Aadi Sai Kumar & Archana Iyer Exclusive Interview About Shambhala Movie

Mana entertainment

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Transcript

00:00Hi everyone! Welcome to our channel, Manastas.

00:03I am a special guest here today.

00:05Every Friday, we enjoy a different genre of films.

00:08But, it's rare that the most popular genre of film is a different experience.

00:14So, in December 25th, the most popular genre of that Christmas,

00:19in a mystical world,

00:21about science vs. spirituality,

00:23and the most popular genre of film is a different experience.

00:28We also have a different experience.

00:30We also have a different experience.

00:32So, we also have a different experience.

00:34We have a different experience.

00:37Let's go!

00:38Hello!

00:39Hi!

00:40So, I just asked you about Instagram.

00:43You have a status.

00:45Promotions are going on.

00:47And you also.

00:48What do you think about promotions?

00:50What is a cinema shooting?

00:52There is a gap between promotions.

00:54How can you do it?

00:55How do you think about actors?

00:56Yeah.

00:57There is a gap between shooting.

00:58There is a gap between promotions.

01:00It is, it has to be said.

01:01It is.

01:02If you see the dialogue in the cinema,

01:04you can see the dialogue between promotions.

01:05You can see the dialogue in the routine.

01:07Yes, there is a routine.

01:08But, at the same time, promotions are very important.

01:10Because, as I said,

01:11there is a lot of promotions.

01:14So, you can support me to the media.

01:17And I know that people are looking at cinema.

01:21So, promotions are very important and at the same time, very tiring.

01:25Both.

01:26But you are enjoying. Both of them are having fun.

01:29But, what kind of promotions have you all?

01:31There are tours, interviews, different different promotions in digital life.

01:36Do you enjoy it?

01:38I think, I think, I think I do a lot of promotions and tours too.

01:44Because, I think, there is a lot of energy in the college.

01:47There is a lot of fun and fun.

01:50So, I think that's a lot of fun.

01:51And at the ground level, I think we are enjoying the cinema.

01:54So, it's kind of nice.

01:56I think, what kind of anticipation is, what kind of anticipation is.

01:59So, tours are one type.

02:01And now, all kinds of promotions.

02:03Digital promotions.

02:04I think, what kind of promotions are different.

02:06I think, what kind of promotions are different.

02:08Great.

02:09What about you, ma'am?

02:10So, when you are in the promotions, you are very excited.

02:13I am very excited.

02:14Because, when you are in the cinema, you are in the middle of the world.

02:17You are also in the middle of the world.

02:20So, how well you promote is how well you drag the audience into the theatre.

02:25So, that's the equation in the middle of the world.

02:27And, what kind of things is that, in the world,

02:31you have all the passion and passion in the world.

02:35So, I enjoy promotions.

02:36So, I love talking to people.

02:38In the cinema, you say,

02:39I want to be able to watch this show.

02:40I want to be able to do something else.

02:42I want to be able to do something else.

02:44I want to be able to do something else.

02:46I want to be able to do something else.

02:47And, I am totally loving it.

02:48Wow.

02:49But, what type of promotions are you really into?

02:51I, both of you.

02:53See, in other promotions,

02:54many people connect with social media.

02:57So, I want to be able to connect with the ground level audience.

03:01We have to go straight, indirect, in-person.

03:03In-person, we have to discuss.

03:05We have to score all the characters.

03:08We have to score all the characters.

03:10We have to score all the characters.

03:12We have to score all the characters.

03:14But, you enjoy both.

03:15Yeah.

03:16And, from the bottom of my head,

03:18I just talked about the whole movie.

03:19I don't know if you are a lot of a lot of things.

03:20I have to do some things with your anticipation.

03:22I have to make every update.

03:24You have to be able to make a lot of work and a lot of things.

03:28You have to be able to do some things.

03:30So, what do you have to do with your feedback?

03:33You have to do some things with your feedback?

03:34I am going to talk about the first look.

03:36I have to take a lot of positive feelings.

