- 2 days ago
San Angelo at Dusk captures the quiet moment when day fades into night over a small western town. As the sun sinks low, long shadows stretch across empty streets and the last light lingers on old buildings and distant horizons. The atmosphere is calm, nostalgic, and slightly haunting—inviting viewers to slow down and feel the silence of dusk, where time seems to pause and stories remain untold.
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Short filmTranscript
00:00:00Oh, Belle, San Angelo, fill the air with golden melody.
00:00:16From valley to valley, from everywhere, their song rings up to me.
00:00:24The heavenly voices, so sweet and clear, wake up in harmony.
00:00:33The bells of San Angelo, I hold dear, they're in my memory.
00:00:42They tell of the magic of new love, of tears through the years made apart.
00:00:49They tell of an old love, still true love, the love that I keep in my heart.
00:00:58For the bells of San Angelo call to me, come back, come back, they sing.
00:01:07I know that my heart ever there will be when the bells of San Angelo ring, when the bells of San Angelo ring.
00:01:20Dile que nunca me deje, que nunca se vaya de aquí.
00:01:27Dile que solo la muerte, que mi alma podrá arrancar.
00:01:37It's always good when you come here and we join our voices together.
00:02:07I'm sorry that trouble brings you here.
00:02:09I'm sorry too, Padre, but I think with the help of my friends over the border here, we'll be able to get this thing straightened out.
00:02:15Well, I'm sure glad you come, Roy. As mayor and sheriff, I can only go so far.
00:02:19Word was sent to the mine this morning for Ramon to meet you here.
00:02:23He'll be along any meet.
00:02:25I'll be along any meet.
00:02:27I'll be along any meet.
00:02:29I'll be along any meet.
00:02:31I'll be along any meet.
00:02:47Let's go.
00:03:17Hi, Sheriff.
00:03:38We're just in time. We've been having a little trouble.
00:03:42Can't do much for him now, boys. He's dead, Cookie.
00:03:44You better start explaining, Ulrich.
00:03:47There ain't much explaining to do.
00:03:49Look him over.
00:03:50You'll find he's been stealing high-grade ore from the Monarch mine.
00:03:57That's pure silver.
00:03:58Gridley gave us orders to shoot thieves.
00:04:00You better have plenty of evidence.
00:04:02We've got it. What do you call that?
00:04:04My son.
00:04:16This is the work of the devil.
00:04:18You are murderers.
00:04:19I'll keep this, Cookie.
00:04:27I'm going up to the mine and have a talk with the man who gave those orders.
00:04:30I'm sorry, but Mr. Gridley's busy.
00:04:32Not that busy.
00:04:33Look, nobody's coming up this road without a warrant.
00:04:36On a murder case, I don't need one.
00:04:38Look here.
00:04:39Why, you...
00:04:41They won't bother you anymore, Roy.
00:04:45I'm taking them all in.
00:04:51Get on your horse, you nasty little kid.
00:04:54In no more eye, Patria, et filia spiritus sanctus, amen.
00:05:24Your name, Gridley?
00:05:34That's right.
00:05:35I'm Roy Rogers.
00:05:37Oh.
00:05:37A border investigator.
00:05:39Step inside.
00:05:51Sit down.
00:05:54Drink.
00:05:57No, thanks.
00:05:58Gridley, your men just murdered a boy from San Angelo.
00:06:02Why?
00:06:03If my men killed anyone, they did it under orders.
00:06:06Anyone else found trespassing and stealing will have the same thing happen to them.
00:06:09This is the second time this has happened.
00:06:12You have no right to take the law into your own hands, and you're not going to get away with it.
00:06:16This is tough country, Rogers.
00:06:17We're in a bad spot here.
00:06:20A monarch is a small but rich mine here on the Mexican border.
00:06:22While it's all part of the San Angelo Rancho, these hills are in Mexico and make a natural getaway for anyone who wants to hold us up.
00:06:30We can't expect any help from San Angelo over here.
00:06:33And the lodge isn't much help.
00:06:35Town's even farther away.
00:06:36So you see, we have to be tough.
00:06:39In my opinion, you're just a little too tough.
00:06:41I'm here to protect the interests of the stockholders.
00:06:44Nobody's going to tell me how to run the monarch.
00:06:46That goes for you too, Rogers.
00:06:47So that's the way it is.
00:06:49Yes, and that's the way it's going to stay.
00:06:51Not if your men are guilty of murder.
00:06:53My men are guilty.
00:06:55So am I.
00:06:58That's what I'm thinking.
00:06:59He frightened you, Cinderella.
00:07:11Well, don't be afraid.
00:07:13I don't think Mr. Rogers is going to be with us very long.
00:07:15Hello, Tramp.
00:07:37Hiya, boy.
00:07:38Hi, fellas.
00:07:39Hello, Cookie.
00:07:40Cookie, don't tell me another hound.
00:07:43Oh, Roy, so help me.
00:07:44He goes on my way home and he follows me.
00:07:46Yeah, I know.
00:07:47And as official dog catcher, you had to bring him in.
00:07:49Yeah, yeah, that's right.
00:07:51Roy, I'm sorry I had to let them mine guards go.
00:07:54But I couldn't prove that that boy wasn't stealing.
00:07:57After all, you found the silver on his body.
00:07:59I know.
00:08:00What'd it run?
00:08:01It's really pure.
00:08:02According to the assay, it runs about 18,000th of a ton.
00:08:06Boy, I sure wish I had a boatload of that stuff.
00:08:08Woo-wee.
00:08:09No wonder Gridley's got to be careful with pure silver floating around.
00:08:12That makes this worth about $40.
00:08:15It's not much for a man's life.
00:08:17Well, why'd they shoot him?
00:08:19Why didn't they grab him?
00:08:20He was going to tell us something.
00:08:22Gridley's men got to him first.
00:08:24Well, if you want to go up and take a look around that Monarch mine, I'll give you a search warrant.
00:08:28And tip them off that we're coming?
00:08:30Gridley's too smart for that.
00:08:32He'd cover up before we got up the hill.
00:08:36Morning, gentlemen.
00:08:37Morning.
00:08:37Hiya, Buck.
00:08:40Where'd you get them duns?
00:08:41Out of them from the Zoot Suit Company.
00:08:43Shove, ain't they?
00:08:45You sure is a hard man to find, Mr. Rogers.
00:08:48I've been trying to catch you for two days with that communication.
00:08:51Did our Western catalog get here yet?
00:08:53Yes, sir.
00:08:53Four days ago, but I ain't finished reading it yet.
00:08:55I just got first the song section.
00:08:57Tippi-tai-yai-yo.
00:09:00Ge-long-me-a-doggy.
00:09:02That's your silly-looking outfit.
00:09:07Hey, I wonder if they come in my size.
00:09:10Well, I don't mind trailing thieves and murderers, but this is too much.
00:09:14Please, smokes, fellas.
00:09:15Listen to this.
00:09:17Lee Madison will be here Thursday.
00:09:18He's that writer, fellas.
00:09:20Lee Madison will arrive on the bus Thursday.
00:09:23Make reservations at the lodge and assist in every way possible in the collection of material for a new novel.
