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Neeli Kothi Episode 01 08_December_2025_-_[_Anmol_Baloch___Talha_Chahour_]_-_HUM_TV(360p)newli koothi neeli kothi drama, neeli kothi drama, neeli kothi new drama, neeli kothi drama teaser, neeli kothi hum tv drama, neeli kothi drama episode 1, drama serial neeli kothi, neeli kothi pakistani drama, drama serial neeli kothi ep 01, neeli kothi drama timing & date fixed, neeli khoti drama, neeli kothi, neeli kothi 01, neeli kothi ost, neeli kothi ep 01, neeli kothi song, neeli kothi cast, neeli kothi hum tv, neeli kothi teaser, neeli kothi update, neeli kothi title track, neeli kothi today ep
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00:00I am a man who has come to life
00:07I am a man who has come to life
00:15I am a man who has come to life
00:28We live alone
00:58in the house was red.
01:03Some of them said
01:04the color of the color,
01:08but then the color changed,
01:12the color changed,
01:14the color changed,
01:17the color changed,
01:23and the color changed.
01:24that the eyes of the eyes of the eyes of the eyes of the eyes of the eyes of the eyes of the eyes of the eyes.
01:30This story is about their stories,
01:34which has been a part of their relationship with their own relationship.
01:38This is the novel that I read every time I will be in a place.
01:47If this story is a part of my story,
01:49this story will be made possible.
02:24How nice.
02:43Happy wedding anniversary to Madalinga Mujan and Babajan the Kroet.
02:51I know, but my time period starts at that time, when I was in your life.
03:08I know, but my time period starts at that time.
03:10I know, but my time period starts at that time.
03:12I know, but my time period starts at that time, what did you do?
03:14Please, my children don't know anything.
03:16Come and cut the cake.
03:18I know, but my time period starts at that time.
03:21Okay, okay, okay.
03:22Let's cut the cake.
03:23Bye.
03:24Bye.
03:25Bye.
03:26Bye.
03:27Bye.
03:28Bye.
03:29Bye.
03:30Bye.
03:31Bye.
03:32Bye.
03:34Bye.
03:35Bye.
03:36Bye.
03:37Bye.
03:38Bye.
03:41Bye.
03:43Bye.
03:44Oh, oh, oh, oh, oh
04:14Oh, oh, oh
04:44Oh, oh, oh, oh
05:14Oh, oh, oh, oh, oh, oh
05:19Oh, oh, oh, oh, oh, oh, oh
05:24Oh, oh, oh, oh, oh, oh, oh, oh
05:34I have told you so many times that you have to convince the people of the news.
05:59That was Abbu. I couldn't believe it.
06:03And it was good that I saw today's newspaper.
06:07But now, we're going to die from our bodies.
06:12Do you know what the situation is?
06:14The stories of the bodies and the shops.
06:18Oh, writer-saheba.
06:19There's no twist in your tired novels or not.
06:22But in our life, a new thing has come.
06:27What happened?
06:29Will you add a new text to the previous unit?
06:32Or is there a new text?
06:35Don't forget your name.
06:40And look at this.
06:46That's it.
06:49Look at this.
06:53Neelie Koti for sale?
06:56Manchah-saheba.
06:57Manchah-saheba.
06:58I don't think it's bad that I'll send a new Koti.
07:01Yes.
07:02There are memories of my childhood in his house.
07:07I don't know.
07:08This is your name.
07:09It's your contact number.
07:11You're also your name.
07:12You're saying that you'll be able to get the new information in the next month.
07:14Yes.
07:18What's your work?
07:22You know that I'm a disease.
07:24And I'm a disease.
07:26And I'm a disease.
07:27I don't know who's been hiding.
07:29I'm a disease.
07:30Yes.
07:31And I'm not taking a new name again.
07:32He's telling me that you'll be able to send a new novel.
07:34All my novels have been stopped.
07:36Oh, you've got to know your novels.
07:38Here, someone has asked me to send a new novel to my house.
07:42You've got to know your novels.
07:43You've got to know your novels.
