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00:00A reader.
00:03In order to understand how the very thought of a casual killing
00:06might have permeated our home in the country,
00:10it is first very important to understand the times that we'd lived in.
00:30Miss? Miss?
00:35God damn, it's hot.
00:37It feels hot in here, you feel it?
00:38Huh?
00:39It's hot.
00:39Oh, no, my darling.
00:41I call it kind of brisk.
00:42Are you catching something?
00:43God damn it, please.
00:44Don't fucking contradict me like that.
00:46That's Bill Fosa.
00:47The loony one.
00:48I was merely clarifying,
00:50which I should not have done.
00:52And that was wrong of me.
00:53It was wicked, Harry.
00:54And I'm sorry for that.
00:55Just a simple clarification?
00:57Yes, I don't think so.
00:57Is that it? That's fabulous.
00:58You fucking cunt.
01:00I was merely clarifying my love.
01:01No, no, no, you're a good girl.
01:03You're a good fucking girl.
01:04Will somebody please take my fucking coat?
01:07It's bloody boiling in here.
01:08God damn it.
01:09Come on.
01:10Harry.
01:11What?
01:11What about mother?
01:12We can't leave her here.
01:13Have her meet us at the fucking table.
01:15Okay, well, she needs help, Harry.
01:16Then fucking help her.
01:18Okay.
01:20Suck my cock.
01:20Jesus.
01:30What the fuck?
01:33Oh.
01:35What the fuck are you looking at?
01:38Evelyn Nesbitt.
01:39Come on, come on.
01:39Nothing could prepare her for the fame and notoriety that would befall her a mere hour later.
01:45Lovely Harry.
01:46Huh?
01:46I said, this is wonderful.
01:48I've never seen a real life camel before.
01:49No, it's a big fucking camel too.
01:51Yeah.
01:52From an early age, she was a model.
01:55If you can call it that.
01:57Can you pull your shirt off your shoulder, darling?
02:01Lower my bed.
02:02Lower.
02:02Could you hike up your dress?
02:04Hike your skirt up a bit.
02:06Could you bend over and touch your toes?
02:12Poor girl was a workhorse.
02:15But it wasn't enough to support both Evelyn and her widowed mother.
02:18I know I'd love to perform like this someday.
02:22The fuck did you just say?
02:23She would marry Harry Thaw out of desperation.
02:27Not love.
02:28He would put a roof over her head.
02:30And in return...
02:31Harry.
02:32Hello, darling.
02:33Hi.
02:33You're not meant to be here.
02:35Meant to be here.
02:35No, no.
02:36You're my wife.
02:36She had promised her virginity.
02:38No, no, no, Harry.
02:38No, stop it.
02:39Harry, Harry.
02:40Not yet, not yet.
02:41I'm not ready.
02:42You're not ready.
02:43No, no.
02:44What do you mean you're not ready?
02:45I'm not ready.
02:46I'm sorry.
02:46You're my wife.
02:47I know.
02:47I'm sorry.
02:48Harry.
02:49Look, let me just...
02:50No, Harry.
02:51No, get off me.
02:54Damn it.
02:54I'm sorry.
02:57I'm sorry.
02:57Stop it.
02:58Stop it.
02:58Harry, stop it.
02:59You're scared of me.
03:00Stop it.
03:03Harry, stop.
03:08I'm sorry.
03:12I'm sorry.
03:16I'm sorry.
03:20Yeah, it's okay.
03:22Forgive me.
03:22I'm sorry.
03:23I forgive you, my love.
03:26Soon.
03:28Soon.
03:29Sam, so you're mine.
03:31I'm yours.
03:32Soon.
03:34Good night.
03:35Good night.
03:38The only problem,
03:40Evelyn Nesbitt was not a virgin.
03:45Not even close.
03:47And Harry Thaw was not her first benefactor.
03:57Good evening, Evelyn.
03:58My dear.
03:59Good evening, Stanford.
04:02Excuse me, who the fuck are you?
04:06Mr. White.
04:07Stanford White.
04:08The architect of Madison Square Garden.
04:10So?
04:12Excuse me?
04:13I said so.
04:14I understood the word, just sincerely confused by the context.
04:18The context is escaping you?
04:19Is that what you're...
04:20Forgive me.
04:21Um, Harry, I didn't introduce you.
04:22This is, um, this is Stanford White.
