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00:00:00Musik
00:00:30Musik
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00:02:43Musik
00:02:48Ah!
00:03:18$1.65 an hour.
00:03:47No, that's not what I had in mind.
00:03:51How about, um, campus gas station, pumping gas, $2 an hour.
00:03:58Haven't you got anything else?
00:04:00I mean, man, pumping gas, it's anti-environmental.
00:04:04Well, there's a construction job just outside town.
00:04:06They need casual labor.
00:04:08What are they building?
00:04:09Tracked houses.
00:04:11No, I don't think so.
00:04:14Well, that's about all I've got right now.
00:04:16I'd have to wear a hard hat.
00:04:17It would go just fine with your soft head.
00:04:19The housekeeping job, I want it.
00:04:22What housekeeping job?
00:04:24Oh, don't tell me it's gone, I'm gonna die.
00:04:25I just heard about it, and I would have been here much sooner.
00:04:28Elliot, light housekeeping, two hours a day, no cooking, owned transport.
00:04:3475 cents an hour.
00:04:35Ha, I'll take it.
00:04:36You'll work for 75 cents an hour?
00:04:38Listen, I'm not wearing a hard hat or screwing up the environment,
00:04:41so what are you complaining about?
00:04:42The minimum wage in this state is $1.65 an hour.
00:04:46Listen, I'll tell you what.
00:04:47You keep turning down jobs at $1.65 an hour,
00:04:49and I'll take one at 75, and let's just see who makes the most money, okay?
00:04:52When can I start?
00:04:54They'll want to interview you first.
00:04:55Okay, when?
00:04:56Anytime.
00:04:57I'm on my way.
00:04:58Wait a minute.
00:04:59You don't know where it is.
00:05:00Yes, I do.
00:05:00Thank you very much.
00:05:01Bye-bye.
00:05:01Bye-bye.
00:05:31Bye-bye.
00:06:01Bye-bye.
00:06:32Good morning.
00:06:34I'd like to see Mr. Elliot, please.
00:06:37I am Mrs. Elliot.
00:06:39Mrs. Jeffrey Elliot?
00:06:41Jeffrey is my son.
00:06:43What is it?
00:06:44Oh.
00:06:45Oh, well, it's about the housekeeping job.
00:06:50Yes.
00:06:52The housekeeping job you advertised at the college.
00:06:56We did?
00:06:58Yes, ma'am.
00:07:00Light housekeeping, two hours a day, no cooking, on transport.
00:07:04There must be some mistake.
00:07:05Who is it, Mother?
00:07:06We do not need a...
00:07:07It's all right, Jeffrey. I'll take care of it.
00:07:11I'm sorry. You've come out here for nothing.
00:07:15Yes, what is it?
00:07:17She's from the college. She says you advertised for a housekeeper.
00:07:21Oh, I did. Come in.
00:07:22Jeffrey, we do not need...
00:07:23Mother.
00:07:26Mother, I'll handle it.
00:07:30Come on in.
00:07:45Well, I've just about given up on anyone answering that ad.
00:07:47It's been three weeks.
00:07:48It's the money.
00:07:50Nobody works for 75 cents an hour anymore.
00:07:53Then why are you here?
00:07:56I need the job, and I have a fairly heavy schedule,
00:07:59so a couple of hours a day would suit me just fine.
00:08:02I don't mind the cooking either.
00:08:04No cooking is required.
00:08:05Oh, yeah, I know that, but I don't mind.
00:08:07I really like to cook.
00:08:08That won't be necessary.
00:08:09Just light housekeeping.
00:08:12Yes, see, my mother is...
00:08:14Well, she's not completely well.
00:08:15The house is really too much for her.
00:08:17Boy, I can see that.
00:08:19I mean, I never even saw a house like this before.
00:08:23Is it just you and your mother?
00:08:25Yes, just the two of us.
00:08:26That's good.
00:08:27Well, back there is where we eat,
00:08:29and the kitchen is back through that door,
00:08:32and the study is here.
00:08:35Oh, this is really great.
00:08:37And the bedrooms are upstairs.
00:08:40Oh, what about that place over there above the garage?
00:08:43Do I clean that too?
00:08:44No, no, no.
00:08:45You won't have any reason to go in there.
00:08:46I take care of that myself.
00:08:48Okay.
00:08:49When do I start?
00:08:50Tomorrow.
00:08:51And what about today?
00:08:53There's plenty of work to do.
00:08:55If you like.
00:08:56Should I start in the kitchen?
00:08:57That's a good place.
00:08:58Okay, sure.
00:08:58Oh, um, one more thing.
00:09:02Nobody works for 75 cents an hour anymore.
00:09:07Well, how would a dollar and a quarter be?
00:09:10How would a dollar 65 be?
00:09:15All right, you have your dollar 65.
00:09:19Look, if there's anything you need, you better ask me.
00:09:21My mother is inclined to forget things.
00:09:24I'll be in my studio, which is around the side.
00:09:27I'm a sculptor.
00:09:27I know.
00:09:28I think you're terrific.
00:09:30Oh, well, I'm surprised you've even heard of me.
00:09:33Most people haven't.
00:09:34I saw an exhibition that you had in New York three years ago.
00:09:36I never forgot it.
00:09:37You know, I think that that was one of the things that inspired me to study art.
00:09:41You're an artist.
00:09:42Well, I'm learning to be one.
00:09:44Yeah, I know, that's silly.
00:09:45You either are or you aren't.
00:09:47And which are you?
00:09:48No, I'm not sure yet.
00:09:49You see, I'm a fourth-year art student.
00:09:51And I transferred out here because I wasn't getting anyplace where I was.
00:09:54And your art department is supposed to be one of the best in the country.
00:09:57Is it?
00:09:57I don't know that yet either.
00:09:59I've only been here two weeks.
