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00:00Well, let me tell you.
00:12The year was 1867, and I was the very first female student chosen to participate at a very prestigious Ivy League institution.
00:21They called this the dawn of a new era.
00:30Excuse me. I'm looking for bio-anthropology 215.
00:44I'm curious if any of you lot might be able to-
00:46Do you mind if I take a look?
00:50Bio-anthropology. Hmm.
00:54215.
00:57215.
00:59215.
01:00Yes, 215.
01:02You can read numbers quite well.
01:04You know, I don't recall where that one is.
01:08Even though you're holding a bio textbook right there?
01:12That's for something different.
01:14Oh, I see.
01:16I see.
01:18You know, if the lot of you can't muster up a decent retort, how do you expect to charm your future wives one day?
01:24Well, we can- we can retort.
01:27Sure you're telling yourselves it'll be all about the money, huh?
01:33But the truth is, women all over the country, the good ones anyway, they are just like me.
01:41They're challenging themselves to find unique purpose, to do better, to be better.
01:46Enlightened women.
01:49I don't want enlightened women.
01:51I don't think you'll have much say in the matter after long.
01:54All right.
01:55Do you disagree?
01:56Yes, they disagree.
01:57It seems they disagree.
01:58Come on, look at her.
01:59I mean, she's not a serious person.
02:00Look at her.
02:01Look at me.
02:02I am.
02:03Of the 6,072 submissions this year, there were 908 admissions, which makes you all very smart and very elite.
02:19But this fine lady, your name fine lady?
02:22Marion.
02:23Miss Marion, here, applied against an entirely separate pool of applicants.
02:28900 applicants.
02:30One slot.
02:33Sure, I don't have to explain how ratios work, but that makes her even more elite than you.
02:38And I believe that Marion- may I call you that?
02:40Okay.
02:41I believe the difference between you lot and Marion is that she doesn't believe that any of this is owed to her.
02:45You see, Marion knows that there are plenty of women who deserve to be here, but there needs to be a first.
02:49A catalyst that sparks change throughout the world.
02:53So I suppose what I'm trying to say is that you're absolutely right about women.
02:57They don't need to be enlightened.
02:59But in fact, most already are.
03:01Just simply waiting in the wings for the right moment.
03:06Rest assured, I most certainly was not in need of his saving.
03:14If anything, you might say that I unknowingly saved him.
03:19Dear reader, I must warn that if it is indeed this narrow love story that you yearn for, I might encourage you to look elsewhere.
03:29That was nice.
03:42What's this?
03:43It means what?
03:44That's nothing.
03:47Nothing, nothing, nothing.
03:48It's nothing.
03:52I just mean to say it's, it's, it's, it's not ready yet.
03:55It's, I don't know, it's far-fetched.
03:57Please, please don't judge me.
03:59I truly am a realist.
04:01You know, I don't expect it to go anywhere.
04:04God, listen to me, talking myself in circles.
04:06I should, I should really just shut up and, and stop talking myself in circles, but here I am.
04:12It's, it's really nothing.
04:14On the contrary, Miss Marsha.
04:17On the contrary.
04:19On the contrary.
04:21You're not allowed in front of the property, Celia!
04:35Choke on your mother's tit.
04:37Tell me I didn't just see what I just saw!
04:40What do you think you saw?
04:42Don't tell me, Celia!
04:47Filthy, filthy place!
04:49Filthy, filthy place!
04:53Filthy, filthy place!
04:55Filthy, filthy place!
04:57Marion, I implore you to leave this alone!
05:00Well, I think you're all fucking cunts and leeches!
05:03Shut up, woman, shut up!
05:05I never lied to you, please!
05:08Marion, shut up!
05:10A woman was never to be published, I did you a favor!
05:13They lied to us with their kind eyes.
05:15You are never gonna go to Paris.
05:16Shut up, Marion!
05:19I'm getting the sense that this isn't entirely about me.
05:23Marion!
05:25Get off of it, Jared!
05:29Well, would you look at that, he's out cold.
05:34Where is my fucking room?
05:36Where is my fucking room?