04:24He's a very good, um, an old friend of mine and my mother's.
04:28He knew me since I was a child.
04:29We're very close friends.
04:30Yeah, you said that already.
04:31You're repeating yourself now.
04:32Did I?
04:33Yeah.
04:34Oh.
04:35And who might you be?
04:37I'm her husband.
04:38Yeah, that's right.
04:40I'm her fucking husband.
04:41Yes.
04:41Harry, please.
04:42Yes, you said that.
04:43Seems you're repeating your song.
04:45Oh, you're a smart guy.
04:45Well, enjoy the evening.
04:46Harry, he's not, he's not.
04:47Harry, Harry, come on.
04:49I love you.
04:49What's up in there?
04:50No, let's go home.
04:51Let's spend the night together.
04:55Let's go home.
04:55I plucked your eyes with three cherries on a swing.
04:59Enjoy the show.
05:00Harry.
05:00Good evening.
05:01You look absolutely not a chicken.
05:09You lied to me.
05:10No, I didn't.
05:12No.
05:12You fucking lied to me?
05:14No, I didn't.
05:14Yeah, you fucking did.
05:15You fucking lied to me.
05:17That's what you fucking did.
05:19No, Harry.
05:22Harry.
05:27He had her on a fucking swing.
05:29Don't, Harry.
05:30No, no, no.
05:30I had her every which way on a velvet fucking swing.
05:41What?
05:49Shut up.
05:52Eat your fucking shrimp.
05:54Dance.
05:55Fucking dance.
05:56Play some music.
06:01That's good.
06:02Fucking right.
06:12I'm sure you're wondering what this murder has to do with me.
06:17Well, everything.
06:19You know, for trusting me on this one,
06:21there will be other deals, I promise.
06:25Harry sent a note.
06:27What? Harry? What?
06:29What? Harry?
06:30Yeah.
06:32From prison?
06:33Yeah.
06:34He wants us to look after Evelyn and, you know, until the trial.
06:37Oh, God, you didn't agree to this preposterous notion, did you?
06:41He sent a note.
06:43He sent a note on the, on, on, on Toome's prison letterhead.
06:46So, you know, send a note back on Henry letterhead.
06:51Marion, Marion, she's coming and there's nothing we can do to stop her.
06:56He's been a good friend, financially speaking.
07:00We owe him.
07:02We owe him, we owe him, we owe him.
07:04Why, why does everything always have to be so drab and transactional?
07:10Well, of course, life is drab and transactional, Marion.
07:15It's what you do with it.
07:20Mr. Henry.
07:21Yes.
07:21Mr. Henry.
07:22Yes, yes.
07:23The artist, sir.
07:24He's in your study.
07:26I know, that's why I told him to meet me.
07:27Yes, but the thing is...
07:30Jesus, in the name of God, what are you doing?
07:39I make room.
07:40Room?
07:41Yes.
07:41There's room, there's plenty of fucking room all over the house.
07:43Real art needs space.
07:44Real art needs to breathe.
07:46Real art needs light.
07:47Take it easy.
07:49Leave it, leave it.
07:50This isn't real art, this is an investment.
07:53An investment.
07:55It'll live down in the basement in a vault in a crate.
07:57You're a damn madman.
08:02Your turn now, Celia.
08:04Oh, for fuck's sake.
08:05I just sat down to steam my cooter.
08:08What is the debt from your pay for this?
08:10You shall not.
08:11The poodles will more than cover it.
08:13I don't know who you think you are.
08:14Honestly, I don't.
08:17Where is my money, Mr. Henry?
08:20Where is my money?
08:21I shall pay you your money once I have the peace of praise to insurance and the style and liking to the value that we had agreed on.
08:27And then I shall deduct for damages and then I'll write you a promissory note.
08:31No, I will not take a promissory note.
08:32You will.
08:33I will not.
08:33I take cash.
08:35Compris?
08:36Cash!
08:40How do I know you're not simply a fraud?
08:44Pardon?
08:45You heard me.
08:46You do not utter words as such in the presence of a man that has dedicated his entire life to holding a mirror up to society with his brush.
09:03Yadda, yadda, yadda.
09:05It's a little bit, uh, breezy up there on that soapbox.
09:09Oh, my heavenly father.
09:14What in the name?
09:15Leave it alone.
09:16And the bones of an artist will live forever, whilst the prick of a rich man like you shall fade to dust.