00:09:30Chief Border Inspector, yeah, Moffat.
00:09:33Oh, he writes stories about people like you and me.
00:09:36And he makes us all sound like a bunch of characters who spend their time hanging horse thieves and chasing Indians.
00:09:41Well, let's run the critter out of town.
00:09:43Now, you sound like one of his characters.
00:09:46Well, it looks like you're going to have to be nice to him, whether you like it or not.
00:09:49I haven't got time to be nice to anyone right now.
00:09:52You boys better be the welcoming committee.
00:09:54Gee, that's swell.
00:09:55We'll do it up in good old Western style.
00:09:57Yeah, did you read Murder on the Border?
00:09:58Golly, I did.
00:10:00It's all about...
00:10:02I know what it's all about.
00:10:03Black-hearted villains and roaring six-guns.
00:10:06I'd like to see him face some of those roaring six-guns he writes about.
00:10:09Well, we better get going.
00:10:10The bus will be in this afternoon, and we want to do this upright.
00:10:13Yeah.
00:10:13Oh, I'll be there, too.
00:10:15Hey, maybe we can get Madison to help us with the investigation.
00:10:19That's what I'm afraid of.
00:10:21An armchair detective like that could ruin our chances of pinning anything on Gridley.
00:10:25Oh, I never thought of that.
00:10:26Say, Cookie, what do you suppose Madison would do if he met one of these black-hearted villains
00:10:32with roaring six-guns?
00:10:34Oh, I don't know what he'd do, but I know what I'd do.
00:10:38I'd...
00:10:38I'd...
00:10:39I'd catch a first-past freeze out of town.
00:10:43Uh, Miss Madison, would you mind autographing your book for me, please?
00:11:04Of course not.
00:11:05Gee, just wait till I tell my wife about meeting the famous Lee Madison and how pretty and...
00:11:10Well, uh, on second thought, I think I'll just show her the autograph.
00:11:20Uh, Mr. Madison?
00:11:22Huh?
00:11:22Mr. Madison?
00:11:24Huh?
00:11:24I say, are you Mr. Lee Madison?
00:11:28Oh, sorry, son.
00:11:30I've got only insurance I can handle.
00:11:32Oh, oh, uh...
00:11:34Are you looking for Mr. Madison?
00:11:37Yes, ma'am.
00:11:38Mr. Lee, he didn't want any broken-down writers hanging around here anyway.
00:11:42Yeah, that's right.
00:11:44Oh, really?
00:11:45Oh, yes, ma'am.
00:11:46He's pretty sore about the whole thing.
00:11:48He's afraid that old buddy dud will butt into everything.
00:11:51Oh, I don't know about that.
00:11:52I like his books.
00:11:55So do I.
00:11:57Well, there's no more buses today.
00:11:59See you all later.
00:12:00Goodbye, ma'am.
00:12:01Uh, were you going to the lodge?
00:12:03Well, I intended to.
00:12:05Well, swell, come along.
00:12:06Yes.
00:12:07Uh, you better sit up front, miss.
00:12:14I don't think Madison would have, though.
00:12:16Roy said that somebody's lab would take a shot at him for writing those corny books.
00:12:20A shot?
00:12:21Roy says.
00:12:22Oh, oh, yes.
00:12:25Mrs. Oak.
00:12:30Sorry, miss.
00:12:30We didn't catch the name.
00:12:33Oh, uh, Helen.
00:12:35Helen Clifford.
00:12:37Uh, Helen Clifford, fellas.
00:12:38Well, I don't know you, Helen.
00:12:39Hello.
00:12:40Hello.
00:12:42Yeah.
00:12:42When the rustlers come to town, I just ups and shoots them down.
00:12:59Hot lads.
00:13:01Hot lads.
00:13:03Makes no difference where they're from.
00:13:04I just ups and gives them some.
00:13:06Hot lads.
00:13:08Hot lads.
00:13:09He never calls the sheriff, no.
00:13:12He never calls them long.
00:13:14His finger finger's ready and he beats them to the draw.
00:13:17When the barbers come around, I just ups and mows them down.
00:13:21Hot lads.
00:13:22Hot lads.
00:13:24What is that, a six shooter?
00:13:25No, a sixteen shooter.
00:13:28Found a rustler on the trail, I just ups and let it hail.
00:13:31Hot lads.
00:13:33Hot lads.
00:13:34Found another three or four, I just ups and let it pour.
00:13:38Hot lads.
00:13:40Hot lads.
00:13:42The west is wild and woolly and it's tougher than a blue shootin'.
00:13:46Arms are always itchin' makin' first up on the shootin'.
00:13:49Let a bandit come inside, I'll just ups and pour them white.
00:13:53Hot lads.
00:13:55Ha, ha, ha, ha, ha, ha, ha.
00:13:57Let.
00:13:57Let.
00:14:00Hot lads.
00:14:01Hot lads.
00:14:31All right.
00:15:01All right.
00:15:02All of you climb out of there fast.
00:15:03Keep your hands up.
00:15:08Where's your passenger?
00:15:14Take your boots off and throw them back in the wagon.
00:15:17Oh, come on!
00:15:24You can start walking when we get to the top of the ridge.
00:15:30Let the bandit come in sight, you just ups and pours him wire on her land.
00:15:37All right.
00:15:38Come out of there.
00:15:39All right.
00:15:40Come out of there.
00:15:41I said come out.
00:15:46All right.
00:15:47Come out of there.
00:15:48I said come out.
00:15:53Well, where's Madison?
00:15:55He didn't show up.
00:15:56What do you want him for?
00:15:57I want his money.
00:15:58He's rich and I'm poor.
00:16:02You mean you rob from the rich and give to the poor?
00:16:03Yeah, that's right.
00:16:04Besides, I don't like him.
00:16:05Why?
00:16:06Did you ever read any of those awful western stories he writes?
00:16:09Awful?
00:16:10Yes, awful.
00:16:11Yes, awful.
00:16:12They give us outlaws a bad name.
00:16:13You better come on up here, little girl.
00:16:17Now, if you'll just hold these lines steady, you'll be all right till the boys get here.
00:16:18Don't worry.
00:16:19Don't worry.
00:16:20I'll be right.
00:16:21You're right.
00:16:22You're right.
00:16:23Besides, I don't like him.
00:16:24Why?
00:16:25Did you ever read any of those awful western stories he writes?
00:16:26Awful?
00:16:27Yes, awful.
00:16:28They give us outlaws a bad name.
00:16:31You better come on up here, little girl.
00:16:36Now, if you'll just hold these lines steady, you'll be all right till the boys get here.
00:16:46Don't worry.
00:16:47Sorry to have bothered you, ma'am.
00:16:53Goodbye, Robin Hood.
00:17:10Hey, did you see who's here?
00:17:11Yeah.
00:17:12Want me to stick around?
00:17:13No, go back to mine and get a hold of Roberts.
00:17:15Make sure everything's all right.
00:17:21Sounds like Rogers.
00:17:22It is.
00:17:23In the cowboy's dream of heaven.
00:17:24Then at a great big moon is shining high up in the prairie sky.
