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00:00I'll see you next time.
00:29Mrs. Henry, ma'am.
00:34They got him down the stairs.
00:41Take your time.
00:46Thank you, Gretchen.
00:52Dear reader, this is not a story in the conventional sense.
00:59You see, nothing is neat and tidy, nor is it laid out with ease for a dim-witted pony,
01:05which I hope you are not for both our sakes.
01:08No. This story in particular is a cautionary tale,
01:13and I shall begin at the very end as not to dramatize.
01:16My husband is dead, killed in the dead of night.
01:22His last breath taken after a series of inexplicable, unconnected events that together would change the world forever.
01:30Ironically, the days leading up to his demise would remind me why I had loved him.
01:36But it would be the moments afterward that would set me free.
01:42You see, this is not a tale of murder.
01:44This is a story of rebirth.
01:48You see, this is a story of rebirth.
01:54I suppose the reason I say all of this is to perhaps inspire you to look at the world that would set me free.
01:58this series of events from a different perspective.
02:00You see, this is not a tale of murder.
02:02This is a story of rebirth.
02:06I suppose the reason I say all of this is to perhaps inspire you to look at this series of events from a different perspective.
02:26Mine.
02:34This story would begin the morning the artist arrived.
02:38He was supposed to be delivered the night prior.
02:41But I did not know this yet.
02:43Come on, you pheasant.
02:45Service!
02:47Service!
02:49Service.
02:51Are they gonna be out there all winter? I mean, it's fucking freezing. It's winter.
03:09I'm meeting tomorrow with Mr. Edison on a business opportunity.
03:25Thomas Edison.
03:31See, I overheard the Morgans and, uh, well, now he's coming up to the house tomorrow.
03:37Might very well reverse our little conundrum.
03:39We can time this, right?
03:43Andrews invested twice.
03:44Both times they saw returns before putting pen to paper.
03:47Credit alone.
03:48Just on credit alone.
03:52It's just not fair to the little people in this world.
03:54You know, that doesn't really have to be the pheasant.
03:56I believe you know Tommy from a past life.
03:58It really could be, it could be a chicken breast.
04:00Chicken breast.
04:01They're interchangeable fowl.
04:02We'd be none the wiser, right Gretchen?
04:05Is there something I should know about Thomas?
04:07Well, like, how he likes his tea?
04:10Oh God, I miss the city.
04:12No one misses the city.
04:13And good tea.
04:14We're in the country.
04:15It's an enviable location.
04:16There is no one in the country here to envy us.
04:19Or at least that is what I had assumed.
04:30Putain de machine American de merde.
04:33I'm so very sorry.
04:35This is quite embarrassing.
04:37You see, the Henrys don't service these Model Ts as often as you might expect.
04:42Do you know Ford?
04:45I sense some frustration.
04:50Ah, oui, les Juifs.
04:52What was that?
04:57Are you a Jew?
04:58No, sir?
05:00Oh.
05:01Well, I don't think so anyway.
05:05You hear that?
05:06What?
05:07The car.
05:11It's a car!
05:12Stop it!
05:13Hey!
05:14Hey!
05:15Hey!
05:16Hey!
05:25This pheasant's old.
05:27It's left over from something or other.
05:30How's the regiment?
05:34Well, look at me.
05:35I'm looking.
05:36So?
05:37You look as tempestuous as the day I met you.
05:40Only 40 years older.
05:43Ludwig says I'm almost ready.
05:44For what?
05:45You know, a jaunt.
05:46Sparring.
05:47Fight.
05:48You're not fighting.
05:49You're not a fighter.
05:50Maybe I could win a match or two.
05:51Poor people, they fight.
05:52Yeah.
05:53Have something to fight for.
05:54Oh, damn it, Marion.
05:55Don't be a fool.
05:56Oh!
05:57Said the man who invited Thomas Edison up to the house.
06:03You know, come to think of it.
06:05I do remember one of Thomas Edison's idiosyncrasies.
06:09He likes to win at all costs.
06:12Trust me.
06:13Thomas Edison, he's a really smart businessman.
06:17I'm being serious.
06:18Are you?
06:19You wanted Ludwig?
06:20I bought you Ludwig.
06:21Oh, you brought me Ludwig.
06:22Very literally, yes.
06:23You know what was wrong with you?
06:24Please do tell.
06:25You were just never very charismatic as a businessman.