00:10:01Well, I hope everything turns out the way you want it to.
00:10:04Thank you.
00:10:04Thank you.
00:10:34That's Jennifer.
00:10:50She's very beautiful, isn't she?
00:10:55Yes.
00:10:56Yes, she is.
00:11:01Who is she?
00:11:02I mean, is she your son's girlfriend?
00:11:05Oh, no.
00:11:07No, no, that's Jeffrey's sister.
00:11:09That picture was taken some years ago, of course.
00:11:13Oh, this house was so much happier before she left us.
00:11:20Where is she now?
00:11:22She went to Europe, I think.
00:11:23Yes.
00:11:25Yes, Europe.
00:11:26You shouldn't have taken this job.
00:11:34Why not?
00:11:34It's exactly what I want.
00:11:36There must be better jobs in town.
00:11:38You could work in a shop or a bookstore.
00:11:39And the trip out here.
00:11:42It's such a long way to come.
00:11:44I have my bicycle.
00:11:45I don't mind.
00:11:46Oh, it's such a big house.
00:11:49There's no problem, really.
00:11:55Can I bring you anything when I come from town tomorrow?
00:11:58No, nothing.
00:12:05Well, then I'll see you tomorrow morning.
00:12:11Night.
00:12:11Night.
00:12:11Night.
00:12:12Night.
00:12:12Night.
00:12:28Night.
00:12:55Night.
00:12:55Night.
00:12:55Night.
00:12:58Untertitelung des ZDF, 2020
00:13:28ZDF, 2020
00:13:58Mr. Elliott?
00:14:02Mr. Elliott?
00:14:05Hi.
00:14:06Am I disturbing you?
00:14:08No, not really.
00:14:09I thought you might like some coffee and stuff.
00:14:12Oh.
00:14:13Well, I like that very much.
00:14:17Here, let me move this off for you.
00:14:19All right.
00:14:19Cream and sugar?
00:14:24No, just black.
00:14:26Isn't it quitting time?
00:14:27Yeah, but it's okay.
00:14:29Today's Saturday.
00:14:30No classes.
00:14:32Thank you.
00:14:35Would you like some pie?
00:14:36Yeah, fine.
00:14:39Thanks.
00:14:43Thank you.
00:14:49How is it?
00:14:52It's good.
00:14:53It's good.
00:14:54You don't have to say that.
00:14:55You're not going to hurt my feelings.
00:14:56No, no, really.
00:14:57It's very good.
00:14:58What is it?
00:14:59It's carrots and nuts and raisins.
00:15:01Very nutritious.
00:15:03I'm sure of it.
00:15:06Boy.
00:15:08This place is terrific.
00:15:12May I look?
00:15:14Yeah, sure.
00:15:14Go ahead.
00:15:15It's just terrific.
00:15:23Oh.
00:15:26That has such power.
00:15:29Are you studying sculpture in school?
00:15:30Yes.
00:15:32Show me your work sometime.
00:15:33Really?
00:15:34You'd really look at it?
00:15:36Really?
00:15:36I mean, you'd give me an honest opinion?
00:15:40Maybe you better not look at it.
00:15:41I mean, I'm really not sure if that's what I really want to do yet.
00:15:45Well, what do you really want to do?
00:15:49I'm not really sure yet.
00:15:52I know that I want to create something beautiful.
00:15:56And that I want people to look at it and feel good.
00:16:00And that I want them to say, Peggy Johns created that.
00:16:05What if they look at it and feel good and they don't even know who created it?
00:16:10That would be fine, too.
00:16:13Would it?
00:16:15Would you like some more pie?
00:16:21No, I haven't even finished this.
00:16:24Hey.
00:16:27That's your sister, isn't it?
00:16:32Yes.
00:16:32That's Jennifer.
00:16:33Your mother told me about her yesterday.
00:16:37How long has she been gone now?
00:16:39Three months.
00:16:40She was in Europe, your mother said.
00:16:42Florence.
00:16:43Florence.
00:16:45What a wonderful place.
00:16:47Yeah.
00:16:50Jennifer and I went to Florence together once.
00:16:54Rome, too.
00:16:57Paris.
00:16:59Marrakesh.
00:17:00We used to travel everywhere together.
00:17:04Is she married now?
00:17:08I don't know.
00:17:10You don't know if your own sister is married.
00:17:13Well, she intended to get married.
00:17:14That's why she went away.
00:17:16To, um, to meet this man.
00:17:18We haven't heard from her since.
00:17:22I gotta get back to work.
00:17:24Oh, wait.
00:17:26Could I watch?
00:17:29No, I'm only putting together an armature.
00:17:31Please?
00:17:33Well, look, it's gonna be a while before I get anything going.
00:17:35But, if you got the time.
00:17:38I've got the time.
00:17:44You live in the dormitory?
00:17:45No.
00:17:46I share an apartment with four other girls.
00:17:48Oh, that sounds like fun.
00:17:49Yeah, it's awful.
00:17:51We, um, get our clothes mixed up and we fight over the bathroom.
00:17:54All that kind of stuff.
00:17:57Why don't you get a place of your own?
00:18:00Much, much too expensive.
00:18:05Why don't you, uh, sit down somewhere?
00:18:09Wow!
00:18:12What do you think?
00:18:14What are they?
00:18:19I was trying to portray the ultimate in evil.
00:18:22I don't think I've succeeded.
00:18:25Well, you could have fooled me.
00:18:29When did you start doing this kind of stuff?
00:18:33A little while ago.
00:18:35They are really, really frightening.
00:18:41That was the idea.
00:18:44Art's only obligation is to touch people's emotions.
00:18:49Whatever emotions.
00:18:51What are they made out of?
00:18:53Oh, it's a new synthetic.
00:18:54It molds like clay.
00:18:56Oh, and you're making another one?
00:18:58Yeah, I was.
