- 7 weeks ago
A 1,000-year-old doctor (John Considine) with the secret to immortality must periodically transfer his soul to a new body.
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Short filmTranscript
00:00:00Fred, I'm sorry.
00:00:15Calling Dr. Grenigan. You're wanted in surgery.
00:00:30I'm sorry.
00:00:44I'm sorry.
00:00:58I'm sorry.
00:01:28I'm sorry.
00:01:57I'm sorry.
00:01:59Come on, let me take you home.
00:02:03Greg, I'd like to stay here for a little while.
00:02:09I'll wait for you outside.
00:02:15I'd like to be alone.
00:02:17And please, this tomb is never to be locked.
00:02:21Do you understand?
00:02:23Never.
00:02:27Laura, please come back.
00:02:35Laura, please come back.
00:02:47Come back to me.
00:02:49I'll come back to you.
00:02:51I promise.
00:02:53I'll come back.
00:02:55I'll come back.
00:02:57I'll come back.
00:02:59I'll come back.
00:03:01I'll come back.
00:03:03I'll come back.
00:03:05I'll come back.
00:03:09I'll come back.
00:03:11I'll come back.
00:03:13I'll come back.
00:03:15I'll come back.
00:03:17I'll come back.
00:03:21I'll come back.
00:03:23I'll come back.
00:03:25Laura.
00:03:29Laura.
00:03:31Laura.
00:03:45Laura.
00:03:47Laura.
00:04:17Laura.
00:06:47Hello, Jim.
00:06:53Fred!
00:06:54What's happening, baby?
00:06:56Say, Jim, do you remember a while back you told me about this woman you know who conducts seances?
00:07:00Ah, you mean Katrina.
00:07:03Yeah, she's something else.
00:07:05Yeah, well, I mean, can she really make contact to the dead?
00:07:08Well, she hasn't had any complaints from any of her customers yet.
00:07:11I see.
00:07:13Yeah, well, Jim, is it possible for you to arrange for me to go to one of these things?
00:07:17Sure.
00:07:18All right, I'll set it up right away.
00:07:20Now, please, you will extend your hands, palms down on the table before you, being sure your little fingers are touching those of the person on either side of you.
00:07:28And now, dear friends, we shall try to communicate with the spirit world.
00:07:35Please, close your eyes and concentrate.
00:07:42Hmm.
00:07:43Hmm.
00:07:43Hmm.
00:07:44Hmm.
00:07:44Hmm.
00:07:45Hmm.
00:07:46Hmm.
00:07:46Hmm.
00:07:47Hmm.
00:07:48Hmm.
00:07:49Hmm.
00:07:50Hmm.
00:07:51Hmm.
00:07:52Hmm.
00:08:05Oh, wait, I think...
00:08:08Yes.
00:08:11There is a spirit present.
00:08:15It begins to reveal itself to me now.
00:08:20My daddy, young man, you, who are sitting on my right.
00:08:30Me?
00:08:31Yes, I have contacted your grandmother.
00:08:35My grandmother? But one of them is still living.
00:08:39If he's not the one I have contacted.
00:08:42Oh, God.
00:08:43Shh, quiet.
00:08:47Do you wish to speak with her?
00:08:49No, no, no.
00:08:52Just tell her I've settled low.
00:08:57That spirit is gone.
00:09:07Yes.
00:09:08I feel the presence of yet another spirit.
00:09:13Recently departed wife of the gentleman.
00:09:17The first gentleman seated on my left.
00:09:23Laura.
00:09:26I'm sure your husband, friend, is yearning to hear your voice.
00:09:32Laura, speak.
00:09:36Speak to your husband.
00:09:38Let him hear the sweet sound of your voice again.
00:09:44Sweet.
00:09:45Fred.
00:09:46This is Laura.
00:09:47Laura Sanders, your wife.
00:09:48Do you hear me, Fred?
00:09:50Answer me, Fred.
00:09:51Do you hear me?
00:09:52This is Laura.
00:09:53Fred.
00:09:54Fred.
00:09:55Fred.
00:09:56Fred.
00:09:57Fred.
00:09:58Fred.
00:09:59This is Laura.
00:10:00Your wife.
00:10:01Fred.
00:10:02Fred.
00:10:03Do you hear me?
00:10:04This is Laura.
00:10:05Fred.
00:10:06Fred.
00:10:07Fred.
00:10:08Fred.
00:10:09Fred, this is Laura.
00:10:10Your wife.
00:10:12Fred.
00:10:13Fred.
00:10:14Fred.
00:10:15Fred, this is Laura.
00:10:17Fred.
00:10:18Fred.
00:10:19Fred, this is Laura.
00:10:20Your wife.
00:10:21Laura.
00:10:22Laura.
00:10:23Laura.
00:10:25I just can't believe that something like this is possible.
00:10:51Well, then let's forget it.
00:10:53No, wait. Can I see the woman?
00:10:55Sure. When would you like to see her?
00:10:58How about tonight?
00:11:00Fine. I'll tell you what, you'll be at this address around midnight.
00:11:03You'll see what I'm talking about.
00:11:06All right.
00:11:07Hello. I'm Fred Saunders.
00:11:25Oh, hello, Mr. Saunders. I'm so happy you could come.
00:11:30Are you the gentleman whose wife returned back home?
00:11:33Yes, after 30 years.
00:11:3530 long years and she came back to me.
00:11:38Thanks to these good gentlemen here in the society.
00:11:42The society?
00:11:43Yes, the society of the dead.
