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00:06:59It was just a chill.
00:07:21I'm sorry.
00:07:27I'm so sorry.
00:07:29What?
00:07:36Please don't remember, Mama.
00:07:59Come on, little boy.
00:08:29Come on, little boy.
00:08:59Come on, little boy.
00:09:29Come on, little boy.
00:09:31I know what's wrong with you.
00:09:33You're lonesome.
00:09:35I'll get you a little playmate.
00:09:36The child is believed to have been abducted from his home over nine months ago.
00:09:49This is the fourth child abduction in the past 12 months in the Los Angeles County area.
00:09:55The mother asks that if anyone has any information at all to please come forward and report it to the proper authorities.
00:10:02If anyone out there is watching this, please bring my baby back.
00:10:18Mikey, mommy loves you so much.
00:10:22I love you so much.
00:10:26I love you so much.
00:10:29Hello?
00:10:55Sheriff's...
00:10:57Shh.
00:10:59You're going to go and hide really well.
00:11:02You're not going to think this out.
00:11:04And if I hear anything or see anything, the monster will come and get you.
00:11:07No!
00:11:08Sheriff's department.
00:11:17Open up.
00:11:24Yes?
00:11:24Hello, ma'am.
00:11:26How are you doing?
00:11:27We got a 911 call earlier.
00:11:29It seemed like it was coming from your house.
00:11:31I just wanted to check on you and that everything's okay.
00:11:34Well, everything's fine, officer.
00:11:36All the lights and the banging kind of scared me.
00:11:40Are you alone in the house or is there anybody else here with you?
00:11:45I'm alone.
00:11:46You mind if I come inside to take a look?
00:11:50Actually, I do mind.
00:11:51I was in the middle of something and then I'm going to go to beds.
00:11:55It's only going to take a minute.
00:11:57Especially when I make sure everything's fine and I'll be on my way.
00:12:00Don't you need a warrant for that?
00:12:02Actually, I don't.
00:12:03Please step away from the door, ma'am.
00:12:09Bye.
00:12:21You said you live alone, right?
00:12:35Mm-hmm.
00:12:48Do you have any children in the house?
00:12:50Ma'am?
00:13:02Fuck.
00:13:12Ma'am?
00:13:15Hello?
00:13:15Hello?
00:13:20Come here, little boy.
00:13:44Come here.
00:13:46Come here, little boy.
00:13:49Dispatch.
00:13:50I need another deputy.
00:13:53I need backup.
00:13:55All right, that's 4-6-1 in the North Bend, Sharon.
00:13:58I got you both over there.
00:13:59What's the possible?
00:14:00Oh.
00:14:14Hello?
00:14:14Anybody out here?
00:14:21Show yourself.
00:14:21Show yourself.
00:14:39Sheriff's Department.
00:14:39Sheriff's Department.
00:14:48Sheriff's Department.
00:15:02Sheriff's Department.
00:15:04This is coming over to child abuse, primary turn.
00:15:17Possible child abuse.
00:15:21Hurry up.
00:15:24Something's wrong here.
00:15:27I found a tub full of blood.
00:15:34We're going to play riot and escape, and if it's ready or not, here I come.
00:15:53Ma'am?
00:15:55I will shoot you.
00:16:04Ma'am?
00:16:08Are you trying to scare me?
00:16:13I swear to God, don't jump at me or pull any shit like that.
00:16:20I will fucking smoke you!
00:16:42I'm going to come down the basement.
00:16:43If you're in there, you lay flat on the ground and put your hands where I can see them.
00:17:13I'm going to take care.
00:17:14First, get rid of the basement.
00:17:16You have a say, baby.
00:17:17I don't want to fight.
00:17:19I'm going to attack me.
00:17:20What do you think about my son what you are, baby?
00:17:22I'm going to get some over here.
00:17:22I'm going to be letting you go.
00:17:25Just содерж me.
00:17:28I'm going to collect you, baby.
00:17:31I'll just go to the basement.
00:17:35She's just going.
00:17:38Spoof me.
00:17:38I'm going to make you cry much more.
00:17:40I'll be leaving.
00:17:41It's better than that.
