- 2 days ago
Category
🎥
Short filmTranscript
00:00:00THE END
00:00:30Are you ready to get started?
00:00:37I think you are.
00:00:38We've got to make some art here, people.
00:00:40Okay, that's it.
00:00:41All right, let's go.
00:00:42Bring that light right into it.
00:00:43Down here.
00:00:44All right.
00:00:45All right, that's not it.
00:00:46No, I need more light than that.
00:00:47I'm ready.
00:00:48You're in the spot.
00:00:49It's about anything.
00:00:50Okay.
00:00:51Right there.
00:00:52All right.
00:00:53Good boy.
00:00:55Yeah.
00:00:56All right.
00:00:57Let's go.
00:00:58I told you, it's too hot.
00:01:00Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:03Come on.
00:01:04Oh, Jesus Christ.
00:01:05Come on.
00:01:06Oh!
00:01:07All right.
00:01:13Good, back in there, back in there, back in there.
00:01:15That's a good dog.
00:01:16That's such a good dog.
00:01:18Good dog.
00:01:19Good dog.
00:01:20Good dog.
00:01:21Good dog.
00:01:22Good dog.
00:01:23Good dog.
00:01:24Good dog.
00:01:25Good dog.
00:01:26Good dog.
00:01:27Good dog.
00:01:28Good dog.
00:01:29Good dog.
00:01:30Good dog.
00:01:31Good dog.
00:01:32Good dog.
00:01:33Good dog.
00:01:34Good dog.
00:01:35Good dog.
00:01:36Good dog.
00:01:37Good dog.
00:01:38Good dog.
00:01:39Good dog.
00:01:40Good dog.
00:01:41Good dog.
00:01:42Good dog.
00:01:43Good dog.
00:01:44Good dog.
00:01:45Good dog.
00:01:46Good dog.
00:01:47Good dog.
00:01:48Good dog.
00:01:49Good dog.
00:01:50Good dog.
00:01:51Good dog.
00:01:52Good dog.
00:01:53Good dog.
00:01:54Good dog.
00:01:55Good dog.
00:01:56Good dog.
00:01:57Good dog.
00:01:58I think he looks good, don't you?
00:02:08Now, we're out of film. All right, take five. We're reloading now.
00:02:11This is the dumbest dog in the whole world.
00:02:13Where the hell did you get such a dumb dog?
00:02:15It's my dog. I trained that dog. I love this dog.
00:02:19Then you are as dumb as the dog.
00:02:28All right. Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:58This program is sponsored by the Women's Press Club of America,
00:03:04along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club
00:03:13to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name,
00:03:19but they should be able to recognize the face.
00:03:22At age 25, Miss Griffith has appeared on the front cover
00:03:25of some of the most famous fashion magazines in the world,
00:03:29the covers of Vision, Olay, and Valarie, just to name a few.
00:03:34Emmanuel, as she is best known,
00:03:37has now become the world's standard of beauty and fashion
00:03:40and is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position,
00:03:53and she's already in great demand.
00:03:56She's been described as the highest-paid fashion model
00:03:59in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C.,
00:04:03and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:18When I first became president of the Women's Press Club five years ago,
00:04:26I had a problem.
00:04:27No.
00:04:29Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:32It was too difficult, too hard,
00:04:35and at times it seemed impossible.
00:04:39Women were second-class citizens then,
00:04:42and they still are today.
00:04:44But let me tell you what.
00:04:47Things are changing.
00:04:53Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:10Good morning, ladies,
00:05:18and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you
00:05:33as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you
00:05:38that there is no sexual harassment in the workplace.
00:05:45And some of them, ladies,
00:05:47some of them will tell you
00:05:50you should remain barefoot and pregnant.
00:05:55This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies,
00:06:21I don't mean a little one.
00:06:24I am talking 50% right down the middle.
00:06:32Yes!
00:06:40I want to thank you
00:06:42so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:49Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:14Oh, my Lord.
00:07:15You should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes!
00:07:2550-50.
00:07:2650%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No.
00:07:3550-50.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes!
00:07:4250% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45Back to the middle.
00:07:46When I'm talking piece, ladies, I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:58Yes!
00:07:58Yes!
00:07:59Yes!
00:08:00Just get the pie piece.
00:08:01Just get them, honey.
00:08:02Come on!
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:39Okay, I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by 4 this afternoon.
00:08:48Fine, what about the deal?
00:08:49Okay.
00:08:50For every day they go over, it's an additional $12,000.
00:08:53Good.
00:08:54Now, we aren't sure about after Paris.
00:08:57Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:02Phil, what do you do when I'm not in town?
00:09:06No, come on, you can tell me. I'm in town three months out of the year. You're on a full salary.
00:09:11Well, I work out. I go to a lot of movies. I hope I haven't created a problem. I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:36Whoo .
00:09:40Well, I saw you walking that train way
00:09:43There's something about you that turns heads the other way
00:09:48They all adore you that's easy to see
00:09:52They're all your Dingen
00:09:55But it won't be me
00:09:57Talk to me
00:09:59I can't see you
00:10:29I can't see you
00:10:59Oh, yeah
00:11:12Good morning, ladies, and welcome to a man's world
00:11:15Let me tell you a little about men, ladies
00:11:20They'll tell you anything they want you to hear
00:11:24They'll tell you that they'll pay you as much as they're earning for doing the same job
00:11:31God, I hope not
00:11:34Oh, Lord, woman
00:11:36We have a problem here, Emmanuel
00:11:39It's the word they
00:11:44Now, we all know that they pertains to men
00:11:48So, why don't you just come out and say
00:11:52Men, you're blessed with great beauty
00:11:55You should be satisfied with that advantage
00:11:58But you're not
00:11:59I think all you girls should remember the terminology
00:12:03Manpower
00:12:04Manipulate
00:12:06The rights of man
00:12:08Manhole
00:12:09I mean, all you girls can climb down
00:12:11And it's still going to be a manhole in the eyes of God
00:12:13In the eyes of everyone
00:12:14You can't change that
00:12:15Not even God can change that
00:12:16Understand that, lady
00:12:17You have a lot to learn, Emmanuel
00:12:24And one Richard Tate
00:12:27Is going to teach you, darling
00:12:47Okora Hotel
00:12:51Uh, yes, Miss Emmanuel Griffith, please
00:12:53May I say who's calling?
00:12:55Uh, yes, tell her that our studio driver has arrived
00:12:58One moment, please
00:12:59Yes?
00:13:01Yes, Miss Griffith
00:13:02Yes, your limo is here
00:13:03What time is it?
