Ahead of the much-anticipated pan-India release of The Raja Saab on January 9, the team hosted a grand pre-release party in Hyderabad. Riddhi Kumar and Nidhhi Agerwal, along with the makers, spoke candidly with pan-India media. Watch the full uncut video to catch all the exclusive moments and insights.
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#prabhas #therajasaab #rajasaab #nidhhiagerwal #riddhikumar #directormaruthi
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00:00So, congrats, advance Ganu. Thank you, thank you, sir.
00:03So, Tamangaru BGM, eraggotte serin jeppi, baihti ki, poorthika talko chcheisindi.
00:09Sir.
00:10So, Tamangaru koda, congrats. So, but my question to Vishwabrasadgaru.
00:14Vishwabrasadgaru, it's a promising film, it's a prestigious film, it's a film.
00:25If you have a film properly launched, you have a failure.
00:31Ok, sir. Repeat, sir. What is a failure?
00:34If you have a film properly launched, you have a failure.
00:39Especially in North India promotion, but not in South Indian languages.
00:44Basically, in this film, there are certain expectations.
00:53So, maybe my material has come a little later.
01:00But, if you have a film, there is a timing.
01:04So, later part of December, we had our trailer 2.
01:11So, from trailer 2 to date, it's picking quite well.
01:17From a curiosity point of view, and last one year, there is enough curiosity.
01:24So, we are moderate to better situation right now.
01:32You are moderate to better situation right now.
01:35Hmm.
01:36Now, in this film, there is no publicity planning.
01:41It's not a bad thing.
01:42There is no publicity planning.
01:43It's not a bad thing.
01:44It's not an bad thing.
01:46It's not a bad thing.
01:47It's a bad thing.
01:48It's not from my side.
01:50But, it's a bad thing.
01:52It's not bad that there is no publicity planning.
01:56But, we don't have to get more content right back and forth.
02:05So, what would people expect?
02:08Yeah.
02:09Definitely, we are the best reach, best, best, best appeal in most of the north.
02:16Definitely, we are very, very extraordinary in Telugu states, Bangalore.
02:22Of course, in Tamil, we are coming with other large films, so we are not in the same scale.
02:29And like any other language movie, it's difficult to achieve the same thing in Tamil.
02:35So, Hindi work, I think we have a decent reach and appeal.
02:41So, like any film in Hindi, it takes time for two to three days after the release.
02:47Based on the film, it will catch up.
02:49Any screen?
02:51North India, I don't have an exact number, but that will be anywhere from 3,800 to 4,500 screens.
02:59We are the lucky ones to get Pravasgaru for an event.
03:19And we didn't do any event, so we are the lucky ones.
03:26And initially, we planned to do it in America, but we thought because of the post-production work, it may not be feasible.
03:34So, then we did an event in Hyderabad.
03:37So, you cannot expect so much to do multiple locations.
03:41Thank you very much.
04:11In the day of the script, we were going to play a hero remix song.
04:16And they have a plan.
04:18So, that's a very good digest type.
04:19In general, I am also a cutout hero.
04:23I am a good hero, and I am a good master master.
04:27If it's available, I will be able to offer him a good master.
04:30It's a minus.
04:32So, that's a little bit of a feeling.
04:37But, do the cinema with that.
04:39And in this situation, he was very happy today.
04:46Even in production, the hero Garu had a heart better.
04:51I think he put his heart and soul.
04:56That's what we can do today.
04:58Marthi Garu.
04:59Yeah, after Nishant Garu, we'll give chance to other languages also.
05:03Marthi Garu, sir.
05:04Sir, no question, but just I wanted to say, this is your biggest day tomorrow.
05:10I wish you nothing but the best.
05:13Pan India Director,
05:15if you don't have any questions about Prouja's school.
05:19I mean, the Pan India Director,
05:23I'm the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is.
05:33I wish you were the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who is the one who
06:03Vishwaprasadgar, sir, this topic is very open to talk about this topic, even the most controversial topics, you had a particular opinion every time and you never hesitated to speak about it.