09:25And you know why, Mr. Henry?
09:27Because the rich have no soul.
09:29How does it feel to have contributed nothing of value in this world?
09:42Nothing!
09:43Want to know how I made my money?
09:46I don't care.
09:47You should.
09:49Because it's why you're here.
09:51Is it not?
09:52I pick up the pieces.
09:56Paper, rags, copper, lead, steel.
09:58I'm a junk man.
09:59I'm a middleman.
10:00I'm the glue.
10:02I pick up their crap.
10:03I feed it back into the furnace.
10:05I turn it around.
10:05And I shove it right back down their fucking throats.
10:11And there's an art to that.
10:17That's why you're here, my friend.
10:22My contemporaries are one of the biggest business, the flashiest, not me.
10:25I just want to be everywhere.
10:26I want to be everywhere all at once.
10:27And I am.
10:28I'm everywhere all at once, in business and especially in my home.
10:34I see how she looks at you.
10:37My wife.
10:44Don't make me nervous.
10:45You should never intend to make me nervous.
11:00Or I won't pay you for your painting.
11:04If you do not pay me, I will slit your throat in your sleep.
11:10Mr. Henry.
11:26Mr. Henry, sir, the company has arrived.
11:28The new company.
11:31Okay.
11:32Tell Mrs. Henry where they are.
11:34I mean, it was horrid.
11:44I mean, have you ever seen a man's brains just splayed out across his tiramisu?
11:50Terrible accident.
11:52This is no accident.
11:54I mean, God, do you read the papers?
11:56It's just sensationalism at its finest, darling.
11:58Yeah, sensationalism at its finest.
12:00No, Harry walked right across the room and he just shot him in front of the whole ballroom.
12:08It's not that it was a shock to me because I am the first to say that Harry belongs in a ward.
12:14I was his wife, okay?
12:15But it wasn't the craziest part.
12:21Do we need to know?
12:22Do you know what Harry said before he shot him in front of everyone, in front of a room full of status?
12:32You do not need to reenact this, darling.
12:33Harry held the gun out to here and he points it at me and then he points it back to Stanford and he says,
12:41You ruined her, Stanford.
12:43You ruined her in every which way.
12:48He said that.
12:49He said you ruined her in every which way.
12:52I mean, as if I need the whole city knowing that I had been with Stanford White in every which way.
12:58It wasn't much of a surprise to the city, darling.
13:00You know, he raped me.
13:02It was a raping.
13:03I mean, look, in the conventional sense of the word.
13:06What's the unconventional sense?
13:08I didn't mean to be with him for anything more than just money.
13:10You can even ask Mommy.
13:12She was right there in the room when it happened.
13:15Isn't that right, Mommy?
13:18She was in the room?
13:19Yes.
13:20And I would wake up aching from the waist down every morning and so eventually I just thought that...
13:25It's okay.
13:25You're safe now and you can stay here as long as you like.
13:30What's your name?
13:33Mrs. Henry.
13:36Have you ever been taking up the asshole while you were sleeping, Mrs. Henry?
13:40Have you?
13:44No, ma'am.
13:45We don't sleep in the same bed, Evelyn.
13:48That's a shame.
13:49Apparently not.
13:55Why'd you marry him if you're not going to sleep with him?
13:58Well, you know, for love.
14:01Anyway, you just make yourself comfortable, you know?
14:04You can stay as long as you like.
14:07I won't be here long.
14:09Just until they need me for the trial.
14:12You hear they're calling it the crime of the century?
14:15I don't know.
14:16It kind of makes me lead billing.
14:19You don't think I can pull it off?
14:30Pull what off?
14:33I mean, I get a really handsome cash bonus if Harry's acquitted of the charges.
14:41Cash bonus?
14:42Yes.
14:43From what?
14:43Well, from Harry.
14:46Are you daft?
14:47Is her husband daft?
14:50Darling.
14:52He shot Stanford White in cold blood.
14:55Right in front of you.
14:56I wouldn't get my hopes up for a cash bonus if I were you.
15:01Oh, Mrs. Henry.
15:06This is not murder in cold blood.
15:08This is the crime of the century.
15:14I knew the moment I laid eyes on her that Evelyn Nesbitt was going to be the star she had always dreamt of being.
15:21I also knew it would be for all the wrong reasons.
15:30Service!
15:33Service!
15:35Service!
