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00:00Hey, where are you?
00:01Hey, Siddhu Ji, we'll put some commentary or show commentary.
00:03So, let's start your show.
00:05Hey, you're Siddhu Ji.
00:06We'll put two jobs in one day.
00:09Lily, Lily, Silly, you please go back and take care of my cafe.
00:13And Chilly, in front of my Tao Ji, we have to kill them.
00:16Okay?
00:19Where are you going?
00:20Until they get all the dirt, the Tao Ji won't come out.
00:24We have to kill them.
00:26And we have to kill them.
00:28If it happens, they will kill them in front of me.
00:32Please go.
00:33Okay, Captain.
00:35Sao, Nara.
00:36It's true, right?
00:37Wherever you go, go shopping.
00:38Yeah.
00:39I think the idea of an idea of a lady in the airport,
00:42what did you do shopping for all of us?
00:45I was looking at CCTV camera.
00:47Why is CCTV camera?
00:49Today, there are no one in our house.
00:54Nice.
00:55Naughty girl.
00:57Ouch.
00:58This is your shopping or their shopping?
01:00This is a little lily.
01:01Little lily?
01:02Little lily?
01:03Little lily.
01:04Little lily?
01:05Little lily.
01:06I don't know one thing.
01:07This is what you have shoppinged.
01:08Do you put all the money in the budget?
01:09Yes.
01:10Who is the producer of the film?
01:11Yes.
01:12Yes.
01:13Then, you will wear your clothes in the film?
01:14Yes.
01:15Yes.
01:16Okay.
01:17I think the whole cast is not showing you.
01:22Some people are missing.
01:23Yes.
01:24Yes.
01:25Yes.
01:26Come on.
01:27Very nice.
01:28Come on.
01:29Come on.
01:30Come on.
01:31Come on.
01:33Come on.
01:34Come on.
01:35Look, you have all the actors here.
01:38One, Aditya.
01:39Yes.
01:40Come on.
01:41Four girls.
01:42Four more people.
01:43Eight more.
01:44I don't know who they are.
01:46But I have seen that they aren't getting the fans following.
01:48I've seen that I don't get from filming.
01:50Because if you get from filming,
01:52then there will be 900 films of Unpum, sir.
01:54I'm right, sir.
01:58Aditya, whenever you come to our show,
02:00there are a lot of girls.
02:01There are a lot of girls who want to date.
02:03How difficult it is to remove a date?
02:05For shooting.
02:06For shooting?
02:09There are so many distractions, so a man...
02:12I'm free now.
02:13So, for the next one, two months,
02:15there are dates for us.
02:17For shooting.
02:21So, friends, I'll tell you a nice thing.
02:23What have you noticed?
02:25In the future, Aditya worked with Katrina.
02:28She got married.
02:32They worked with Alia, and she got married.
02:34Oh, that's right.
02:36They worked with Shobita, and she got married.
02:39Oh, shit.
02:40So, Sarah.
02:43After that, Sarah...
02:47I'm asking,
02:48if you're doing a film with them,
02:50then you're going to film with them.
02:52Okay.
02:53I want to tell you this,
02:54I've also married with Ranveer...
02:57I didn't have married.
03:01Guys, I didn't have married with Ranveer.
03:04I've been married with Ranveer.
03:06I've been married with Harveer.
03:07What have you worked with,
03:08I've been married with Varun.
03:09I've been married with Vikrant.
03:10What have you worked with,
03:10I've been married with Vicky.
03:11What have you worked with,
03:12I've been married with Vicky.
03:13So, actually,
03:14I think everything is good for you.
03:16Actually, actually.
03:18Point.
03:19Well done, Sarah.
03:22Hello?
03:23Good, wow. How you pultoned it.
03:24But it's true.
03:41Film for the love?
03:49Fatima, this is our first time in the show.
03:51What the truth is, Fatima?
03:52Oh, oh, oh, oh.
03:54This is a great actress of Kamal.
03:56She was fighting in the jungle.
03:58She was riding the motorcycle.
04:00She was riding the motorcycle.
04:01Today, she was also on the show.
04:03After that, you will do more films
04:05that your dream will be complete.
04:09It's complete.
04:10You don't need to do anything.
04:11It's done.
04:12Retire.
04:13Give money.
04:16If it's the last show,
04:17you should get money for retirement.
04:19Give it to the end.
04:20I'm sorry.
04:21I've done some of you.
04:22I've done a lot of things.
04:23I've done some of you in the film.
04:24It's the TDS of life.
04:25I can tell you all the time.
04:27I can tell you that
04:30this movie is coming from Kamal.
04:32There are also many big films.
04:34One is Aditya.
04:35One is Karthikaran.
04:37One is Ranbir.