07:45This is very strange.
07:47I don't know who's been doing this.
07:51Who's been doing this?
07:52Who's been doing this?
07:53I've been.
07:54What?
07:55You've been?
07:56Why?
07:57You're not going with this new Koti.
07:59You're not going with me with the US.
08:01You think we'll send it.
08:03Oh, okay.
08:04We'll send it.
08:05Then you'll be able to do another job.
08:07Our entire business,
08:09all the properties,
08:11farmhouse, etc.
08:12What's the difference between a new Koti?
08:14What's the difference between a new Koti?
08:18I know.
08:20These new Koti are more important than all these things.
08:23I've got to know my friends and friends.
08:27I'll leave my house, my city, and my country.
08:32If you have to take someone,
08:36then take them.
08:38You'll be writing your novels and articles.
08:40You'll be able to write them.
08:42That's it.
08:43That's it.
08:44Obviously.
08:45Why are you going to go?
08:46You're more important than your daughter,
08:48right?
08:49Let's go.
08:50Emotional blackmail.
08:51Okay, stop.
08:52You're also studying her.
08:56There's no relation to our new Koti.
08:58Oh, hello.
08:59Excuse me.
09:00What's the name of our new Koti?
09:01What's the name of our new Koti?
09:02They have the name of our new Koti.
09:03Is it the name of the new Koti?
09:04That name of the new Koti?
09:05Mr. That name of the new Koti is the name of the new Koti.
09:07Who didn't know the new Koti?
09:09So the name of Koti?
09:11Yes, she has the name of the new Koti.
09:12A friend left my wife!
09:14They listen to their names in the Gahmi's house!
09:17Yes, the Gahmi.
09:19The Gahmi's house was宵ed by his father.
09:24And his father did not see it.
09:28She gave them the name of the Gahmi?
09:34But you don't want to know
09:36that one of her own boys is still a year before her!
09:41They were killed in their hearts.
09:48Just think about it.
09:51How much of your mother was going to go to the house?
09:56I didn't call her. She called me. She told me everything.
09:59One second. She told me anything.
10:01I didn't tell you before.
10:04Before she went to the house, she didn't tell us.
10:07That's good.
10:08This has been great for us, my mother.
10:12Let me tell her to tell her.
10:14She must have a solution for this thing.
10:17Solution?
10:18Yes.
10:19She must have a solution.
10:20She has a nilami's house.
10:24Nilami?
10:25Who told her?
10:26She had an ad in the newspaper.
10:32What happened?
10:34Yes.
10:35Now I'm going to change.
10:38Wait.
10:43Is that our father?
10:46Cechora.
10:47This isn't a dream to purpose.
10:503 crore
10:513 crore
10:523 crore, 10 lakh
10:533 crore, 10 lakh
10:543 crore, 20
10:553 crore, 20 lakh
10:563 crore, 30 lakh
10:583 crore, 30 lakh
10:593 crore, 40 lakh
11:033 crore, 50 lakh
11:063 crore, 60 lakh
11:073,70 million!
11:093,70,000,000!
11:153,70,000,000,000!
11:173,70,000,000,000,000!
11:193,70,000,000,000!
11:21property code!
11:29Some of you are making a lot of work!
11:31What's your work?
11:33Why would you like to change the rule of order?
11:35That's why all our actions have been affected by our punishment.
11:44The rule of order is to change the rule of order.
11:46The rule of order is to change the rule of order,
11:49or the rule of order is to change the rule of order.
11:54Take it.
11:55Go back.
11:56Go back.
12:03The fire is cut down for them.
12:21They are hiding where they are from.
12:29Don't find them.
12:33Leave them in their situation, honey.
12:39We have to leave this house at night.
12:48You can only take clothes from here.
12:55The rest of everything will be done.
13:03The property is more dear to you.
13:11Did you say this?
13:13I was doing emotional blackmail, man.
13:16My son, we are very sensitive to you.
13:20You know that, don't you?
13:22The house is so sensitive to you.
13:25How do you talk about this?