06:20I have a question about Nizam. It is obviously the biggest event in the Prebazgar film. It should be a no-brainer that it should be in every theatre across Nizam.
06:36But if you look at that situation, especially in single-screen theatres.
06:41You are also one of the partners of Maitri. What is happening in Nizam?
06:58There are two topics in Nizam.
07:01One is the rates. We are making and pleading to the government to give the rates.
07:07So that's one part of it.
07:09And are you positive about it?
07:11We can only plead.
07:13Okay.
07:14It looks positive, but we cannot be overconfident.
07:21Mostly we will know by tomorrow noon.
07:25Okay.
07:26We are able to...
07:28There is no block from the legal system.
07:32So we got the rates in AP.
07:36So we are very hopeful.
07:38So the Telangana government will be considered.
07:42Okay.
07:43And we also requested that we will spend 20% of the add-on income for the welfare.
07:50Okay.
07:51Okay.
07:52And the second part.
07:53First question.
07:54First question.
07:55The second question.
07:57Eighth and eleventh you will see everywhere.
08:00You will see everywhere.
08:01You will see everywhere.
08:03And the cinema eight, nine, ten, and eleventh.
08:05But obviously, the theatre charts say that the newspapers have published out now.
08:10They tell a different story now.
08:12And the other publishers know?
08:13That is obviously coming from Maitri.
08:15Eighth night and eleventh night, you will see in every screen.
08:20Okay.
08:21Twelfth, we have to share with everyone.
08:23For the festival, there are seven movies at night.
08:27They are all in different dates from 9 to 15.
08:31So, basically, everyone has to share.
08:34And every movie has to run.
08:36Heroines.
08:37Heroines.
08:38Heroines.
08:39Heroines.
08:40Heroines.
08:41Tamangar, Tamangar.
08:42Every Sankra eat
08:59So, Raghu 채 becomes the toughest part of the film.
09:02Are these going taken-down like climax or swim?
09:04Harati is willingness to make super chill want
09:06It's a challenging score.
09:08I think, in these three stages, you will definitely be able to get the director of the film.
09:18That's important.
09:20It's important to be able to get the director of the film.
09:26You will all be very proud.
09:32So, that's definitely a challenge.
09:35I think Maruti achieved it really big.
09:46Yeah, please.
09:47Hi.
09:48Before asking question, introduce yourself.
09:49Yeah.
09:50Hi.
09:51My name is Nishad.
09:52I'm from CNN News 18.
09:53Actually, we met Nidhi, Riddhi and Vishwasgaru in Bombay.
09:57We missed you, Maruti sir and Taman.
09:59My question is to you guys.
10:02We have seen, technically, Prabhas being the first ever Pan-India star to be there when Pan-India was coined.
10:09You know?
10:10And to direct him and to have a music these days, which is very thematic.
10:14We see a lot of thematic music going viral on social media.
10:17So, from Taman, I want to know what was the brief that you got from Maruti about making a Pan-Indian film with Prabhas in it.
10:25To have that thematic music, what kind of brief did you get and what is the output that we are going to see?
10:31This film has a very… very good… very strong periodic backup.
10:36So, the… it should not sound very modern as well as it should not sound really bold.
10:41So, that was really challenging for us.
10:43And same time, how entertaining it has to sound with the… with the whole… whole Zenzi sound that's happening now.
10:50And the whole… the reels, how we should make.
10:53So, the themes was properly taken from the film.
10:57Generally, we are not independent composers.
10:59So, we have so much things which has to… which has to be the… the films…
11:05It should be… I should be a dialogue version of the film too.
11:08My music has to speak.
11:10So, I think Maruti has given me the right feeding.
11:12I think he has inserted the right seeds into my head.
11:15So that I planted the right flowers to the film.
11:20My next question is to all of you.
11:22I want you guys to say… I mean, you all welcomed us to our… your second home technically, right?
11:27So, each of you have a different feeling when you come to the set.
11:30I mean, Vishwas Garu comes as a producer.
11:32Maruti sir comes as a filmmaker.
11:34Both of you as artists.
