Tharun Bhascker, Eesha Rebba and Om Shanti Shanti Shantihi Team Q & A With Media

Mana entertainment

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Transcript

00:00So, Q&A start.

00:21Hello.

00:24Hello.

00:24All of you, best of luck.

00:29Thank you, sir.

00:29More particularly for the first debonant, Sajeev.

00:33Thank you, sir.

00:34Sajeev, you are a producer of a terrific taste, really.

00:46Thank you, sir.

00:47And you are a rabbi stage winner.

00:52Thank you, sir.

00:53I feel privileged to say that.

00:58And Tarun Bhaskargari has got a terrific image.

01:08You have taken a film from Malayalam.

01:21Okay.

01:22What has really necessitated you and you can get along with any kind of a script that is experimental or anything first of its kind?

01:38What has really triggered you and what has really triggered you and what has really triggered you?

01:43Sajeev is trying to say something.

01:44Yes, sir.

01:45Yes, sir.

01:46You have to say that.

01:47You have to say that.

01:48You have to say that.

01:49You have to say that.

01:50You have to say that.

01:51No.

01:52No.

01:53If it is, no.

01:54No.

01:55No.

01:56No.

01:57No.

01:58No.

01:59No.

02:00No.

02:01No.

02:02What has really triggered you, Srujan is trying to say something.

02:09We were looking for a director.

02:17That's why Sajeev is the director of Sajeev.

02:22Then I put another question.

02:24What is the first time director of Sajeev in a 35 cinema project?

02:32What is the kick you enjoy?

02:38Definitely, sir. First of all, you enjoy this project.

02:42First thing is,

02:44I will try the same thing as a director.

02:53I will try the same thing as a director.

02:55I will try the same thing as my director.

02:59That means I will try the same thing as a director.

03:01But I have to say,

03:03I was admitted to the company and I took it to the one of my courses.

03:10I was in the first course.

03:13And I will tell you the same thing as Samith said.

03:18As always, if you need to know the one thing you want to know,

03:23this is 13 lakshmav.

03:28I am very concerned that you're 13 lakshmav.

03:33You're the first one, the second one.

03:37That's enough, sir.

03:40You are not entitled, please.

03:45You are not entitled, sir.

03:47I am not entitled, but you are a DV type.

03:50You are a special kick in the cinema.

03:54You are a special kick in the cinema.

03:58Script-wise, if you don't like Tarun Bhaskar,

04:02if you are a director,

04:04if you don't like Ishar Abba,

04:06what is the kick that you felt in this?

04:08Sir, first.

04:12Sir, you have a lot of kicks in the cinema,

04:15but you are not the kick feeling.

04:16I am not the kick.

04:18Definitely, genuinely.

04:19I am not the first kick.

04:21That's what I am asking.

04:22I am not sure what you are asking.

04:25I am not sure what you are asking.

04:27I will correct myself.

04:29I will correct myself.

04:30I am not sure what you are asking.

04:31That's what I am asking.

04:33Since I am watching whatever you have to do,

04:38I am not sure what you are asking.

04:40I am not the best.

04:42I am not sure what you are asking.

04:45First question.

04:45So if you are asking me to ask you,

04:47what are you asking for me to tell you?

04:49So if you are asking me,

04:50you are just asking me,

04:50you are asking me to make extra kick,

04:52what am I not?

04:53So now you are expecting a special kick in the cinema.

04:55You are not a high kick inside.

04:57Your face is a high kick.

04:58That's 100%.

04:59I am not a doubt.

05:00You have to do that.

05:01That's a good question.

05:03If you say it, you are a challenge.

05:10We really love that challenge.

05:11If you want to do anything, you can do anything you want to do.

05:15You are going to enjoy it.

05:17Can you articulate a director, actor, writer and the director of Sarvan Shaham and the director of the Bhoom Shaham?

05:24Don't reveal the story to us.

05:33You've already seen the story, sir.

05:36It's a remake.

05:38I'll tell you,

05:40I'll tell you,

05:41I'll tell you,

05:42I'll tell you,

05:43I'll tell you,

05:43as an actor,

05:45to the world that they've created,

05:49it's very new for me.

05:50That's my usual routine.

05:54When I wanted to play an actor,

05:55it's definitely challenging.