05:39My Charlotte!
05:43Norman, Norman, Norman!
05:44Where is my fucking room?
05:47There!
05:49Sir, I'll show you to your room.
05:51This way, sir.
05:53To your right, sir, to your right.
05:57Sir.
06:02Sir.
06:03What?
06:04Sir!
06:05The bell is broken!
06:06The bell is broken!
06:07Norman!
06:08Doctor!
06:09Try to tell you that the bell is broken!
06:10The bell is broken!
06:11The bell is broken!
06:12Sir!
06:13You're in a manic spin!
06:14You see, you see, this is why he lost all of his businesses.
06:16He can't keep it together under pressure.
06:18Marion, I'm begging you to use discretion.
06:19Wait, look at that.
06:20I am begging you, I am begging you.
06:22Oh, oh, oh, you don't want Thomas to hear?
06:24Anybody who doesn't need to be here, please go away, go away!
06:26You don't need to be here.
06:27It appears that he's truly cold under.
06:29Doctor!
06:30Doctor!
06:31Doctor!
06:32Doctor!
06:33Lily?
06:34Lily?
06:35Lily, where are you going?
06:36To my tent.
06:37To wait.
06:38For what?
06:41To be cold.
06:43Because I am a whore.
06:46Except I'm a stupid whore.
06:48Because I'm not even paid.
06:49Oh, don't be so dramatic.
06:51We're all whores.
06:52Lily, don't you do anything brash.
06:55Lily!
06:56No, you cunt!
06:58He's nothing but smoke and mirrors.
07:00He's better off dead.
07:01Marion, if you can contribute at least one thing to this family,
07:03it would be to help revive this man.
07:05Well, um, I think you should get that bell fixed.
07:08Now, that's a meaningful confusion if you ask me.
07:11Doctor!
07:12Doctor!
07:13I fetch him, sir!
07:14Thank you, thank you!
07:15Doctor!
07:16Quite old!
07:17Doctor!
07:18Doctor!
07:19Doctor!
07:20Doctor!
07:21Doctor!
07:26Hey!
07:27Hey!
07:28Hi!
07:29Hi!
07:31Oh, your wife's a cunt.
07:37Look, please, this is tremendous foolishness now.
07:39Please.
07:40How long was he out cold?
07:42Probably ten minutes or so.
07:43You have to be on my way, all right?
07:45This is foolishness.
07:46Mr. Edison, please, follow my finger.
07:48Would you like me to leave with my chin?
07:49No, only the eyes.
07:51Okay.
07:52That was the chin.
07:54I wouldn't recommend he drive tonight.
07:55Fine.
07:56It is settled.
07:57No, nothing's settled.
07:58It's settled.
07:59There's something called a cerebral edema.
08:01Do you know what that is?
08:02Never in my life have I been more accosted.
08:03I was assaulted, really.
08:05My lawyer is going to be my first letter upon my release from this prison stint that is this hellscape that you call Rhode Island.
08:12Mr. Edison, please, it was nothing more than the slip of, uh, you ought to leave the fine state of Rhode Island quite out of it.
08:16Oh, it was a slip of nothing.
08:18It was positively intentional, and she needs a real talking to that woman of yours.
08:21Sir, sir, sir, I would never punch you intentionally.
08:23I would never punch you intentionally.
08:24What?
08:25What?
08:26What did you say?
08:27Your wife, sir, needs a real talking to.
08:32Call me if you, uh, feel any dizziness or you see black spots.
08:35I should sue, is what I should do, for libel.
08:39Mr. Edison, feels a bit brusque.
08:43That feels terse to you, does it?
08:45Can I ask you something?
08:46Yes.
08:47Honestly.
08:48Please.
08:49Are you a serious man?
08:50I believe you know the answer to that.
08:52Look around here.
08:53Because I drove for hours to the middle of nowhere because I was told that you were someone who would not waste my time.
08:58And for that I shall write you a big fat check.
09:00At favorable terms, of course.
09:02Yeah, you're going to award me more than that.
09:04What, what, what, what are you implying?