00:17:29That's the cowboy's dream of heaven.
00:17:32The stars are a-twinklin', the breeze is whisperin' low.
00:17:37The boys around the camp are singin' songs of long ago.
00:17:41Oh, there's an old guitarist drummin'.
00:17:42Oh, there's an old guitarist drummin' out a western melody.
00:17:46In that cowboy's dream of heaven.
00:17:49While on a distant hill the coyote's croonin' out the harmony.
00:17:54In that cowboy's dream.
00:17:56The cowboy's dream of heaven.
00:17:57He may be weary from ridin' all the day.
00:18:01But when the shadows fall around, you're sure to hear him say.
00:18:05Give me a little bit of Brainsland and perhaps a pal or two.
00:18:09That's a cowboy's dream of heaven.
00:18:13And just as long as I am dreamin', I would like a gal who's true.
00:18:17That's a cowboy's dream of heaven.
00:18:36Oh, Miss.
00:18:37Oh, hello, Mr. Rogers.
00:18:39Any word for Mr. Madison?
00:18:40I'm sorry, but there haven't been any messages for you at all today.
00:18:43I see.
00:18:45Well, if you do hear from him, will you let me know, please?
00:18:47Certainly.
00:18:48Thanks.
00:18:49Oh!
00:18:51Well, hello there.
00:18:52I met you.
00:18:54I mean, uh, I'm sorry.
00:18:56Oh, that's all right.
00:18:57I'm used to being bumped around.
00:18:59My name's Clifford, Helen Clifford.
00:19:01I'm a new guest here.
00:19:02Well, I'm Roy Rogers.
00:19:03Oh, not the famous border investigator.
00:19:05Well, I...
00:19:06Hey, by the way, where were you this afternoon?
00:19:08We needed you.
00:19:10What was the matter?
00:19:11A masked bandit held us up.
00:19:13And there wasn't a soul around to protect us.
00:19:16Not even a border investigator.
00:19:19I'm sorry, Miss Clifford, but...
00:19:21I can't be everywhere at once.
00:19:23Evidently not.
00:19:25Say, by the way, I understand there's quite a bit of trouble around here that...
00:19:29Well, people haven't been able to solve.
00:19:32Murders, shootings, and things like that.
00:19:35We're investigating them now.
00:19:37Really?
00:19:38You know, it's such a shame Lee Madison didn't show up.
00:19:41He might have helped you.
00:19:42I think we can do all right without the help of Mr. Madison.
00:19:45Do you know you should read his book, Murder on the Border?
00:19:49Did you ever hear of it?
00:19:51Might give you a solution.
00:19:52What would a hack writer like Lee Madison know about anything?
00:19:56Besides, we have our own ideas down here.
00:20:01Mr. Rogers!
00:20:22You better come up the mine.
00:20:23The boys picked him on the Rogers sentry snooping around.
00:20:25Did he find out anything?
00:20:26I don't know.
00:20:52No way!
00:20:53No way!
00:20:54어쩔 the games.
00:20:55Never so.
00:20:56Thank you!
00:20:57No way!
00:20:58No way!
00:20:59You...
00:21:00No way!
00:21:01The boys picked him up...
00:21:02...and we've had to be a good guy in doing this.
00:21:03Hey!
00:21:04Let's go!
00:21:05No way!
00:21:06No way!
00:21:07No way!
00:21:09No way!
00:21:10No way!
00:21:11No way!
00:21:12No way!
00:21:13No way!
00:21:14No way!
00:21:15Oh!
00:21:16No way!
00:21:17No way!
00:21:18No way!
00:21:19No way!
00:21:20No way!
00:21:21That's him.
00:21:46What are you doing spying around here?
00:21:49He won't talk.
00:21:50We've already worked him over.
00:21:52Where's his horse?
00:21:53Cut him loose on the other side of the border.
00:21:55What about Roberts?
00:21:56He should be here about now.
00:21:58Let's go.
00:21:59We'll take him with us.
00:22:00Come on.
00:22:01Maybe you'd like to see what we're doing.
00:22:11This is not part of the monarch mine, senor.
00:22:22Your Spanish ancestors certainly knew how to dig a mine.
00:22:26We know how to use it.
00:22:27I bet when they dug the St. Angelo mine, they didn't expect us to be using it 200 years
00:22:45later and getting more silver out of Mexico than they get.
00:22:55It's just around the corner.
00:22:56Come on.
00:22:58Go ahead.
00:23:00He said go ahead.
00:23:02Come on.
00:23:06Come on.
00:23:24You have any trouble?
00:23:29Not a bit.
00:23:31Let's get this stuff moved.
00:23:32Mumu, ain't that a Spanish word?
00:23:38Yeah, it means lead.
00:23:39Lead?
00:23:40Who'd want lead?
00:23:42Nobody.
00:23:42Who'd ever suspect people are smuggling lead over the border?
00:23:45Only a dope.
00:23:46This is a good idea.
00:23:48Boy, pure silver.
00:23:51Yeah, from the monarch mine by way of the old forgotten St. Angelo mine.
00:23:55You must have read in the Almanac where silver is cheaper on one side of the border than the other.
00:24:00Gus, what people don't know won't hurt them.
00:24:02People need silver and I can get it for them.
00:24:05If they think this comes from the monarch, what's the difference?
00:24:07Rogers might call it smuggling, but I call it good business.
00:24:11Take that up and put it in the safe.
00:24:13I'm going back to the lodge.
00:24:14Okay, boss.
00:24:22Well, hello, Cookie.
00:24:23Where have you been?
00:24:24Out in the kitchen?
00:24:25I've been trailing Gridley.
00:24:27Any luck?
00:24:27Well, not much.
00:24:28I followed him to the mine.
00:24:30Hey, Roy, we've been rehearsing a song that Lee Madison wrote.
00:24:34Look at that.
00:24:34Lee Madison.
00:24:36I love the West.
00:24:38Oh, ain't that pretty.
00:24:39Cookie, isn't it bad enough that he writes books?
00:24:42Uh, may I see that, please?
00:24:47I love the West.
00:24:50How corny can he get?
00:24:52Well, maybe you'd like to sing it with us.
00:24:54Well, perhaps I might if it won't annoy Mr. Rogers too much.
00:24:57Oh, don't mind me.
00:24:58Well, that's fine.
00:24:58What's your favorite key?
00:24:59Key.
00:25:00Key of G, boys.
00:25:02Uh, folks, can I have your attention just a minute?
00:25:06In honor of Lee Madison, who isn't here, Miss Clifford is going to sing one of his songs for you.
00:25:11I love the West, the heavenly, heavenly West, in the very heart of me.
00:25:29It's so much a part of me, it's so much a part of me.
00:25:34And I ever shall return to this land for which I am.
00:25:48This seems to bother Mr. Rogers a bit, so, um, perhaps we'd better do it his way.
00:25:59A little faster, please.
00:26:00I love the West, the heavenly, heavenly West, where the skies are bluer and the gals are truer, where the grass is greener and the varmints meaner, where life is rougher and the men are tougher.