00:11:46They brought her back to me.
00:11:48Would you like to meet her?
00:11:50Yes, I certainly would.
00:11:51Very well.
00:12:00Isn't she lovely?
00:12:01And I swear I can still hear it.
00:12:23And you used to kid me about dating a palm reader.
00:12:28Here you are with a foamy seance, his hooded men the whole bit.
00:12:33Oh, come on, Fred. Snap out of it.
00:12:36Listen.
00:12:37I'm asking you as an old friend.
00:12:41But as your doctor, I'm telling you, you've got to pull yourself together.
00:12:44Look at you. You're a mess.
00:12:47Do you honestly believe Laura would want you to carry on like this?
00:12:51When she comes back?
00:12:52Oh, damn it, Fred, will you stop that?
00:12:55People don't come back from the dead.
00:12:57No matter how hard you're trying to preserve her body, it won't help.
00:12:59I realize what you're going through.
00:13:04But you've just got to accept the fact that she's gone.
00:13:07Laura is dead.
00:13:10But you're young, Fred, and you're alive.
00:13:13I'm sure that someday you'll find someone who'll make you just as happy as Laura did.
00:13:19But in the meantime, for God's sake, let Laura rest in peace.
00:13:24What do you say?
00:13:24I know.
00:13:32How about coming up to my place for dinner tonight?
00:13:34I just fired my cook, so I'll have to play chef now.
00:13:38That ought to be good for a lad.
00:13:40What do you say?
00:13:42Laura's coming back to me, Greg.
00:13:45I don't know how or when, but she is coming back to me.
00:13:54Good morning.
00:14:18Good morning, Sandy.
00:14:20Coffee?
00:14:20Yeah, please.
00:14:21What's that?
00:14:41Something to read with your coffee.
00:14:43I've been laughing my head off at some of the ads in this thing.
00:14:46If you don't shock easily, you might enjoy it.
00:14:48Well, I'll try not to be shocked.
00:14:49Yes, I saw your ad in the paper about reincarnation.
00:15:19And then tonight?
00:15:22Why, I think so.
00:15:27Fine, I'll meet you there around 11 o'clock.
00:15:30Oh, just ask for Mr. Saunders.
00:15:33To Tana.
00:15:48And no last name?
00:15:53You call me Tana, and I'll call you Fred.
00:15:56All right.
00:15:56All right.
00:16:01I had to do a bit of research on you.
00:16:05Oh, I am very sorry.
00:16:08I see that you have lost your wife recently.
00:16:10Yes, Laura's the reason I'm interested in reincarnation, or whatever you call it.
00:16:16To enable me to, to...
00:16:18To see her again?
00:16:19To be able to hold her and touch her?
00:16:23Yes, exactly.
00:16:24And you found that this couldn't be achieved by false spiritualists who conduct phony seances.
00:16:30Correct?
00:16:30Correct?
00:16:35By research, remember?
00:16:37No, Mr. Saunders.
00:16:41I mean Fred.
00:16:42There is only one person in the entire world who has the power to make the body of your wife live and breathe again.
00:16:51You mean you're representing someone who claims to be able to bring the dead back to life?
00:16:56He not only claims to do it.
00:16:58He does it.
00:16:59And that's only a portion of what this man can do.
00:17:04What his genius can...
00:17:05Tana, Tana.
00:17:05I've had my fill of people who claim...
00:17:09You don't have to take my word for it.
00:17:13Why not see for yourself?
00:17:16And how do I do that?
00:17:18Simple.
00:17:19Meet me here tomorrow night at the same time.
00:17:22And I'll take you to this man.
00:17:24The only man who can see to it that your wife keeps that promise she made to you on her deathbed.
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00:21:25And now, for our demonstration.
00:21:34You see here what was only yesterday, a living, breathing mortal, a beautiful young girl with
00:21:40exquisite features and a body like a goddess, but the poor thing is dead, yes, she is dead.
00:21:50And this is a fact I would like to prove before going any further in my demonstration, just
00:21:55in case anyone might have any doubts about the condition of this lovely creature you see
00:22:00here before you.
00:22:02May I ask for a volunteer to come up here and see for yourself that there is no life left
00:22:07in this lovely creature.
00:22:09A volunteer, please.
00:22:10Sure, I'll volunteer.
00:22:12Excellent.
00:22:13Would you come up here, please?
00:22:17Now would you listen to see if there is any heartbeat?
00:22:20Oh, why, certainly.
00:22:21She's dead, all right.
00:22:35I couldn't feel, I couldn't hear a thing.
00:22:38Thank you very much.
00:22:39You are welcome.
00:22:40Yes, ladies and gentlemen, this woman had everything a girl would want.
00:22:49But her young life was snuffed out by a jealous lover.
00:22:53Her soul has gone into another realm.
00:22:55But her body lies here, about to waste away, unless...
00:23:03Now, this girl, unlike our gorgeous creature here, is neither dead nor beautiful.
00:23:12She's the unfortunate victim of an explosion in a chemical factory, which has left her entire
00:23:18face and body a mass of horrible scars and burns.
00:23:27So, ladies and gentlemen, must she be condemned to spend the rest of her days with a face so grotesque?
00:23:36The answer is no.
00:23:40Through selective reincarnation, she will toss off this mangled body and her soul will assume
00:23:46this beautiful one here.
00:23:49But first, as she requested, she must, as we call it, die.
00:24:01And so we shall gladly fulfill her request.
00:24:03And in so doing, why not be entertaining at the same time?