03:39Of course, I am waiting for something like this.

03:43There is a good content-driven film. There are a lot of films in different languages.

03:49If you look in Malayalam, there are a lot of content.

03:53There are a lot of films in Tel Aviv. There are a lot of different films in Canada.

03:58There are a lot of different films in Shambhala. There are a lot of different content-driven films in Shambhala.

04:02So, I have to wait for this.

04:04There is a lot of content films in Shambhala.

04:07This is more like a theatrical experience in e-cinema.

04:10Some films are in OTT.

04:14But Shambhala is a lot of experience in Shambhala.

04:17I have to learn a lot about the world building.

04:20So, you can enjoy a lot of films in Alanti.

04:23And in this genre, there are a lot of experience in the genre.

04:26There are horror, mystical elements, VFX, sound design.

04:31So, there are a lot of experience in the theater.

04:35There are a lot of content.

04:37So, that's the reason why we wanted to...

04:39I wanted, personally wanted to do something like this.

04:42And the director would say,

04:43I would say,

04:45Okay, that's okay, but I don't have a budget.

04:48So, I would say,

04:49Yeah, yeah, sir.

04:50I would say,

04:51And we are passionate about our producers.

04:54Mahender, Redigaru, Rajeshakar.

04:57So, I was very happy to do this cinema as a team.

05:01And something which I was looking forward to.

05:04Yes, great.

05:05Now, we are starting a cinema with a few audience.

05:08We are going to show the vibe.

05:09We are going to show the Tazers and the Trialers.

05:11We are going to connect with the cinema.

05:12We are going to show the vibe.

05:14I think, in Shambhala,

05:16the director of the Uyghendra,

05:18has a great concept.

05:19The production value is a high-range disc.

05:22The performances,

05:23the hook lines,

05:24the hook lines are perfectly planned.

05:26But what is your mindset for?

05:28What is your mind space?

05:29Your actor,

05:30He is perfect.

05:32How do you plan everything?

05:33How do you see your ongoing analysis?

05:35How do you get your thoughts?

05:36That means,

05:38I have a lot of script.

05:41There are a lot of strong characters.

05:44That means,

05:46I am an expert,

05:48I am an expert.

05:49You should applaud the title.

05:50But,

05:51I am actually a expert,

05:52I am a coach.

05:54I was like, first post, and I was like, I'm going to give it a big applause for the teaser.

05:59The teaser was a big applause for the trailer.

06:01So, I was like, I'm going to give it a big time.

06:05I mean, it's very difficult for a teaser and trailer to land.

06:09It's easy to click two.

06:11So, it's easy to click teaser and trailer to click.

06:13I mean, I'm going to give it a lot of feelings about this film.

06:18I'm going to give it a 100%.

06:21So, I want to say Frank, because I want to say a lot of applause.

06:26Yes, yes.

06:27So, we have reached a lot of ground levels, we have sent many messages and phones.

06:32We have reached a lot of messages on Instagram.

06:35And people are comparing with a lot of blockbuster films.

06:38They compare with a lot of directs, Hanuman, Mirai.

06:42So, the most interesting ones are comparing with Virupaksha.

06:47So, nice to compare with a lot of blockbuster films to Shambhala.

06:51It's very good.

06:52The vibe is connected to the audience.

06:54The vibe is connected to Shambhala.

06:57I hope December 25th is Blast.

07:00Yes.

07:01That's why you have to go on-screen.

07:03You have to go to Telgamma, whether it is Krishnamma or Shambhala.

07:08You have to go to Danymedha, whether it is characters or characters.

07:14See, cinema is my passion only.

07:16Wow.

07:17So, whatever role I do, I want to give my 100%.

07:20Because, if I want to give my character a little bit,

07:23I don't want to give my character a little bit.

07:26Yeah.

07:27I don't want to give my character a little bit.

07:30And in this cinema, I could already censor a blockbuster.

07:35Okay? I could already see the elements of a blockbuster.