05:57It's a new culture,

05:58a new culture.

05:59These guys really did a great job

06:00when they did the dialogues and all of that.

06:03First thing I'm saying is,

06:05we're doing an official remake in the industry.

06:09We don't know.

06:11But if we're doing an official remake,

06:12there's a criticism.

06:13It's correct.

06:14It's no way it's a criticism.

06:18But we're having a conversation about it.

06:19Yes.

06:20So,

06:20even when we're making a song,

06:23there'll be certain melodies,

06:25there'll be seven notes.

06:27I'll tell you,

06:27I'll tell you.

06:28Similarly,

06:29stories also.

06:30I'll tell you,

06:32100% subtitles,

06:33OTT content,

06:34or even if you're looking at the theatrical,

06:36Malayalam cinema,

06:38you'll see it.

06:39But this story belongs to a tire-to town.

06:42The essence of the story is domestic violence.

06:47It needs to go to the right people.

06:51that culture,

06:53that rootedness,

06:54they will own it more.

06:57Because,

06:57they accepted it even better.

07:02It got awards.

07:04So,

07:04this is a sincere attempt

07:05to make the story travel into that region.

07:09Maybe that is the idea.

07:11There's only sincere honesty in that.

07:13That's why it's not happening.

07:14But,

07:14I'll tell you,

07:14selfishly as an actor,

07:17I explored something that I could have never thought of.

07:21A region,

07:22a yasa,

07:22so I had fun.

07:24It was very challenging.

07:26Sir,

07:26don't think this is inconsequential,

07:30important,

07:31relevant topic,

07:32with all your due regards to you.

07:34How will people in Telangana,

07:56are people behind the movement

07:58that is running,

08:00that has been running for the last one week?

08:02How will they receive this?

08:03I can only tell you my opinion, sir.

08:12Please.

08:14In terms of governance,

08:16we have divided.

08:17Not in terms of culture,

08:19not in terms of anything.

08:20Our emotions are the same.

08:22Fantastic.

08:22We are the same people.

08:24That imaginary line should never divide us.

08:27We didn't even divide business.

08:30So,

08:31we have heard

08:32so many legendary artists and cultures

08:35from all over the country.

08:37That's all actually.

08:37Telangana,

08:38Andhra,

08:38and I have grown up on so many influences

08:41from all over the state.

08:42Two states.

08:44So,

08:44Rajamandri,

08:45Varangal,

08:46and I have grown up on so many influences,

08:49and I have grown up on so many influences.

08:51I have grown up on so many influences.

08:52Absolutely.

08:52So,

08:53let us,

08:53let us spread love.

08:55And let's do it through cinema.

08:57Great,

08:58great.

08:58Great.

09:01Sir.

09:03Sir,

09:04Merry Christmas,

09:04Sir.

09:05Sir,

09:06I have no clue about it,

09:07Sir.

09:08It is a very bad behavior,

09:10Sir.

09:10Last time,

09:11you are in your way,

09:12you will follow me by them.

09:13You will follow me by them.

09:15Sir,

09:15you're in a plop.

09:16You will follow me by them.

09:17You will follow me by them.

09:18You will follow me by them.

09:19That is the case,

09:20Sir.

09:21Respect yourself,

09:21sir.

09:22I don't think

09:22you will so many influences.

09:24Sir,

09:25100%

09:25I am accepting sir.

09:28Sir, why are you?

09:30You know what?

09:32You are trying to get trolled.

09:35I am talking to you.

09:37I am talking to you.

09:43Sir, sir, sir.

09:45Sir, sir, sir.

09:47Sir, why are you talking to me?

09:49Sorry, sir.

09:51Why are you talking to me?

09:53Sir, sir, sir.

09:55Sir, sir.

09:57Nothing like that, sir.

09:59It is a problem.

10:01I love you, sir.

10:03I will not be talking to you, sir.

10:05You are talking to me, sir.

10:07We are talking to you, sir.

10:09I will talk to you, sir.

10:11Sir, sir.

10:13I am not talking to you.

10:15You are talking to me.

10:17I am talking to you.

10:19You are talking to me.

10:21Sir, tell me.

10:28Sir, tell me.

10:30You are a little bit of 10 years in the industry.

10:33You are a little bit of 10 years in the industry.