00:24:08Being an amateur magician, I thought I might delight, you nice people, by performing the
00:24:12old Saw the Girl in Half trick.
00:24:15Oh, I almost forgot.
00:24:18Of course, my version of this old trick is that I actually do Saw the Girl in Half.
00:24:25Shall we, Thor?
00:24:27Why, he's mad.
00:24:55Mad?
00:24:56Yes, like a fox.
00:25:02The girl's request has been fulfilled.
00:25:22Her soul no longer has to be trapped in such a hideous body.
00:25:29And where is her soul?
00:25:32Watch, as I summon it before your very eyes.
00:25:42But that's murder.
00:25:44Is it?
00:25:45The silly girl wanted to die.
00:25:48She didn't want to live in that body of hers.
00:25:52All he's doing is obliging her.
00:25:56Now, please, be absolutely silent and watch.
00:26:09Behold her soul, a beautiful soul about to enter a body deserving of it.
00:26:15Watch, as you shall see the dead rise, coming back to life through selective reincarnation.
00:26:21To the world's triumph...
00:26:53There.
00:27:59If what I saw really happened, then I still say it's murder.
00:28:09Oh, it really happened.
00:28:11But whether it was murder or not, well, this is a theater, not a courtroom.
00:28:17But can't you just see your wife coming back to life like this Venus just did?
00:28:22Think of it, Fred.
00:28:24Wouldn't that be worth more to you than anything else?
00:28:27Yes.
00:28:30Yes.
00:28:32Yes, it would.
00:28:36Did you turn down?
00:28:38Good evening.
00:28:40And you must be Mr. Saunders.
00:28:42I hope you enjoyed our demonstration.
00:28:45He said it was murder.
00:28:47Murder?
00:28:48Such an ugly word, Mr. Saunders.
00:28:50Well, what would you call it, Doctor?
00:28:52A means to an end.
00:28:54You've seen the marvelous results.
00:28:57Isn't she beautiful?
00:28:58And it is results we're after, isn't it, Mr. Saunders?
00:29:10Could you bring anyone back from the dead?
00:29:12Could anyone mean your wife?
00:29:16Do you want me to try for you?
00:29:19No, thank you.
00:29:20Well, if you should change your mind, I'll always be at your service.
00:29:24It was a pleasure meeting you.
00:29:26Now, if you'll excuse me.
00:29:27Will I see you later?
00:29:29I don't know, my dear.
00:29:31I have all those guests to attend to.
00:29:34You mean one guest, don't you?
00:29:37I should have known that you would want to attend to her.
00:29:41Can you blame me?
00:29:42She's so beautiful and so...
00:29:45so young.
00:29:49Excuse me.
00:29:49Oh, listen.
00:29:51I think you're super.
00:29:54And what can I do for you?
00:29:55Are you kidding?
00:29:57See, I don't care if you cut me into tiny bits.
00:30:00But you've just got to put my soul into a bod like that.
00:30:02Mm.
00:30:19more?
00:30:33Don't care.
00:30:33Laura!
00:31:03A CIDADE NO BRASIL
00:31:33A CIDADE NO BRASIL
00:32:03A CIDADE NO BRASIL
00:32:33A CIDADE NO BRASIL
00:33:03A CIDADE NO BRASIL
00:33:33A CIDADE NO BRASIL
00:33:39All right.
00:33:52All right, all right.
00:34:04Mr. Saunders.
00:34:07Are you all right, sir?
00:34:09Yes.
00:34:09Do you still want me to keep the tomb unlocked?
00:34:28Yes, sir.
00:34:30Yes, sir.
00:34:31Here's the report you wanted.
00:34:47Oh, thank you, Sandy.
00:34:49Fred, I know I'm breaking the boss secretary barrier, but I was just wondering, my date called and he had to break our date for the theater tonight.
00:34:59And I hate to waste these two tickets.
00:35:00Would you like to go?
00:35:01Oh, that sounds good, Sandy.
00:35:04Look, I'll tell you what, since you're providing the tickets, I'll take you to dinner, okay?
00:35:08That's fair enough.
00:35:12Fred.
00:35:13Fred.
00:35:14Fred, I'll come back to you, Fred.
00:35:18I promise.
00:35:20I'll come back.
00:35:23Sandy.
00:35:25Look, about tonight.
00:35:26I'm sorry.
00:35:27I had made other plans.
00:35:29Will you give me a rain check?
00:35:30Sure, I understand.
00:35:53Hello, Tana.
00:35:53Fred Saunders.
00:35:56Yes, I have changed my mind.
00:35:58I've decided to see the doctor after all.
00:36:23Now, do you prefer it this way?
00:36:31Or this way?
00:36:39Hello, darling.
00:36:41Shh.
00:36:42I'm concentrating.
00:36:44But I just wanted to talk to you.
00:36:46I'm busy.
00:36:50So I know this.
00:36:53Do you remember when you used to buy things like that for me?
00:36:59Vaguely.
00:37:02Sorry to have distracted you.
00:37:05Oh, you didn't.
00:37:15Oh, don't stop now, dear.
00:37:18Never stop at the crucial moment.
00:37:23Oh, Mr. Saunders, yes.
00:37:27Show him into the study.
00:37:36I have an appointment, but I won't be long.
00:37:38Ah, I won't be long.
00:37:47Exquisite.
00:37:48Simply exquisite.
00:37:51Tell me, are you happy with your new body?
00:37:55Very happy.
00:37:56And are you grateful to your doctor?
00:37:59Very grateful.
00:38:00How grateful?