04:38One is Aamir Khan.
04:39One is Aamir Khan.
04:40One is TDS of men and I'm Jairo Han more than I do.
04:42They don't get a date
04:43that I have written on my script.
04:46Of course I don't ask the date.
04:49I'll ask you to start and ask me to start at work.
04:52You've done a great weight loss
04:55and you're looking good.
04:56Seriously?
04:57You are looking very nice.
04:58It's looking very nice.
05:00That's right.
05:07I was busy in my movie, so that's why.
05:10That's right.
05:11No, Kapil, you're there.
05:28You miss Irfan, I miss him very much.
05:49We miss him very much.
05:50I miss him very much.
05:51We miss him very much.
05:52Irfan, it was great.
05:53We miss him very much.
05:56Okay, in this film,
05:58there was only Konkana
05:59that was in the last metro.
06:01There was also in this metro.
06:02So, Konkana,
06:03this is a Bengali connection
06:04that you have made a pass of Metro.
06:07Metro has made a pass of Metro.
06:09Because after 8 years,
06:10it will be Metro 3.
06:12I'll be the older couple.
06:14And we'll see our photo.
06:20I feel like you will be a hero.
06:22It sounds like you will...
06:23Not the way you are progressing.
06:24Yes, it is.
06:25Kher, you remember what you have made.
06:28Yes, sir.
06:29Kher and Nina are sleeping in the fridge.
06:31In the fridge?
06:32In the fridge.
06:33They're sleeping in a different fridge, sir.
06:34They are not changing.
06:38That's all.
06:39I don't know who you eat from the sea.
06:43I'll tell you today,
06:44I'll clear it all up today.
06:45In my life, people didn't see old people.
06:47I love you.
07:17Sara has said in some interview that they have not done this film.
07:23This film has done it.
07:25So, for such a sincere thoughts,
07:30what do you do in Bhujan?
07:34Sakaraatmak, soch, yoga, pratna, satchai.
07:42That's it.
07:44Jai Sarama.
07:46Jai, jai, jai.
07:47Arshana ji, do you want to know if you give them tips
07:50that you can watch 4 films too?
07:52Oh, Arshana.
07:53Kapil, if you are signing the film,
07:56you should tell me how to sign the film.
07:59He's signing the film left, right and center.
08:01You please stay away.
08:06Dada, you are captain,
08:08you are the director of this film.
08:10You are such a beautiful star.
08:12Who are you with?
08:14Sara's lady.
08:16Okay.
08:17Fatima's lady.
08:18Okay.
08:19Pankaj.
08:20Pankaj.
08:21Pankaj.
08:22Pankaj.
08:23Pankaj.
08:24Pankaj.
08:25Pankaj.
08:26Pankaj.
08:27Pankaj.
08:28Pankaj.
08:29Pankaj.
08:30Pankaj.
08:31Pankaj.
08:33Pankaj.
08:34All the.
08:35Listen, Ms. Braganza is feeling very jealous now.
08:38I'll come here.
08:39You come here.
08:40Come here.
08:41Go.
08:42No, son.
08:43Look, it's different, it's different, it's different.
08:48It's different.
08:50It's different.
08:52We were talking about Anupam sir,
08:54that when he came to the new industry,
08:56he played the role of the military,
08:58now he's playing all the young people.
09:00He was on the beach,
09:02he was on the beach,
09:03and he was on the cycle.
09:05In this film, you thought,
09:07that when I can go on the beach,
09:08I can go on the cycle,
09:09I can't do romance.
09:10I was on the beach.
09:12We're on the beach.
09:14On the scooter.
09:15Oh my god,
09:16I don't have to go on the scooter.
09:18What?
09:19No.
09:20I don't know what I'm going to go on in your eyes.
09:22I'm going to go on the mafia.
09:24And I'm sitting behind.
09:26He's sitting behind me.
09:27My scooter is on the bike.
09:29Seriously?
09:31The bike?
09:33I played a bike in the film,
09:36but there was a race.
09:39Wow.
09:40And Dino Verma was the vice director.
09:42So, he didn't tell me
09:44that they're going to do anything.
09:45He gave me a bike in the car.
09:47Oh my god.
09:48Oh no.
09:49Oh no.
09:50Oh no.
09:51Oh my god.
09:52Oh my god.
09:53I was just smiling.
09:54Oh my god.
09:55Yeah.
09:56I'm talking like
09:57I was Alum chicos'
10:15Nina ji, I think we are working together.
10:17Kagas 2, Shiv Shastri Balboa,
10:19Unchaii and Metro Indian are both together.
10:22So, this is a joke that you will be able to save your money.
10:27No, no, I am joking.
10:29And I will tell you one thing.
10:31You are so many, Nina ji.
