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00:00Well, let me tell you.
00:12The year was 1867, and I was the very first female student chosen to participate at a very prestigious Ivy League institution.
00:21They called this the dawn of a new era.
00:30Excuse me. I'm looking for bio-anthropology 215.
00:44I'm curious if any of you lot might be able to-
00:46Do you mind if I take a look?
00:50Bio-anthropology. Hmm.
00:54215.
00:57215.
00:59215.
01:00Yes, 215.
01:02You can read numbers quite well.
01:04You know, I don't recall where that one is.
01:08Even though you're holding a bio textbook right there?
01:12That's for something different.
01:14Oh, I see.
01:16I see.
01:18You know, if the lot of you can't muster up a decent retort, how do you expect to charm your future wives one day?
01:24Well, we can- we can retort.
01:27Sure you're telling yourselves it'll be all about the money, huh?
01:33But the truth is, women all over the country, the good ones anyway, they are just like me.
01:41They're challenging themselves to find unique purpose, to do better, to be better.
01:46Enlightened women.
01:49I don't want enlightened women.
01:51I don't think you'll have much say in the matter after long.
01:54All right.
01:55Do you disagree?
01:56Yes, they disagree.
01:57It seems they disagree.
01:58Come on, look at her.
01:59I mean, she's not a serious person.
02:00Look at her.
02:01Look at me.
02:02I am.
02:03Of the 6,072 submissions this year, there were 908 admissions, which makes you all very smart and very elite.
02:19But this fine lady, your name fine lady?
02:22Marion.
02:23Miss Marion, here, applied against an entirely separate pool of applicants.
02:28900 applicants.
02:30One slot.
02:33Sure, I don't have to explain how ratios work, but that makes her even more elite than you.
02:38And I believe that Marion- may I call you that?
02:40Okay.
02:41I believe the difference between you lot and Marion is that she doesn't believe that any of this is owed to her.
02:45You see, Marion knows that there are plenty of women who deserve to be here, but there needs to be a first.
02:49A catalyst that sparks change throughout the world.
02:53So I suppose what I'm trying to say is that you're absolutely right about women.
02:57They don't need to be enlightened.
02:59But in fact, most already are.
03:01Just simply waiting in the wings for the right moment.
03:06Rest assured, I most certainly was not in need of his saving.
03:14If anything, you might say that I unknowingly saved him.
03:19Dear reader, I must warn that if it is indeed this narrow love story that you yearn for, I might encourage you to look elsewhere.
03:29That was nice.
03:42What's this?
03:43It means what?
03:44That's nothing.
03:47Nothing, nothing, nothing.
03:48It's nothing.
03:52I just mean to say it's, it's, it's, it's not ready yet.
03:55It's, I don't know, it's far-fetched.
03:57Please, please don't judge me.
03:59I truly am a realist.
04:01You know, I don't expect it to go anywhere.
04:04God, listen to me, talking myself in circles.
04:06I should, I should really just shut up and, and stop talking myself in circles, but here I am.
04:12It's, it's really nothing.
04:14On the contrary, Miss Marsha.
04:17On the contrary.
04:19On the contrary.
04:21You're not allowed in front of the property, Celia!
04:35Choke on your mother's tit.
04:37Tell me I didn't just see what I just saw!
04:40What do you think you saw?
04:42Don't tell me, Celia!
04:47Filthy, filthy place!
04:49Filthy, filthy place!
04:53Filthy, filthy place!
04:55Filthy, filthy place!
04:57Marion, I implore you to leave this alone!
05:00Well, I think you're all fucking cunts and leeches!
05:03Shut up, woman, shut up!
05:05I never lied to you, please!
05:08Marion, shut up!
05:10A woman was never to be published, I did you a favor!
05:13They lied to us with their kind eyes.
05:15You are never gonna go to Paris.
05:16Shut up, Marion!
05:19I'm getting the sense that this isn't entirely about me.
05:23Marion!
05:25Get off of it, Jared!
05:29Well, would you look at that, he's out cold.
