In an exclusive interview with senior most journalist Bharathi S Pradhan for Lehren, Tusshar Kapoor gets candid about his college days in America, interest in Mathematics & Accounting, professional life, personal life, dating and idea of marriage. Jeetendra Ji's son opens up on his super-hit debut Mujhe Kucch Kehna Hai (2001) in turn commenting on the actor's second movie with the same star-cast, Jeena Sirf Merre Liye (2002), which was a flop at the box office. Kapoor speaks about the most versatile & different role of his life which he performed in Gayab (2004), garnering him a grand opening at the box office; while elaborating upon his shift to comedy movies like Kyaa Kool Hain Hum (2005), Golmaal (2006), Dhol (2007) & many more which got the young artist immense appreciation by the audiences. From training in sign language for Golmaal to collaborating in Multistarrer ventures like Khakee (2004) & Shootout At Lokhandwala (2007), the Balaji Boy shares his cinematic journey with Lehren Retro in a never before seen andaz... #tussharkapoor #jeetendra #golmaal #dhol #gayab #ektakapoor #khakee #shootoutatlokhandwala #mujhekucchkehnahai #tusharkapoor #balajitelefilms #kyaakoolhainhum #laxmii
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00:17His career started with, Mujhe Kuch Kehna Hai.
00:21Bahan Se Leke, Tushar Kapoor has come a very, very long way.
00:25He's done item songs, he's been the good boy, he's been the bad boy, he's done action, comedy, even a sex comedy.
00:33So let's go and meet him and ask him just how he's been doing it all.
00:38Hi, Tushar.
00:39Your father, Jitinder, bohat colorful admi rahe hai, unke baare mein bohat rangin ka hani aati thi.
00:47Lekin, aapke baare mein meinne kabhi kuch gosht nahi suna hai.
00:51What is it, Tushar? Are you a very good boy?
00:53Actually, kya hai ki,
00:56mein aani private life, choh hai,
00:58medab ki there's anything joh papero mein aana chahehi,
01:00wou mein private hi rakhta hong.
01:02Mein koshish karta hong ki woh bhoat private hong.
01:04Or, jeb mein bhaar jata bhi hong,
01:06agar friends ke saath,
01:07ya phir koi interesting company ke saath,
01:09to,
01:09mein low profile zayada ta rakhne ki koshish karta hong.
01:13Or, I think,
01:14aaj kari ek sort fad bhi ho gaya ki,
01:16agar aap linked ho kisi co-stars ke saath,
01:19actresses ke saath,
01:20ya aak study relationship mein ho kisi actresses ke saath,
01:23to,
01:24it's a good,
01:25uh,
01:26I mean, a good, uh,
01:27way to splash yourself.
01:29Mujha lagta ki,
01:30aaj kari ek,
01:31ek, uh,
01:32gimmick saa ho gaya hai,
01:33bhoat saare akteron ke beech meh,
01:34awon name anybody.
01:35But, mein usse vishwaas nahi karta hong,
01:36I mean, as long as,
01:37uh,
01:38I mean,
01:39jab,
01:40mein hi kisi se piaar nahi karta hong,
01:41amin in industry mein,
01:42to, mein kyun,
01:43uh,
01:44uh,
01:45apne baare mein kahaniya phella hong,
01:46ya phir, uh,
01:47uh,
01:48kyun unnecessarily kisi saath judh jahong,
01:49abhi tak jo bhi,
01:51I mean,
01:52uh,
01:53involvments hoi hai,
01:54meri,
01:55I mean,
01:56woh film industry ke bahar hoi hai,
01:57aur,
01:58luckily,
01:59I mean,
02:00I happy that way,
02:01mein chahonga ki meri filme meri baare mein kahai,
02:02aur,
02:03uh,
02:04jab meri filme release hoon,
02:05tab meri baare mein charcha ho,
02:06filmo ke saath,
02:07ur se mai khush hoon.
02:08Lekin iska matlab,
02:09uh,
02:10bhoat saare chakkar hain,
02:11but they are outside the industry.
02:12Okay.
02:13So,
02:14it's not like you're a good little boy.