13:28Don't talk like that.
13:30Baba-jaan! Baba-jaan!
13:33Baba-jaan!
13:35Hmm?
13:35Do you think that I'm like,
13:36as a woman,
13:38Shehzada Salim,
13:39treat me?
13:39Why are you so much?
13:42I don't know.
13:44I'm not in the face of the Lord.
13:46Because I was to go to the university of N.A.R.
13:47The university of N.A.R.
13:48will come to you,
13:49where I came to go.
13:50Oh no,
13:51this was a distribution of price.
13:52No, no, stop.
13:53I've talked to you.
13:55Here I'll go.
13:57Okay?
13:58You know you,
14:00we love you.
14:02That you can't be in our entire life, world, wherever you are.
14:06You can't let me go.
14:08I swear I had a love for you.
14:12How do I have to go?
14:14How do I get in my mind?
14:16We've also got to give you a chance to do this in US.
14:20That's what we need to do with the help of the situation.
14:23I'm sorry.
14:25I'm sorry.
14:26You're going to be a bad guy.
14:28They're going to be a bad guy.
14:30Don't talk to this house again.
14:33He's very emotionally attached to this house.
14:34He's sensitive to this house.
14:36Hmm, I don't know.
14:37How many heroes are emotionally blackmailing in your novels?
14:41Here, every scene gets fit in my head.
14:43Yes, yes.
14:44You've done the first thing with me,
14:46so I'll explain you a good situation.
14:48You're taking yourself yourself, right?
14:50Silly, silly boy.
14:58Listen.
15:00Yes, what are you talking about?
15:01Our whole problems and solutions are okay.
15:05Leave the university.
15:06They go to a clerk and claim it.
15:09I've told you a thousand times
15:10that we've already released our whole problems and solutions.
15:13We won't even release it.
15:15Don't leave this alone, Keira.
15:16Please, leave it from your mouth.
15:18Then, the whole life will go on this teacher scooter.
15:22This teacher scooter is better,
15:24except that I'm going to see someone else in front of me.
15:29Life isn't like romantic novels.
15:32Everything goes on the end and gets better.
15:34You're very strange.
15:36You don't understand this.
15:39What is your problem with writing?
15:41I'm a writer.
15:42I'm a shocker.
15:43I'm a passioner.
15:44What is your problem?
15:45And in short, I'm gonna give a lot of money.
15:48My passion is too much.
15:49You're so preoccupied.
15:50I wanted to say something to you.
15:51I wanted to say something to you.
15:53You're going to say something to me.
15:54I'm sure we're going to listen to you on your phone.
15:55We're waiting for you on your phone.
15:57You'll be fine with your phone.
15:59You'll be fine with your phone.
16:00You won't end any of these.
16:02Oh, my phone is coming.
16:04Yes, sir.
16:08Yes, sir.
16:09Yes, sir.
16:10Yes, sir.
16:11Yes, sir.
16:12Yes, sir.
16:13Yes, sir.
16:14There is a breaking news that the lady has fallen asleep.
16:18And you didn't tell her sister.
16:20How did you do this?
16:22No, sir.
16:23No, sir.
16:25It's not a mistake.
16:26It's not a mistake.
16:27Listen.
16:28I've told Nafisa myself.
16:30I'm telling you, sir.
16:31If something happens, I won't sell this sale.
16:35I've told you.
16:37I'm wrong.
16:38I'm going to go to a house.
16:40I've given a house.
16:42I've given a house.
16:44Is it a house?
16:45Is it a house?
16:48How are you talking about it?
16:50You're our son.
16:52And the owner of this house is also the owner.
16:54Akbar Ali.
16:56If you say a son, you don't become a son.
16:59Allah.
17:00I'll be sure.
17:02You don't know.
17:04Okay, Akbar Ali.
17:05You too.
17:06This new house has been cut.
17:08He's given a son and a son.
17:10And the son of this house.
17:12I don't see you.
17:13Dhaka has made a house.
17:14I don't know.
17:16And the father.
17:17I'm not sure.
