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00:00Well, let me tell you.
00:12The year was 1867, and I was the very first female student chosen to participate at a very prestigious Ivy League institution.
00:21They called this the dawn of a new era.
00:30Excuse me. I'm looking for bio-anthropology 215.
00:44I'm curious if any of you lot might be able to-
00:46Do you mind if I take a look?
00:50Bio-anthropology. Hmm.
00:54215.
00:57215.
00:59215.
01:00Yes, 215.
01:02You can read numbers quite well.
01:04You know, I don't recall where that one is.
01:08Even though you're holding a bio textbook right there?
01:12That's for something different.
01:14Oh, I see.
01:16I see.
01:18You know, if the lot of you can't muster up a decent retort, how do you expect to charm your future wives one day?
01:24Well, we can- we can retort.
01:27Sure you're telling yourselves it'll be all about the money, huh?
01:33But the truth is, women all over the country, the good ones anyway, they are just like me.
01:41They're challenging themselves to find unique purpose, to do better, to be better.
01:46Enlightened women.
01:49I don't want enlightened women.
01:51I don't think you'll have much say in the matter after long.
01:54All right.
01:55Do you disagree?
01:56Yes, they disagree.
01:57It seems they disagree.
01:58Come on, look at her.
01:59I mean, she's not a serious person.
02:00Look at her.
02:01Look at me.
02:02I am.
02:03Of the 6,072 submissions this year, there were 908 admissions, which makes you all very smart and very elite.
02:19But this fine lady, your name fine lady?
02:22Marion.
02:23Miss Marion, here, applied against an entirely separate pool of applicants.
02:28900 applicants.
02:30One slot.
02:33Sure, I don't have to explain how ratios work, but that makes her even more elite than you.
02:38And I believe that Marion- may I call you that?
02:40Okay.
02:41I believe the difference between you lot and Marion is that she doesn't believe that any of this is owed to her.
02:45You see, Marion knows that there are plenty of women who deserve to be here, but there needs to be a first.
02:49A catalyst that sparks change throughout the world.
02:53So I suppose what I'm trying to say is that you're absolutely right about women.
02:57They don't need to be enlightened.
02:59But in fact, most already are.
03:01Just simply waiting in the wings for the right moment.
03:06Rest assured, I most certainly was not in need of his saving.
03:14If anything, you might say that I unknowingly saved him.
03:19Dear reader, I must warn that if it is indeed this narrow love story that you yearn for, I might encourage you to look elsewhere.
03:29That was nice.
03:42What's this?
03:43It means what?
03:44That's nothing.
03:47Nothing, nothing, nothing.
03:48It's nothing.
03:52I just mean to say it's, it's, it's, it's not ready yet.
03:55It's, I don't know, it's far-fetched.
03:57Please, please don't judge me.
03:59I truly am a realist.
04:01You know, I don't expect it to go anywhere.
04:04God, listen to me, talking myself in circles.
04:06I should, I should really just shut up and, and stop talking myself in circles, but here I am.
04:12It's, it's really nothing.
04:14On the contrary, Miss Marsha.
04:17On the contrary.
04:19On the contrary.
04:21You're not allowed in front of the property, Celia!
04:35Choke on your mother's tit.
04:37Tell me I didn't just see what I just saw!
04:40What do you think you saw?
04:42Don't tell me, Celia!
04:47Filthy, filthy place!
04:49Filthy, filthy place!
04:53Filthy, filthy place!
04:55Filthy, filthy place!
04:57Marion, I implore you to leave this alone!
05:00Well, I think you're all fucking cunts and leeches!
05:03Shut up, woman, shut up!
05:05I never lied to you, please!
05:08Marion, shut up!
05:10A woman was never to be published, I did you a favor!
05:13They lied to us with their kind eyes.
05:15You are never gonna go to Paris.
05:16Shut up, Marion!
05:19I'm getting the sense that this isn't entirely about me.
05:23Marion!
05:25Get off of it, Jared!
05:29Well, would you look at that, he's out cold.
