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Short filmTranscript
00:00I can't do it. I can't go out there alone.
00:09Miss Sinclair, the audience is waiting.
00:1130 minutes later. She's embarrassing us already.
00:15Please calm down. My parents are out there.
00:19This performance has to be perfect.
00:21Where's my piano player?
00:23Damn it. I'm going to wait.
00:30Sorry. Just a headache when you wake.
00:36You have to go on. This is a duet. I can't perform without piano accompaniment.
00:43I play.
00:46Let me step in.
00:49Noah Anderson. You in a conservatory?
00:53Violet Sinclair.
00:54I know who you are.
00:56Right. Well, I've never even met you.
00:59And we haven't rehearsed together.
01:01So this could be a disaster.
01:03Just follow my lead, Violet.
01:11Enough of this. I have business. I won't wait any longer.
01:14There she is.
01:16More plans of this. I'm sorry.
01:30…
02:02Noah, that was incredible. Where'd you learn to play like that?
02:10Well, I...
02:10My next show is in a week. Please tell me you'll join.
02:13It's a very tricky sonata, but I'm confident that you can pick it up.
02:16Violet?
02:17What?
02:19You're willing him tonight.
02:21Thank you, Noah.
02:22You kept me waiting long enough.
02:25Father, I...
02:25I had a dinner with my associates. I had to cancel because of you.
02:28Now, I pay for all your lessons. The conservatory. Your entire career. And this is how you repay me?
02:35Violet just played the best silla I've ever heard. That matters more than a late start.
02:39And who is your family?
02:41Though you look familiar.
02:44I think I'd remember if we met before.
02:46That cadenza...
02:47was weak.
02:50You reminded me of Violet...
02:52when she was six.
02:53You were amazing tonight, darling.
02:59You both were.
03:07Sorry about my father.
03:09He's...
03:09No need to apologize.
03:11You want to grab a drink with me?
03:13You can celebrate?
03:13So, your dad.
03:22Not the warm, fuzzy type?
03:25He's actually a famous philanthropist.
03:28Have you heard of him?
03:29Warren Sinclair?
03:32Anyway, he ships medicine all over the world, helping thousands of people.
03:36But, as a father, growing up, he was never really around.
03:44I moved back home, hoping we could fix things.
03:47But, I think it's really working.
03:51Family can be complicated.
03:54You sound like you're speaking from experience.
03:58My brother died last month in a car accident.
04:03My parents are long gone, so...
04:09It was just the two of us.
04:13So sorry, Noah.
04:17I don't know why I just said all that.
04:21Must be no whiskey gone on my head.
04:22Or...
04:23maybe you just really need someone to talk to.
04:33I've got to take this.
04:47Status report, agent.
04:49I'm with the violinist now.
04:52She's starting to trust me.
04:53Good job getting close to the girl.
04:55Remember, she is a key to reaching Warren Sinclair.
04:59Yes, sir.
05:03Well, hello there.
05:07Hi.
05:08Let me buy you a drink.
05:09I've got one.
05:10Oh, come on.
05:12Hey, come on.
05:14Let go of me.
05:15Gain the girl's trust.
05:16Get into her house.
05:17You need to access her father's business records.
05:19I understand.
05:21Let me show you how a real man treats a woman, huh?
05:26Put your hands off her.
05:28Now.
05:28Now.
05:28Now.
05:33You okay?
05:42Yeah, I'm okay.
05:43He didn't hurt you, did he?
05:44No.
05:45Where did she learn to fight like that?
05:47Were you a professional or something?
05:50Karate.
05:50As a kid.
05:52Must have paid off.
05:53I guess.
05:56Can I drive you home?
05:58I already texted the family driver.
06:00He's on his way.
06:01I'll wait with you, then.
06:06Thank you, Noah.
06:10So, twice in one night?
06:13You're really spoiling me, aren't you?
06:19I don't think this is a good idea.
06:22I do.
06:22I'll text you about tomorrow.
06:46Okay.
06:48No, I...
06:49Tomorrow.
06:50About rehearsal.
06:51Oh, God.
07:05I must have blacked out.
07:18You got in late.
07:19Might that have something to do with the dashing young pianist?
07:25Mother.
07:26I can't be sure if Noah even likes me.
07:29It's very hot and cold.
07:37Yeah.
07:38No idea at all if he even likes you.
07:40He's just asking about rehearsing today.
07:44Do you think we could meet here?
07:46We have the piano he could use.
07:47I wouldn't recommend it, miss.
07:49Mr. Sinclair doesn't allow unapproved guests.
07:52Oh, you're no fun, Roger.
07:55We miss Kevin.
07:56Kevin was our former bodyguard before you moved back.