06:27You know the definition of a hobbyist.
06:29You.
06:30You are the definition of a hobbyist.
06:33And I love you.
06:35I can say that because I love you.
06:37But you lack the ferocity to succeed.
06:40You've given up on everything but me.
06:51You know, I feel in the mood for some entertainment.
07:02The night would progress with normalcy.
07:04I would insist on a performance from his ballerina, Rachmaninoff.
07:09A prelude, perhaps.
07:10Not a prelude.
07:11Not tonight.
07:12I have meetings tomorrow.
07:13C-sharp minor.
07:14No.
07:15G-sharp.
07:16C-sharp minor.
07:18If anything, G-sharp, you know she can't dance to the other noise.
07:23Lily.
07:24For Mrs. Henry inside.
07:26It would be the prelude in C-sharp minor.
07:29Set up!
07:30We're not!
07:40Have you seen the piece?
07:43Yes, of course.
07:44She toys with us.
07:45I did toy with them.
07:46Think of it this way.
07:48You'll be the first ballerina to ever dance to a Rachmaninoff prelude.
07:51Let's get on with it.
07:52Before you judge me and my circumstance, I implore you to read until the bitter end.
08:11It is only on the final page of this journal that you might be well enough equipped to tell fact from fiction.
08:20Hero from villain.
08:22Go.
08:23Challenge.
08:24Go.
08:28Wait a second.
08:33Hope cried.
08:35Go
08:38Hey.
10:10No one knows I should rack money enough.
10:16You should fuck her every once in a while.
10:18Yeah.
10:19Yeah.
10:20Yeah.
10:21Very good.
10:22Yeah.
10:23Yeah.
10:24Good.
10:25Good.
10:26Well, these are circumstances that are sometimes lost on young beautiful ballerinas.
10:35Complexities you shouldn't bore yourself with.
10:39You have real talent.
10:40It was the very same line he used on me.
10:44You have all sorts of talent.
10:46Before I was demoted to hobbyist.
10:48That's the hobbyist.
10:49Be careful.
11:14Imagine your perfect little dance of york, on the stage in Paris, for all the world to see.
11:28Their eyes, longing for my most intimate skin, the skin that you and you alone, the rightful owner of.
11:38It's what you want, is it not? To see me in Paris?
11:56Oh my god, I would love to see you in Paris.
12:01The girl and I were not all that different.
12:11She was young and optimistic, filled with purpose.
12:17Looking back now, I can admit I was rooting for her.
12:24Subconsciously hoping she might avoid the mistakes I had made.
12:33I think there was a part of her that reminded me what it felt like to be alive.
12:45Congratulations, Thomas.
12:59I am so very proud of what you have accomplished.
13:06And again, I would love me it!
13:10Give her a bright bow.
13:11I don't want to do it.
13:13I'm a good one.
13:16I love it.
13:18I want you to count back now with my strength.
13:23The vielenúdez World De shadows,
13:27My phone Availaці TT
13:33Move your ass.
14:03Je n'ai pas un moment à dire à ce sujet, mais je joue le jeu, car il m'a été dit que si je me conduis bien, j'ai mes chances pour l'anderolle de Coppelia cet automne. Je serai bientôt de retour à Paris, si Dieu le veut.
14:19Votre Lilith, toujours, tendrement.
14:23Oh, my darling, oh, my darling, oh, my darling Clementine, I was lost and gone for...
14:45Yes, Norman?
14:48I just wanted to remind you I have meetings tomorrow.
14:51With Thomas Edison, yes.
14:54Good, good.
14:55Is that all?
15:04I also have an artist coming tomorrow, you should know.
15:09What artist?
15:11Someone the Rockefellers introduced us to.
15:14Apparently everyone's meeting with him.
15:16He's in from Paris only for a short time.
15:19You know me and Art, I know nothing until it's hit me on the crease of the forehead.
15:24The mini-creases.
15:25Often it's too late.
15:26We're left with nothing.
15:27And our neighbors with the classics.
15:29Not this time, Marianne.
15:31Look at me being the passionate, impulsive man you married.
15:34Are you proud?
15:35Ah!
15:36You should be proud.
15:37Norman?
15:38Oh!
15:39What are you talking about?
15:40Have you commissioned something?
15:41No, no, no.
15:42Nothing major.
15:43No.