05:34Where is my fucking room?
05:36Where is my fucking room?
05:39My Charlotte!
05:43Norman, Norman, Norman!
05:44Where is my fucking room?
05:47There!
05:49Sir, I'll show you to your room.
05:51This way, sir.
05:53To your right, sir, to your right.
05:57Sir.
06:02Sir.
06:03What?
06:04Sir!
06:05The bell is broken!
06:06The bell is broken!
06:07Norman!
06:08Doctor!
06:09Try to tell you that the bell is broken!
06:10The bell is broken!
06:11The bell is broken!
06:12Sir!
06:13You're in a manic spin!
06:14You see, you see, this is why he lost all of his businesses.
06:16He can't keep it together under pressure.
06:18Marion, I'm begging you to use discretion.
06:19Wait, look at that.
06:20I am begging you, I am begging you.
06:22Oh, oh, oh, you don't want Thomas to hear?
06:24Anybody who doesn't need to be here, please go away, go away!
06:26You don't need to be here.
06:27It appears that he's truly cold under.
06:29Doctor!
06:30Doctor!
06:31Doctor!
06:32Doctor!
06:33Lily?
06:34Lily?
06:35Lily, where are you going?
06:36To my tent.
06:37To wait.
06:38For what?
06:41To be cold.
06:43Because I am a whore.
06:46Except I'm a stupid whore.
06:48Because I'm not even paid.
06:49Oh, don't be so dramatic.
06:51We're all whores.
06:52Lily, don't you do anything brash.
06:55Lily!
06:56No, you cunt!
06:58He's nothing but smoke and mirrors.
07:00He's better off dead.
07:01Marion, if you can contribute at least one thing to this family,
07:03it would be to help revive this man.
07:05Well, um, I think you should get that bell fixed.
07:08Now, that's a meaningful confusion if you ask me.
07:11Doctor!
07:12Doctor!
07:13I fetch him, sir!
07:14Thank you, thank you!
07:15Doctor!
07:16Quite old!
07:17Doctor!
07:18Doctor!
07:19Doctor!
07:20Doctor!
07:21Doctor!
07:26Hey!
07:27Hey!
07:28Hi!
07:29Hi!
07:31Oh, your wife's a cunt.
07:37Look, please, this is tremendous foolishness now.
07:39Please.
07:40How long was he out cold?
07:42Probably ten minutes or so.
07:43You have to be on my way, all right?
07:45This is foolishness.
07:46Mr. Edison, please, follow my finger.
07:48Would you like me to leave with my chin?
07:49No, only the eyes.
07:51Okay.
07:52That was the chin.
07:54I wouldn't recommend he drive tonight.
07:55Fine.
07:56It is settled.
07:57No, nothing's settled.
07:58It's settled.
07:59There's something called a cerebral edema.
08:01Do you know what that is?
08:02Never in my life have I been more accosted.
08:03I was assaulted, really.
08:05My lawyer is going to be my first letter upon my release from this prison stint that is this hellscape that you call Rhode Island.
08:12Mr. Edison, please, it was nothing more than the slip of, uh, you ought to leave the fine state of Rhode Island quite out of it.
08:16Oh, it was a slip of nothing.
08:18It was positively intentional, and she needs a real talking to that woman of yours.
08:21Sir, sir, sir, I would never punch you intentionally.
08:23I would never punch you intentionally.
08:24What?
08:25What?
08:26What did you say?
08:27Your wife, sir, needs a real talking to.
08:32Call me if you, uh, feel any dizziness or you see black spots.
08:35I should sue, is what I should do, for libel.
08:39Mr. Edison, feels a bit brusque.
08:43That feels terse to you, does it?
08:45Can I ask you something?
08:46Yes.
08:47Honestly.
08:48Please.
08:49Are you a serious man?
08:50I believe you know the answer to that.
08:52Look around here.
08:53Because I drove for hours to the middle of nowhere because I was told that you were someone who would not waste my time.