07:59Darling, do you think Violet might have a friend over today?
08:03We have that lovely rehearsal space, and she hardly ever gets to use it.
08:09How many times?
08:11Rosemary.
08:13Security is not optional.
08:15I don't understand what the big deal is.
08:16The answer is no.
08:18And that is fine.
08:18Don't mind him.
08:30Work has been tense.
08:32It's not about you.
08:34What do you mean?
08:36It's nothing for you to worry about.
08:40What do you mean?
08:42It's nothing for you to worry about.
08:45What do you mean?
08:46It's nothing for you to worry about.
08:55Hey, it's Violet.
08:56Want to rehearse it too?
08:58I'll send you the studio address.
09:01Sounds good.
09:02See you there.
09:16Sorry, I'm late.
09:17I brought coffee.
09:18Do you even like coffee?
09:20No.
09:21Great.
09:22I'm late for nothing.
09:23I appreciate the gesture, though.
09:26I was thinking we could start with the sonata,
09:28but this isn't gonna work.
09:33Oh, my God.
09:35I totally misread that.
09:37Can we just forget about it?
09:38I meant the keyboard.
09:40We need a piano, so we can't rehearse here.
09:47We could rehearse at my place.
09:49I like that idea.
09:54Violet, I need to tell you something.
10:00I lied.
10:00I never went to a conservatory.
10:07I just went to a state school.
10:10Is that it?
10:12I thought you were about to confess to something very serious.
10:16Come on.
10:17If we're gonna go to my place,
10:18we're gonna have to be sneaky about it.
10:19Did you hear something?
10:44Did you hear something?
10:44That was unnecessarily intense.
10:53No one comes in here.
10:54We're safe to practice.
11:12Oh.
11:12What?
11:14My grandmother used to play me that song.
11:16Your grandma played piano.
11:18She's the reason I fell in love with music.
11:20Is that her?
11:22I can see the resemblance.
11:24Yes.
11:26She passed when I was only nine,
11:27so she never got to see me play professionally.
11:30My violin.
11:33That's a Stradivarius.
11:35Worth a fortune.
11:37The price isn't why it's important to me.
11:39This was my grandmother's.
11:41Every time I play,
11:42I feel like she's right here,
11:43guiding me.
11:45My father played piano.
11:48I think it was really the only thing we had in common.
11:52So you get it?
11:55Yeah.
11:56I get it.
11:57Do you play piano?
11:59Oh, I'm not very good.
12:01Let's hear it anyway.
12:14They're not supposed to be in here.
12:17I was just looking for the bathroom.
12:19If that were true,
12:23you wouldn't be in Mr. Sinclair's study.
12:26My mistake.
12:31Oh.
12:32That's the rush.
12:34We were just getting to know each other.
12:36I'm Amber.
12:39And you are...
12:41Noah.
12:41So,
12:43Noah,
12:44what would you do to me to keep me quiet?
12:49And I don't need money.
12:51Nobody needs to know that.
12:53I'm not interested.
12:57I'm in love with someone else.
12:59Who?
13:01Not the boss's stuck-up bitch daughter.
13:04She would not need to know.
13:08Step back.
13:10Now.
13:14What does she have that I don't?
13:16Well, first,
13:17she doesn't have to blackmail people for sex.
13:19She has kindness,
13:21compassion,
13:22things you'll never have.
13:25She wasn't supposed to hear that.
13:31You're gonna regret this.
13:33I was wondering where you went.
13:35I was just
13:36having a little chat with
13:38Amber.
13:40Was there something that you needed?
13:42No, Mr. Sinclair.
13:49Come on.
14:01Bye.
14:01Bye.
14:01Bye.
14:04I can't do this.
14:07We shouldn't.
14:08It's
14:08not a good idea.
14:12Why not?
14:14Well, for starters,
14:15your father would kill me.
14:17You're not scared of my father.
14:20I'm on to you,
14:21Noah Anderson.
14:23What does that mean?
14:25Well,
14:26your lips say one thing,
14:28but your eyes say another.
14:30Do you even like me?
14:39You're the best violinist
14:40I've ever heard.
14:42That's not what I asked.
14:46Yes.
14:50I like you.
14:52Then kiss me.
14:53I'll see you later.
15:00No.
15:01Bye.
15:03Bye.
15:03Bye.
15:08Bye.
15:08Bye.
15:10Bye.
15:19Bye.
15:19Files corrupted.
15:45Couldn't pull any data.
15:49Time is running out, agent.
15:57I'm on to you, Noah Anderson.
16:19No!
16:31No!
16:33I'll find you killed you, brother. Whatever it takes.
16:37Good evening, Warren.
