- 14 minutes ago
Category
đš
FunTranscript
00:00Oh, can you give me clear?
00:07Oh, can you give me clear?
00:10Oh, can you give me clear?
00:15Never can't hit me
00:18Ice, camera, action!
00:20No one can't stop, we'll take it all away
00:24We'll disappear
00:27There's no turning back
00:44Mary U?
00:45Before, I've never seen it before
00:47There's no big name in Korea
00:49Mary U
00:50Hong Kong's country, Pita Ji
00:52They started from China
00:55People liked it
00:57At the same time, they're in the first film
00:59So in the first film
01:03In the first film
01:11Look at this
01:12Come on, come on
01:14Tell me
01:17My brother
01:18Yes, Director Kim
01:19Did you have a final for your film
01:21Or did you get it?
01:22No, where are you?
01:23That's not the final
01:24That's why everything has been stopped
01:25Okay, so I can tell you
01:27To tell you
01:28For the film
01:29Hello?
01:30Hello?
01:31Hello?
01:39Director Kim
01:40Director Kim
01:41Oh, nice
01:42Look at this
01:45Look at this
01:46There's no one in Korea
01:47But this is on the top
01:48In China
01:49I think
01:50Don't make her own heroine
01:51What do you think about it?
01:54Oh
01:55Then
01:56Oh
01:58Mr.Hug
01:59You said
02:00Yes
02:02You're not in the mood of the film
02:03Yes
02:06You'd like to believe
02:07How much we both
02:09We've talked about
02:10You've talked about it
02:11Here
02:12We've talked about it
02:13What do you think?
02:14I don't think
02:15What are you talking about?
02:17I don't think
02:18You are saying
02:19You're talking about it
02:20You don't understand it
02:21If you don't have money
02:22You're talking back
02:23But you're thinking about it
02:24I'm happy
02:25You've been saying it
02:26We are three friends!
02:32He is very talented.
02:33Korea is the third person in Korea.
02:35That's why Korean is also known.
02:37And especially English is also known as English.
02:39He is going to go soon to Hollywood.
02:41There is only one problem with this.
02:44Wherever he works, he starts the affair.
02:47Ah, okay.
02:48He is with a hero.
02:50No.
02:51He is with a financer,
02:53so he has more money.
02:55Something special.
03:02But if you have a financer's mind,
03:04you can also save it.
03:06That's it.
03:10So then you go?
03:11Where do you go?
03:13To get my use.
03:14From my use?
03:16Right now?
03:17Yes.
03:18He is coming from today's flight,
03:19so now he has to go.
03:20Why not?
03:21Okay, let's go.
03:22Let's go!
03:23Let's go!
03:24Let's go!
03:25Let's go!
03:26Let's go!
03:27Let's go!
03:28Let's go!
03:29Let's go!
03:30Let's go!
03:31Let's go!
03:32Let's go!
03:33Let's go!
03:34Let's go!
03:35Let's go!
03:36Let's go!
03:37Let's go!
03:38Let's go!
03:39Let's go!
03:40Let's go!
03:41Let's go!
03:42Let's go!
03:43Let's go!
03:44Let's go!
03:45Let's go!
03:46Let's go!
03:47Let's go!
03:48Let's go!
03:49Let's go!
03:50Oh.
04:20You have to take this pool for me, right?
04:25With that financier, you have to pay more money. Something special.
04:50Let's call us. We will hear the good news.
05:01Yes.
05:04Give this hand, friend.
05:20We will see the phone.
05:32I'm ready.
05:49It's his phone.
05:52Hello Mr. Ha.
05:54Listen, I...
05:56You're ready to put money.
06:02You're ready to put money.
06:04You're ready to put money.
06:09Tell me, I'll meet you in the night.
06:11Go.
06:14But, it's my fault.
06:18What?
06:22What?
06:23Do we meet at this time?
06:30James is coming.
06:32James!
06:33Oh, he's coming.
06:34James, what are you talking about?
06:35What are you talking about?
06:36What are you talking about?
06:38You're talking to me for a meeting.
06:40Yes, tell me. I'm ready.
06:42You'll have to say something else.
06:43No, he's not that man.
06:44Huh?
06:45Then how is it?
06:47He wants to change the whole story for the film.
06:51What?
06:52He changed the story in the story of 167.
06:59If you have to write such changes,
07:01you'll have to write such changes again.
07:06change the title.
07:07Produced by Haha Jungo Fisheries Distribution.
07:09It's extraordinary trick.
07:10Take a long line in action.
07:12Take a long line in action.
07:13Take a long line.
07:14People should join the heroine's boss.
07:16Turn around and change the scene.
07:17Stop.
07:18Stop.
07:19Stop.
07:20Oh, the whole story has so much time for us, huh?
07:24Let's say that we need a little time to change the story,
07:28and we'll get three of our money.
07:30It's impossible.
07:31Why?
07:32Why, brother?
07:33The story will give you money when the story will be prepared.
07:40Yes, it is.
07:41Honestly, I think about movies.
07:43People who have lost their thoughts,
07:45so we don't have to do this.