10:33Today, Sidhu Sahib came in any case.
10:35That day, I was watching you on the photo of Insta.
10:38She said,
10:39I was dead, but I also killed him.
10:42How did Viv Richards kill him?
10:45I am a good man.
10:49Nina ji, I want to give you a compliment.
10:52You are also going to reverse.
10:53Touch wood, Baba.
10:54Don't take a look.
10:55No, it is not a look.
10:56Kheri Sahib, sit with you, you can see.
11:01Pankaj, you are filming with Kongkana today.
11:04I am very happy.
11:05Because we are so great actors in Pankaj.
11:08We have seen the film,
11:09running, throwing balls,
11:11giving jokes.
11:12You are a crisis of romance.
11:14Yes, I am very happy.
11:17You feel like a retake in the action.
11:20You were doing romance first.
11:22You were so happy.
11:25In this case, romance is a crisis-like romance.
11:31It is a routine romance.
11:33Yes, it is a bit different.
11:35But it is a different romance.
11:36I have also a different romance.
11:37Because I have done romance once in my life.
11:39I have done romance once in my life.
11:40And I have done it, she is a queen.
11:42Yes.
11:43So, I'm coming from Bihar.
11:50So, in Bihar, people give a little bit of love romance in Bihar.
11:58But they have got good eyes in the song.
12:02Seriously, I'm appreciatingly saying that.
12:04You have got good eyes in both of you.
12:07At the last moment, Dad said that it was closed in the cave.
12:10He said, let's go.
12:12Oh, my God, really?
12:13You have got eyes in the cave.
12:16What did you say to me?
12:17Dad, you've got eyes in the cave?
12:19Yes, you've got eyes in the cave.
12:21Who?
12:22In school and college, there are a lot.
12:24Oh, my God, really?
12:25You've got eyes in the cave?
12:27What did they have to kill you?
12:35In this show, the thing that Pankaj said,
12:38the rest of the people can't say that.
12:39who have made a romance with her?
12:43No, I can say it.
12:45Okay, yes, that's right.
12:50I mean, you've only made a romance with them?
12:53Yes, the romance that I feel like I should do.
12:55Okay, let's go.
12:56No, I've made a romance with her.
12:58I married with her.
12:59Before that?
13:01Thank God, it was the last one.
13:02But the romance of the stage, they are these.
13:04Yes, that's right.
13:05I won't reach here until now.
13:07Yes, that's right.
13:09Yes, that's right.
13:11Yes, that's right.
13:11But whoever you are, Jory Kamal, Jory.
13:14Jory, Jory is behind you.
13:15Yes, yes, yes, yes.
13:16So, I've also taken my Jory with me.
13:18Yes.
13:19I'll meet with my Begum, Gassmin.
13:22Gassmin?
13:23Look at that expression.
13:38Oh, my God.
13:40Me, Gassmin was really happy to meet you from the people,
13:43and that's what he said
13:44that you are a form of Kamal.
13:46I don't like it.
13:47Don't you like Kamal.
13:49Oh, sorry, I forgot one thing to tell you, it's a disease, it's a disease, it's a disease.
13:59Oh!
14:00Oh!
14:01Oh!
14:02Oh!
14:03Oh!
14:04Oh!
14:05Oh!
14:06Oh!
14:07Oh!
14:08Oh!
14:09Oh!
14:10Oh!
14:11Oh!
14:12Oh!
14:13Oh!
14:14Oh!
14:15Oh!
14:16Oh!
14:17Oh!
14:18Oh!
14:19Oh!
14:20Oh!
14:21Oh!
14:22Oh!
14:23Oh!
14:24Oh!
14:25Oh!
14:26Oh!
14:27Oh!
14:28Oh!
14:29Oh!
14:30Oh!
14:31Oh!
14:32Oh!
14:33Oh!
14:34Oh!
14:35Oh!
14:36Oh!
14:37Oh!
14:38Oh!
14:39Oh!
14:40Oh!
14:41Oh!
14:42Oh!
14:43Oh!
14:44Oh!
14:45Oh!
14:46Oh!
14:47Oh, my God!
14:50Hello? Oh, my God!
14:52This is not going to be a little bit of a baby.
15:02What are the people doing in our bedroom?
15:05No, no, they are not in our bedroom.
15:11What are we doing in their bedroom?
15:13No, no, we are not in their bedroom.
15:16Oh, this is a girl's show.
15:18Remember this, a girl's a girl's a girl's a girl's a girl.
15:23A girl's a girl's a girl?
15:26Remember that,
15:28she's doing comedy from the back.
15:36And the girl who...
15:41...is that little girl.
15:46...is that a girl's a girl's a girl's a girl?
15:50She's crying, but she's crying.