17:18I'm not sure.
17:20You can learn how to get married.
17:22This is the case of marriage.
17:24And if you were to get married,
17:26you would be able to get married
17:28by the child.
17:30Just do it, Papa.
17:32You can't talk about it.
17:34I'm going to stop.
17:36You are doing something, Papa.
17:40What are you doing?
17:42What can you do?
17:44I'm going to get the understanding.
17:50God bless you.
17:52Apar Ali.
17:54Apar Ali.
17:56Apar Ali has been listening to you.
17:58Apar Ali.
18:00Apar Ali.
18:02Go.
18:04Go and talk to him.
18:06Apar Ali.
18:08Apar Ali.
18:10Apar Ali.
18:12Apar Ali.
18:14Apar Ali.
18:16Apar Ali.
18:18Apar Ali.
18:19Zed! Zed, what is going on?
18:32Zed, open the door!
18:34Zed, listen to my story, Zed!
18:36Please listen to me!
18:39Zed, open the door!
18:49Zed, open the door!
19:14Listen to me, listen to me.
19:16Don't do anything about them.
19:18I'm tired.
19:19You don't have to come back.
19:25I don't have a job.
19:27I welcome people all day to fake smile.
19:30And they raise money in front of you.
19:32How many times do you have to read?
19:34If you read a little more, then you don't have to do a small job.
19:37I'm not shocked.
19:39You have to give a lot of books in small small books.
19:44Listen to me.
19:46Just think about it.
19:48We're still talking about it.
19:50We're talking about it.
19:52Who's another child?
19:54Why don't you understand this little thing?
19:56Our father died 10 years ago.
20:00And God gave nothing to us.
20:03We can't kill these girls.
20:07What's the whole life of us?
20:10Okay, not good.
20:14our poor democratic nation.
20:15Who experiences or grav sharcy.
20:16We get into those little subjects.
20:18We're talking about this little fact.
20:20We can't get horrible, Becca.
20:22And also, give up about parts of us.
20:24He returns a lot to us.
20:26We can't kill them.
20:27We're talking about anything else.
20:28The sounds of forte.
20:30I don't know.
20:31Who can nobody else do that.
20:35There's nothing wrong.
20:35Why are you standing here?
20:49You were doing it. You were okay?
20:52I'm absolutely fine.
20:54Why are you getting worried?
20:55Because I'm your mother.
20:57But if I'm not worried, what will I be?
21:00The world is related to the family.
21:02The family is related to the family.
21:04The family is related to the family.
21:07I've never forgotten it.
21:08Why are you getting angry?
21:12I get worried, son.
21:14Okay, university job.
21:17And please, don't let any other thing in your heart.
21:20My heart is still alive.
21:22That's Alaina's name.
21:23I'm getting late.
21:25Bye.
21:25Okay, bye.
21:26Bye.
21:31The world can never understand my mother's insecurity and fear.
21:35Every time in our hearts, there is a fear that our children don't go away from us.
21:44Brode.
21:46Bro, man.
21:47I miss you.
21:47Late.
21:49Again.
21:51And you also know what this event is.
21:52I don't want to take care of myself.
21:54I don't want to take care of myself.
21:54I don't want to take care of myself.
22:00Brode.
22:00Your father-in-law has already reached the auditorium.
22:03Okay.
22:07What happened to you?
22:09So, your mood is always bad for you.
22:12I'm sorry.
22:14It's okay.
22:15I'm sorry.
22:21What happened to your tango manufaction?
22:22What if it's a fault?
22:24Let's go.
22:24So, you'll have to start even even now.
22:26What are you going to get on to it?
22:28And the first price is just that Manhus.
22:30Manhus is not the hero.
22:31Yeah, it's not hero.
22:32It's not hero.
22:33It's zero in my view.
22:35Yeah.
22:35A zero can increase the value of anyone without anyone.
22:39Value increase.
22:40Actually, my value is going to decrease that.
22:43Your 36th year is with him. Let's go!