07:47Now, where is the story?
07:49Ah, the title will change.
07:53Well, if we change the story,
07:55we won't like anything.
07:57And there will be hundreds of monkeys who will die,
07:59so that she will be born.
08:00As soon as she doesn't like a story,
08:02she won't give up.
08:03Ah.
08:04Little boy,
08:05she's taking the first step in the film industry,
08:07so she's very happy.
08:08She's dancing.
08:09We will also dance with her.
08:11Hmm?
08:13Let's go,
08:14she'll become cut-up.
08:16Correct.
08:19You're dancing.
08:21Let's go.
08:22Let's go.
08:23Let's go.
08:24Let's go.
08:25Let's go.
08:26Let's go.
08:27Let's go.
08:28What's going on?
08:30Is she going on?
08:32Honey.
08:33Oh!
08:34Oh!
08:35Oh!
08:36Oh!
08:37Come on.
08:38Oh!
08:43Hang on.
08:44Oh!
08:45He's coming.
08:46Oh!
08:47Hang on.
08:48Like,
08:49Now he's going to his office.
08:54He's going to go there.
08:56Now he's coming back.
08:59He's going to his office.
09:03Now he's going inside.
09:07Now he's going to his car.
09:19Oh, hello Mr. Ho!
09:47We have come to meet you.
09:51Oh, wow!
09:53Come here, come here.
09:55We have to give a place to the office. Thank you.
09:57It was very necessary.
09:59If it's a different office, then the story will not be leaked.
10:01That's why I have to ask you.
10:03But without telling us, we didn't have to worry you.
10:05No, I didn't.
10:07It's a problem.
10:09I told the story to change.
10:11So the responsibility is also mine.
10:13Let's go.
10:15Let's see.
10:17In the coming film,
10:21here's one.
10:23Billy Wilder said that the most important issue is.
10:27This is the case.
10:29The case is the case.
10:31The last version doesn't mean writer.
10:33I didn't even listen to this.
10:35The story is very important.
10:37Now,
10:39if our new movie becomes more power,
10:43then director him alone,
10:45I don't know if you love the cinema, everyone thinks like that.
10:51That's right.
10:52I also liked the idea, right?
10:54So tell me, what do you start the job?
11:02Is this Mary U?
11:04Maybe this is a storyboard of the film?
11:08No.
11:10Mary U is running out of the boutique.
11:15Mary U is running out of the boutique.
11:17Mary U is running out of the boutique.
11:20Madam O.K. Haseen Dinh.
11:22How did the name of the film look like?
11:24I kept such a big name, Young Jaws Hades.
11:27But he changed the name.
11:29Bravo!
11:31The new title is brilliant.
11:33It's very beautiful and beautiful.
11:35You've put it all.
11:37It's very beautiful.
11:39It's very beautiful.
11:40It's very beautiful.
11:41It's beautiful.
11:42It's beautiful.
11:43It's beautiful.
11:44It's beautiful.
11:45It's beautiful.
11:46It's beautiful.
11:47I'll tell you everything.
11:48Look, this scene is the most important scene.
11:50This scene is great.
11:51It's beautiful.
11:52It's beautiful to shoot out of the cinema.
11:54That place where Mary U is going to fight.
11:56Mary U will kill only a few seconds.
11:58People will be crazy.
12:00Mary U will kill only a few seconds.
12:02Yes.
12:03People will be crazy.
12:05We have to forgive so much.
12:07We have to leave it behind.
12:09But we have to leave it.
12:10Where is the toilet?
12:11Toilet?
12:12Toilet is there.
12:13Let's listen to the next scene.
12:16Yes.
12:17And then to work together.
12:19Mary U,
12:28now we have to look here at the waffbird.
12:32They are so quiet and painful
12:45There is no place here.
12:53Did you get something in the basement?
12:55A home theater, a indoor golf and a parking garage.
12:57No place where painting can be found.
12:59There is also a place where you can see that.
13:02Okay, I will try.
13:04Wherever Madam O goes, there is a place where all the girls are tired.
13:08When they are tired, they will get the chance to run away.
13:12And they will get the chance to run away.
13:17Good idea.
13:19I have a lot of fun.
13:21I don't know if you have so much power in the basement.
13:27The basement remember that when we watch a film in a house,
13:31there is such a small window,
13:33where we have no danger.
13:36If we show all the truth in the film,
13:39there will be such a small place in your house.
13:45A small camera?
13:47Yes.
13:48A small camera?
13:49Yes.
13:50A small camera?
13:52I forgot to make that, sir.
13:55In our country,
13:57there are so many bad things.
13:58I forgot to make it again.
13:59Yes, it's gone.
14:01I forgot to make it again.
14:02And if you're a fool,
14:03if you're a fool,
14:04then you don't like the clowns.
14:05You don't like the clowns.
14:06Isn't it, director?
14:07Yes.
14:08Yes.
14:09I also asked the clowns.
14:11That's why I asked such a question.
14:13Please don't mind.
14:14No.
14:15Let's move on.