00:38:03I'll be back shortly to examine the extent of such gratitude.
00:38:23I'll be waiting.
00:38:25I'll be waiting.
00:38:25Oh, Mr. Saunders.
00:38:37Nice seeing you again, sir.
00:38:44Sorry to have kept you waiting.
00:38:46That's all right.
00:38:47Ah.
00:38:48Thank you, boy.
00:38:51I think you'll find this to your liking.
00:38:54It's all right, Thor.
00:38:56There's nothing to worry about.
00:38:57I'm quite safe with Mr. Saunders.
00:38:59He's a bit overprotective of me, but I'm glad he is.
00:39:03Once in Africa, he discouraged a young lion from attacking me.
00:39:07His intervention almost cost him an eye.
00:39:10Oh, if you think Thor looks bad, you should see the young lion.
00:39:17Brave man.
00:39:18Many years ago in Saudi Arabia, he chose to have his tongue ripped out,
00:39:23rather than reveal my whereabouts to an irate sheik.
00:39:27Ah, yes.
00:39:28Thor is a brave man.
00:39:33Now, what should we drink to, Mr. Saunders?
00:39:37Everlasting life, perhaps?
00:39:40And now, tell me why you changed your mind.
00:39:57You really are exquisite.
00:40:01I'm sure you'll be able to please him.
00:40:03I'll do my best.
00:40:05Good.
00:40:07I always did my best.
00:40:08Yes, but now it's my turn.
00:40:12Yes, it's your turn.
00:40:15I brought you something which will make you more desirable.
00:40:20That?
00:40:21Yes.
00:40:23This.
00:40:24Perhaps your wife, who must have loved you very much,
00:40:28meant that she would return to you,
00:40:30possibly by means of you reliving your memories of her,
00:40:33or seeing things that reminded you of her.
00:40:36No, uh, she said that she would come back.
00:40:40Mr. Saunders, if by she you mean both your wife's body and soul together,
00:40:45that's impossible, even for me.
00:40:47It's too late.
00:40:49Her soul has already gone into another dimension.
00:40:53But I can bring life back to your wife's body, if you'd be interested in that,
00:40:58simply by infusing a soul which has recently left its own body,
00:41:01like the demonstration you saw last night.
00:41:04Yeah, but if my wife had a strange soul in her body,
00:41:08wouldn't she be different than how I knew her before?
00:41:11Well, of course she wouldn't have all the same traits,
00:41:13but she would retain some of them,
00:41:15because the new soul would be influenced by the physical habits and patterns
00:41:20the body has acquired through its many years of life.
00:41:23For example, if it was your wife's habit to kiss you first thing in the morning,
00:41:29well, I'm sure the new soul would obey this rather charming habit.
00:41:34I see.
00:41:37All right, then do it.
00:41:39Bring life back to her body.
00:41:41First, there is a matter of a fee.
00:41:45Well, you name it.
00:41:47$50,000 in cash in advance.
00:41:51I can arrange that.
00:41:53Good.
00:41:55More cognac.
00:42:01Doctor, I was wondering, this ability of yours, this power, this formula, I mean, how?
00:42:07How do I do it?
00:42:11I was afraid you'd never ask.
00:42:15Well, to explain it properly,
00:42:19and I must admit I enjoy telling the story,
00:42:22we have to go back over a thousand years.
00:42:29That's right, Mr. Saunders.
00:42:31A thousand years.
00:42:33Of course, I was residing at a different address then.
00:42:42And residing in a different body.
00:42:45One not nearly as nice as the one I have now.
00:42:48But, to continue.
00:42:50After experimenting for half a lifetime,
00:42:55I found what I believed to be the correct formula needed to create the miracle of all time.
00:43:01Yes, while others tried ways to perpetuate their bodies,
00:43:06I had tried to develop a way to keep the soul on earth for as long as it wanted.
00:43:12To be able to choose its own body for reincarnation at any time and any place.
00:43:19But, time was running out.
00:43:23I had little life left in my old body.
00:43:25I needed a nice, young, healthy body in which to place my soon-departing soul.
00:43:33I had no other choice but to try to put my soul into the body of my young apprentice.
00:43:39Imagine my royal soul going into this peasant's body.
00:43:44But, this was no time to make class distinctions.
00:43:49No, it was time to challenge the impossible.
00:43:54But first, I had to convince my young serf that it was permissible for him to share wine with a member of the ruling class.
00:44:03As I think of it, it's amazing how greatly he resembled my present body.
00:44:08Not nearly as polished, of course.
00:44:14And so, we drank a toast to the success of the greatest experiment the world had ever known.
00:44:25Naturally, I didn't swallow a drop of the wine.
00:44:28Not after what I put into it.
00:44:31But the thirsty young serf, not used to having such quality beverages,
00:44:36took a long, healthy draught.
00:44:39Then dropped over dead from poisoning.
00:44:44Oh, well.
00:44:46And so, I had committed my first of many, many, what you would call, murders.
00:44:53After all, I was determined to keep my soul on earth.
00:44:56But, if I was going to perform this neat little trick, I realized I'd better do it quickly.
00:45:03You see, the life was oozing out of my tired old body.
00:45:07If my formula did not work now, it would be too late to try again.
00:45:12As I expected, the final pain came.
00:45:15And my old body died.
00:45:17But a moment later, thanks to my formula,
00:45:29my soul left that old body and entered the body of the young serf.
00:45:34And so, life returned to the once dead young man.
00:45:40Life provided by my soul.