00:17:42What the hell?
00:17:43Jesus Christ.
00:18:04I think I found potential victims here.
00:18:10I see three small bodies.
00:18:11They look like children, man.
00:18:14Where's the fucking backup?
00:18:25Oh, my God.
00:18:41Oh, my God.
00:18:46And now, it's a little scary.
00:18:48Oh, my God.
00:18:50What's this?
00:18:51Oh, my God.
00:18:54Oh, my God.
00:18:56The child's in the house.
00:19:14The child's...
00:19:16The back log.
00:19:20The back log.
00:19:21The back log.
00:19:41Your call has been forwarded to an automatic voice message system.
00:19:45At the tone, please record your message.
00:19:49Charlotte, just pick up the phone, okay?
00:19:51We can work this out. I just want to talk.
00:19:54That's all I want to do is just talk to you.
00:19:57Please, pick up the phone.
00:20:02Charlotte, I know you're there. Pick up the phone, will you?
00:20:06Just pick it up.
00:20:08Okay, you know what? Forget it.
00:20:10Just fuck you, fucking bitch.
00:20:15Fuck you.
00:20:45John, do you have it?
00:21:02Yeah, I have it.
00:21:04Don't mess with that.
00:21:05I got a bad feeling about it.
00:21:08It just feels weird. There's people saying stuff online.
00:21:12It's creepy.
00:21:13They say that there's a portal for some demon to come out if you take off his hand.
00:21:21I'm a God-fearing man, but I don't believe in this pagan bullshit.
00:21:25Okay, okay, great.
00:21:27But don't mess with it anyway, right?
00:21:28They need it intact.
00:21:29They don't want it to be touched.
00:21:31It's 50k. I need the money.
00:21:33Are you fucking kidding me?
00:21:34You don't think I need the money, too?
00:21:36This divorce is costing me a fucking fortune.
00:21:39My ex-wife is trying to steal my girls away from me.
00:21:42That is not gonna happen.
00:21:45Are your girls with you?
00:21:46How is that any of your fucking business?
00:21:49Because they said specifically, keep it away from children.
00:21:53Listen.
00:21:53They're saying there's a demon, a dark entity called Volpazu, that possesses people.
00:22:04Volpazu preys on children, your curls, to abuse them, to sacrifice them, or turn them into demons.
00:22:14And then they say it spreads.
00:22:16Spreads like a disease.
00:22:18What kind of people want this type of artifact?
00:22:22I don't get it.
00:22:23Come on.
00:22:23You really believe in this bullshit?
00:22:26It's just a stupid artifact from Africa or something.
00:22:29Okay, John, but you're not gonna open it, right?
00:22:33Right, John?
00:22:35It's like you're not gonna open it, John, though, right?
00:22:37Hello?
00:22:39Hello?
00:22:41John?
00:22:42John, please!
00:22:44I'll call you back.
00:22:45John, you're not gonna open it, right?
00:22:47Please, shut up!
00:22:52I'll call you back.
00:23:15I love you.
00:23:17I don't know.
00:23:47I don't know.
00:24:17I don't know.
00:24:19It's past your bedtime, okay?
00:24:21Can I still follow my nose?
00:24:23Nope.
00:24:24Nope.
00:24:25Okay.
00:24:26All right.
00:24:27Good night.
00:24:28Good night.
00:24:29Satsang with Mooji
00:24:59Satsang with Mooji
00:25:29Satsang with Mooji
00:25:59Satsang with Mooji
00:26:29Satsang with Mooji
00:26:59Satsang with Mooji
00:27:29Satsang with Mooji
00:27:31Satsang with Mooji
00:27:35Satsang with Mooji
00:27:39Satsang with Mooji
00:27:45Satsang with Mooji
00:27:51Satsang with Mooji
00:27:57Satsang with Mooji
00:28:01Satsang with Mooji
00:28:07Satsang with Mooji
00:28:11Satsang with Mooji
00:28:21Satsang with Mooji
00:28:23Satsang with Mooji
00:28:25Satsang with Mooji
00:28:35Satsang with Mooji
00:28:39Satsang with Mooji
00:28:41Oh, my God.