14:16Let's move on.
14:17He took his hands and took his hands
14:19and took his hands off.
14:20He took his hands off.
14:22Maybe he sent a painting.
14:34No.
14:35No.
14:36There's no concern about him.
14:38He didn't seem to be strange.
14:40No.
14:41Where did he find the painting?
14:43Painting?
14:44Now, why?
14:45He took his hands off on the movie set?
14:46He took his hands off?
14:47He took his hands off.
14:48He took his hands off.
14:49He took his hands off.
14:50He said that,
14:51he will take his hands off.
14:53He took his hands off.
14:54He took his hands off.
14:55What's he gonna buy?
14:56Hello?
15:01I didn't know that he is still a big time.
15:04He's not sure.
15:05Now, let's believe it.
15:07I have to believe.
15:09I have to do it.
15:11Don't understand this.
15:12There's no talent in this Buddha.
15:14He's a very talented.
15:15Yes, he's a very talented.
15:16Good night.
15:17Good night.
15:18I'll give him a hug.
15:25So, all of us are ready.
15:26For the shots.
15:28Ready?
15:29One.
15:30Two.
15:31Action.
15:32Action.
15:33I'm too muchotech.
15:36Time.
15:37Two.
15:40Watch this part.
15:45Alright.
15:46I will have to drink the food from the restaurant.
15:47Next, I will drink to a good coffee on this one.
15:49Then, I will drive a movie.
15:51Tell me.
15:52Madam, you will and it will come a little together.
15:54I would like to go.
15:56But with officers, you have to prepare all your dresses with your dinner.
16:01For this, the whole night will be reduced.
16:03I wish you would be with us.
16:05No matter what, take me the next time.
16:07Yes, of course.
16:09Who do you want to watch another film?
16:12Today, Be Strong Ji Yong is pretty good.
16:15Yes, it's a very good movie.
16:18Does anyone know where the film is?
16:22Oh, why do you want to watch the cinema?
16:24Why?
16:25What?
16:26Will you also go with me?
16:27Today night, you don't need to know anyone there.
16:29Why, brother?
16:30What is today?
16:31Listen, today night, there is a gang film watching West Gate Gang.
16:37Oh!
16:38Then we all have a big problem.
16:41I'm scared.
16:42Let's do a job.
16:43I don't want to stay here today.
16:54Let's do a job.
16:55Okay, cut.
16:56Good job, brother.
16:57Fantastic.
16:58Perfect shot, Mary.
16:59You!
17:00Wow!
17:01Woo!
17:02Woo!
17:03Woo!
17:04Woo!
17:05Woo!
17:06Woo!
17:07Woo!
17:08Woo!
17:09Woo!
17:10Woo!
17:11Woo!
17:12Woo!
17:13Woo!
17:14Woo!
17:15Woo!
17:16Oh, Director Kim.
17:17Mary, did you give a good shot?
17:18What a reason even about my face was hit by me.
17:22I think my face was hit by me.
17:23The first scene is in the cinema.
17:24How can we shoot it from her?
17:25See, اŮŘľĹÄ
of the face was hit by Meadam O.K.
17:28Okay, you're going to shoot on the character.
17:30But maybe for 30 seconds, the eyes were closed.
17:33And...
17:34Your eyes are just putting in this scene.
17:36Your eyes are fantastic.
17:38Very beautiful.
17:39If you take it again, then...
17:43Oh, don't touch this.
17:46Just do it.
17:47Director, are you all ready?
17:49Hello?
17:51Director, everything is okay?
17:53Yes, everything is okay.
17:55Director Kim, we're ready for the shot.
17:57I'm sorry.
17:58Look, I've got to hide everything.
18:00You don't want to come back from this.
18:01I'm angry, sir.
18:05Let's take the shot.
18:07One, two, a...
18:09Action!
18:14Where are you from?
18:15Get out of the side.
18:16Let's go.
18:17Oh, oh, stop there.
18:19What do you want here?
18:23I've just come to watch films.
18:25I can't watch films.
18:26What?
18:27My brothers are watching films now.
18:29So, anyone can't watch films now, darling.
18:32Oh...
18:34So, today, the poor people also want to watch films.
18:39Oh, boy.
18:40Darling.
18:41You're talking to us.
18:42You're talking to us.
18:43You're talking to us.
18:44But...
18:45You're wrong.
18:46Come on.
18:47Come on.
18:48Come on.
18:49I don't care about women.
18:50Listen.
18:51Come on.
18:52Come on.
18:53Come on.
18:54Come on.
18:55I don't care about women.
18:56We're the people.
18:57Come on.
18:58Come on.
18:59Come on.
19:00Come on.
19:01Come on.
19:02Come on.
19:03Come on.
19:04Come on.
19:05Come on.
19:06Come on.
19:07Come on.
19:08Come on.
19:09Come on.
19:10Come on.
19:20Cut it out.
19:21Let's go.
19:29Camera!
19:30Come on.
19:31Take a shot.
19:32Hey, listen, cameraman.
19:33Come on.
19:34Take a expression.