15:35Service!
15:35Service!
15:38They say Harry's to be released in January.
16:00I'm not sure.
16:01My husband insisted on a fine dinner for Evelyn and her lobotomized mother that evening.
16:07It was a dinner we could not afford.
16:11And he insisted I join the lot of them.
16:14Eat your fucking shrimp!
16:15This.
16:16This is it.
16:17Beef, sir.
16:18I don't see the beef.
16:19Where?
16:20He's certifiably insane, you know.
16:22A pointless charade if I've ever been a part of one.
16:27I mean, he can't be held accountable for what he did.
16:30That is what the doctors say.
16:31Perhaps your love struck.
16:33Mrs. Henry, how would I know love?
16:36I'm only 16.
16:36Anyone here know a chap by the name of Mark Twain?
16:39You know, I'm to be fit for a new wardrobe before the trial.
16:43This man, Charles Frederick Worth, is doing it.
16:45And he is amazing.
16:46Everyone knows a chap by the name of Mark Twain.
16:49Not Mark Twain.
16:50What have you got against Americans?
16:51Charles Frederick Worth.
16:52He's a designer.
16:53Wrong.
16:54Oh.
16:54He's an inventor now.
16:56Well, the lawyers have a plan to get Harry off.
16:59Which involves making me some sort of star.
17:04Which, I don't know how I could do that.
17:06He invented the female shoulder strap.
17:09Hmm?
17:09Female shoulder strap.
17:11He's made it adjustable.
17:13Most inventors there are artists.
17:16Most funded innovators are artists.
17:18What kind of star?
17:19I hope you're not using my money to fund his invention.
17:22But I'm preparing myself for the sycophants nonetheless.
17:24That's not how investments work.
17:26Your money's safe with me until the, uh...
17:28Until the place that comes.
17:29When will he come?
17:30He's scheduled.
17:31Coming shortly.
17:32Uh-huh.
17:34Enjoy your beef.
17:35Merci.
17:36I'm the house.
17:47Do you know something?
17:50I do believe this may be the last evening that I'm in a room with real people.
17:55You know, without ulterior agendas and such.
18:03Well.
18:05Well.
18:05Lily, would you mind going elsewhere with a fit you're throwing?
18:22Or at least give it to us in English so we can be in on it, yeah?
18:25You know what I mean, Alain.
18:26This is enough.
18:27I will speak with him.
18:28Don't do anything.
18:29They might see you on the streets, Lily.
18:30She don't know the missus like we do.
18:32Oh, Miss Nesbitt.
18:37Hmm?
18:38Uh, what is it you do?
18:40Well, I'm a dancer and a singer.
18:45I'm also an actress.
18:46I was formerly a model, but that's a past life, you know, with and without team.
18:51Your work.
18:52What is your work?
18:56I...
18:57Well.
19:01I'm standing testimony from my husband, Harry.
19:04Oh.
19:05Your question was pointed.
19:06No?
19:07Well, I don't appreciate the tone.
19:11Huh?
19:12Huh?
19:13Huh?
19:13Huh?
19:18Let us toast to the most meaningful performance of young Miss Nesbitt's life.
19:25Uh, may it be fleeting, uh, immediate, and daring.
19:31Uh, it must be the most convincing performance that the world has ever seen.
19:41Well, I believe I'm simply reading from a script, but thank you.
19:53The world expects for you to tell the truth.
19:56And they want you to, to put up a, a mirror up to, uh, society to speak from the soul, however
20:10uncomfortable that may be, they want to know you.
20:16I, um, I don't believe I know me.
20:27Exactly!
20:28That is art.
20:30The exploration.
20:32The searching.
20:36A self-loathing.
20:46Monsieur Henri, uh, you pay a, uh, a lot of money for the real life.
20:59We, well, some of us, we have to live it.
21:09We have to live it.
21:13Madame.
21:16Bring me my fucking money.
21:29Fucking French.
21:49Am I right?
21:51Yes.
21:52He's been paid.
21:57He wasn't serious about the money bit.
22:01Because he's been paid.
22:04You know, Harry, he used to withhold my allowance.
22:10Until I let him, you know, lick my inner thighs while I was chained to the bedpost.
22:15On that illustrious note, I shall retire to my quarters.
22:23Good evening, ladies.
22:27Marianne.
22:29Good evening.
22:34All righty, then.