05:34Where is my fucking room?
05:36Where is my fucking room?
05:39My Charlotte!
05:43Norman, Norman, Norman!
05:44Where is my fucking room?
05:47There!
05:49Sir, I'll show you to your room.
05:51This way, sir.
05:53To your right, sir, to your right.
05:57Sir.
06:02Sir.
06:03What?
06:04Sir!
06:05The bell is broken!
06:06The bell is broken!
06:07Norman!
06:08Doctor!
06:09Try to tell you that the bell is broken!
06:10The bell is broken!
06:11The bell is broken!
06:12Sir!
06:13You're in a manic spin!
06:14You see, you see, this is why he lost all of his businesses.
06:16He can't keep it together under pressure.
06:18Marion, I'm begging you to use discretion.
06:19Wait, look at that.
06:20I am begging you, I am begging you.
06:22Oh, oh, oh, you don't want Thomas to hear?
06:24Anybody who doesn't need to be here, please go away, go away!
06:26You don't need to be here.
06:27It appears that he's truly cold under.
06:29Doctor!
06:30Doctor!
06:31Doctor!
06:32Doctor!
06:33Lily?
06:34Lily?
06:35Lily, where are you going?
06:36To my tent.
06:37To wait.
06:38For what?
06:41To be cold.
06:43Because I am a whore.
06:46Except I'm a stupid whore.
06:48Because I'm not even paid.
06:49Oh, don't be so dramatic.
06:51We're all whores.
06:52Lily, don't you do anything brash.
06:55Lily!
06:56No, you cunt!
06:58He's nothing but smoke and mirrors.
07:00He's better off dead.
07:01Marion, if you can contribute at least one thing to this family,
07:03it would be to help revive this man.
07:05Well, um, I think you should get that bell fixed.
07:08Now, that's a meaningful confusion if you ask me.
07:11Doctor!
07:12Doctor!
07:13I fetch him, sir!
07:14Thank you, thank you!
07:15Doctor!
07:16Quite old!
07:17Doctor!
07:18Doctor!
07:19Doctor!
07:20Doctor!
07:21Doctor!
07:26Hey!
07:27Hey!
07:28Hi!
07:29Hi!
07:31Oh, your wife's a cunt.
07:37Look, please, this is tremendous foolishness now.
07:39Please.
07:40How long was he out cold?
07:42Probably ten minutes or so.
07:43You have to be on my way, all right?
07:45This is foolishness.
07:46Mr. Edison, please, follow my finger.
07:48Would you like me to leave with my chin?
07:49No, only the eyes.
07:51Okay.
07:52That was the chin.
07:54I wouldn't recommend he drive tonight.
07:55Fine.
07:56It is settled.
07:57No, nothing's settled.
07:58It's settled.
07:59There's something called a cerebral edema.
08:01Do you know what that is?
08:02Never in my life have I been more accosted.
08:03I was assaulted, really.
08:05My lawyer is going to be my first letter upon my release from this prison stint that is this hellscape that you call Rhode Island.
08:12Mr. Edison, please, it was nothing more than the slip of, uh, you ought to leave the fine state of Rhode Island quite out of it.
08:16Oh, it was a slip of nothing.
08:18It was positively intentional, and she needs a real talking to that woman of yours.
08:21Sir, sir, sir, I would never punch you intentionally.
08:23I would never punch you intentionally.
08:24What?
08:25What?
08:26What did you say?
08:27Your wife, sir, needs a real talking to.
08:32Call me if you, uh, feel any dizziness or you see black spots.
08:35I should sue, is what I should do, for libel.
08:39Mr. Edison, feels a bit brusque.
08:43That feels terse to you, does it?
08:45Can I ask you something?
08:46Yes.
08:47Honestly.
08:48Please.
08:49Are you a serious man?
08:50I believe you know the answer to that.
08:52Look around here.
08:53Because I drove for hours to the middle of nowhere because I was told that you were someone who would not waste my time.
08:58And for that I shall write you a big fat check.
09:00At favorable terms, of course.