00:19:00Oh, yeah.
00:19:01I don't think I'm gonna work tonight after all.
00:19:03Oh, I, I hope that, that isn't because of me.
00:19:06Oh, no, no.
00:19:07Um, it'd be better to start when it's light.
00:19:10Besides, I, I feel like taking a walk.
00:19:13I'll see you tomorrow.
00:19:15Tomorrow's Sunday.
00:19:17But I'll come anyway if you need me.
00:19:19No.
00:19:20May I call you Jeffrey?
00:19:24Mr. Elliot is so archaic.
00:19:27Jeffrey, sure.
00:19:28All right.
00:19:40You haven't been bothering Jeffrey, have you?
00:19:42Oh, I hope not.
00:19:44He let me watch him work for a few minutes.
00:19:46He said it was all right.
00:19:48He never used to eat pie.
00:19:51I think he liked it.
00:19:56I never learned to bake.
00:19:58I, I never learned to do any of those things.
00:20:01Have you finished for today?
00:20:03Yes.
00:20:04But I have a little extra time.
00:20:06I was thinking I could do those rooms above the garage.
00:20:10No.
00:20:13You mustn't go up there never.
00:20:15Didn't Jeffrey tell you?
00:20:16Yes.
00:20:17Never!
00:20:20Go on.
00:20:21Run along now.
00:20:27Good night.
00:20:36Now you listen.
00:21:02I don't know who you are, but if you don't stop following me,
00:21:06I'm going to call the police.
00:21:08Excuse me.
00:21:09I didn't mean to scare you.
00:21:12You didn't.
00:21:14Yeah, you did.
00:21:16Who are you?
00:21:17Oh, my name is...
00:21:21Uh, my name is Thornton.
00:21:25I was wondering if you could help me.
00:21:28That depends.
00:21:29You're working at the Elliot place?
00:21:32Yes.
00:21:34I, I wonder if you could tell me
00:21:35something about the people there.
00:21:39Like what?
00:21:40Oh, anything.
00:21:41Anything at all.
00:21:42You see, I'm, I'm looking for my daughter.
00:21:46I told him that any questions he wanted to ask,
00:21:49he should just come right here and ask them.
00:21:52And?
00:21:52He didn't seem to want to do that.
00:21:55He just got in his car and drove away
00:21:56after he told me where he was staying in town.
00:21:59Who is he?
00:22:01Thornton?
00:22:02Mm-hmm.
00:22:03He must be Agnes Thornton's father.
00:22:04She worked here a few months ago.
00:22:06Well, what happened to her?
00:22:08Well, she left.
00:22:09She...
00:22:09I fell.
00:22:22Mother, come on.
00:22:25Get out.
00:22:28I'm sorry.
00:22:30I'm afraid I've broken my leg.
00:22:32You don't have anything to worry about.
00:22:36She hasn't broken it, thank God.
00:22:39At her age, broken bones don't always mend properly.
00:22:43She tore a ligament, and it's sore, and it's painful,
00:22:46and she can't walk.
00:22:47But, uh, it's no big thing.
00:22:49How long before she can walk?
00:22:52The longer, the better.
00:22:54Don't let her get up for at least a week.
00:22:56As long as there's the two of you,
00:22:58she shouldn't be any problem.
00:23:00These are mild sleeping pills.
00:23:02She can take them if it helps,
00:23:04but no more than two a night.
00:23:05Fine.
00:23:06Thank you, doctor.
00:23:07No sweat.
00:23:10You shouldn't need me anymore.
00:23:11But if you do, just call me.
00:23:14I will.
00:23:14Bye.
00:23:15I'll find my way out.
00:23:16Thank you, doctor.
00:23:21Well, at least you know now.
00:23:23What, that your mother drinks?
00:23:25I knew that the first day.
00:23:27You did?
00:23:28Mm-hmm.
00:23:29Then why did you let me go on
00:23:30about her being forgetful and all that?
00:23:32Because it's none of my business.
00:23:37Hey, what are you gonna do now?
00:23:39Do?
00:23:40Yeah, how are you gonna look after her?
00:23:42I'll manage.
00:23:43But your work.
00:23:45You can't do anything at all
00:23:46if you have to run up and down these stairs every day.
00:23:49Look, it's not your problem.
00:23:51I know, but...
00:23:53Listen, um...
00:23:54I have a suggestion.
00:24:02How would it be if I moved in here
00:24:04for a couple of days?
00:24:06Now, let me finish.
00:24:07If I could borrow your car,
00:24:09then I could drive in for my classes.
00:24:10That way I wouldn't miss any.
00:24:11and I could be here on call
00:24:13if she needed anything.
00:24:17Huh?
00:24:17What do you think?
00:24:22You'd be doing me a favor.
00:24:24How do you work that out?
00:24:26You'd be getting me out of that snake pit I live in.
00:24:29You see, it would work out best for everyone.
00:24:31But you really are a salesman.
00:24:33Yeah, I know.
00:24:36Have I sold you?
00:24:38I guess so.
00:24:39Oh, terrific!
00:24:41Hey, how about this room?
00:24:42It's right next to your mother's.
00:24:43No, it's fine.
00:24:44It's not in very good shape, though.
00:24:45Oh, I don't care.
00:24:46Flowers, plants, I'm gonna change the whole room.
00:24:47Oh, listen, Peggy.
00:24:48Yeah, yeah.
00:24:49You're only gonna be here for a little while.
00:24:51Oh, yeah, I know that.
00:24:51Can I borrow the car right now?
00:24:53The... for what?
00:24:54I want to get my stuff.
00:24:56Well, you don't believe in wasting any time, do you?
00:24:58I want to get organized before you change your mind.
00:25:00Hey, wait a minute.
00:25:01Before you go,
00:25:03maybe you'd better go in
00:25:05and tell my mother
00:25:05that she has a live-in companion
00:25:07for a little while.