11:35So, if you are sitting here thinking about all the three years of efforts that you guys have put into the film,
11:40tell me individually what's the one feeling that comes to your mind in one word.
11:44In one word?
11:45Very difficult.
11:46Okay.
11:47It would be gratitude.
11:49I think I am super grateful to be here on this set with this group of people.
11:53And we have shot some amazing scenes over here which you all will enjoy in the film.
11:57So, gratitude.
11:58Always.
11:59Alright.
12:00Moving to Riddhi.
12:03I think as I was telling Vishwasar as well that I feel very nostalgic being here.
12:09We spent a fair share of our time being here.
12:12Again, running around the corridors, filming our scenes.
12:15And right now I sit here in red reminiscing over everything that's been through.
12:20And just super excited to see what's ahead.
12:23So nostalgic I would say.
12:24Yeah.
12:25Great.
12:26Vishwaskar, what about you?
12:27Definitely not nostalgic I guess.
12:28No.
12:29As a producer.
12:30I'll talk about the set.
12:33See, if you come 20, 24th June, this entire area is a barren land.
12:38There's nothing here.
12:40So, 24th September we started filming in this set.
12:44So, to me, I feel it's a huge achievement making this barren land into the largest floor
12:51and the largest set and with a very symmetrical… the… very deep symmetric work on the… the old palace.
13:05So… and I'm hoping we feel the same achievement tomorrow once the film is released.
13:10Absolutely no doubt.
13:12Maruti sir, what about you?
13:14One feeling that you have when you come back to this set today?
13:19It's a larger than life one and it is a great opportunity to me to show Prabhasgaru as…
13:28to show Prabhasgaru rebel sub as Raja sub.
13:31Yeah, that's all.
13:33Thank you so much.
13:34Hi Maruti sir, this is Priyanka from Midday.
13:41First of all, fabulous assets.
13:44And I have two questions for you.
13:47And one first of course, that Jan 9th is very very important…
13:50Yes ma'am.
13:51…for the whole team, for you as a filmmaker.
13:53But is there more pressure on you?
13:56You know, as the Helmer also because it's a superstar film.
14:00There are so many expectations attached to a Prabhasgaru's film, the opening, the lifetime.
14:06So are you also carrying that pressure that this is a Prabhas-led film?
14:10Of course it will be there ma'am.
14:12I can't say there is no pressure at all like that.
14:15But I saw film, I liked it very much and my friends and everyone watched and they also liked it very much.
14:26We are going to show however tomorrow and you are going to write about the film.
14:32And it will be a different world ma'am.
14:38You can see my work in that.
14:41Right.
14:42But also I wanted to ask you another thing that you know, Salip Reddy Vanga is also working with Prabhas.
14:47And in one of the visual assets for his film with Prabhas, he called him India's biggest superstar.
14:53Now you yourself work with so many South Stars.
14:56We have stars in other languages as well.
14:59I want to ask you, do you think that Prabhas indeed is India's biggest superstar, superseding everyone else?
15:07I feel global star.
15:09Right, right.
15:10Not only Pan India, Pan world they are watching, no?
15:14In Japan also he went, no?
15:17His heart is like that ma'am.
15:22Where are you talking about Tamil Nadu, you talk about Minachi Sundar?
15:24You talk about Tamil Nadu.
15:26You are a lucky hero.
15:28You are a lucky hero.
15:29You also talked to him in the Philippines.
15:31He talked to him about the deputy CM.
15:35He talked to him about the deputy CM.
15:36He talked to him about the deputy CM.
15:37You can choose the deputy CMIT.
15:40Now, you can choose the president.
15:43You can choose the deputy.
15:45President.
15:46Okay, President.
15:47This is a thousand crores.
15:49You can choose your luck, your luck, your luck.
15:52That combination is a thousand crores.
15:54You have to choose your expectation.
15:55I hope so, sir.
15:56If you are doing that, you are doing that.
15:59So, just praying hard.
16:00I really hope so.
16:02Okay.
16:03What do you say about Nidhi Agarwal?
16:04This is Rogini from Chennai.
16:06Okay.
16:07You said that you said about the horror fantasy movie.