16:43Lorenzo, you didn't call.
16:46Oh, I called. Somebody's been ignoring me.
16:50Can I get you a drink?
16:52This isn't a social call.
16:54I'll have your money, Lorenzo.
16:56Next week, big shipment into New York.
16:58I can pay you back with interest.
17:00Excuses are getting old.
17:02Don't make me send my boys to teach you and your family a lesson.
17:10Well, maybe there's another kind of payment.
17:18Yeah. Anything you want.
17:22Anything?
17:23Yes.
17:25You know, Warren, I've been looking to settle down.
17:29Marriage, kids.
17:31But I'm old-fashioned.
17:33The trouble is, women today, they have too many ideas about independence.
17:39The young ones, though, they're easier to mold.
17:47Introduce me to your daughter.
17:51If that's what it takes.
17:55Good.
17:57I look forward to meeting her.
18:01Well, it's time for me to skedaddle.
18:07Always good catching up, Warren.
18:13Yeah. Likewise.
18:24What the hell happened here?
18:27I can tell you that.
18:31Name's Noah. Didn't catch the last.
18:34Caught him snooping around.
18:36Felt wrong.
18:37Why do I recognize you?
18:40Thank you for telling me this.
18:42You're fired.
18:43You're welcome.
18:44Wait, what?
18:45I expect discretion.
18:46You failed.
18:47You're fired.
18:48Roger.
18:50Escort this young lady out.
18:52And look into this Noah fellow.
18:54He looks familiar to me.
18:55I don't know why.
18:56I need to know what I'm dealing with.
18:58Yes, sir.
19:00Just follow my lead pilot.
19:01Father.
19:02You will not see Noah again.
19:03Ever.
19:04Father, what do you-
19:05You defied me bringing him here.
19:06You will never see him again.
19:07I am not a child.
19:08Just follow my lead pilot.
19:25Father.
19:26You will not see Noah again.
19:28Ever.
19:31Father, what do you...
19:32You defied me bringing him here.
19:34You will never see him again.
19:36I'm not a child.
19:37You can't control me anymore.
19:39Who has paid years for your music tutors?
19:42The world-class training.
19:43The education.
19:45I moved back home hoping we could fix things.
19:48But I see now that that was a mistake.
19:49Forget the boy.
19:50I have an associate I want you to meet.
19:52He's wealthy.
19:53He's a good match.
19:55My career is just starting.
19:57I'm not even thinking about marriage.
19:58Something that you would know if you ever even asked.
20:00You are not leaving.
20:01I forbid it.
20:02Watch me.
20:03You're ungrateful.
20:04Father, no, please.
20:07You are going to do what I say.
20:10Or you may not like the consequences.
20:14No!
20:20How could you?
20:21I'm packing my things and I am leaving.
20:32No, don't go.
20:33Your father, he's just not himself lately.
20:36Don't leave me.
20:37You're the only thing I have left here.
20:39I don't understand.
20:45Why is he like this?
20:55It's hard to show up like this.
20:57What happened?
21:00My father.
21:02He forbid me from seeing you.
21:04Tried to push me at some old man.
21:08When I said no, he...
21:11No.
21:14Even if it's repaired, it'll never be the same.
21:16I have an idea.
21:25Where are we going?
21:27Just trust me.
21:28Craftsmanship is incredible.
21:52I didn't even know this place existed.
21:53How did you know about it?
21:56I have connections.
21:57Noah!
22:02Come here.
22:03Let me take a look at you.
22:04Hey, Mick.
22:05It's been a while.
22:06I'm so sorry about your brother.
22:08So young.
22:09Such a tragedy.
22:10Thanks, Hey, Mick.
22:13So, who's the young lady?
22:17This is Violet.
22:18She's my...
22:21my girlfriend.
22:21Oh, well, the pleasure is all mine, Violet.
22:27Did you know that Noah was my most talented student?
22:32You taught him piano.
22:34Amongst other instruments, but...
22:35I always thought that he might make a career of it, but life had other plans.
22:40I'm sorry, I'm rambling.
22:42I should...
22:43So, are you also a musician?
22:45I play violin.
22:47There's violin to be specific.
22:49Okay.
22:50Wow, it's an 18th century Stradivari school, but what...
22:59What happened to it?
23:02You're the only person I trust to fix it.
23:04Well, it's going to be very delicate and time-consuming repair, but...
23:09Fortunately, I'm kind of retired, and I've got the times.
23:13You can fix it.
23:14When I'm done, you won't even know that it was broken.
23:17You know, in the meantime, I've got a bunch of violins here.
23:19Find one that you like.
23:20It's yours.
23:21Until this is done.
23:22I can pay, of course.
