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00:00I'll see you next time.
00:29Mrs. Henry, ma'am.
00:34They got him down the stairs.
00:41Take your time.
00:46Thank you, Gretchen.
00:52Dear reader, this is not a story in the conventional sense.
00:59You see, nothing is neat and tidy, nor is it laid out with ease for a dim-witted pony,
01:05which I hope you are not for both our sakes.
01:08No. This story in particular is a cautionary tale,
01:13and I shall begin at the very end as not to dramatize.
01:16My husband is dead, killed in the dead of night.
01:22His last breath taken after a series of inexplicable, unconnected events that together would change the world forever.
01:30Ironically, the days leading up to his demise would remind me why I had loved him.
01:36But it would be the moments afterward that would set me free.
01:42You see, this is not a tale of murder.
01:44This is a story of rebirth.
01:48You see, this is a story of rebirth.
01:54I suppose the reason I say all of this is to perhaps inspire you to look at the world that would set me free.
01:58this series of events from a different perspective.
02:00You see, this is not a tale of murder.
02:02This is a story of rebirth.
02:06I suppose the reason I say all of this is to perhaps inspire you to look at this series of events from a different perspective.
02:26Mine.
02:34This story would begin the morning the artist arrived.
02:38He was supposed to be delivered the night prior.
02:41But I did not know this yet.
02:43Come on, you pheasant.
02:45Service!
02:47Service!
02:49Service.
02:51Are they gonna be out there all winter? I mean, it's fucking freezing. It's winter.
03:09I'm meeting tomorrow with Mr. Edison on a business opportunity.
03:25Thomas Edison.
03:31See, I overheard the Morgans and, uh, well, now he's coming up to the house tomorrow.
03:37Might very well reverse our little conundrum.
03:39We can time this, right?
03:43Andrews invested twice.
03:44Both times they saw returns before putting pen to paper.
03:47Credit alone.
03:48Just on credit alone.
03:52It's just not fair to the little people in this world.
03:54You know, that doesn't really have to be the pheasant.
03:56I believe you know Tommy from a past life.
03:58It really could be, it could be a chicken breast.
04:00Chicken breast.
04:01They're interchangeable fowl.
04:02We'd be none the wiser, right Gretchen?
04:05Is there something I should know about Thomas?
04:07Well, like, how he likes his tea?
04:10Oh God, I miss the city.
04:12No one misses the city.
04:13And good tea.
04:14We're in the country.
04:15It's an enviable location.
04:16There is no one in the country here to envy us.
04:19Or at least that is what I had assumed.
04:30Putain de machine American de merde.
04:33I'm so very sorry.
04:35This is quite embarrassing.
04:37You see, the Henrys don't service these Model Ts as often as you might expect.
04:42Do you know Ford?
04:45I sense some frustration.
04:50Ah, oui, les Juifs.
04:52What was that?
04:57Are you a Jew?
04:58No, sir?
05:00Oh.
05:01Well, I don't think so anyway.
05:05You hear that?
05:06What?
05:07The car.
05:11It's a car!
05:12Stop it!
05:13Hey!
05:14Hey!
05:15Hey!
05:16Hey!
05:25This pheasant's old.
05:27It's left over from something or other.
05:30How's the regiment?
05:34Well, look at me.
05:35I'm looking.
05:36So?
05:37You look as tempestuous as the day I met you.
05:40Only 40 years older.
05:43Ludwig says I'm almost ready.
05:44For what?
05:45You know, a jaunt.
05:46Sparring.
05:47Fight.
05:48You're not fighting.
05:49You're not a fighter.
05:50Maybe I could win a match or two.
05:51Poor people, they fight.
05:52Yeah.
05:53Have something to fight for.
05:54Oh, damn it, Marion.
05:55Don't be a fool.
05:56Oh!
05:57Said the man who invited Thomas Edison up to the house.
06:03You know, come to think of it.
06:05I do remember one of Thomas Edison's idiosyncrasies.
06:09He likes to win at all costs.
06:12Trust me.
06:13Thomas Edison, he's a really smart businessman.
06:17I'm being serious.
06:18Are you?
06:19You wanted Ludwig?
06:20I bought you Ludwig.
06:21Oh, you brought me Ludwig.
06:22Very literally, yes.
06:23You know what was wrong with you?
06:24Please do tell.