00:29:11Oh, my God.
00:29:41Oh, my God.
00:30:11Hey, what's up?
00:30:14Is Abigail with you?
00:30:16No.
00:30:17Why?
00:30:18I, uh, she left the house.
00:30:21I don't know why.
00:30:22What do you mean she left the house?
00:30:23I don't remember anything about last night.
00:30:26I had a few drinks.
00:30:27Of course you had a few drinks.
00:30:28I got it this morning and she was gone.
00:30:30Oh, what the fuck?
00:30:32You fucking drunk.
00:30:34What do you mean she's gone?
00:30:35What about Alice? How's Alice?
00:30:36Yeah, yeah.
00:30:36Is she okay?
00:30:37Yeah.
00:30:38Hello?
00:30:38She's fine.
00:30:39She doesn't know where Abigail is either.
00:30:40Okay, all right, all right, okay.
00:30:42You think she could have gone to your parents' house?
00:30:45What?
00:30:46Are you kidding?
00:30:47Why not?
00:30:47My parents' house?
00:30:49That house that burned down like 20 years ago?
00:30:51No.
00:30:52It's all the way across town.
00:30:54Look, it's nothing.
00:30:57What do you mean it's nothing?
00:30:59Maybe I said something to upset her.
00:31:02Oh, God.
00:31:03Something like that.
00:31:04I don't know.
00:31:05She'll turn up.
00:31:05She's fine.
00:31:06Trust me, she'll turn up.
00:31:08Listen, John, I'm coming over.
00:31:10I'm coming over right now.
00:31:11Yeah, okay.
00:31:20Fuck.
00:31:24Abigail, where the fuck are you?
00:31:26I'm coming over right now.
00:31:56Then—
00:32:10Oh, God.
00:32:12Wait.
00:32:16I'm coming over right now.
00:32:17I believe I—
00:32:19baby.
00:32:20I know.
00:32:20I know.
00:32:21I know.
00:32:21Oh, my God.
00:32:52Abby, is that you?
00:32:56Are you okay?
00:32:58Where are you?
00:33:02Something happened. I can't come home.
00:33:06You can tell me.
00:33:10You wouldn't believe me.
00:33:13No one will believe me.
00:33:16I'm so sorry.
00:33:21Please, come back home.
00:33:26I can't.
00:33:29I think I need to see somebody at church.
00:33:32I miss you.
00:33:35Don't come look for me, okay?
00:33:36I love you.
00:33:39I love you.
00:33:44Good morning.
00:34:01Good morning.
00:34:05Good morning.
00:34:09Good morning.
00:34:09Good morning.
00:34:17Good morning.
00:34:19Good morning.
00:34:20Good morning.
00:34:20Good morning.
00:34:21Good morning.
00:34:21Good morning.
00:34:22Good morning.
00:34:23Good morning.
00:34:23Good morning.
00:34:24Good morning.
00:34:24Good morning.
00:34:25Good morning.
00:34:25Good morning.
00:34:26Good morning.
00:34:26Good morning.
00:34:27Good morning.
00:34:27Good morning.
00:34:28Good morning.
00:34:28Good morning.
00:34:29Good morning.
00:34:29Good morning.
00:34:30Good morning.
00:34:30Good morning.
00:34:31Good morning.
00:34:31Good morning.
00:34:32Good morning.
00:34:33Good morning.
00:34:33Good morning.
00:34:34Good morning.
00:34:34Good morning.
00:34:34Good morning.
00:34:35Good morning.
00:34:35Good morning.
00:34:36Good morning.
00:34:36Good morning.
00:34:37He chose you, Abigail.
00:34:58You betrayed him.
00:35:03Oh yes, you killed his child.
00:35:07You ruined yourself, and now you're going to have to pay.
00:35:21He chose you to be his handmaid.
00:35:37But you've fucked up.
00:35:41Now you're useless to him.
00:35:48Fuck you.
00:35:51Oh.
00:35:55It's so sweet.
00:35:57I think we're past that.
00:36:00Yeah, relax, okay?
00:36:03Just relax.
00:36:04What the hell does I feel?