10:36But you don't have to worry about your direction.

10:39You don't have to worry about a solid direction.

10:42You don't have to worry about it.

10:46I don't have to worry about clarity.

10:50I don't have to worry about it.

10:52You don't have to worry about clarity.

10:55I don't have to worry about it.

10:57I'm saying that.

10:59I'm not joking.

11:00My mother is a little bit of a problem.

11:02But I'm not joking.

11:04I'm enjoying life.

11:05I'm very happy.

11:07I'm very happy.

11:09God's grace.

11:11I'm not joking.

11:20I'm not joking.

11:21No.

11:22Suresh sir, we have ideas, we have a script, we have a script, we have a script.

11:27If we have a delay, we have a double delay.

11:31Because we have laziness, we have a team.

11:33We have a rape, a lunge, this is a time pass.

11:36So, if we have two ideas, we can say,

11:39we can say, sir, we can say, I am nothing.

11:44That's what I have to say.

11:47100%.

11:49However, this is actually in the SP.

11:54We have a delay on my side of the SP.

11:59I am doing a delay on my side of the SP.

12:02I am doing a little bit.

12:04Nandugaru.

12:06Sir, I have a tweet about this too.

12:10But, if you have a small film, you can find a small success.

12:13In the next film, you can find a small hero, a small project.

12:19The talent is a big deal.

12:223500's and you have a big amount of decent films.

12:26If you have any kind of small films, you can find a small character.

12:29I don't have to say anything about Ramgavali, Labhade, Ramshirana Gavali.

12:34But, if you go to the 35th film, you don't have to say anything about it.

12:39That's why, in the same range, you have a script and you have a producer.

12:44So, if you have a lot of people, trust me,

12:48you don't have to say anything about Ramgavali.

12:53So, that's why it's a 35th film.

12:56I've done a lot of things.

13:01I don't have to say anything about Ramgavali.

13:05I've done a lot of films.

13:08I've done a lot of films.

13:14I've done a lot of films.

13:18I've been investing time on writing script.

13:21I've used to make a lot of films.

13:23You didn't have to know anything about it.

13:24I haven't published an Instagram account anymore.

13:26You can usually follow me.

13:28So, if I'm not on social media, that means I'm writing at it.

13:32I think I have another Instagram.

13:35I've been using a tagging script.

13:37So, I'm investing in scripts.

13:39I've had to do everything I wanted to tell.

13:41This time is great.

13:42If you want to be a good hero, you will be able to talk to me.

13:49Director here.

13:54In this event, the poster was impressive.

14:00The poster had already opened and opened.

14:05There was a poster idea.

14:07The poster was also impressive.

14:10Thank you, sir. Nice head. Thank you.

14:14Sir, you know the concept of the remake of this film is the most important part of the film.

14:22You are also very strong to explain.

14:25But at this time, there are a lot of people in this film.

14:32We have promised that we have a remake of this film.

14:37We have said that we have a lot of people in this film.

14:42But the audience is afraid of being angry.

14:45Because there is a lot of people in this film.

14:51But the audience is afraid of being angry.

14:56That is a major roadblock.

14:58That is the right address.

15:00At one point, we know that there will be some talk about this.

15:04However, the first day, I was watching the movie as critical.

15:11In fact, there was a lot of complaints in the shoot.

15:16But I was watching the first cut.

15:18Within the first two minutes, I forgot about any other thing.

15:21Even though I was watching the movie as well,

15:24the film has failed.

15:29So, in the first five minutes, we will finish the movie as well.

15:34It is a new world in itself.

15:35It is a new world in itself.

15:36It is a new world in itself.

15:37It is a new world in itself.

15:38Then we will leave it to Friday.

15:40And then we will leave it to the next one.

15:50I will leave it to the next one.

15:52I was very nervous.

15:54In fact, I suggest everybody

15:56to do something that I'm afraid of,

15:58because it's a thrill for me.

16:00So, it was a very different experience.

16:06It was a very different experience.

16:08Because my close friend

16:10is from Bhimwaram.

16:12He's from the UK.

16:14So, if I was a Bhimwaram,

16:16I would like to talk about it.

16:18Both of us imitate each other.

16:20Both of us imitate each other.

16:22So, what's the idea?