08:58And for that I shall write you a big fat check.
09:00At favorable terms, of course.
09:02Yeah, you're going to award me more than that.
09:04What, what, what, what are you implying?
09:08I'm going to need a formal apology from your wife, sir, before a deal can be done.
09:13And let me tell you something.
09:14Any deal that could be done, so it shall be done.
09:17And when it is, it's going to make you more money than you've ever seen in your life.
09:21And let me tell you, saying something, ask your robber baron friends.
09:26Hmm?
09:27Well, of, of course you'll apologize, Mr. Edison.
09:29She's, she's not a, uh, a peasant.
09:34She's a Henry.
09:35She's a Henry, for fuck's sake.
09:37There's a few other things, too.
09:38Ha!
09:39Ha!
09:43Chère mère, je viens d'apprendre que je risque de ne jamais revenir à Paris.
09:50Mon monde s'est écroulé.
09:53D'autant plus parce que je ne te reverrai jamais.
09:56Peu importe le balai.
09:58Maman, je ne me suis jamais sentie aussi seule de toute ma vie.
10:07Maman.
10:08Sous-titrage Société Radio-Canada
10:09...
10:10...
10:12...
10:13Charmaine, je suis truée de l'Amico,
10:14...
10:15...
10:16...
10:17...
10:18...
10:19...
10:20...
10:21...
10:22...
10:24Marianne?
10:32Are you awake?
10:36Yes, Norman, what is it?
10:38You got us into trouble today, Marianne,
10:41and I mean that in the most constructive way I can,
10:44because I'm your wife.
10:45My husband.
10:46...instigated madness in this house.
10:48Madness that's bled through into my business dealings.
10:51Thomas Edison is not a business dealing.
10:53He is an ass fucker. I told you that.
10:55You don't tell me what a business dealing is.
10:57You don't tell me what a business dealing is.
11:00Norman, I would ask you to take two big deep breaths
11:04before you speak to me again.
11:06You're acting with such savagery and barbarism
11:08that it's hard to...
11:09Savagery and barbarism?
11:10Norman, you're the one who's frothing a...
11:12Let me finish. I beg you.
11:13Warthog!
11:15You might think me a dim-witted opportunist,
11:18but you need to set your differences aside now
11:21for the betterment of the Henry name.
11:26Mr. Edison has asked for an apology.
11:30I, for one, think that's a good idea.
11:34I owe him nothing, and you're the one who punched him.
11:37Don't I think it is?
11:39I think you can't conceive that an uneducated man like him...
11:42Uneducated?
11:43Say that again.
11:44...may try to claw his way out of the rat-infested rungs of society...
11:48The rungs of society is where he belongs.
11:50...and make something of his life without having to marry up.
12:02You will apologize in the morning.
12:04I know you can hear me.
12:06I know you're not asleep yet.
12:19You think you're the first artist who's ever whored herself for a warm bed and a loaf of stale bread?
12:27You disgust me!
12:30Do you know that?
12:31I loathe you.
12:32And not because you're an unadulterated cunt,
12:36but because you somehow actually believe that your talent means something more than all the others.
12:42You believe that you're better than all of us girls.
12:46And you're not.
12:47You're nothing.
12:49You're a passionate nothing.
12:53So don't you fuck us!
12:57Do you hear me?
12:59Don't even think about fucking this all up.
13:04Look at me.
13:07Look at me!
13:19I hit ambition once too.
13:23You know that, don't you?
13:29I was reviewed by the Times.
13:37When you create something, even if it lasts but only for a moment,
13:42something you believe to be truly remarkable and singular in this world...
13:46You have to stay outside the house.
13:48You have to stay outside the house.
13:49You have to wait until you're summoned, Lily.
13:52Do you hear?
13:54And then to have it ripped away without an ounce of acknowledgement by a complete and utter nobody.
14:01You'd think, perhaps, that one might feel rage.
14:05Bitterness.
14:06Bitterness.
14:08Bitterness.
14:09But the truth is...
14:11Norman.