23:24Oh.
23:24I have never seen Noah look at anyone the way he looks at you, so...
23:29That's payment enough for me.
23:31You're too kind.
23:32What about that one?
23:38Yeah, that was nice.
23:43Want to dance?
23:56You're an incredible musician.
23:59Did you ever think of going pro?
24:00When both my parents died, music just didn't feel safe.
24:09So I got stuck in a boring office job instead.
24:14But music is your passion.
24:16Yeah, it is.
24:19I wish...
24:20What?
24:22I wish we could live in this moment forever.
24:30Me too.
24:33More than you know.
24:33We have a situation.
24:52I'm calling you in.
25:00HQ, now.
25:02I'm with Sinclair's daughter.
25:03Call later.
25:04Now, agent.
25:06What is it?
25:06I'm sorry, Violet.
25:07I have to go.
25:13Sinclair controls a third of the North American drug trade.
25:16His philanthropist act fools the world, but not us.
25:19I'm more than aware that his kind-hearted persona is just an act.
25:23Then why don't we have enough to put him behind bars?
25:25We're getting close.
25:28I'll in my...
25:28She's an asset.
25:29Nothing more.
25:31Don't tell me you compromised this mission.
25:34Agent, do you have feelings for her?
25:36She means nothing to me, sir.
25:46Good.
25:47She knows nothing about her father's business.
25:50We should take her off the list.
25:51I am running this operation, agent.
25:55Sinclair's New York shipment lands Friday.
25:58Stop him before then.
26:00Whatever it takes, don't be afraid to get your hands dirty.
26:03Dismissed.
26:04Mr. Anderson?
26:08Your brother was my best agent.
26:11His loss still hits me.
26:14Me too.
26:15Then make sure his death wasn't in vain.
26:29Sir?
26:30Nezra, keep an eye on Noah Anderson.
26:32I'm concerned his attachment to this violinist may keep him from doing his job.
26:39He's gone soft.
26:40We should pull him from the mission.
26:42Her devotion to him is our best leverage.
26:45You have a point.
26:47No, I have to keep the kid in the field if we have any hope of arresting Warren Sinclair.
26:51I may need to eliminate any distractions.
26:54Do I have permission to take her out if it comes to that?
26:58Granted.
27:05This one's untraceable.
27:08From here on, no loose ends.
27:11Nothing ties back here.
27:13Understood.
27:14When Sinclair is out of the way, his empire is ours.
27:18Then I'm done with this city.
27:21From Bora Bora, here I come.
27:23That's interesting.
27:31Thank you, Roger.
27:34Well, Violet, I just discovered something rather troubling about your young man.
27:40His name is Noah.
27:41Before Roger, we had a bodyguard, Kevin.
27:46He worked for us a few months, and then one day he just stopped coming.
27:51Good help is so hard to find these days.
27:53It was about a month ago.
27:55You were still training in London.
27:56Does this story have a point?
27:57Patience.
28:00And when I first met Noah, I knew he looked familiar.
28:04And now I know why.
28:05He's the spinning image of his brother, Kevin Anderson, our former bodyguard.
28:12Has Noah mentioned this connection to you?
28:15Hmm?
28:16No.
28:17I thought not.
28:19So I have to ask.
28:22Why is my former employee's brother dating my daughter?
28:29Violet, you would be a fool to trust Noah Anderson.
28:35I appreciate your concern, Father.
28:41But since you clearly have your own agenda against Noah, forgive me if I'm skeptical.
28:47Now if you'll excuse me.
29:03It's fine.
29:03Thanks for letting us rehearse here.
29:06Practicing at my place isn't really an option right now.
29:09You are always welcome here, Violet.
29:15Sorry I'm late.
29:16I thought you could use some fuel before rehearsal.
29:19Thanks, Noah.
29:22Thanks.
29:23Um, I was thinking, well, wondering.
29:37What?
29:39Your brother.
29:41The one you lost.
29:42What was his name?
29:43His name was Kevin.
29:50And you said he died in a car accident?
29:53It was a hit and run.
29:55Why are you asking?
29:56Oh, I just...
30:00Amick mentioned him the other day and...
30:02I don't want to talk about it.
30:03I don't want to talk about it.
30:05It's still too painful.
30:08I'm sorry.
30:10I understand.
30:18One day I'll tell you everything.
30:19Just not now.
30:26I shouldn't have pushed.
30:28I'll be here when you're ready.
30:29Hi, Noah.
30:48See you tomorrow?
30:49Same time, same place.
30:59Who are you?
31:06Why are you following me?
31:08I don't know what you mean.
31:09Cut the act.
31:10I saw you watching through the window.
