Adivi Sesh, Mrunal Thakur and Dacoit Movie Team Q & A With Media

Mana entertainment

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Transcript

00:00Please, wait here.

00:07Yeah, Seshgaru.

00:19Seshgaru,

00:27Seshgaru,

00:34Okay.

00:39Seshgaru.

00:49Seshgaru.

00:51Hi, sir.

00:52Sir, sir, sir.

00:54Sir,

00:55You are very good, sir.

00:57Sir,

00:58I am very good, sir.

01:00I am very good, sir.

01:02Really, I am telling you from the bottom of the heart,

01:05It is very good, sir.

01:07Thank you, sir.

01:08You are not as expert, sir.

01:10You are very good, sir.

01:13But,

01:14You are not the best for me, sir.

01:17Why are you in the middle of the heart?

01:19I am the same for me.

01:21I am not the same for me.

01:22I am the same for you.

01:23You are a whole-length cinema.

01:26You are not the same for me, sir.

01:27You are a full-length topic.

01:29You are the same for me.

01:31Sir, honestly, you have a small reason.

01:36When you come to the experts, you say,

01:38that the teaser is super.

01:39If you want to see the teaser,

01:41you can see it in the morning.

01:43Brothers and their sisters.

01:46Brothers and their sisters, huh?

01:49So, when you choose colors,

01:52if you choose colors,

01:55our director worked for eight hours.

01:58So, if you want to see the teaser launch,

02:07these colors are now,

02:09just in this theater,

02:11the teaser is already on the phone.

02:13First of all, you can see it on the internet.

02:15But, if you have a thousand percent,

02:18you will work for eight to nine hours.

02:21So,

02:23if you want to see the teaser launch,

02:25five minutes after the phone,

02:26you can see it on the phone.

02:28You can see it on the cinema.

02:30That's right.

02:32But,

02:33you have seen a different cinema,

02:36and you have seen a different film,

02:38and you have seen a different film.

02:40You have seen a movie for two to three years.

02:43I think it's a crime.

02:45I'm honest.

02:47I promise you,

02:48I promise you,

02:49both Decoit,

02:50Decoit this is down-line.

02:52and

03:09I promise you, I promise you, both Dacoit, Dacoit this Ugaadi and Gudachari to Maro Festival ki ucchaastham.

03:18Maro Festival ki?

03:20In 26.

03:22In 26.

03:23Seshkaru, happy birthday and day.

03:27Thank you, sir.

03:27Sir, Dacoit an aru, oka pramakata an aru, ekkada kura pramakan vincshileidhu, tazer lo, anni action moments, lau an daachisira, lau ni veerakonolai hona choptan aru.

03:39It's angry love, and if I'm just a tease matrimai ka butte.

03:51If you want to start the part, theatrical trailer, oldeready anni cutches ready.

03:56You want to start the item, you want to start the seed, one plant jason.

04:02You're always a clue if you have this film release.

04:05And, uh...

04:06We've got a clue if you want to come to the teaser.

04:08If you want to connect with the first song, you can connect with the teaser song.

04:12That's why it's slow-slow love.

04:14In the industry, one of the defaults is to make a tagline with a hero.

04:20If you hit a hit, you can add a tagline.

04:23If you hit a hit, what's your name?

04:28What's your tagline?

04:30What's your plan?

04:38When I was a kid, my parents had a tagline.

04:49So, I don't really know what to do with PR, design and design.

04:59I don't know what to do with a logo.

05:03But, after 30-40 years, everyone has got a tagline.

05:13But, everyone will see this film as a wow.

05:19So, hopefully, it's a good tagline.

05:24This film is actually Super

05:44I'm going to play in March.

05:47I'm going to play in the summer.

05:50You're a short shot.

05:53That's it.

05:56Sheshgar.

05:58Sir, Dishan.

05:59Hello.

06:00I'm very fond of you, sir.

06:02As usual, you're a passion project.

06:05Every frame, you're passionate about it.

06:08You're content.

06:11As you said,

06:15every frame, almost every dialogue in Hindi.

06:20But on that note,

06:22March 19th is a bad date for Hindi.

06:25Because there are two announcements.

06:28Part 1, I'm going to be looking at it.

06:34It's toxic, obviously,

06:36at that time.

06:38How do you place your passion project?

06:42I'm going to rewind a deja vu.

06:46In 2022-2023,

06:48I started to play a major part of Yashraja.

06:52I'm going to come to Kamal sir and Vikram.

06:55So, this is my question.

06:57That's the answer.

06:59There might be many big fish in the sea,

07:02but we are the goldfish.

07:04Nice.

07:06You're a passion star.