22:52Ladies and gentlemen,
22:54it is with great pleasure
22:56to announce the first position
22:58in the market research category
23:00for this price distribution ceremony.
23:03And the first position goes to
23:10Mr. Zaid Ali Shah
23:12and Ms. Alaina
23:14for their exceptional work
23:16on Islamic financing literacy
23:19and the intent to use Islamic financing in Pakistan.
23:23Congratulations to both of you!
23:42Mr. Zaid Ali Shah
23:50You were saying to her
23:52I'm also delighted to announce the second position.
24:02And it goes to Ms. Maheen and Ms. Zara
24:06for their remarkable research on macroeconomic news
24:20and capital market reactions in Pakistan.
24:21Well done Ms. Maheen and Ms. Zara!
24:23And capital market reactions in Pakistan.
24:25Well done Ms. Maheen and Ms. Zara!
24:27Thank you very much, Mr. Keith.
24:28Thank you very much,
24:50I don't know how much I have to face you as you walk out.
25:03Embarrassment?
25:05Embarrassment is the winner of those names.
25:10Do you know how much you have to face embarrassment to walk out?
25:16Embarrassment? Embarrassment should be the winners.
25:21Nepotism is the biggest example in our department.
25:24Why do you have a lot of love?
25:26Their research proposal has already been approved for the scholarship.
25:34Maybe I have a source.
25:36Why do you use a source?
25:39This university is a topper.
25:41That is a topper.
25:43I am also a topper.
25:45We all know this.
25:48The best friend Elayna's father of Zaid got the best friend Elayna.
25:53He is a dean.
25:55You can do research too, Zara.
25:58How can I do research?
26:00How much money is in research?
26:03And where do I get money from?
26:09This scholarship was very necessary for me.
26:12Okay.
26:13Let's go.
26:14Don't lose your mood.
26:15We go to the cafeteria and go to cold coffee.
26:17Your mouth will be fine.
26:18No.
26:19You go.
26:20I have to go to boutique.
26:22Ma'am Zunaira gave me the last morning.
26:24I have to come late.
26:25the ability of your two daughters.
26:27You are so hard to manage such a tough job with studies.
26:33You have to learn to manage people to manage them.
26:36You have to say that.
26:37Let's go.
26:38We'll see you later.
26:57Hello?
26:58Hi Sara, I'm...
27:00...with your restaurant.
27:03Yes, there's an emergency.
27:05Can you hear something?
27:08Okay, I'm coming.
27:09Okay.
27:16I'll just go with you.
27:17Okay, okay.
27:24Hi.
27:25What are you doing here?
27:26I'll tell you.
27:27Before you tell me, how are you?
27:30I'm fine.
27:32What are you doing here?
27:34I'm fine.
27:35I'm fine.
27:36I'm fine.
27:37I'm fine.
27:38I'm fine.
27:39I'm fine.
27:44You're too late, too.
27:45You're too late.
27:46You're too late.
27:47You'll kill me after that.
27:49Before you listen to me.
27:51You're too late.
27:52I'm fine.
27:53You're too late.
27:54You're too late.
27:55I'm fine.
27:56Our house has been blown.
27:57And for new flags,
27:58...
28:02...
28:03...
28:04...
28:05...
28:06...
28:07...
28:08...
28:09...
28:11...
28:15...
28:17...
28:19...
28:20To me,
28:21...
28:22...
28:23...
28:24...
28:25...
28:26...
28:27...
28:28...
28:29...
28:30...
28:31...
28:32You're the best!
28:33of the best.
28:37Give it back again.
28:42Now, tell the password to her.
28:48That's the date of birth.
28:511724.
28:531724.
29:12You won't become a son, right?
29:231424.
29:29Rekha!
29:30My phone.
29:32Rekha!
29:33Rekha!
29:34Rekha!
29:35Rekha!
29:36Rekha!
29:37Sorry!
29:38Sorry!
29:40Sorry?
29:41Success has fallen on your mind.
29:42I'm sorry.
29:43I didn't see.
29:44I didn't see.
29:45Why do you see 4-4-4-4-4-4-2-4-4-4-4-3?