09:08I'm going to need a formal apology from your wife, sir, before a deal can be done.
09:13And let me tell you something.
09:14Any deal that could be done, so it shall be done.
09:17And when it is, it's going to make you more money than you've ever seen in your life.
09:21And let me tell you, saying something, ask your robber baron friends.
09:26Hmm?
09:27Well, of, of course you'll apologize, Mr. Edison.
09:29She's, she's not a, uh, a peasant.
09:34She's a Henry.
09:35She's a Henry, for fuck's sake.
09:37There's a few other things, too.
09:38Ha!
09:39Ha!
09:43Chère mère, je viens d'apprendre que je risque de ne jamais revenir à Paris.
09:50Mon monde s'est écroulé.
09:53D'autant plus parce que je ne te reverrai jamais.
09:56Peu importe le balai.
09:58Maman, je ne me suis jamais sentie aussi seule de toute ma vie.
10:07Et c'est cœur d'en Greuille.
10:24Merci à votre reconnu...
10:28Marianne...?
10:30Are you awake?
10:36Yes, Norman, what is it?
10:38You got us into trouble today, Marion, and I mean that in the most constructive way I can, because I'm your wife.
10:45My husband.
10:46You've instigated madness in this house, madness that's bled through into my business dealings.
10:51Thomas Edison is not a business dealing. He is an ass fucker. I told you that.
10:55You don't tell me what a business dealing is.
10:57You don't tell me what a business dealing is.
11:00Norman, I would ask you to take two big deep breaths before you speak to me again.
11:05You're acting with such savagery and barbarism that it's hard to...
11:09Savagery and barbarism? Norman, you're the one who's frothing a...
11:12Let me finish. I...
11:13Warthog!
11:15You might think me a dim-witted opportunist, but you need to set your differences aside now for the betterment of the Henry name.
11:23Mr. Edison has asked for an apology.
11:30I, for one, think that's a good idea.
11:34I owe him nothing, and you're the one who punched him.
11:37You know what I think it is?
11:39I think you can't conceive that an uneducated man like him...
11:42Uneducated?
11:43An uneducated man...
11:44Say that again.
11:44...may try to claw his way out of the rat-infested rungs of society...
11:48As long as a society is where he belongs.
11:49...and make something of his life without having to marry up.
12:02You will apologize in the morning.
12:05I know you can hear me.
12:07I know you're not asleep yet.
12:13Come on.
12:18You think you're the first artist who's ever whored herself for a warm bed and a loaf of stale bread?
12:28You disgust me!
12:30Do you know that?
12:31I loathe you.
12:32And not because you're an unadulterated cunt, but because you somehow actually believe that your talent means something more than all the others.
12:41You believe that you're better than all of us girls, and you're not.
12:47You're nothing.
12:49You're a passionate nothing.
12:54So don't you fuck us.
12:57Do you hear me?
12:59Don't even think about fucking this all up.
13:04Look at me.
13:07Look at me!
13:08Look at me!
13:08Look at me!
13:11I hit ambition once, too.
13:22You know that, don't you?
13:28I was reviewed by the Times.
13:30When you create something, even if it lasts, but only for a moment, something you believe to be truly remarkable and singular in this world...
13:45Best to stay outside the house!
13:47Best to stay the clune!
13:48Wait until you're summoned, Lily!
13:51Dear!
13:52And then to have it ripped away without an ounce of acknowledgement by a complete and utter nobody.
13:58You'd think, perhaps, that one might feel rage, bitterness.
14:05But the truth is...
14:10But the truth is...
14:11Norman...
14:12The truth is...
14:13The truth is...
14:14I could never get past the shame.
14:18Because it was always my fault.
14:21All of it.
14:24Tell me she's a liar.
14:28Tell me she's a liar, Norman.
14:29No!
14:33I will go to Maui, yes.
14:47I will see you on that stage in Paris.
14:51If it's the very, very last thing I do.
14:53Annoying self-hatred that rattles you to your core.
14:59Because deep down...
15:02You know...
15:03That you're better than the beg you've made.
15:15Did you hear the news?