16:10You said that you have only one time spent on this set.
16:13You said that you have only one time spent on this set.
16:15What is the horror moment?
16:19What is the real moment?
16:21What is the real moment?
16:23Yes.
16:24So, we shot a horror episode right there.
16:26Which was extremely, extremely scary.
16:29And I was scared of horror.
16:31I was so scared.
16:32So, I really, really got scared.
16:35Hi.
16:36Hi.
16:37Hi.
16:38Ranjit from Film A Beat, Tamil.
16:41My question to producer.
16:43Actually, in Tamil Nadu, Jananayagan and Parashakti.
16:47Two big movies released.
16:48So, what's your plan for Rajasab?
16:50How many theaters you planned?
16:51Sir, I don't know the current situation, sir.
16:56So, we were told we may get anywhere from 150 to 200 screens.
17:03But with the current development, I don't know exactly.
17:06But they are hoping we will get around 200.
17:09Sir, this is Manikandan from here, Chennai again.
17:11The same question.
17:12As an addition to that, you know, we are kind of interested…
17:15We know…
17:16We understand that, you know, Prabhas was the first to kind of make this word pan-Indian.
17:20And now we are talking about pan-global.
17:23So, we know he has a huge fan base in Japan as well.
17:26And then, you know, Bahubali's response also was great.
17:29So, are you targeting Japan in particular?
17:31Any…
17:32Any…
17:33If you can throw light on the kind of arrangements you made at releasing the film over there.
17:36That is one.
17:37The other part is with Jananayagan, you know, facing difficulties in Tamil Nadu.
17:41What is the kind of increase in number of screens that you are looking at in Tamil Nadu?
17:48See, it is very unfortunate the situation what is going on right now.
17:54So, yeah, I don't want to comment on what is that we are getting because of that.
17:59But we are hoping they get the certificate on ninth and they come along with us.
18:04So, to your other question, releasing in Japan,
18:09we are releasing the Indian languages right now along with our regular release.
18:15But we will have a Japanese-dubbed release of the movie three to six months after the main release.
18:24Hello.
18:25Yes, sir.
18:26Yes, sir.
18:27Karnadadinda, Vijayvani from Shivo.
18:30What is the theatre set-up in Karnadaka?
18:40See, again.
18:42Do you think of the cinema to protect us?
18:45What is the problem of piracy?
18:47What is the challenge of piracy?
18:50I request everybody please stick to one or two questions.
18:53No.
18:54No, piracy.
18:55All are waiting for…
18:56Piracy.
18:57See, piracy is a problem that we all are going through for a while.
18:59It is not to be Kannada.
19:01Recently, Telangana government has achieved a very significant step of cropping down some of the people who are the key resources behind.
19:12So, we are hoping they take more steps.
19:16There is a… the cyber security department here is collaborating with the film industry on taking some lot of measures.
19:23So, we hope that will come down.
19:25Sir.
19:26To the whole team of Rajasab.
19:28Actually, questions are the time that I have not convinced.
19:31Why is it that time?
19:32Already, cinema choose the time.
19:34So, party time?
19:35Already, party time.
19:36That's why I have a party party.
19:37That's why I have made a report on cinema choose.
19:40I am excited about you.
19:42I am excited about you.
19:43In the last 30 minutes.
19:45I will talk about you next level.
19:48So, it is a party time.
19:50So, I wish…
19:51I wish…
19:52You are the best of your friends.
19:54So, the last final copy is the last final copy.
19:56What do you think?
19:57What is your reaction?
19:58I will say.
19:59See…
20:00I am repeating…
20:01I am…
20:02I am repeating…
20:03This is a movie…
20:05Where you have a Pan-India star…
20:08Coming back to his old days of doing the…
20:11Comedy, Romance…
20:14Along with action and fantasy.
20:16Definitely, the last 30-40 minutes will be…
20:20Comparable to any other large-scale global movies.
20:24And then just India are not like that.
20:26And there is a surprise, you will know, announcement tomorrow.
20:30There is another five-minute huge fantasy element that will get added during the festival.
20:35Maruti?
20:36Maruti's master stroke and sir.