00:36:17He'll just take Alice instead of you.
00:36:30It's just a matter of time before he develops a secret love for her, too.
00:36:37You'll pay her a little late night visit, just like he did with you.
00:36:43Please, no.
00:36:44Please, no.
00:36:46Please leave Alice alone.
00:37:00I'll do anything you want me to do.
00:37:13I'm begging you.
00:37:17The boy.
00:37:18He wants a little boy, Abigail.
00:37:27You killed his child.
00:37:32I don't care.
00:37:33So you're just gonna have to find another one.
00:37:55Honey, honey, come here, come drink some water, okay?
00:38:19I want to see you drink.
00:38:20Okay, toma.
00:38:22Eso.
00:38:23So, okay, okay, go have fun, okay?
00:38:27I see, I love you so much.
00:38:28She's so easy.
00:38:29The best baby.
00:38:30Yeah, I know.
00:38:31But I was telling you, I need to study.
00:38:33I need silence.
00:38:34But like, no, thankfully, this kid is amazing.
00:38:36The other two, the little rascals, they're demons.
00:38:39They always tell their mom I got one.
00:38:45Yeah, I still have like three or more hours here or something.
00:38:49It's so chill.
00:38:50I have no time.
00:38:53I don't know.
00:38:54Too sick.
00:38:55I don't know.
00:38:55I don't know.
00:38:57Fuck me.
00:38:58I don't know.
00:39:09But I don't know.
00:39:11Hello?
00:39:41Hello?
00:40:07Hello?
00:40:37Hello?
00:40:44Hello?
00:40:53Will we?
00:41:00Oh, he wasn't the one.
00:41:19What have I done?
00:41:22What a disappointment.
00:41:26He wasn't different.
00:41:29He wasn't special.
00:41:31I know.
00:41:33He wasn't drawn to the darkness.
00:41:38You're gonna have to keep looking.
00:41:41I can't keep doing this.
00:41:44There's a boy on Cranor Street.
00:41:47He likes to play outside of his house late in the afternoons.
00:41:52He'll be the one.
00:41:55I can't.
00:41:57Oh, yes, you can.
00:42:00Yes, you can, Abigail.
00:42:06Then he better be the one.
00:42:12The child's in the house.
00:42:17The child's in the house.
00:42:30Are you okay?
00:42:33You're sorry I missed you, Charles.
00:42:38I did this for you!
00:43:05Look at what you're making me do!
00:43:12I just wanted to protect you.
00:43:21I wanted to protect you from all the awful things that I know he wanted to do to you.
00:43:26The things he did to the others.
00:43:31But I can't keep up with his affidavit.
00:43:43I can't do it anymore.
00:43:45I'm sorry.
00:43:47I'm sorry.
00:43:49I just wanted to catch up with an antigo.
00:43:50I can't do it anymore.
00:43:51I can't do my 그러나!
00:43:54I'm in hell forever!
00:43:56Oh man!
00:43:58Stop pulling up with a goodetown industry.
00:44:05Oh man!
00:44:06Oh man!
00:44:07Are you angry anymore?
00:44:11Oh guys!
00:44:16He's there!
00:44:17Oh, my God.
00:44:47Oh, my God.
00:45:17Oh, my God.
00:45:47Oh, my God.
00:46:16Oh, my God.
00:46:17Oh, my God.
00:46:18Oh, my God.
00:46:19Oh, my God.
00:46:21Oh, my God.
00:46:23Oh, my God.
00:46:24Oh, my God.
00:46:29Oh, my God.
00:46:31Oh, my God.
00:46:33the police have made a grim discovery
00:46:35at a residence on Maple Street.
00:46:38Earlier today, authorities responded
00:46:40to a distress call at a Pasadena home.
00:46:42Inside the residence,
00:46:44they discovered the lifeless body of Abigail Reed,
00:46:47who appeared to have died from a self-improvement
00:46:49that shot in the world.
00:46:51This tragic incident has left the community in shock.
00:46:54Sharon Spiller, the first to be dispatched to the scene
00:46:57after the 911 call, was found dead at the scene as well.