00:13:05No, I'm an hour from now
00:13:06Oh, no, but they moved the time up, ma'am
00:13:09Did they tell you that?
00:13:11No
00:13:11All right, fine
00:13:13I'll be down in a minute
00:13:15Okay, thank you
00:13:16I'll be down in a minute
00:13:46Okay, thank you
00:13:48Deborah
00:14:01Okay, thank you
00:14:01Hey, buddy.
00:14:31I smell some gas back here.
00:14:35Hey, guy.
00:14:37You got a leak or something?
00:14:44Can't you get the window down?
00:14:50Hey, mister.
00:14:52Hey, mister.
00:14:53What are you doing?
00:14:54What are you doing?
00:14:57Open my window.
00:15:01What are you doing?
00:15:19Jesus Christ.
00:15:24What are you doing?
00:15:32I think we are going to play a thing.
00:16:10Don't worry, baby. I'm here to help you. Everything's gonna be just fine.
00:16:40Hello.
00:17:08Hello?
00:17:11What's going on?
00:17:21Where am I?
00:17:23Why do you ask?
00:17:26Who the fuck are you and why am I here?
00:17:30I don't like women who use profanity.
00:17:33You don't?
00:17:35No.
00:17:36Well, then you just tell me a few things.
00:17:41What the fuck is going on?
00:17:45Where the fuck am I and who the fuck are you?
00:17:48You'll find out, Manny.
00:17:55I don't know.
00:17:56I don't know.
00:17:57I don't know.
00:17:58I don't know.
00:18:10listen to me you bastard you let me out of here right now or I'm gonna see that you go to jail
00:18:36for the rest of your life well you haven't already figured it out you're the one that's in jail and for
00:18:44how long depends entirely on you my pretty let's move ahead into a bright new future now it's less
00:18:56than time sweetheart so pay attention I think you're gonna enjoy this this is something very
00:19:02close to your heart they'll tell you that there's no sexual harassment in the workplace and some of
00:19:10them ladies some of them will tell you you should remain barefoot and pregnant I must tell you I
00:19:19love the barefoot and pregnant line I'm gonna play for you again and watch the smile that crosses your
00:19:26face just after you say the line it was great you were charged then and wasn't it one good morning
00:19:38ladies and welcome to a man's world you know what I think we're gonna have to rethink that dumb speech
00:19:46of yours but don't worry I mean we're gonna make it right here you know I want you to memorize
00:19:52every stupid word you say I want you to see the look on your face but you know it's like anything
00:19:59else I want you to see every arrogant sarcastic expression that you presented to that audience
00:20:05but don't worry it's gonna be okay we're gonna make it out just fine
00:20:10now what would you like for lunch nothing I want nothing from you
00:20:21oh okay well I tell you what there's a buzzer right on that table in front of the TV and if you just push
00:20:30it I'll bring you anything you need leave it dirty Emanuel
00:20:36you
00:20:41you
00:20:45Oh, my God.
00:21:15Let me just follow you around.
00:21:26Alright, give it a shot, baby.
00:21:31Help me!
00:21:35Can somebody help me?
00:21:40Save your breath, sweetheart.
00:21:42You'll need it later.
00:21:44You can't get out. No one can hear you. I'm in charge now.
00:21:48The sooner you get that through your head, the better off you'll be.
00:21:52Just push the buzzer if you need an exam.
00:22:03Hey, mister!
00:22:07Hey, asshole!
00:22:09You know your fucking TV set isn't working!
00:22:17It ain't working!
00:22:18Aren't there any other assholes that live in this area?
00:22:31Are you deaf?
00:22:33I can hear this fucking buzzer!
00:22:36Buzzer?!
00:22:37Where the fuck are you?!
00:22:40You fucking jerk!
00:22:43Are you deaf?!
00:22:46Hello?
00:22:47Hello?
00:22:48Hello?
00:22:49Hello?
00:22:50Hello?
00:22:51Hello?
00:22:52This is your friendly chef.
00:22:53How may I be of service?
00:22:54Hello?
00:22:55This is your friendly chef.
00:22:58How may I be of service?
00:22:59I'd like something to eat.
00:23:01Mmmmm.
00:23:02Well, I tell you, that sounds reasonable.
00:23:03All you have to do is have to do is have to do something to eat.
00:23:04I'd like something to eat.
00:23:05Mmmmm.
00:23:06Hmmmm.
00:23:07Well, I tell you, that sounds reasonable.
00:23:20All you have to do is use the word please.
00:23:24I'd like something to eat.
00:23:26Mmm.
00:23:27Well, I tell you, that sounds reasonable.
00:23:30All you have to do is use the word please.
00:23:34Please.
00:23:36Well, how do you like that, sweetcakes?
00:23:40You're finally making some progress and it hasn't even been 24 hours.
00:23:46Breakfast is served in 30 minutes.
00:23:54Breakfast in bed.
00:24:04For the only lady in the house.
00:24:11Not bad, huh?
00:24:16I make my bernet sauce with a little brandy.
00:24:19I'm impressed.
00:24:21Well, thank you.
00:24:23I studied with a great chef at the Waldorf Astoria in New York.
00:24:27Lovely.
00:24:28Well, thank you once again.
00:24:30My specialty is pastry.
00:24:33Wow.
00:24:36Now I want to know who you are and why I'm here.
00:24:39Well, my dear, you already know why you're here.
00:24:42That's to give you time and instruction until you get your pretty little head straightened out.
00:24:46As for me, I am your chef and host.
00:24:50And in due time, if you're really nice and kind, I may even be your lover.
00:24:56You should live so fucking long.
00:25:00I told you that I don't like that kind of language from a woman.
00:25:04I don't want to have to say it again.
00:25:06What's your name?
00:25:10My name is Richard.
00:25:13Hello, Richard.
00:25:16What did they call you in school?
00:25:19Did they call you Ricky?
00:25:22Did they call you Dicky?
00:25:24Or did they just call you Dick?
00:25:28Dicky?
00:25:29Or did they just call you Dick?
00:25:58Dicky.
00:25:59Dicky.
00:26:00Oh my god.
00:26:02Oh my god.
00:26:03Oh my god.
00:26:08Oh my god.
00:26:13I did have one of my French.
00:26:14Oh my god.
00:26:15Ah, my god.
00:26:17And I was never harming him.
00:26:18Oh.
00:26:19Ah, my god.
00:26:20Oh.
00:26:21Ah, my god.
00:26:22Oh my god.
00:26:23I'm not impressed.
00:26:24I was interested in the world.
00:26:25Oh my god.
00:26:26Oh, my god.
00:26:26Oh my god.
00:26:27Help!
00:26:34Richard!
00:26:38Help!