06:25You were just never very charismatic as a businessman.
06:27You know the definition of a hobbyist.
06:29You.
06:30You are the definition of a hobbyist.
06:33And I love you.
06:35I can say that because I love you.
06:37But you lack the ferocity to succeed.
06:40You've given up on everything but me.
06:51You know, I feel in the mood for some entertainment.
07:02The night would progress with normalcy.
07:04I would insist on a performance from his ballerina, Rachmaninoff.
07:09A prelude, perhaps.
07:10Not a prelude.
07:11Not tonight.
07:12I have meetings tomorrow.
07:13C-sharp minor.
07:14No.
07:15G-sharp.
07:16C-sharp minor.
07:18If anything, G-sharp, you know she can't dance to the other noise.
07:23Lily.
07:24For Mrs. Henry inside.
07:26It would be the prelude in C-sharp minor.
07:29Set up!
07:30We're not!
07:40Have you seen the piece?
07:43Yes, of course.
07:44She toys with us.
07:45I did toy with them.
07:46Think of it this way.
07:48You'll be the first ballerina to ever dance to a Rachmaninoff prelude.
07:51Let's get on with it.
07:52Before you judge me and my circumstance, I implore you to read until the bitter end.
08:11It is only on the final page of this journal that you might be well enough equipped to tell fact from fiction.
08:20Hero from villain.
08:22Why?
08:23rend bahourine by genetic .
08:26Close again.
08:28You'll have to understand, of course, that's your writer and your narrator on this journal.
08:30Let's pray to Mr. Henry.
08:31The Run CAD for the Justine.
08:32Go to the 瓯办潣 1 3 Pro.
08:33銇歶-L Amad, encourage us to invite me again.
08:36I want to come your life.
08:36I want to see the Lord as I know that?
08:39I want to bow to your place.
08:40I want to stay at Ca 丕賱廿 Stranger 1 6th Prelude.
08:41Thank you very much,meruhases of the Lord.
08:42What nor do you do?
08:43Come?
08:44Go to consent.
08:45Please?
08:46Bye.
08:47Watch,jam goes wife.
08:48Orca setting plans as we go.
09:19I'm in love with you.
09:28Jab. Jab.
09:30Very close.
09:31Ah!
09:33Jab!
09:35The French. It's sexy, but in moderation.
09:54Or else have you approved my dancing this evening?
09:58Do I approve?
10:00Oh, my darling, it was marvelous.
10:02No one dances to Rachmaninoff like you.
10:04No one dances to Rachmaninoff.
10:06You should fuck her every once in a while.
10:08No one dances to Rachmaninoff like you.
10:10No one dances to Rachmaninoff.
10:16You should fuck her every once in a while.
10:18Ah!
10:20Jab! Jab!
10:21Very close!
10:22Yah! Yah!
10:24Ah!
10:25Good call!
10:26These are circumstances that are sometimes lost on young, beautiful ballerinas.
10:35Complexities you shouldn't bore yourself with.
10:40You have real talent.
10:41It was the very same line he used on me.
10:44You have all sorts of talent.
10:46Before I was demoted to hobbyist.
11:13Careful.
11:14Imagine.
11:16Your perfect little dance of Europe.
11:21On the stage.
11:23In Paris.
11:24For all the world to see.
11:28Their eyes.
11:29Longing for my most intimate skin.
11:32The skin that you.
11:34And you alone.
11:35The rightful owner of.
11:42It's what you want, is it not?
11:45Do you see me in Paris?
11:46Do you see me in Paris?
11:55Oh my God.
11:57I would love to see you in Paris.
11:59The girl and I were not all that different.
12:12She was young and optimistic.
12:14Filled with purpose.
12:15Looking back now, I can admit I was rooting for her.
12:16Subconsciously hoping she might avoid the mistakes I had made.
12:32I think there was a part of her that reminded me what it felt like to be alive.
12:45What is this?
12:46The man?
12:47It's not the best.
12:48The man, it's not the best.
12:49What is it?
12:50The man.
12:51The man is on the table.
12:52The man is on the table.
12:53The man is on the table.
12:55That was a pretty badass and they are on the table.
12:57The man is on the table.
12:58Thomas, I am so very proud of what you have accomplished.
13:28Move your ass.
13:58Henry pense que l'isolation favorise le talent.
14:01Et je n'ai tout simplement pas moment 脿 dire 脿 ce sujet.