16:24In front of the camera,

16:26there's a little preparation.

16:28So, I don't have to prepare for a level.

16:30I don't have to do any reference.

16:32But here, Vinodhigaru,

16:34he was basically

16:36instrumental in...

16:38He's the best one.

16:40He's the best one.

16:42He's the best one.

16:44He's the best one.

16:46He's the best one.

16:48He's the best one.

16:50He's the best one.

16:52He's the best one.

16:54All that leads to an effort of

16:56cinema juice.

16:58I'm trying to put on an accent.

17:00That experience, I absolutely loved.

17:02I think...

17:04I'll take that with me for a long time.

17:06I'll take that with me for a long time.

17:08But, there's a peak summer.

17:10Peak summer is a peak.

17:12I'll take that with you.

17:14I'll take that with you.

17:16But...

17:18more than I'll take that with me.

17:20We can take it through the spice level.

17:22It was always going to be in summer.

17:24I'll take that with you.

17:26I thought you were doing this.

17:28Saturday Sunday night,

17:29there was the weekend,

17:31our barracks.

17:32The barracks.

17:33They're in barracks.

17:34They're almost a foreign feel.

17:38Everyone looks different.

17:40They're enjoying themselves.

17:42They're enjoying the water.

17:44They're enjoying summer time.

17:46So that

17:48So I really enjoyed it

17:52So I really enjoyed it

17:53Boti kura versus chapel bulls

17:55Sir

17:56Sir first day

18:00First boat

18:02Choose chapel

18:03Right hand road

18:06Left hand road

18:07Friday

18:08Sir

18:10Sir

18:1235

18:13We got a lot of the film

18:15We got a lot of the film

18:17But it was a good thing to do

18:20Sir

18:21See

18:22I was doing something to do

18:24Whatever it was to do

18:26It did it

18:27Okay

18:27I didn't do that

18:28Okay

18:28But we were happy with the

18:33See

18:33Commercial

18:34Because the name

18:35Is what is more important for me

18:37Because that is driving me towards

18:38Next cinema

18:39I was looking at a way

18:41Okay

18:43The commercial section is automatic, so it's important to be a good film.

18:47Maybe we can't do it yet, but we can't do it yet.

18:51We can't do it yet.

18:53We can't do it yet.

18:55We can't do it yet.

18:57All the best.

18:59Shrujan Garu, first of all, the award for 35K. Congratulations.

19:04So, the film has a lot of touch on everyone.

19:08How did you talk about this film?

19:10Let me show you a particular plot.

19:13We can change the film.

19:15So, this is why we can't do it only in Andhra.

19:19I think it's the first time we can accept it.

19:24We can't try anything to do it.

19:27Why only Andhra juice?

19:29That's what you will say.

19:31I asked the director only.

19:42It's up to you.

19:43I want it aesthetically well.

19:45Now, I want to show you 35K.

19:47I want to show you 35K.

19:49I want to show you 35K.

19:51Now, I want to show you a movie.

19:53We want to show you a movie.

19:55It should look like a film.

19:57This is how it is going to look,

19:59It should look bits of bit of bits of bits of cities.

20:01I want to make it aesthetically well.

20:03Would you like to show a movie film?

20:04If you want to show a movie film,

20:06You know this film,

20:07You don't know this film.

20:08You don't know the bad parts,

20:10I hate to show you characters,

20:12people and they might not know whether you see a movie will blend in the movie.

20:16Then the film will always be involved.

20:18Those characters also come into connection

20:20I believe here are the random aspects.

20:24So, what is your character anywhere else?

20:25Okay, nice andy, but choose thun te chala agwadharu matthong kanpichinthu maka teaser lu.

20:30Yeah.

20:31Dhanke saksas hai aru an anapichinthu meir chephi na maata ok, correct anapichinthi and tharunggaru.

20:37Sir, meidhi aqua culture ka apatti business ka apatti, meek enne chapel perellu dheel sir?

20:43Naga andy, meen tine chapel matrana naak dheelishu.

20:46Vanjaram, ravhu, basa hakutochu, pulasa, pandu kappa, inka, karameen.

20:54Karameenetle majhu pata.

20:55Sir, enakal niinshi me director ka jepna ragan sir, I am business chaste.