02:15Oh,
02:16I won't be smiling right now,
02:17I mean,
02:18aur,
02:19agar,
02:20uh,
02:21is umar mein aap good little boy hoon gae,
02:22to,
02:23I think,
02:24bhoat bhoring ho jayega,
02:25especially,
02:26is film industry ke saath,
02:27you need an outlet,
02:28of course.
02:29Lekin,
02:30aah,
02:31aah,
02:32aah,
02:33aah,
02:34aah,
02:35aah,
02:36aah,
02:37aah,
02:38aah,
02:39aah,
02:40aah,
02:41aah,
02:42aah,
02:45ah,
02:46aah,
02:47aah,
02:48aah,
02:50aah,
02:51aah,
02:58i' undergrad,
03:00of the world. I mean, if there is a time when I feel that I want to marry a bond, I mean
03:07it's so tight that I have to do it eventually in the marriage, then I will do it.
03:13So do you also believe that maybe you should live in with a person?
03:17Yeah, why not? Yeah, 100%. That sounds comfortable. No wedding functions, no standing for three
03:24hours, three hours on stage. Smiling at people. Yeah, smiling at people.
03:28Yeah, because I think that's the main thing about a reception. You go home with your job painting.
03:33And then I think that you are living for someone else. I mean, you know, parents, family,
03:39cousins, you're not living for yourself. And then after marriage, you're living for society.
03:45It becomes, I feel like it's a mess. But if it makes me feel on top of the world, then I'll do it.
03:58You were not able to tell your parents that you wanted to become a hero.
04:14Is this true?
04:15No, there's nothing. I was very confused. I was very confused in the film.
04:19But in real life, I was very confused about what to do in a career.
04:24Math and accounting are strong points in my school. So I started to attend a business school in America.
04:29And after 4 years, I started to attend a bachelor's in business management, I started to attend a year.
04:35And then I realized that this is not my world.
04:37In school, I started to study and work in a different way.
04:40And to apply it to the real world, it's a very different ball game.
04:45That's why you have to do that.
04:47That's why I realized that my blood is in films and there is an inner calling on the film.
04:56So that's why I came back to India.
04:58And I became an AD to David Dhawan to find out what I was interested in.
05:04So that's why I worked with them for 4-5 months.
05:07And then Rumi Jafri, who is the writer, has recommended my name as Aashir Bhagnani.
05:10So then there was an offer in my hand.
05:13I mean, of course, they were very excited to launch me.
05:16And then I expressed it to my parents.
05:18That yes, this is a launch and this is a film that you want to remake.
05:22I really liked the story.
05:24So when I got an offer, I thought that this will be a chance for me.
05:29I mean, everyone will get a chance in life.
05:31Then I didn't have any joke telling my parents.
05:33But to realize that what I want to do, that was a confusion.
05:38I want to say something that was a big hit.
05:41But the same set-up, same heroine, same banner, same director.
05:48When I got my second film, I got to live just for me.
05:52That did not work, isn't it?
05:54No, it didn't work.
05:55Actually, that film was a lot of pity, I think.
05:58And I think the reason why, when a film is successful,
06:04I think all of the people who are associated with it,
06:06they think that this formula will go back.
06:10So there was no freshness.
06:12That formula didn't go back.
06:16It didn't go back.
06:17I mean, the location was the same.
06:18The treatment was the same.
06:20I mean, there was a little bit of a story changed.
06:23I mean, we were making an unmoor house.
06:26So it was, again, a very boy meets girl, separation,
06:29or they keep missing each other.
06:31So in that formula, I think,
06:33I think it was a very outdated moment.
06:36And I think it was more like rehashing a successful film,
06:41rather than a different, fresh film, you know.
06:44That was not.
06:45So the obvious thing is that it was not going to be going.
06:47Yeah.
06:48But the songs were good.
06:49It was a little bit of a film in overseas.
06:52And the songs did really well.
06:55Your film Gaib,
06:57in that it was like,
07:01I want to say something to meet Mr. India.
07:03Why did the audience also get Gaib?
07:07See, yeah.
07:07The concept people took to,
07:11the opening was very good for the film.
07:13Because the concept of the promotion,
07:14Ramuji was very attracted to people.
07:18Or the first weekend was excellent.