15:16He did it!
15:17Tell me he did it!
15:18Tell me he did what?
15:20What did Tom do?
15:21He figured the whole damn thing out!
15:24Direct current.
15:25Using direct current, we can generate heat.
15:27Just like the candles in this very room.
15:29Only, it is enclosed within a glass tube.
15:31But what does it mean?
15:33Just speak plainly, you louse.
15:35It's a candle that can burn forever.
15:37Without ever needing tending.
15:51You're good, Tom, leave.
15:55It's okay.
15:56You're good.
15:57Thanks.
16:01Now, I will.
16:07Congratulations, Thomas.
16:12I am so very proud of what you have accomplished.
16:16Accomplished
16:38We'll continue this minute
16:46Pardon me, Miss
16:56Oh, it's okay, Ida
16:58I-I thought you were asleep by now
17:01I-I didn't realize
17:02I-I drew your curtains about half-past
17:04I'm very sorry, I-I suppose that's the reason
17:06I'm very sorry, Miss
17:08Ida?
17:14Are you frightened of me?
17:16Pardon, Miss?
17:21I sense a liberal amount of anxiety
17:23pulse through your veins every time I turn a corner
17:25I see
17:27Is it like that with Mr. Henry, too?
17:41It's okay, Imigo
17:42I'm not frightened, Miss
17:49You just confuse me
17:53Is all
17:54Good evening, ma'am
17:57I'll be right back to the west in a jiffy
18:10You
18:11Sitting at the table for me
18:13Take my place
18:14I'm soNO
18:15I'm really hungry
18:16I'm hungry
18:17lunch
18:17Ah, this is worse than the boy
18:18That's the shell
18:20Me! Are you with Hound?
18:35Am I with what?
18:37The Poodles!
18:38Are you with the Poodles?
18:40Yes, sir. Their evening walk.
18:43Are they the very same Poodles that I paint?
18:46Yes, sir.
18:47They seem less fidgety in the twilight.
18:51Well, I suppose maybe they are, perhaps.
18:54Less fidgety.
18:56In the evening.
18:58So we paint in the evenings?
19:02Do you hear?
19:05Bon.
19:17It's, it's alright.
19:19Um...
19:20I'm sorry.
19:21Um...
19:22Um...
19:23It's, it's alright.
19:24Um...
19:25I'm sorry...
19:27I don't know.
19:28Oh my God!
19:30Um...
19:31It's... it's alright.
19:32Um...
19:33I'm sorry.
19:34Um...
19:39Madame...
20:13A dangerous woman with her own thoughts and her own ideas and quite a bit of power.
20:36I asked myself if anyone might hear him gasping for breath if I strangled him right then and there with a pillow.
20:43Oh my goodness!
20:45All the two!
20:47I can feel it!
20:50Oh, yeah, yeah, yeah!
20:52Oh, la, la, la, la!
20:56Oh!
20:59I don't care about you, I don't care about you, I don't care about you.
21:16But the truth remained, I didn't hold the power, he did.
21:40Oh, how history might have been written differently had I not lost myself in him.
21:45But in both of them.
21:58Instead, I sat empty, powerless, on the floor of a home that was in my husband's name.
22:05A home that we would not be able to afford without the proceeds from a deal with this man who had ruined me.
22:13I told myself at no point would I wallow in self-pity as I write to you, so I believe it best we break for an intermission so that I might regain my composure.
22:26Come one, come all to the city that never sleeps, New York City.
22:31Rub shoulders with the high society elite at the Madison Square Garden rooftop theater designed by acclaimed architect Stanford White.
22:38Feast your senses upon the greatest arena in this world-famous metropolis.
22:43The only building on the island with a rooftop cabaret now opens Sunday.
22:50The following morning was a Tuesday.
22:56I knew this because there had been a murder in the city the night before.
23:01This was one of those unconnected events that would ultimately contribute to my husband's untimely demise.
23:11How did you kiss me?
23:18Anything interesting?
23:21Yeah. Yeah. Kind of killing in the city.
23:23Aw, fucking hate the city.