19:35I'm not giving you.
19:36What?
19:37Come on.
19:38Camera!
19:39What you're talking about.
19:40Do it.
19:41Oh, the whole movie is on the scene.
19:42What will you do in the scene?
19:44Get out of it.
19:45Get out of it.
19:46Get out of it.
19:47Stop.
19:49Where are you going?
19:53Go, go.
19:55Oh, oh, oh, oh.
19:56What a joke.
19:57I just wanted this shot.
19:58Oh, oh.
20:04From the bottom.
20:05Good job.
20:06Hey.
20:09Oh, oh.
20:10Come on.
20:11Go away.
20:12Hey.
20:13Oh.
20:14Come on, then.
20:15Come on.
20:16Come on.
20:17Come on.
20:18Go away.
20:19Come on.
20:20Come on.
20:22Come on.
20:24Oh, oh, oh.
20:26If you don't want to die, tell me where he's hidden.
20:40That's Gangri!
20:43Under the mountain, in Godam.
20:56Let's go, get out of here.
21:06Can we go to our house?
21:09Yes, of course. Now you're all alone.
21:12Thank you. Thank you.
21:15Thank you. Thank you.
21:19Cut! This shot is good!
21:26Perfect! Excellent! Fantastic!
21:30More fun than this can happen!
21:34Believe it, Guru.
21:36You're yourself a director.
21:38It's a very big scene, right?
21:39Very big. You're the director.
21:41Let's take a break.
21:42No!
21:43It doesn't show us that we're going on in the shot.
21:49Let's take a break.
21:50I'm going to cut you out.
21:51What's your strength?
21:52Let's go.
21:53And then...
21:55Madam has made Ullu.
21:57I'm going to go there.
21:59Hello, Maryu.
22:01You're reading the script.
22:02What?
22:03This is our biggest financier.
22:05I mean, we're going to be a financier.
22:07We haven't financed it yet.
22:08But we'll do it.
22:09We wanted to meet you.
22:10Our investor, Mr. Ha Jung Ho.
22:13Oh, really?
22:15Sit down.
22:16He's Kamal's actor, right?
22:18Oh, he doesn't look like my eyes.
22:20Ha ha ha ha.
22:22Ha ha ha.
22:23He's gone to his eyes.
22:24Thank you, Mr. Hu.
22:25Thank you, Mr. Hu.
22:34I've sent you all the money.
22:36Have you sent it?
22:37Send it?
22:42Oh, wow. Thank you.
22:51Okay, Director Kim.
22:52Yes.
22:53There's a necessary scene.
22:55Who was that scene?
22:57Ah.
22:58I understood that scene.
22:59Where did you meet with the boss of the last gangsters?
23:02Oh, yes.
23:03Without telling you, how do you know?
23:05How do you know?
23:06Ha ha ha.
23:07Ha ha ha.
23:08You should know the financier so much.
23:09Oh, you too.
23:10I was thinking that at the end of that scene,
23:15there should be such a painting that shows the
23:18gangster boss of the rich.
23:19You should see his humanity.
23:21Oh, why would he put his painting?
23:23Ah, like,
23:25the...
23:26...
23:27...
23:28...
23:29...
23:30...
23:31...
23:32...
23:33...
23:34...
23:35...
23:36...
23:37...
23:38...
23:40...
23:47...
23:49...
23:50...
23:52...
23:55...
23:57...
23:58...
23:59You will get it.
24:05That's exactly what you told me.
24:07Okay.
24:08Is this a painting in truth?
24:10Yes.
24:11I don't have a painting like this, marry you.
24:14I don't believe it.
24:17Then the story has been opened.
24:19So, what are you going to bring it to the film?
24:22Your law is on your own.
24:26The story has been opened.
24:29Yes, but...
24:32There is a rule for me.
24:35A rule? Tell me.
24:39I'm coming from the sea.
24:43What can you do for painting?
24:54Look.
24:55I want to do the gangster boss's role.
24:57I want to do the gangster boss's role.
24:59I want to do the gangster boss's role.
25:05The boss's role is yours.
25:07This role is yours.
25:09Yes.
25:10This role is yours.
25:11Yes.
25:12Say it.
25:13Say it.
25:14Yes.
25:15Say it.
25:16Director Kim.
25:17Yes.
25:18Okay.
25:19Mary.
25:20Please, you too.
25:21Yes.
25:22Yes.
25:23Yes.
25:24Yes.
25:25Yes.
25:26Yes.
25:27Yes.
25:28Yes.
25:29Yes.
25:30Yes.
25:31Yes.
25:32Yes.
25:33Yes.
25:34Yes.
25:35Yes.
25:36We found the painting.
25:37Yes.
25:38Yes.
25:39Where did you keep it?
25:40What was it?
25:41There's an ex-wife in the office.
25:44It was a difficult time.
25:46How much it's for you.
25:47That's right.
25:48Hide the error.
25:49Well done.
25:50You have to come here for all your time.
25:52What was the talking dialogue?
25:54I'll have fun.
25:55I'll call you boss.