07:20But in the second half, the film was a little comical.
07:26Second half, the genre was a little dark.
07:28The guy turns a little grey.
07:30You know, the boy turns grey.
07:32And he actually expresses his love.
07:35I mean, it was not like he doesn't express it.
07:37He expresses his love.
07:38But then it was a little negative.
07:39So the track, I think, didn't appeal to the kids,
07:42who I think were gone first weekend.
07:44But because of the opening,
07:45I think film is considered a safe proposition at the box office.
07:51I mean, the verdicts that you see in your magazine,
07:56I just realized that it was an average fare.
08:00Because of the opening.
08:01But I think,
08:02I think that was a time where comedies were just coming into vogue.
08:07And the audience gave a feeling about comedy.
08:10But it didn't leave up to that promise.
08:12The second half was totally different.
08:13So, when the film was released, how did you feel?
08:17I mean, how did you take it, especially at the beginning?
08:19When the first film was released,
08:21I mean, it was the first film.
08:24So, it was important.
08:25But I didn't see a failure at that time.
08:27So, I wasn't so happy.
08:29I mean, it was not that I struggled to get a hit.
08:33I mean, a lot of big stars today have a solo hit and they are now huge stars.
08:42And I had it in my first film.
08:43In the first film, there was a solo hit.
08:45So, I think that I didn't value that much.
08:47But after that, when it wasn't in 2-3 films,
08:50then even when Ghaaki got a little bit of a struggle,
08:53then I was very happy.
08:54You know, when Ghaib opened it, I was very happy.
08:56And then it was only during,
08:57I felt happy about the success.
09:01I felt like, yeah, okay, I'm settled now here, you know.
09:06But don't you think that a solo hit,
09:08you have not really had a solo hit like that?
09:12It was not a solo film.
09:14There was Ritesh and others.
09:15But there weren't a multi-starers.
09:17And it was such a big hit,
09:19and only with two young people,
09:22which I think,
09:23was hot and happening at that time.
09:25So, I think we should get due credit for that.
09:29that ithani safal film, just with two guys,
09:32it's almost like a solo film, you know.
09:34Not exactly a solo film.
09:36Don't you think,
09:36kya cool hai hum,
09:38it was neither Ritesh nor you who chalod,
09:41but it was the general,
09:45adult comedy.
09:46Yeah, comedy, I think definitely USP
09:50thar film ka,
09:51comedy.
09:51Lekin,
09:52her film ke USP toh hoti hai,
09:53jo actor ke bhajai hoti hai.
09:54I mean,
09:55mujhe lag tha ki,
09:55number one star bhi jo hongi aaj,
09:57agar,
09:57packaging achi nahi ho,
09:58or film achi nahi ho,
09:59toh,
09:59wo bhi kaise khade karengi,
10:00I mean,
10:01kaise lekar rehengi film ko.
10:03It has to be something other than the stars.
10:06Lekin,
10:07maire khiaal se,
10:08agar jo humor tha as film me,
10:09it was a sexual connotation ka humor tha.
10:15Agar hemari,
10:15agar wo jo chemistry work nahi karthi,
10:18I think there was a certain innocence,
10:20jis ki wajah se,
10:21I think wo humor jar nahi kiya loogon ke saamne.
10:25I mean,
10:25bhout loogon ko laga ki,
10:27humor was a little offensive,
10:29lekin bhout loogon ko laga ki,
10:30ye itne innocently kar rahe hai,
10:33ki aisa lagta ki,
10:33ye this situation mein,
10:35wo cheeze kar hi nahi rahe,
10:36lekin,
10:37joh dekh raha hai unko peechhe se,
10:38usko laga hai ki,
10:39ye kuch sexual cheez kar rahe hai.
10:40So it was looking like an innocent man being,
10:43at the wrong place at the wrong time.
10:45Toh wo I think loogon ko bhot uppeel kiya.
10:47Toh I think actors ka bhi eek credit hota hai ki,
10:49unhoonne ithni loud comedy ko,
10:52madlab ki carry off kiya.
10:54Kya cool hai hum mein,
10:56koonsi scene hai,
10:57jo aapko sabse jyadha embarrassing rahi,
10:59karte huye?