00:47:01But the story takes an even darker turn.
00:47:04Abigail Reed is also now the prime suspect
00:47:07in the recent and horrifying kidnapping
00:47:09and killing of three children.
00:47:12Victims, who have been missing for several months,
00:47:16were found dead in the basement of the residence.
00:47:19Their disappearance had sent them to the scene.
00:47:25His identity remains unknown for the moment,
00:47:29but authorities believe he could be Mikey,
00:47:32one of the missing boys who had been gone for 18 months.
00:47:36Hoted behind the kidnappings,
00:47:38a suicide of Abigail Reed,
00:47:39and the circumstances...
00:47:40including mother of Abigail Reed,
00:47:41a 71-year-old and a culmination.
00:47:44Mrs-54 friends who came to the Harvey
00:47:47withality in Danke to the duty of Racheltown where
00:47:49named Williamтора
00:47:51corsia曾经
00:47:52at risorg
00:47:53about
00:47:53the
00:47:55shoulders
00:47:56and
00:47:58poor
00:48:00escape
00:48:01away
00:48:02the
00:48:03eneca
00:48:04are
00:48:06you look nervous
00:48:17don't worry you'll be okay
00:48:21okay that's good
00:48:23we're going in three two one action
00:48:28she grew up with absolute evil
00:48:32shared bunk beds with the most infamous
00:48:35child abductor our nation has ever seen
00:48:37and she witnessed her sister
00:48:40become the center of one of the most disturbing cases in america
00:48:4420 years later she decided to share her story with us
00:48:49in one of the most compelling books we've ever featured on this show
00:48:53from family trauma to new york times bestseller
00:48:57she's here to promote her new book mommy monster
00:49:00i'm jennifer novak and this is a conversation with alice reed
00:49:06alice welcome to our show thank you for being with us tonight
00:49:12thank you for having me jennifer it's a pleasure
00:49:14let's talk about your book
00:49:16maybe you can start by giving a little bit of context to our audience members
00:49:21that are not familiar with the pasadena murders
00:49:23of course
00:49:25in 2003 my older sister abigail committed suicide
00:49:29we didn't know at the time but her death was linked to a very public investigation
00:49:33so it was all over the news for months
00:49:35it changed our family forever
00:49:38and it was the most traumatic experience of my life
00:49:40so she was your sister
00:49:42were you close
00:49:44you were pretty close growing up
00:49:46she was going
00:49:48allegedly my sister kidnapped four young boys
00:49:54they said she killed them
00:49:56as you know only one survived
00:49:58i believe the note is referring to him
00:50:00mikey
00:50:02that is correct
00:50:03so if he's watching this interview
00:50:08what would you like to say to him
00:50:09i guess i would want him to know that
00:50:17i'm very sorry for what he went through
00:50:23and i think of him often
00:50:26i hope that he can get better
00:50:30and find happiness
00:50:32i truly wish him all the best
00:50:37at the end of the book
00:50:40you share some interesting statistics
00:50:42about childhood trauma
00:50:44yes
00:50:45they said she was probably the one
00:50:57who spoke in that voice
00:50:58she kept calling from time to time
00:51:02one night she told me that
00:51:03she heard voices in her head
00:51:04hey are you watching
00:51:05voices who told her
00:51:07i can't believe this
00:51:08i never should have gone on this show
00:51:10urban legends online
00:51:12says she was possessed
00:51:13because she's using my sister
00:51:14for her halloween special
00:51:15like she was freddy fucking krueger
00:51:17the pasadena murders
00:51:18evil unveiled
00:51:20i'm just
00:51:21worried i guess
00:51:23i mean
00:51:24i'm already getting death threats
00:51:25from people because of writing this book
00:51:27and now this interview
00:51:27is making me look like i'm
00:51:29the pasadena murders
00:51:30evil unveiled
00:51:31they're missing the point
00:51:34no it's okay
00:51:51alex i said it's okay
00:51:54seriously i don't want you to come all the way over here
00:51:56besides i'm not in the mood