00:26:52You're about as dumb as a boxer at rocks.
00:26:54I mean, what the hell made you think you could get your ass through that small open, huh?
00:26:57Please help me.
00:26:59Honey, you just said a magic word. Please.
00:27:02My Nikon is caught on something here at the waist, and I can't pull back out.
00:27:06Oh. Well, that's no problem.
00:27:10Okay, try it again.
00:27:14Go on.
00:27:18I can't do it!
00:27:20Why not? You got in there.
00:27:22Well, that's obvious, but now I can't get back out.
00:27:24Okay, well, I'll tell you what. Let me check out the situation. Let me check this out.
00:27:28Okay? Okay?
00:27:30All right, I'm checking it out.
00:27:32You know, the only thing I can figure is that your tits got bigger.
00:27:37You are a disgusting pig.
00:27:39Hmm.
00:27:40Well, I'll tell you what. I can take this thing off its hinges, and you'll be wearing a door for the rest of your life.
00:27:50Please.
00:27:51It's better.
00:27:52You know what? You're starting to get to me.
00:27:55The possibility exists is that you may even be getting better.
00:28:01But I doubt it.
00:28:03I don't believe this.
00:28:12Children.
00:28:16Healing with children.
00:28:25Oh, this is that fake butter. I hate this shit, don't you?
00:28:28I hate this shit.
00:28:31Okay?
00:28:32All right.
00:28:34All right. This is the gold we have been searching for.
00:28:37Yes.
00:28:38Oh, yes.
00:28:39Oh, yes.
00:28:41Yes, baby.
00:28:43Oh, yeah.
00:28:44Come on, come on. Come on, come on.
00:28:46Move over a little bit.
00:28:47I see a touch of you, babe.
00:28:49Come on. Come on. Honey.
00:28:52Come to Daddy.
00:28:53That's it. That's better.
00:28:54That's better.
00:28:55Come to daddy. That's it. That's better.
00:28:58Oops, not enough.
00:29:00Just get your magi...
00:29:02Oh, come on. Get in the view.
00:29:04Come on. Let me strike
00:29:06a close-up on
00:29:08your magic spot.
00:29:12What are you doing to me?
00:29:16Come on.
00:29:25Yeah, no, I want to
00:29:29go someplace where I can
00:29:31totally be lost. But at the same
00:29:33time, if I wish to escape
00:29:35into some excitement, it's
00:29:36nearby.
00:29:39Oh, I understand, I think.
00:29:42But I want it to be
00:29:43magnificent. First class
00:29:45all the way. Good.
00:29:47I like the ocean, but
00:29:49it has to be more
00:29:51than that. I want something that
00:29:53oozes
00:29:55I beg your pardon?
00:30:00Oh, excuse me.
00:30:01Oozes. I was just flashing
00:30:03on something. Oh, right.
00:30:05What do you have in mind?
00:30:07Well, the
00:30:08people in the travel business
00:30:11might call me Mr. T because
00:30:13T stands for travel, of course.
00:30:15So you've come to the right place.
00:30:17What I'm about to show you, young man,
00:30:20is
00:30:21splendor in the sand.
00:30:23Oh, hold your breath.
00:30:26You'll be screaming for oxygen.
00:30:27This.
00:30:29This is Antigua,
00:30:31the island of beaches.
00:30:35Five years ago, very dear.
00:30:38Well, close, intimate.
00:30:41A friend of mine and I
00:30:43spent five glorious days there.
00:30:45It was magnificent.
00:30:47I'll never forget it.
00:30:47We lay on the beach
00:30:49and write love poems to each other
00:30:51and put them in a seal.
00:30:55An empty orange juice
00:30:57bondlin' iron under this rock.
00:30:59Look, this is the very rock.
00:31:01And the nights,
00:31:02don't ask,
00:31:04the nights were magical.
00:31:06The wind, the people,
00:31:10the island, the beaches,
00:31:12the love poems.
00:31:16Then when the mood struck us,
00:31:18which was quite often,
00:31:20we would adjourn to our magical suite.
00:31:24Yeah.
00:31:24This is the actual suite
00:31:29just between us.
00:31:32We did it everywhere.
00:31:34Upstairs, downstairs,
00:31:36in my lady's chamber,
00:31:37so to speak.
00:31:40It was magnificent.
00:31:43I bet.
00:31:45What a memory.
00:31:47Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me,
00:31:51will you be traveling alone?
00:31:52No, I'll be traveling with my wife.
00:31:58Do I?
00:32:00Of course.
00:32:02Sorry.
00:32:02No harm done.
00:32:05Now, you want me to write that up?
00:32:08Yeah, sure thing, pal.
00:32:12Like I said,
00:32:13I want a first class all the way.
00:32:14I'll take the beach,
00:32:14I'll take the sand,
00:32:15I'll take the nightlife,
00:32:16but I definitely do not want that, bro.
00:32:19Oh.
00:32:22Oh, my God.
00:32:35Hello?
00:32:37This is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard.
00:32:43I have nothing against you.
00:32:47Please let me go.
00:32:49Not until your act is together,
00:32:50my darling.
00:32:50Okay.
00:32:54You're right, I'm sorry.
00:32:56Let me explain something to you, darling.
00:32:58Okay?
00:32:59I kidnapped you.
00:33:01I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved with this
00:33:05as we speak even here.
00:33:07And I'm not going to let you out
00:33:09until you get your head straight.
00:33:10And that, my love,
00:33:12is quite up to you.
00:33:14Look, Richard.
00:33:17I have nothing against you.
00:33:20Please let me go.
00:33:22Not until you get your act together.
00:33:25I know.
00:33:27You're right.
00:33:27I'm sorry.
00:33:28Not only do I hate women
00:33:31who use foul words,
00:33:33but I hate women who lie.
00:33:35Good night, sweetheart.
00:33:37Oh, no.
00:33:39Richard.
00:33:40Richard, come back.
00:33:43Oh, please, don't go away.
00:33:47Oh, please, you've got to come back.
00:33:48You've got to talk to me, Richard.
00:33:52Please.
00:33:54Oh, God.
00:33:58Oh, God, no, God.
00:34:04Please, Richard.
00:34:07Please.
00:34:11Yes, my darling.
00:34:13I can hear you.
00:34:14Isn't it nice to see a friendly face?
00:34:16Look, Richard.
00:34:20I have money.
00:34:22I have a lot of money.
00:34:26I don't need new money.
00:34:28What do you want, then?
00:34:31I want you to be a nice little girl.
00:34:33I want you to be nice
00:34:35to the men who support you.
00:34:37I want you to be barefoot
00:34:38and not pregnant.