14:04Mais je joue le jeu, car il m'a 茅t茅 dit que si je me conduis bien,
14:08j'ai mes chances pour l'Anderolle de Coppelia cet automne.
14:12Je serai bient么t de retour 脿 Paris, si Dieu le veut.
14:18Votre Lilith, toujours, tendrement.
14:22Oh, my darling, oh, my darling, oh, my darling Clementine.
14:32I was lost and gone for...
14:45Yes, Norman?
14:47I just wanted to remind you I have meetings tomorrow.
14:50With Thomas Edison, yes.
14:53Good, good.
14:54Is that all?
14:59Dreadful sorry, Clementine.
15:02I also have an artist coming tomorrow.
15:07You should know.
15:09What artist?
15:10Someone the Rockefellers introduced us to.
15:13Apparently everyone's meeting with him.
15:15He's in from Paris only for a short time.
15:18You know me and Art.
15:20I know nothing until it's hit me on the crease of the forehead.
15:23The mini-creases.
15:24Often it's too late.
15:25We're left with nothing.
15:26And our neighbors with the classics.
15:28Not this time, Marianne.
15:30Look at me being the passionate, impulsive man you married.
15:33Are you proud?
15:34Ah!
15:35You should be proud.
15:37Norman?
15:38What are you talking about?
15:39Have you commissioned something?
15:41No, no, no.
15:42Nothing major.
15:43No.
15:44You don't have time works, Marianne.
15:45Mm-hmm.
15:46Rockefellers, William, even Andrew.
15:47No, Andrew is a Carnegie.
15:49Well, I'm a Henry.
15:50Oh, my God.
15:51I miss the city.
15:54Good for you.
15:56I refuse to sit and have my portrait taken for an artist.
16:01I wouldn't expect it.
16:02He'll paint the poodles.
16:03It's already been decided long before this drab conversation.
16:09It was just like that his fate had been sealed for a portrait of poodles.
16:14Oh!
16:15Oh!
16:16Oh!
16:17Oh!
16:18Oh!
16:19Oh!
16:20Oh!
16:21Oh!
16:25When you arrive at the windmill, you make a left.
16:28Yes.
16:29Then it's only four streets further.
16:31It'll be the only house with lights.
16:33The only house with lights?
16:35What does this mean?
16:37No one else lives here in the off season except the Henrys.
16:41The Henry estate will be the only house with lights.
16:44It's very dark.
16:47It's very, very dark.
16:49Yes.
16:50And I cannot see very well after dusk.
16:53I understand that you do not know much about me, but know this.
16:59I'm all but blinds.
17:01Huh?
17:04You're a blind artist?
17:06You're a blind artist.
17:11No!
17:12Ugggh!
17:13Ha, ha, ha.
17:14Ugggh.
17:15Ha!
17:16Ah.
17:17Ah.
17:18Ah.
17:19We transit while they put.
17:21We transit while the merde.
17:22Ha!
17:23Ha!
17:24Ha!
17:25Huh!
17:26Sir!
17:27Putain!
17:28Sir!
17:29Leave them.
17:30Sir!
17:31Sir, this is pretty good for a blind guy.
17:44We shall now take a short intermission while the artist fumbles around in the woods.
17:51Thomas Edison has done it again, only this time it's the moving picture with synchronized sound.
17:56Introducing the kinetophone.
17:57And for a limited time, Mr. Edison will be offering shares to the general public so you too might try your hand at changing the world.
18:04From the inventor of the light bulb, the kinetophone, don't wait. Purchase your stock today.
18:14He walked all night, unable to find the house until dawn.
18:27Who the fuck are you?
18:47Happy meeting day, sir, Mr. Henry.
19:01Is she awake?
19:02Uh, not yet, sir.
19:04You see to it, she stays occupied.
19:07Yes? All day?
19:09Yes, sir.
19:09I don't need tomfoolery, not today.
19:11It's the best of my ability, sir.
19:11No, sir. Tell me, has she ever shared with you the history?
19:14History, sir?
19:15Well, Thomas Edison.
19:19Peculiar comments last night about...
19:23Oh, never mind.
19:27I feel good. You feel good?
19:28I feel good.
19:29The artist, sir, he's here too.
19:32Shall I arrange a tea with you, sir?
19:34Tea? What kind of tea?