11:01Sabse embarrassing scene,
11:02I think jo cat wala sequeunse tha,
11:03joh meinne,
11:04I think Bandra Kulla mein,
11:05ham loogne shoot kiya tha,
11:06aur I was hoping ki koi crowd na ho,
11:10bhot com crowd tha,
11:10leken kuch office going loog cho tha,
11:13wo paas kar rahe tha,
11:15toh wo ruk gai dekhne ke liha.
11:16Toh bhot embarrassing tha,
11:17ho scat ke saath ho sequence karna.
11:18Toh Sangeet nae bhot jald amantab ki,
11:21quickly shorted so that,
11:23embarrassment jyadha nah ho.
11:24Okay.
11:25You have after that switched over to comedy.
11:29In this sense,
11:29uske baad I think your major hit was Ghulmal.
11:32Yeah.
11:32Isn't it?
11:33Yeah.
11:33And I think you've started enjoying doing comedy.
11:35Yeah, yeah.
11:36Isn't it?
11:36Bhoat mazaya aata hai comedy karte vaxt.
11:38But I guess,
11:41agar aap apne kaam ko amintlab ki seriously na lehen toh,
11:44even comedy can be very, very hard.
11:47It's serious business, you know.
11:48Comedy is not aisa nahi hai ki,
11:50ek do filme kar li aapne comedy ki,
11:52toh bai hatka khail ho gaya.
11:53Just ki, Ghulmal toh kya khule,
11:55humke baad mani shuru ki ti,
11:56leken wo jo character tha,
11:57wo bhoat hi alag tha,
11:58mujhe kaam karna pada us par.
11:59So that was very challenging.
12:00But and then Priya Darshan ki saath,
12:04mani dhole ki hai.
12:05Unka style bhi bhoat hi alag hai,
12:07unki style alag hai,
12:08unka ek school hai jo.
12:09It's a very,
12:11matlab ki you don't have to be prepared,
12:13you come as you are,
12:15aur aap apne aapko bhoat hi energetically chhodde hunke haath ho,
12:18you know, and you just have to go with the flow.
12:21So that is another way of doing it.
12:22So matlab ki,
12:23comedy be bhi alag alag styles hain,
12:24and it becomes a little difficult to adapt
12:26to these different kinds of roles.
12:28So it's not that that's easy,
12:32or it's comfortable for me.
12:33I mean, every film is different, yeah.
12:37Gulma, did you enjoy as an experience?
12:39I loved it.
12:40I loved it.
12:40Bhoat maza aya,
12:41I mean, the training,
12:42the first time,
12:43jab unhoonne mughse kaha ki,
12:44athi ki hao log sign language seekh lo.
12:46And tab,
12:47joo tutor mughse seekhan hai aya the,
12:49unhoonne kaha ki,
12:50sign language bhoat aaga hai film hoonne.
12:51Iqbal release wihti uus faqt.
12:54Or I think Blackbeel release wihti toh.
12:56That had become,
12:57I think it became very commonplace ho gaya hai.
12:59And audiences ko samajh man hi yata hai,
13:02comedy mein,
13:03agar aap sign language kare hai,
13:04audiences ko samajh man hi aata hai,
13:04ki aap kya bol rahe hai.
13:05To aisa kuch kareenge ham log,
13:07jo unse connect kare.
13:08You know,
13:09that's why he said,
13:09let's play with sounds.
13:10And we'll do hand gestures,
13:11joo,
13:12I think everybody can understand,
13:14joo bhoat hi colloquial ho.
13:15To uske le ye I started my rehearsals and all that,
13:17it was very, very stressful and challenging,
13:19ki guza muha laga ki,
13:20I mean,
13:20dialogue se peke,
13:22comedy,
13:22I mean,
13:23how will I do it?
13:24But ye chab training khatmui,
13:26tab aisa asafsua ki,
13:28this is,
13:29this can work,
13:30there is potential.
13:32When you did khaki,
13:33you were the youngest in the team,
13:35I think.
13:35Yeah.
13:35Isn't it?
13:36You were the baby of that star team.
13:38Yeah, yeah, yeah.
13:38But do you enjoyed that,
13:40being the youngest there,
13:42and the most appreciated at the end of it?