15:44You don't have time works, Marianne.
15:46Mm-hmm.
15:47Rockefellers, William, even Andrew.
15:48No, Andrew is a Carnegie.
15:49Well, I'm a Henry.
15:50Oh, my God.
15:51I miss the city.
15:52Good for you.
15:55I refuse to sit and have my portrait taken for an artist.
16:01I wouldn't expect it.
16:02He'll paint the poodles.
16:07It's already been decided long before this drab conversation.
16:10It was just like that his fate had been sealed for a portrait of poodles.
16:15When you arrive at the windmill, you make a left.
16:28Yes.
16:29Then it's only four streets further.
16:32It'll be the only house with lights.
16:34The only house with lights?
16:36What does this mean?
16:38No one else lives here in the off season except the Henrys.
16:42The Henry estate will be the only house with lights.
16:44It is very dark.
16:48It is very, very dark.
16:50Yes.
16:51And I cannot see very well at the dusk.
16:57I understand that you do not know much about me, but know this.
16:59I am all but blind.
17:05You're a blind artist?
17:14Blackwell.
17:17We transit the wood.
17:19We transit the wood.
17:20We transit the mud.
17:23Sir.
17:24Sir.
17:25Sir.
17:27Sir.
17:29Sir, leave them.
17:30Sir.
17:31Mayonets.
17:32Sir.
17:35What?
17:36This is pretty good.
17:38For a blind guy.
17:44We shall now take a short intermission
17:46while the artist fumbles around in the woods.
17:51Thomas Edison has done it again,
17:52only this time it's the moving picture with synchronized sound.
17:56Introducing the kinetophone.
17:57And for a limited time, Mr. Edison will be offering shares
18:00to the general public so you too might try your hand
18:03at changing the world.
18:04From the inventor of the light bulb,
18:06the kinetophone, don't wait.
18:08Purchase your stock today.
18:19He walked all night,
18:22unable to find the house until dawn.
18:30Who the fuck are you?
18:47Happy meeting day, sir, Mr. Henry.
19:01Is she awake?
19:02Uh, not yet, sir.
19:04You see to it, she stays occupied.
19:07Yes?
19:07All day?
19:09Yes, sir.
19:09I don't need tomfoolery, not today.
19:11It's the best of my ability, sir.
19:11No, sir.
19:12Tell me, has she ever shared with you the history?
19:15History, sir?
19:15Well, Thomas Edison.
19:19Peculiar comments last night about...
19:22Oh, never mind.
19:27I feel good. You feel good?
19:28I feel good.
19:29The artist, sir, he's here too.
19:32Shall I arrange a tea with you, sir?
19:34Tea? What kind of tea?
19:37Earl Grey, if you like, sir.
19:38Arrange a tea with the poodles.
19:39Yes, sir.
19:40Okay. Go.
19:41Yes, sir.
19:42Gretchen, Gretchen, Gretchen!
19:43Yes, sir.
19:44Keep her occupied all day, yes?
19:46All day, sir.
19:47Let's go, let's go, let's go!
19:49Ah!
19:49Ah!
19:50Ah!
19:51Ah!
19:55Ah!
19:56Ah!
19:58Ah!
19:59Ah!
20:02Ah!
20:03Ah!
20:04Ah!
20:04Ah!
20:05Ah!
20:09Ah!
20:09Ah!
20:10Ah!
20:10Ah!
20:11Ah!
20:11Good luck, Doctor.
20:12Ah!
20:12Ah!
20:12Ah!
20:13Ah!
20:19It appears you've lost blood.
20:22It might be safe to assume that you are hallucinating at this very moment.
20:25Ah!
20:27Ah!
20:28Ah!
20:28Ah!
20:29Ah!
20:29Ah!
20:30Ah!
20:31Ah!
20:31Ah!
20:32Ah!
20:32Ah!
20:33Ah!
20:34Ah!
20:35Ah!
20:36Ah!
20:37Ah!
20:38Ah!
20:39Henry!
20:40Yeah, I'm in the air.
20:41Oh.
20:43Is everything all right, ma'am?
20:44Of course it's all right.
20:45Why wouldn't it be all right?
20:48It's just normally you're lying in the bed until I pull the curtains.
20:51Well, I just thought a 6 a.m. bath would be just sprightly on a day like today.
20:56And what sort of a day is today, ma'am?