31:14I'm with the agency, Noah.
31:16Boss sent me to make sure you're doing your job.
31:21Damn.
31:22I forgot my phone.
31:22You would be a fool to trust Noah Anderson.
31:33You're blowing this mission, Noah.
31:35I know.
31:36It's just a job.
31:38I'm not in love with her.
31:39I'm doing what the agency sent me here to do,
31:41and that's get close to Sinclair.
31:43What?
31:46Violet.
31:47Who are you, Noah?
31:52Darling, what is it?
31:59Did your father do something?
32:01It's Noah.
32:02He was lying to me the whole time.
32:04He was lying to me.
32:06About what?
32:07He's some kind of agent.
32:09He was only using me to get to father.
32:12Did you discover this?
32:13I overheard him talking to someone.
32:16I don't understand.
32:18Father isn't doing anything illegal, right?
32:19Of course not.
32:20Father, why would the FBI or the police
32:23or whoever care about our family?
32:25Oh, calm down, sweetheart.
32:27Calm down.
32:28This is not fair.
32:31I thought Noah loved me.
32:34Breathe.
32:37Forget him.
32:39And I'll handle this.
32:48Agent?
32:50Agent, what is it?
32:54I can't do this to Violet anymore.
32:57I quit.
32:58Agent Anderson.
32:59Agent!
33:01What happened?
33:03Damn, Agent's going rogue.
33:04Noah Anderson just quit.
33:06Because of Violet Sinclair?
33:07Yes.
33:08That girl's been a thorn in my side since day one.
33:12Anderson went and developed feelings.
33:15Completely unprofessional.
33:16This, this is why you're my top agent, Nezra.
33:19Too much sense to ever fall in love.
33:30Honey, it's me.
33:33I don't have long.
33:35Something's happened.
33:36It could ruin everything.
33:38Port's locked down.
33:42Paid off who we could and took care of the rest.
33:44Very good.
33:45Time to pay up, Sinclair.
33:47I'll have it wired to you within the next 30 days.
33:50Wired?
33:5130 days?
33:52You said 20 grand up front.
33:53Please escort the gentleman out.
33:56Get the hell off me.
33:57I'm putting the word out.
33:59Warren Sinclair doesn't pay his debts.
34:01Please, old man.
34:16I'm still waiting for that introduction to your daughter.
34:20I'm starting to think you don't plan to follow through on your end of the deal.
34:24Who?
34:26Are you wondering whose blood is on my knife, Warren?
34:31Relax.
34:34It's nobody you know.
34:35It's just a reminder of who you're dealing with.
34:38There's been some family issues.
34:41I've been hard on her.
34:42She's not happy.
34:44Women need control, Warren.
34:47Otherwise, they get ideas.
34:52Right.
34:52Right.
34:56It'd be a shame if my knife ended up with your wife's blood on it.
35:01Either way, I'll have Violet on my arm and in my bed.
35:08Yeah.
35:09Of course.
35:11Friday.
35:20What have I done?
35:23We have a problem.
35:25The feds are on to us.
35:27What?
35:29Noah Anderson.
35:30He's FBI.
35:32Damn it.
35:34I knew killing that bodyguard was a mistake.
35:37Didn't I say so?
35:40I knew he was law enforcement.
35:42He knew too much.
35:44There was no other choice.
35:46I knew too much.
35:46There was no other choice.
35:46Help!
36:02Roger.
36:04Ma'am?
36:04Do you know Noah Anderson's address?
36:06Yes, ma'am.
36:07What are you doing?
36:09What you're too cowardly to do yourself.
36:13Go to Noah's place.
36:14Take care of him.
36:15Quietly.
36:17We're not showing up your mind.
36:19You're going to bring the FBI right down on top of us.
36:22They're already on top of us, thanks to your stupidity.
36:26Every decision you make is idiotic.
36:30I mean really, Warren.
36:33Bargaining Violet to settle debts?
36:35That solves nothing.
36:37This New York deal needs to go off without a hitch.
36:41Or the feds will be the least of our worries.
36:44So sit back.
36:46Drown yourself in your brandy.
36:48And let the experts take over.
36:50How does that sound?
36:52You can't talk to me, my dad.
36:53Here's what's going to happen.
36:55I'm taking over.
36:57And when I do, all debts will finally be paid.
37:12But first, I'm going to take care of Noah Anderson just like I took care of his brother.
37:19The number you are trying to reach is no longer in service.
37:31No, no, no, no, no.
37:43Noah!
37:45Noah, where are you?
37:46Noah?
37:50Noah?
37:52Noah?
37:57Noah!
38:01Noah!
38:02I thought you were dead!
38:04You'll like it.
38:04I'm so sorry.