22:35Artists, painters galore.
22:40This just in.
22:41The new gang's in town, and they're called the Impressionists.
22:44Making a ruckus across the pond, these painters are bucking tradition and painting outside of the studio.
22:50Cafés, landscapes, ballerinas, get your Impressionists painting today.
22:54Shipping to America.
22:55Available on the Mauritania.
22:56While room remains.
22:57Why did you lie, Mr. Henry?
23:12I didn't lie.
23:14I don't lie.
23:16You told them that I had been paid.
23:19You told them that it was a silly joke.
23:22Mrs. Henry,
23:23you don't think that they're going to embarrass me
23:28when I get up there for the trial?
23:33Because admittedly, all this talk of truth makes me nervous.
23:41Have you not had the rumors, Monsieur Henry?
23:46I do not take kindly to Swindler.
23:50What the fuck you're talking about?
23:51It's a fucking punter.
23:56Peter.
23:58Yes.
23:59For you?
24:01Perhaps the Grim Reaper.
24:08How?
24:09Young woman,
24:22you have done nothing wrong,
24:25and you have nothing to be embarrassed about.
24:28You don't actually believe that, do you?
24:32Help me.
24:33Help me.
24:34Help me.
24:35Excuse me.
24:35Somebody help me!
24:38Norman.
24:38Norman.
24:39Are you all right?
24:40I'm all right.
24:41Norman.
24:42I think you're all right.
24:44What about?
24:46What?
24:46I think he's some sort of murderer.
24:48I think he's Jack the fucking Ripper, I think.
24:51We just got to give him the money.
24:53Get him out of here, please.
24:54Norman, you just said that you'd already paid him.
24:56I did.
24:57Is that right?
24:58I did.
24:58I did.
24:59Norman.
24:59I said that.
25:01I said that.
25:01I'm sorry I said that.
25:03Shh, shh, shh.
25:04Norman, you have to go back to your room.
25:06You have to go to the safe.
25:07You have to prepare the bills.
25:09We will handle this together.
25:11I don't think...
25:13I don't think we have the bills.
25:18How many do you think you have, Norman?
25:20I don't know.
25:21I don't know.
25:22You don't know.
25:23Well, you had better check.
25:24Norman, you had better check right now
25:26because you commissioned a painting
25:28that has already been completed.
25:30Well, the appraiser hasn't been here.
25:32Fuck the fucking appraiser.
25:34It's a fucking portrait.
25:35A fucking pool, you fucking fuck.
25:39Marion, don't leave me, Marion, please.
25:44Really?
25:53Artis, I know you can hear me.
25:55You found this roof on the map.
25:58I certainly know that you are capable
25:59of following instructions, don't you dare walk away from me?
26:02You accosted my husband under the Henry roof.
26:05Under the Henry roof!
26:08My husband, your husband, he owes me money.
26:11So what?
26:12Loads of people owe money.
26:16I just...
26:18That's no excuse for this kind of degradation.
26:20Look, my husband is a very sensitive man,
26:25and he really tries his best.
26:28And I, for one, believe that he has been misunderstood
26:31in this particular instance.
26:33No, no, no.
26:34There's been no misunderstanding.
26:35I am to be paid for the work that I have done,
26:37for the work that has been completed,
26:38for the work that sits in the corner facing the wall in shame,
26:44because it has not been appraised as such.
26:46For fuck's sake,
27:00don't scare me like that.
27:05You don't know what I'm doing.
27:10You don't know.
27:11You don't know what I've been through this evening.
27:18Do not lecture me on the burdens of your life.
27:20I'm sick of hearing about you and catering to you.
27:23You made promises to me first.
27:24Shut up. Shut up. Shut up.
27:25You made promises. Shut up, shut up.
27:26You made promises to me.
27:32What are you talking about?
27:33You ever pull a stunt like that again,
27:36and you will find yourself bludgeoned.
27:39Hmm.
27:41In what sense?
27:43In the physical sense, sir.
27:46I am a trained boxer.
27:51You are a woman.
27:54Yes, I am.
27:56I am a woman.
28:00I expected more from you.
28:02Yeah.
28:05Most do.
28:07Don't treat me like an endless seal up here in a linen pantry
28:10while the stent of your new orphanage.
28:12Shut up.
28:12Shut up.
28:13Fuck.
28:16You talking about Evelyn Nesbitt?