20:59I am, I am shoot up too, enakal niinshi jephe edhi antho.

21:01Aana kalwa type eindu.

21:04Silavathi.

21:05Ah, Silavathi.

21:06Isukudondhu lho.

21:07Saalandi ganna wakgada garu.

21:09Roya lho, peetlho.

21:12Oh, bheer maram.

21:14Tandmaskaru gara.

21:15Okay, andy, all the very best and Isha garu.

21:17Isha garu.

21:18Isha garu.

21:18First of all, Naadhi ishti kaadu west.

21:24Isha garu, first of all.

21:27Meeku, ee kada chappanga nye baga natchimde ente.

21:29Apart from fight sequence kaakun da.

21:32Eedu baga natchim, accept eeser ente.

21:34Eedu nagu malayalam move choosna aptu ee story wrightse thishkawal achepepko six months, na in vages.

21:40Tarva telsin srujandekarundi an chephi.

21:43So apadu naak telsinne nevne, tharun baskarkarzo chesner achephi.

21:47So apadu tarun baskarkar na peer reference.

21:50So actually, I got this film becaus of tarun.

21:52So, this cinema, this story, this world, I have a lot of stories about Malayalam cinema.

21:58Because there are a lot of actors and characters.

22:02So, I thought it's a very good opportunity.

22:05So, I jumped into it.

22:09So, three different, I mean, two different variations.

22:12You can see all the very best.

22:17Thank you, thank you so much.

22:21You have been talking about remake and film.

22:26We haven't talked about film.

22:27We don't have OTT culture.

22:29Now, OTT is coming to us.

22:31In general, we have to do OTT.

22:34But, this cinema is already hit and there is no risk of OTT.

22:39So, I don't think we have to discuss that scenario.

22:42I think we have discussed this topic.

22:45But, that cinema was released in 2019.

22:48In that time, OTT is prevalent actually.

22:50Actually, we had COVID oncoming at that point of time.

22:54So, good story telling people will want to come to the theatre.

22:58So, we have a social experience.

23:00So, we have a social experience.

23:01So, we have a social experience.

23:03Actually, the date is January 23rd.

23:06Hopefully, we have a social experience.

23:07Hopefully, we have a social experience.

23:08Hopefully, we have a social experience.

23:09And, we want to watch some content with families.

23:14And, especially when it is a comedy.

23:16And, it is a social experience.

23:18It is a social experience.

23:20But, it is a social experience.

23:22And, live in theaters and there is a social experience.

23:24So, the seems like the movie is very spiritual.

23:26People are laughing.

23:28If we just know that, we will feel a lot of food.

23:30We are doing a lot of food.

23:31We are doing the good news to begin.

23:32And, then, the place is that the way.

23:34We are doing the good news to the film.

23:35As always, we are doing the good news to your former movie.

23:37Today, we are doing the good news to my marriage meeting.

23:41In marriage, my opinion is very important, but I don't have to say anything about it.

23:48But I feel that sometimes we have a relationship between Tom and Jerry, and it's been portrayed very well in this film.

24:01The ending is debatable. In Malayalam version, we have a debate. There is also a very unique debate.

24:08So, I think everybody will have different opinions about it. I am enjoying it.

24:14Kishagar,

24:16I am talking about Brahma Jigarh.

24:21100% correct.

24:23100% correct.

24:24That's why I haven't seen an audition before.

24:27That's why I haven't seen an audition before.

24:30Oh, okay.

24:31That's not my intention.

24:33One time, I was able to do action cinema.

24:36But I thoroughly enjoyed it, sir.

24:40She wanted to be the today's Vijay Shantiya.

24:44I don't know what to do with that experiment.

24:46I don't know what to do with it.

24:48I don't know what to do with it.

24:49Then, I was asked to say,

24:51that's okay.

24:52You got to take a seat at the seat.

24:54It's going to take a seat at the seat.

24:55I feel like this.

24:56I'm not sure.

24:57You're not even?

24:58When I was able to take a seat at the seat of the seat,

24:59you were running the seat at the seat of the seat.

25:02And then I went to the caravan.

25:05But there is a lot of pressure.

25:06That's the case.

25:07Mr. Surujan.

25:08Sir, you can see a reversal in your titles.

25:10You can see a 35.