38:06No, I shouldn't have grabbed you.
38:09Good job defending yourself.
38:12Noah, you have to watch out.
38:14My parents sent someone to kill you.
38:24Noah.
38:26Is he...
38:27He's just unconscious.
38:29I knew he was coming, so I was prepared.
38:32How?
38:35Go to Noah's place.
38:36Take care.
38:37Quiet.
38:37Quiet.
38:38Quiet.
38:38Quiet.
38:38Quiet.
38:38Quiet.
38:38Quiet.
38:39Quiet.
38:40Quiet.
38:40Quiet.
38:41Quiet.
38:42Quiet.
38:43Quiet.
38:44Quiet.
38:44Noah, what is going on?
38:46I'll tell you everything.
38:47Just not here.
38:48It's not safe.
38:49Come with me.
38:52This is the safest place I could think of.
38:55What have you two gotten mixed up in?
38:57You said someone was after you?
38:58I can't tell you.
39:00Plausible deniability.
39:02I don't want to put you at risk.
39:03All right, well, you just...
39:06You guys stay here as long as you need to, all right?
39:08Noah, tell me what is going on.
39:11I am tired of being in the dark.
39:13Your father runs a criminal empire.
39:15And his non-profits is just a front, so they can move drugs around the world.
39:20I'm really sorry, Violet.
39:22I wish I could say I was surprised.
39:25But the older I get, the more I see it.
39:28My father is not a good man.
39:29My brother was a better agent than I'll ever be.
39:40I always let my emotions get the better of me.
39:43But last month, he called me.
39:46He was undercover, working for your family.
39:48He said he had something to tell me.
39:49And that day, he died.
39:53Your mother's not even on the radar for FBI.
39:57Kevin must have found out that she had taken over the drug operations.
40:00And she killed him?
40:04God, Noah, I'm so sorry.
40:06None of this is your fault.
40:09None of it is on you.
40:11What are we going to do?
40:12We'll go to my boss, Director Behrens, and I'll tell him you're completely innocent.
40:17That would be a mistake.
40:22Violet?
40:23Wait, Violet.
40:24She's with me.
40:29Is she, like, your girlfriend or something?
40:31What?
40:31No.
40:32Definitely not.
40:33Okay, you don't have to sound so disgusted by it.
40:35Nedra works with the Bureau.
40:36We work together.
40:37Which is how I know you can't go to Director Behrens.
40:39He'd lock you both up.
40:41You haven't done anything wrong.
40:42I was like you once.
40:44So optimistic.
40:45So naive.
40:46Just stop being condescending and just tell us what you mean.
40:49Noah, it's about your brother.
40:52What about my brother?
41:01Kevin?
41:03Kevin?
41:05You're alive?
41:06I nearly died that day.
41:10But Nedra, she helped keep my survival a secret.
41:14Why would you hide this?
41:17The Bureau isn't the good guy here.
41:20Director Behrens isn't trying to take down your parents' drug empire, Violet.
41:24He's trying to take it over.
41:26He wants all that profit for himself.
41:28And that's what I discovered the day that I went to meet Noah.
41:31But your mom got to me first.
41:34She must have noticed that I was getting a little too curious about the family business.
41:38We made a plan.
41:40I'm Director Behrens' favorite agent.
41:42He trusts me.
41:44The best way to bring him down would be if everyone thought Kevin was dead.
41:48Even his own family.
41:51We thought he'd hand the mission to me.
41:53I could have taken down the Sinclairs and the Bureau from the inside.
41:57Instead, he created Operation Heartstring.
42:00And sent you.
42:02I'm sorry, Noah.
42:03I wanted to tell you.
42:05I really did.
42:06It's just...
42:06You were still working for the Bureau.
42:08And I...
42:09I didn't want to put you in even greater danger.
42:14Noah?
42:19You asshole.
42:21Hey, hey, hey.
42:22Fuck me now!
42:24I thought you were dead!
42:27I went to your funeral!
42:28It's okay.
42:28Okay.
42:29Okay, it's okay.
42:31I'm alright.
42:32I deserve that.
42:33What if I did this to you?
42:34Pretended to be dead?
42:35I'd be pretty pissed off.
42:36You think?
42:37I really am sorry, Noah.
42:39You want to be alone right now?
42:41Yes.
42:43Noah, wait.
42:46I don't know.
42:47Well, that really clears things up.
42:52I want you here.
42:54Okay.
42:57Noah.
42:59We can run away.
43:01Leave this all behind.
43:04What do you want to do?
43:09Oh, Jesus.
43:16Of course I forgive you.
43:26If you ever do that again, I'll kill you myself.
43:29I heard a commotion.