00:45:43It had worked.
00:45:50I had found the secret of selective reincarnation.
00:45:55I had conquered death.
00:45:57And though I was in the body of a mere serf,
00:46:01I had all I needed to be an emperor.
00:46:06Namely, that precious vial containing my special formula.
00:46:09I also took my royal cloak.
00:46:15You see, I wouldn't have felt dressed without it.
00:46:24So, I went out into the world,
00:46:27equipped with the greatest power on earth.
00:46:30Available for all who might need it.
00:46:33It was comforting to know that whenever my body wore out,
00:46:36I could always reincarnate my soul into another one.
00:46:40When the serf's body finally did wear out,
00:46:43I found myself in the rather embarrassing predicament
00:46:46where the only body at my disposal was that of a beautiful woman.
00:46:52I had to kill the poor thing.
00:46:56And once again, my formula worked.
00:46:59I must admit, having my soul in the body of a female
00:47:07proved to be quite an experience.
00:47:12However,
00:47:13I was fortunate enough to quickly find a healthy young male body.
00:47:18My soul was a bit more comfortable there.
00:47:22I went on to play countless other roles
00:47:25in order to keep my soul alive.
00:47:27And to do this,
00:47:29I had to use bodies of all sizes and shapes.
00:47:34Why, I even knew what it was like to be a child again.
00:47:38Now that was fun.
00:47:41And I experienced membership in races other than my own.
00:47:46So I really did learn how it felt to be of a different color.
00:47:50Marvelous experiences down through the ages to the present day.
00:47:58Keeping my formula ever handy to benefit
00:48:01not only myself, but of course, my fellow man.
00:48:06And thanks to my special talent,
00:48:09I have seen more, done more,
00:48:12and experienced more than any soul in history.
00:48:16I've had riches, I've had power.
00:48:20Power enough to rule the world if I wanted to.
00:48:24Instead,
00:48:25I prefer to spend my time in more pleasurable pursuits.
00:48:30Ah, which reminds me,
00:48:35I had someone waiting.
00:48:43All that remains now
00:48:45is for me to make the necessary preparations
00:48:47and for you to bring the money.
00:48:50I'll call you as soon as I'm ready.
00:48:52Good night, Mr. Saunders.
00:48:54Good night, Doctor.
00:48:54Good night, Doctor.
00:48:54Good night.
00:49:00Wake up, my dear.
00:49:28Wake up.
00:49:30Wake up, my dear.
00:49:34Sure, let me tell him that you're here.
00:49:38There he is.
00:49:39Sandy, hi, Greg.
00:49:40Cancel a port of equipment, will you?
00:49:41I, uh, dropped by to invite you to my place for dinner tonight.
00:49:43I'm breaking in a new cook
00:49:45and I need a guinea pig now.
00:49:45How about it?
00:49:46Good, I've got a guinea pig.
00:49:47Now, what about you, lovely one?
00:49:49I can call Maria and have her thought on another stage.
00:49:51Greg, I'm sorry.
00:49:51Not tonight, huh?
00:49:55Now, what's wrong with him?
00:49:57I don't know.
00:49:57We had arrangements to go to the theater tonight
00:49:59and then he got a phone call.
00:50:01I just don't know.
00:50:03Sandy, I'm, uh, I'm worried about that guy.
00:50:07So am I.
00:50:10You do care for him, don't you?
00:50:13I'm afraid so.
00:50:15Oh, that's good.
00:50:16Now, don't you give up the ship.
00:50:18I think you're just what this doctor ordered.
00:50:20Well, thank you, doctor.
00:50:23Fifty thousand.
00:50:25Not really that much,
00:50:26considering the service I'm about to perform.
00:50:29Shall we go to my private theater?
00:50:31Theater?
00:50:32Why?
00:50:32Yes, I don't know what gets into me,
00:50:35but I have this compulsion to do everything, uh, theatrically.
00:50:39You see, this is because in the 18th century,
00:50:42I occupied the body of a wonderfully talented but frustrated actor.
00:50:47I've been pretty much the ham ever since.
00:50:49Come, Mr. Saunders.
00:50:51The show must go on.
00:50:57Doctor, there's something I must know before you go ahead with this.
00:51:00And what is that, Mr. Saunders?
00:51:03Well, you're going to need a soul for my wife's body.
00:51:05Now, whose soul?
00:51:06Now, now, we agreed that didn't really matter, didn't we?
00:51:09But I must know.
00:51:11Very well.
00:51:19No!
00:51:20Now, please don't interfere, Mr. Saunders.
00:51:22Just relax and enjoy the show.
00:51:25No, wait!
00:51:28But this is murder!
00:51:29That ugly word again.
00:51:32No!
00:51:36You see, you made our knife-thrower miss.
00:51:39But, Doctor, I can't permit this!
00:51:41Would you rather have Thor throw the next knife at you, Mr. Saunders?
00:51:44I'm sure he couldn't miss at this close range.
00:51:47Oh, don't feel so badly, Mr. Saunders.
00:52:01It was over in a second.
00:52:03Who knows?
00:52:04If we allowed nature to take its course,
00:52:06Tana might have lived to be very, very old.
00:52:09And her ego never would have permitted her to bear such a catastrophe.
00:52:13Or she might have contracted a lingering illness.
00:52:17You see, this way, very little suffering.
00:52:21And as far as her soul is concerned,
00:52:23well, your wife could do far worse.
00:52:26Ah, yes.
00:52:30Tana has a fine soul.
00:52:32Oh, no.