25:11You can see a 90-plus mark in the subject.

25:14I'm going to score 90-plus marks.

25:15You can see that in your class,

25:16you can see that in your class.

25:17We were fighting in the front of Vijay Santhi.

25:20So, what's the contrast to titling in the Mii banner?

25:24I don't know what you said before.

25:28So, I thought 35 was an apt title for the film.

25:34I thought 35 was an apt title for the film.

25:39But I thought this was an apt title for the film.

25:42Do you understand?

25:44You are the director and Natudu.

25:49But you are the hero and Natudu in this phase.

25:55Quite honestly, it's a debate.

25:58I think, especially in my mind,

26:04there is self-criticism.

26:08In fact, I thought that I would support the acting.

26:13I think, the direction is a good way.

26:16I have no idea at the thinne plate.

26:19So, I would like to take a look at the caravan.

26:22Why am I doing this? I should do something else.

26:25Irritations are not the same.

26:28But, at the end of the day,

26:30Atlantis, when I look back,

26:32when I look back in this portfolio,

26:34I would like to have an opportunity for everyone.

26:37And I am able to support myself also financially,

26:42while doing what I can.

26:44That is God's gift.

26:45I am very grateful.

26:46What you do is,

26:47you don't have to do anything.

26:49Yes, you don't have to do anything.

26:50You don't have to do anything.

26:52Okay, right.

26:53Shrushan, sir?

26:55Yeah.

26:56So, S-Originals and 35,

26:58I haven't seen it,

26:59but I have never seen anything.

27:01And,

27:02Good luck, good luck.

27:03This is also rooted films.

27:05It is,

27:06it is a lot of rooted films in the production value.

27:09In the rare cases.

27:10It is also in the future.

27:11Do you have any of these productions in the future?

27:12Do you have any of these things?

27:14Do you have any of these things?

27:15No, I don't do anything.

27:16Even in the future,

27:18I think,

27:19it is not just rooted.

27:22I think,

27:23if something is interesting,

27:24which no one has explored.

27:25It is not a unique thing.

27:27It is what I have done in the future.

27:29So,

27:30I try to find some.

27:31I try to find some.

27:32In the future,

27:33in the future,

27:34you can't do anything in the future.

27:35It's not a challenge.

27:36It's not a challenge.

27:37It's not a remake.

27:38Not a remake,

27:39It's not a challenge.

27:41It's a challenge.

27:42It's important.

27:43We can try to prove it.

27:44As a producer,

27:45we can try to work in the future.

27:46To continue to the future,

27:47to be a human being.

27:49In the same way, when I am picking stories in future also, I make sure I pick very unique

27:54subjects where audience like it as well as I should enjoy working with it.

27:59So I am making other films also which are coming.

28:03Definitely one commercial film which I am making is E&E 2.

28:07Apart from that, even with E&E 2, I will use subjects and at the end, I will not reveal

28:15but I will reveal at the time of E&E 2, E&E 2 is very rooted and there is a theme underlaying

28:25running where every audience will be relatable.

28:30What I pick is relatable stories.

28:31Jannal connect to it as well as the audience will connect to it.

28:35So I will try to make sure that Jannal has a relatability in the future.

28:42I will try to make sure that you have a lot of expectations.

28:47I will try to make sure that you have a lot of expectations in entertainment.

28:55So what do you have to do with this character?

28:57You have to impact your character in the future and it will impact your character in the future.

29:02So what do you have to do with your character?

29:06I didn't have any impression on him.

29:09Sir, that's it.

29:10He's a character.

29:11I'm a character.

29:13I'm a character.

29:15He's a character.

29:17He's a character.

29:20I'm not sure.

29:23I'm not sure.

29:27That's why I have a tag of war and a tag of war.

29:29I have a tag of war, a tag of war, a tag of war, and a tag of war.

29:33But there are a lot of people in the world.

29:35So, family...

29:36I'm not saying that.

29:38I'm not saying that.

29:40I'm not saying that.

29:42So, do you understand?

29:44Sir, last time you mentioned in one of your interviews,

29:47that Disney hotstar is not going to dubbing the idea of the hot star.

29:50Correct.

29:51So, that's why we have to take it.

29:53Is there any option that hotstar is holding the film for a while?

29:58See, we can try it.