00:34:39I hate kids.
00:34:42Look.
00:34:43I will do whatever you want.
00:34:49I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:59I want to see you.
00:35:05You can see me?
00:35:08You've been watching me?
00:35:10Just relax, baby.
00:35:11How do I turn off this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:21What is it?
00:35:22Is it a peephole, dick, you prick?
00:35:25Oh, no, not a peephole.
00:35:27Not for dicky boy.
00:35:28Dicky boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it...
00:35:39And I will find it!
00:35:42I am gonna smash the shit out of it!
00:35:45Don't even give it a thought, baby.
00:35:46You'll never find it.
00:35:48Never!
00:35:48You bastard.
00:35:50You sick son of a bitch.
00:35:52Who do you think you are, anyway?
00:35:54You listen to me and you pay attention.
00:35:56I'm the guy with the key to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest of the low.
00:36:03You listen to me, dicky boy.
00:36:07When I get out of here, you are dead meat!
00:36:14Don't do it! Don't do it!
00:36:21That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:27Fuck you!
00:36:28You!
00:36:31Good night, sweetheart.
00:36:33Oh, this is just perfect.
00:36:36Oh, what's the matter, dicky boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough, and you can't take it.
00:36:45You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still gonna find it.
00:36:52And when I find it,
00:36:54you can watch yourself for the rest of your fucking life!
00:36:57What?
00:36:59Ah!
00:37:00Ah!
00:37:00To be continued...
00:37:30I don't know.
00:38:00I don't know.
00:38:30Jerry Turner, please. Sam Weston calling.
00:38:33Please hold.
00:38:35Hello.
00:38:36Mr. Turner, this is Sam Weston.
00:38:39Hey, Sam.
00:38:40Just make it Jerry, okay?
00:38:42Okay, Jerry. How are we doing?
00:38:45Well, Sam, while you were flying in first class from New York,
00:38:49I found the last person to see Emanuelle Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel.
00:38:59Helped her out to the phony limo.
00:39:01Okay.
00:39:02Sam, I gotta tell you.
00:39:03I run one of the best detective agencies in this area.
00:39:06Why don't we get this thing wrapped up real quick
00:39:09and go out and do some more business together.
00:39:12I can have her here on Wednesday.
00:39:14How's 1 p.m. for you?
00:39:16Sounds good.
00:39:17She'll be here.
00:39:18Good.
00:39:19Hello?
00:39:45Hello?
00:39:45I have no water in here.
00:39:52What's going on?
00:39:55Richard, I have no water.
00:40:03How many ways do I love you?
00:40:07I'm going to show you now.
00:40:12I'll buy you nice little things and a big diamond ring.
00:40:20Oh, wow.
00:40:23You said that you didn't love me.
00:40:28Honey, I got class and style.
00:40:31I'll make sure we're together in stormy weather.
00:40:38Mile after mile after mile.
00:40:42Yeah.
00:40:43How many ways do I love you?
00:40:47Let me tell the world.
00:40:50Let me tell them all.
00:40:51I'll buy you a rainbow.
00:40:55I'll buy you the moon.
00:40:57I'll buy you boats and planes.
00:41:00Horses and trains.
00:41:02I'll buy the sides of the hall.
00:41:04Throw in the sleigh.
00:41:06Is it all?
00:41:07You'll be the queen of the fall.
00:41:10The gown was $600 and $25.
00:41:25However, if you'd wish to purchase the undergarments we discussed, I'm sure we can come to some kind of agreement for a discount.
00:41:32Let's say, um, 5%.
00:41:35Well, that sounds okay.
00:41:37I'll tell you what.
00:41:37Why don't, uh, why don't you have her try the brown one?
00:41:41I'm sorry, sir.
00:41:42But we don't model underwear.
00:41:45Why not?
00:41:47Company policy.
00:41:48Who said what company?
00:41:49This company.
00:41:50You in charge of this company?
00:41:51I am.
00:41:52You set forth the rule?
00:41:53I did.
00:41:54Why don't you go and do that?
00:41:56I mean, why is everybody going to spoil my fun?
00:41:59Sir, this is a respectable establishment.
00:42:02Are you suggesting that I'm not respectable?
00:42:08Honey, could you go over and get me the gold dress?
00:42:11I mean, I don't like this at all.
00:42:13I gotta tell you, I don't want that at all.
00:42:14I deal with gold and I love gold.
00:42:16I mean, look at the shimmering of this.
00:42:17I mean, this is beautiful.
00:42:20Well, I'll tell you what.
00:42:22Why don't you throw all this shit in the box and, uh, oh, let's see.
00:42:28A 10% discount seems, uh, pretty respectable to me.
00:42:34Don't you think?
00:42:34I'll tell you what you're saying.
00:42:42Oh, hell, man.
00:42:58It was desperating.
00:42:59well look at that front page above the fold in living color I really am
00:43:10fantastic good morning Emmanuel I have something very special for you
00:43:39something pink for pink lady how are you hey you what's going on here plug it back in there's a
00:43:48little bra for you in black I've been calling you all day I don't have any water and where the hell's
00:43:52my food plug it back in and things will be quite beautiful for you here's something royal for a
00:43:57royal lady right oh yes prick here's some golden threads for you just plug it back in another
00:44:03thing for pink lady here's a little thing for purple I want some goddamn water I don't know
00:44:07what the hell you're talking about well try running for the goddamn water with these tennis shoes you
00:44:13bet your life there they are run for it baby I'm gonna stick these shoes right up your ass give me
00:44:19some water and here's the little undies for the baby you prick you turned the water off didn't you
00:44:23you got it sweetheart and if you want it back on plug it back in what the hell are you talking about
00:44:30oh my well Jesus Christ I got faith in you I mean I think you'll figure it out
00:44:39I'm not taking any calls sweetheart
00:45:09and I'm going to get some water all right
00:45:11jeez
00:45:12I'm going to get some water all right
00:45:16I'm going to get some water all right
00:45:17I'm going to get some water in the hang of the road
00:45:18I don't have to get some water yeah I guess if I'm not going to get some water
00:45:20as much water
00:45:35I don't know.
00:46:05God, you are persistent.
00:46:08Jesus.
00:46:15Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what, I'm going to make it as easy on you as possible.
00:46:23Now all you got to do to get started again is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're going to be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:40All you got to do is come over here and plug it back in.
00:46:44You want something to drink, plug it back in.
00:46:45You want something to eat, plug it back in.
00:46:47It's that simple.
00:46:48Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:51That's your only contact with the outside world.
00:46:58What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:03You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:08All right, Richard.
00:47:15We'll do it your way.