07:37Because, since the day, we have done the narration,

07:40we have done the shoot, we have done it,

07:42we have done it, we have done it, we have done it,

07:44we have done it, we have done it.

07:46And, you know, the audience is connected.

07:49As an actor, Mark is connected.

07:52That's why, you know,

07:54I want to give my character a little bit.

07:56So, Mark is a conference.

07:58So, generally, I'm a lot of worried about this.

08:01Because, it's a very different concept.

08:04I think, there was a big difference between the team and the team.

08:16I think the team's confidence was going to be the best.

08:17So, more than my fear, their confidence was much more higher than what it was.

08:22So, I think that is one of the most main reasons to do this film.

08:28I don't want to give a look to the film and the film,

08:32So, when we released that first look, it was already making a big sound

08:38So, we were very confident that we didn't have anything to do with this

08:43If we were to do it, we would have 10% extra in our efforts

08:47So, that's what we all did

08:49We all had 100% of our heart and soul

08:53I really wish our hard work on December 25th, Christmas, will be off

08:58But, in the movie crew circle, we would like to see the character of Arjuna's character

09:04There is a little surprises there

09:06That's right

09:07There's some surprises in Arjuna's character

09:10What's wrong with you?

09:12We are also expecting that, ma'am

09:14What are you expecting?

09:15So, you are indirectly saying to me that I am a negative role

09:19That's right

09:20No, no, no

09:21I don't think it's a great role

09:23See, you cannot expect the same with every film

09:28Why do I have the same with every film?

09:29Why do I say that?

09:30Why do I say that?

09:30You can't touch that

09:31You can't touch that

09:32You can't touch it

09:33You can't touch it

09:34So, there are a lot of other films in this film

09:36And there are some kind of specialties in this film

09:38So, it's not like that

09:39So, every character

09:40You have my own character

09:42If there are characters, your mind is broken

09:45So, if you see other characters

09:48Your mind will be blown.

09:50There are so many characters.

09:52So, definitely, I have a great day.

09:55I am playing a good character.

09:59I am playing a good character.

10:01So, I am a part of the investigation.

10:03So, I am a part of what I am doing.

10:05I am going to support the character.

10:08Oh, great.

10:09But, in this film, you have an anchor role, right?

10:12If you are interested in the world,

10:14you can do something.

10:16Yes, yes.

10:18If you are interested in the audience,

10:20there are different perceptions of this anchor role.

10:23What do you do?

10:25Actually, my character isn't interested.

10:28I am interested in what I am looking for.

10:31Yes.

10:32So, I am interested in what I am doing.

10:34So, I have an emotional connection.

10:36Okay.

10:37So, I am interested in what I am doing.

10:40I am interested in what I am doing.

10:42I am interested in what I am doing.

10:44And if it is strong and emotional connection, I will stay back.

10:47So, you have an attention to that.

10:48I am interested in that,

10:49If you want to make mistakes,

10:50I am interested in what I am doing.

10:51Because, if you are interested in my mind,

10:52look at me,

10:53I have a job for a job.

10:55Yes.

10:56I am interested.

10:57If you were interested in that,

10:58that is,

10:59you will lose a mystery.

11:01I am interested in the way you need to address it.

11:02How I solve it,

11:03and that I am going to help a major move.

11:05He's going to hook the character. He's going to stay back and stay back and stay back.

11:10So it's not like I'm going to go back and I'm not going to be a hero instantly.

11:16He's a hero.

11:18That's a drive, a drama, a emotion.

11:22So he's going to design it properly.

11:25So he's going to turn the character immediately into the cinema.

11:29He's going to turn the character and he's going to turn it off.

11:32He's going to turn it off and he's going to turn it off and he's going to turn it off.

11:36But one actress is going to do a cinema journey.

11:39He's going to have a lot of personal experiences.

11:42But if you're going to turn it off, what is your call?

11:44Science vs Spirituality?

11:46You're going to turn it off.

11:48He's going to see a lot of answers in the trailer.

11:51So I'm going to tell you about your personal experience.