14:13The truth is, I could never get past the shame.
14:18Because it was always my fault.
14:21All of it.
14:24Tell me she's a liar.
14:25Tell me she's a liar, Norman.
14:30I will go to Maui, yes.
14:36Come.
14:47I will see you on that stage in Paris.
14:51If it's the very, very last thing I do.
14:54Annoying self-hatred that rattles you to your core.
14:57Because deep down, you know that you're better than the big you've made.
15:06You're better?
15:15Did you hear the news? He did it! Tom, he did it!
15:18Tom, he did what?
15:20What did Tom do?
15:22He figured the whole damn thing out!
15:24Direct current. Using direct current, we can generate heat.
15:28Just like the candles in this very room, only it is enclosed within a glass tube.
15:32But what does it mean? Just speak plainly, you louse.
15:35It's a candle that can burn forever without ever needing tending.
15:38Come on.
16:00Congratulations, Thomas.
16:11I am so very proud of what you have accomplished.
16:30We will continue.
16:40Pardon me, miss.
16:56Oh, it's okay.
16:58I thought you were asleep by now.
17:01I didn't realize.
17:02I drew your curtains about half past.
17:04I'm very sorry.
17:05It's fine.
17:06I suppose that's the reason.
17:07I'm very sorry, miss.
17:09Ida?
17:14Are you frightened of me?
17:18Pardon, miss?
17:21I sense a liberal amount of anxiety pulse through your veins
17:24every time I turn a corner.
17:26I see.
17:32Is it like that with Mr. Henry too?
17:41It's okay, Imiko.
17:43I'm not frightened, miss.
17:49You just confuse me, is all.
17:53Good evening, ma'am.
17:57Good evening, ma'am.
18:08I'll be right back to the west in a jiffy.
18:10You, sitting at the table for me.
18:13Take my plates.
18:14Hello.
18:15Hello.
18:16Hello.
18:17Hello.
18:18For the dog.
18:22Tadol!
18:23Maid, are you with Hound?
18:35Am I with what?
18:37The Poodles!
18:38Are you with the Poodles?
18:40Yes, sir. Their evening walk.
18:43Are they the very same Poodles that I paint?
18:46Yes, sir.
18:48They seem less fidgety in the twilight.
18:52Well, I suppose maybe they are, perhaps.
18:55Less fidgety.
18:57In the evening.
18:59So we paint in the evenings?
19:02Ah.
19:04Do you hear?
19:06Bon.
19:07Oh, my God.
19:08Oh, my God.
19:10It's all right.
19:12Um.
19:13I'm sorry.
19:14Um.
19:15I'm sorry.
19:16Um.
19:17Um.
19:18It's all right.
19:19Um.
19:20Um.
19:21It's all right.
19:22Um.
19:23I'm sorry.
19:24Um.
19:25Um.
19:26Oh, my God.
19:27Oh, my God.
19:28Oh, my God.
19:29Um.
19:30It's all right.
19:31Um.
19:32I'm sorry.
19:33Um.
19:34Um.
19:35Oh.
19:36Madame.
19:38Oh, my God.
19:39Uh.
19:40Oh, my God.
19:41Ah.
19:42Oh, my God.
19:44Oh.
19:45Oh, my God.
19:46Oh.
19:47Oh.
19:48Oh.
19:49Oh.
19:50Oh.
19:53Oh.
19:54Oh.
19:55Surprisingly palpable, passion I hadn't felt in years, and for just a moment, I felt like a woman again.
20:10A dangerous woman, with her own thoughts, and her own ideas, and quite a bit of power.
20:35I asked myself if anyone might hear him gasping for breath if I strangled him right then and there with a pillow.
21:05I don't care about you. I don't care about you.
21:12I don't care about you. I don't care about you. I don't care about you.
21:19But the truth remained. I didn't hold the power. He did.
21:38Oh, how history might have been written differently had I not lost myself in him.
21:45What is inside of a romper? Upper wire? No. What's inside of a romper?
21:49But in both of them.