00:47:16Now, you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:36Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon, you'll have running water.
00:47:46And tonight, tonight I'm going to fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul, and I would do anything for you.
00:47:56But please cooperate with me.
00:47:59Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:20It's wonderful.
00:48:24Why don't you try the steak?
00:48:25It's great.
00:48:26I mean, I'd like to see what you think.
00:48:29It's very good.
00:48:38Later, I'll share the method and the recipe with you as soon as we get to know each other better.
00:48:44The secret is, though, that I used two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:07That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:20No, no, I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:38Well, here's this toast.
00:49:40Okay?
00:49:41Oh, it's just a little lower.
00:49:42Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:49:58They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:27No, I represent the truth.
00:50:34You have a very nice voice.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:50:57Oh, I got you back on now.
00:51:10So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:18You're very smart.
00:51:19Oh, no, just, just lucky.
00:51:25But what about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:32That was funny.
00:51:35I went to New York to become an actress.
00:51:37I was 19.
00:51:42What a joke.
00:51:46So, what happened?
00:51:47I found out I was no actress.
00:51:53Well, then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:08What?
00:52:12I did nude dancing at a Times Square bar.
00:52:17Well, I mean, uh, how'd you handle that?
00:52:22It was easy.
00:52:23I actually enjoyed it.
00:52:31I got off on guys watching me.
00:52:34It was a turn-on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:43Hmm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:53I didn't say that.
00:52:56Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:05So, when you're stuck naked in front of those good old boys,
00:53:10I mean, uh, who has the advantage then?
00:53:13Why don't you play me some music?
00:53:27I want to dance for you.
00:53:33Ah.
00:53:33I don't know.
00:53:35I'm your spouse.
00:54:05I'm your spouse.
00:54:35I'm your spouse.
00:55:05I'm your spouse.
00:55:35I'm your spouse.
00:56:05Hello.
00:56:06Hello.
00:56:08Come down and join me.
00:56:11Sit down.
00:56:31I got a present for you.
00:56:37It's by your side, under that pillow.
00:56:43Open it.
00:56:51Try it.
00:56:55Try it.
00:56:56It's very nice.
00:57:05Yeah.
00:57:13It blends with your body.
00:57:15It's you all the way.
00:57:19It's you.
00:57:33It's you.
00:57:35It's you.
00:57:36It's you.
00:57:41It's you.
00:57:43It's you.
00:57:45It's you.
00:57:46It's you.
00:57:51It's you.
00:57:53It's you.
00:57:55It's you.
00:57:57It's you.
00:57:58It's you.
00:57:59It's you.
00:58:00It's you.
00:58:01It's you.
00:58:02It's you.
00:58:03It's you.
00:58:04It's you.
00:58:05It's you.
00:58:06It's you.
00:58:07It's you.
00:58:08It's you.
00:58:09It's you.
00:58:10It's you.
00:58:11It's you.
00:58:12It's you.
00:58:13It's you.
00:58:14Show yourself, baby.
00:58:15Come to daddy.
00:58:16If you think you can escape Richard Tate, you must be crazy.
00:58:21Crazy. Not in a million years. There you are. Let's go.
00:58:51Come on, baby. Where are you? You can't hide. Come on. Come on.
00:59:07Come on, baby.
00:59:21It's over, baby. I'll find you. You know what? You lied to me, baby. You lied to me.
00:59:31After I gave everything to you and you're trying to run from me and hide from me.
00:59:36When you deal with Richard, you're dealing with style, class, and elegance.
00:59:44You're used to punks. You're used to no-class guys.
00:59:48I give you the best of wine, the best of food, the best of clothes, and the best of perfume.
00:59:57Perfume that I can smell a million miles away.
01:00:02I got you.
01:00:18Let's go.
01:00:24Pretty.
01:00:26I don't know.
01:00:56Watchers.
01:01:04Needless to say, you've upset me.
01:01:06You're a liar, a thief, and a cheat.
01:01:09And that somewhere down the road, baby, somewhere down the road, you're gonna come along and say,
01:01:14Dicky boy, I'm sorry. You got that?
01:01:26I'm sorry.
01:01:36I'm sorry.
01:01:38You haven't had enough of me yet, baby.
01:01:58I really appreciate your help for this.
01:02:04No problem. There she is. Go for it.
01:02:08So, I understand you helped carry her bags downstairs.
01:02:15Yes.
01:02:16And what time day was this?
01:02:18Yes.
01:02:20It was about 8 a.m.
01:02:228 a.m.
01:02:24Can you describe the limo?
01:02:26Yes.
01:02:28Go ahead.
01:02:29It was wrong.
01:02:32Wrong?
01:02:33Yes.
01:02:34Long?
01:02:35Yes.
01:02:36Most of them are.
01:02:37Kim, do you remember the color of the car?
01:02:42It was a brake.
01:02:44And the driver, do you remember what he looked like?
01:02:49Yes.
01:02:50Well, describe him.
01:02:55He was tall.
01:02:59He had on a brake jacket and a brake hat.
01:03:03Was it a brake man?
01:03:04No.
01:03:05What man?
01:03:06Let's go back to that long limo.
01:03:09Do you remember what kind it was?
01:03:12Oh, you mean a Cadillac or Lincoln?
01:03:16Yeah.
01:03:17Oh, I don't know.
01:03:20Miss, I've come a real long way to talk to you.
01:03:27Thank you very much.
01:03:29Thank you very much.
01:03:32Is there anything you can do to...
01:03:35Jerry, she's your witness, ma'am.
01:03:38Jump right on in here.
01:03:40I want to concentrate on what this man looked like.
01:03:45Yes.
01:03:47Can you handle that?
01:03:49Handle what?
01:03:52What the guy looked like?
01:03:54Oh, yes.
01:03:55Yes, I can.
01:03:56Well, great.
01:03:57What did he look like?
01:03:58He had a brake hat.
01:04:01Oh, wait, wait, wait.
01:04:02Please, please.
01:04:03Let's forget about the hat, okay?
01:04:04Let's just try this real quick.
01:04:06Picture yourself standing in front of the hotel, okay?
01:04:10That morning, all right?
01:04:11That morning, all right?
01:04:12You see the guy.
01:04:13He's standing right in front of you.
01:04:14You got it?
01:04:15Yes.
01:04:16Okay.
01:04:17Picture it there now.
01:04:18Yes.
01:04:19Now tell us.
01:04:20What do you see?
01:04:23I see a big round head of a face.
01:04:26Yes.
01:04:27Thank you very much.
01:04:28Jesus Christ.
01:04:30Thank you very much.
01:04:31You're a very nice lady.