00:26:23That's why I love the West, and I love the range, oh, give me the range for a change, where the wind keeps blowing and the cactus growing where the sun keeps shining and the gals are pining where the light hits lighter and the boys are brighter.
00:26:45That's why I love the West, and that's why I love the West, where the hero, strong and silent, keeps the little gal from harm.
00:26:58Fighting 20,000 Indians are paying off the mortgage on the farm.
00:27:05Yes, I love the West, for everything's best in the West, where the days are hotter and the nights are colder, where the young are younger and the older, older where the high is higher and the wet is, wetter where the dry is drier and the best is, better where a man's a man and a rootin' tootin', cover the rain to come out.
00:27:31Hey there, Annie Opie, you better be careful.
00:27:36Hey, look, Roy, a bullseye.
00:27:38Have you got a huntin' license?
00:27:42Roy.
00:27:43Yes, Father?
00:27:45One of our sentries is missing.
00:27:47It is Ignacio.
00:27:49We found his horse.
00:27:50Where'd you find him?
00:27:51On the Mexican side.
00:27:53We need your help.
00:27:54You hear that, boys?
00:27:55Sure.
00:27:56Bob, you take some of the men.
00:27:58Tim, you take the rest of them.
00:27:59Come with us.
00:28:01Well, Gridley, comin' along?
00:28:10Why?
00:28:11You're the border investigator?
00:28:13I thought maybe you might be of some help to us.
00:28:17You're not intimating I know something about this, Rogers.
00:28:20You can take that any way you want to.
00:28:23Suppose I take it personally.
00:28:26That's all right with me, too.
00:28:27Roy, please.
00:28:29We have more important things.
00:28:30I can vouch for him, Roy.
00:28:32He was up at the mine.
00:28:34That's right, Sheriff.
00:28:35You follow this.
00:28:37Remember?
00:28:37Good morning, Padre.
00:28:52Good morning.
00:28:55Any news?
00:28:56I'm sorry, Padre, but we've searched everywhere.
00:28:58Well, this is a terrible thing.
00:29:00Much evil has come to San Angelo.
00:29:02But you men must be tired.
00:29:04You've been riding all night.
00:29:05We sure are, Padre.
00:29:07Come in and rest a while.
00:29:08Well, thanks, Padre, but the Sheriff and I have got one more place to look before we rest.
00:29:12We'd better water the horses, Cookie.
00:29:13I'm tired.
00:29:21So am I.
00:29:22Well, where are we going?
00:29:23To the Monarch Mine.
00:29:25The Monarch Mine?
00:29:26Sure.
00:29:27Well, Roy, you know how they are up there.
00:29:30Why don't we go to town and get a search warrant first?
00:29:32We haven't got time.
00:29:33Oh, boy.
00:30:03I wonder where the reception committee is.
00:30:17I don't know.
00:30:19This might be a good time for us to look around.
00:30:21It's too quiet.
00:30:22I don't like it.
00:30:23Let's get the horses out of sight.
00:30:33Let's get the horses out of sight.
00:31:03Oh, quit kidding, Roy.
00:31:08Huh?
00:31:09Oh.
00:31:11Oh.
00:31:14Welcome to the Monarch Mine, Rogers.
00:31:16Where's Gridley?
00:31:17Going to town to get the canary some lettuce.
00:31:21Move on up the hill.
00:31:24Okay, boys.
00:31:25You can come on now.
00:31:25I'm glad you showed up, Rogers.
00:31:40We're just in time for the picnic.
00:31:4380, boys.
00:31:43Yeah, sure.
00:31:44Sure is.
00:31:45I warned you about trespassing.
00:31:55Where's your search warrant?
00:31:56I've been...
00:31:58I told you we should have got one, Roy.
00:32:00We wouldn't want you guys to shoot yourselves.
00:32:21Gentlemen, the first event will be an exhibition in the manly art of self-defense.
00:32:28If anybody lays a hand on Rogers, I'll swear out a warrant for assault and battery.
00:32:34That's what I'll do.
00:32:35Mike will only be defending himself.
00:32:38Won't you?
00:32:39Sure.
00:32:39Sure.
00:32:39Why, you?
00:32:49Get up, Roy.
00:33:01Come on, Roy.
00:33:09Get up.
00:33:31Get up.
00:33:39Get up, son.
00:33:55What's the matter?
00:33:56The picnic's just started.
00:33:58Come on, get up, Roy.
00:34:05I can't help you.
00:34:06Get up, son.
00:34:09Come on, son.
00:34:21Get up.
00:34:21Get out of there.
00:34:23Hang on to him for a second.
00:34:26You sidewinder!
00:34:29Get their horses.
00:34:31Let him go.
00:34:39Come on, I'll take you on.
00:34:45I'll help you.
00:34:49Well, come on.
00:34:51Now, calm down, Sheriff.
00:34:53Why, you little...
00:34:54Get your hands off, Roy.
00:34:56Take it easy, boys.
00:34:58We wouldn't want to hurt the Sheriff.
00:35:00It wouldn't be legal.
00:35:01Let him go.
00:35:01Let him go.
00:35:01Let him go.
00:35:01Let him go.
00:35:01Let him go.
00:35:02Let him go.
00:35:02Let him go.
00:35:03Let him go.
00:35:04Let him go.
00:35:05Let him go.
00:35:06Let him go.
00:35:07Let him go.
00:35:08Let him go.
00:35:09Next time, bring a search warrant.
00:35:17Don't worry.
00:35:19Now, get out of here.
00:35:31Hey.
00:35:32Now that we got our guns clean, that just about makes us even with them.
00:35:37Let's go back to the mine.
00:35:38That won't help us find out anything, Cookie.
00:35:41There's something going on with the Monarch they don't want anybody to find out about.
00:35:45So far, the only clues we got are the murders.
00:35:47We can't even prove that they're murders.
00:35:49Well, we will.
00:35:51What's the matter, Trigger?
00:36:04No wonder he was limping.
00:36:07Picked up a rock someplace.
00:36:09Say, isn't that ore?
00:36:10It sure is.
00:36:10He must have picked that up down by the mine shaft when we hit the horses.
00:36:11We better keep it.
00:36:12It looks like Trigger is smarter than we are.
00:36:13Hello.
00:36:14I say, old man.
00:36:15You look as if you've been mixed up in a violent game of soccer.
00:36:17Do they play it out here?
00:36:18Oh, we play it all right.
00:36:19But the rules are different.
00:36:20Oh, by the way, I'm Lionel Bates of Bates, Bates & Johnson, solicitors of London, England.
00:36:23I'm Roey Rogers.
00:36:43How do you do, sir?
00:36:49How do you do, sir?
00:36:51I'll tell you all the time.
00:36:53I'm a stranger out here.
00:36:54Well, I never would have guessed it.
00:36:56This is Sheriff Bullfincher.
00:36:58Howdy.
00:36:59How do you do, sir?
00:37:00Sheriff Bullfincher, you're the very man I've been looking for.
00:37:03I'm trying to find someone in this vicinity.
00:37:06Well, if he's around here, I'll know him.
00:37:08What's his name?
00:37:09Lancaster.
00:37:10George Wallingford Lancaster.