09:02Yeah, you're going to award me more than that.
09:04What, what, what, what are you implying?
09:08I'm going to need a formal apology from your wife, sir, before a deal can be done.
09:13And let me tell you something.
09:14Any deal that could be done, so it shall be done.
09:17And when it is, it's going to make you more money than you've ever seen in your life.
09:21And let me tell you, saying something, ask your robber baron friends.
09:26Hmm?
09:27Well, of, of course you'll apologize, Mr. Edison.
09:29She's, she's not a, uh, a peasant.
09:34She's a Henry.
09:35She's a Henry, for fuck's sake.
09:37There's a few other things, too.
09:38Ha!
09:39Ha!
09:43Chère mère, je viens d'apprendre que je risque de ne jamais revenir à Paris.
09:50Mon monde s'est écroulé.
09:53D'autant plus parce que je ne te reverrai jamais.
09:56Peu importe le balai.
09:58Maman, je ne me suis jamais sentie aussi seule de toute ma vie.
10:07Lei de
10:28Marianne.
10:30Are you awake?
10:36Yes, Norman, what is it?
10:38You got us into trouble today, Marion, and I mean that in the most constructive way I can, because I'm your wife.
10:45My husband.
10:46You've instigated madness in this house, madness that's bled through into my business dealings.
10:51Thomas Edison is not a business dealing. He is an ass fucker. I told you that.
10:55You don't tell me what a business dealing is.
10:57You don't tell me what a business dealing is.
11:00Norman, I would ask you to take two big deep breaths before you speak to me again.
11:05You're acting with such savagery and barbarism that it's hard to...
11:09Savagery and barbarism? Norman, you're the one who's frothing a...
11:12Let me finish. I...
11:13Warthog!
11:15You might think me a dim-witted opportunist, but you need to set your differences aside now for the betterment of the Henry name.
11:23Mr. Edison has asked for an apology.
11:30I, for one, think that's a good idea.
11:34I owe him nothing, and you're the one who punched him.
11:37You know what I think it is?
11:39I think you can't conceive that an uneducated man like him...
11:42Uneducated?
11:43An uneducated man...
11:44Say that again.
11:44...may try to claw his way out of the rat-infested rungs of society...
11:48As long as a society is where he belongs.
11:49...and make something of his life without having to marry up.
12:02You will apologize in the morning.
12:05I know you can hear me.
12:07I know you're not asleep yet.
12:13Come on.
12:18You think you're the first artist who's ever whored herself for a warm bed and a loaf of stale bread?
12:28You disgust me!
12:30Do you know that?
12:31I loathe you.
12:32And not because you're an unadulterated cunt, but because you somehow actually believe that your talent means something more than all the others.
12:41You believe that you're better than all of us girls, and you're not.
12:47You're nothing.
12:49You're a passionate nothing.
12:54So don't you fuck us.
12:57Do you hear me?
12:59Don't even think about fucking this all up.
13:04Look at me.
13:07Look at me!
13:08Look at me!
13:08Look at me!
13:11I hit ambition once, too.
13:22You know that, don't you?
13:28I was reviewed by the Times.
13:30When you create something, even if it lasts, but only for a moment, something you believe to be truly remarkable and singular in this world...
13:45Best to stay outside the house!
13:47Best to stay the clune!
13:48Best to stay the clune!
13:49Wait until you're summoned, Lily!
13:50Dear!
13:51And then to have it ripped away without an ounce of acknowledgement by a complete and utter nobody.
13:58You'd think, perhaps, that one might feel rage, bitterness.
14:05But the truth is, the truth is, I could never get past the shame, because it was always my fault.
14:19It was my fault.
14:20All of it.
14:21Tell me she's a liar.
14:22Tell me she's a liar, Dolphin.
14:23Tell me she's a liar, Dolphin.
14:24I will go to Maui, yes.
14:25Come.
14:26Tell me she's a liar, Dolphin.
14:27Tell me she's a liar, Dolphin.
14:28Tell me she's a liar, Dolphin.