01:04:35Thank you very much.
01:04:37You're an asshole, Jerry.
01:04:40Thank you very much.
01:04:42It was a big head.
01:04:46Good morning, Mr. Richard.
01:04:52Estella, I called you.
01:04:53I left you a message.
01:04:54I'm not going to need you for a while.
01:04:55I told you that.
01:04:56I got no message, Mr. Richard.
01:04:57Yes, but you don't understand.
01:04:58I'm not going to need you for a while.
01:04:59I already been paid for this, so I clean up when I can today.
01:05:02Yeah, but nothing is dirty, can't you?
01:05:04See around, everything is clean.
01:05:05I do dishes and I change sheets.
01:05:07Yeah, you did.
01:05:08Well, listen, I'm going to wait for a month or so, so come on.
01:05:10I'll tell you what.
01:05:11I'll give you a buzz as soon as I get back.
01:05:12Okay?
01:05:13I'll give you a buzz.
01:05:14No, no, Mr. Richard.
01:05:15Mr. Richard, you do not take money for something you do not do.
01:05:17Estella, you've been good to me.
01:05:18I mean, you do good work.
01:05:19And I'll be in touch with you as soon as I get back from the vacation.
01:05:22No, no, Mr. Richard.
01:05:23Here.
01:05:24I got a tent and I got some ones.
01:05:27God.
01:05:28I don't want money.
01:05:29I don't want money from you.
01:05:30Okay?
01:05:31I don't want money from you.
01:05:32Here, here.
01:05:33There, Mr. Richard.
01:05:34If it weren't for me, you would die like a rat.
01:05:36Oh, God.
01:05:37Listen, Estella, I'll be in touch with you, okay?
01:05:38I promise I'll be in touch with you.
01:05:39Soon as I get back from the vacation, all right, darling?
01:05:41All my best.
01:05:42God bless.
01:05:43God bless.
01:05:44You better not take much longer, baby, or we're going to die like rats in here.
01:05:58We're fucking up my life here.
01:05:59You understand that?
01:06:00Huh?
01:06:01I had to fire the goddamn maid.
01:06:04You know what that means?
01:06:05No clean laundry.
01:06:07No clean dishes.
01:06:08Garbage up the yin yang.
01:06:10Dust everywhere.
01:06:11Come on, honey.
01:06:12Get your eyes together.
01:06:13We're living like pigs here.
01:06:15Come on, lady.
01:06:16You're going to have to make some son of a bitch contribution here.
01:06:19Do you know that?
01:06:20I mean, come on.
01:06:21Get in your head.
01:06:22I supply the food, the clothes, the shelter, the clean sheets, the clean towels, the toilet
01:06:27paper, and the best of kind.
01:06:29And complete attention to your selfish ass.
01:06:33Come on, get your act together, goddammit.
01:06:35Or else I'll never lay on this goddammer.
01:06:37You got that?
01:06:38Now you get it together, lady, or you're on your way out.
01:06:41And I mean way out.
01:06:43Here's my gun permit from New York, North Carolina, Texas.
01:06:57I got a whole bunch of them things if you want to look at them.
01:06:59That won't be necessary.
01:07:01May I call you Sam?
01:07:03I've been called a lot worse.
01:07:05Sam, we're doing everything we can to find this girl.
01:07:09I'm sure you are.
01:07:10But I don't feel that there's anything that you could possibly do that would add anything
01:07:15to the situation.
01:07:17That might well be, but I've been hired by her mother who's paying me a lot of money
01:07:21to come on out here and help your boys locate her baby girl.
01:07:25Now I know you don't want me to lose out on good money.
01:07:28And I know you don't want me back in the unemployment line, do you?
01:07:32What I want is for you to keep us informed of everything you're doing
01:07:37and anything that you might come up with?
01:07:40No problem.
01:07:41I used to be a cop.
01:07:42I know what it's like.
01:07:43We don't want no double work, do we?
01:07:46No.
01:07:47All right.
01:07:48My goodness.
01:07:49All you've got to do is tell me what you boys have found out so far.
01:07:55Nothing.
01:07:56Well, there you go.
01:07:58Then there's absolutely nothing for me to interfere with since you boys got nothing to start with.
01:08:03But you'll let us know if you come up with something.
01:08:05May I call you Jim?
01:08:07Why not?
01:08:08Jim, you're the first name on my list.
01:08:11It's a hot day today, isn't it?
01:08:17Richard, I feel weak.
01:08:22Oh, come on.
01:08:23Women give birth.
01:08:24It's got to be worse than this.
01:08:26Well, that makes me feel a lot fucking better.
01:08:29I'm sorry.
01:08:30I didn't mean to swear.
01:08:32Come on.
01:08:33I want to believe.
01:08:34But you make it hard.
01:08:35You make it hard on both of us.
01:08:36I know.
01:08:37I'm sorry.
01:08:38Yeah, I know.
01:08:39Good.
01:08:42It's just that sometimes you can't seem to control it.
01:08:45You have to help me.
01:08:48All right.
01:08:50I will.
01:08:53Have to pan up, you know.
01:08:56You know, perhaps it's something in your childhood.
01:09:00Maybe it's your parents.
01:09:02I mean, did you have any brothers and sisters?
01:09:06Yes, my brother is a lawyer and my sister, she's a teacher.
01:09:10Mm-hmm.
01:09:11And what about your mother?
01:09:13My mother?
01:09:15She's fine.
01:09:17Did she swear a lot?
01:09:19No, never.
01:09:21Oh.
01:09:22All right.
01:09:23Well, what about your father?
01:09:25My father died in Vietnam.
01:09:28The service?
01:09:29Yes.
01:09:30Yes.
01:09:31What branch?
01:09:32The Navy serving with the Marines.
01:09:35The Marines?
01:09:36I knew it.
01:09:37I knew it.
01:09:38I know all about them.
01:09:39All they're trained to do is drink, swear and kill.
01:09:42And not necessarily in that order.
01:09:44Whew.
01:09:45My father was a chaplain.
01:09:47A chaplain?
01:09:49Well, I tell you what.
01:09:54I'll get you some water.
01:09:55I'll get you some clothes.
01:09:56And, uh, even through too much.
01:10:05Uh, my name is Sam Weston.
01:10:07Now, you people rent limousines, right?
01:10:10Say that again?
01:10:12I'm sorry, I don't understand you.
01:10:15Uh, my question is, you people rent limousines, right?
01:10:21Um, uh, well, let's try this one.
01:10:27Uh, do you have anybody who works for your company that speaks English?
01:10:34Comprende English?
01:10:37Well, can I talk to your boss?