43:31What?
43:32What's going on?
43:33Who are you?
43:34Um...
43:35What have you done with my instrument?
43:36Well...
43:37And you're supposed to be dead.
43:39Surprised?
43:40Amic, I, uh...
43:42Plausible deniability?
43:44I better put on a bigger pot of tea.
43:49So, if my parents are criminals, and your boss is corrupt, then who's left to help us?
43:56You've got us.
43:56We can take down Director Barron's and the Sinclairs, but we can't do it alone.
44:03You won't be alone.
44:04Let us make some calls.
44:06Plenty of agents want Barron's behind bars.
44:08Hopefully, you won't need this, but better safe than sorry.
44:12Thanks.
44:15You better stay here, or it's safe.
44:18You're not the only one who was lied to.
44:19When I took this mission, I didn't know what I was getting into.
44:23I never expected you.
44:24You lied about who you were.
44:27Were you lying about your feelings, too?
44:29No.
44:30My feelings are real.
44:35When this is all over, do you promise me that we'll go far away?
44:39Start over?
44:40Live life on our own terms?
44:42Yes.
44:43I promise.
44:45Then I'm not going anywhere.
44:47It could be dangerous.
44:47If you want to get all the bad guys, you're going to need my help.
44:52Just follow my lead.
44:59Seriously.
45:01Right now.
45:06All right.
45:08Let's make a plan.
45:13Learning the midnight oil?
45:14What the hell is wrong with you, Agent?
45:18You quit and then go radio silent.
45:21Major found me.
45:22Helped me get my head back on straight.
45:24Oh.
45:25Then you were right.
45:26I needed to do Kevin's memory justice.
45:29So I want back in on everything.
45:32Not just the mission.
45:33The other stuff, too.
45:34Other stuff?
45:35She told me about your plan.
45:37I cared about Violet for a minute.
45:43But I care about millions of dollars a hell of a lot more.
45:46Oh.
45:48That's more like it.
45:49And I have something that's enough to put away all through Sinclair's.
46:00Yes?
46:00Father, you were right about Noah.
46:03He was just playing with me.
46:05He never loved me.
46:07I'm ready to start thinking about marriage.
46:08You mentioned your friend, the rich one?
46:11Yes, I'll arrange a meeting.
46:14And I'm glad to see you finally coming to your senses.
46:17Where's Mother?
46:18At a spa appointment.
46:22Bankrupting me, I'm sure.
46:24Vain woman.
46:24Vain woman.
46:24Vain woman.
46:24Vain woman.
46:30The New York deal.
46:34I hear their concerns about payment.
46:36I'm here to settle them.
46:42Forget my husband.
46:44You're doing business with me now.
46:46Not him.
46:53Yes, ma'am.
47:00I look forward to meeting young Violet tonight.
47:18Violet, this is Lorenzo Giovanni.
47:20He's the gentleman I've been wanting you to meet.
47:23Charmed.
47:24Darling, you said there was a concert.
47:27Where's the audience?
47:28Right here.
47:31Director John Barron's FBI.
47:35You.
47:36You broke my daughter's heart.
47:39You got a lot of nerve showing your face.
47:41He means nothing to me now.
47:43I know all about you and father.
47:45And I want in on the Sinclair family business.
47:47You're just a child playing games.
47:50Games I intend to win.
47:52Roger, get rid of this man.
47:55So rash, Warren.
47:57I am done letting Violet and I suffer for your mistakes.
48:02Kitty's got claws.
48:04Cute.
48:05But while you squabble, I'm going to take what's mine.
48:08No.
48:09No.
48:10No.
48:10No.
48:11No.
48:12No.
48:13No.
48:14No.
48:14No.
48:15No.
48:23Have you lost control of your emotions, agent?
48:26We need her here to get to her parents.
48:28Took your advice.
48:29Got my hands dirty.
48:31All right, then.
48:33What a surprise.
48:35I thought you were manipulating my daughter.
48:38But look how quick you are to jump to her defense.
48:42Seems you're the one who fell in love.
48:45I learned from the best, Mother.
48:45It's silly that we're on opposite sides, John.
48:50Perhaps we should discuss working together.
48:53I'm listening.
48:54I wouldn't trust him.
48:55He wants to take down your drug operation so he can make it his own.
48:58Isn't that right, John?
48:59You're not wrong.
49:01But I'm a reasonable businessman.
49:03I'd like to hear your mother's proposal.
49:06Now, be quiet, little girl.
49:08The adults are talking.
49:10Our operations are a mess thanks to my husband's stupidity.
49:13You know, we could use someone with brains and muscle.
49:17Wait, what?
49:18Wait just a minute.