19:37Earl Grey, if you like, sir.
19:38Arrange a tea with the poodles.
19:39Yes, sir.
19:40Okay. Go.
19:41Yes, sir.
19:42Gretchen, Gretchen, Gretchen.
19:43Yes, sir.
19:44Keep her act pad all day, yes?
19:46All day, sir.
19:47Let's go, let's go, let's go!
20:11Good luck, Doctor.
20:12It appears you've lost blood.
20:21It might be safe to assume that you are hallucinating at this very moment.
20:25Mrs. Henry?
20:38Mrs. Henry?
20:39Yeah, I'm in here.
20:43Is everything all right, ma'am?
20:44Of course it's all right.
20:45Why wouldn't it be all right?
20:46It's just normally you're lying in the bed until I pull the curtains.
20:51Well, I just thought a 6am bath would be just sprightly on a day like today.
20:55And what sort of a day is today, ma'am?
20:59That's a bit of an overstep, isn't it?
21:01Yes, of course.
21:02Sorry, ma'am.
21:03I mean, I just want...
21:03Yes, I just mean that today is just a day like any other day, and let's just leave it
21:07at that, and I won't have you prying and making something out of nothing.
21:16Find me Ludwig.
21:17Oh, damn it.
21:32Excuse me.
21:39Have I missed breakfast?
21:45Hello.
21:47You look unhoused.
21:54Artist.
21:57The hounds are ready for you.
22:10Mr. Edison.
22:13I trust your journey was refreshing.
22:16It was nippy.
22:17Nippy.
22:17Nippy, yes.
22:18Yes, it's nippy.
22:20Well.
22:20Tell me.
22:21Was it, um, was it the polo match in Atlantic City?
22:25It was what the polo match in Atlantic City?
22:28When last we crossed paths.
22:30Oh, uh, very possibly.
22:32Um, would you permit me to be brief?
22:35I-I'm due back in the city for supper, all right?
22:38Yes.
22:39Now, if you will, I was told it was something innovative that you were after.
22:43Something dramatic and something, well, very daring.
22:46Yes, that is exactly right.
22:47Something with dramatic upside, I should say.
22:51Well, my portfolio does not exist merely as a means to fuel your wealth, sir.
22:55What is it, then?
23:01Well, I'll tell you what it is.
23:02Uh, this right here is going to redefine the next hundred years, perhaps more.
23:09It's going to make women weep and men cower, so it's not just a cash grab.
23:13Please don't invest in it unless your personal fulfillment comes from truly changing the world.
23:18What are you due for supper?
23:21What?
23:21Who's home?
23:23My own, Mr. Henry.
23:27Let's get started, shall we?
23:28Yes.
23:32I'd like to try a number from Les Saisons.
23:35Les Saisons, Les Saisons.
23:37It's always a number from Les Saisons.
23:40Oh, is it?
23:48I'm sorry.
24:08Fucking boogers.
24:12And one, and two, and three, and four, and one, and two, and three, and four, and
24:18spin.
24:20Have you hired new help?
24:23Ludwig, would you speak plainly?
24:25A wizard man, with gardener's hands.
24:30He's been roaming the kitchen aimlessly.
24:34Hands up!
24:34What?
24:46Fantastie.
24:48You already see?
24:50That might make sense.
24:51Put your eyes right in there.
24:53Oh, sir.
24:53There you go.
24:53I'm going to lower these over your ears.
24:56They should be quite comfortable.
24:57I don't see anything.
24:58Not yet.
24:59This is the first of its kind, you understand?
25:01All right.
25:01This is immersive entertainment.
25:03The moving picture with music.
25:06Hands up!
25:08She has that deep sense of utter darkness.
25:11Darkness?
25:11And one, and two, and three, and four, and back arch.
25:31Darkness.
25:32Ludwig, what do you mean?
25:34Like that of a murderer.
25:36A murderer?
25:40In my house?
25:49Oh, mom.
25:57Tell them out.
25:58Now, any accusation of murder is one we most always take seriously.
26:11I have to speak to Norman about this.
26:13Even if the accusation is completely and utterly without merit.
26:32Back arch.
26:34Hold.
26:36Hold.
26:37Hold.
26:43Hold.
26:52What?
26:53For fuck's sake, what?
26:57It's your physique.
26:58What about my physique?