00:52:00somebody's at the door
00:52:03okay i'll call you back
00:52:04trick or treat
00:52:22hey you guys look great
00:52:24happy halloween
00:52:36i failed mikey as a mother
00:52:40it's all my fault
00:52:43i just wish i could make it all go away
00:52:49i raised those
00:52:52horrific images
00:52:54from
00:52:55his mind
00:52:56from his dreams
00:53:00all those memories
00:53:04i wish i could bring my mikey back
00:53:08my name is dr elliot morrison
00:53:14i'm mikey's psychiatrist
00:53:15we know very little about what mikey endured
00:53:20in that house
00:53:22but one thing is for sure
00:53:24he suffers from severe ptsd
00:53:27the worst i've ever seen
00:53:30especially in someone his age
00:53:32he would just stand
00:53:36or sit
00:53:37and not say anything
00:53:38tried many times to go to him
00:53:41tried to make him talk
00:53:44talk to me
00:53:46and he didn't want to share anything
00:53:50i tried to show him i was here for him
00:53:54like he would just be
00:53:59he would just be numb
00:54:02numb like i'm a stranger
00:54:06like i was
00:54:09not his mother
00:54:12naomi's surprise is real mother
00:54:16mikey considers abigail reid to be his mother
00:54:20despite her death
00:54:21this is a perfect example of
00:54:26what is known as the stockholm syndrome
00:54:28where the victim empathizes with his abuser
00:54:31these are the things he would draw
00:54:34he would just draw
00:54:36draw monsters
00:54:43this is supposed to be me
00:54:50what is all this
00:54:54what's particularly compelling about this is mikey's obsession with the three children's bodies
00:55:05which were found in the basement
00:55:07did he have previous interactions with any of them
00:55:13or did he just know them as dead children
00:55:15we don't really know
00:55:17in any case
00:55:20these drawings indicate that mikey developed a morbid bond with these children
00:55:25you can see
00:55:28in this drawing
00:55:30he considers himself one of them
00:55:33he became the darkest
00:55:41darkest soul
00:55:43why did she hurt
00:55:46why my boy
00:55:49abigail reid
00:55:51was possessed
00:55:53by a demon
00:55:54i know it
00:55:56because it's her father's fault
00:55:59john reid
00:56:00he had an artifact
00:56:03that had a demon living inside it
00:56:06i told him not to open it
00:56:09and he did
00:56:11and now it's out
00:56:14it's out there
00:56:18it's out there
00:56:20he's in the
00:56:50Okay
00:56:59Did your friends take your candy
00:57:04I got you
00:57:17Stay safe out there
00:57:20I
00:57:45At the end of the book you share some interesting statistics about childhood trauma
00:57:50Yes
00:57:51Research shows that around 60% of the general population has had at least one adverse childhood experience
00:57:57That is a traumatic event that happens to a person before they are 17 years of age
00:58:02However, that number goes up to 97% among the criminal population
00:58:08Therefore I believe that children who were traumatized in youth deserve extra care and support when they become adults
00:58:14So you believe Mikey could be dangerous
00:58:19Hello?
00:58:20If this is a prank, fuck off
00:58:21If this is a prank, fuck off
00:58:22If this is a prank, fuck off
00:58:26Hello?
00:58:27If this is a prank, fuck off
00:58:33If this is a prank, fuck off
00:58:34If this is a prank, fuck off
00:58:40If this is a prank, fuck off
00:58:41If this is a prank, fuck off
00:58:42If this is a prank, fuck off
00:58:47If this is a prank, fuck off
00:58:48If this is a prank, fuck off
00:58:49If this is a prank, fuck off
00:58:50yourj
00:59:00Dad raped me.
00:59:06He put a monster inside of me, Alice.
00:59:24You can see in this drawing.
00:59:27There's a monster-like figure in the basement with the three corpses.
00:59:30We consider this monster to be a figment of Mikey's imagination.
01:00:00What's wrong?
01:00:02Where are your parents?
01:00:06Talk to me!
01:00:08Hey.
01:00:10Hey, what's wrong?
01:00:12Where are your parents?
01:00:16Talk to me!
01:00:20I can't...
01:00:22I can't...
01:00:24I can't...
01:00:26I can't...
01:00:28I can't...