49:20Oh, shut up, Warren.
49:21I've had enough of cleaning up your messes.
49:24Roger.
49:24Wait, what are you doing?
49:26What?
49:27While you were selling our daughter off like livestock,
49:30I was busy securing power and transferring all the accounts into my name.
49:36Dispose of him.
49:37Yes, ma'am.
49:37Oh!
49:38How could you do this to me?
49:43I was trapped in a loveless marriage with an unstable fool for 25 years.
49:51I realized that if I wanted freedom, I had to take control myself.
49:58I think this is what they call girl power, darling.
50:01Turns out, I rather like power.
50:03Mother, please.
50:06I know Father's been awful to us, but does he really deserve to die?
50:09So compassionate.
50:11So weak.
50:13I'll break you of that.
50:17I look forward to a fruitful partnership, John.
50:20The pleasure is all mine, Rosemary.
50:23I can't watch them kill him.
50:25What do we do?
50:27Nobody move!
50:33Put down the gun, Ezra.
50:38Everything is going according to plan.
50:42Kevin?
50:44Hello, boss.
50:46He wants to take down your drug operation so he can make it his own.
50:49Isn't that right, John?
50:50You're not wrong, but I'm a reasonable businessman.
50:53I'd like to hear your mother's proposal.
50:55Thanks for spelling out your entire plan for us, John.
50:58A judge is really going to love that.
51:01You're working against me?
51:03I'm working for the right side.
51:06Good work, you two.
51:07Noah, would you like to do the honors?
51:09You idiot!
51:10Don't you know what you're doing?
51:11Get off me!
51:12You might want to remain silent for once.
51:15You're next.
51:18You betrayed me!
51:19This is all your fault!
51:21Mother, put the gun down.
51:23I sacrificed everything for you!
51:25You didn't sacrifice a thing.
51:28All you care about is money and power!
51:31You both do.
51:33I'm sorry, Violet.
51:35I'm so sorry.
51:36I just lost sight of what really mattered.
51:39I forgive you, father.
51:40But I will never forget.
51:43You think that boy loves you.
51:46But he's already betrayed you once.
51:48And he will betray you again and again and again and again and again until you have nothing left.
51:56Ask me how I know.
51:59Come back to me, Violet.
52:01Come back to your mother.
52:03I don't have a mother.
52:06No!
52:07No!
52:11No!
52:12No!
52:13No!
52:14Wake up!
52:15Wake up!
52:18A bulletproof vest?
52:25You asshole!
52:26Now we're even.
52:33Never do that to me again!
52:35I watched it.
52:35I just got shot.
52:37I'm sorry.
52:37James.
52:38You two can go.
52:43We'll take it from here.
52:45Nedra, I killed a man.
52:48There's gonna be an investigation.
52:50Good thing this gun is untraceable then, isn't it?
52:52We saw nothing.
52:55You're free to go, little bro.
52:59Noah, you're too emotional for this job.
53:03And that's a good thing.
53:04Go.
53:05Chase your music.
53:06Be happy.
53:09Sounds like a direct order.
53:11Director's chair is about to be open.
53:12Let's go.
53:14I might apply.
53:15Which would make me your boss.
53:17Well, then consider this my formal resignation.
53:20Good.
53:24All right, all righty.
53:26Get your stupid peasant hands off of me!
53:30You okay?
53:32No.
53:34Not yet.
53:36But I will be.
53:44Let's get out of here.
53:50No more secrets?
54:01No more secrets.
54:02No more secrets.
54:20Hey, my life.
54:28What?
54:30I love you.
54:33I love you, too.
54:37So what now?
54:39We live life on our own terms.
54:41Wasn't she amazing tonight?
54:59We do have one final piece to play for you tonight, but you're going to have to be quiet
55:09to hear it.
55:11Now, before we play our final piece, there is something very important I must do.
55:15Hey, Mick.
55:15Violet Sinclair?
55:32Will you marry me?
55:36Don't leave me hanging.
55:37Oh, my God.
55:37Sorry.
55:39Yes, yes.
55:40A thousand times yes.
55:41I love you.
55:52I love you more.
55:55Now for our final sonata.
56:11I love you.
56:12I love you.
56:13I love you.
56:14I love you.
56:15I love you.
56:16I love you.
56:17I love you.
56:18I love you.
56:19I love you.
56:20I love you.
56:21I love you.
56:22I love you.
56:23I love you.
56:24I love you.
56:25I love you.
56:26I love you.
56:27I love you.
56:28I love you.
56:29I love you.
56:30I love you.
56:31I love you.
56:32I love you.
56:33I love you.
56:34I love you.
56:35I love you.
56:36I love you.
56:37I love you.
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