15:53Listen to me, Gassman.
15:55What have you done here?
15:57I'm very sad.
15:59I've been two years old.
16:01I've been two years old.
16:02I've never had anything in my bedroom.
16:04Oh, my God.
16:05I'm very sad.
16:06This is the woman's a girl.
16:07I'm not a girl who was a girl.
16:08I'm not a girl who had a girl.
16:10What do you do now?
16:11I'm a girl who had a girl who had a girl who had a girl who had a girl.
16:15What do you do now?
16:16I'm very tired.
16:22Anupam Ji.
16:23Yes, yes.
16:24As much as it happens,
16:26you and Archana Ji have nothing to do with it.
16:31I have nothing to do with it for two years.
16:35Oh, oh, oh, oh.
16:36Who is it?
16:40Anurag Dada.
16:41Yes.
16:42I gave him a glass of wine.
16:45Okay.
16:46He drank wine.
16:47He said,
16:48you do what you do when you drink wine.
16:51So, he went to the kitchen and drank a glass.
17:00Come on.
17:01You don't have to drink a glass, right?
17:03If you don't drink a glass,
17:05you won't come to the glass.
17:07You know the glass of wine?
17:09If you don't drink a glass of wine,
17:11you don't have to drink a glass.
17:15Come on.
17:16I've got a glass of wine.
17:17I'm not going to drink a glass of wine.
17:18I've got some wine for a bottle of wine.
17:20Ah, wow!
17:23I didn't hear the sound of a bitch.
17:25Stop!
17:27Let me tell you one thing.
17:30You never saw a picture with your boyfriend.
17:37Remember that you are a black man.
17:41You are a pop-corn.
17:43You have studied.
17:45But you haven't seen it for 2 hours.
17:50We don't have any regrets.
17:53We don't go outside.
17:55My boyfriend would come home.
18:00And then we sat together.
18:02Anurag Ji's murder film.
18:04We sat together with Imran Ashmi.
18:09Have you seen a murder picture?
18:11I have seen a film with all my boyfriend.
18:14What a boyfriend is your boyfriend?
18:17No, my mother said that boyfriend and the rice are so good.
18:19I don't know.
18:20I can't tell you.
18:21You know what a mother picture is.
18:22Why do you do romance with me?
18:23Because I don't like your style.
18:24What?
18:25You are a green flag.
18:26Green flag.
18:27Oh no.
18:28And I don't like green flags.
18:29Oh my god.
18:30I want a red flag.
18:32I want to love romance romance.
18:42Oh my god.
18:44And I don't like green flags.
18:46Oh my god.
18:47I want a red flag.
18:52I like raw romance.
18:54It's a good romance.
18:56I want roadside Romeo.
18:58I want to love you.
19:00I want to love you.
19:02I want to fight for my shoes.
19:04I don't want to play in the rain.
19:14I want to play in the rain.
19:21You have seen the right place.
19:25Let me teach you.
19:27What do you teach?
19:29Let me teach you.
19:30This is the romance.
19:33Let me teach you.
19:35Let me teach you.
19:37Please, let me teach you.
19:39Let me teach you.
19:41Let me teach you.
19:42Let me teach you.
19:43Let me teach you.
19:44Let me teach you.
19:45Let me teach you.
19:46Come here.
19:47You can do it.
19:49It's a whole feeling.
19:50Yeah.
19:56I'm crying.
20:01It's a little bit.
20:04I forgot.
20:05But there is something like this.
20:08It's a little bit.
20:09It's a little bit.
20:10It's a little bit.
20:11It's a little bit.
20:12It's a little bit.
20:13It's a little bit.
20:14It's a little bit.
20:15It's a little bit.
20:16It's a little bit.
20:17It's a little bit.
20:18It's a little bit.
20:19It's a little bit.
20:20It's a little bit.
20:21It's a little bit.
20:22It's a little bit.
20:23It's a little bit.
20:24It's a little bit.
20:25It's a little bit.
20:26It's a little bit.
20:27It's a little bit.
20:28It's a little bit.
20:29It's a little bit.
20:30It's a little bit.
20:31It's a little bit.
20:32It's a little bit.
20:33It's a little bit.
20:34It's a little bit.
20:35What happened was that?
20:36Did you do it?
20:38No, no, no. It's gone.
20:39How did it happen? It's gone.
20:41It's gone.
20:42It's gone.
20:51Ali bhai has been promoted in Hali.
20:53This is his dharmpatni, Richa Ji.
20:55He's become a very good parent.
20:58Thank you, thank you.
21:00Ali bhai was selling intelligence secrets.
21:04And the wife didn't have any news about her.
21:06In real life, you can hide something from Richa
21:09or you can hide it from your eyes?