20:59That's a bit of an overstep, isn't it?
21:01Yes, of course. Sorry, ma'am.
21:03Yes, I just mean that today is just a day like any other day,
21:06and let's just leave it at that.
21:08And I won't have you prying and making something out of nothing.
21:16Find me Ludwig.
21:21Damn it.
21:26Excuse me.
21:39Have I missed breakfast?
21:45Hello.
21:48You look... unhoused.
21:53Artist.
21:56The hounds are ready for you.
22:10Mr. Edison.
22:12Ah.
22:13I trust your journey was refreshing.
22:16It was nippy.
22:17Nippy, yes.
22:18Yes, it's nippy.
22:19Well...
22:21Tell me, was it, um, was it the polo match in Atlantic City?
22:26Was what the polo match in Atlantic City?
22:29When last we crossed paths.
22:31Oh, very possibly.
22:33Um, would you permit me to be brief?
22:35I'm due back in the city for supper, all right?
22:38Yes.
22:39Now, if you will, I was told it was something innovative that you were after,
22:43something dramatic and something, well, very daring.
22:46Yes, that is exactly right.
22:48Something with dramatic upside, I should say.
22:51Well, my portfolio does not exist merely as a means to fuel your wealth, sir.
22:56What is it, then?
22:56Well, I'll tell you what it is.
23:02Uh, this, right here, is going to redefine the next hundred years, perhaps more.
23:09It's going to make women weep and men cower, so it's not just a cash grab.
23:13Please don't invest in it, unless your personal fulfillment comes from truly changing the world.
23:18What are you due for supper?
23:20What?
23:21Who's home?
23:23My own, Mr. Henry.
23:27Let's get started, shall we?
23:29Surely, yes.
23:32I'd like to try a number from Les Saisons.
23:35Les Saisons, Les Saisons.
23:37It's always a number from Les Saisons.
23:40Oh, is it?
23:41I'd like to try a number from Les Saisons.
24:11And one, and two, and three, and four, and one, and two, and three, and four, and spin.
24:20Have you hired new help?
24:23Ludwig, would you speak plainly?
24:25A wizard man, with gardener's hands.
24:30He's been roaming the kitchen aimlessly.
24:34Hands up!
24:41He has that deep sense of utter darkness.
24:46The artist, did he?
24:49That might make sense.
24:51Put your eyes right in there.
24:53There you go.
24:54I'm going to lower.
24:55These over your ears.
24:56They should be quite comfortable.
24:57I don't see anything.
24:58Not yet.
24:59This is the first of its kind, you understand?
25:01All right.
25:01This is immersive entertainment.
25:03The moving picture with music.
25:06Hands up!
25:06He has that deep sense of utter darkness.
25:11Darkness?
25:12Ah!
25:19Ah!
25:20And one, and two, and three, and four, and back, arch!
25:32Darkness!
25:33Ludwig, what do you mean?
25:35Like that of a murderer.
25:38A murderer?
25:38A murderer?
25:40In my house?
25:41Now, any accusation of murder is one we most always take seriously.
26:10I'd have to speak to Norman about this.
26:15Oh, my God.
26:16Oh, my God.
26:17Yep.
26:18Norman, I'd just speak to Norman!
26:21Even if the accusation is completely and utterly without merit.
26:32Back, arch.
26:34Hold!
26:35Hold!
26:37Hold!
26:38Hold!
26:40Hold!
26:41Hold!
26:42Hold!
26:43Hold!
26:44Hold!
26:45Hold!
26:46Hold!
26:47Hold!
26:48Hold!
26:49Hold!
26:50Hold!
26:51Hold!
26:52What?
26:53For fuck's sake, what?
26:54It's your physique.
26:55What about my physique?
26:56Oh, Yoo-hoo!
26:57Is there a spot of tea I might have swung up from the kitchen?
27:09Yes.
27:10And honey?
27:11Lots of honey, yes.
27:12Oh, you're a doll.
27:13What's your name?
27:14Beatrice, sir.
27:15Oh, really?
27:16Beatrice.
27:17That's your real name?
27:18Yes, sir.
27:19An oriental maid named Beatrice.
27:22What a chinky little thrill.
27:26Fucking asshole.
27:27Listen, Lily.
27:28I pick and choose my battles with you.
27:32You understand this saying in America, yes?
27:34I understand the saying, yes.
27:35I do not understand you.