25:56So how am I feeling?
25:58You're feeling like you.
26:00And honestly, this painting has also liked the loss.
26:02Do you?
26:03Yes.
26:04Right.
26:05Come on, let me do this.
26:08Don't make a mistake.
26:09Come here and come here and you made a very big mistake.
26:13Very big.
26:14Let's go, ready.
26:16Action.
26:35Let's go, ready.
27:05Let's go.
27:14Let's go.
27:30When are you waiting for me, oh madam?
27:33Jango, what are you doing here?
27:38You made a mistake.
27:40You made a mistake here and you made a mistake.
27:43It wasn't a mistake to change.
27:45Why did you change?
27:48It means that with my dad who died,
27:52he wasn't you.
27:55If I was here,
27:57how are you standing in front of me?
27:59I'm alive.
28:00I'm full of my life.
28:02I'm alive.
28:03I found the boss of West Gate Gang in the factory.
28:06And in the end,
28:07he left you.
28:08Why did he play this game?
28:09Let's go.
28:10You know what's going on.
28:11But what's the difference between this?
28:13If you have just changed here,
28:15don't stop.
28:16Come and come and change.
28:19Whatever I did,
28:20I will forget.
28:21But what I did with my dad,
28:22how did I forget?
28:23They believed you.
28:24You believed your son.
28:25No, no, no, no.
28:26No.
28:27No.
28:28No.
28:29No.
28:30No.
28:31No.
28:32There's nothing.
28:33can be paid for my place to go to jail. How many people have to get warm up here?
28:40How many people have to get here? The police and the police are not looking for me.
28:46It is not possible for you to kill me. I don't believe I am a human.
28:55Haha
29:01More sucky
29:051973
29:07Octobus
29:13That's what keeping up
29:25Oh
29:32Golly machalana
29:34Mujse gilti ho gai
29:35Paisa ne mujhe puri tara antha bana diya tha
29:47Kya Tom
29:49Apni kloti mohabbat ko maar na logi?
29:55Hehehehehe
30:07Boss! Koon hai upar? Boss kya huwa?
30:09Boss ko chlndi chalo
30:11Boss ko koi nala
30:13Boss!
30:25Kut okey
30:27Back up
30:29Sabne bohat mehnut ki
30:31Kya acting ki tumne
30:33Tumne bhi athi athi athi
30:35Tumne to jhande gaar diya
30:37Oh thank you so much!
30:39Tumne toh jhande gaar diya
30:41Oh thank you so much!
30:43Mere dost haa, yes, tumhari liye
30:45Mere liye?
30:47Is bada best newcomer ka wad pukka hai
30:49Tumne kya bool rahe hai
30:51Mr. Haak ki mehnut ke liye ek baar zordar taliya ho jayain
30:53Awww
30:55Aaj shooting na athi ni tim tha
30:57Ab sab log after party mein bilenge
30:59Thank you!
31:00Sab ko thank you!
31:01I'll send you to press conference ki rate
31:03Bye!
31:04Aajau!
31:05Good job!
31:06Thank you!
31:07Thank you!
31:08Bye!
31:09Maza aaga gaya!
31:10Maza aaga!
31:22Aadhi raat ko itna make up kis liye
31:24Shuting toh khatm ho gaiye
31:25Ab toh party ka time hai
31:26Haan jang ho, aaj raat mokaa nahi chhodne wala
31:28Aray, phir lilia us manhus kanjus ka naam
31:31Pura mood khraap khar diya
31:32Pata hai, woh is film ke liye
31:34Ina josh or janun kiyo dhikha raha tha?
31:36Shait film banane ka apna adhura pyaar pura karne ke liye
31:39Nahin
31:40Swark se utri kisi apsara ki tarah
31:42Haseen meri yo ko pane ke liye
31:44Aur ab
31:45Ye mat kehna ki tumne us ki koĹĄish nahi dekhi
31:50Haan
31:51Yeh
31:52Agar madhse drink ke liye kehae ga
31:58Toh bas eek drink lungi
31:59Tum nahi loogi
32:00Kiyo?
32:01Usne chaar billion wand gaya hai
32:05Kal tak meri press conference wari dress bhi aajay ki
32:07Haan toh thik hai
32:08Maa bhi tumhari saath usse minlele chalung ga
32:10Aise thar ki aadmi ka koji bharo sa nahi
32:12Akele nahi jane dung ga
32:13Kisi baar mein toh le jayega
32:14Kahi bhi le jaya, meh saath chalung ga
32:16Haan, woh a gya
32:20Acha, yeh hi pere
32:21Liao
32:22Uski toh
32:23Hello
32:25Oh
32:26How are you?
32:27Come here
32:28Come here
32:46Tumhari dress se match karta huwa ek chot asa tohfa meriyo
32:49Oh
32:50Oh
32:51Iski kya zararat hi
32:54Oh wow
32:55Bahut khoobsunat hai
32:58Sala haar de ke murgi phasa raha hai
33:00Kiyo na
33:03Ek ek drink ki liye chaleng
33:05Sala kanju style maar raha hai
33:09Ah, accha suno
33:10Mas eek minit rukko
33:12Pahle mein is nekles ki liye k acha saa dres pehen ka ra ki mo
33:15Fir matching matching ho jayayayayayayayayayayayayayayayayayayayayayayayayaya
33:17Dreneda do
33:25Better drug, Kim.