29:48Why did you see much?
29:49Sorry.
29:50You've really damaged it.
29:51It's like your mind.
29:53Okay, please, let me fix it.
29:55Do it, Corona.
29:56If you want to fix it, why don't you fix your driving skills?
29:59Why do you talk to me every time?
30:01If there is a problem, then we can sort it out.
30:03Who would say that I have no problem with you?
30:05I don't have any problem with you.
30:07We have done a whole course,
30:09but for me, you're normal.
30:11Do it, Corona.
30:12You're doing research on me,
30:13and you give attention to your research.
30:21In your life, I kept putting my energy in wrong way,
30:41but I don't know what feels like.
30:43If I don't think I'm lucky.
30:45Oh, it's not a good idea.
30:47Oh, yes.
30:49You're still still all about it.
31:50What happened to me about this story?
31:52Leave me alone.
31:54Tell me about your research papers.
31:56Akbar Ali Shah's son.
31:58How much will he be top of his head?
32:01Baba Ji, don't tell us what happened.
32:03Why are you so upset?
32:05Son, they're taking tension of his novel.
32:09Man Shah's son has convinced him to come.
32:12Baba Ji is killing him.
32:14I've got a problem with him.
32:15Why do you think a laptop is composing?
32:18It's a little difficult.
32:20Zaid, son.
32:22I've told you a thousand times
32:24that I have to write with my hands.
32:26I don't like doing it on the computer.
32:28My novels are also research-based.
32:31I need an assistant.
32:33What is the need for all these things?
32:37Relax.
32:38It's a shock.
32:39It's a shock.
32:40Come on.
32:41Come on.
32:42We'll eat from outside.
32:43We'll eat good shopping.
32:45Shopping?
32:46Yes.
32:47It's a good shopping.
32:49It's a retail therapy.
32:52It's totally fine.
32:54Retail therapy.
32:56I'm sorry, Baba Ji.
33:07For what, brother?
33:08For what, brother?
33:09I swear research work complete and I'll come back.
33:13My son, you haven't understood our problems.
33:18We can't leave everything this way.
33:22I swear that I will complete research and go back.
33:25I can't do it without you.
33:27What can we do?
33:32Okay.
33:36Okay, I'm going to do retail therapy.
33:40But you don't need to do detail therapy.
33:43Detail therapy?
33:59You've got to do the details.
34:01They are very wrong.
34:03They are very wrong.
34:04They are just wrong.
34:06If you have a baby, you have to do something wrong.
34:08Then what's the difference?
34:09There's a difference between the two of us.
34:11It's the same thing.
34:13It's the same thing.
34:15It's the same thing.
34:17Let's leave it.
34:19I'm trying to get everything out there.
34:22I'm trying to get everything out there.
34:25But it's too much.
34:30It's too much.
34:39I'm trying to get everything out there.
34:43But it's too much.
34:45I can't wait.
34:46But it's too much.
34:48It's good.
34:49It's good.
34:50I'm also calling.
34:52Listen, listen.
34:53This is nice.
34:54Hello?
34:55I try this.
34:56It's good.
34:57Yes, sir.
34:58Where's your changing room?
35:00Okay.
35:02Okay.
35:03No, no.
35:05I've been missing files.
35:0945 minutes late, are you?
35:14Ma'am.
35:15What?
35:16My bike was wrong.
35:17She called me and informed me.
35:20Ma'am, I was going to call you.
35:22But a stupid girl,
35:24my phone broke out.
35:26Why am I listening to you every day?
35:30I'm calling you all.
35:33Get out of your last salary tomorrow.
35:36Ma'am, I'm telling you.
35:37My phone broke out.
35:39I'm talking about this.
35:40I'm talking about this.
35:41I'm talking about this.
35:42I'm talking about this.
35:43I'm talking about this.
35:44My phone broke out.
35:45Your name?
35:46I'm the class.
35:47Oh.
35:48I'm taking them for your journey.
35:50I'm going to die.
35:52But I can't do a job with them.
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