00:00Tamil Nadu song across the country, I think it's a huge craze.
00:06The way he constructs the scene, dialogue rhythms, the way he extracts music, the way he uses music, music choices, edit choices.
00:17Though he follows proper bookish kind of writing structure, but within that nothing is within the book.
00:26And I would just call him our own Quentin Tarantino maybe, you know, if he would accept it.
00:31So, I was very keen to work with him. And almost 7-8 years ago, he did the cinema.
00:37And when he met me during Covid, I think we met during Covid, the first time he narrated the script,
00:43the first reaction was, you know, it was so complicated to fathom how to imagine this on screen.
00:52Then he took some more time, he said, I will come back to you.
00:55Six months of the film, there was a huge voice file.
00:59A voice file, first half, second half, he narrated the whole film.
01:04And I was like, it was so moving, it was very emotional.
01:08There was a lot of special things, I can tell you, but it was very moving and I was surprised,
01:14how the same story which I could not understand, has now become a very interesting tale.
01:19It's a tale of the relationship a fan has with his idol.
01:25So, we have stars or sports stars or even like superheroes.
01:31We have a relationship with them, a very personal relationship.
01:34And manakki mukhyonga ekka south lo, our relationship with our heroes.
01:38Manakpaathe heroes to, manu school times to, ninshi me, it's an emotional relationship.
01:43Sometimes it goes into devotion also.
01:45So, this film explores that.
01:47And he wanted to say that sir, this is a tribute to our 80s, 90s masala films in Japan.
01:53So, he said, a fan ki atana hero to mulda ukha relationship is the core of the idea.
02:00But on the presentation, it will be a very stylish presentation of our 80s.
02:05So, then the moment I understood the film, I was like, very interesting, Nalan.
02:10Because I'm very keen to work with Nalan.
02:12And he said, let's go ahead.
02:14But adhan chepen ka ni, what I have to do inside it is very challenging for an actor.
02:19So, I was very, very scared.
02:21But I always felt something which is challenging, which is very risky.
02:25This is where you can grow.
02:27Only when you take up a challenge.
02:29The challenge is something which really scares you.
02:32So, only when you do that, you break your barrier and you go higher.
02:36You grow, you learn something.
02:38Not necessarily you grow bigger, but you grow internally also.
02:41So, maybe if it works out well, it will grow externally also.
02:44So, that's how I accepted the film.
02:46So, you explained it to me, sir.
02:49But if you want to know the audience, this is Karti cinema.
02:53Okay.
02:54And it's a brand, it's a brand.
02:56Okay.
02:57So, Karti is a hero.
02:59If you're in Tamil, you're in Tamil.
03:01I'm very grateful for that.
03:04I am very grateful for that.
03:05And it's also an effort.
03:07Like, you know, if you're talking about genre or film makers,
03:10Nalan.
03:11He was the dialogue writer for the film.
03:14Interesting.
03:15Literary first algorithm.
03:16Interesting.
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