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02:38Ya.
02:39Ok.
02:40Ready?
02:41Ready?
02:421, 2, 3.
02:50Hey, fellas.
02:51Hey, Marty.
02:52Hey, Marty.
02:53Welcome to Manila.
02:55I have a question now.
02:56Yeah.
02:57Are we finally getting to work on a project together?
02:59Is that what's going on here?
03:01Well, uh, technically no.
03:04No.
03:05No.
03:06Are we up for the same part?
03:08Uh, not that you're up for the same part.
03:10It's not like...
03:11It's more like you're vying for the same part.
03:13We're vying?
03:14Well, I mean, vying.
03:15There's something going on in my head.
03:16I'm not quite sure what it is.
03:17We're competing for the same role.
03:19Not that you're competing.
03:20It's that we're here talking and that you're vying.
03:22Don't you ever vie?
03:23Mmm.
03:24I mean, look, we're here, and I just wanted to, you know,
03:27I wanted you to...
03:28First of all, I wanted you to experience this place, Manila,
03:30where we are here.
03:31It's incredible.
03:32You know, and the whole picture that I'm thinking of,
03:34starts here in Manila, and then we move out to Macau,
03:37and then it's got this big finish.
03:40Major sequence in Japan.
03:42So what I got, I got the private plane waiting.
03:44Meantime, we get something to eat.
03:46We drive out to the airport after we eat.
03:48We go to Macau.
03:50All right?
03:51So I'm thinking he's more of a complex character,
03:53you know, and I keep having this image of Gregory Peck,
03:55like a man in the gray flannel suit.
03:57Ah.
03:58He's sort of calculating, and he's ruthless, but not many people see his dark side.
04:01Yeah, it's a secret.
04:02Yes, he's got a secret, but will we ever know what that secret is?
04:05Like, like, like Mitchum in Out of the Past or something?
04:07Yes, Mitchum in Out of the Past.
04:08Exactly, exactly.
04:09Because this guy runs an international casino chain.
04:13He's a formidable businessman, but at the same time, he's suave,
04:16and he's a risk-taker, okay?
04:18He takes risks.
04:19So he could be just as comfortable, you know, negotiating a takeover, right?
04:25As he is, let's say it, playing high-stakes blackjack.
04:29Blackjack?
04:31I'm almost a pro blackjack player.
04:34I mean, I love blackjack.
04:35Love it.
04:36You know how to play?
04:37Oh, yeah.
04:38Big time.
04:39That's interesting.
04:40Oh, really?
04:41You play blackjack?
04:43Yeah, I play blackjack.
04:44I play blackjack.
04:45Well, that's...
04:47It's that voice.
04:48What are you doing?
04:49No, no, I'm just saying...
04:50No, no.
04:51Are you mocking me?
04:52I don't understand.
04:53No, no, he plays blackjack.
04:54I'm just talking about, in reference to the character, you said he plays blackjack,
04:57and therefore I would be more prepared for the role of the head.
05:00I understand.
05:01Do you play him?
05:02Yeah, I can play if I have to.
05:04I play poker.
05:05All right.
05:06Well, this character plays blackjack.
05:07I'm just saying...
05:08He wants to completely rewrite the character.
05:10No, no, no, no, no.
05:11Guys, look, the thing about it is that, you know, it's kind of awkward.
05:14Both of you guys being up for the same thing, you know, like this.
05:18Mark, Mark.
05:19All kidding aside...
05:20You know what I'm saying?
05:21I feel funny about it.
05:22All kidding aside, this guy started my career, Mark.
05:23I have nothing but respect for him.
05:25This is big Bobby D here.
05:26He started my career.
05:28Whoever's right for the role.
05:29That's it.
05:30Look, may the best man win.
05:31But, you know, I don't even want to say it like that.
05:33Right.
05:34Because it's...
05:35May the best person who is right...
05:36May the best person for the part be the person that is in the part.
05:40You know, Bob...
05:41I'm happy you said that.
05:42Well, well said.
05:43I'm happy you said that.
05:44Listen, look.
05:45All right, listen.
05:46I think he gets the point of it.
05:47Stop.
05:48Tomorrow...
05:49Tomorrow we'll do auditions, okay?
05:50Sure, sure.
05:51Find up some shots for Rodrigo.
05:53Take it easy.
05:54Enjoy yourself.
05:55See you tomorrow.
05:56Thank you, Bob.
06:05Let's try getting a Y.
06:07Okay.