20:38Actually, you will choose in the world.
20:40So, Vishwa…
20:41You will choose in the world.
20:42You will choose in the world and you will choose in the world.
20:45You will choose in the world.
20:46You will choose in the world.
20:47You will choose in the world.
20:48You will choose in the world.
20:49May I please, you ask.
20:50Vishwa, sir and Maruti, sir.
20:52The kind of response you are getting with Book My Show, District and all the other online portals are unbelievable.
20:59So, are you guys nervous now?
21:02Are you excited?
21:03What is the exact feeling?
21:04Can you describe that?
21:05Excited, ma'am.
21:06Excited?
21:07Of course.
21:08Okay.
21:09Vishwa, sir, you are looking relaxed.
21:11Are you getting all set to count the money?
21:13See, again I told many times, it's not the money that drives me to make films.
21:19I know.
21:20So, we did add a backslash.
21:22So, to be honest, we had a bad 2024 year.
21:26So, 2025, we could deliver an extraordinary product, Mirai.
21:32Yes.
21:33And with the same VFX team, we could able to deliver a lot of the fantasy elements into this movie.
21:42We cannot match, but we need to balance.
21:45So, and we got a great relief yesterday because our own product, we will be believing it much.
21:53But yesterday, first time I watched the US copy in a regular theatre along with a few more audience
22:02and they concur with what we believed and we are very happy.
22:06Thank you, sir.
22:07Thank you, sir.
22:08Thank you, sir.
22:09Yeah, next question.
22:10I can't, I can't.
22:11I can't.
22:12I am very happy.
22:13I am very happy to talk about the Karnataka and Vishwan.
22:15Sir, Rajasab, I've heard about the film.
22:17The film is the best of us to build our country.
22:19I am welcome to the Karnataka.
22:21The film is the best of us all.
22:23The movie is the best of us.
22:24So, these three movies and the movie are all kinds of movies.
22:25So, these movies and the content of Karnataka and the Karnataka,
22:29The movie is primarily the grandmother and grandson, the emotion drives between a grandmother and grandson, and if you watch the trailer you pretty much know the flow of the movie, of course I cannot reveal the actual content, but
22:58the appeal of a sentiment or emotion of a grandmother and grandson is universal, so it's not, there's no specific language based emotion here, it's an emotion between the grandmother and grandson.
23:15Then comes the horror fantasy, so the film is driven with the horror genre with fantasy and with lot of romance.
23:24I think there is a reasonable balance between all the three actresses in the movie, but the emphasis is more on the emotion and the fantasy.
23:33Hello, this is Pranati from Deccan Herald here, I am here.
23:38So after Bahubali, Prabhas's movies have not been as appreciated.
23:43So how challenging, how exactly was this project challenging to you guys as makers, as the director working with him?
23:53See the first statement is not true, Prabhas sir is a huge pan India star and our challenge is we are doing while the Salar is getting released, Kalki is getting released.
24:08So now we have a horror genre and we cannot do a smaller movie, so the challenge we took is more of a horror fantasy and Maruti sir is the first one to introduce the horror comedy and now he is the first one to bring the horror fantasy.
24:27I will have a question of Dr. Kalki.
24:33Hello.
24:34Hi, this is Saurav from Delhi.
24:38Actually my question is two beautiful ladies from Raja Sahib's story.
24:43We have seen many films in North India that have been horror like Bhut Guliya 3 and Chai Shri-2.
24:51There were many fantasies, but what kind of fantasies are you going to do with us?
24:58If you can tell us, do you want to fantasize us or do you want to fantasize us?
25:04The main genre of horror comedies is the main genre of horror comedy,
25:09but there is a fantasy land created.
25:13The horror comedies we have seen are in a realistic space,
25:16it is also a psychological thriller.
25:21It is also a psychological thriller, but the world that we create is fantastical.
25:25So, when we go to any audience screen,
25:29we want to see something new in our life.
25:33You can go to the country, but you can't live in fantasy,
25:37so I think that is one of the most striking elements.
25:40Plus, it is an amalgamation of a lot of different genres.
