Ferramentas digitais e laboratórios abertos redefinem a restauração cultural

euronews (em português)

Ferramentas digitais e laboratórios abertos redefinem a restauração cultural  Da conservação orientada por IA das esculturas rupestres de Dazu na China à restauração transparente da  Ronda Noturna de Rembrandt no Rijksmuseum, a China e a Europa estão a adotar um novo modelo de preservação.  Em parceria com CGTN  LEIA MAIS : http://pt.euronews.com/2025/12/09/ferramentas-digitais-e-laboratorios-abertos-redefinem-a-restauracao-cultural  Subscreva, euronews está disponível em 12 línguas.

Transcript

00:00Hiddem deep in southwest China, this sacred site offers a window into the past.

00:09The rock carvings of Tanzu are a stunning example of Chinese cave art,

00:13but perhaps the most important thing about these statues here

00:16is what they tell us about the life and belief in China more than a thousand years ago.

00:21I'll discover how advanced digital technology and AI are safeguarding these relics.

00:30In Europe, we'll also see what's being done to restore a Dutch national treasure.

00:35Welcome to Crossing Cultures. Join us as we explore the very best traditions of both China and Europe.

00:53The Tanzu rock carvings are one of the finest examples of Chinese cave temple art.

01:00Dating from the 9th to the 13th centuries, more than 10,000 figures chart the evolution

01:05of religious belief and artistic expression.

01:09In Yuanjue cave, 12 bodhisattvas advance towards perfect enlightenment.

01:15They are safeguarded by an ingenious stone drainage system

01:19that has protected the grotto for centuries.

01:21I heard that Yuanjue cave is also an important project of research.

01:27This project is a project that wants to build a world of human beings

01:31with all-in-the-art disease and mental medicine table.

01:33The 3-way infection is not only visible in the 3-way image,

01:38but also from the平面 to the立体 of the technology.

01:43Você pode ver que a gente tem um problema.

02:13Por exemplo, o seu uso de adicionado.

02:16Porque o uso de adicionado é um tipo de adicionado.

02:20Então podemos escolher o uso de adicionado.

02:24Para fazer adicionado.

02:26Agora é um grande época de AI.

02:28O nosso uso de adicionado também tem um tipo de adicionado.

02:33Se achar o uso de adicionado para o reino de adicionado,

02:37Então podemos usar AI e a grande forma de mostrar a forma mais fácil de mostrar a forma de visualizar o resultado.

02:48Assim como tecnológica de avanças permitem a pesquisar e estudar o site com previsão,

02:55e também a fazer os carvinhos disponíveis para um público mundial.

02:57Audienceed.

03:00From the ancient rock art

03:02here in Chongqing, let's head to Europe

03:04to discover the latest effort to restore

03:06a Dutch masterpiece, Paul Has More.

03:16Bikes, bridges, cafes, canals.

03:19Amsterdam conjures up

03:20so many things.

03:23But if there's one place

03:24that truly captures its cultural heart,

03:26It's here, the Rijksmuseum.

03:29A temple to the Dutch Golden Age,

03:31one painting still reigns supreme, Rembrandt's Nightwatch.

03:36The Nightwatch is Rembrandt's most ambitious painting.

03:40He painted it at the pinnacle of his career

03:42and it's special because it's also a deeply humane painting.

03:49Since 2019, a major restoration in full view of the public

03:53has been taking place.

03:54Right now, conservators like Esther are delicately removing

03:58the old varnish from the imposing canvas.

04:02Esther, why are you removing the varnish?

04:05We are removing the varnish from the Nightwatch

04:07because it's a very yellow layer.

04:09It has aged over time. It's 50 years old.

04:13And it's also a bit greyish

04:14because it doesn't saturate the paint layers as well as it should.

04:19And how complex is a restoration like this?

04:22What are the main challenges you face?

04:23The painting is very big, which is a challenge in and of itself.

04:27The project itself is very big.

04:29We're doing a lot of research

04:30and that makes everything exponentially bigger and more complex.

04:35Every move Esther makes is supported by the museum's science team,

04:39who examine the masterpiece in microscopic detail.

04:47The research we do with our team

04:48is really to understand the composition and condition of the Nightwatch

04:52and this information helps conservators to make decisions in their treatment.

04:57So we have technology where we really scan through the painting.

05:01We do imaging.

05:02It will also take tiny samples to really dive into the paint

05:05to really understand what has happened over these 400 years.

05:09The Nightwatch is really an icon for the Netherlands.

05:15And this restoration we're doing for the future

05:19and future generations will see a Nightwatch,

05:22which will be much clearer, easier to read,

05:25but also have more depth.

05:27The contrast between light and dark,

05:29for which Rembrandt is so famous,

05:31will be more apparent.

05:32So that's why we decided that this is the time to restore it.

05:36400 years have taken their toll.

05:40Previous restorations, exposure to the elements

05:42and a violent attack of all left scars.

05:45So what's the painting's condition today?

05:48The condition of the painting is, I would love to say, good,

05:52but if you're looking under the microscope,

05:54you can see that it's a damaged paint surface,

05:57which is not strange.

05:58I mean, it is 400 years old, but, yeah, it's compromised.

06:03As for restoring one of the world's greatest paintings

06:06in front of the public, that was never in doubt.

06:09The Nightwatch, it's, in a sense, world heritage

06:12and it belongs to everyone.

06:14And we felt that the public has the right

06:16to see what we're doing to the painting.

06:20The Rijksmuseum has also moved much of its vast collection online,

06:25another innovative way in which it engages its audience.

06:30The public changes and you have to keep changing

06:33and finding new ways of presentation.

06:37So I think it's incredibly important for a museum

06:40to keep on moving, to keep on changing

06:43and to keep on showing this fantastic art, which is timeless.

06:49To bring Dato's ancient heritage to life,

06:59an 8K panoramic dome now allows visitors

07:02to study the carvings in stunning detail.

07:04The North Eliot

07:17and the 8K panoramic dome

07:18and he can see the cinema

07:20and see the full-time design of all kinds.

07:22To look at all the different sections of the work,

07:24and the type of production

07:25that they have made of the work.

07:27This is this way to protect the work

07:30and to make our protect of the work

07:31through the 8K animation

07:31de uma forma mais bonita.

07:34De novo para o presente,

07:36a nova tecnologia

07:37tenta de garantir que histórias

07:39que foram fechadas em ferramentas

07:41continuam a ressonar.

07:45Então, nós temos

07:46algumas formas de inovadoras e inspiradoras

07:48em que China e Europa

07:49estão trabalhando para apresentar e preservar a heritagem.

07:52Para agora,

07:52isso é tudo por mim aqui em Chongqing.

07:54Até a próxima vez,

07:55obrigado por assistir.

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