27:36You're just not selling me the fantasy, darling.
27:38And as I've said time and time again, to you and to him, I just don't see it.
27:44I-I-I just don't know how to get you there.
27:47Then I will speak to Mr. Henry and have him find me someone who will get me there.
27:52Oh, you wouldn't dare.
27:53And he would never get rid of me.
27:54Who do you think you'll side with?
27:56An old act who couldn't sport talent if you fucked him in the face?
28:00Poor who?
28:01You?
28:02His whore?
28:03I will go to Paris.
28:07And I will dance.
28:08Dream, baby.
28:09Dream.
28:14Oh, my.
28:17Oh, my goodness.
28:18Isn't that something?
28:19Ma'am, I've had the carriage brought around.
28:21I thought today would be a perfect day for a drive.
28:24Right?
28:25And a picnic, maybe.
28:26Lily, didn't Ferdinand break his leg?
28:27Is it?
28:32Well, how is the carriage going to be brought around if Ferdinand has broken his leg?
28:37Maybe he's healed.
28:39I mean, it's healed.
28:43Oh, my God.
28:44Oh, look at that.
28:47And the music.
28:48Isn't that marvelous?
28:49This is spectacular.
28:50Norman?
28:53Norman?
28:54Oh, you're almost at the finale.
28:56Can you see the bearded man from Coney Island in a musical number with a llama?
28:59A llama.
29:00There's a llama.
29:02Oh, my God.
29:03Norman?
29:07Can you hear those acoustics?
29:08That's two cellos and a clarinet.
29:10Or two clarinets and a cello.
29:12Norman, I need a word.
29:13Norman, I need a word.
29:14I'll have you know that I heard a word.
29:15You are a genius, sir.
29:16You are a genius.
29:17There's a rumor that this painter or this artist or whatever it is that the Rockefeller's
29:20called.
29:21Can you just give us a moment, please?
29:22He might be a murderer.
29:23Who's a murderer?
29:24Who's a murderer?
29:25Oh, hello.
29:26Oh.
29:27Thomas.
29:28Thomas Edison?
29:29I can't put...
29:30I can't move on.
29:31Yes, I know.
29:32I just didn't recognize you because you've grown really old really quickly.
29:36I'm sorry.
29:37I'm sorry.
29:38Do we know each other?
29:39Oh, shut up.
29:40Well, the opinion of a woman.
29:41Forever humbling, eh?
29:42Oh, yes.
29:43The opinion of a woman.
29:44The work of a woman.
29:45The plight of a woman.
29:46I'm sorry.
29:47I'm sorry.
29:48I don't follow that.
29:49Oh.
29:50I can't get it all.
29:51Marion.
29:52My name is Marion, as you very well know.
29:55Marion.
29:56Oh.
29:57Oh.
29:58Oh.
29:59Oh.
30:00Oh.
30:01Oh.
30:02Oh.
30:03Oh.
30:04Oh.
30:05Oh.
30:06Oh.
30:07Oh.
30:08Oh.
30:09Oh.
30:10Oh.
30:11Oh.
30:12Oh.
30:13Oh.
30:14Oh.
30:15Oh.
30:16Oh, my.
30:17Mm-hmm.
30:18Lovely name.
30:20Oh, there's a shot.
30:22Oh.
30:23Oh.
30:24Oh.
30:25Oh.
30:26Oh.
30:27I believe you both might have crossed paths some years ago.
30:30Marion was a university student.
30:32You were a guest lecturer.
30:33I believe the year was, um, oh, God.
30:361867.
30:37Yes, that's right.
30:38Yes.
30:39Yeah.
30:40Well, I do recall a young student named Marion.
30:43A bright, young, independent thinker.
30:46I believe the line was.
30:48She said, uh, over my dead body shall I ever marry.
30:52Mm-hmm.
30:53Mm-hmm.
30:54Mm-hmm.
30:55Mm-hmm.
30:56You.
30:57Yes, well.
30:58Here we are.
30:59Married all the same.
31:00Yes.
31:01Married and seemingly happy.
31:04Happy and fulfilled, you know?
31:06Norman.
31:07Norman.
31:08Norman.
31:09Yeah, yeah.
31:10Would you please just have a word with the painter, or whatever it is you call him,
31:13before we lose the last of our help?
31:15Good day.
31:16Count.