25:43There is also romance, there is action, there is horror and comedy, as you mentioned.
25:47To me, I think it is the fantastical approach.
25:50And if I am being very honest, to me, it is also the fact that Prabhaar sir is in it, you know.
25:56So, I think that also makes it stand out so much more.
25:59Maruti sir, from Karnataka.
26:02She answered it, she answered it.
26:05So, it is the fantasy element I think that is the most exciting part.
26:09If you have seen the trailer, there is like a big monster, right?
26:12So, I think that is going to be super exciting.
26:14And the climax is something that you should look forward to.
26:17So, I think you will enjoy it.
26:20Yes, ma'am.
26:21Maruti sir, Prabhaar sir, after Bahubali and Salar cinema,
26:26Prabhaar sir, the audience and fans…
26:30I don't understand Kannada, ma'am.
26:32Yes, ma'am.
26:33It is a Palindia movie, ma'am.
26:35Yes, ma'am.
26:36It is a Palindia movie, ma'am.
26:37Okay.
26:38Kannada also?
26:39Yes, ma'am.
26:40After Bahubali and Salar, Prabhaar sir, character is in it.
26:45So, you are in your genre.
26:49Prabhaar sir, you are in this role.
26:51You are in this role.
26:52And what are you doing with this role?
26:54And what are you doing with this?
26:57And what are you doing with this?
26:59Actually ma'am, before Bahubali, before he used to do this kind of comedy characters.
27:05He played lot of comedy characters.
27:08After Bahubali, actually in Pan India, no one can see in this kind of characterization.
27:18Now, I want to show if Prabha sir, if he played comedy role, how it will be.
27:26That too, his stature, we are looking for one different genre.
27:33That is called this fantasy, horror fantasy.
27:38You can see Tomorrow Ma'am.
27:40It's like a Disney films.
27:44I came from… I have animation background.
27:47I came from the 2D animation.
27:51That is why I enjoyed this film when I am making.
27:56And you will also… will enjoy, I think.
28:00Mardis sir.
28:01Hello.
28:02Mardis sir.
28:03Mardis sir.
28:04Mardis sir.
28:05Can I?
28:06Yeah, yeah sir.
28:07You can, you can, you can.
28:08So long sir.
28:09Thank you so much.
28:10Mardis sir, Prasar sir, my question is to you.
28:12Yesterday, you know, day before yesterday we launched a song and it is terrific, you know.
28:15The response is really mind blowing.
28:17NACHE-NACHE-SAMMAR.
28:18Mardis sir.
28:19There are three so many characters in the world, Prasar sir.
28:21And after that, the person who was performed a lot, they are mind blowing.
28:25My question is that when we talk about Prasar sir, the buzz around the film is very positive.
28:31How many million films would you have to open the opening?
28:35What is your take on that?
28:37Prasar sir, just wanted to know what opening is your eyeing at.
28:40That is precious sir's call, I think.
28:46Me, I cannot tell that figures are done.
28:50Sir, we globally will definitely go more than a hundred floors in the table.
28:56My question, here, Maruti ji, here.
28:59Yes, yeah.
29:00My question, sir, Bappi Lahiri sir's song,
29:03one of the super duper hits at the time.
29:06So, why was, was it a deliberate thing that Bappi Lahiri sir's remix is the bond?
29:12Because there are so many super hits.
29:14No, I didn't know that.
29:16I have a lot of history.
29:19I have a lot of history.
29:20I have a lot of history.
29:22I have a lot of history.
29:24I have a lot of history in my cinema.
29:28I have a lot of history in that process.
29:32From the beginning,
29:34In the beginning,
29:36I have a lot of history in the cinema,
29:38Because of the story scratch,
29:40I have a lot of history.
29:42I have a lot of music.
29:44I have a lot of music and trends.
29:46I have a lot of music.
29:48Three days before religion,
29:50I have a lot of people.
29:52I have a lot of people.
29:54I have a lot of people.
29:56So, Nidhi and Riddhi,
29:58both of you have really enjoyed
30:01if you see the dancing and all.
30:03So, they say this is a media party.