27:03Oh, Yoohoo, is there a spot of tea I might have swung up from the kitchen?
27:08Yes.
27:09And honey?
27:10Lots of honey, yes.
27:12Oh, you're a doll.
27:13What's your name?
27:14Beatrice, sir.
27:15Oh, really?
27:17Beatrice.
27:17That's your real name?
27:19Yes, sir.
27:19An oriental maid named Beatrice.
27:22What a chinky little thrill.
27:26Fucking asshole.
27:28Listen, Lily.
27:29I pick and choose my battles with you.
27:32You understand this saying in America, yes?
27:34I understand the saying, yes.
27:35I do not understand you.
27:36You're just not selling me the fantasy, darling.
27:39And as I've said time and time again, to you and to him, I just don't see it.
27:45I just don't know how to get you there.
27:48Then I will speak to Mr. Henry and have him find me someone who will get me there.
27:51Oh, you wouldn't dare.
27:52And he would never get rid of me.
27:53What do you think you'll side with?
27:57And all the heck you couldn't sport talent if you've fucked him in the face?
27:59For who?
28:00You?
28:01His whore?
28:02Uh...
28:03I will go to Paris.
28:07And I will dance.
28:08Dream, baby.
28:09Dream.
28:15Oh, my.
28:17Oh, my goodness.
28:18Isn't that something?
28:19Ma'am, I've had the carriage brought around.
28:21I thought today would be a perfect day for a drive and a picnic, maybe.
28:25Really?
28:26Didn't Ferdinand break his leg?
28:27Is it?
28:27Well, how is the carriage going to be brought around if Ferdinand has broken his leg?
28:37Maybe he's healed.
28:40Maybe he's healed.
28:43Oh, my God.
28:45Oh, Ma'am, look at that.
28:47And the music.
28:48Isn't that marvelous?
28:49This is spectacular.
28:51Norman?
28:53Norman?
28:55Oh, you're almost at the finale.
28:56Can you see the bearded man from Coney Island in a musical number with a llama?
28:59A llama.
29:00There's a llama.
29:02Oh, my God.
29:03Norman?
29:07Can you hear those acoustics?
29:08That's two cellos and a clarinet.
29:10I love the cello.
29:11Or two clarinets and a cello.
29:12Norman, I need a word.
29:13I'll have you know that I heard a word.
29:16You are a genius, sir.
29:17You are a genius.
29:17There's a rumor that this painter or this artist or whatever it is that the Rockefeller is calling.
29:21Can you just give us a moment, please?
29:21He might be a murderer.
29:23Who's a murderer?
29:28Oh, hello.
29:29Um, oh.
29:35Thomas.
29:36Thomas Edison.
29:37I can't put...
29:38I can't move on.
29:38Yes, I know.
29:39I just didn't recognize you because you've grown really old really quickly.
29:45I'm sorry.
29:46Do we know each other?
29:47Shut up.
29:49Well, the opinion of a woman, forever humbling, eh?
29:53Yes, the opinion of a woman, the work of a woman, the plight of a woman.
29:59I'm sorry.
30:00I don't follow that.
30:00Oh, I can't get it all.
30:03Marion.
30:05My name is Marion, as you very well know.
30:13Marion.
30:13I believe you both might have crossed paths some years ago.
30:30Marion was a university student.
30:32You were a guest lecturer.
30:33I believe the year was, um, oh God.
30:351867.
30:37Yes, that's right.
30:37Yes.
30:39Yeah.
30:39Well, I do recall a young student named Marion.
30:43A bright, young, independent thinker.
30:46I believe the line was.
30:47She said, uh, over my dead body, shall I ever marry?
30:51Mm-hmm.
30:52Mm-hmm.
30:53Mm-hmm.
30:54Mm-hmm.
30:55You.
30:57Yes, well, here we are.
30:59I'm married all the same.
31:00Yes.
31:00Married and seemingly happy.
31:03Happy and fulfilled, you know?
31:05Norman.
31:06Norman.
31:07Norman.
31:08Norman!
31:08Norman!
31:09Yeah, yeah.
31:09Would you please just have a word with the painter, or whatever it is you call him,
31:13before we lose the last of our help?
31:15Good day.
31:16God.
31:21My apologies, Mr. Edison, for her outburst.
31:23She's, uh, she's a woman.
31:27You'll excuse me just a moment.