14:29Tell me she's a liar, Dolphin.
14:33I will go to Maui, yes.
14:34Come.
14:47I will see you on that stage in Paris, if it's the very, very last thing I do.
14:53Annoying self-hatred that rattles you to your core.
14:59Because deep down, you know that you're better than the beg you've made.
15:15Did you hear the news?
15:16He did it!
15:17Tell me he did it!
15:18Tell me he did what?
15:20What did Tom do?
15:21He figured the whole damn thing out!
15:24Direct current.
15:25Using direct current, we can generate heat.
15:27Just like the candles in this very room, only it is enclosed within a glass tube.
15:31But what does it mean to speak plainly, you louse?
15:34It's a candle that can burn forever without ever needing tending.
15:38muchas gracias.
15:54I am so mad.
15:56Congratulations, Thomas.
16:11I am so very proud of what you have accomplished.
16:26I will continue this in a minute.
16:41Pardon me, miss.
16:57Oh, it's okay, Ida.
16:59I thought you were asleep by now.
17:01I didn't realize I drew your curtains about half past.
17:05I'm very sorry.
17:05It's fine.
17:06I suppose that's the reason.
17:07I'm very sorry, miss.
17:09Ida?
17:11Are you frightened of me?
17:18Pardon, miss?
17:21I sense a liberal amount of anxiety pulse through your veins every time I turn a corner.
17:27I see.
17:32Is it like that with Mr. Henry, too?
17:34It's okay, you may go.
17:47I'm not frightened, miss.
17:51You just confused me, is all.
17:57Good evening, ma'am.
17:57I'll be right back to the whist in a jiffy.
18:11You, sitting at the table for me.
18:13Take my plates.
18:16Tadol, hee, hee, hee.
18:17Putain, chien.
18:22Tadol!
18:30C'est moins ancien.
18:32Mate!
18:33Are you with hound?
18:35Am I with what?
18:37The puddles!
18:38Are you with the puddles?
18:41Yes, sir.
18:42Our evening walk.
18:43Are they the very same puddles that I paint?
18:46Yes, sir.
18:48They seem less fidgety in the twilight.
18:52Well, I suppose maybe they are, perhaps.
18:54Less fidgety.
18:56In the evening.
18:57So, we paint in the evenings.
19:03Do you hear?
19:06Bon.
19:17What's this, uh, fidgety?
19:20Ah, oui.
19:23Pourquoi le, je sais, c'est...
19:25Oh, mon dieu.
19:29Oh.
19:30It's, it's alright.
19:32Je suis de...
19:33Désolé.
19:36Um.
19:41Madame.
19:45Bonsoir.
19:49For an artist who painted poodles,
19:51his passion was surprisingly palpable.
19:58Passion I hadn't felt in years.
20:03And for just a moment,
20:06I felt like a woman again.
20:09A dangerous woman.
20:21With her own thoughts.
20:24And her own ideas.
20:29And quite a bit of power.
20:30I asked myself if anyone might hear him gasping for breath
20:40if I strangled him right then and there with a pillow.
20:42Oh, mon dieu.
20:45Ha, ha, ha, ha.
20:46Tous les deux.
20:47Eh?
20:48Je peux le sentir.
20:50Ha, ha.
20:51Oh, ya, ya, ya.
20:53Ha, ha, ha.
20:54Oh, la, la, la, la.
20:55Ha, ha, ha.
20:56Ha, ha, ha, ha.
21:26Ha, ha, ha, ha.
21:28Ha, ha, ha, ha, ha.
21:30Ha, ha, ha, ha.
21:31Ha, ha, ha, ha, ha.
21:32But the truth remained,
21:33I didn't hold the power.
21:36Ha, ha, ha, ha, ha.
21:37He did.
21:40Oh, how history might have been written differently
21:43had I not lost myself in him.
21:45What is inside of a romper?
21:47Upper wire.
21:47No, what's inside of a romper?
21:49But in both of them.
21:50Ha, ha, ha.
21:52Ha, ha, ha.