00:52:37Next stop, your wife's tomb.
00:53:07Oh, she's lovely.
00:53:15I can see why you want her back.
00:53:20And in a few moments, Mr. Saunders, you'll be holding her in your arms again.
00:53:32Enter that body.
00:53:36Enter that body.
00:53:43I command you, enter that body.
00:53:51I don't understand. This has never happened before.
00:54:01Let Laura rest in peace. For God's sake, let Laura rest in peace.
00:54:06I'm glad. In a way, I'm glad. Now, let's go, Doctor.
00:54:13For some strange reason, Laura's body rejected Thomas so.
00:54:18Whatever the reason was, I want you to forget it.
00:54:20Forget that I suggested such a thing. You could keep your fee and leave well enough alone.
00:54:26I prefer not to see you again, Doctor, under any conditions.
00:54:36I wonder why I failed.
00:54:41I thought I'd heard it.
00:54:48You don't believe me, do you? You think I imagine the whole thing, don't you?
00:54:53No, unfortunately, I do believe you.
00:54:56Not even your imagination could dream up a story like that.
00:55:00Greg, what do I do now?
00:55:02You're the lethal lawyer, Fred. You ought to know the answer to that.
00:55:04You tell the police.
00:55:05Police?
00:55:06What else?
00:55:07This madman committed a murder right before your eyes.
00:55:10Yeah.
00:55:11And I'm his accomplice.
00:55:12Oh, don't be stupid.
00:55:13You tried to stop him, didn't you?
00:55:15You said he threatened your own life if you tried to interfere, right?
00:55:18Yes, of course.
00:55:20I didn't want to see Tanner die, but I did want it to work.
00:55:24So, you see, in here, I am his accomplice.
00:55:27Well, that's something you have to work out for yourself, isn't it, Fred?
00:55:31In the meantime, we'd better tell the police before the so-called doctor murders anybody else.
00:55:36Yeah, they'd never believe us.
00:55:41They'll believe the dead body.
00:55:43If they can find it, I'm sure this madman's taking care of that little animal.
00:55:46And nevertheless, we should still tell the police.
00:55:47No, I want to wait before we tell them.
00:55:49Wait for what? For this not to kill a few more people?
00:55:51Greg, I don't want to tell them now. I want to wait. Now, will you get off it?
00:55:55Sit down and relax, Fred. I'll get you something for your nerves.
00:56:00I'll come back to you.
00:56:02I promise.
00:56:06I think we should stop and help the poor dear, don't you?
00:56:08I'll come back to you.
00:56:09I'll come back to you.
00:56:10I'll come back to you.
00:56:11I'll come back to you.
00:56:12I'll come back to you.
00:56:13I'll come back to you.
00:56:20I'll come back.
00:56:21I feel like we should come back to you.
00:56:24Yes, that is.
00:56:25Never mind.
00:56:26I think we should stop and help the poor dear, don't you?
00:56:37Here, my dear, let me help you.
00:56:51Thanks.
00:56:52Thanks a lot, mister.
00:56:55This is an awful place to have a flat tire.
00:57:08No!
00:57:09No!
00:57:10No!
00:57:11No!
00:57:12No!
00:57:13No!
00:57:14No!
00:57:15No!
00:57:16No!
00:57:17No!
00:57:18No!
00:57:19No!
00:57:20No!
00:57:21No!
00:57:22No!
00:57:24No!
00:57:25No!
00:57:27No!
00:57:37No!
00:57:55Enter that body!
00:58:01I command you!
00:58:03Enter that body!
00:58:05Enter that body!
00:58:07I command you!
00:58:09Enter that body!
00:58:19Keep driving!
00:58:21Keep driving and keep looking!
00:58:23I mustn't fail!
00:58:51Hey man, what do you think you're doing?
00:58:53Get out of my way!
00:58:55Make me!
00:58:57Now cool it!
00:58:59I'm warning you, get out of my way!
00:59:01Listen, weirdo.
00:59:03You better split while you got a chance.
00:59:05Let's go!
00:59:07You better get out of my way!
00:59:09You better get out of my way!
00:59:15Hey!
00:59:17Tommy!
00:59:19You better get out!
00:59:21Don't.
00:59:51I command you, enter that body.
01:00:12Enter that body.
01:00:14I command you, enter that body.
01:00:21The soul of mine even affects my blood.
01:00:32It's only fitting, though.
01:00:34A rare infection for a rare mortal, eh, Thor?
01:00:39This infection won't stop, but neither will I.
01:00:42Not until I successfully put a soul in that woman's body.
01:00:51Well, I'm watching this movie, and it's giving me the creeps.
01:01:05Well, no, I don't want to turn it off.
01:01:07I want to see how it ends.
01:01:09Honey, honey, wake up.
01:01:13Can't you come over?
01:01:14Come over.
01:01:17Oh, my God.
01:01:21Huh?
01:01:22Oh.
01:01:24Well, it's the girl in the picture.
01:01:25She's all alone.
01:01:28And she hears footsteps.
01:01:36Honey.
01:01:37Honey, now I hear footsteps, just like in the movie.
01:01:40Can't you please come over?
01:01:46Please, I think somebody's coming toward my apartment.
01:01:50I can't lock it.
01:01:52It's busted.
01:01:55Just like the girl in the movie.
01:01:59Oh, my God.
01:02:00Look what's at her door.
01:02:05Honey.
01:02:07Honey, now somebody's at my door.
01:02:10Somebody's coming in my apartment.
01:02:12Oh, my God.