21:54Instead, I sat empty, powerless, on the floor of a home that was in my husband's name.
22:05A home that we would not be able to afford without the proceeds from a deal with this man who had ruined me.
22:14Ugh. I told myself at no point would I wallow in self-pity as I write to you.
22:19So I believe it best we break for an intermission so that I might regain my composure.
22:27Come one, come all to the city that never sleeps. New York City.
22:31Rub shoulders with the high society elite at the Madison Square Garden rooftop theater designed by acclaimed architect Stanford White.
22:38Feast your senses upon the greatest arena in this world-famous metropolis.
22:43The only building on the island with a rooftop cabaret now opens Sunday.
22:52The following morning was a Tuesday.
22:56I knew this because there had been a murder in the city the night before.
23:01This was one of those unconnected events that would ultimately contribute to my husband's untimely demise.
23:13What's the difference?
23:15What's the difference?
23:16What's the difference?
23:17Anything interesting?
23:18Yeah.
23:19There's been a killing in the city.
23:20Oh.
23:21I fucking hate the city.
23:22Oh.
23:23I can't.
23:24Oh.
23:25Oh.
23:26I can't.
23:27Oh.
23:28Oh...
23:30Oh...
23:32Oh...
23:34Oh...
23:36Oh...
23:38Oh...
23:40Oh...
23:42Petit chuchot.
23:44Qu'est-ce que c'est, doucement?
23:48Hein?
23:50Qu'est-ce que c'est, doucement?
23:56Hein?
24:10Hey, Maria.
24:12Hey, you know, I think that the missus was shagging Mr. Edison yester-eve.
24:18Oh, deplorable.
24:32Absolutely deplorable.
24:34Have you seen this?
24:36Huh? What?
24:38The murder of Sanny White.
24:40Absolutely unbelievable.
24:42He was so proud of the...
24:44The rooftop at the garden. Have you been up there?
24:48Larry!
24:50Edison Square Garden? Of course, of course.
24:52Yeah, but have you been up top to the cabaret there?
24:54It's absolutely wonderful.
24:56A view of the city in every direction.
24:58Mr. Edison, I've just said I've been.
25:00I wasn't exactly sure.
25:02Oh. If you had.
25:04What made you unsure?
25:06I think it was your tone, sir.
25:08Hm.
25:10Morning, Marianne. Morning.
25:12Morning.
25:16Have you heard?
25:18Uh, yes. It's deplorable. It is.
25:20Absolutely deplorable.
25:22Yeah.
25:23Harry always struck me as a man I'd never want to find myself alone in a room with.
25:26Well, of course not. You're a married woman.
25:28Oh, yes. I agree with that.
25:30Married women should definitely not be left unattended in rooms and, uh, such.
25:36Well, he has just murdered a man, so I imagine it's more than just, you know, the married woman thing, wouldn't you think?
25:42I'm sorry, do you know the murderer?
25:45Yes, yes, we do.
25:46Well, you know, he is an associate of, um, Normans to some degree or other, so we've had them over and they've had us over here.
25:52You know, the way it goes.
25:54Well, isn't that a little bit troubling?
25:56I'm one signature away from being the associate of an associate of murderer.
26:00Murderer.
26:01Mira Quintins. Harry's always had a screw loose.
26:04Erling, remember the time, uh...
26:05At the, at the racehorses. Yeah, but, you know, was that even his real mother?
26:09Well, not when he was done with her.
26:10Mr. Henry, this message came in for you, sir.
26:13It was a note on prison letterhead from the murderer himself.
26:20I'll take care of poor Evelyn until it's time for her to testify on my behalf.
26:26I'm afraid she's my only way out of this mess.
26:30This...mess?
26:32Murder?
26:34Misunderstanding. Write that. Misunderstanding.
26:40Am I suggesting that you distance yourself from this person?
26:43I mean...
26:46Dad.
26:47He's a madman, isn't he?
26:49Playing devil's advocate a moment because, uh...
