00:00We were working on a murder together.
00:08Oh?
00:09I stayed here all night.
00:11Oh.
00:12Yes, it was safer than going home.
00:27What's wrong, lady?
00:28I just saw a murder.
00:31Murder?
00:36Ralph Bellamy, the man she runs into.
00:40David Bruce, the man she runs after.
00:43Dan Duryea, the man she runs away from.
00:47Edward Everett Horton, the man she runs ragged.
00:50Alan Jenkins, the man who runs to crime.
00:54George Colouris, the man who runs everything.
00:57It's no use.
01:01Since you started meddling, you've found out quite a lot.
01:03You know that Josiah Waring's death was no accident, eh?
01:08Mr. Morgan, are you in the habit of visiting strange young women uninvited?
01:11Yes, of course, sir.
01:12Wearing pajamas.
01:13Who's wearing pajamas?
01:14Aren't you?
01:16Oh.
01:16Give me a little kiss, will you, huh?
01:21What are you going to miss, will you, huh?
01:25Gosh, oh gee, why do you refuse?
01:28I can't see what you got to love.
01:31Why, Aunt Charlotte, slapping our only rich relative.
01:38Young woman, how long has this been going on?
01:40Oh, I...
01:41Answer me, how long?
01:44He's upstairs.
01:45He did it.
01:46He killed your uncle.
01:47He'll kill me.
01:47Not if you keep quiet.
01:48I can't see what you got to love.
01:49I can't see what you got to love.
01:50I can't see what you got to love.
01:51I can't see what you got to love.
01:52I can't see what you got to love.
01:53I can't see what you got to love.
01:54I can't see what you got to love.
01:55I can't see what you got to love.
01:56I can't see what you got to love.
01:57I can't see what you got to love.
01:58I can't see what you got to love.
01:59I can't see what you got to love.
02:00I can't see what you got to love.
02:01I can't see what you got to love.
02:02I can't see what you got to love.
02:03I can't see what you got to love.
02:04I can't see what you got to love.
02:05I can't see what you got to love.
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