01:02:42Honey? Oh, honey, come on. I wish you'd stop watching those late-night horror flicks.
01:02:58Honey, are you mad at me?
01:03:03Enter that body. I command you, enter that body.
01:03:12Why do you reject these beautiful souls?
01:03:15They are beautiful. Beautiful, I tell you.
01:03:19Why?
01:03:20I'm here.
01:03:31Fred.
01:03:35Fred.
01:03:36please
01:03:40let me rest
01:03:42in peace
01:03:43please
01:03:46let me rest
01:03:50in peace
01:03:51sorry
01:04:00sorry
01:04:03sorry
01:04:05thank you
01:04:19and from now on please see to it that it remains locked
01:04:22don't worry Mr. Saunders I've got the only key
01:04:25thank you
01:04:25you feel better now? much better
01:04:28good
01:04:29Fred
01:04:31you want some more advice?
01:04:34I'm listening
01:04:35go back to your office
01:04:37whisk that gorgeous secretary of yours off to lunch
01:04:40and dinner the whole works
01:04:41enjoy yourself
01:04:43get your mind off of this
01:04:44okay?
01:04:45okay you're the doctor
01:04:47we'll see you next week
01:04:51down here
01:04:52and
01:04:57thank you
01:06:00You know it's good to see you laughing again.
01:06:04It's good to be laughing again, Sandy.
01:06:09I have you to thank for that.
01:06:12Well, I was just doing my job, boss.
01:06:15Now, how would you like a cup of coffee or maybe a nightcap?
01:06:19Love one.
01:06:19Good.
01:06:37Hello?
01:06:38Young lady, would you mind staying in that phone booth for just one moment?
01:06:44I'd like to talk to you.
01:06:46Huh?
01:06:46Who's this?
01:06:52Hey, weirdo.
01:06:53Is this what you were looking for, my dear?
01:07:22No, no, no!
01:07:34No!
01:07:34This try of Kiss is better when she's dead than Tana did when she was alive.
01:08:04Locked.
01:08:11Hello, Doctor. I thought it was you.
01:08:15Well, if it isn't my old friend Franz.
01:08:19I see that the body I got you is holding up nicely.
01:08:23Nicely?
01:08:25Well, it does look a bit uncomfortable.
01:08:28But you get what you pay for, Franz.
01:08:31However, when you can afford a new one, you know where to come.
01:08:36Yes, sir.
01:08:38Oh, by the way, would this help?
01:08:51How can such a lovely body have such an uncooperative soul?
01:09:01Scary movie we saw tonight, wasn't it?
01:09:07Uh-huh.
01:09:08You know, I could be in those movies, Alice.
01:09:11I can be pretty scary myself.
01:09:13Oh, Harry, you couldn't scare a fly.
01:09:16Oh, yeah? Watch this.
01:09:20Oh, Harry!
01:09:22All right, all right, let me try this.
01:09:30See? See, I told you I could be in those movies.
01:09:33I'm just as scary as those guys that play the monsters.
01:09:38It must really be getting good.
01:09:40You screamed that time, I didn't even try to scare you.
01:09:42Amateur.
01:09:47And now, young lady, I'll show you how a professional frightens the girls.
01:09:56Enter that body.
01:09:59I command you, enter that body.
01:10:12There wasn't clue as to why I'm failing.
01:10:23I haven't much time.
01:10:28I haven't much time.
01:10:42There wasn't much time.
01:10:43There wasn't much time.
01:10:44There wasn't much time.
01:11:03Ah, still where I left you.
01:11:06My dear, do you realize you haven't left this room in almost two weeks?
01:11:13Now, leave me alone, please.
01:11:16Now, where is that candle you had in here?
01:11:20Ah.
01:11:22Oh, no, don't light it.
01:11:27But how else will I be able to see what I'm doing?
01:11:29You'll never have to cry again.
01:11:32Sounds good, Greg. I'm sure Sandy loved you.
01:11:33Wait a minute. Here she is. I'll ask her.
01:11:35Darling, it's Greg. He wants to have us over for dinner.
01:11:37What if he's not cooking? I'd love it.
01:11:39You're on, partner. I'll see you.
01:11:40What's that?
01:11:42Somebody left in front of your office door.
01:11:43It's addressed to you.
01:11:44Shall I open it?
01:11:45Well, that's one way to find out what's in it.
01:11:46I'm not sure what I'm doing.
01:11:47You'll never have to cry again.
01:11:49Sounds good, Greg. I'm sure Sandy loved you.
01:11:50Wait a minute, here she is.
01:11:51I'll ask her.
01:11:52Darling, it's Greg. He wants to have us over for dinner.
01:11:53What if he's not cooking?
01:11:54I'd love it.
01:11:55You're on your office door. It's addressed to you.
01:11:57Shall I open it?
01:11:58Well, that's one way to find out what's in it.
01:12:15This is to let you know I'm still trying.
01:12:25You're in your office door.
01:12:27Pick up to go!
01:12:28Pick up to go!
01:12:31Enter that body.
01:12:34I command you, enter that body!
01:12:38I command you, enter that body!
01:12:43Enter that body!
01:12:46Enter that body!
01:12:48I command you, enter that body!