26:51Weren't you meant to be on your way?
26:52I was meant to, yes.
26:53Sanford White did rape her, if I'm not mistaken.
26:56The incident happened...
26:57Plenty of times.
26:58...before they even met.
26:59So, why linger?
27:00Well, what's a man to do? I'd at least sit by and watch...
27:02Such a glorious morning out here, Marion.
27:04But raping's a raping, if you ask me.
27:05Well, yeah, but Harry is a murderer. I...
27:07Do you not find your wife's tone a little bit troubling?
27:10Why are you still here?
27:11Tone, Marion.
27:12I...
27:13Tone. Tone.
27:14You seem so bitter, Marion.
27:15So very bitter.
27:16And yet, apparently, you've been handed the world.
27:19How dare you?
27:23You just don't seem happy, Mary.
27:26Well, I am happy.
27:27Well, you sure there's not an ounce of regret?
27:30Not a shred? Nothing?
27:34Wow.
27:35You bitter, lonely little man.
27:38Is that all you have left, is it?
27:40The need to placate your wrongdoings by trying to force me to admit
27:44that I might have been better off?
27:46I'm not following. What does placate mean?
27:48What?
27:49Placate means to mollify.
27:51To appease.
27:52Norman, I have told you what this man is.
27:54Why won't you believe me?
27:55I mean, I know I am...
27:57I am tempestuous, but have you ever known me to be a liar?
28:00What the fuck does mollify mean?
28:01What am I, Marion?
28:03Hmm?
28:04No, what am I?
28:05Step away from me.
28:06Don't shout, Marion.
28:07Don't work yourself into a heart.
28:08I'm not shouting. I'm calm.
28:09I am completely calm and collected.
28:11You know, he's a man who invented the light bulb.
28:13For heaven's sake, give him some respect.
28:15Jesus fucking Christ!
28:25Don't touch that glass.
28:29You don't touch that glass, Gretchen.
28:31It's not your mess to clean up.
28:34No, you're right about that.
28:36You are absolutely right about that.
28:39Well, I guess that's my cue.
28:44Norman, he did not invent the light bulb.
28:48Oh, Marion.
28:49Norman, please.
28:50He did not invent the light bulb.
28:54I suppose you know who did.
28:56Huh.
29:04Look at me.
29:06Look at me.
29:11You can't, can you?
29:26Pardon me.
29:27I'm so very sorry that you've had to endure such preposterous ridicule.
29:31You have my sympathy for what you have to put up with on a daily basis.
29:36No!
29:37No!
29:38No!
29:39No!
29:40No!
29:41No!
29:42No!
29:43No!
29:44No!
29:45No!
29:46No!
30:09Crazy two words.
30:11No!
30:12You left your books.
30:15Just leave them.
30:16Here, you will need these, I assure you.
30:18Just leave them.
30:18Marion, you cannot just fucking leave them.
30:21Marion, you need to calm down.
30:23The nerve.
30:25And I want to say men, the nerve of men,
30:28but no, I've come to the realization that you are not men.
30:32No.
30:33No, you are so much worse.
30:36You are an abomination.
30:39And you can take this entire institution
30:41and fucking...
30:42What am I even saying?
30:45You're not even a member of this institution.
30:46You're a squatter.
30:48A research assistant.
30:49Yeah, you're nothing.
30:53How can you do that?
30:56After what you just did to me, you smile?
31:00You stand there with a smugness
31:02that permeates to my very core
31:04and makes me want to...
31:07take a boxing!
31:09I'm very sorry, Marion,
31:11but I'm entirely confounded by this behavior.
31:13It's not very lady-like at all, I'm afraid.
31:15Oh, you're confounded?
31:17Are you dumb?
31:19Are you mentally retarded?
31:21Keep your voice down.
31:22I said, are you mentally fucking retarded?
31:24I would just watch my tone if I were you.
31:27Or what?
31:30Marion, I was always going to add your name to the work,
31:32but you know as well as...
31:33that women can't publish on their own?
31:35Yes.