31:29She didn't mean anything about the help, I assure you.
31:32She's just, uh, just excuse me just a moment.
31:39Ooh, ooh, I knew you had such a grip on you, Norman.
31:42I'll show you more than a grip you screw this up for me.
31:44Ooh, funny you could have been this assertive when we shared a bed together.
31:49There you are.
31:49Apologies.
31:51Busy day, big day, busy.
31:53You know the ones, I'm sure.
31:59You heard of Thomas Edison?
32:01Is that name, uh, wafted across the pond?
32:05He's here today.
32:07He's in the house.
32:09Mm-hmm.
32:10I told you're quite eccentric.
32:12Henri.
32:14What is this animal?
32:17It's, uh, from my trip to South Africa.
32:21I was of the U.S. contingent.
32:23It was a goodwill trip through Grant.
32:25Ulysses S. Grant, former president of the United States.
32:28I am French.
32:29He's a dear friend.
32:30Why do I care about your president?
32:33I imagine you don't.
32:34I ask you about the animal and you tell me that you have a friend.
32:37It's a story, I would say.
32:39You're inquiring about the buck.
32:40That's all.
32:41Listen, I'm on a bit of a schedule.
32:42Um, yeah.
32:44Yeah.
32:45I simply wanted to inquire about your demeanor in the house.
32:49It isn't me.
32:49It's my wife.
32:50She's, uh, uh, uh, uh.
32:53What do you know about art?
32:56I know you're one of those impressionists.
32:58You make quite a ruckus over there, I've heard.
33:01So you read the press?
33:02No, I've heard.
33:03So you don't read?
33:05Do you?
33:05I paint.
33:07Which I imagine you do not.
33:08Therefore, you're either a well-read intellectual who finds his passion within the page,
33:14or a soulless threat inspired by paper bills.
33:20I'd like to know what I'm dealing with.
33:23Whether my art is to be understood or merely a carcass on your wall!
33:33Oh, yes.
33:51Well, I don't know.
34:03I don't know.
34:08Tea?
34:20Ow!
34:21Oh, God!
34:23I am going to Paris.
34:25You can help or you can get the fuck out!
34:27Oh, you wench!
34:35Oh, get back here!
34:40Have you met your handsome subjects yet?
34:42And they're fidgety.
34:46They're dogs.
34:47Fidgety in their soul.
34:51Perhaps they are uncomfortable with their existence in your world.
34:55Who isn't?
34:56Are you uncomfortable?
34:59Must you own me?
35:00Sitting here with you.
35:04Quiet.
35:07I will need my twice-over quoted fee.
35:11Absurd.
35:12Is it?
35:13They're pure-bread poodles.
35:14Are they?
35:14Yeah.
35:15Perhaps you prefer to shoot the bitches and mount them on your wall next to this other...
35:20It's a buck.
35:22Twat.
35:25And you can pay in cash.
35:26Cash?
35:27Oui.
35:28I don't deal in cash.
35:30I'm a man of means.
35:31I don't deal in cash.
35:32Are you broke?
35:35I beg your pardon?
35:36I asked if you are broke.
35:39No, I'm not broke.
35:40You don't need to be ashamed.
35:42I am broke.
35:44That's why I'm here, painting your fucking poodles.
35:47I'm not broke.
35:57I don't take credit.
35:59So I will reside on the property until I may collect my fee.
36:03Could take weeks to wait on the banks.
36:05Painting must remain in my possession.
36:06I could send you along with a promissory note.
36:08I will not take a promissory note.
36:10No, no, Henry.
36:10A promissory note, you can rest assured.
36:12I'm sure you will find a way.
36:14The rich always do.
36:19Would you be so kind to have somebody show me to my court?
36:22Somebody's out the door.
36:23Just open the door and someone will help you.
36:25Uh-uh.
36:29Ah, yeah.
36:35I can't take care of the hell.
36:38What the hell?
36:48Mr. Edison is waiting.
36:51Sir?
36:53Sir?
36:53Huh?
36:53Mr. Edison?
36:55Oh, yes.
36:57Oh, no.
36:58So?
36:59No, no, no.
36:59How was he?
37:00How was he?
37:00He was French.
37:01He was very fucking French.
37:02What does that mean?
37:03I mean, you know what we say from our own home?
37:04No, I can't pay you the attention you desire, Marion.
37:06Is that why you act like a petulant child today of all days?