30:06So, was it a party already for you
30:08before this conference?
30:10Can both of you answer?
30:12Riddhi?
30:15Yeah, I mean, the song,
30:17I always love dancing, as you know.
30:19I think that's been a very, very big part of my journey.
30:22And Nache Nache was amazing fun to perform.
30:25So, was Sahana Sahana,
30:27Raja Yuvraja is a beautiful song.
30:29So, I love all the songs in the film.
30:31But, talking about the party,
30:33yes, Nache Nache was a party.
30:36And one last question.
30:37Marri, sir.
30:39Sir, there is a regular format in Indian cinema,
30:40in a regular format.
30:43There is a night effect.
30:46There is a ghost in a white color.
30:48There are three beautiful heroes.
30:51There is a ghost in a white color.
30:52There is a recipient in a white color.
30:54There is a ghost in a white color.
30:55Why are the three heroes?
30:55Who are ghosts here?
30:56Who are ghosts?
30:58No one, sir.
31:00Sanjid, sir.
31:01Ghost.
31:03Sir.
31:04Hello.
31:05Okay.
31:06Your question is last question.
31:07Abhirami from Tamil Media.
31:09We can't hear you, ma'am.
31:10Can you please speak louder a little?
31:12Abhirami from Tamil Media.
31:14Dhinnamalad.
31:14Tamil Media.
31:15Okay, ma'am.
31:16I have a question for the director.
31:18Do you have any idea for the second part for this movie?
31:24Yes, ma'am.
31:25So you have a lead scene also, is it?
31:27What, ma'am?
31:28Lead scene is actually a thing, ma'am?
31:30Yeah, there is a story.
31:31Oh, okay.
31:31One story.
31:31One story.
31:32One story.
31:32One story already told me, ma'am.
31:36So the second part is also coming?
31:39Yeah, there is a thing.
31:41Okay, all the best.
31:42But Nari time, I recommend.
31:44Okay, thank you.
31:45Sir, Priya here from Bangaluru.
31:48Okay, ma'am.
31:49Yeah.
31:49Yeah.
31:50You're not hungry?
31:51Sorry?
31:51It's already late, I think.
31:52Yeah, no worries.
31:53Ask, ma'am.
31:53Yeah, yeah.
31:54Can I?
31:55Can I?
31:56Yes, of course you can.
31:57Yeah, yeah.
31:57Thank you so much.
31:58Maruti, sir.
32:00Here, Priya.
32:02Yeah.
32:03What are the challenges in storytelling when working with a star like Prabhas?
32:09No challenging, ma'am.
32:14Writing only.
32:16Okay.
32:19But when, Andre, Prabhasanta star here, our fan base, our feeling, our heart, our feeling,
32:28our heart, our heart, our heart, you manage, ma'am, so H2, yeah.
32:31He is a very sweet person, ma'am.
32:35Yeah.
32:37He make me very comfortable.
32:39Okay.
32:42You can see on screen, ma'am.
32:44I can tell.
32:47Thank you so much.
32:48So there is no pleasure, only pleasure with Prabhas, sir, his rebel star, his pan-India
32:52star.
32:53We are in a little hurry.
32:55Thanks for coming here, everyone.
32:57Please have a nice dinner and watch our film and enjoy and give great reviews.
33:05Thank you so much.
33:06Thank you so much for coming here and making it successful.
33:09Thank you so much each and everybody.
33:11Aap sabka dhaniwaad kana chahounge, ma'i.
33:13Thank you so much.
33:14Such a beautiful, it's look like a media gathering, no?
33:18Enjoy the evening.
33:19Enjoy the event.
33:19And thank you so much.
33:20Around the film is very positive.
33:23Kitne karoor ki film ko opening leeni chahiye.
33:27Just, what's your take on that?
33:28The Prasad sir just wanted to know what opening you're eyeing at.
33:32That is Prasad sir's call, I think.
33:37Me, I cannot tell that figures are done.
33:41We globally will definitely go more than 100 pros in the table.
33:46My question, here, Maruti ji, ikara.
33:50Yes, yeah.
33:50My question, sir.
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