it!
01:20:53No!
01:20:54Henry, it's over!
01:20:54You'll be a fool!
01:20:55No!
01:20:58Jump!
01:20:59Jump!
01:21:00Henry!
01:21:04Dorian!
01:21:05No!
01:21:21Oh, oh!
01:21:30Oh!
01:21:32Oh!
01:21:34Oh!
01:21:34Oh, oh, oh, oh.
01:22:04Can you send an ambulance to 122 Spring, top floor loft?
01:22:09Yes, yes, it's an emergency.
01:22:18Mr. Wood?
01:22:22Mr. Wood?
01:22:25Where's the picture?
01:22:27Do you want to see it?
01:22:28Yeah.
01:22:34Son of a bitch.
01:23:00I think we're going to wrap this up for now.
01:23:11I may have some questions later.
01:23:16Would you like a lift home?
01:23:19Thanks.
01:23:19I'll take a cab.
01:23:20All right.
01:23:27Mr. Wood?
01:23:31Happy New Year.
01:23:43Happy New Year.
01:23:44Happy New Year.
01:24:08Bye.
01:24:10Taxi!
01:24:32Hi.
01:24:33Hey.
01:24:35Deliver this to 354 East 85.
01:24:37Yeah, right.
01:24:40Here.
01:24:42Give it to the doorman.
01:24:44Keep the chain, yeah?
01:24:46You got it, pal.
01:25:10I'm sleeping alone in my space, flying in a dream.
01:25:30Crossing on the first round of land.
01:25:34Where will there be end?
01:25:37My new-time friends who've transformed only for my pleasure.
01:25:43I, I am drunk to you.
01:26:04I am drunk to do what my love tells me to.
01:26:17You make me move inside.
01:26:30I feel stars collide.
01:26:36Feel my blood was calling you.
01:26:42I want you to get down on your knees.
01:26:48I want you to prove you can do the deeds.
01:26:56I want you to get down on your knees.
01:27:04I want you to prove you can do the deeds.
01:27:09I want you to prove you can do the deeds.
01:27:13I want to tip you, take you, turn you over
01:27:18Inside out
01:27:20I want you
01:27:22Come on
01:27:37We got Gucci, Tommy M
01:27:41We're fighting so many problems existing within the globe
01:28:02I must be so narrow-minded, rapping about money and clothes
01:28:05Silly hoes, I suppose I'll label you my bitch
01:28:07You do whatever I say and I'll buy you expensive
01:28:10What's this?
01:28:11Welfless minds working together, it's silly
01:28:13Gangsters on the corner, acting drunk and getting jiggy
01:28:15Really, I gotta say that I'm glad you exist
01:28:18Cause if there wasn't, there'd be no one to make
01:28:20You're listening to the same thing for me, I'll buy you chose to
01:28:23But I'll be fine
01:28:24You're listening
01:28:25Yeah, you're listening
01:28:27I've got a job
01:28:28I'll be fine
01:28:29I'll be fine
01:28:29You're listening
01:28:30I'll be fine
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