00:37:15The law want him?
00:37:16Well, we've been trying to find him for years through Scotland Yard.
00:37:20Scotland Yard?
00:37:21And private investigators in America.
00:37:24Private investigators in America?
00:37:26Oh.
00:37:28Well, it seems to me I remember somebody by that name a long time ago around here
00:37:34that got to running around with bad company, and I ain't heard of him since.
00:37:41Well, if that's the man, we'll find him.
00:37:43You will?
00:37:44Why, of course.
00:37:45Oh.
00:37:45Well, thank you very much.
00:37:48Oh, and there's one other thing.
00:37:50I wonder if you gentlemen would be kind enough to join me a little later in an important
00:37:54conference.
00:37:54Well.
00:37:57Cheerio.
00:37:58Cheerio.
00:37:58And I'm here to arraign the property.
00:38:08Well, does that mean that the rancher shall have a new owner?
00:38:11Undoubtedly.
00:38:12However, I can't tell you who or what the new owner's plans for the rancher will be.
00:38:16Well, what if he won't be reasonable?
00:38:18Suppose we refuse to leave.
00:38:22Well, I'm sorry, but that's no concern of mine.
00:38:25However, I'll do everything possible to see that your people come to no undue hardship.
00:38:29Oh, there is one other thing.
00:38:32If any of you should happen to know the whereabouts of a George Wallingford Lancaster, please let
00:38:37me know.
00:38:40You see, he's in this part of the country, and he must be somewhere next.
00:38:44Is something wrong with your throat?
00:38:46Um, I felt something tightening around my neck.
00:38:50Well, I, uh, I think that's about all, and thank you very much.
00:38:56If you should have any questions, I'll be only too pleased to answer them.
00:38:59Well, Mr. Bates, it's something I might be asking.
00:39:02Yeah, I'll be a few things.
00:39:06Too bad I missed you at the mine, Rogers.
00:39:08Apparently, my men played a little rough.
00:39:10Yeah, the next time it'll be rougher, Gridley.
00:39:13And I hope you're there.
00:39:20Then you never found any trace of the missing sentry?
00:39:23No trace at all.
00:39:24Just kind of disappeared.
00:39:26Come on, get down.
00:39:29It's a trick I taught him.
00:39:32Oh, Cookie.
00:39:33Do you suppose the missing George Wallingford Lancaster has anything to do with this case?
00:39:37Well, now, he might have...
00:39:39Oh, no, I...
00:39:40Well, how could he?
00:39:42Um, what are you asking me all those questions for?
00:39:46Yeah, how about that, Ellen?
00:39:47Oh, hello, Roy.
00:39:48Well, I just thought it was sort of interesting, and, uh...
00:39:51Well, well, I guess I'll be going.
00:39:52I'll see you boys later.
00:39:54You can go if you want to, but I have something here that's interesting, too.
00:39:57You might want to hear it.
00:39:58This is a report I just got on the ore a trigger picked up in a monarch mine.
00:40:02Says there's a little lead in it, not enough to be commercial, and just a trace of silver.
00:40:06Well, that's funny.
00:40:07Now, the silver found on the body was almost pure.
00:40:10It could have been a plant.
00:40:12Thanks.
00:40:13You catch on fast.
00:40:15Well, I try.
00:40:16Hi, everybody.
00:40:17Hi, boy.
00:40:18We want to see Cookie about his dogs.
00:40:20Well, somebody should see him about them.
00:40:22Yeah, we want to borrow him for a fox hunt.
00:40:24A fox hunt?
00:40:25Yeah, for Mr. Bates, a good old English fox hunt.
00:40:27We want to make him happy.
00:40:28We can, because he promised to do everything he could to help us with a new owner.
00:40:32Yeah, so we'll have a hunt party the first thing in the morning.
00:40:34Now, everyone's invited.
00:40:35How about the dogs, Cookie?
00:40:37Huh?
00:40:37Oh, well, what?
00:40:39How big is the fox?
00:40:41Well, we don't know yet.
00:40:42We've got to catch him first.
00:40:43Well, thank you, Cookie.
00:40:44Yeah.
00:40:44Come on, boys.
00:40:45Let's go.
00:40:45Hey, boys.
00:40:46I'm going to go with you.
00:40:47All right.
00:40:47See you at the fox hunt.
00:40:48All right.
00:40:48See you at the fox hunt.
00:40:49Come on.
00:40:49Fox.
00:40:50Fox.
00:40:50Fox.
00:40:50Fox.
00:40:51Fox.
00:40:51Oh, be careful of the little fella.
00:40:58It's pretty good, a fox hunt for Mr. Bates.
00:41:05Oh, Mr. Bates.
00:41:13I can't go to no fox hunt.
00:41:14I've got to get out of here.
00:41:15Yes, you can go to a fox hunt.
00:41:17No, I can't go to no fox hunt.
00:41:19Yes, you can, Mr. George Wallingford Lancaster.
00:41:21Roy, don't call me that.
00:41:24Don't say that, please.
00:41:26I'll go to the fox hunt.
00:41:27I'll even be the fox.
00:41:28But don't say that again.
00:41:30Shh.
00:41:33Roy.
00:41:33Good morning.
00:41:37Oh, no, Roy.
00:41:39Cookie.
00:41:40Did somebody call me?
00:41:41Oh, welcome, Mr. Rogers.
00:41:43Good morning, Sheriff.
00:41:44Sheriff, should we go and have a look at the hounds?
00:41:47Huh?
00:41:47Oh, yeah, yeah, but you better let me go first.
00:41:50You might scare the dogs in that outfit.
00:41:53Come on, Roy.
00:41:54I'll be along in a minute, Cookie.
00:41:56I want to find out if two and two still make four.
00:41:59Oh, all right.
00:42:00Well, see you later, Mr. Rogers.
00:42:07Roy.
00:42:08Roy.
00:42:14There's something I must tell you.
00:42:15You've got to go on that fox hunt this morning.
00:42:17Why?
00:42:18Because I'm positive Mr. Bates is in great danger.
00:42:21Oh?
00:42:22You must have been reading Murder on the Border again.
00:42:26Well, maybe you should read it, too.
00:42:29Oh, miss, any word for Madison?
00:42:32Still no word, Mr. Rogers.
00:42:34I'm a little worried.
00:42:36Better put in a call to headquarters for me.
00:42:38I'll take it here.
00:42:39Surely.
00:42:43Operator, long distance, please.
00:42:47It'll be a minute.
00:42:54San Angelo Lodge.
00:42:56This is Captain Moffat's office calling Roy Rogers.
00:42:58Just a minute, please.
00:43:00That's a coincidence, Mr. Rogers.
00:43:02Here's headquarters calling you.
00:43:03Oh, that is a coincidence.
00:43:05I'll take it.
00:43:08Hello?
00:43:09This is Captain Moffat's secretary speaking.
00:43:11The captain isn't in right now, but he asked me to tell you that Lee Madison would be unable
00:43:16to come to San Angelo.
00:43:17What happened?
00:43:18She was sick.
00:43:20I mean, his mother was ill.