06:08Kid, huh?
06:09Yeah.
06:10Big Bobby D.
06:11That was a great impersonation.
06:14Well...
06:16I apologize ahead of time because, um...
06:19I'm gonna be getting this part.
06:20I'm gonna get this part.
06:21I'm gonna get this part.
06:46What am I supposed to do here?
06:47For example, here there'll be a Y-Jump.
06:48We can probably use a Cray.
06:49What should I do?
06:50What I'm showing a five, sir.
06:51Well, you don't take any risks.
06:52It's not gambling, right?
06:53No, it's not.
06:54Hit it.
06:55Yes, sir.
06:56Oh, that's...
06:57Sorry about that.
06:58Don't count your chips while you're still playing, right?
07:02God, that was a lot of money.
07:03¡No, no!
07:04Oh, no!
07:05¡Ya, sir!
07:08Oh, sorry about that.
07:12Count your chips while you're still playing, right?
07:14God, that was a lot of money.
07:16Relax, I've done this before.
07:18My friends behold the jewel in the crown.
07:30What're you doing?
07:31Bob, Bob, you are the life of the party, aren't you?
07:34Marty, can I just talk to you for a second?
07:35Excuse me, guys.
07:36That was Leo's fault.
07:38I've been thinking about this role.
07:40It is in my DNA.
07:41It's in my bones.
07:42I'm born to play this thing.
07:45Do you remember that guy, Jimmy Bam Bam?
07:47Yeah, sure, from Prince Street.
07:48Yeah, well, I saw him in Miami a couple weeks ago.
07:50He's doing the same thing, hitting himself in the head.
07:52He hits himself in the head.
07:53He's in Miami.
07:53What the hell is that?
07:54It takes a long way down.
07:55Bob, Bob, I hate to interrupt.
07:57I just need 20 seconds with my director, if you don't mind.
07:59Just 20 seconds?
08:00Yes, yes, we've done five films together.
08:02My director.
08:03I've done eight films.
08:04And the first film we did before you were even thought of.
08:07Let's be honest, Bob.
08:08It's been a while, okay?
08:09So I'd like to speak to my director, if that's what you're making.
08:12Oh, I see.
08:12One second.
08:13He's talking about psychology.
08:15He doesn't even know he's a kid.
08:16He's a child.
08:17He has no life experience.
08:18But he's growing.
08:19I'm a child, huh?
08:20I'm a child.
08:21Look, Bob, no one respects your collaboration more than me, honestly.
08:24But for this role in particular, Bob, this role in particular, I feel like there's a certain,
08:29there's a certain physicality that this character needs to happen.
08:32Somebody was on-screen presence.
08:34You be careful.
08:35You know what I mean?
08:35And let's be honest, you're getting up there in age a little bit, Bob.
08:38Excuse me?
08:39I didn't hear what you're saying.
08:40He's losing his hearing, too.
08:41It may get...
08:41It may be too far, man.
08:43That's going too far.
08:44Can I be honest with you?
08:45I didn't mean it.
08:45I don't like your beard.
08:46Oh, you don't like my beard?
08:47No, I don't.
08:48I think that looks terrible.
08:49You think my beard looks horrible?
08:51Okay, now, guys, come on.
08:52I guess the question is, what are you going to do about it?
08:53There's a nice banquet waiting for you.
08:55I'd like to see.
08:57Somewhere there's music.
09:01Moon.
09:04Stars.
09:06There's certain things that I'm sure, Bob, you feel about the character.
09:10The skies.
09:11I'm not going to understand, but you have your viewpoint, right?
09:13Right before your eyes, you can see everything that's happening to the skies.
09:19Music.
09:22Somewhere.
09:23How high the moon.
09:25I know, I know.
09:26Well, look, I mean, the thing to do now is we have some dessert, and we talk about it on
09:30our way to Japan.
09:31What?
09:33Somewhere.
09:34Music.
09:36How high the moon.
09:38Yeah, the stars.
09:40Every bird flying to the stars, to the skies, to the moon, to the sun, and round and round
09:46to Jupiter, Pluto.
09:47So, look, obviously, both of you guys are beyond excellent, you know.
09:51I mean, we've worked together for years on projects, on pictures.
09:54But, you know, what's occurred to me throughout this whole process that we've had now on this
09:58trip, is that, you know, ultimately, I began to realize that, you know, the character we're
10:05talking about, uh, it's like he's superfluous to the entire narrative of the film.