23:31Oh.
23:33I can't do it.
23:36Oh!
23:38I can't do it.
23:39Oh!
23:47Petit chuchon.
23:53What's this song?
24:03Hey, Maria.
24:11Hey, you know, I think that the missus was shagging Mr. Edison yester-eve.
24:30Oh, deplorable.
24:32Absolutely deplorable.
24:34Have you seen this?
24:35Huh?
24:36What?
24:37The murder of Sanny White.
24:39Absolutely unbelievable.
24:41He was so proud of the rooftop at the garden.
24:44Have you been up there?
24:46Larry!
24:47Larry!
24:48Madison Square Garden?
24:50Of course, of course.
24:51Yeah, but have you been up top to the cabaret there?
24:53It's absolutely wonderful.
24:55A view of the city in every direction.
24:57Mr. Edison, I've just said I've been.
24:59I wasn't exactly sure.
25:01Oh.
25:02If you had.
25:03What made you unsure?
25:04I think it was your tone, sir.
25:07Hmm.
25:08Morning, Marianne.
25:09Morning.
25:10Morning, Marianne.
25:11Morning.
25:12Morning, Marianne.
25:13Morning.
25:16Have you heard?
25:17Uh, yes.
25:18It's deplorable.
25:19It is.
25:20Absolutely deplorable.
25:21Yeah.
25:22Harry always struck me as a man I'd never want to find myself alone in a room with.
25:25Well, of course not.
25:26You're a married woman.
25:27Oh, yes.
25:28I agree with that.
25:29Married women should definitely not be left unattended in rooms and, uh, such.
25:35Well, he has just murdered a man, so I imagine it's more than just, you know, the married woman thing, wouldn't you think?
25:42I'm sorry, do you know the murderer?
25:44Yes, yes, we do.
25:45Well, you know, he is an associate of, um, Normans to some degree or other, so we've had them over and they've had us over here and the way it goes.
25:53Well, isn't that a little bit troubling?
25:55No, no, no.
25:56I'm one signature away from being the associate of an associate of murderer.
25:59Absolutely not close to the least.
26:00Absolutely not close to the least.
26:01Mere acquaintance.
26:02Harry's always had a screw loose.
26:04Marilyn, you remember the time, uh...
26:05At the, at the racehorses.
26:06Yeah, but, you know, was that even his real mother?
26:09Well, not when he was done with her.
26:10Mr. Henry.
26:11Yes.
26:12This message came in for you, sir.
26:13It was a note on prison letterhead from the murderer himself.
26:18I'm gonna take care of poor Evelyn until it's time for her to testify.
26:25On my behalf, I'm afraid she's my only way out of this mess.
26:30This mess?
26:32Murder?
26:34Misunderstanding.
26:35Write that.
26:36Misunderstanding.
26:40Am I suggesting that you distance yourself from this person?
26:43I mean, uh...
26:46God.
26:47He's a madman, isn't he?
26:48Playing devil's advocate a moment because, uh...
26:50Weren't you meant to be on your way home?
26:52I was meant to, yes.
26:53Sanford White did rape her, if I'm not mistaken.
26:55The incident happened...
26:56Plenty of times.
26:57...before they even messed.
26:58So, why linger?
27:00Well, what's a man to do?
27:01I'd at least sit by and watch...
27:02Such a glorious morning out here, Marion.
27:04But raping's a raping, if you ask me.
27:05Well, yeah, but Harry is a murderer.
27:07I...
27:08Do you not find your wife's tone a little bit troubling?
27:10Why are you still here?
27:11Tone, Marion.
27:12Tone.
27:13Tone.
27:14You seem so bitter, Marion.
27:15So very bitter.
27:16And yet, apparently, you've been handed the world.
27:21How dare you?
27:23You just don't seem happy, Marion.
27:25Well, I am happy.
27:27Well, you sure there's not an ounce of regret?
27:30Not a shred?
27:31Nothing?
27:34Wow.
27:35You bitter, lonely little man.
27:38Is that all you have left, is it?
27:40The need to placate your wrongdoings by trying to force me to admit that I might have been better off?