21:54Ha, ha, ha.
21:55Instead, I sat empty, powerless,
22:01on the floor of a home
22:03that was in my husband's name.
22:06A home that we would not be able to afford
22:08without the proceeds from a deal
22:09with this man who had ruined me.
22:14Ugh.
22:15I told myself at no point would I wallow
22:17in self-pity as I write to you.
22:19So I believe it best we break for an intermission
22:22so that I might regain my composure.
22:23Come one, come all to the city that never sleeps,
22:30New York City.
22:32Rub shoulders with the high society elite
22:34at the Madison Square Garden rooftop theater
22:36designed by acclaimed architect Stanford White.
22:38Feast your senses upon the greatest arena
22:40in this world-famous metropolis.
22:42The only building on the island
22:45with a rooftop cabaret now opens Sunday.
22:52The following morning was a Tuesday.
22:56I knew this because there had been a murder
22:58in the city the night before.
23:01This was one of those unconnected events
23:04that would ultimately contribute
23:05to my husband's untimely demise.
23:19Anything interesting?
23:21Huh?
23:22Kind of killing in the city.
23:23Oh, I fucking hate the city.
23:25Oh, I fucking hate the city.
23:27I fucking hate the city.
23:28Oh, I fucking hate the city.
23:28Oh!
23:34Oh!
23:34Ah!
23:37I can't do it.
23:39Oh!
23:39Oh!
23:40Let's go.
23:48Petit chuchon.
23:54Qu'est-ce que c'est, doucement?
24:10Hey, Maria. Hey, you know, I think that the missus was shagging Mr. Edison yester-eve.
24:31Oh, deplorable. Absolutely deplorable.
24:34Have you seen this?
24:36Huh? What?
24:37The murder of Sanny White. Absolutely unbelievable.
24:41He was so proud of the rooftop at the garden. Have you been up there?
24:47Larry! Larry!
24:49Edison Square Garden? Of course, of course.
24:51Yeah, but have you been up top to the cabaret there?
24:53It's absolutely wonderful. A view of the city in every direction.
24:58Mr. Edison, I've just said I've been.
25:00I wasn't exactly sure if you had.
25:03What made you unsure?
25:05I think it was your tone, sir.
25:08Hmm.
25:09Morning, Marianne.
25:10Morning.
25:11Morning, Marianne.
25:12Morning.
25:13Morning.
25:16Have you heard?
25:17Uh, yes. It's deplorable. It is. Absolutely deplorable.
25:21Harry always struck me as a man I'd never want to find myself alone in a room with.
25:26Well, of course not. You're a married woman.
25:28Oh, yes, I agree with that.
25:30Married women should definitely not be left unattended in rooms and, uh, such.
25:36Well, he has just murdered a man, so I imagine it's more than just, you know, the married woman thing, wouldn't you think?
25:43I'm sorry, do you know the murderer?
25:45Yes, yes, we do. Well, you know, he is an associate of, um, Normans to some degree or other, so we've had them over and they've had us over.
25:51You know the way it goes.
25:54Well, isn't that a little bit troubling?
25:55No, no, no.
25:56I'm one signature away from being the associate of an associate of murderer.
26:00Absolutely not close, at least.
26:01Mere acquaintance.
26:02Harry's always had a screw loose.
26:04Erling, you remember the time, uh...
26:05At the, at the race horses.
26:07Yeah, but, you know, was that even his real mother?
26:09Well, not when he was done with her.
26:10Mr. Henry.
26:11Yes?
26:12This message came in for you, sir.
26:13It was a note on prison letterhead from the murderer himself.
26:18I'm gonna take care of poor Evelyn until it's time for her to testify.
26:25On my behalf, I'm afraid she's my only way out of this mess.
26:30This mess?
26:32Murder?
26:34Misunderstanding. Write that. Misunderstanding.
26:40Am I suggesting that you distance yourself from this person? I mean...
26:44Oh.
26:46Dad.
26:47He's a madman, isn't he?
26:49Playing devil's advocate a moment because, uh...