21:13No, I don't need to hide.
21:16There hasn't come such a compliment.
21:18We're doing nothing.
21:20Ali, Ali is a very beloved person.
21:24As Ali bhai became papa, Nina ji also became nani.
21:27Congratulations to you.
21:30And this is such a cool nani.
21:31We've seen them on social media.
21:34And we've seen the song for the kids.
21:35And we've seen the song for the kids.
21:36Huh?
21:38We've heard Nina ji.
21:39You told me to call her baby.
21:40I don't want to call her nani.
21:42I just want to call her nani.
21:43Yes, yes.
21:43Are you afraid that the romantic role will become less?
21:45No.
21:46I feel very young.
21:48So I don't want...
21:49Nani sounds very old.
21:51Oh, God.
21:52So I want to still feel young.
21:54So you are young?
21:55What do you mean?
21:56No, it's not.
21:57But I don't want to feel from inside.
21:59No, it's not.
22:01But Nina is a good song.
22:03That's why she feels good.
22:05Kiran is a very bad song.
22:08Sorry, sorry, Kiran.
22:09You have to go to your house?
22:10No, no, sorry.
22:11Sorry, sorry, I'm saying.
22:12So when Sikandar was a little,
22:13he was in Pallene,
22:14then Kiran gave me his heart to listen to my son.
22:18Huh.
22:19So he was like listening to her and listening to her.
22:21And the child would say,
22:23Mom, don't.
22:24Mom, don't.
22:27Seriously.
22:28And also, I'm teaching her
22:30that she doesn't learn Hindi.
22:32She doesn't learn Hindi.
22:34Like we have to eat, to eat, to eat, to eat, to eat.
22:37You know, all those things which
22:38Masaba would not know now.
22:40So if I'm living, I'll teach her everything.
22:44God bless you.
22:45What are you talking about?
22:46Nice.
22:47You will come to this episode here.
22:49You have to do the same things.
22:51Yeah.
22:52If I talk about Pankaj brother,
22:54he's a big man with a big land.
22:56He's so close to his hands,
22:58he's still close to his hands.
23:00Oh God.
23:03I mean, Jogh Sapat,
23:04sir, when you leave your house
23:06to come to the Metro City,
23:07Mumbai, Mumbai, Mumbai,
23:10you have to miss a lot of things.
23:12I miss many things.
23:14I was just here in a week.
23:15I was here in the home of the house.
23:16So I have two lines in mind and I put a link.
23:18Mom lives in my house and doesn't like that.
23:20I don't like my house.
23:21I'm not a mother.
23:22I'm missing a mother.
23:23I'm missing a mother.
23:24I'm missing a mother.
23:25I'm missing a mother.
23:26She won't be missing a mother.
23:27Oh, it's amazing.
23:28Oh, it's amazing.
23:29Oh, it's amazing.
23:30So
24:00I asked a man for a long time
24:02that you guys
24:04have seen women
24:06male female, a girl
24:08Oh my God!
24:10I said, brother, there's nothing
24:12that happens, so
24:14in truth, you can take it
24:16I said, brother
24:18you don't know
24:20how to do this
24:22so many questions
24:24on the action
24:26how to get out
24:28Hey, a question
24:30Okay, you talk about the story
24:32when I went to Delhi
24:34I was so angry
24:36that we were living in the world
24:38so the ladies came and asked
24:40the question of Raveena
24:42what's her affair
24:44and then
24:46one came and said
24:48auntie
24:50this is my TILLU
24:52I don't do anything
24:54it's been taken by the actor
24:56I used to get so angry
24:58I used to get so angry
25:00I used to get so angry
25:02My friends, my friends
25:04ask me that actors
25:06they do acting
25:08there is a cameraman shooting
25:10so what are you doing?
25:12What is your job?
25:14My father
25:16was a disaster
25:18and he went to train
25:20and he told his friends
25:22I was a father
25:24and he said
25:26what are you doing in the train?
25:28They used to call me at 2 o'clock
25:30at 2 o'clock
25:32and tell him
25:34that you are the only one
25:36phone, phone, phone
25:38I don't know, I'm sleeping
25:39I'm talking about it
25:40No, you talk about it
25:42Who are you talking about?
25:44How do we know?
25:46Dialogue
25:48I'm talking about it
25:50I'm talking about a fool
25:52You will hear you
25:54I'll hear you
25:56and I'll sing
25:57until you are alive
25:59Alright, I'm talking about it
26:00You are my father
26:01You're my father
26:02You are in Bendra
26:04one brought up
26:05Kulabaa
26:06Kulabaa
26:07You are always
26:08Naaygam
26:09and a Wapii type
26:10you miss
26:11What do you think of the difference in that Bombay?
26:14Colabba and Bandra?