13:45Yeah,
13:45I mean,
13:46it was,
13:46I mean,
13:47the treatment,
13:48which is a young actor ko di jati,
13:50I think it was a very,
13:51I think,
13:52warm tariqa se di jati.
13:53I mean,
13:54Raj ji was very, very extra warm to me,
13:56Amit ji was very protective,
13:58Akshay was like a friend,
13:59he was like a buddy,
14:00Ash also was,
14:01I mean,
14:03she was also very, very nice,
14:04and Ajay ke saath pehli bar kam khiya was filmin.
14:07So,
14:07sab log,
14:08I think they were treating me ki,
14:09and they never let me feel ki,
14:11I was a lesser star,
14:12and they've given more hits,
14:13or they're more senior,
14:14they always,
14:15Mujhe hamesha a equal member ki tara,
14:18treat kiya gaya,
14:18us film ki making ki dora,
14:19and I think,
14:20that was,
14:21uh,
14:21I mean,
14:22after my first film,
14:23it took me,
14:24say,
14:25almost two years,
14:26to sign a big film,
14:28and khaki was,
14:29actually a turning point for me,
14:31because,
14:31us ke baad,
14:31jobhi filmi ki,
14:32I mean,
14:32were,
14:34they were like,
14:34I would say,
14:35uh,
14:37say,
14:38either remakes,
14:39or they were,
14:41anmol ghadi,
14:42or,
14:43you know,
14:43not,
14:44uh,
14:44something,
14:44not memorable,
14:45you know,
14:46I think,
14:47only kiadil ne ka,
14:47kyunki,
14:47kaane ethne popular hoye te,
14:49kama and all that,
14:50I think,
14:50thoda yaadgar,
14:51mamla hai us film ka,
14:52leken baakhi sari,
14:53teen chaar filmi jo ki,
14:54minne uske baad,
14:55best forgotten,
14:56but khaki,
14:57I think,
14:58was a turning point,
14:59thanks to,
15:00Mr. Santoshi,
15:01for thinking of me for it.
15:02You know,
15:03actually,
15:03when you look at your career,
15:05you've done a serious role,
15:06like khaki,
15:07you've done comedy,
15:09you've done the silent roles,
15:11you have also done a very randy,
15:13song like your ding dong,
15:16was that difficult?
15:18No,
15:18that was not difficult,
15:19because dancing,
15:20I love,
15:21it was just playing with the attitude,
15:27I think,
15:28I went on the set,
15:29and the costume,
15:30thoda lag tha,
15:30leken Raju khan jo,
15:32choreographer hai gaane ki,
15:33ono ne ka,
15:33ki,
15:34change this pura,
15:35he just tore my jeans,
15:36he sprayed some,
15:39something on me,
15:40and hair style madal dia,
15:42and I had was,
15:43I was to keep a stubble,
15:44Ekta was the one,
15:45she said that,
15:45I don't want that sweet,
15:46sweet thing anymore,
15:47this song has to be hot,
15:49hot,
15:49hot,
15:50so,
15:51we worked it on,
15:52that,
15:52in that manner,
15:53but yeah,
15:53I mean,
15:54something similar to,
15:55uh,
15:56ding dong is my role in shootout,
15:59which was out and out negative,
16:00to us,
16:00wo karne ke pehle,
16:01kaafi nervousness thi,
16:02kaafi anxiety thi,
16:03ki,
16:04will I be able to pull it off,
16:06you know,
16:06it's against,
16:08people's perception of me,
16:09the people who think about me,
16:11the image in their hands,
16:12is a lot of wipareeth,
16:13so,
16:14I had to think for that film,
16:17like,
16:18you didn't know whether you wanted to do the film or not,
16:21yeah,
16:22I didn't know whether I wanted to do the film,
16:23even though your sister was producing it,
16:25she was producing it,
16:26and Gupta had called me,
16:27before I even knew,
16:28I didn't know that Balaji is involved,
16:29I went to his house,
16:31Sanjay Gupta,
16:32and he said that,
16:33I've been trying to call you for some other film,
16:35but this has come up,
16:36and,
16:36actually,
16:37Apoorva had recommended my name,
16:39I mean,
16:40everybody in the office thought that I couldn't do it,
16:41but Apoorva recommended me,
16:42that we will take him,
16:43and then he told me that we are tying up with Balaji also for this,
16:46I say,
16:47he said,
16:47but he said,
16:48you don't have to say yes,
16:50just because there's your,
16:51your film is a different issue,
16:53you can decide yourself,
16:56and then,
16:56for a few months,
16:57I said yes,
16:58I mean,
16:59I didn't tell Gupta that I'm confused,
17:00because he would have gone to somebody else immediately,
17:03Apoorva came with me,
17:04and he kept telling me,
17:06that I wanted to do it,
17:07and I was like,
17:07no,
17:08do an audition of mine,
17:10and then eventually,
17:11I thought,
17:11let's do it,
17:12let's do it,
17:13let's do it,
17:14let's do it,
17:15let's do it,
17:16let's just jump in,
17:17yeah,
17:18and I'm glad I did,
17:19because it's one of my most successful films this year,
17:22I have had quite a few releases,
17:24and shootout is the,
17:26the most talked about release of mine this year,
17:28so thank god,
17:30wiser sense prevailed,
17:31did you like the film?