00:25:08Okay.
00:25:08And if she gives you any trouble,
00:25:10uh, maybe feed her one of these.
00:25:19Yes?
00:25:21Well, it's nice to know
00:25:23that there's nothing broken,
00:25:24but the doctor would like you
00:25:26to stay off your feet for a few days,
00:25:28so I'm going to be staying here
00:25:29to take care of you.
00:25:33Staying here?
00:25:34I'm gonna move into the room down the hall.
00:25:36Whose idea was this?
00:25:38Mine.
00:25:39I had to talk Jeffrey into it.
00:25:41I don't care what the doctor said.
00:25:43I can walk perfectly all right.
00:25:45No, no, no.
00:25:47I want you to leave everything to me.
00:25:50As a matter of fact,
00:25:51I'm going to get you a bell,
00:25:52and whenever you need it,
00:25:53I want you to ring it.
00:25:56Oh, the doctor left these.
00:25:58They're painkillers.
00:25:59Um, so if your leg gets too uncomfortable,
00:26:01you...
00:26:06We're very isolated out here.
00:26:08Is it loaded?
00:26:10Well, of course it's loaded.
00:26:12What would be the point of having a gun
00:26:14if it wasn't loaded?
00:26:20I'm going to get my things now.
00:26:23I'll make your dinner as soon as I get back.
00:26:25Okay.
00:26:26I'll make her talk.
00:26:26Okay.
00:26:27My pillow is in my pocket.
00:26:27Okay.
00:26:28Okay.
00:26:29We'll make my Löw.
00:26:29Okay.
00:26:30Okay.
00:26:37I'm going to land right now.
00:26:51WDR mediagroup GmbH im Auftrag des WDR
00:27:21Untertitelung. BR 2018
00:27:51Untertitelung. BR 2018
00:28:21More coffee? Thanks.
00:28:41You work last night? Yeah, I was in the mood.
00:28:46Artists should be in the mood.
00:28:47Ed Hells.
00:28:57Something the matter?
00:28:59No, not really.
00:29:04Just curious.
00:29:05Who was the girl staying above the garage?
00:29:18I saw her last night going up there.
00:29:20I mean, I don't understand.
00:29:32If you're keeping some girlfriend up there on the quiet, that is certainly none of my business.
00:29:37But why didn't you tell me, instead of treating me like a child, telling me that you had some awful kind of secret up there, to stay away?
00:29:50I mean, this is a new age, you know.
00:29:54We're all emancipated.
00:30:02Okay.
00:30:04Say it.
00:30:07You're fired.
00:30:08No, no.
00:30:15No, you're not fired.
00:30:17But I wouldn't blame you if you quit.
00:30:19Well, I'm not going to quit.
00:30:22So if you want to get rid of me, you're just going to have to do it yourself.
00:30:31What's the matter with her anyway?
00:30:33Creeping around in the middle of the night, staying in her room all the time.
00:30:37What, has she got two heads or something?
00:30:38It's not a girlfriend, Peggy.
00:30:48It's Jennifer.
00:30:53Jennifer?
00:30:56Your sister?
00:30:59She's hopelessly insane.
00:31:05It started slowly at first.
00:31:08She became forgetful.
00:31:15Vague, you know.
00:31:18The doctor said it was just a temporary thing that she'd pull out of it.
00:31:25But she didn't.
00:31:28She got worse.
00:31:33She'd start to wander off by herself, alone.
00:31:38We couldn't find her.
00:31:43And then she'd come back and she'd act as though nothing had happened.
00:31:46And then she started to break things, accidentally at first.
00:31:56But then in fits of rage, and all the time she retreated further and further back into herself.
00:32:04How she'd lock herself in a room for days at a time.
00:32:07She wouldn't talk to anybody.
00:32:17So we took her to more doctors.
00:32:19And this time they admitted it wasn't temporary, that she'd never get better.
00:32:32They recommended that we commit her.
00:32:40I don't know, maybe I should have committed her.
00:32:43But have you ever seen those places?
00:32:46I mean, they can dress them up all they want on the outside, but inside they're like prisons.
00:32:50They got bars on the windows, locks on the doors.
00:32:53They got guards and white coats.
00:32:55I couldn't do that.
00:32:57I couldn't do it.
00:32:58Well, do you think I'm wrong?
00:33:11Should I have committed her?
00:33:13I don't know.
00:33:18Is she...
00:33:20Is she happy?
00:33:23Within her own limitations, I think she is.
00:33:26She lives in a world of her own.
00:33:28She harms nobody.
00:33:30Except you.
00:33:32That's not true.
00:33:37Well, certainly she's a responsibility, but she's one I prefer to handle myself.
00:33:42What about your mother?
00:33:46Mother found her peace of mind in a bottle.
00:33:50She was never much of a mother anyway.
00:33:53Most of our lives, Jennifer and I were left on our own.
00:34:00Orphans.
00:34:02Metaphorical orphans.
00:34:04Well, now you know.
00:34:06The other skeleton in the earlier closet.
00:34:10Jeffrey.
00:34:13I'm so sorry.
00:34:15Yeah, well, you needn't be.
00:34:16I mean, it's not your problem.
00:34:17It's got nothing to do with you.
00:34:20Yeah, that's right.
00:34:21I just work here.
00:34:25Hello.
00:34:26Hello.
00:34:28How come in?
00:34:30Anybody home?
00:34:32Hello.
00:34:36Hi.
00:34:38I didn't mean to intrude.
00:34:39You Mr. Elliot?
00:34:40Yes.
00:34:41My name's Thornton.
00:34:42George Thornton.
00:34:45Well, you already know Miss Johns, I understand.
00:34:47Yes, how are you?
00:34:51Come on in.
00:34:52Thank you.
00:34:52I'll fix your mother's lunch.