07:08You're a passion star.

07:11You're a good friend.

07:12You're a good friend.

07:13You're not a good friend.

07:15I'm not a good friend.

07:16You're a good friend.

07:17You're a good friend.

07:19Thank you, sir.

07:20Thank you, sir.

07:22And, what's your name?

07:26And, what's your name?

07:27He's a producer.

07:28He's a producer.

07:29He's a fan of Father Wall.

07:30He's a fan of his band.

07:31He's a fan of his presence.

07:33And, what's your name?

07:34He's a song called Nagarjunga.

07:37I've always loved Nagarjunga.

07:40He's a fan of his songs.

07:42I've always loved Nagarjunga.

07:43He's a fan of the first dance performance.

07:46He's a fan of his songs.

07:48He's a fan of my first dance performance.

07:50He's a fan of his songs.

07:51He's a fan of his songs.

07:52So, it's a personal connect also.

07:53So, Suprikaru first time idea,

07:55he's going to connect instantly to the team.

07:58So, definitely,

08:00I'm a good friend.

08:02I'm forever indebted.

08:04So, in the studio,

08:06I've always been shooting in the studio.

08:08And, it was all

08:10a passionate filmmaker.

08:12I've always supported him.

08:13So, yes.

08:14Always.

08:15Suprikaru.

08:16Suprikaru.

08:17One question.

08:18Do you know how much you are?

08:20Do you know how special this film is?

08:25Because, you are reviving your father's banner.

08:27SS Creations.

08:29I'm very, very...

08:30I'm very...

08:31Anapurna,

08:32Gudi.

08:33Gudi.

08:34That's the same thing.

08:36He's young.

08:37He's young,

08:38and he's old,

08:39and I'm very productive,

08:40and I'm always still the same thing.

08:42Allante,

08:43his first film library was standing at anoman.

08:47He's a small set in Anapurna Studio.

08:49He's making a small set,

08:51and he was born in a small,

08:52as much as much as he saw.

08:53He's the only film.

08:54Then he retired.

09:06And our SS creations, I was the cashier for, I think, GAYAM.

09:18So I wanted to bring that back.

09:21I wanted to make a film.

09:24With the blessings of Annapurna Studios, in my father's banner.

09:29So why for this film?

09:30No.

09:32And at that time, I just didn't get the right story that I wanted to produce myself.

09:41Anra Garu, hi.

09:44So you have been very vocal and supporting Telugu cinema forever.

09:49So what took you so long to come to Telugu cinema?

09:53Me?

09:54For this film?

09:55Yeah.

09:56First is my producer.

09:59And my association with Telugu cinema goes back to Ram Gopalwarama.

10:05And me and Supriya have been friends since ten.

10:17Since then.

10:18So when she calls, I come.

10:21So how close is Drakwait to your kind of cinema?

10:26Drakwait for me is very, very world in the cinema, very Hollywood, very…

10:33I have, in the beginning when I got onto the film and I, the shooting style is not like how I shoot.

10:43And I was like an actor you surrender and as an actor I surrendered.

10:49And Chanel's first film, he's also essentially cinematographer, he's also grown up in California.

10:54Sheesh also has his own style.

10:57So you have to kill your director when you come on a set and surrender as an actor.

11:02But when I saw the result, the way they were doing it, and I come from the time when people used to shoot on cans.

11:11They shoot differently.

11:13And when I saw the result, there's one, first I saw one sequence where I wasn't there, which was about them.

11:20I was totally blown.

11:21I have never seen Mrinal like this, ever.

11:23Ever.

11:24This will totally a game changer film for her.

11:28And it really moved me.

11:30And then they showed me a sequence which I have found most of.

11:33I was like cursing them.

11:35Why are you making me do all this?

11:37And then I saw the result of it.

11:39The impact is so huge.

11:41And it is not just saying it.

11:43It looks like a very, very big film.

11:46The way they have really done that.

11:48And it's holding, it's emotionally gripping.

11:50The love story is central to it.

11:53So for me, my experience has been terrific working on this.

11:58Yeah.

11:59Brunan, hi.

12:00So…

12:01So yeah, fan moment of course.

12:06So after Sidharam…

12:08You might have been flooded with a lot of offers from Telugu cinema.

12:17But you have been very choosy with what you pick in Tollywood.

12:21Why so?

12:23Because every day when I wake up, I should be excited going on a set.

12:30I should feel like, okay, I'm going to perform today and this is something extraordinary.

12:36Something that I have not done before.

12:38And I like pushing my own limits.

12:40Also, it is not easy to balance Hindi films and Telugu movies together.

12:47But I am trying my best to balance one leg is in Hyderabad, one leg is in Mumbai.