31:21My apologies, Mr. Edison, for her outbursts.
31:24She's, uh, she's a woman.
31:26Um, you'll excuse me just a moment.
31:29Uh, she didn't, uh, mean anything about the help, I assure you.
31:32She's just, uh, just excuse me just a moment.
31:39Ooh!
31:40Ooh!
31:41I knew you had such a grip on you, Norman.
31:42I'll show you more than a grip.
31:43You'll screw this up for me.
31:44Ooh, funny.
31:45You could've been this assertive when we shared a bed together.
31:47There you are.
31:49Apologies.
31:50Ah, busy day.
31:51Big day.
31:52Busy.
31:53You know the ones, I'm sure.
31:55You heard of Thomas Edison?
32:00Is that name, uh, wafted across the pond?
32:04He's here today.
32:06He's in the house.
32:09I told you're quite eccentric.
32:11Monsieur, Henri, what is this animal?
32:16It's, uh, from my trip to South Africa.
32:20I was of the U.S. contingent.
32:23It was a goodwill trip through Grant.
32:25Ulysses S. Grant, former president of the United States.
32:28I am French.
32:29She's a dear friend.
32:30Why do I care about your president?
32:32I imagine you don't.
32:34I ask you about the animal, and you tell me that you have a friend.
32:37It's a story, I would say.
32:38Ah.
32:39You were inquiring about the buck, that's all.
32:41Listen, I'm on a bit of a schedule, um...
32:43Simon!
32:44Yeah.
32:45I simply wanted to inquire about your demeanor in the house.
32:48It isn't me, it's my wife.
32:50She's, um...
32:52What do you know about art?
32:55I know you're one of those impressionists.
32:58You make quite a ruckus over there, I've heard.
33:01So you read the press?
33:02No, I've heard.
33:03So you don't read?
33:04Do you?
33:05I paint, which I imagine you do not.
33:08Therefore, you're either a well-read intellectual who finds his passion within the page, or a soulless twit inspired by paper bills.
33:20I'd like to know what I'm dealing with, whether my art is to be understood, merely a carcass on your wall!
33:33Oh, yes.
33:50Well.
33:51Well...
34:08Tea?
34:10Oh! Oh, God!
34:23I am going to Pachy.
34:25You can help or you can get the fuck out!
34:31Oh, you wench!
34:35Oh, get back here!
34:37Have you met your handsome subjects yet?
34:45And they're fidgety.
34:47They're dogs.
34:49Fidgety. And they're so...
34:51Perhaps they are uncomfortable with their existence in your world.
34:56Who isn't?
34:58Are you uncomfortable?
35:00Must you own me?
35:01Sitting here with you?
35:04Quiet.
35:07I will need my twice-over quoted fee.
35:12Absurd.
35:12Is it?
35:13They're purebred poodles.
35:14Are they?
35:15Yeah.
35:15Perhaps you prefer to shoot the bitches and mount them on your wall next to this other...
35:21It's a buck.
35:22Twat.
35:24Uh-huh.
35:25You can pay in cash.
35:27Cash?
35:27Oui.
35:28I don't deal in cash.
35:29Oh.
35:29I'm a man of means.
35:31I don't deal in cash.
35:32Are you broke?
35:35I beg your pardon?
35:37I asked if you are broke.
35:39No, I'm not broke.
35:40You don't need to be ashamed.
35:42I am broke.
35:44That's why I'm here, bending your fucking poodles.
35:47I'm not broke.
35:48I don't take credit.
35:59So I will reside on the property until I may collect my fee.
36:03Could take weeks to wait on the banks.
36:05The painting must remain in my possession.
36:06I could send you along with a promissory note.
36:08I will not take a promissory note.
36:10No, no, Henry.
36:10A promissory note, you can rest assured.
36:12I'm sure you will find a way.
36:14The rich always do.
36:15Would you be so kind as to have somebody show me to my court?
36:22Somebody's out the door.
36:23Just open the door and someone will help you.
36:25Uh-huh.
36:29Oh, man.
36:35What the hell?
36:45Mr. Edison is waiting.
36:51Sir?
36:53Sir?
36:53Huh?
36:54Mr. Edison?
36:55Oh, yes.
36:58Oh, no.
36:59So?
36:59Not now.
37:00How was he?
37:00How was he?
37:01He was French.
37:01He was very fucking French.
37:02What does that mean?