37:09I need to sabotage a deal with Thomas Edison.
37:12I need to close the deal.
37:15He is a liar and a cheat.
37:18He is Thomas Edison.
37:19He is Thomas fucking Edison.
37:21You will bite your tongue, Marion.
37:23And you will know your place, woman.
37:25You just stay here another minute again.
37:29You're a wench.
37:30You think I need you?
37:31You are the two-bit whore with a crookin' pussy.
37:34Of course I'm a two-bit whore.
37:36I'm a ballerina.
37:37A great fucking ballerina on my way to Paris.
37:39Or you go back to your little show with the dancing monkeys
37:41with the little midgets with the funny hats.
37:42You're the dancing monkey.
37:44My show was reviewed by the Times.
37:46In God's name is this.
37:47The fucking Times.
37:48Mr. Henry, look at what she's done to my...
37:49Lily, Lily.
37:50The fraud, he's fucking fraud.
37:51He takes your money and sleeps all my time.
37:53That's not true.
37:53I often work with my eyes closed.
37:55St. Mary with her fake virgin pussy.
37:58Mr. Henry, Mr. Henry.
37:59She's a cunt, Norman.
38:00Yes, well...
38:01Who's a cunt?
38:03Oh, Jesus.
38:08Hello, Mrs. Henry.
38:10Marius, who is a cunt?
38:15Apologies for the language, ma'am.
38:17Marion, leave it.
38:19Just leave it.
38:19I was speaking to Marius.
38:21Mr. Henry.
38:23Yeah.
38:23You know, let's just all journey back to our quarters.
38:26We can discuss this over drinks in the parlor later,
38:28because I have meetings.
38:29I have very important meetings.
38:31Well, perhaps I shall handle this so that you can,
38:33you know, carry on with your very important meetings.
38:36Are you the cunt?
38:37Am I the cunt?
38:40Dear Lilith, no.
38:41Is she the cunt?
38:42Or my husband?
38:44Oh, no.
38:44Is he?
38:45Marion!
38:46I am for you to leave this alone!
38:48I am for you to leave this alone!
38:49Shut up, Marion.
38:50Marion, Marion!
38:51Well, I think you're all fucking cunts and leeches.
38:54That's what I think.
38:55Marion!
38:56Mr. Henry!
38:56Mr. Henry, he's coming this way.
38:58Yes.
38:58You are a fucking cow of a woman.
39:01Ooh, you're making me sweat just for once.
39:05Look, I want to say something, Marion.
39:06You must feel trapped by him.
39:08Do you?
39:09Do you feel trapped living with this louse?
39:12You should feel trapped.
39:12Do you know why?
39:13Because you are trapped just like the rest of us.
39:14We're like mutts in a cage of...
39:17No, canaries in a cage.
39:18No, you know what I mean?
39:18The fucking metaphor about cages.
39:19Shut up, woman.
39:21Shut up!
39:21See these men?
39:23They lie to us.
39:24I never lie.
39:24They lie to us with their kindness.
39:25Marion, shut it.
39:27Shut it.
39:27So you're trying to say to me?
39:28Marion?
39:29He doesn't have it.
39:30He doesn't have it within him to set you free.
39:31A woman was never to be published.
39:34Lelette.
39:34I did you a favor.
39:35You are never going to go to Paris.
39:36Quite a brazen one at that.
39:38You are never going to Paris.
39:40Do you hear me?
39:41You bet on the wrong pony and you lost.
39:45We all did.
39:47The rest of it, that just doesn't matter.
39:49Because you lost, I lost.
39:51Shut up.
39:52We all lost.
39:53Shut up, Marion.
39:54I'm getting the sense this isn't entirely about me.
39:56Marion, Marion!
39:57God damn it!
39:58God damn it!
39:58God!
40:02Oh, God.
40:04Oh, God.
40:08Well, would you look at that?
40:09He's out cold.
40:10I'm holding up.
40:15Where is my fucking room?
40:16Ensemble.
40:21Where is it?
40:21Norman.
40:23Norman.
40:24Norman.
40:24Norman.
40:24Max, Marion.
40:25He's not going to kill you.
40:27He's just French.
40:28Sir, I'll show you to your room.
40:31Your room.
40:32This way, sir.
40:35My husband was right about one thing.
40:39It wasn't me who'd end up dead.
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