10:11Hmm.
10:13Honestly, I don't need him.
10:15You don't need the character?
10:16I don't need him.
10:16I don't need the character.
10:17It's like, I didn't realize until, you know, talking with you.
10:21This would not have happened.
10:23I, you know, I would not have realized this if you hadn't been gracious enough to come
10:26down here.
10:27Right.
10:27Giving time and your effort and you giving time and I'm gracious to him.
10:32Of course not.
10:33This whole thing I could not have done.
10:35I could not have done.
10:36And I got, and I feel really bad.
10:39So badly that I brought you down here and dragged you all the way across to Asia and Japan
10:44and really sorry, but it really helped me.
10:47So we're not needed anymore?
10:49Okay, in a sense, no.
10:52That's a wrap.
10:53Yeah.
10:54It was fantastic, Marty.
10:55Don't worry about it.
10:56It's a process.
10:57Okay.
10:57Best of luck, Marty.
10:58No.
10:58Great to see you.
10:59I'll see you soon, Marty.
11:00Thank you.
11:01Okay.
11:02I'll see you in New York.
11:03All right.
11:03Okay.
11:04See you.
11:04Good luck, huh?
11:04Yeah.
11:05Yeah.
11:07What, you think it was the beer?
11:08You know what?
11:09No matter what he says, I told you the truth.
11:13He sees you with that beer and he says, oh, get out of here.
11:16He didn't hire you either.
11:17No, hey, I'm...
11:18When they have a Sunday afternoon jam session...
11:22Where are you?
11:23Brad.
11:24Hey.
11:27Thank God.
11:28How are you?
11:29All right.
11:29I'm just working on the script.
11:31Oh, thank God you got here on such short notice.
11:33Thank you so much.
11:34I appreciate the call.
11:35Thank you.
11:36Thank you.
11:37It means a lot to me that you respond this way.
11:41Great.
11:41It's great.
11:42Great.
11:42Great part.
11:43I know.
11:43You were trying to look older.
11:45Oh, give me a break.
11:45Yeah, well, we'll try to look more substantial.
11:52So, this is my car.
11:54Just imagine a nice big bowl of potato salad.
11:58Say, do you know what they have on the moon?
12:00Short notice.
12:01You're here.
12:02It's a mayhead.
12:02I'm going to try something on you.
12:03It's not working.
12:04You call it.
12:04No, no, you try anything.
12:05Feel free to try anything.
12:07You're at my desk.
12:09I got you.
12:09I'm sitting here.
12:10This is a desk.
12:10I'm at my desk.
12:11Got it.
12:12You're in my office.
12:14You're in my home.
12:16So, I scraped, schemed, fought off, hostile takeovers from some of the biggest conglomerates
12:24in the world, so if you think some corporate errand boy is going to tell me how to run my
12:32operation, and then I, you know, come in with the threat.
12:43You want to get some dinner?
12:46Yeah.
12:46At the tables?
12:48No, okay.
12:49Maybe we can go to the spa.
12:50You want to go to the spa?
12:51Sure.
12:51Let's do all three.
12:52Yeah.
12:53They said they have this treatment there where they wrap you in seaweed.
12:56Your whole face, your whole body, and it's supposed to make your skin all silky and smooth.
13:01I want to try that.
13:02How do you breathe?
13:05What?
13:05How do you breathe?
13:06How do I breathe?
13:07No, how do you breathe with that stuff on your face?
13:10During the treatment?
13:11Yeah.
13:12Well, I'm not a spa technician, but I would suppose that they would cut a hole where your
13:16mouth is so you can breathe.
13:17When you say wrap, wrap means enveloped, swaddled.
13:23Swaddled?
13:23Yeah, look it up.
13:24I don't need to look it up, Bob.
13:26Thank you very much.
13:27I need to look anything.
13:28Will you stop busting my chops?
13:30I didn't get this party there, all right?
13:32Well, I don't know what to say.
13:33I wonder why I spent the lonely night, dreaming of a storm.
13:47The melody haunts my reverie.
13:53And I am once again with you, when our love was new, and each kiss an inspiration.
14:07When the stars were bright, you were in my heart.
14:37The night and gale tells his fairy tale of paradise where though I dream in vain.
14:53In my heart it will remain my stardust melody, a memory of love's refrain.
15:16In my heart it will remain my stardust melody, a memory of the chois has fallen out of 3-1-1-2-1, and to gels.
15:21Gracias por ver el video
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