26:16The roads are a little big.
26:18Bandra is a little small.
26:20But I traveled quite a bit in train.
26:22For five years, I traveled in train.
26:24My first job was in Sakinaka.
26:26So, yes, I got a lot of Bombay.
26:28I got a lot of Bombay.
26:30I want to add some progress about Fatima.
26:32You all have seen Fatima's films.
26:35They don't stay with their friends.
26:37They leave their friends.
26:39They leave their friends.
26:41Let's start another affair.
26:42In the city of Mangal Bhari,
26:44they leave their friends and leave their friends.
26:47You've never told me to take care of the director.
26:50You think I can leave a girl?
26:52You've never seen a Kundalini?
26:54Why are you doing this in the film?
26:56No, I haven't seen it.
26:57I don't know why.
26:58Everything is okay.
27:00I know.
27:01I know.
27:02I know.
27:03I know.
27:04I know.
27:05Fatima, like every film is happening with you.
27:07Boyfriend is left.
27:08Pati is left.
27:10How do you have a boyfriend?
27:11Do you have someone in your mind?
27:13You're like someone.
27:14I'm like someone.
27:15Oh, ho.
27:17No, no, no, no.
27:18You're wrong.
27:18You're married.
27:19No, you don't understand.
27:21It's my last film.
27:22You're like someone.
27:23With Madhavan.
27:24There's a different chemistry.
27:25There's a different relationship.
27:27There's a different relationship.
27:27You're like someone.
27:29So you're going to go somewhere else.
27:33So do you leave Madhavan?
27:35Why are you being so old?
27:37I thought I was so old.
27:38I don't know.
27:39I'm so old.
27:39I don't know.
27:40No, you're so old.
27:40I've asked for this.
27:41So do you want to Netflix?
27:42That's on Netflix.
27:45Thank you, thank you.
28:44He's such a good dancer. No, no, yesterday he was on another level.
28:58Then I'm listening to Carpentry.
29:01Sir, what is this?
29:03Those who come to the film line, plan B is ready to come.
29:07If something happens, he'll do this, this, this.
29:10That's why I learned everything.
29:11Make-up artist's card has also been given.
29:14It's true.
29:15It's true.
29:19I also knew cooking. I was safe in the hotel.
29:22Really?
29:23I used to massage.
29:25No, no, I'm not joking.
29:27You're doing it with shock.
29:28No, no, no. I swear, I'm not joking.
29:30Seriously?
29:31After doing the course of the National School of Drama,
29:33suddenly, my formal education,
29:35based on the first standard,
29:37was done by training.
29:38I was sitting there in Bengali market. What did I do?
29:42So, I said, I have to do something.
29:43So, I had to study the ad in Oberoi Hotel.
29:46Okay.
29:47I did three months of the massage course.
29:50Wow.
29:51And then, I had to massage for two months.
29:53I was sitting in our shooting.
29:55Amit Ji and everyone were sitting.
29:56Yes.
29:57So, I was doing the massage of everyone.
29:59Then, when I started to massage Shilpa Shirodhkar's mother,
30:02I started to massage all the time.
30:04So, the light went out.
30:06Yes.
30:07So, Shilpa's mother said,
30:08Oh, Anupam.
30:09Oh, Anupam.
30:10Oh, Anupam.
30:11Oh, Anupam.
30:13So, Anupam.
30:14Oh, Anupam.
30:16So, Anupam,
30:18I said,
30:18God, get light out.
30:20Oh, Anupam.
30:20Oh, Anupam.
30:21So, Anupam even in the massage of you?
30:23Did you do the massage of your heart
30:24or you were supposed to make your face?
30:25There.
30:25Are you going to go?
30:27Oh, no, no.
30:28Oh, no.
30:30Nice.
30:31When I was struggling,
30:32when I was getting work,
30:33I was assisting a photographer.
30:35And I was shooting weddings.
30:37So, I was going to shoot photos and auditioning.
30:40Because the money is very important.
30:42And no job is small.
30:43No, no job is small.
30:44And I also get to learn a lot about that.
30:47I don't know about that.
30:49Wow.
30:50Now, if someone's wedding,
30:51tell me, I'll just give money.
30:54This is Sara, right?
30:55Yes.
30:56It's Adi's.
30:57Yes.
30:58Done, done.
31:00You'll get a discount for both of us.
31:01Okay, call it.
31:05We have promised that every person will grow our lives.
31:10So, we are calling a super fan
31:14who are doing something.
31:16For example, today,
31:17when we are coming here,
31:19this is a cop
31:21who is controlling traffic in Metro City.
31:25I have to ask you to please.
31:26Yes.
31:27Yes.
31:28Yes.
31:29Yes.
31:30Yes.