00:43:23I don't think you're telling me the truth, Miss, uh, whatever your name is.
00:43:27But you sound like somebody who needs a good spanking.
00:43:31What?
00:43:32Well, you certainly aren't the one that's going to give it to me.
00:43:35And furthermore, I think you're the rudest man I ever met in my life.
00:43:39And I think you're the nosiest girl.
00:43:41You ought to have more respect for other people.
00:43:43I give people respect when they deserve respect.
00:43:45And you certainly don't.
00:43:47Well, just the same.
00:43:48The next time headquarters calls me, make sure you're not on the other end of the line
00:43:52because I never want to talk to you again.
00:43:57Hello, Miss Madison.
00:43:59Oh, you...
00:44:00You deliberately tricked me.
00:44:03Mm-hmm.
00:44:04And it worked, too.
00:44:06Now, how about a little explaining from you?
00:44:08Well, I found out about what you thought about Lee Madison and her books the day I arrived
00:44:12here.
00:44:13And furthermore, someone even went gunning for her.
00:44:19Well, uh, I guess that makes us even, Helen.
00:44:25Okay, Robin Hood.
00:44:31What is that?
00:44:32That's just an old British tradition.
00:44:34Oh, boys, this is Mr. Bates.
00:44:37From all the way from England over here to hunt a fox.
00:44:40I want you to take him out on the trail and show him a good time.
00:44:43They're certainly a strange bunch of hounds.
00:44:45Do they follow a scent?
00:44:47Huh?
00:44:47You know, uh, smell.
00:44:49Oh, uh, just a little.
00:44:53What's that?
00:44:55Oh, uh, that's an English saddle.
00:44:57Oh, why didn't they finish it?
00:44:58Where's the rest of it?
00:45:00Uh, that's the sort of saddle that George Wallyford Lancaster might ride.
00:45:03Oh, uh, he would?
00:45:04Uh, certainly.
00:45:06Hey, Cookie.
00:45:07Huh?
00:45:08We've decided to have you drag the trail.
00:45:11Come on.
00:45:12I want you to meet someone.
00:45:19Cookie, meet Louise.
00:45:22Is that what I got to drag the trail with?
00:45:25My word.
00:45:27You can say that again.
00:45:29Come on.
00:45:31Well, we're going to leave right now.
00:45:33You be sure and give us a good head start.
00:45:35And before you come, blow this.
00:45:43Like that.
00:45:44You fellas remember, we're only kidding.
00:45:46Come on.
00:45:51Quaint little thing, isn't it?
00:45:53There should be some kind of music in it.
00:45:55See, but I like to get up early in the morning
00:46:04There are such a lot of things to do
00:46:09To watch the sun come ceilin'
00:46:12Over misty hills revealin'
00:46:14Tiny diamonds sparklin' on the dew
00:46:17It's great just to be livin'
00:46:21Come the dawnin'
00:46:22Everything is clean and bright and new
00:46:26Gee, but I like to get up early in the mornin'
00:46:32So I can spend a longer day with you
00:46:35My, but it's pleasant to be arising
00:46:38At this hour of the day
00:46:39My, but it is
00:46:41There are such a jolly lot of things
00:46:43That you can do, don't you know?
00:46:46To see the dawn a-breaking
00:46:47To the sound of earth awaken
00:46:50With the rooster there to take his view
00:46:53It's great just to be livin'
00:46:56Don't worry, Rogers won't finish
00:46:58And to know another night is true
00:47:02Gee, but I like to get up early in the mornin'
00:47:07So I can spend the longer day with you
00:47:11Gee, but I hate to get up early in the mornin'
00:47:15I would rather sleep the whole day through
00:47:20Oh, come on, Louise
00:47:23You don't know what a pretty cat you'd make
00:47:25It's a silly business
00:47:28Sheriff happened to drag a live bait along
00:47:31Good morning
00:47:33Good morning
00:47:35Mind if I join you?
00:47:37Why should I?
00:47:38It's Mr. Bates' party
00:47:39Yes, I know
00:47:40Did you hear that?
00:47:51That's it
00:47:51Here they come
00:47:53How the hunt was
00:48:09How the hunt was
00:48:10The first time I knew a raccoon was related to a mule.
00:48:30Come on.
00:48:31Come on.
00:48:32Come on.
00:48:40You go ahead, Lee.
00:48:53I'm going to drop behind.
00:48:54Come on.
00:49:24Come on.
00:49:54Come on.
00:49:55Come on.
00:49:56Come on.
00:49:58Come on.
00:50:00Come on.
00:50:02Come on.
00:50:03Come on.
00:50:04Come on.
00:50:05Come on.
00:50:06Come on.
00:50:07Come on.
00:50:08Come on.
00:50:09Come on.
00:50:10Come on.
00:50:11Come on.
00:50:12Come on.
00:50:13Come on.
00:50:14Come on.
00:50:15Come on.
00:50:16Come on.
00:50:17Come on.
00:50:18Come on.
00:50:19Come on.
00:50:20Come on.
00:50:21Come on.
00:50:22Come on.
00:50:23Come on.
00:50:24Come on.
00:50:25Come on.
00:50:26Come on.
00:50:27Come on.
00:50:28Come on.
00:50:29Come on.
00:50:30Come on.
00:50:31Come on.
00:50:32Come on.
00:50:33Come on.
00:50:34Come on.
00:50:35Come on.
00:50:36Come on.
00:50:37Come on.
00:50:38Come on.
00:50:39Come on.
00:50:40Come on.
00:50:41Come on.
00:50:42Come on.
00:50:43Come on.
00:50:44Come on.
00:50:45Come on.
00:50:46Come on.
00:50:47Come on.
00:50:48Come on.
00:50:49Come on.
00:50:50Come on.
00:50:51Come on.
00:50:52Come on.
00:50:53Come on.
00:50:54Come on.
00:50:55Come on.
00:50:56Come on.
00:50:57Come on.
00:50:58Come on.
00:50:59Come on.
00:51:00Come on.
00:51:01Come on.
00:51:02Come on.
00:51:03Come on.
00:51:04Come on.
00:51:05Come on.
00:51:06Come on.
00:51:07Come on.
00:51:08Come on.
00:51:09Come on.
00:51:10Come on.
00:51:11Hey, fellas, remember, I was only kidding.
00:51:15Don't you worry, Louise.
00:51:16I won't let them get you.
00:51:19Hey!
00:51:19Oh!
00:51:41Hey, Roy, what happened to your saddle?
00:51:52Where's Bates?
00:51:53I don't know.
00:51:54He's right behind me there.
00:51:55Yeah, he's coming to that ladder.
00:51:57There he comes now.
00:52:01He sure had me worried.
00:52:04We were worried about the guest of honor.
00:52:06We thought you were lost.
00:52:08Looks like something happened to him.
00:52:12Oh!
00:52:12Oh, no!
00:52:15Is he trick-backed?
00:52:17I don't know.
00:52:18Stand back and give him air, boys.
00:52:22Carl, there's a spring up that canyon.
00:52:24Will you get some water for us, please?
00:52:25Sure, Roy.
00:52:28Looks like he'd been gun-whipped.