00:34:53Thank you.
00:34:54Well, what can I do for you, Mr. Thornton?
00:35:07Oh, I thought you could tell me where Agnes is.
00:35:10Well, I haven't seen her since she left.
00:35:12Ah.
00:35:13How long ago was that?
00:35:15Three or four weeks now.
00:35:17I can't understand it.
00:35:19I sent her the check to cover her traveling expenses,
00:35:22and the check hasn't even been cashed.
00:35:26I'm sorry.
00:35:26I don't know what to tell you.
00:35:28She didn't give you any idea where she might be going.
00:35:31No.
00:35:32No, she didn't.
00:35:33She didn't tell you she was coming to join me?
00:35:36No, no.
00:35:37As a matter of fact, you come is quite a surprise.
00:35:39I didn't even know Agnes had a father.
00:35:42Well, that's my fault, I guess.
00:35:46You see, we weren't very close.
00:35:49I travel a lot.
00:35:51Sell encyclopedias, always on the road.
00:35:54I've neglected my family responsibilities.
00:35:57Then when I got this letter from Agnes, I...
00:35:59Letter?
00:36:00Yeah, she wrote and said she'd like to come and stay with me for a while.
00:36:04Well, I thought this would be a great chance to make it up to her.
00:36:07But she never showed up.
00:36:09Oh, well, I'm sorry.
00:36:13I still don't know what to tell you.
00:36:15She worked here for about three months.
00:36:18I thought she was very happy.
00:36:19And one day she just said she wanted to leave.
00:36:23Just like that, she didn't give you any reason?
00:36:25No, no, no.
00:36:26And I certainly didn't want to stand in her way.
00:36:30Could I see where she stayed?
00:36:33I don't know what good that would do.
00:36:35Well, maybe she, uh, left something.
00:36:37Maybe something that I could find out where she went.
00:36:40Oh, all right.
00:36:44All right, fine.
00:36:45This way.
00:36:46All right.
00:36:49She, uh, said in her letter...
00:36:52Well, uh, said something about you.
00:36:54About you and her.
00:36:56What?
00:36:56Well, she was, uh, very fond of you.
00:37:03Well, we were very fond of her, my mother and I.
00:37:05She was a very nice girl.
00:37:06But that she was worried about something.
00:37:11What?
00:37:12Well, she didn't say.
00:37:13Just that, uh, she couldn't stay here any longer.
00:37:16Miss Johns is using this room now.
00:37:32If there was anything to find, I'm sure she would have found it.
00:37:35Uh, that room over the garage.
00:37:38What's that used for?
00:37:41Why?
00:37:42She said something else in her letter.
00:37:48Something up there was frightening her.
00:37:51I can't imagine what she could have been talking about.
00:37:53Maybe I could have a look.
00:37:56Uh, no, no, I'm sorry.
00:37:57I, I keep a lot of my personal things stored up there.
00:38:00I don't let anybody go up there.
00:38:03Yes, of course.
00:38:04Well, thank you, Mr. Elliott.
00:38:12Well, I'm sorry, I can't be of more help.
00:38:17I understand.
00:38:20If you think of anything, perhaps you'd give me a call.
00:38:24I'm staying over at the Riverside Motel.
00:38:27Here's the card.
00:38:28Yes, of course I will.
00:38:29Uh, why don't you go out this way, then?
00:38:31Oh.
00:38:31Okay.
00:38:42It's a very interesting place you've got here.
00:38:48Thank you.
00:39:12He didn't seem to be very happy.
00:39:19Now, that's not my fault.
00:39:20I told him everything I know.
00:39:22I'm going to do some work.
00:39:23What time would you like lunch?
00:39:25Whenever.
00:39:25I'm going to do some work.
00:39:39Musik
00:40:09Jennifer, Jennifer, I brought you some lunch.
00:40:20I'll put it right here.
00:40:32Jennifer, I'm working here.
00:40:36I'd like to be friends.
00:40:39Jennifer?
00:40:53What does she do about food?
00:40:56Who?
00:40:57Jennifer.
00:40:59Well, she has her own kitchenette up there.
00:41:00She does her own cooking.
00:41:02Oh, that's why she didn't touch that tray I brought up to her.
00:41:07You went up there?
00:41:08Well, yes, I thought it might give us a chance to make friends.
00:41:12You know, Jeffrey, it might help another girl.
00:41:14No, look, you're wasting your time.
00:41:16She won't see anyone?
00:41:18She sees me.
00:41:20Only you?
00:41:21Yeah, that's all.
00:41:22Look, Peggy, I don't want you going up there.
00:41:25Strange people upset her.
00:41:26Just leave her be.
00:41:30How's mother?
00:41:31Oh, she's fine.
00:41:33I let her have a drink.
00:41:34You said it would be all right.
00:41:35Yeah, it makes her happy.
00:41:37What about you?
00:41:39What makes you happy?
00:41:42Work.
00:41:46Just work?
00:41:47It's enough.
00:41:49Is it?
00:41:52It's enough.
00:41:53Jeffrey, is that you?
00:42:02Yes, mother.
00:42:07Did you enjoy your dinner?
00:42:09Yes.
00:42:12Did you?
00:42:14She's a good cook, that girl.
00:42:17Better than I ever was.
00:42:18Mother, you were never a cook.
00:42:22And she's lovely.
00:42:24She reminds me of Agnes.
00:42:28What are you getting at, mother?
00:42:29You know what I'm getting at.
00:42:35I think maybe I'll do some work.
00:42:40Jeffrey!
00:42:41Good night, mother.
00:42:42Good night, mother.
00:42:42You said that you would look at my work sometime.
00:42:53I wanted to show it to you at dinner,
00:42:55and I didn't have the nerve.
00:43:01Not bad.
00:43:02Not bad at all.
00:43:04What does that mean?
00:43:05It means not bad.