11:54Science vs Spirituality is going to be a bit of a discussion.

11:57Very sensitive topic.

12:00Because we have a lot of science and spirituality.

12:05So we have a lot of spirituality as well.

12:08So we also have a lot of spirituality as well.

12:11Spirituality is also science.

12:13Yes.

12:14So science is spirituality and spirituality is science.

12:17That's it.

12:19So we have a different ending in cinema.

12:22That's it.

12:24So that's it.

12:24So we have a different mindset.

12:26So we have a different mindset.

12:27Connected to me, yes, Elant films are larger-than-life films.

12:30Yes.

12:31So every day, we experience the same.

12:33Every day, we experience the same.

12:35Until like if it's rom-coms, Elant, based on real, true events.

12:43Even when we experience the same.

12:45But Shambhala is creating an experience.

12:49So it's something different.

12:50So it's 100% different experiences.

12:54But you're also excited about your actors.

12:56You're all excited about that.

12:58What's your day?

12:59What's your day?

13:01What's your day?

13:02What's your day?

13:03You're going to see the larger-than-life film.

13:04What's your day?

13:06So, every day, how excited about me every day?

13:09In this life, the emotions are very grounded.

13:15That is very connecting, and a lot of characters are connected.

13:20So, the main character has an emotional bond.

13:25So, no matter, I believe in that.

13:29As I said, there is a story that we can talk about and visual.

13:35If we can talk about the story or the story, we can talk about the grand or the grand.

13:40And if we can talk about emotions, we can talk about the slow work out.

13:42So, in the movie, there are emotional hook points.

13:45We can connect with the emotions.

13:47We can talk about emotions, we can talk about emotions.

13:50Those things are very sensitive.

13:56In the movie, there are many emotional hook points.

14:02So, we can talk about that one more.

14:06We can talk about the same thing.

14:07We can talk about the video, we can talk about the film in the set.

14:09We can talk about the film in the cave.

14:11We can talk about the film in the cave.

14:13We can talk about the major flashbacks.

14:17We have a 4-minute episode.

14:18The film is very specific to the different points.

14:21The point is very different.

14:23So that's a point of discussion.

14:27Let's talk a little bit about it.

14:29Asshirudu and Asshirudu are in the beginning of the film.

14:32I'm going to learn about Metroid, Vulkha.

14:36So now we have a lot of different experiences in this film.

14:41And VFX is also around 450 to find VFX shots.

14:46So there's a grandeur, grounded emotions, drama, all characters' purpose.

14:53But in the case, a lot of characters are custom.

14:54That's the story.

14:56That's why I'm not going to talk about this story.

14:59I'm not going to talk about it, I'm going to talk about it, I'm going to talk about it, I'm going to talk about it, I'm going to talk about it, I'm going to talk about it.

15:05Major reason for it is major credit for the Yuga Yenther.

15:09We are all part of his journey.

15:11So major credit goes to the director and the makers, Rashi Kharig and Mahendra.

15:17Great.

15:18Rashi Kharig, what inspires you to accept this character?

15:21What is your personality?

15:22You are a checklist.

15:23You have to plan your filmography.

15:26So how does this film stand alone?

15:28For me, I am always keen and I was always, you know, I love these kind of vintage looks.

15:37I have a lot of interest in these characters.

15:41I have a lot of interest in this film.

15:43Again, I have a lot of film in Devilian, Falyan Ramgarti.

15:46So, look at that, you know, all of them.

15:50So, I feel really happy about these characters.

15:53I feel very happy about these characters.

15:55And I am aware that many of them are still playing in this film.

16:00So, now, we will do a pull-off together.

16:03But if you want to talk about these characters or try to talk to them,

16:06then I will be interested in them.

16:07So, we will have some special interest.

16:09And we will talk about it and research.

16:11So, we will do everything.

16:13And this character, sir, is a beautiful character.

16:16It is a beautiful character.

16:17A great director.

16:18And a very traditional character.