00:52:29He could have hit a branch.
00:52:31I don't think so.
00:52:33Who would have wanted to kill Mr. Bates?
00:52:35We have a wide choice, miss.
00:52:37Our friends over the border might.
00:52:38The boys at the lodge might.
00:52:41Or even I might.
00:52:42Anyone who could gain by his removal.
00:52:45Hey, Pat, if he ain't dead,
00:52:47do you think that bump on his head
00:52:49will make him lose his memory?
00:52:50My words.
00:52:51Oh!
00:52:52Oh, my head.
00:52:54Oh, look.
00:52:55He's opening his eyes.
00:52:56Oh, he'll be able to remember everything.
00:53:01That's what I was afraid of.
00:53:05Mm-hmm.
00:53:08Roy, I'm checking out tonight.
00:53:10That Mr. Bates is going to be able to find out who I am any minute.
00:53:13Wait a minute, Cookie.
00:53:15You can't run out on me now when I need you the most.
00:53:17As far as Bates is concerned,
00:53:19I'm on your side,
00:53:19and I think he'll listen to reason.
00:53:21Well, I still wish he'd go away.
00:53:23So does somebody else.
00:53:24What do you mean?
00:53:25Whoever tried to kill him.
00:53:27I wonder who that was.
00:53:29You heard Gridley.
00:53:30He named the suspects.
00:53:32And it could be you.
00:53:34You have a stronger motive than they had.
00:53:36Me?
00:53:36Me?
00:53:40Roy, you don't mean that.
00:53:41Here's the silver we found on the murdered boy.
00:53:48It's almost pure.
00:53:50Lee was right.
00:53:50It was a plant.
00:53:52Here's the real ore from the Monarch.
00:53:54There isn't enough silver in a ton of it to pay their light bill.
00:53:58I wonder where they got this silver.
00:54:00I think they got it across the border,
00:54:01where it's cheaper.
00:54:02Smuggling?
00:54:04They couldn't do it without getting caught.
00:54:06We washed that border like a hog.
00:54:10Say, Cookie,
00:54:10didn't you tell me there was an old Spanish mine across the border?
00:54:13Oh, the old timers around San Angelo talk about it,
00:54:16but nobody knows where it is.
00:54:19I think I know one old timer that might...
00:54:22Come on, Cookie.
00:54:27Anno Domini, 1751.
00:54:31That was very long ago.
00:54:33That's before I got here.
00:54:35Yeah.
00:54:38Hey, here's some funny writing here.
00:54:40Sergeant, I'm so hungry.
00:54:42Ah, that may mean something.
00:54:45Perhaps this is what we are seeking.
00:54:48Sergente sole, humbly et colenium, virium, virium.
00:54:52As the sun rises,
00:54:55the shadow of my arms
00:54:56and the pillar of my strength
00:54:58shall mark that which God made
00:55:01and from whence came the bells of San Angelo.
00:55:05That's beautiful.
00:55:06But what does it mean?
00:55:08The shadow of my arms and the pillar of my strength.
00:55:13Arms?
00:55:13Pillars.
00:55:14That must be a cross.
00:55:15Cookie, do you know where there's a cross around here?
00:55:17Sure.
00:55:18Up on top of the church.
00:55:20No, I mean up in the hills near the border
00:55:22where the mine could be.
00:55:23Not now, boy.
00:55:24There was an old shrine many years ago
00:55:27to which the people came
00:55:29to pray to Santa Guadalupe at Easter.
00:55:32Sure, Padre.
00:55:33I remember.
00:55:34On your side of the border here
00:55:36near some rim rock.
00:55:39Cookie, let's see if we can find it.
00:55:40I've got an idea.
00:55:42Thanks, Padre.
00:55:43Here it is.
00:55:55I remember.
00:55:56Here's where we used to come
00:55:58to Easter sunrise services
00:55:59when I was a kid.
00:56:00How tall was the cross?
00:56:02Oh, gee, I don't remember, Roy.
00:56:04Well, I'd say with a base that size
00:56:06it'd be about eight or ten feet tall.
00:56:09What was it the Padre said?
00:56:10As the sun rises,
00:56:12the shadow of my arms...
00:56:14The sun comes up over there.
00:56:16It should cast a shadow
00:56:17in that direction.
00:56:18Isn't the border over there
00:56:19by those red hills?
00:56:20Runs right along the top of them.
00:56:22The Monarch Mine's over there, too.
00:56:24Right on the other side of that hill.
00:56:26Well, if the old San Angelo Mine's over there,
00:56:28it looks to me like we'd see
00:56:29some ruins or something.
00:56:31Well, after all these years and years,
00:56:33the rain has washed all traces away.
00:56:35People have looked for it.
00:56:37Well, it must be in that direction.
00:56:38Let's have a look.
00:56:40What would an automobile be doing around here?
00:57:03It could be smuggling silver.
00:57:05Could be tourists, too.
00:57:06Now, you don't sound like Lee Madison.
00:57:08You think you can trail these kit, Carson?
00:57:11A horseback or a foot.
00:57:20Look, looks like they stopped right there.
00:57:23Yeah.
00:57:24Wonder what far?
00:57:26I don't know why anybody's parked around here
00:57:28in the border way over there.
00:57:30Nothing to do around here.
00:57:32Roy!
00:57:37Cookie, go get the flashlight out of my saddlebags.
00:57:40Uh-huh.
00:57:41Roy, if this is the old San Angelo Mine,
00:57:44then your hunch was right.
00:57:45Yeah.
00:57:45Hurry up, Cookie.
00:57:46What's the matter, Cookie?
00:58:05Oh, I broke my leg.
00:58:06Don't step there, Lee.
00:58:07Oh, I broke my leg.
00:58:08Ow!
00:58:12Cookie.
00:58:13You can't look, Lee.
00:58:18Well, of course I can.
00:58:19I ain't very pretty, Miss Madison.
00:58:21It's our missing sentry.
00:58:22Those dirty no-good...
00:58:24You're right, Cookie.
00:58:25He didn't get there by himself.
00:58:27We'll have to leave him now.
00:58:29The Padre will get him later.
00:58:30Hey, it's hollow in there.
00:58:48Well, this isn't old Mexican iron.
00:58:50These are steel bolts.
00:58:52Must be a door here someplace.
00:58:54Well, this is loose.
00:58:56Move back.
00:58:57I'm going to throw my weight around a little.
00:58:58I'm going to throw my weight around a little.
00:59:03Solid.
00:59:04Say, I wrote in a book one time where...
00:59:07See?
00:59:09That ain't an old tunnel.
00:59:10It's a new one.
00:59:11Where did he be, Roy?
00:59:12Right into the Monarch.
00:59:14Go back to the lodge and bring the boys.
00:59:15We might need some help.
00:59:16Take Trigger.
00:59:17Hurry up, hurry up.
00:59:19All right, but be careful.
00:59:21Oh, don't you worry.
00:59:22I'll be with him.
00:59:23Hey, Roy, don't you think...
00:59:24Oh.
00:59:24Oh.
00:59:28Lazy days are loafing, having fun.
00:59:55Got no work to do, because my work's all done.