31:31Yes.
31:33Yes.
31:35Yes.
31:36Yes.
31:38Yes.
31:47Yes.
31:48It's got a lot of money on it.
31:50Why are you not staying here, Pankha?
31:53Because it's in the AC, so why don't you go to Pankha?
31:56And if you both go, then the bill is higher.
32:02Let's go.
32:05Let's go.
32:11Oh, lovely.
32:13Lovely.
32:14Lovely.
32:15I'll get out of it.
32:17I'll get out of it.
32:20Wow.
32:29When you don't have a helicopter, why don't you come from the car?
32:32Why don't you come from the helicopter?
32:34Why don't you come from the helicopter?
32:35I said to you.
32:36Why did you come from the helicopter?
32:39So, Dada?
32:40What, Dada?
32:41I will give you a shout-out.
32:43Dada, a shout-out.
32:44Dada, a shout-out.
32:45Dada, a shout-out.
32:47Oh, dear.
32:48How many of you came from?
32:49I'd give a shout-out.
32:50How many of you came from?
32:52How many?
32:53Three,
32:56one,
32:57seven,
32:58five,
32:59two,
33:00six,
33:01eight,
33:02nine,
33:03four,
33:04nine people came.
33:05Dada,
33:06one,
33:07two,
33:08three,
33:09What order is it?
33:10It's my grandfather's order.
33:16I'm going to go with my order.
33:19Oh, wow!
33:21What a story!
33:22What a story!
33:23Anupam Ji is also here.
33:24What a story!
33:28Where is Anupam Ji?
33:30Here, here, grandfather.
33:32Where is he?
33:33Where is he?
33:34Where are you?
33:35You were here, right?
33:36What is he?
33:38Daddy, he was here.
33:39You go around.
33:40Why are you so much?
33:42I'm going to go.
33:43I'm going to go.
33:44I'm going to go.
33:45I'm going to go.
33:46I'm going to go.
33:47There's a hill station.
33:48Oh, God!
33:54What a story!
33:55What a story!
33:56Very good!
33:57You guys came, very good!
33:59Kapil!
34:00Yes, Daddy.
34:01Kapil!
34:02Why are they here?
34:04I'm so happy.
34:05I'm so happy.
34:06You guys are probably not sure that they have a story.
34:07What are you saying?
34:09I'm wondering, I'm going to know.
34:10I'm getting old.
34:11I'm getting old.
34:12I'm getting old.
34:13I'm getting old.
34:14How are you getting old.
34:15That's good.
34:16I'm getting old.
34:17He got old.
34:18What's that?
34:19Your future?
34:20That's right.
34:22He knows everything,
34:23Metro Indians.
34:24Hey!
34:25How are you getting old?
34:26What do we do?
34:27We know the Metro Indians.
34:28What?
34:29Are you a child?
34:31Oh?
34:33He was a child
34:36What am i thinking?
34:38A picture?
34:41You know how the picture is
34:49Why did you make this picture?
34:51Sir has.
34:52Yes, I know that Sir has made it.
34:55Very good.
34:56I know, I was checking.
34:59I checked.
35:01You made it.
35:03It's very big.
35:04But if Sir has made it, then the concept is different.
35:11What are you saying, brother?
35:13Yes, because last time I met him, brother.
35:16I said, Daddy, when there is a different concept,
35:18I will take you a picture of a picture.
35:21I didn't have a picture of it.
35:22It doesn't mean the concept is different.
35:25No, no.
35:27Daddy, it's a way to think about it.
35:30It won't be your guess, no, no, no.
35:32It won't be my guess.
35:34Yes.
35:35It won't be my guess.
35:36Daddy, I've done something.
35:37I'm not going to die.
35:39Mom, you can see a scene in one second.
35:44How will you see a scene in one second?
35:46I'll send a message in one second.
35:50I'll send a message in one second.
35:54Daddy, why do you do these things?
35:57I do these things because it releases my dopamine.
36:14Hey, dopamine.
36:16Dopamine.
36:17Dopamine.
36:18Dopamine.
36:23Hey, Pakhtarom.
36:25What's your name?
36:27What?
36:30It's like you're dopamine release when Archana Ji is laughing.
36:34Hey, you're dopamine.
36:36You're not dopamine.
36:37You're the check release.
36:38What?
36:39What?
36:40Hey, Pakhtarom.
36:42Daddy.
36:43Daddy.
36:44What did you do?
36:45I didn't know.
36:46This is a comedy program.
36:47I'm not going to dance here.
36:48I'm going to show you.
36:49Yes.
36:50I'm going to stand-up.
36:51Oh.
36:52Stand-up in a metro.
36:59Daddy.
37:00Do you know that their film is not made in the metro?