16:21So, we didn't have these characters in the initial stage

16:25And every character is very traditional

16:27So, in the 1980s, I expected a traditional character in the 1980s

16:30So, Alan took a beautiful character

16:32So, that made me accept this film

16:34But, do you want to look at the outer look and design?

16:36Do you want to look at the personal interests?

16:38Do you want to look at the collections?

16:40No, yes, yes, I want to look at the jewelry

16:44Because, Ayesha Gar is a lot of designers

16:47I also used to sit with Ayesha Gar

16:49I used to talk, I used to talk about the colors

16:51How much the color of the color, How much the color of the color

16:53How much the color of the color is not at all

16:55How much is the color of the color

16:56How much the color of the color is not at all

16:58And it is white

16:59And this is how much this discussion had happened

17:01I think of it as well

17:02I don't know

17:03I don't know

17:04It is kind of sad

17:05If she is, like this is a kind of sad

17:07She does not have any alterations

17:09Don't you, this is not what Devi will wear

17:11So, Ayesha has a character in the apply

17:14She has a purpose

17:16A pain, she has that conviction, she has that ambition, she has that ambition

17:22So that's what she has maintained and presentable looks

17:27So that's what is, I think, made, stand out in everyone

17:32Great

17:33You can talk about every character has an important character

17:38But in a village, we have a story that we have two or three characters

17:42In a commercial cinema, every character has a drive or a purpose

17:46It is very hard to do it

17:48But when he handles it, he has an experience of an actor

17:52What is your decision? What are your thoughts?

17:54No, he was very clear about the story

17:57All characters are proper

18:01So, even though I am a character, I am a character, I am a character

18:06He did a great job

18:08He did a great job, he did a great job

18:09He did a great job, he did a great job

18:11I am a character, I am a character

18:13He is Indranilgaru, Shiva, Shiva Kartik

18:16Tanugani, Shiju Garu Gani

18:18Chetra?

18:19Chetra, Chinnapapa

18:20One second

18:21I am...

18:22Ramrajugaru

18:23Ramrajugaru

18:24Yes

18:26Chetra, but Ramrajugaru

18:29Ramrajugaru is the film

18:30Every other person has Raujugaru

18:34But I am the character

18:37How did I tell that?

18:38That's right

18:38So that's one character

18:40She did a beautiful role. She did a beautiful role.

18:49She did a beautiful role in the film.

18:53One episode I want to tell. We were shooting in 40 degrees.

18:58In 40 degrees in the RFC.

19:00What I'm afraid of is that the sun burns a chest.

19:07When we shoot an episode, she has to fall down and cry.

19:11She doesn't have to do makeup.

19:14She doesn't have to burn her.

19:16But I want to tell her that she is literally praying.

19:20I am a live example.

19:23I want to look at her. I want to look at her.

19:27I want to look at her dedication.

19:30She was ready to burn the sun.

19:33At the peak of the summer in February-March.

19:36I think she had a lot of attention to her.

19:41But if she doesn't have to burn her.

19:44She doesn't have to burn her.

19:46She doesn't have to burn her.

19:48She doesn't have to burn her.

19:50In the cinema, she doesn't have to take her.

19:53She doesn't have to take her.

19:55She doesn't have to burn her.

19:57She doesn't have to burn her.

19:59She doesn't have to burn her.

20:00She doesn't have to burn her.

20:01She doesn't have to burn her.

20:03She is an absolute legendary actress for her reason.

20:07That's Misa Lakshman.

20:08He has done a terrific job.

20:09Swasika Varu.

20:10Walguda.

20:11Everybody put in their heart and soul for the film.

20:14I think that she does a pleasure for the film.

20:17I think it's a pleasure for the film.

20:21Because if she does a director,

20:22and everyone can be able to do it.

20:24It's a great, great thing.

20:26So, we all get in the cinema 100% of the film.

20:29We all get to the film?

20:30We all get to the film.

20:31We all get to the film,

20:32we all get to the film.

20:33We all get to the film.