31:36But they will.
31:38I will.
31:43You've stolen my work, Thomas.
31:47Marion, we're a team.
31:48We are not.
31:48No, no, we are not.
31:51We are not a team at this.
31:54My mind, my thoughts are not communal.
31:59They are wholly mine.
32:02Marion, Marion, Marion, Marion.
32:04Marion, will you just marry me?
32:07What?
32:08What?
32:19I will never, ever marry you, Thomas.
32:27Not ever.
32:37I will never marry you, Thomas.
33:08That's all.
33:11Shut up!
33:12Oh, merde!
33:14Shut up!
33:21Shut up!
33:24Oh, la, la!
33:26Shut up!
33:29Do you ever speak to me like that?
33:31Do you hear me?
33:32Ever?
33:34I have had quite the morning of abuse,
33:36and I will not be spoken to
33:38without my a fake fucking artist
33:40who paints fucking bubbles.
33:44Do you hear me?
33:46Do you hear me?
33:49Wait.
33:51I hear you.
33:53I hear you.
33:57How are you?
34:00Get false.
34:01Everything all right?
34:08Lookie, look.
34:09Now he comes to rescue her
34:10from the crazy freshman.
34:12He's so possessive of her.
34:14Oh, he doesn't love her.
34:16I believe he does.
34:17Well, you're stupid.
34:19Honey, if he loved her,
34:20why would he be parading you around
34:21like his little pony?
34:24He's a complicated man.
34:27The painting is finished.
34:30It is?
34:30It is?
34:31Would you like to see it?
34:35She thinks it a foolish venture.
34:38My commissioning poodles.
34:41Yes, well, I don't usually paint poodles.
34:45What do you usually paint?
34:48A look at her.
34:49She's just begging to be fucked.
34:52You see how she looks at the artist.
34:54She can't help herself.
34:55This we both agree on.
34:57Hmm.
34:59Why don't you have the painting
35:00brought to my study,
35:00then we'll settle up
35:01and you can get on your way.
35:05Now.
35:06Now.
35:07Good time.
35:08Now.
35:09Now.
35:11Now.
35:12Please.
35:13You're scared of powerful women.
35:25You're scared of powerful women?
35:26Not all of them.
35:27Not all of them.
35:28She's the reason I have not missing back to Paris.
35:31Well, I can't understand that logic.
35:34She doesn't believe I deserve to succeed.
35:36She'd rather seem trapped in a cage with her,
35:39living in a circle of hell over and over again.
35:42Oh, darling, it just doesn't add up.
35:44If it were up to Marion,
35:45she would have sent you back to Paris months ago.
35:48She hates you, Lily.
35:49All right.
35:52Les saisons, Gunter, please.
35:55From the top.
35:57You know, for a smart girl,
35:58you're really quite daft about the dynamics here in the country.
36:03Marion.
36:03Yeah.
36:06I'm sorry.
36:08What for?
36:10For not understanding you in the way a husband should, I suppose.
36:15I do wish sometimes, just sometimes, you could
36:19simply speak truth and honesty,
36:24and instead of dancing around your thoughts like
36:29a romantic.
36:37Maybe I am a romantic.
36:39Well, you're not French, thank God.
36:41I told you the truth, Norman.
36:44In simple terms, I told you the truth.
36:46He left Marion.
36:48He can quit the charade.
36:49He's gone about his business.
36:51All done now.
36:55Truth doesn't matter anyway.
36:59You're my wife.
37:02I don't know.
37:05Here we are.
37:06Ironically, the feeling of resignation
37:08that sat squarely between his eyes that day
37:10was the very same emotion
37:12that I had wrestled with for most of our marriage.
37:15Well, um...
37:16Wolf...
37:19I appreciate that, Norman.
37:25And, uh, you know, for trusting me on this one.
37:29I...
37:30There will be other deals.
37:32I promise.
37:33But unfortunately, the truth was,
37:35for Norman Henry,
37:37there would be no other deals.
37:40Not ever again.
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