28:18You think I'd be stupid enough to sleep with Evelyn Nesbitt?
28:22You see what her husband did to the last one?
28:24You know what I see before me?
28:26What?
28:26I see a failed, miserable, greedy old artist who's so lost and blind that he can own or follow
28:34the scent of money.
28:37And, well, actually, that's absolutely fine by me.
28:41But just don't bring your ideas of truth and purpose into this house.
28:45That's just dangerous and it's just, it's bullshit.
28:49You will send me back to Paris to star in Les Saisons or Acapella or I will, I will...
28:58But, you will what?
29:07I found you on the streets.
29:10You're nothing more than a pickpocket.
29:15Who can spin?
29:22God.
29:22Oh, God.
29:30I'm so sorry, Lily.
29:32I don't want to...
29:33I'm sorry.
29:38I don't want to...
29:40I don't want to...
29:41I've been lost and gone forever.
29:52I don't want to...
29:53I don't want to...
29:55I don't want to...
29:56I don't want to...
29:56I don't want to...
29:57I don't want to...
29:57I don't want to...
29:58I don't want to...
29:59I don't want to...
30:00I don't want to...
30:01I don't want to...
30:02I don't want to...
30:03I don't want to...
30:04I don't want to...
30:05I don't want to...
30:06I don't want to...
30:07I don't want to...
30:08I don't want to...
30:09I don't want to...
30:10I don't want to...
30:11I don't want to...
30:12I don't want to...
30:13I don't want to...
30:14I don't want to...
30:15I don't want to...
30:16I don't want to...
30:17I don't want to...
30:18Oh my dear, dear girl, let us say our prayers.
30:36I'm grateful tonight for our bed and for the food we eat and the clothes we wear.
30:45I'm sorry, Lily.
30:55I'm sorry.
31:00But really, I am grateful for the stage because one day I will be a great big stage actress
31:13and everyone will love me, Mother.
31:16They will all love me.
31:28Look, we don't want any trouble.
31:32My husband is a man of his word and as are the men who vouch for him.
31:37And at this very moment, he's in his room.
31:40He's in our safe.
31:41He's counting out your bills.
31:43The bills?
31:54Yes, he's counting out your bills.
31:56And, uh...
32:01Shush.
32:02He has the bills.
32:04Yes, yes, yes, he has the bills.
32:15Well, if we all survive the night, you may just very well be able to claim those bills as your own.
32:26Me!
32:27Shabbat!
32:28Shabbat!
32:29Shabbat!
32:30Shabbat!
32:31Shabbat!
32:32Shabbat!
32:33Shabbat!
32:34Shabbat!
32:35Oh!
32:36Oh!
32:37That is a great relief.
32:41Lily?
32:58What are you doing?
33:09I'm writing my sonata.
33:27Huge relief.
33:28Yes.
33:29Yes.
34:34Even if we don't have Paris.
34:39We still have this.
34:57Aww.
34:59You know, my sister, um, is an artist.
35:02Yeah.
35:03She's a sculptor.
35:05Uh, or...
35:06I don't know.
35:07Something in a physical form.
35:08And, um...
35:09No, no, no.
35:12Lily.
35:13Stay atent.
35:14It's dangerous.
35:15Lily!
35:16Lily!
35:17She goes to shows across the country.
35:19And, you know, that's a really very, very different world from this.
35:22And I guess I'm just trying to say that, um...
35:26No!
35:27No!
35:28No!
35:29Well, I understand the life of a struggling artist.
35:32I guess that's what I'm trying to say.
35:35For the embarrassing life of Edgar Degas, hmm?
35:40Say no more.
35:41No.
35:42You shouldn't be ashamed.
35:46You value art above everything else, and...
35:49I admire that.
35:52And...
35:53I think there's something rather romantic about it.
35:56What did you say?
35:57I am Jada!
35:58I am Jada!
35:59I am Jada!
36:00I am Jada!
36:02I said, uh, the, um, embarrassing life, I think.
36:14No, no, no, the other bit.
36:18Could it have been true that the man painting my poodles was, in fact,
36:23one of the most acclaimed impressionists of all time?
36:29The very same impressionists who would sit shoulder-to-shoulder
36:36with the likes of Renoir, Pizarro, and Monet.
36:56Your head could take up.
36:57There.
37:10What have they done to you?
37:13The world is cruel to all men.
37:17And yet?
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