12:54But having said that, I want to do movies in Telugu which are very close to my heart.

12:59It moves me and it should reflect on screen.

13:04My only agenda is to make the audience feel the journey of the character that I am playing.

13:10Also, it is important for me, the people I am working with, the experience, the journey,

13:17what I am learning off-set, like off-camera.

13:21And like when it came to Hanu sir, then it came to Shaurya Garu and now Shinil Garu.

13:27All three have this different type of filmmaking.

13:30And even Anurak sir, to be honest, on set, there is so much learning.

13:34I never went to a film school, but this is my school.

13:37And I like going on a movie set where I get to learn, be better and just improve my craft.

13:44So, I wish there are more scripts.

13:47One more addition for this.

13:48Yeah.

13:49In Bollywood, we see all this lovey-dovey, dancing Brunal.

13:54Will we ever see that Brunal in Telugu?

13:58Do you want me to?

14:00Of course.

14:02Okay, I'll do it.

14:03That was personal.

14:05I'll do it.

14:06I mean, next year maybe.

14:07Something is brewing, so you'll know.

14:10Seshgar.

14:11Seshgar, hi.

14:12I'll finish.

14:13So, I'll ask you a different perspective here.

14:20So, when you built a reputation that,

14:23Sesh film was there,

14:24I think it was hit to the theatre.

14:26So, that thing resonates with exhibitors, distributors also.

14:32Okay, Sesh film is awesome.

14:33We'll have that minimum guarantee thing.

14:35So, but you took three years gap.

14:37So, yearly at least, I took three years gap.

14:39So, what do you say to them?

14:41Small, I'll keep it a short answer.

14:46Very small.

14:47Twenty-three.

14:48Twenty-three, sir.

14:50Complete burnout type.

14:52You know,

14:53Continuously,

14:54COVID-19 major.

14:56Immediately,

14:57COVID-19 hit to this.

14:58Within the same year,

14:59Release.

15:00You know,

15:01Promotion is 21 cities in 26 days.

15:03So,

15:0523 January,

15:07It's very important,

15:08I've been doing it.

15:09You can't do it.

15:10You can't do it.

15:11You've got two passion projects.

15:13And you're a filmmaker,

15:14Anurag,

15:15Sir,

15:16You have to do it.

15:17You have to do it.

15:18Scripts,

15:19You have to do it.

15:20You have to do it.

15:21You are all the minimum guarantee.

15:22You have to fix it.

15:23You have to fix it.

15:24You have to fix it.

15:25You have to fix it.

15:26So,

15:27So, it took me one and a half year to write both scripts and I am not chasing anything.

15:34I am not chasing tags or what I am doing in the cinema.

15:38After one and a half year, I am doing the cinema.

15:42So, you are telling the writing takes time?

15:44So, I am doing it to continue to continue.

15:47Now, I am going to do two or three years in my approach to any script.

15:53Without writing, only acting, I am doing two or three scripts.

15:56So, only writing is the time? This two years gap or whatever?

15:59It is not just writing. It is the prep.

16:02Now, for us to create an extremely wild, 20-25 show kind of atmosphere, it takes time.

16:13It takes time.

16:15It takes time.

16:16It takes time.

16:18It takes time.

16:23So, what are we giving?

16:25That is so much bigger, so much better.

16:28I mean, we are going to do this.

16:30I mean, we are going to do this.

16:32I am going to do this.

16:34I am going to do this.

16:36So, I am going to do this as a team.

16:38I am iPhone developers.

16:40I am iPhone users.

16:42I am going to do this.

16:44I am going to do this.

16:45I am going to do this as a team.

16:48It is an integral part of the film related to the character of Anurag, sir.

17:06Hi, Mrunna.

17:11Hi, Mrunna.

17:12You also have a character name called Sita and Eshna.

17:18So, Dekawit is called Saraswati.

17:20Saraswati is the only love scene.

17:23So, it's going to be a fight.

17:29Surprise.

17:30Sir, this is only a teaser.

17:35Sorry, Andy.

17:36The picture is still here, my friend.

17:38Aha.

17:39That's a nice answer.

17:41Thank you, Andy.

17:42Thank you so much.

17:43Guys.

17:44No.

17:45Let me tell you.

17:46We have to run to get to the airport flight in India.

17:51I launched this teaser in Bombay.

17:55By the way, Hindi teaser is completely different.

17:58Check it out this evening.

17:59Different surprise in Hindi.

18:02We are running there.

18:03There are many questions.

18:04There are many answers.

18:06I will talk to you soon.

18:07I will see you guys soon.

18:08Next launch, you meet Kalut.

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