00:43:07Not good either.
00:43:08I didn't say that.
00:43:09You're not being honest.
00:43:10Yes, I am.
00:43:13What do you think of it?
00:43:15The most important person an artist has to please is himself.
00:43:19Have I done everything I set out to do?
00:43:21Have I said everything I wanted to say?
00:43:24Only the artist himself can answer those questions.
00:43:26But do you like it?
00:43:27Yes, I do.
00:43:29Yeah, I like it very much.
00:43:31I certainly couldn't have done it.
00:43:33Oh, of course you could.
00:43:34No, I couldn't.
00:43:35Only you could do this.
00:43:37Good, bad, or indifferent, it's yours.
00:43:39If it pleases you, that's a success.
00:43:43I want it to please you.
00:43:47That's unimportant.
00:43:51Not to me.
00:43:53Why am I so important?
00:43:54Because you're a famous sculptor?
00:44:00Okay, I'll tell you what I really think of it.
00:44:04On a scale from one to ten, I would say it is a six.
00:44:08Maybe six and a half.
00:44:12But you see, I want someone to convince me that I'm wrong.
00:44:15I want someone to say that is a nine, maybe even a ten.
00:44:18You are unbelievable.
00:44:21Is that good or bad?
00:44:23Good.
00:44:26You know, I would have taken this job even if you had stuck with 75 cents an hour.
00:44:33Well, I'll remember that when you ask for a raise.
00:44:36I wasn't planning to ask for a raise.
00:44:42Thank you for coming here.
00:44:43And thank you for staying.
00:44:50I'll see you tomorrow.
00:44:51I'll see you tomorrow.
00:45:21I'll see you tomorrow.
00:45:22I'll see you tomorrow.
00:45:22I'll see you tomorrow.
00:45:23I'll see you tomorrow.
00:45:24I'll see you tomorrow.
00:45:25I'll see you tomorrow.
00:45:26I'll see you tomorrow.
00:45:27I'll see you tomorrow.
00:45:28I'll see you tomorrow.
00:45:29I'll see you tomorrow.
00:45:30I'll see you tomorrow.
00:45:31I'll see you tomorrow.
00:45:32I'll see you tomorrow.
00:45:33I'll see you tomorrow.
00:45:34I'll see you tomorrow.
00:45:35I'll see you tomorrow.
00:45:36I'll see you tomorrow.
00:45:37I'll see you tomorrow.
00:45:38I'll see you tomorrow.
00:45:39I'll see you tomorrow.
00:45:40I'll see you tomorrow.
00:45:41I'll see you tomorrow.
00:45:42I'll see you tomorrow.
00:45:43I'll see you tomorrow.
00:45:44I'll see you tomorrow.
00:45:45I'll see you tomorrow.
00:45:46I'll see you tomorrow.
00:45:47Das war's.
00:46:17Oh, come on!
00:46:47Untertitelung des ZDF, 2020
00:47:17Jeffery?
00:47:31Jeffery?
00:47:33Hey, Jeffery?
00:47:37Oh, there you are.
00:47:39What do you want?
00:47:41Good morning.
00:47:43Good morning.
00:47:44How long have you been up?
00:47:48Hours. I've been working.
00:47:51Inspiration in the wee small hours, huh?
00:47:53Yeah, something like that.
00:47:54May I see it?
00:47:55No, it's not ready yet.
00:47:56Oh, I don't care. Jeffery, please.
00:47:57No.
00:48:00No, no, Peggy.
00:48:01You know how us geniuses are.
00:48:04Insecurity is our middle name.
00:48:06What did you want?
00:48:07Well, I need to go to school, Jeff.
00:48:09I have a 10 o'clock class.
00:48:11So?
00:48:12So the garage is locked.
00:48:14I need the key.
00:48:16The key?
00:48:17Yeah, the key to the garage.
00:48:19You know, the car is in the garage.
00:48:20I need the car.
00:48:22Well, look, I need the car today.
00:48:24I've got some errands to do.
00:48:26Oh, okay.
00:48:26I'll, uh, take my bike.
00:48:30Do you mind?
00:48:31No, not at all.
00:48:31It's a lovely day.
00:48:32I'll be doing my bit for ecology.
00:48:35Okay.
00:48:36Oh, your lunch is in the fridge,
00:48:38and you've got to take your mother's up to her, okay?
00:48:40Yeah, okay.
00:48:41See you tonight.
00:48:42Yeah.
00:48:42Bye.
00:48:43Bye.
00:48:43Bye.
00:48:50Mrs. Elliot.
00:48:52Good morning, my dear.
00:48:54What are you doing out of bed?
00:48:55I'm going to do some things around the house.
00:48:59Oh, no, you're not.
00:49:01You're going right back to bed.
00:49:02You get away from me.
00:49:04I can manage on my own.
00:49:07I'm going to get your son.
00:49:09No, no.
00:49:10No, no, no, don't.
00:49:12Don't.
00:49:13I must talk to you.
00:49:15Only if you go back to bed.
00:49:22Very well.
00:49:25Oh, thank you, my dear.
00:49:33My leg is still pretty sore.
00:49:36Well, it's your own fault.
00:49:37You shouldn't have got out of bed.
00:49:40Now, what did you want to talk to me about?
00:49:42Is Jeffrey in the studio?
00:49:48Yes.
00:49:49He's been there half the night working on something new.
00:49:52You must go.
00:49:54Leave this house.
00:49:56Leave?
00:49:58Give up this job.
00:50:00Mrs. Elliot, I told you before, I like the job.
00:50:04I don't want to leave.
00:50:04I'm very happy here.
00:50:06Well, it's not right.
00:50:08A pretty young thing like you, cooped up here doing housework.
00:50:12I am not cooped up.
00:50:13Jeffrey lets me have the car whenever I need it, or nearly.