27:45I'm not following.
27:46What does placate mean?
27:47What?
27:48Placate means to mollify.
27:50To appease.
27:51Norman, I have told you what this man is.
27:53Why won't you believe me?
27:54I mean, I know I am, I am tempestuous, but have you ever known me to be a liar?
27:59What the fuck does mollify mean?
28:01What am I, Marion?
28:02Hmm?
28:03No, what am I?
28:04Step away from me.
28:05Don't shout, Marion.
28:06Work yourself into a hawk.
28:07I'm not shouting.
28:08I'm calm.
28:09I am completely calm and collected.
28:10You know, he's a man who invented the light bulb.
28:12For heaven's sake.
28:13Give him some respect.
28:22Jesus fucking Christ!
28:27Don't touch that glass.
28:28You don't touch that glass, Gretchen.
28:31It's not your mess to clean up.
28:34No, you're right about that.
28:36You are absolutely right about that.
28:41Well, I guess that's my cue.
28:44Norman, he did not invent the light bulb.
28:48Marion, fuck's sake.
28:49Norman, please, he did not invent the light bulb.
28:53I suppose you know who did.
28:57Huh!
29:04Look at me.
29:06Look at me.
29:11You can't, can you?
29:12Look at me.
29:13I'm sorry.
29:14I'm sorry.
29:15You've had to endure such preposterous ridicule.
29:19You have my sympathy for what you have to put up with on a daily basis.
29:35Me, nothing in a daily basis.
30:00You left your books.
30:15Just leave them.
30:16Here, you will need these, I assure you.
30:18Just leave them.
30:18Marion, you need to calm down.
30:23The nerve.
30:25And I want to say men, the nerve of men,
30:28but no, I've come to the realization that you are not men.
30:32No.
30:33No, you are so much worse.
30:37You are an abomination.
30:39And you can take this entire institution and fuck it.
30:43What am I even saying?
30:45You're not even a member of this institution.
30:46You're a squatter.
30:48A research assistant.
30:49Yeah, you're nothing.
30:53How can you do that?
30:56After what you just did to me,
30:57you smile?
31:00You stand there with a smugness
31:02that permeates to my very core
31:04and makes me want to...
31:07take a boxing!
31:10I'm very sorry, Marion,
31:11but I'm entirely confounded by this behavior.
31:13It's not very ladylike at all, I'm afraid.
31:15Oh, you're confounded?
31:17Are you dumb?
31:19Are you mentally retarded?
31:21Keep your voice down.
31:22I said, are you mentally fucking retarded?
31:24Marion, I would just watch my tone if I were you.
31:27Or what?
31:30Marion, I was always going to add your name to the work,
31:32but you know as well as...
31:33That women can't publish on their own?
31:35Yes.
31:36But they will.
31:38I will.
31:39You've stolen my work, Thomas.
31:47Marion, we're a team.
31:48We are not.
31:48No, no, we are not.
31:51We are not a team at this.
31:54My mind,
31:56my thoughts
31:57are not communal.
31:59They are wholly
32:00mine.
32:02Marion, Marion, Marion.
32:04Marion, will you just...
32:05just marry me?
32:07What?
32:08What?
32:08What?
32:19I will...
32:20never,
32:23ever marry you, Thomas.
32:27Not ever.
32:28No.
32:29No.
32:29No.
32:30No.
32:31No.
32:31No.
32:32No.
32:33No.
32:33No.
32:33No.
32:34No.
32:34No.
32:35No.
32:35No.
32:36No.
32:36No.
32:37No.
33:03No.
33:05No.
33:07Shut up!
33:09Shut up!
33:11Shut up!
33:13Oh, merde!
33:15Shut up!
33:17Shut up!
33:19Shut up!
33:21Shut up!
33:23Shut up!
33:25Oh, la, la!
33:27Shut up!
33:29Do you ever speak to me like that?
33:31Do you hear me?
33:33Ever? I have had quite
33:35the morning of abuse, and I will
33:37not be spoken to like that
33:39by a fake fucking artist
33:41who paints fucking bubbles!