01:00:30I can't...
01:00:32I can't...
01:00:34I can't...
01:00:36I can't...
01:00:38I can't...
01:00:40I can't...
01:00:42I can't...
01:00:44I can't...
01:00:46I can't...
01:00:48I can't...
01:00:50I can't...
01:00:52I can't...
01:00:54I can't...
01:00:56I can't...
01:00:58I can't...
01:01:00I can't...
01:01:02I don't know.
01:01:32Why are you here, Mikey?
01:01:40You can't just come to my house like this, you understand?
01:01:47Look, I'm going to call someone to take you home, okay?
01:01:50You're not safe anymore.
01:01:54What do you mean?
01:01:55It's out there again.
01:01:57And my mommy, she can't protect you.
01:02:01You mean Abigail?
01:02:02She can't protect you.
01:02:08Protect me from what?
01:02:11I have these thoughts.
01:02:15Dark thoughts.
01:02:17And they want me to do terrible things.
01:02:25Because it says I'm the one.
01:02:28Who says you're the one?
01:02:29But I don't want to.
01:02:31I don't want to be the one.
01:02:34I don't want to be the chosen one.
01:02:37Chosen for what?
01:02:38The darkness.
01:02:46It's okay.
01:02:47It's okay.
01:02:49It's okay.
01:02:51You're not safe anymore.
01:02:54My mommy.
01:02:58She was innocent.
01:03:08It wasn't her fault.
01:03:10I know, Mikey.
01:03:19I know.
01:03:19I know.
01:03:24You mean my mommy?
01:03:25I'm sorry.
01:03:28I...
01:03:28I can't.
01:03:30But we're going to get you some help, okay?
01:03:32We're going to take care of you.
01:03:35I need you to just go home.
01:03:37Okay?
01:03:39Mikey.
01:03:40Mikey, please let me go.
01:03:42Mikey, let me go.
01:03:43And I need you.
01:03:45Don't let me go.
01:03:46Let me go.
01:03:49I know.
01:03:51You need to leave.
01:03:52Or I'm calling the police.
01:03:54I'm sorry for what happened to you,
01:03:56but you need to get out.
01:03:58I'm sorry.
01:04:00I'm so sorry I brought in here.
01:04:07Br-brought what?
01:04:07Br-brought what?
01:04:07Thank you for joining us
01:04:29for our explosive Halloween episode.
01:04:32I hope you enjoyed it.
01:04:34Now remember,
01:04:34tonight,
01:04:35lock all your doors
01:04:36because all sorts of evil
01:04:38lurks in the darkness.
01:04:41Happy Halloween.
01:05:06Whaal!
01:05:08That's what you're going to to do.
01:05:10Ah!
01:05:10Oh!
01:05:11Uh-huh!
01:05:12Whoa!
01:05:13continuously
01:05:29No!
01:05:59Alice look I know you didn't want to see me tonight but I just want to check on you okay
01:06:20it's it's tough night for you and I just want to let you know that I'm here you know I'm not
01:06:26gonna stay too long and I just want to check on you and then whenever you want me to go I'll just go
01:06:30home and the fuck is that hello yo who's there
01:06:53Alice
01:06:56I saw you seem a little old to be trick-or-treating dude
01:07:06I saw you
01:07:13I saw you
01:07:15I saw you
01:07:16I don't know.
01:07:46Hey, Jen.
01:08:15Oh, my God.
01:08:18I'm so sorry about Alice.
01:08:20I know.
01:08:21Can you believe it?
01:08:22I mean, she's on the show, and then the boyfriend's dead, stabbed to death.
01:08:27I mean, come on.
01:08:30Poor thing.
01:08:31Cha-ching for us.
01:08:33This is a fucking Rayne's bonanza.
01:08:36I mean, it had to be Mikey, right?
01:08:38Who else could it be?
01:08:39And guess what?
01:08:41You know, when I was talking to Jim, and he said he has footage bringing that guy out,
01:08:45and it was pretty gory.
01:08:46So I want you to get on the phone.
01:08:48I want you to get Alice in there immediately.
01:08:50Do whatever you need to do.