01:12:52why why damn you why do you reject these beautiful souls
01:13:01well you just lie there so smug and secure in your coldness and lifelessness but i swear to you
01:13:11i am succeeding
01:13:22thank god you know greg this maniac's not going to give up until he succeeds
01:13:39you'd better have her body removed from this place and never put into a grave yeah you're right
01:13:52so that's it i need a soul as strong as laura's soul
01:14:06and when i find it must be taken out of its body gently no violence oh
01:14:14oh so little time left i must find a soul strong enough to enter laura's body
01:14:28show me the soul
01:14:31the soul strong enough to enter that woman's body show me show me
01:14:45oh i think yes i think i see it
01:14:52yes there it is the face of the soul i need and what a lovely face
01:15:04how to find my car you know i forgot my purse we make a fine pair
01:15:08not only i'll get my purse you look for the car okay
01:15:25good evening mr saunders i thought you'd be happy to know that i've solved our problem
01:15:31didn't i tell you i didn't want to see you again now leave me alone but i've discovered how to bring
01:15:36your beloved laura back to life i've found the perfect soul look i'm warning you once and for
01:15:41all i got it sorry to keep you waiting come on honey what's wrong i'll explain to you later
01:15:47careful of the young lady mr saunders remember that soul i told you about
01:16:02what's wrong
01:16:09now don't open that door for anyone but me don't worry i won't i'll check with you later just to make
01:16:14sure everything's all right right now i'm going to meet with greg and see what we can do about this
01:16:18madman
01:16:31now that i've found the right soul i must find the proper way to take that soul out of its body
01:16:45which method
01:16:52which one
01:16:59i remember once when i was in the body of a physician back in the days when we used to bleed people
01:17:06i bled this one person too long and unfortunately my patient died
01:17:13but it seemed like such a pleasant way to go
01:17:18in fact i recall how enjoyable it was to watch
01:17:21oh that's it bleed my next victim of course i'll bleed her to death
01:17:35nice and slowly that way the soul will leave the body without the slightest ripple
01:17:42have you ever seen someone bleed to death thor oh you'll like it
01:17:54i just just a second frank with all the legal connections and personal friends you've got in
01:17:58the police department you'd think there'd be something they could do but what am i going to tell
01:18:02them go pick up this guy because he thinks sandy's soul is perfect for my dead wife's body that'll go
01:18:08over real big now greg i gotta think of something else
01:18:14look one thing's for sure i just can't sit here and wait for that guy to strike again
01:18:17oh whoa whoa just what's on that legal mind of yours what's on my mind is not legal what what are
01:18:23you up to look maybe the police can't do anything about that doctor friend of ours but but i can now come
01:18:38i'm sure mr song has told you how interested i am in your rather unique soul you're insane
01:19:08you're very beautiful it's a pity there isn't time to appreciate it
01:19:28looks deserted fred you want to wait for it no let's check with sandy to be sure she's alright
01:19:38so
01:19:42oh
01:19:52oh
01:19:54oh
01:19:56oh
01:19:58The End
01:20:28Get the container
01:20:36And now, my dear
01:20:39To ensure the fact your soul leaves that beautiful body of yours in a nice, serene manner
01:20:45I'm afraid I'm going to have to bleed you to death in a nice, serene manner
01:20:50Ah, my trusty old helpers
01:20:56This one
01:20:57No, this one
01:21:00Now, now, this will be completely painless
01:21:04For me, that is
01:21:06There
01:21:19That wasn't too bad, was it?
01:21:26Now, just relax
01:21:29And soon you'll feel yourself getting drowsier and drowsier
01:21:32Just like going to sleep
01:21:36Just like falling asleep
01:21:40A
01:21:52And when it reaches here, she'll be dead.
01:22:22Sadie?
01:22:36Sadie?
01:22:38He was here.
01:22:47You're most fortunate, my dear.
01:22:49You have such lovely blood.
01:23:03Before you close your eyes for the last time, I want to tell you something.
01:23:07Please don't feel too badly.
01:23:10You're much too lovely to remain dead.
01:23:12So I promise you, just as soon as I'm able, and as soon as I get myself a new body, I promise you, my lovely, I'll bring your body back to life again.
01:23:26And then, who knows?
01:23:30In the meantime, sleep.
01:23:33Sleep, but just for a little while.
01:23:38Sleep, but just for a little while.
01:24:03Good. It's flowing exactly on schedule.
01:24:19She'll be dead at exactly...
01:24:21Get rid of them.
01:24:33Get rid of them.
01:24:37Get rid of them.
01:24:41Get rid of them.
01:24:47Get rid of them.
01:24:53Get rid of them.
01:25:05Get rid of them.
01:25:12Get rid of them.
01:25:16Get rid of them.
01:25:25Get rid of them.
01:25:30Get rid of them.
01:25:35Get rid of them.
01:25:39Get rid of them.
01:25:48Get rid of them.
01:25:54Get rid of them.
01:26:00Get rid of them.
01:26:08Get rid of them.
01:26:12Get rid of them.
01:26:17Get rid of them.
01:26:23Franz!
01:26:27Franz!
01:26:31Franz!
01:26:35Franz!
01:26:39Franz!
01:26:43Franz, open the tomb!
01:26:47Franz!
01:26:49They took her out of the tomb.
01:26:51They buried her.
01:26:53Where?
01:26:55Where?
01:26:57On the hill.
01:26:59Over in the wall.
01:27:01Get some troubles.
01:27:03Quickly!
01:27:05She's doing fine.
01:27:07She's doing fine.
01:27:09She's doing fine.
01:27:11She's doing fine.
01:27:13She's doing fine.
01:27:15She's doing fine.
01:27:17He's doing fine.
01:27:19She's doing fine.
01:27:21...
01:27:23...
01:27:27...
01:27:31...
01:27:35...
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