26:51Weren't you meant to be on your way home?
26:52I was meant to, yes.
26:53Sanford White did rape her, if I'm not mistaken.
26:56The incident happened...
26:57Plenty of times.
26:58...before they even met.
26:59So, why linger?
27:00Well, what's a man to do? I'd at least sit by and watch...
27:02Such a glorious morning out here, Marion.
27:04But raping's a raping, if you ask me.
27:05Well, yeah, but Harry is a murderer. I...
27:07Do you not find your wife's tone a little bit troubling?
27:10Are you still here?
27:11Tone, Marion.
27:12I...
27:13Tone. Tone.
27:14You seem so bitter, Marion. So very bitter.
27:16And yet, apparently, you've been handed the world.
27:22How dare you?
27:23You just don't seem happy, Marion.
27:26Well, I am happy.
27:27Well...
27:28You sure there's not an ounce of regret? Not a shred? Nothing?
27:32Wow. You bitter, lonely little man. Is that all you have left? Is it? The need to placate your wrongdoings by trying to force me to admit that I might have been better off?
27:45I'm not following. What does placate mean?
27:47What?
27:48Placate means to mollify.
27:49To appease.
27:50Norman, I have told you what this man is. Why won't you believe me? I mean, I know I am... I am tempestuous, but have you ever known me to be a liar?
27:59What the fuck does mollify mean?
28:01What am I, Marion? Hmm? No, what am I? Step away from me.
28:05Don't shout, Marion. Don't shout into a heart.
28:07I'm not shouting. I'm calm. I am completely calm and collected.
28:10You know, he's a man who invented the light bulb, for heaven's sake. Give him some respect.
28:23Jesus fucking Christ!
28:27Don't touch that glass. You don't touch that glass, Gretchen. It's not your mess to clean up.
28:35No, you're right about that. You are absolutely right about that.
28:41Well, I guess that's my cue.
28:44Norman, he did not invent the light bulb.
28:48Marion, fucks.
28:49Norman, please. He did not invent the light bulb.
28:54I suppose you know who did.
28:57Huh.
29:04Look at me. Look at me.
29:10You can't, can you?
29:26Pardon him.
29:27I'm so very sorry that you've had to endure such preposterous ridicule.
29:32You have my sympathy for what you have to put up with on a daily basis.
29:35No, no, no, no, no, no.
29:36I just didn't like that much, but I have no idea where I give myself.
29:55You don't want to know what I drew.
29:56You left your books.
30:15Just leave them.
30:16Here.
30:17You will need these, I assure you.
30:18Just leave them.
30:19Just fucking leave them.
30:20Marian, you need to calm down.
30:22The nerve.
30:24And I want to say men, the nerve of men, but no, I've come to the realization that you
30:30are not men.
30:31No.
30:32No.
30:33You are so much worse.
30:35You are an abomination.
30:38And you can take this entire institution and fuck it.
30:42What am I even saying?
30:44You're not even a member of this institution.
30:46You're a squatter.
30:47A research assistant.
30:49Yeah.
30:50You're nothing.
30:51How can you do that?
30:56After what you just did to me, you smile?
31:00You stand there with a smugness that permeates to my very core and makes me want to take a
31:09boxing!
31:10I'm very sorry, Marian, but I'm entirely confounded by this behavior.
31:13It's not very ladylike at all, I'm afraid.
31:15Oh, you're confounded?
31:16Are you dumb?
31:18Are you mentally retarded?
31:20Keep your voice down.
31:21I said, are you mentally fucking retarded?
31:24I would just watch my tone if I were you.
31:27Or what?
31:28Marian, I was always going to add your name to the work, but you know as well as mine.
31:33That women can't publish on their own?
31:34Yes.
31:35But they will.
31:36I will.
31:41You've stolen my work, Thomas.
31:46Marian, we're a team.
31:47We are not.
31:48No, no.
31:49We are not.
31:50We are not a team at this.
31:53My mind, my thoughts are not communal.
31:58They are wholly mine.