01:08:51Whine her, die in her, woo her.
01:08:53How?
01:08:54We will pay her double.
01:08:55I want her ass in the studio right away.
01:08:57I want her to go and give the full account of what happened.
01:09:00She was there, right?
01:09:02Wasn't she there when they carried him out?
01:09:04I mean, we are on a ratings bonanza, and I want her ride this way.
01:09:09So listen, you get on the horn right now, and you get Alice in the studio.
01:09:13I want her there immediately.
01:09:14I'm not having anybody scoop me on this.
01:09:16So remember, remember, your future on the show depends on your getting harassed into the
01:09:22studio right now.
01:09:24You got it?
01:09:25Of course.
01:09:25Alice, I want information by the time I get in there, and I'll be there soon.
01:09:29No.
01:09:49Yeah.
01:09:51Okay.
01:09:52Get on it.
01:09:53Thanks.
01:09:53Thanks.
01:09:55Hello?
01:10:04Guys?
01:10:05What's going on?
01:10:20Diana?
01:10:25There are calls.
01:10:51Your call has been forwarded to an automatic voice message system.
01:11:01Trevor.
01:11:02Trevor.
01:11:04It's him.
01:11:06He killed everyone.
01:11:08Why? What's going on?
01:11:10He killed everyone.
01:11:13Who?
01:11:16He's still here. He was mine.
01:11:19What the fuck?
01:11:23No, no, no!
01:11:49You're dead.
01:11:51Oh, no.
01:11:53Yeah, yeah.
01:11:55Oh, yeah.
01:11:57Oh, no!
01:11:59I don't know.
01:12:29I don't know.
01:12:59Please, please, please.
01:13:01Please, please, please.
01:13:03Please.
01:13:04Please.
01:13:06Please.
01:13:08Please.
01:13:10Please.
01:13:12Please.
01:13:14Please.
01:13:16Please.
01:13:18Please.
01:13:19Please.
01:13:20Please.
01:13:21Please.
01:13:22Please.
01:13:23Please.
01:13:24Please.
01:13:25Please.
01:13:26Please.
01:13:27Please.
01:13:28Please.
01:13:29Fuck you.
01:13:34Fuck you.
01:13:48911, what's your emergency?
01:13:50This is Jennifer Novak.
01:13:51I'm at the studio.
01:13:52He's killed everyone.
01:13:53I got him.
01:13:54I think I got him.
01:13:55I think I killed him.
01:13:57And he killed him.
01:14:05Mikey, stop.
01:14:13You don't have to do this.
01:14:17You don't have to be the one.
01:14:26I'll be your mommy.
01:14:28I'll be your mommy.
01:14:32I'll take care of you.
01:14:35You don't have to be alone anymore.
01:14:38Okay.
01:14:41Now put the knife down.
01:15:05It's okay.
01:15:08We're gonna be okay.
01:15:13We're gonna be okay.
01:15:14We're gonna be okay.
01:15:34you're available for an interview tomorrow.
01:15:35You're available for an interview tomorrow?
01:16:05What if you want to stare behind your ear?
01:16:25The last thing you'll ever hear
01:16:29Answer, sign it
01:16:31You're brilliant, you're lost
01:16:34I wish I hope dreams from your eyes
01:16:39You're good, sign it
01:16:41The curse of beauty, the sin won't rise
01:16:45Swallowed in the cliff, a fearless cry
01:16:50Nothing remains, no gods, no courage
01:16:57The last words spoken, let it die
01:17:04I wish you to pull that smile
01:17:09You lose a whole surprise
01:17:11I wish you would be here
01:17:14You realize I shouldn't see it
01:17:15There's nothing else
01:17:17You travellers that you'll ever see
01:17:18Veidra Hey, my God
01:17:19You've ever heard you see it
01:17:21I know I know you've ever heard
01:17:21I know you're bad
01:17:22Yeah,isson, you slipped
01:17:24You're probably loneliness
01:17:25I know I know I know you're searching
01:17:26I see you at all
01:17:27You're lying
01:17:28Mmm
01:17:28You're lying
01:17:30You're lying
01:17:31You're lying
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