29:59It's not like that.

30:00We did a remake,

30:01when we came to know that

30:03they didn't want to be in Disney,

30:05we didn't want to be in Malayalam.

30:08So, we didn't know that

30:10dubbing rights at Disney,

30:12they can't take it back.

30:13We put an email to Disney.

30:15If it was a bigger banner,

30:18I don't want to take names.

30:20They'll remove it.

30:22So, I'll put an email,

30:25but there's no reply from them.

30:27But that's okay.

30:28It's not...

30:29Try it.

30:30Try it.

30:31I'll try to keep it.

30:32At least for the time of release,

30:33please stop it.

30:34So, Amazon supported a few releases like that?

30:37Yes.

30:38Correct.

30:39We even told Disney hotstar that

30:43we'll give you a right of refusal.

30:44First, cinema children.

30:45It's up to their priorities.

30:48We can't have a hold on it.

30:50Bramajigar,

30:52finally,

30:53father roles,

30:54accept and system.

30:56Yes.

30:57He's a good guy.

30:58He's a good guy.

30:59He's a good guy.

31:00He's a good guy.

31:01He's a good guy.

31:03He's a good guy.

31:05I'm a good guy.

31:06You're a good guy.

31:07You're a good guy.

31:08I'm too much.

31:09I'm too much.

31:13It's my name.

31:14My father will definitely act like that.

31:17Who is there?

31:22Please, come.

31:23Come forward.

31:24Go ahead.

31:25Yes, last two questions.

31:28I don't think so much.

31:30I don't think so much.

31:32I don't think so much.

31:35Thank you, Tarungar.

31:37Hi.

31:38Here.

31:39Hello, hello.

31:40So, we have a lot of comedy time in Kedakola.

31:44We also have a meme language.

31:47We also have a type of English.

31:50So, we also have a remake of Godavari Slang.

31:55We also have a type of dialogue and memes.

31:59We also have a lot of attitudes.

32:02There's a lot of things.

32:04In fact, I feel that this is a very different character.

32:07Kedakola is a very subtle, male chauvinist kind of character.

32:12But there are lots of things.

32:16That's very different from the other characters that are portrayed.

32:19It will hit home.

32:21Especially, people who understand the character's business.

32:27It will share as memes.

32:28Chana meme related.

32:29Shoot and shoot and shoot.

32:32I'm very sure.

32:33It is relatable.

32:34Director.

32:35Isha.

32:36Director.

32:37One last question.

32:38Isha.

32:39Isha.

32:40Isha.

32:41Isha.

32:42Isha.

32:43Isha.

32:44Isha.

32:45Isha.

32:46Isha.

32:47Isha.

32:48Isha.

32:49Isha.

32:50Isha.

32:51Isha.

32:52Isha.

32:53Isha.

32:54Isha.

32:55Isha.

32:56Isha.

32:57Isha.

32:58Isha.

32:59Isha.

33:00Isha.

33:01Isha.

33:02Isha.

33:03Isha.

33:04Isha.

33:05Isha.

33:06Isha.

33:07Isha.

33:08Isha.

33:09Isha.

33:10So, if you have any moments in this character, then you have any moments in this character.

33:17You have already been shooting in Godavari side.

33:21So, if you have any moments in this character, then you have any moments in this character.

33:26Shanti character is very related.

33:29Especially Shanti, there are a lot of wives in this character.

33:33Even the original character, I have a lot of choice in this character.

33:39So, hopefully my character will be satisfied with my husband.

33:44So, yeah, I thoroughly enjoyed it.

33:47I really enjoyed it.

33:49If you have any roles in this character, I absolutely loved it.

33:53Kishagar, do you want to be inspired by your character?

33:58Do you want to be inspired by your character?

34:00Yes, I want to be inspired by you.

34:01Maybe already, I don't want to be inspired by you.

34:06Thank you, thank you.

34:07Thank you so much.

34:08Thank you so much to the team.

34:10Om Shanti, thank you.

34:11And I'm sure, already,

34:13J.Krishgar's music has already come up with a lot of parts.

34:17I've already come up with a lot of parts.

34:19I've already come up with a lot of parts.

34:20I've also come up with a lot of trailers.

34:22So, thank you so much to the team.

34:24Thank you so much.

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