33:32Yes.
33:35You have to go for a drink.
33:41What? I?
33:42This?
33:43Why?
33:43When you saw the first time,
33:46you see, you've understood how much better you are.
33:50My heart never speaks to me.
33:53What are you saying?
33:55What a short shot!
34:08Director Kim!
34:09What a short shot!
34:18I knew I was loving the ones who love the cinema.
34:21I think everyone is just like this
34:25Yes, this is true
34:27Ready, action
34:30You have the same thing in the film
34:37No one can't be able to
34:39I don't have anything in the film
34:41We want to be very good
34:57Partner can be able to be able to
34:59What do you mean by the partner?
35:05What do you mean by the partner?
35:06I want to
35:10I want to spend more money in the film
35:14Yes, I want to spend more money
35:16I want to spend more money
35:17If you want to spend more money
35:18I will be able to spend more money
35:20But what will I do?
35:21I remember that I have to go to the edit
35:25I will go
35:25You don't have much time, Director Kim
35:30What a lot, what a lot
35:33Look, I don't have a drink for me
35:35Mr. Ha, I will see you later
35:36Bye
35:37Wait, Director Kim
35:38Wait, Director Kim
35:40Wait, wait
35:41Wait
35:42Wait
35:43Wait
35:44Wait
35:45Wait
35:46Wait
35:47Wait
35:48Wait
35:49Wait
35:50Where are you going?
35:51Just a drink after that
35:53Wait
35:54Wait
35:55Wait
35:56Wait
35:57Wait
35:58Wait
35:59Wait
36:00Wait
36:01Wait
36:02Wait
36:03Wait
36:04Wait
36:05Wait
36:06Wait
36:07Wait
36:08Wait
36:09Wait
36:10Wait
36:11Wait
36:12Wait
36:13Wait
36:14Wait
36:15Wait
36:16Wait
36:17Wait
36:18Wait
36:19Wait
36:20Please, now look at this side.
36:34Please, now look at the left side.
36:38It's my press conference.
36:43Who is this? Congressman!
36:46Lawyer Park!
36:49Congratulations!
36:50Now you have a great deal.
36:52I didn't have to come for you.
36:53Now, I'll get her.
36:54This is my master. Our lead actress marry you.
36:57You are very beautiful. Hello.
36:59This is our director.
37:01And this is our producer.
37:03I think the film will be very good.
37:09After the film is finished, you are going to change the whole world.
37:13Let's see how it is.
37:15The truth is, I've grown up.
37:18Ahaha.
37:25Iski Parvati.
37:28Coming.
37:29Very soon.
37:31Let's go.
38:01Let's go.
38:31Let's go.
39:01Let's go.
39:03Let's go.
39:05Let's go.
39:15Let's go.
39:17Let's go.
39:19Let's go.
39:21Let's go.
39:23Let's go.
39:25Let's go.
39:27Let's go.
39:29Let's go.
39:31Let's go.
39:33Let's go.
39:35Let's go.
39:37Let's go.
39:41Let's go.
39:43Let's go.
39:45Let's go.
39:47Let's go.
39:49Let's go.
39:51Let's go.
39:53Let's go.
39:55Let's go.
39:57Let's go.
39:59Let's go.
40:01Let's go.
40:03Let's go.
40:05Let's go.
40:07Let's go.
40:09Let's go.
40:11Let's go.
40:13Let's go.
40:15Let's go.
40:17Let's go.
40:19Let's go.
40:21Let's go.
40:23Let's go.
40:25Let's go.
40:27Let's go.
40:29Let's go.
40:31Let's go.
40:33Let's go.
40:35I have to go.
40:37I have to pay for money.
40:39Pay for money.
40:41Pay for money.
40:45Why are you?
40:47After this, let's go.
40:49Don't show your face.
40:51You have given this to me.
40:53You have given me this.
40:55Get out of here.
40:57Please, please.
40:58Please, please.
41:00Please, please.
41:02Please, please..
41:04Please, please.
41:06Please, please.
41:08Did I steal her?
41:10Take it.
41:12Just
41:25You're disgusting!
41:28I don't understand how I would like to thank you.
41:40It was a mistake with you.
41:42How you feel, I can't think.
41:45I'm happy that everything is fine.
41:47Look at this.
41:49There's a small love for you.
41:53Not anything special, but I hope you will have a job.
41:56Let's go.
41:57Let's go. Let's go.
42:00Let's go.
42:27Let's go.
42:28Let's go.
42:29Let's go.
42:30Let's go.
42:31Let's go.
42:32Let's go.
42:33Let's go.
42:34Let's go.
42:35Let's go.
42:36Let's go.
42:37Let's go.
42:38Let's go.
42:39Let's go.
42:40Let's go.