01:10:42I, I want to talk to the guy that you work for.
01:10:46Comprende?
01:10:52Yes, sir.
01:10:53And how are you?
01:10:54Well, thank you very much.
01:10:56Sam Weston here.
01:10:58Now, I understand you people rent limousines.
01:11:01Uh, big, long cars?
01:11:05Yes, I'm a private detective, and I'm trying to track down a black limo rented on April 5th of this year.
01:11:11I, I don't understand you, sir.
01:11:17Where are you from?
01:11:19Korea.
01:11:20Yes.
01:11:21That's a nice town, sir.
01:11:22I, I just love that place.
01:11:24Um, you got anybody else who speaks English at your place?
01:11:29What's wrong?
01:11:30What's wrong?
01:11:31I'm alone here.
01:11:32I don't like being alone.
01:11:33I hate being alone.
01:11:34Look, calm down.
01:11:35I'm alone here.
01:11:36I don't like being alone.
01:11:37I hate being alone.
01:11:38Look, calm down, okay?
01:11:39Richard, I'm trying.
01:11:40I don't like being alone.
01:11:41I hate being alone.
01:11:46Look, calm down, okay?
01:11:51Richard, I'm trying.
01:11:52I can't take any more of this.
01:11:54I'm trying, but I just can't take any more.
01:11:56Everything's gonna be fine, okay?
01:11:57Richard, this is not fine.
01:11:58What's wrong?
01:11:59What's wrong?
01:12:00What's wrong?
01:12:01What's wrong?
01:12:02I'm alone here.
01:12:03I don't like being alone.
01:12:04I don't like being alone.
01:12:05I hate being alone.
01:12:06Look, calm down, okay?
01:12:07I can't take any more of this.
01:12:12I'm trying, but I just can't take any more.
01:12:16Everything's gonna be fine, okay?
01:12:18Richard, this is not fine.
01:12:21This is weird.
01:12:23When it's fine, it's fine.
01:12:24When it's weird, it's weird.
01:12:26This is weird.
01:12:27Just don't cry anymore, okay?
01:12:28I can't stand it when you cry, all right?
01:12:29Just stop it.
01:12:30I need some space.
01:12:33I need something for me.
01:12:36I tried to make a statement.
01:12:39I was wrong.
01:12:40I tried to say some things.
01:12:42I was wrong.
01:12:43You know what?
01:12:45I think we're making some headway here.
01:12:48Headway?
01:12:49I am dying in here, and you are talking about headway!
01:12:55Cam.
01:12:56I'm gonna die in this stinking, rotten hole.
01:13:03Richard.
01:13:04The night we spent together was the most beautiful night of my life.
01:13:16I want that again.
01:13:18I swear to you I will do whatever you want.
01:13:24All I want is more of you.
01:13:28It's all I had.
01:13:31Is that too much?
01:13:33I have to get out of here.
01:13:40I have to see you.
01:13:44To touch you.
01:13:48I don't believe you.
01:14:02God.
01:14:16This is exasperating.
01:14:18Emmanuel, I'm sorry.
01:14:34I really am sorry.
01:14:37I feel your pain, and yet...
01:14:40I desperately need your love.
01:14:43I feel your strength.
01:14:46The strength of your beauty, even through this metal door.
01:14:51Nothing could separate us.
01:14:53And I mean nothing.
01:14:55The look of you, the thought of you, it permeates my mind.
01:15:10You know, anger, anger has made me say and do many, many ugly things...
01:15:16that I'm not proud of.
01:15:23When actually, my heart, mind, and soul adores you.
01:15:29Jesus Christ.
01:15:32I am so thankful that you're here with me.
01:15:39So that I can tell you how much I love you.
01:15:42If you can find a way to forgive me, and I mean forgive me,
01:15:48and if you can find a way to reciprocate my love,
01:15:51I will be with you always.
01:15:55Jesus Christ.
01:16:12END
01:16:22END
01:16:25END
01:16:26END
01:16:29END
01:16:37You don't even believe this girl has been kidnapped, do you?
01:17:05Do you know whether she's up in Aspen, Colorado, shacked up with some guy, or in New York, or France, or...huh?
01:17:15No, I don't know where she is.
01:17:18And neither do I.
01:17:26This is a shitty way to make a living.
01:17:32Let's go to lunch.
01:17:35You need to get out of here, man.
01:17:37Blow the snake off of you.
01:17:39Let the lady come in and clean the place up.
01:17:42Start fresh.
01:17:44A cop with a heart?
01:17:46I love him.
01:17:49Just brush my teeth.
01:17:52All right, my back.
01:17:53I'll make a couple of calls off your list.
01:17:55Hello, this is Sergeant Lytell of LAPD.
01:17:58Yes, do you rent limos out of your place?
01:18:05I want to know if you rented out a black limo 18 days ago.
01:18:10That would be the fifth.
01:18:11Yeah.
01:18:12Okay.
01:18:13I'll wait.
01:18:14I'll wait.
01:18:15Yeah.
01:18:16Yeah?
01:18:17545, you say?
01:18:18A black one?
01:18:19Uh-huh.
01:18:20And do you happen to have the guy's name?
01:18:21Yeah, sure.
01:18:22I got it.
01:18:23You don't have his address, do you?
01:18:25Uh-huh.
01:18:26Yeah?
01:18:27545, you say?
01:18:28A black one?
01:18:29Uh-huh.
01:18:30And do you happen to have the guy's name?
01:18:31Yeah, sure.
01:18:32I got it.
01:18:33You don't have his address, do you?
01:18:34Uh-huh.
01:18:35Yeah, I got it.
01:18:38Yes, if I need anything else, I'll give you a call, okay?
01:18:42Let's do lunch.
01:18:43Hey, I got a lead.
01:18:44You got a what?
01:18:45A lead.
01:18:46You know what a lead is, don't you?
01:18:47Talk to me, Jim.
01:18:48I called this guy up in Pacoio.
01:18:49He said, I'm gonna call you a lead.
01:18:50I'm gonna call him a lead.
01:18:51Yeah, I'm gonna call him a lead.
01:18:52Yeah, sure.
01:18:53I got it.
01:18:54You don't have his address, do you?
01:18:55Uh-huh.
01:18:56Yeah, I got it.
01:18:57Yeah, I got it.
01:19:00Yes, if I need anything else, I'll give you a call, okay?
01:19:05Let's do lunch.
01:19:06Hey, I got a lead.
01:19:07You got a what?
01:19:08A lead.
01:19:09I called this guy up in Pacoio.
01:19:11He says that he rented a black limo to this guy at this address at 5.45 a.m. on the morning of the 5th.