17:33I really liked it,
17:34honestly,
17:36I had some issues with the film,
17:38some kind of screenplay-wise issues,
17:40I had some issues with the film,
17:42but when the film was finished,
17:46when I got out of trial,
17:47I thought,
17:47whatever it is,
17:48the film can't go wrong,
17:49because there was an energy in the film,
17:51I think the director's energy,
17:54I think the climax,
17:56the whole climax of the film,
17:58is very energetic,
18:00and that actually takes the film,
18:02whatever the flaws in the film,
18:03in the screenplay,
18:04if there were lags,
18:06if there were slowness in the film,
18:08I think the climax just covers up for all that,
18:11that is what I had in my mind,
18:13and I think Sanjay Gupta is such a good producer,
18:16I mean the music sense,
18:17and the promotion,
18:19so all these factors put together,
18:20you know,
18:21as I seriously believe that,
18:24today,
18:25aaj film making,
18:27it's not just about,
18:29whether it's a good film,
18:29or a bad film,
18:30you know,
18:31how do you release the film,
18:33how do you promote the film,
18:34how do you release the film,
18:35how do you release the film,
18:36all these factors,
18:37you know,
18:37just,
18:38are equally important,
18:40Ganpat,
18:41yeah,
18:42yeah,
18:42Ganpat,
18:42yeah,
18:44you've got used to dancing like that,
18:46no,
18:47it's not like that,
18:48but,
18:49yeah,
18:49when we started shooting,
18:51we started shooting,
18:52shooting the film,
18:53so,
18:55I didn't think that it will be challenging,
18:58because I thought that this role is so difficult,
19:00so when it was finished,
19:01the talky portion of the film,
19:02it will be done,
19:03it will be done,
19:03you know,
19:04it's like,
19:04the end of it,
19:05you know,
19:06but the songs,
19:07I realized that,
19:09that's the only thing to do,
19:11it's another ball game altogether,
19:13so first day,
19:14I had some teething problems,
19:16I mean,
19:16just opening up,
19:17and getting that whole Tupori thing,
19:19in the song,
19:19but after that,
19:20I think,
19:20I kind of,
19:24just let myself go,
19:26it was important for me to let myself go,
19:27because my character,
19:28he is,
19:29the only gangster,
19:30who was the only character,
19:31who was the romantic shade,
19:34he's in love with this girl,
19:36and he comes to this bar,
19:38so that is a cinematic liberty we took,
19:40you know,
19:40we don't know,
19:41if it was like that,
19:42but we took that liberty,
19:43so I had to be romantic,
19:44and the gangster,
19:46at the same time,
19:47yeah.
19:48Uske baad,
19:49you have had Agar,
19:50and you have had Dhol,
19:51donu nahin chali na?
19:53I don't,
19:53I believe,
19:54Dhol is sustaining,
19:57maintaining,
19:57steady business,
19:58I have not found out yet,
19:59one week,
20:00but Agar didn't work,
20:01yeah.
20:01So,
20:02does that,
20:03you know,
20:03kind of take away,
20:04the euphoria of shootout?