01:00:04Lazy days, relaxing in the shade.
01:00:09Got no plans to make, because my plans all make.
01:00:16I ain't a-roundin' up no cattle.
01:00:24I ain't a-flexin' today.
01:00:31Gonna take it easy on the breezy side
01:00:37Of a great big stack of new-mode hay.
01:00:46Lazy moon, you'll soon be ridin' high.
01:00:51Then I'll lay around and watch the moon go by.
01:00:58Lucky me, I found the way it pays.
01:01:06Livin' like I love it on my lazy days.
01:01:13Lazy days.
01:01:19Hey, look.
01:01:26Mr. Trigger.
01:01:27What happened?
01:01:28What's the matter?
01:01:28Where's Roy?
01:01:34You suppose Mr. Rogers is in trouble?
01:01:36Well, something's wrong.
01:01:37Let's go.
01:01:37Yeah, is that any way to treat a lady?
01:02:01I caught her comin' out of the old Spanish mine.
01:02:03Mine?
01:02:04Yeah, Rogers and the sheriff are still in there.
01:02:07Tell the boys to block the entrance.
01:02:18Send someone back to guard Miss Madison.
01:02:20Right.
01:02:21Sit down.
01:02:26How do they find the mine?
01:02:29By looking.
01:02:33Don't be funny.
01:02:34Just answer my questions.
01:02:37Does anyone else know about it?
01:02:41Before we're through, Miss Madison,
01:02:43you'll be talking like a magpie.
01:02:45Is that for me, Gridley?
01:02:46Yes.
01:02:47This is Miss Nosy Madison.
01:02:49Watch her.
01:02:50Sure.
01:02:51It's a pleasure.
01:02:52It's a pleasure.
01:02:52We brought the back way.
01:03:10Good.
01:03:11We better find them.
01:03:12We'll be right now.
01:03:23THE END
01:03:53Hey, Gridley, they're down by the shaft.
01:04:02They're in the shaft!
01:04:04They're in the shaft!
01:04:09Hey, this is the shaft.
01:04:16If we can make it back to the mine, we might be able to hold them off.
01:04:19Let's go.
01:04:23The boys will be in position a minute.
01:04:46They'll wait for your signal to move in.
01:04:47I knew I was too young and pretty, didn't I?
01:05:06The boys will be in position a minute.
01:05:34Follow me, Cookie. We're going to get grid-laced.
01:05:59Snap out of it. We're getting out of here.
01:06:04We're taking you with us.
01:06:11Okay. Okay. Take it easy.
01:06:14Get out that wicker.
01:06:15All right.
01:06:17All right.
01:06:24All right.
01:06:25Looks like they flew the two.
01:06:31There's one that didn't go away.
01:06:34Roy!
01:06:38Good old fella.
01:06:41Boy, you sure had us worried when Trigger come in alone.
01:06:43Wasn't Lee with him?
01:06:44Gosh, no, Roy.
01:06:45Something must have happened to her.
01:06:46She must have been here.
01:06:47Here's her hat.
01:06:48Here's her hat.
01:06:49Come here, boy.
01:06:50All right.
01:06:51All right.
01:06:52Go find her.
01:06:53All right.
01:06:54Go find her.
01:06:55Go find her.
01:06:56Boo!
01:06:57All right.
01:06:58Oh, oh.
01:06:59Ah, good old fella.
01:07:00Boy, you sure had us worried when Trigger came in alone.
01:07:02Was Lee with him?
01:07:03Gosh, no, Roy.
01:07:04Something must have happened to her.
01:07:05Well, she must have been here.
01:07:08Here's her hat.
01:07:12Hey, boy.
01:07:18All right, go find her.
01:07:38Round them all up, Bob, and take them to town.
01:07:42Okay?
01:07:44Yes?
01:07:45What?
01:07:46Come on, I'll come here.
01:07:47Come on.
01:07:49Come on!
01:07:54Come on.
01:07:56Come on.
01:07:58Come on, Bob.
01:08:00Come on, Bob.
01:08:03John?
01:08:05Oh
01:08:35Yes, Chef. Come back here. Come on, Tramp.
01:08:38Come on. You want me to get hurt?
01:08:40Come on, boy. Come on. Come on, Chef.
01:08:45I'm warning you, Rogers. Don't follow us.
01:08:50Lee, I hate to do this to you, but it's just like it says in your book.
01:08:53It's all right, Roy. Go ahead.
01:08:58Roy, are you crazy?
01:09:05Turn the dogs loose.
01:09:07I said turn them loose.
01:09:09Go get them, boy. Go get them.
01:09:11Go get them.
01:09:20Roy, we could have got them without you doing that.
01:09:24You're not going to leave her alone, are you?
01:09:28Well, I'm not.
01:09:35Oh, oh, oh.
01:09:55Oh.
01:09:58Oh.
01:10:00And, whoosh!
01:10:02Whoo! Whoo! Whoo!
01:10:05Whoo! Whoo!
01:10:06Whoo! Whoo!
01:10:20Whoo!
01:10:29Oh!
01:10:30Oh
01:10:40Throw your gun belts down here and I will
01:10:49Come on boy. Come on boy
01:10:52All right, come on down and keep your hands up
01:11:22Oh
01:11:43Stay where you are I said stay where you are
01:11:52Oh
01:12:12Oh
01:12:14Oh
01:12:16Oh
01:12:22Oh
01:12:45Get up the picnics just started
01:12:52Oh
01:13:02Oh
01:13:04Oh
01:13:06No, you don't
01:13:10Are you all right boy sure
01:13:12How about you? She's all right. Hey, you missed her a mile Roy. That was a good trick
01:13:17That was quick thinking Lee. Thanks for the help. I'm certainly glad you finally got around to reading murder on the border page
01:13:24Seven to seven. You're glad. I'm glad you wrote it. Come on
01:13:28Oh
01:13:40Boys you'll find gridley over there in those rocks you better go get him right
01:13:45I see Rogers how exciting so you've got the man
01:13:48Yeah, yeah, we we've got him all right. Well take him in for me. Will you I gotta be going goodbye mr. Bates
01:13:55And there's your man mr. Bates
01:13:59Roy
01:14:01That's the dirtiest double-crossness trick I ever heard of
01:14:05I thought you were a friend of mine, and I thought you were a friend of mine
01:14:09Instead you're George Wallingford Lancaster wanted by Scotland Yard. What's that? There he is
01:14:14Don't you move? I've got you covered. Come on. Yeah, the things are yours
01:14:18Well, what about Scotland Yard and the cattle? They were all yours. You are the sole heir to the estate
01:14:24And nobody has to leave the rancho? Not unless you say so. It's all yours. Mine?
01:14:30I'll take it. Come on get out of here. Shut your mouth
01:14:34Shut your mouth
01:14:36Resistant and Earl
01:14:50Well, mr. Madison did you get enough local color?
01:14:52Enough for just the best story I ever wrote. I'm gonna call it the bells of San Angelo
01:14:56You'll never guess who it's about
01:15:00The Earl of Lancaster naturally old girl
01:15:05Quiet or I'll trade you in for an English bulldog
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