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Transcript
00:00Okay, thank you. Thank you so much, Sesi Garu, and Mom Angapati Garu. Full smiles, tonneru. Shivajigarani Matadu Varsnika request chestunnam.
00:08Media mythrilikku, electronic media mythrilikku, social media influencers ki, and darikki swagatham.
00:20Dandora, chala telangana rooted film and dihdi.
00:26Tannu, Murali, eee script rarskkunna, yeen chodhukkunna ar miiru anadikya.
00:35Yeen chodhukodhukodhvennaya, amirikaanin chodhjanu anun nadu.
00:38Anandte, cinema is all about emotion anandai, commercial, it is matronism.
00:45Manam, edo, jannaniki salahalu, sandeishalu, iddhaa manukunne parishtethe cinema kki vaal lehedu.
00:54Eee cinema, entertainment, emotion, drama, aggression.
01:03Adi, dandora and title, yeen chodhukkunna ar mihagadhasin maanana.
01:08Adi, comedy unna dandoraisen itteo unntaddi.
01:12Emotion, sare, aad dandora yedethe unk feel unntadad loppele emotion unntaddu.
01:17Adi, dandoraisen itteo unntaddi.
01:19Adi, dandora yedethe unk emotion, dandora yedethe unk feel unntaddi.
01:24Kada vinna ppidu.
01:26Naa kukkutayani bhiitshindi.
01:28After, Kortu, actually sorry, Kortu kanna munde ee cinema niyen kammittayani.
01:35Content, fully loaded film andde.
01:38Eee, if it
02:02This is Abhiprayam.
02:04Abhiprayam is the first release of the cinema in the theater.
02:09Every one of them, they can elevate their style and create a character.
02:17Every artist can be addressed in this film.
02:22What is secondary?
02:24What is secondary?
02:26What is secondary?
02:28Every one of them is self-respect.
02:34Every one of them is self-respect.
02:36That's the same.
02:38This film is the same.
02:40And Benigaru's name is the name of Benigaru.
02:44He is the name of the 90's producer.
02:48He is the name of the name of Benigaru.
02:50He is the name of Benigaru.
02:52He is the name of Benigaru.
02:56He is the name of Benigaru.
02:58He is the name of Benigaru.
03:00He is the name of Benigaru.
03:02He is the name of Benigaru.
03:04In the 90's, I was a middle class father.
03:08He has struggled with me.
03:12I have no expression on that.
03:14Even though I am not in the 90's.
03:16I have no expression.
03:18I have no expression on that.
03:20Even when I am in the 90's,
03:22we have no expression on that.
03:24I have no expression on that.
03:26Even if I am in the 90's,
03:28we have no expression on that.
03:30But I am looking for a little and I am looking for Neil Rawatan.
03:32This is the last scene,
03:34which I am looking for.
03:36After I am looking for,
03:38And the only thing about the question is because of this.
03:41It is not as much emotion.
03:44It is not as much emotion.
03:45But also, I am saying this.
03:47I am not speaking against this.
03:49But I always thought about it.
03:51You are all talking about what I do in the film.
03:52I'm not doing anything.
03:53I am not doing anything in the film.
03:55This is the 13th century.
03:56I have no idea where I have to do that.
03:59If you have a film in the film in the film,
04:01I have no idea what I would do to do.
04:03I respect you to all the time.
04:05I thought, I have to decide to take my deposit and take my deposit.
04:13I have to take my own money.
04:15I have to buy my own money.
04:21This is a money.
04:25I have to go back to my industry.
04:30This is a big deal.
04:32Everything is happening in the country.
04:39There are two people in this country.
04:42There are two people in this country.
04:46They are struggling with the people,
04:49and the people are struggling with the people.
04:51It is a feeling that you can experience how you feel,
04:53with the media, social media.
04:55You can experience how you feel.
04:57You can say that you don't want to talk about Gopuvan.
05:01In this case, we also have an evolution of the DNA of our DNA.
05:13We have a good idea.
05:15In this case, Benny Garu is in the color photo cinema.
05:19After all, it's called Bedurlanka.
05:20It's not that it's not that it's not that it's not that it's not that it's not that it's not that it's not that it's not that it's not.
05:24But we also have a concept that is as it seems to be considered to be part of the cinema fraternity.
05:33We've made a lot of project, only in many actors, and all the other characters have a good idea of the artist.
05:42But after watching this performance, it's a confidence that we can see that.
05:46Confirm.
05:47You know, everyone is naturally a character.
05:51It's like a Brahman's score.
05:54It's also a challenge in cinema.
05:58It's definitely a challenge to capture this expression.
06:02It's hard for the editing table.
06:05But it's a little bit of judgment to the director.
06:08It's a challenge.
06:10Everyone is not a character.
06:14He's a lot of struggle.
06:17Obviously.
06:19He's not a character.
06:20He's not a character.
06:22He's not a character.
06:24But he's a character.
06:26There's a responsibility.
06:28I'm not sure.
06:30There's a responsibility.
06:32But it's hard for the table.
06:34It's a Brahman's delivery.
06:36Why are there any tension?
06:38It's hard for Christmas.
06:40Before Christmas, overseas, there was a premiere in 23rd.
06:45I also have a content here.
06:47There's a lot of content here.
06:49We're doing a cinema.
06:50We're doing a cinema.
06:51We're doing a cinema.
06:52We're doing a lot of good things.
06:53You're doing a lot of good things.
06:55I don't know.
06:56I don't want to give up.
06:58But we're spending minutes.
07:00I trust that the actors are involved.
07:01The other actors are constantly saying,
07:02Nothing's being told.
07:04Stephan can talk about these roles bad things too.
07:05And as I say,
07:06I'm fine.
07:07So theortune thing,
07:08I make a decision to've done here,
07:09I hope to budget.
07:10I enjoy that.
07:11You guys like this.
07:13Well, we drink a lot of good 레� in the Radio ampartale stream.
07:15We have a celebration in January 1st, and we will enjoy this film in the theater.
07:25Thank you, Andy. Thank you.
07:28Thank you so much, sir.
07:51Thank you, Shivaji Garu.
07:53Thank you so much.
07:54So approved, sir.
07:59Thank you so much.
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