20:35We all get to the film.

20:36It's a very good roleplay.

20:40It's a very good roleplay.

20:42It's a very good roleplay.

20:44And after that, I get a lot of emotion, Sita.

20:48Yeah.

20:49If you choose the trailer first, you'll get a lot of emotion.

20:52You'll get a lot of emotion.

20:53You'll get a lot of emotion.

20:55You'll get a lot of purpose.

20:57So, it's a nice round-up script.

21:00See, even animals have importance in the cinema.

21:04Not just hero or heroine.

21:06Every single character, even animals, has a lot of purpose.

21:09Living with non-living objects is a lot of importance.

21:12Non-living?

21:13Animal?

21:14No.

21:15No.

21:16I've heard about that.

21:17Okay.

21:18Yes.

21:19Yes.

21:20Let's read it.

21:21It's a good round-up script.

21:25I hope if people are excited, they'll be excited.

21:29Definitely.

21:30I think that people are excited to see a world building.

21:33People are excited.

21:34They're excited to see a lot of things.

21:35They're going to see a lot of things.

21:36They're going to see a lot of things.

21:37And then there's a lot of failure.

21:38We've always had a world building.

21:40I hope Shambhal will be so happy.

21:44I'm going to see a lot of things.

21:45We know the opportunity to build a career-building journey.

21:48We're an opportunity.

21:49I think we're about to make a career-building character.

21:51We must think about how it will be the pullback to make a career-building character.

21:53But how do you decide what you're about to make a filmmaking film for 5 years?

21:57Completely I believe in script

22:00So I would choose to choose the hero, not a hero, not a hero, not a hero, not a hero, not a hero, not a hero, not a hero, not a hero.

22:06Content is the hero these days

22:11So I decide to do the content because if there is some purpose in the content I really love to do it

22:18I would be a part of it

22:19If you don't want to be a part of it and you don't want to be a part of it

22:24Definitely yes, if I want to be a part of it, I want to be a part of it

22:28It is more exciting and for me

22:30I want to be a part of it or not

22:33I want to be a part of it

22:35I want to be a beautiful girl as a performer

22:40So if there is something to perform, I would really love to do it

22:43But at the same time I would love to tell a lot of good stories to the people

22:47I want to be a part of it

22:50Okay, she will do the justice of the character and give her impression

22:54So in the process, she will do the role in the process

22:58If you have a working experience, you can see truth in the film

23:01How much clarity is in the film?

23:02Life will teach you everything

23:04See, life is bigger than everything

23:07So on the process, I am learning a lot of people

23:11I am learning a lot of people

23:13I am learning a lot of experience in Australia

23:15While they are experiencing the truth, they are chasing

23:17So I am learning a lot of people

23:19So for me, being able to experience and the industry

23:21For me, to be able to do any of them

23:22To see all the filmmakers

23:24Even the architects, actor, actors

23:27They are being able to ask them to exactly the cinema

23:31Or they are talking about cinema

23:33So it is all about cinema, cinema, cinema

23:34It is so passionate

23:35So maybe, all of that

23:38It will be fine

23:39Any memorable day with Co-Actor?

23:42You're not saying it.

23:44You're saying a lot. I'm on Amlapuram.

23:47I'm very good.

23:50Food, I'm good.

23:52I will show cricket match, because it is not an idea for the outside.

23:56You say that.

23:57I won't show fully.

24:01You feel like you're good.

24:03I won't show the cricket match.

24:07The food is coming.

24:08All actors.

24:09Every day, they have food.

24:11And I did the night shoots

24:13Yes

24:14Two or three years

24:15Okay, let's say that

24:16Why does he have to go to the other place?

24:18Now, I'm going to go to the other place

24:20I was going to go to the other place

24:22I'm going to go to the next place

24:24If you do it, I'm going to go to the other place

24:26So, the way things are not important

24:27I mean, we can't even go to the other place

24:29This is all memorable things

24:32When I was acting in shoots

24:35Every scene was interesting

24:37My combination of scenes, I'd be enjoying all of them

24:40And it is such a great scene. There are many different scenes of impact. It's going to be really amazing.