37:03It's made in the metro city.
37:05Daddy.
37:06I wanted to ask them first.
37:08You should ask them first, huh?
37:10So, I wanted to ask them first.
37:12Oh.
37:14Don't do anything.
37:17Don't do that.
37:18Don't do that.
37:19I'll tell you today.
37:22You guys…
37:24Here are some…
37:26Don't leave the mic.
37:27The mic won't leave.
37:30You guys are fun.
37:31I
37:36I
37:37I
37:38I
37:40I
37:42I
37:44I
37:46I
37:48I
37:50I
37:52I
37:54I
37:57I
37:59I'll listen to you guys.
38:02Yes, brother.
38:03The first thing I want to listen to Ali Fajal.
38:06Okay.
38:07Ali, come here.
38:08Come here.
38:09Come here.
38:10Come here.
38:11Come here.
38:12Come here.
38:13You've eaten a lot, right?
38:15I'll listen to them.
38:17I'll listen to them.
38:18I'll listen to them.
38:20I'll listen to them.
38:22I'll listen to them.
38:24Okay.
38:25I'll listen to them.
38:27No, no, no.
38:29Yes.
38:31I'll listen to them.
38:34I'll listen to them on the bridge.
38:37Yes.
38:38Peacock dance.
38:40Peacock?
38:41What's up with them?
38:43What will they say?
38:46They'll say...
38:47I'll listen to them while I'm dancing.
38:51I'll listen to them.
38:53I don't depend on the laughter, I don't depend on the laughter.
38:57If you don't have a laughter, I won't come.
39:01I'll take my laughter with my laughter.
39:03Let's go!
39:09Look! Look, my brother, look!
39:12This person won't hurt anyone.
39:15This person won't hurt anyone.
39:17This person won't hurt anyone.
39:19This man won't hurt anyone.
39:23Oh!
39:30Oh, wow!
39:31Oh, cool!
39:34Oh
39:40Oh
39:42Oh
39:52No
39:54Dark
39:58So
40:04It's written in a small dress.
40:05Listen.
40:06Listen.
40:07I'll show you.
40:08It's written in a small dress.
40:11What are you doing, brother?
40:13I'm joking.
40:14Size is medium.
40:15And polyester is 80%, cotton is 20%, hand wash only.
40:22No iron.
40:23No iron.
40:24No iron.
40:257-8-9-10.
40:26Hey.
40:27Hey.
40:28Hey.
40:29Hey.
40:30Hey.
40:31Hey.
40:32Hey.
40:33.
40:36Hey.
40:37Hey.
40:39Hey.
40:40What's the result from this?
40:42.
40:43Hey.
40:44Hey.
40:45Hey.
40:46I'm standing there.
40:49Hey.
40:50Hey.
40:51I'm staying there.
40:52.
40:55Hey.
40:56Hey.
40:58Hey.
40:58sek
41:02In this case, people are getting older.
41:06They are getting older.
41:08I'm not thinking about it.
41:09Go, mama.
41:12I'm getting older.
41:14I'll leave this line.
41:15I'll leave this line.
41:17I don't have to do the humor.
41:19I don't have to do the stand-up.
41:21I'll leave this stand-up and go to the metro.
41:25Now I'll do the game in a metro.
41:27What?
41:28Hey!
41:29Which game is, Dada?
41:31In the metro, a seat in peak hour.
41:35Take it!
41:37I don't know how to run.
41:39Dada, you've been here for two days.
41:43One time, you've got to be a big deal.
41:45No, okay, no.
41:47One time!
41:51Metro has been a big deal for the entire star cast.
41:54Come here, Dada.
41:58This is our second episode of Season 3.
42:03We've had so much fun.
42:07Dada, you've made so much love.
42:09You've made so much love with Star cast.
42:11This film is coming Friday.
42:14You'll enjoy it.
42:16You'll enjoy it.
42:17You'll enjoy it.
42:18You'll enjoy it.
42:19You'll enjoy it.
42:21You'll enjoy it.
42:22You'll enjoy it.
42:23You'll enjoy it.
42:25If you miss yourself,
42:27you'll enjoy it.
42:28Don't wait for it.
42:29You'll enjoy it.
42:30I'll see you too.
42:31Where are our friends?
42:32Where are my friends?
42:33Go eat!
42:34Woo!
42:35Chicken!
42:36Come eat!
42:37Jump!
42:38Thanks!
42:39Sit down, you stay down.
42:40Come sit down!
42:41I'm just joking.
42:42Hey, 개인 your face will definitely come out!
42:44I'm heavy there!
42:46You're my stream!
42:47Wait a better game!
42:49I won't see you.
42:50You can put it myself.
42:56Oh my god.
42:58Please keep alive!
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