42:41Let's go.
42:42Let's go.
42:43Let's go.
42:44Let's go.
42:45Let's go.
42:46Let's go.
42:47Let's go.
42:48Let's go.
42:49Let's go.
42:50Let's go.
42:51Let's go.
42:52Let's go.
42:53Let's go.
42:54Let's go.
42:55Let's go.
42:56Let's go.
42:57Let's go.
42:58Let's go.
42:59Let's go.
43:00Let's go.
43:01Let's go.
43:02Let's go.
43:03Let's go.
43:04Let's go.
43:05Let's go.
43:06Let's go.
43:07Let's go.
43:08Let's go.
43:14Factory magazine seemed like a happy ending.
43:31I don't know.
44:01It's a metro game.
44:31I found the painting that I wanted you to find the painting that you wanted.
44:35Don't forget to play this game.
44:38There is courage, so let me show you in front of me.
44:46You can see the painting in this painting and brush.
44:50You will see this painting in late.
44:52You will see the painting in this painting.
45:01This painting...
45:28Hello, Professor. How are you?
45:30Hello.
45:34I think this painting is very funny.
45:36Wow, I like it.
45:38I like it.
45:39Thank you, ma'am.
45:40Thank you, ma'am.
45:45Thank you, ma'am.
45:46Thank you, ma'am.
45:51Thank you, ma'am.
45:52Thank you, ma'am.
45:53Thank you, ma'am.
45:54Thank you, ma'am.
45:55Thank you, ma'am.
45:56Thank you, ma'am.
45:57Thank you, ma'am.
45:58Thank you, ma'am.
45:59Thank you, ma'am.
46:00Thank you, ma'am.
46:01Thank you, ma'am.
46:02Thank you, ma'am.
46:03Thank you, ma'am.
46:04Thank you, ma'am.
46:06Thank you, ma'am.
46:07Thank you, ma'am.
46:08Thank you, ma'am.
46:09Thank you, ma'am.
46:10Kang Yosob, I finally had a chance to get back to you until the end of the day.
46:29We were playing the game until now.
46:34The actual checkmate is the rest of it.
46:39Our city is very important, but today is my experience that we have two words that we can tell you.
47:01Our city is the same thing that our society is the same thing that our society is the same thing that we have done.
47:05Amir and gharib
47:07Ke bich gheri hoti khai
47:09Taqat or sata ki lalsa
47:11Or daulat or zemini khatta karne ki khuaish
47:14Yeh sab ke sab
47:15Hemare shahro ki atma me samaay huay hai
47:18To yuhi mujhe
47:19Achanah khayal aya ki kiya na yeh sab
47:21Badla jayai
47:22Kiya na mein aisi jaga banao
47:24Jahaan sab ki khushiyon ke liye jaga ho
47:25Kiya is se hemari wo man sikta
47:27Nahi badlegi
47:28Jho din ba din khudgarz hoti jah rahi hai
47:30Isi liye
47:34Mene yeh kitaab likhi plan utopia
47:36Kisika koji sawal
47:39Aapne apne es kitaab me likha hai
47:46Ki aapka bachpun kisi gharib pariwar meh
47:48Pieda honne se bhi buttar tha
47:50Taqup hota hai
47:51Aap voha se yahaan taq kiise pohunche sir
47:53Please bataayye
47:54Voh kehatay na
47:56Amir bachye darwaza kholna sikhtete hain
47:58Or gharib bachye kati li taro ko phandhna sikhtete hohe
48:01Badhe hote hain
48:02Aur meera pariwar itna gharib tha
48:09Ki na meri paas kholnene ke lilye darwazhi thhe
48:11Or na phandhne ke lilye tarhe
48:13Tera pati ghar aagya
48:16Tu pata nahi kaha ghaayab hai
48:17Chal jaldi se idhar a
48:20Sunao
48:21Jep tuk mayna kao
48:23Bahaar mat nikalna
48:24Thik hai
48:24Samaj ghe na
48:25Ya ya sab tera paap saap karayag
48:27Kahaayi saamnye aaa
48:30Chal jaldi aaa
48:34The
48:43I
48:46I
48:48I
48:50I
48:54I
48:56I
49:02I
49:03I
49:03I
49:03I
49:03I
49:04I
49:04so why don't you go to the star?
49:07I didn't do anything special,
49:09but I decided that I will go to Germany.
49:13Sir, what did you go to the scholarship?
49:18When I was studying other children,
49:20I worked there.
49:23I had to do anything to do with my life.
49:26That's why my life was successful and lack of life.
49:34Who will take this kid in hand?
49:38Here I go.
49:46I didn't have to go outside.
49:48I had to break down the world.
49:50This was a way that I understood.
49:53After all my work,
49:55I played a game.
49:57This game I made.
50:00My GPA wasn't as much as it was necessary,
50:02so the scholarship didn't get me.
50:04But I got to study a child.
50:07The good thing was that
50:09she was a big business man of clothing.
50:13Checkmate!
50:17I felt bad.
50:19I had to die again.
50:20I was a big business man.