01:19:20Great.
01:19:22Hey, I just dialed the next number on the list.
01:19:26What's the problem?
01:19:28No problem.
01:19:30Yeah, but you're acting like there's a problem.
01:19:33Me?
01:19:34Acting like there's a problem?
01:19:36Oh, yeah.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43You got nothing.
01:19:45Now, you make one phone call and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:53You people.
01:19:54How you work.
01:19:56Because I know damn well that since you know you can't go in and arrest him, you want me to do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:05What the hell do you mean by you people?
01:20:07I don't tell me that racial innuendos are starting.
01:20:10There was no racial innuendos.
01:20:15I just call them as I see them.
01:20:19I call a spade a spade.
01:20:21I was talking about LAPD, the way you people do business.
01:20:26I should have spoken more clearly.
01:20:29I should have been referring to you people as assholes.
01:20:33Real nice.
01:20:35Real good.
01:20:36I'm out of here.
01:20:37Sam.
01:20:38What?
01:20:39Good luck.
01:20:42You owe me 50 cents for that phone call.
01:20:49See ya.
01:20:50Are you okay?
01:20:51Great.
01:20:52Gets a little rough up in here.
01:20:53Come on, mate.
01:20:54Great.
01:20:55Well, come here.
01:20:56I want you to see something.
01:20:57Look at that view.
01:21:00I don't see much of anything.
01:21:03Well, you will when I cut that tree down.
01:21:05Hey, look at this rope.
01:21:06Here, grab this, okay?
01:21:07Because we're going to have to pull ourselves up the rest of the hill.
01:21:08I'm going to lead the way, okay?
01:21:09Okay, you're behind me?
01:21:10Yeah.
01:21:11Okay, here we go.
01:21:13Pull up.
01:21:14Where are you taking this?
01:21:15Oh, come here.
01:21:16I want you to see something.
01:21:17Look at that view.
01:21:18I don't see much of anything.
01:21:20Well, you will when I cut that tree down.
01:21:23Hey, look at this rope.
01:21:24Here, grab this, okay, because we're going to have to pull ourselves up the rest of the hill.
01:21:28I'm going to lead the way, okay?
01:21:29Okay, you're behind me?
01:21:31Yeah.
01:21:32Okay, here we go.
01:21:33Pull up.
01:21:34Where are you taking me?
01:21:39You said you wanted to go out.
01:21:41Well, when I said out, I meant out.
01:21:43This is the back of your house.
01:21:45No, out, out.
01:21:46Look up there.
01:21:46You see the sky?
01:21:47That's out.
01:21:49I mean, you're about as far out as I can trust you.
01:21:53Here, come on.
01:21:54Grab my hand.
01:21:55Come on.
01:21:56Swing up in here.
01:21:56That's it.
01:21:57Way to go.
01:21:58Well, here it is.
01:22:06What do you think?
01:22:10It's fantastic.
01:22:13Come on.
01:22:17Really is nice up here, isn't it?
01:22:20Yeah.
01:22:24Oh.
01:22:25All it takes is a little cooperation.
01:22:28I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not going to go to jail for this.
01:22:35I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42That's a relief for me.
01:22:44So it's, uh, it's you and me against the world from here on in, huh?
01:22:50You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You've got to forget that woman.
01:22:58She doesn't exist.
01:23:01I'll tell you something.
01:23:04Let's do it together.
01:23:07You and me.
01:23:09Let's make it happen.
01:23:11I mean, I've got the money.
01:23:13I've got the power.
01:23:20You've got the talent.
01:23:21Let's make it a team play.
01:23:24Let's make it a team play.
01:23:31You really mean that?
01:23:33Yes, I do.
01:23:34Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's going to be just fine.
01:23:48I know it will.
01:23:49Listen, I'm going to get your clothes, okay?
01:23:51So why don't you go down there and just get in bed?
01:23:53I'll be waiting for you, baby.
01:23:55All right, honey.
01:23:59You're welcome.
01:24:01Mwah.
01:24:07Manuel.
01:24:07Emmanuel.
01:24:11Emmanuel.
01:24:17Come on, honey.
01:24:19We made a deal.
01:24:20Don't break a deal! Come on, open the door!
01:24:25Open the goddamn door!
01:24:50Open the door!
01:25:14Hi, Dick. How's it going?
01:25:18Hi. Is that you?
01:25:22How you doing? It's me, Richard.
01:25:24Listen, it was all over, baby.
01:25:26I mean, it was all over. I was letting you go.
01:25:28You're free to go anywhere you want, anytime you want, anyplace you want.
01:25:33I love you, baby.
01:25:35Thanks, Dick.
01:25:36You're welcome. Listen to me.
01:25:38I got us first-class tickets to the Bahamas.
01:25:42Just you and me, baby. Just you and me.
01:25:45I mean, all the way. Do you understand that?
01:25:47I mean, are you staying with me?
01:25:49Royal Danish cruise lines, you don't believe me?
01:25:51Well, check it out, okay?
01:25:52Check it out, guys.
01:25:53I got the tickets in my tan coat.
01:25:54I mean, go ahead, you see?
01:25:56Inside breast pocket.
01:25:57Go up there and look.
01:25:58Please for me, okay?
01:25:59Please for me right now.
01:26:00Would you check one for me?
01:26:02God, I miss you.
01:26:03I miss you.
01:26:04I miss you, baby.
01:26:06Are you listening to me, honey?
01:26:09You're not thinking of leaving me here, are you?
01:26:16Of course I hear you, sweet cakes.
01:26:18Oh, thank God.
01:26:20Jesus, you made me feel alone.
01:26:22What would you like for dinner?
01:26:27For dinner?
01:26:32For dinner?
01:26:33Oh, thank God.
01:26:34Thank God.
01:26:52Yes?
01:26:53Emanuel Griffith?
01:26:55Yes.
01:26:56I'm Sam Weston.
01:27:00I was hired by your mother to find you.
01:27:03Oh.
01:27:07Well, you found me.
01:27:09Hold it.
01:27:12Lady, there are a lot of people worried about you.
01:27:18The thing is, Sam, I just needed a break.
01:27:22I needed some time for myself, okay?
01:27:25So you tell my mom I love her, everything's fine.
01:27:29And I'll send her the money for the rent.
01:27:33You tell the rest of the world I love them, too.
01:27:37You tell them I'll be back.
01:27:40Thanks a lot, Sam.
01:27:42Yeah.
01:27:52Good morning, ladies, and welcome to a man's world.
01:27:59Bye.
01:28:00Bye.
01:28:01Bye.
01:28:02Bye.
01:28:03Bye.
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