24:47You are right. You are the only one. I'm in the car and in the promotion, when I was cooking, I was going to cook.

24:53When I was cooking, I had to cook. So, I had to cook a lot of some of the movie at the theater.

25:01So, when I was in the middle of the year, I would choose a Russian sushi.

25:07When I was in the middle of the year, I would cook it.

25:09And I would say, I would like to cook it.

25:11So, I would like to register for a few months.

25:14So, I would like to register for December 25th.

25:17We hope, we hope.

25:18Yeah.

25:19But, you started your career in cricket?

25:21If you had a weekend, you would be stressed out.

25:25No, no.

25:26But, what is your way of approach?

25:28Your stress relief is very stressful.

25:31So, it's nice.

25:33It's easy to burn 2,000-3,000 calories.

25:37And cricket is a huge game.

25:39You keep running, batting, boarding, running between your kids.

25:43So, it's extraordinary.

25:44In the gym, if you want to shoot or do something,

25:49you can run in fights and action episodes.

25:51So, in cricket, there are so many calories.

25:54And, after that, you have to go to dinner,

25:59you have to have a sound sleep.

26:01Ah.

26:02You have to have eight hours, nine hours.

26:03You have to have muscles.

26:04You have to activate your muscles.

26:06You have to relax.

26:07That gives you an instant high.

26:09So, I like that high.

26:11So, I, Thamanana, I'm Ashwin.

26:12I'm a team.

26:13I have a team.

26:14So, we have a lot of cricket.

26:16And in CCL, we have a beautiful team.

26:18Akilkar, my captain.

26:20So, in CCL, we have a good friends.

26:22We have a second family.

26:24We have a group.

26:26So, we keep wishing everyone.

26:28If they release the cinema, we encourage each other to encourage each other.

26:30So, it's good to be able to do that.

26:33If you have a mind off, you have a lot of excitement and a lot of excitement.

26:38You can play a game, play a cricket, and you can play a game.

26:41Obviously, you can play a game.

26:43But, Telugu Warriors is a boomer.

26:45No, Telugu Warriors is a boomer.

26:47You can't play a game.

26:48You can't play a game.

26:50No, I don't play a game.

26:52I have a lot of games in Telugu Warriors.

26:54So, I am fortunate that I am a little bit of bowling.

26:57So, I am a little bit of bowling.

26:59Okay, it is a decent line and length.

27:01So, it is nice.

27:02But, it is easy to play. It is a good competition.

27:04There are a lot of batsmen.

27:06There are highly competitive cricket.

27:08So, it is nice.

27:09And cricket is like films and cricket.

27:11In India.

27:12Cinema, cricket.

27:14So, it is a lot of entertainment.

27:17So, there is a lot of cinema and cricket.

27:19But, my friends, if you have any audience,

27:22it is perfect for a pure cricket cinema.

27:27There is a lot of cinema.

27:28But, are you planning anything?

27:30It is a lot of script.

27:31Sports background is only for cricket.

27:33So, it is a lot of thoughts.

27:35I think you should do it.

27:37Yeah, yeah, yeah.

27:38I am interested in it.

27:39It is a biopic.

27:40Exactly.

27:41It is a lot of cricketing biopic.

27:43Yeah, but, yeah.

27:45In cricket, there are a lot of famous films.

27:47There are a lot of films in cricket.

27:48Yes.

27:49There are a lot of films in MS Donny.

27:50There are a lot of films in cricket.

27:52Yeah, but in cricket, there are a lot of stories.

27:58There are a lot of films in the cinema.

27:59So, if you have any connecting, hooking point,

28:01you will have 100% to do it.

28:03You will have to do it.

28:04Yes.

28:05When you have to do it, you will have to do it.

28:06If you have to do it, you will have to do it.

28:08We will have 100%.

28:09Please.

28:09When you are trying to do it.

28:11Super.