50:21I was a big business man.
50:22I was one of my students,
50:23as an elderly man.
50:24It wasn't easy to learn that you are difficult.
50:27She was a good boy in action.
50:29But I gained a lot of money on her.
50:31I got to finish them and get a lot of money.
50:32And that child...
50:34I've also learned the world's colors.
50:37He also understood the color of the world.
50:43If you have questions, why don't you say this evening?
50:47Professor,
50:51I also want to ask something.
50:54Yes, ask.
50:59You have so much effort, but what is the thing you want to do?
51:07I'm thinking that the last question will be so much better.
51:11Like my book's name is,
51:13I want to make a city like this,
51:15where you don't have to hold any of those,
51:17where you have the opportunity for everyone.
51:19But what do you know?
51:20Do you have the opportunity to make a city like this?
51:24With this, I want to take a visit.
51:27Thank you everyone.
51:38Sir, I want to tell you,
51:40my book was very good.
51:42Oh, you read it too?
51:43Yes sir, not five times.
51:44I can't believe it.
51:45Yes, really.
51:46Let's take a photo, sir.
51:56Sir, I want to tell you my book.
51:57Oh, thank you very much.
52:01Just stop.
52:03Because you are my friend.
52:07James,
52:08James,
52:09I'm telling you,
52:10when I was sleeping first,
52:11I thought I would have thought
52:12that I would do all this work with you.
52:15Do you like this work?
52:16Oh, no.
52:18I was so happy with all of you.
52:21I will be happy with you.
52:22I will be happy with you.
52:25Thanks.
52:27Don't eat more food, not a tanky.
52:29What is this?
52:32Five crore 85,90,500 won't came out.
52:38Yes.
52:39If you don't have a red carpet,
52:40it's okay.
52:41It's a bad thing.
52:42Do you know this color?
52:44I don't know.
52:45I don't know.
52:47Why didn't she know this girl?
52:48I don't know where she is,
52:49or where the girl is in.
52:50James,
52:51there's no idea of her,
52:52yeah?
52:53Yeah,
52:55I don't have a idea.
52:57I don't have any idea.
53:04The actual dholai is still here.
53:11The dholai is now finished.
53:14The two of them are eating a fish.
53:18I thought that Mishan why this time was so strange.
53:22Like in that painting,
53:23I thought that Mishan why this time was so strange.
53:29I thought that the painting of the moon was still here.
53:33I thought that Mishan why this time was so strange.
53:37Why did he have sent us to the movie?
53:41The last painting of the Yuga Angel
53:44is the only painting of the Mishan.
53:47The last painting of the Yuga Angel
53:49It was the last painting of Yugangil, which a critic had about 20 years ago.
53:56Now that painting was reached to Dana Art Museum.
53:59The artist Yugangil had no interest in his own time.
54:03But he suddenly closed the painting,
54:06and suddenly people also had his name.
54:19And he was glad to have your name.
54:22He met his former Yugangil.
54:25I used to interrupt the painting.
54:28He used to look for a painting,
54:31and he used to look for a painting with his own mind.
54:34I used to do this painting.
54:37He used to look at his character,
54:39and he used to draw a painting on his own staircase.
54:42Then he used to draw a painting.
54:44He's got a painting on the left.
54:47I don't know.
55:17What is it?
55:22We all have all the people who are connected to each other.
55:30And why did you tell me my dad's photos with me?
55:38Tell me, my dad's why are they?
55:43And what kind of people that are these people?
55:47Tell me.
55:51You know that your dad was not the people of these people.
55:59Shikar?
56:03My dad?
56:07This is...
56:12My dad died in his hands.
56:14They died.
56:17He was attacked.
56:19He was just a battle.
56:20And you're saying that...
56:23He was a drunk.
56:25How are they losing their photos?
56:27Why did they put their photos?
56:29Give me this color to my questions.
56:31What is my dad's photo here?
56:33Huh?
56:35Shut up!
56:37Give me the answer to my questions!
56:39What happened with them?
56:57I'm not a child anymore.
57:11I'm not a child anymore.
57:13surely your job didn't like this could happen.
57:17I'm thinking, my heart doesn't feel like this.
57:19I have to reveal something dark.
57:21There's something dark. Why did Kang Yosop keep me in the office?
57:25I didn't know that this girl could be able to prove so much work.
57:30Tell me. Do you like it or not?
57:32We have to go somewhere. If I don't come, there's nothing.
57:35It's been fun.
57:37Shit!
57:39The story has come to the end.
57:51It's been great to see her.
57:53It's been great to see her.
57:54It's a dream of a dream, a dream of a dream.
57:57I was so glad to see her.
57:59If you could do this, you'd like to find out.
58:01That's what we were going to do next.
58:03And if you had to keep this dream,
58:05we could be like, we're going to find out,
58:07you're going to run out for me.
58:09So, you're going to find out.
58:11And the whole world of Overture is like,
58:13we've got to learn about the dream of Overture.
58:15I know what's the dream of Overture is.
58:17I think the dream of Overture is like,
Be the first to comment