00:50:16But you should be with people your own age.
00:50:20What is it, Mrs. Elliot?
00:50:22Why do you want me to leave?
00:50:24I just told you.
00:50:27No.
00:50:29Um, there's something else.
00:50:36Is it because of Jennifer?
00:50:41What do you know about Jennifer?
00:50:43I know everything Jeffrey told me.
00:50:46What did he tell you?
00:50:48That she's sick.
00:50:50She stays in her room all the time.
00:50:52Um, I'd like to make friends with her.
00:50:59And what did he say to that suggestion?
00:51:05He wasn't very enthusiastic.
00:51:08I can imagine.
00:51:10But this is all nonsense, isn't it?
00:51:13We both know the real reason why you want to stay on here.
00:51:16It's Jeffrey.
00:51:17What?
00:51:18You're after my son.
00:51:20I certainly am not.
00:51:23Yes, you are, and I won't have it.
00:51:25I need him.
00:51:27You're not going to take him away from me.
00:51:29Mrs. Elliot, that is very dumb.
00:51:34Is it?
00:51:35Yes, it is.
00:51:39You're fired.
00:51:40I thought you were gone.
00:51:50Your mother just fired me.
00:51:54She did what?
00:51:57She fired me.
00:52:02Did she give you any reason?
00:52:03She thinks I'm after you.
00:52:10Oh.
00:52:13Well?
00:52:16Aren't you going to ask me?
00:52:18Ask you what?
00:52:20Do you think I'm after you, too?
00:52:24Are you?
00:52:27No.
00:52:27My mother told me it was unladylike for the girl to chase the man.
00:52:33Oh.
00:52:34It's all right for the man to chase the girl, though.
00:52:37Yes.
00:52:40Listen, don't worry about my mother.
00:52:42I'll speak to her.
00:52:44You better get going.
00:52:45You're going to be late.
00:52:47I have an afternoon class.
00:52:48I won't be back till late.
00:52:50We'll survive.
00:52:51We'll survive.
00:52:51We'll survive.
00:52:57We'll survive.
00:53:06Das war's.
00:53:36Das war's.
00:54:06Das war's.
00:54:08Das war's.
00:54:10Das war's.
00:54:12I see.
00:54:14Thank you very much.
00:54:16Thank you very much.
00:54:28Thank you very much.
00:54:40Thank you very much.
00:54:52Thank you very much.
00:54:56Jeffery?
00:54:58Jeffery?
00:55:02Jeffery?
00:55:22Jeffery?
00:55:32Jeffery?
00:55:48Jeffery?
00:55:50Jeffery?
00:55:52Jeffery?
00:55:58Jeffery?
00:56:00Jeffery?
00:56:07Jeffery, I must talk to you.
00:56:13Where's Jeffery?
00:56:18Jeffery?
00:56:29I don't know.
00:56:30I haven't seen him all day.
00:56:32He's probably in his room.
00:56:34No, no, he isn't.
00:56:35Well, in the studio then.
00:56:36If he's there, he doesn't answer the door.
00:56:38Well, maybe he doesn't want to talk to you.
00:56:41Well, I want to talk to him.
00:56:44What about?
00:56:46I'll talk to Jeffery.
00:56:48What do you want to talk to him about?
00:56:52All right.
00:56:54It's about Mr. Thornton.
00:56:57Who?
00:56:58Agnes' father.
00:56:59He came here a few days ago asking about her.
00:57:03Agnes left here weeks ago.
00:57:05Jeffery told him that, and he left, but he must have come back.
00:57:09Why?
00:57:10Because his car's in the garage.
00:57:15I think...
00:57:17What do you think?
00:57:19I think I'll talk to Jeffery.
00:57:21Peggy, please.
00:57:24Leave this house now.
00:57:26It is Jennifer, isn't it?
00:57:33She's... she's dangerous.
00:57:35Leave this house while you still can.
00:57:39No.
00:57:40I am not going to leave here until I know exactly what is going on.
00:57:44And if Jeffery is in that studio, he cannot stay in there forever.
00:57:49No matter what he's doing.
00:57:56I will walk in the tunnel also just at the expense of God.
00:57:58It is sinful andесяical desert of thegrader,
00:57:59and Rangeeng because it can't stop.
00:58:00I won't get many Redempts in this塊ert.
00:58:01To be Drawery sends someone to kill someone against him in Company Bells.
00:58:02Thank you very much.
00:58:03Bye.
00:58:04Goodbye, bye.
00:58:05Bye.
00:58:20Bye.
00:58:22Bye.
00:58:24Bye.
00:58:25Bye.
00:58:25Bye, bye.
00:58:26Bye, bye.
00:58:26Untertitelung. BR 2018
00:58:56Untertitelung. BR 2018
00:59:26Untertitelung. BR 2018
00:59:56Untertitelung. BR 2018
01:00:26Jeffrey? Jeffrey?
01:00:29Jeffrey?
01:00:30Jeffrey?
01:00:33Jeffrey?
01:00:38Jeffrey?
01:00:39Jeffrey?
01:00:43Jeffrey?
01:00:45Jeffrey?
01:00:46Jeffrey?
01:00:47Jeffrey?
01:00:48Jeffrey?
01:00:50Jennifer.
01:01:20Jennifer, my name's Peggy.
01:01:27I know about you.
01:01:33Jeffrey told me.
01:01:50Jeffrey! Jeffrey!
01:01:52Jeffrey, where are you?
01:01:54Jeffrey!
01:01:56Please, Jeffrey.
01:01:57Jeffrey!
01:01:58Oh, please, I need you, Jeffrey.
01:02:01Jeffrey!
01:02:03Jeffrey!
01:02:10Jeffrey.
01:02:11Hey, hey, what is all of this?
01:02:16Jennifer, you tried to kill me.
01:02:20Where? What are you talking about?