28:11Please try to do it.

28:14Because you are waiting,

28:15because you are already playing cricket or even in the cinema.

28:17Yeah, I think you should do it.

28:19What is the most expensive cricket kit in Midagro?

28:26Most expensive is a bat.

28:28It's not a luxury. It's a little bit of a bat.

28:31Do you have to import it?

28:32Yes, there's a lot in the hostel.

28:34Great. But any final note for Sambhala?

28:37Because I don't want to batting.

28:39I don't want to play all the batsmen in the team, but I don't want to play all the batsmen.

28:42I don't want to play all the batsmen.

28:43I don't want to play all the batsmen, but I don't want to play all the batsmen.

28:46I don't want to play all the batsmen.

28:49I don't want to play all the batsmen.

28:51I don't want to play all the batsmen.

28:53If you want to play all the batsmen in the team, it's very difficult to play all the batsmen in the team.

28:59I don't want to play all the batsmen.

29:01How is he handling?

29:02He is a very passionate cricketer.

29:04He has a lot of cricketing brain and a lot of cricketer.

29:07He has a lot of shots.

29:09He is 100% saying.

29:11He is an Indian guard.

29:13He is also a good guy.

29:15You are almost a bad guy.

29:18You want to play it in an cinema.

29:21We all feel out of the batmen.

29:23But there is no problem.

29:24We are enjoying it.

29:25We are enjoying it.

29:26Cricket, CCL, Arsenal and both.

29:30But the Prabhasgaru trailer launch is there. So, final load, that's what I want to say.

29:35We launched the first teaser and a lot of interest in it, a lot of support.

29:42That gave that instant. And at the same time, we wanted someone.

29:48So, Prabhasgaru time low, immediately okay and release.

29:53And then he gave that lot of push for that also.

29:55So, thanks to Prabhasgaru and Prabhasgaru fans.

29:58How many fans are online? They support me very much and very heartfelt.

30:02So, I want to give a lot of thanks to them too.

30:04And at the same time, I am always working with all the heroes.

30:09So, there are Kalyan fans, Bunny fans, Charan fans, India fans, Mahesh Babu fans.

30:16Everybody, everybody, they keep supporting me.

30:20So, I really wish everyone, everyone, and all of us,

30:25If you don't like the Diasamber 25th theaters.

30:29I want to give a lot of support for my cinema.

30:32Thank you, Anna. Final, that's fine.

30:34Again, let's talk about it, Adhikar.

30:36It's a pure and honest attempt.

30:39In this world building, we have to enjoy this film and enjoy this film.

30:47This film has every element you will look forward to.

30:52There are all elements.

30:53You have a horror element, you have divinity, you have emotion, you have pain, you have ambitious, you know, energy carrying throughout.

31:03So, you enjoy a lot of things.

31:05You have a lot of sound design.

31:07This generation is a lot of fun.

31:10There are many small sounds, nice jump squares.

31:12There are so many things.

31:14So, you enjoy this in December 25th.

31:17You enjoy the great visuals of the Dolby system and the Dolby system.

31:21You have a great impact on your course.

31:24So, I really wish and hope that December 25th will not disappoint you.

31:28So, I want to celebrate this Christmas in this Christmas.

31:34Thank you so much and I wish you a great success.

31:36Thank you so much.

31:38We are in the cinema circle.

31:39You don't have to worry about it.

31:40You don't have to worry about it.

31:41In the process, but in the process, but in the attempts, it will fail.

31:44But, sure short, no doubt, it will hit December 25th.

31:48So, I want to give you a review.

31:50I want to give you a review.

31:53I want to give you an honest review.

31:57I want to give you a four stars.

31:59Definitely.

32:00I want to give you a vibe.

32:02I want to promote you.

32:03We are eagerly waiting for the world to see you.

32:05Thank you so much.

32:06So, guys, we are on December 25th.

32:08We are waiting for a mystical world experience.

32:11We are waiting for friends and families to see you in the theatre.

32:15Thank you so much.

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