32:01Marian, Marian, Marian.
32:03Marian, will you just marry me?
32:06What?
32:08I will never, ever marry you, Thomas.
32:26Not ever.
32:38No!
32:39No!
32:40No!
32:41You're welcome.
32:45I have to leave you alone.
32:51Because he's alive.
32:52I have to leave you alone.
32:59I have to leave you alone.
33:11Shut up!
33:13Oh, merde!
33:15Putain!
33:17Shut up!
33:21Putain de merde! Shut up!
33:23Oh, la, la!
33:25Putain de merde!
33:27Shut up!
33:29Do you ever speak to me like that?
33:31Do you hear me? Ever?
33:33I have heard quite the morning of abuse,
33:35and I will not be spoken to like that by a fake
33:39fucking artist who paints
33:41fucking bubbles!
33:43Do you hear me?
33:45Do you hear me?
33:47Do you hear me?
33:49Oi.
33:51I hear you.
33:53I hear you.
33:55Oh, my, my.
33:57How are you?
33:59Get false, huh?
34:05Everything all right?
34:07Looky, look.
34:09Now he comes to rescue her from the crazy freshman.
34:11He's so possessive of her.
34:13Oh, he doesn't love her.
34:15I believe he does.
34:17Well, you're stupid.
34:19Honey, if he loved her, why would he be parading you around
34:21like his little pony?
34:23He's a complicated man.
34:27The painting is finished.
34:29It is? It is?
34:31Would you like to see it?
34:33Would you like to see it?
34:35She thinks it a foolish venture.
34:37My commissioning poodles.
34:39Yes, well, I don't usually paint poodles.
34:43What do you usually paint?
34:47Oh, look at her.
34:49She's just begging to be fucked.
34:51You see how she looks at the artist.
34:53She can't help herself.
34:55Well, this we both agree on.
34:57Hmm.
34:59Why don't you have the painting brought to my study,
35:01then we'll settle up and you can get on your way.
35:05Now, now.
35:07Good time, now.
35:09Good time.
35:11Now.
35:13Please.
35:15Oh, she's a terrifying woman.
35:17I mean, I can understand why he can't, you know,
35:21make the whole thing work.
35:23Are you scared of powerful women?
35:25Not all of them.
35:27She's the reason I have not met him back to Paris.
35:30Well, I can't understand that logic.
35:33She doesn't believe I deserve to succeed.
35:36She'd rather seem trapped in a cage with her,
35:39living in a circle of hell over and over again.
35:42Oh, darling, it just doesn't add up.
35:44If it were up to Marion, she would have sent you back to Paris months ago.
35:48She hates you, Lily.
35:50All right.
35:52Les saisons, Gunter, please, from the top.
35:56You know, for a smart girl,
35:58you're really quite daft about the dynamics here in the country.
36:02Marion.
36:04Yeah.
36:06I'm sorry.
36:08What for?
36:10For not understanding you in the way a husband should, I suppose.
36:13I do wish sometimes, just...
36:17sometimes you could...
36:19simply speak truth and honesty,
36:24and instead of...
36:26instead of dancing around your thoughts like...
36:29a romantic.
36:34Maybe I am a romantic.
36:37Maybe I am a romantic.
36:39Well, you're not French, thank God.
36:41I told you the truth, Norman.
36:43In simple terms, I told you the truth.
36:45He left Marion.
36:47He can quit the charade.
36:48He's gone about his business.
36:50All done now.
36:52Truth doesn't matter anyway.
36:56You're my wife.
36:57I don't know.
36:58Here we are.
36:59Ironically, the feeling of resignation that sat squarely between his eyes that day was the very same emotion that I had wrestled with for most of our marriage.
37:14Well, um...
37:18Wolf...
37:20I-I-I appreciate that, Norman.
37:25Uh...
37:26You know, for-for trusting me on this one.
37:29I...
37:31There will be other deals, I promise.
37:33But unfortunately, the truth was, for Norman Henry, there would be no other deals.
37:40Not ever again.
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