37:03I mean, you know what?
37:04Were you safe in our own home?
37:04No, I didn't pay you the attention you desire, Marion.
37:06Is that why you act like a petulant child today of all days?
37:09Anything to sabotage a deal with Thomas Edison.
37:12I need to close the deal.
37:15He is a liar and a cheat.
37:18He is Thomas Edison.
37:19He is Thomas fucking Edison.
37:21You will bite your tongue, Marion, and you will know your place, woman.
37:26You just stay here another minute.
37:29You're a wench.
37:30You think I need you?
37:31You are the two-bit whore with a crooked pussy.
37:35Of course I'm a two-bit whore.
37:36I'm a ballerina.
37:37A great fucking ballerina on my way to Paris.
37:39Or you go back to your little show with the dancing monkeys with the little midgets with
37:42a funny hat.
37:43You're the dancing monkey.
37:44My show was reviewed by the Times.
37:46In God's name is this.
37:47The fucking Times.
37:48Mr. Henry, look at what she's done to my face.
37:49Lily, Lily.
37:50The Freud is fucking Freud.
37:51He takes your money and sleeps on my time.
37:53That's not true.
37:54I often work with my eyes closed.
37:55St. Mary with her fake virgin pussy.
37:58Mr. Henry, Mr. Henry.
37:59She's a cunt, Norman.
38:01Yes, well.
38:01Who's a cunt?
38:03Oh, Jesus.
38:04Hello, Mrs. Henry.
38:10Marius, who is a cunt?
38:15Apologies for the language, ma'am.
38:17Marion, leave it.
38:19Just leave it.
38:19I was speaking to Marius.
38:22Mr. Henry.
38:23Yes.
38:23You know, let's just all journey back to our quarters.
38:26We can discuss this over drinks in the parlor later, because I have meetings.
38:30I have very important meetings.
38:31Well, perhaps I shall handle this so that you can, you know, carry on with your very important meetings.
38:36Are you the cunt?
38:37Am I the cunt?
38:39Dear Lily, no.
38:41Is she the cunt?
38:42Or my husband?
38:44Oh, no.
38:45Marion!
38:46I am for you to leave this alone!
38:49Shut up, Marion.
38:50Marion, Marion!
38:51Well, I think you're all fucking cunts and leeches.
38:54That's what I think.
38:55Marion!
38:56Mr. Henry, Mr. Henry, he's coming this way.
38:58Yes.
38:58You are a fucking cow of a woman.
39:02Ooh, you're making me sweat just for once.
39:05Look, I want to say something, Marion.
39:07You must feel trapped by him.
39:08Do you?
39:09Do you feel trapped living with this louse?
39:12You should feel trapped.
39:12You know why?
39:13Because you are trapped just like the rest of us.
39:14We're like mutts in a cage of...
39:17No, canaries in a cage.
39:18No, you know what I mean?
39:18The fucking metaphor about cages...
39:20Shut up, woman.
39:21Shut up!
39:21See these men?
39:23They lie to us.
39:24I never lie.
39:24They lie to us with their kind lies.
39:26Marion, shut it.
39:27Shut it.
39:27What are you trying to say to me?
39:28Marion.
39:29He doesn't have it.
39:30He doesn't have it within him to set you free.
39:32A woman was never to be published.
39:34I did you a favor.
39:35You are never going to go to Paris.
39:36Quite a brazen one at that.
39:38You are never going to Paris.
39:40Do you hear me?
39:41You bet on the wrong pony and you lost.
39:45We all did.
39:47The rest of it, that just doesn't matter.
39:49Because you lost, I lost.
39:51Shut up.
39:52We all lost.
39:53Shut up, Marion.
39:54I'm getting the sense this isn't entirely about me.
39:56Marion, Marion!
39:57God damn it!
39:58God!
40:02Oh, God.
40:04Oh, God.
40:07Oh.
40:08Well, would you look at that?
40:09He's out cold.
40:10Ha, ha, ha, ha, ha!
40:14Where is my fucking room?
40:17Ensemble.
40:21Where is it?
40:22Norman, Norman, Norman, Norman!
40:24Max, Marion, he's not going to kill you.
40:27He's just French.
40:28Sir, I'll show you to your room.
40:31Your room, this way, sir.
40:35My husband was right about one thing.
40:38It wasn't me who'd end up dead.
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