01:02:22She attacked me in the studio just now.
01:02:24I thought it was you.
01:02:26Okay, come on, take it easy.
01:02:28What happened?
01:02:29Jennifer attacked me.
01:02:31She had a knife.
01:02:33Okay, come on, come on, take it easy.
01:02:37Jeffrey, leave her alone.
01:02:41Mother, go back to your room.
01:02:43I'll take care of it.
01:02:50Tell me exactly what happened.
01:02:54She just attacked me.
01:02:57She tried to kill me.
01:03:00And I think that something happened to Mr. Thornton, too.
01:03:03Why?
01:03:04Because his car is in the garage.
01:03:08Oh, you knew that.
01:03:11That's where you locked it this morning.
01:03:16Yes, yeah, I know.
01:03:20Here, drink this.
01:03:22I came down early this morning to work.
01:03:26The car was parked out front.
01:03:28Thornton must have come back to poke around.
01:03:31I looked for him, but I couldn't find him.
01:03:34Tell me why you hid the car.
01:03:41Well, I guess that Jennifer must have heard him in the middle of the night.
01:03:46And what?
01:03:51There's only one way to find out.
01:03:53Jeffrey?
01:03:56Jeffrey?
01:04:04Jeffrey, be careful.
01:04:05Stay here.
01:04:07I know how to handle her.
01:04:14He still doesn't know.
01:04:15Know what?
01:04:16It's your fault.
01:04:17It's all your fault.
01:04:18If you wouldn't come here, everything would have been all right.
01:04:20Mrs. Elliott, you don't seem to understand.
01:04:25Your daughter tried to kill me back there.
01:04:27She attacked me with a knife.
01:04:29Who knows how many other people she's killed?
01:04:31Thornton, maybe Agnes.
01:04:34Jennifer?
01:04:35It's Jeffrey.
01:04:36Let me in.
01:04:41Jenny, honey, I don't think you know what you've done.
01:04:45I can't let this go on anymore.
01:04:47You've got to understand that.
01:04:53Jenny, what are you doing?
01:04:57Jenny, put that away!
01:04:59Jenny, please, listen to me, Jenny!
01:05:02Don't!
01:05:03Jeffrey!
01:05:20I killed her.
01:05:24She tried to stab me.
01:05:29I tried to take the knife away from her.
01:05:31And she fell on it.
01:05:36I don't understand.
01:05:47Why would she do a thing like that?
01:05:48I...
01:05:50I loved her.
01:05:55I was the only one that really loved her.
01:05:58Jeffrey, you're hurt.
01:05:59Don't!
01:06:02No, don't!
01:06:03Leave him alone!
01:06:04He needs help!
01:06:05No!
01:06:08No, I don't want you going in there.
01:06:11Nobody goes in there.
01:06:12Jeffrey, please!
01:06:14Nobody goes in there.
01:06:15We...
01:06:16We have to call the police!
01:06:19The police?
01:06:20Of course we do!
01:06:21They have to be told!
01:06:23I don't want them touching her.
01:06:24Nobody touches her.
01:06:26Jeffrey, it's all right.
01:06:27No one would blame you!
01:06:31No!
01:06:33Mrs. Elliott, we have to.
01:06:34No!
01:06:48Mrs. Elliott, we have to.
01:06:50No!
01:06:52He killed her in self-defense.
01:06:53She was a violent psychotic.
01:06:55She tried to kill me just before.
01:06:58You still think that, don't you?
01:06:59I know.
01:07:06It's all over.
01:07:07It's finished.
01:07:09I think I'm glad.
01:07:11I kept quiet for so long because it suited me.
01:07:14It was comfortable.
01:07:16I could get drunk as often as I wanted to, and...
01:07:19Well, he was my son, and I couldn't let them put him away.
01:07:22They're not going to put him away.
01:07:24They're not going to put him away.
01:07:26We're both going to swear that it was self-defense.
01:07:31Well, why won't you go and tell him that?
01:07:34Go and tell him right now.
01:07:36What difference does it make?
01:07:39Tell him that we will both swear that he killed his sister
01:07:45because she tried to kill him.
01:07:52Geoffrey?
01:07:53Geoffrey, I must talk to you.
01:08:15Geoffrey, I must talk to you.
01:08:22Geoffrey?
01:08:52Geoffrey I must talk to you
01:09:19Geoffrey.
01:09:49I'm Jennifer.
01:10:19Geoffrey.
01:10:49I love Jennifer.
01:11:17Jennifer.
01:11:19That's why he killed her.
01:11:25And put her body inside that statue.
01:11:35He couldn't bear the thought she was going to leave him to be married.
01:11:41Afterwards, half of his mind became Jennifer.
01:11:45It was the only way he could hold onto her.
01:11:51And that half of him was insanely jealous.
01:11:55Wouldn't allow him to show affection for anyone else.
01:11:57That's why he killed Agnes Thornton.
01:12:03The Geoffrey, half of him, started to fall in love with her.
01:12:07That's why he tried to kill you.
01:12:09That's why he tried to kill you.
01:12:11Oh, I should have done something sooner.
01:12:15But I'm an old woman and I needed him.
01:12:19I wasn't the kind of mother I should have been.
01:12:27But it was my life too.
01:12:29And if I'd done something sooner, they'd have taken him away.
01:12:33And I would have been all alone.
01:12:39No one to take care of me.
01:12:41You understand that, don't you?
01:12:45Connect me with the police.
01:13:01Please?
01:13:03Could I have a drink?
01:13:15I don't know who that's a stranger.
01:13:25Hello?
01:13:29I know, I know, you should be in love with your daughter.
01:13:33Hello?
01:13:36Hello?
01:13:37You know, you should be in love with you.
01:13:39We can't be in love with you.
01:13:41I can't be in love with you.
01:13:44Untertitelung des ZDF, 2020
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