33:43Do you hear me?
33:45Do you hear me?
33:47Do you hear me?
33:49Oui.
33:51I hear you.
33:53I hear you.
33:55No, no, no.
33:57Oui.
33:59Que false, hein?
34:01Que...
34:03Everything all right?
34:07Looky, look.
34:09Now he comes to rescue her from the crazy freshman.
34:11He's so possessive of her.
34:13Oh, he doesn't love her.
34:15I believe he does.
34:17Well, you're stupid.
34:19Honey, if he loved her, why would he be parading you around
34:21like his little pony?
34:23He's a complicated man.
34:27The painting is finished.
34:29It is?
34:31It is?
34:33Would you like to see it?
34:35She thinks it a foolish venture.
34:37My commissioning poodles.
34:39Yes, well, I don't usually paint poodles.
34:43What do you usually paint?
34:47Oh, look at her.
34:49She's just begging to be fucked.
34:51You see how she looks at the artist.
34:53She can't help herself.
34:55Well, this we both agree on.
34:57Hmm.
34:59Why don't you have the painting brought to my study,
35:01then we'll settle up and you can get on your way.
35:05Now, now.
35:07Good time, now.
35:09Good time.
35:11Now.
35:13Please.
35:15Oh, she's a terrifying woman.
35:17I mean, I can understand why he can't, you know,
35:21make the whole thing work.
35:23Are you scared of powerful women?
35:25Not all of them.
35:27She's the reason I have not missing back to Paris.
35:30Well, I can't understand that logic.
35:33She doesn't believe I deserve to succeed.
35:36She'd rather seem trapped in a cage with her,
35:39living in a circle of hell over and over again.
35:42Oh, darling, it just doesn't add up.
35:44If it were up to Marion, she would have sent you back to Paris months ago.
35:48She hates you, Lily.
35:50All right.
35:52Les saisons, Gunter, please, from the top.
35:56You know, for a smart girl,
35:58you're really quite daft about the dynamics here in the country.
36:02Marion.
36:04Yeah.
36:06I'm sorry.
36:08What for?
36:10For not understanding you in the way a husband should, I suppose.
36:13I do wish sometimes, just...
36:17sometimes you could...
36:19simply speak truth and honesty,
36:23and instead of...
36:25instead of dancing around your thoughts like...
36:29a romantic.
36:35Maybe I am a romantic.
36:39Well, you're not French, thank God.
36:41I told you the truth, Norman.
36:43In simple terms, I told you the truth.
36:45He left Marion.
36:47He can quit the charade.
36:49He's gone about his business.
36:51All done now.
36:53Truth doesn't matter anyway.
36:55Truth doesn't matter anyway.
36:59You're my wife.
37:01I don't know.
37:05Here we are.
37:06Ironically, the feeling of resignation that sat squarely between his eyes that day
37:11was the very same emotion that I had wrestled with for most of our marriage.
37:15Well, um...
37:19Wolf...
37:21I-I-I appreciate that, Norman.
37:25Uh...
37:26You know, for-for trusting me on this one.
37:29I...
37:31There will be other deals.
37:32I promise.
37:33But unfortunately, the truth was,
37:35for Norman Henry,
37:37there would be no other deals.
37:40Not ever again.
37:42You're in a big amoeuvre...
37:43But...
37:44There just stop helping him.
37:45That's enough for God.
37:47I love myness.
37:48You're in a big yonder.
37:49You're in an eyesore.
37:50I'm a 이거를.
37:51You're in an eyesore.
37:52I am a mone compete.
37:53I love him.
37:54The powers that draw him on this one.
37:56уюФ Owls cup move at a 31st place in a year.
37:57I just pampered with you in thestad.
37:58I'm gonna stand the Mama of the Haute Son in quarantine.
38:00So we'll see you in your casa and do celebrate.
38:01Your day, he's able to come and come to go to a new chair
38:03upon the house.
38:04And I'll come and back after that.
38:06I價 is the only one in his house andcocks take thoseRIs.
38:07Thanks aСIR.
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