20:06No,
20:07it does not,
20:08because,
20:09I mean,
20:11some will not work,
20:15some will work,
20:16and I think Dhol,
20:17the first weekend reports,
20:19the trade papers were very negative,
20:22but I am told,
20:24that it's settling down,
20:26to be an average kind of a thing,
20:28so I'll know today,
20:29actually today,
20:30in the next few hours,
20:31I'll know exactly where we stand,
20:33so I'm hoping,
20:34it at least,
20:35sails through,
20:36because I really liked the film,
20:37it was a lot of fun,
20:38and I also liked the film,
20:40and I saw the reaction,
20:41I think last weekend,
20:43it was so good,
20:44that I don't think,
20:45it can go wrong,
20:45but let's hope,
20:47the audience decides,
20:48yeah.
20:49Let's talk about the action,
20:51you did shootout at Lokhanwala,
20:53how did you like doing the action?
20:55Yeah,
20:55I love it,
20:56I really love it,
20:56I mean,
20:58it's,
20:59not that I've done too many action films,
21:03but in every romantic film,
21:04there was a little action,
21:04but the action was very exciting,
21:10I mean,
21:10especially the scene,
21:11where I have to fight him,
21:13and escape from a building,
21:15that was the second day of the shoot,
21:18but it was a lot of fun,
21:20you have to just,
21:21again,
21:22like a song,
21:23you have to let yourself go,
21:23action,
21:24maybe you have to let yourself,
21:24just be very, very flexible,
21:26and,
21:26or,
21:27most of the times,
21:28I've just beaten up,
21:29in shootout,
21:30to reactions,
21:31and, you know,
21:32the timing,
21:33ek baar toh,
21:33I got a,
21:35quite a hit from,
21:36his watch also,
21:37Sunil Ji's watch,
21:38so that was also,
21:39part of the learning experience,
21:41but,
21:41people tell me,
21:42ki bahut genuine laga hai,
21:44wo,
21:45fight sequences,
21:45kaafi genuine lagai,
21:46toh I'm happy,
21:47but abhi,
21:48or action filmmakers,
21:49definitely karni hai.
21:50Aapko lagta hai,
21:51ki fitness,
21:52bohut zaruri hai,
21:53action karne ke liye,
21:55dance karne ke liye,
21:56how important is it?
21:57Very, very, very flexibility,
22:00aur,
22:01I think,
22:02if you're fit,
22:02you look,
22:03cool,
22:04while doing action,
22:04agar aap,
22:05aapki body loose,
22:08hoti hai zhaadha,
22:08toh fir wo,
22:09fights me,
22:10ek dhila pan,
22:11nazar aata hai,
22:11dance me bhi,
22:14somewhere,
22:14I think,
22:15it comes in the way,
22:15of the sharpness,
22:17so it's very important,
22:18to be light,
22:19on your feet,
22:20you're father Jitinder,
22:21wo bohut fit rahe hai,
22:24hamesha,
22:25aaj bhi bohut fit hai,
22:26are you fitness conscious,
22:29because of him,
22:29kya unka influence raha hai,
22:31aapki ooper?
22:32Probably, genetically,
22:33I think liking is there,
22:35for fitness and working out,
22:36but unho hai,
22:37I think,
22:37chaildwood mein jada force to nih kyya,
22:38lekin,
22:39kaafi kate rhatay thi ki,
22:40jogging karna chae,
22:41and I've seen him jogging in the house everyday,
22:43I've seen a lot of them when I jogged a lot
22:45so definitely I think some inspiration will come
22:50and I've always worked out not that
22:53after filming I started working out
22:56I've always been into fitness and working out
22:59of course more seriously after coming in films
23:01but I guess the first thing I started was because of him
23:04if my dad is not lazy and energetic
23:09I guess I don't do that
23:12and would you say that when I say what next for Tushar
23:15you would continue to do multistarers
23:18and do less for solos?
23:20No, no, no, whatever I offer
23:23whether it's solo or multistarers
23:26I'll do both of course
23:29both the times
23:31director is important, script is important, set up is important
23:34today the producer is very important
23:36he has to promote the film very well
23:38so I'm open to both
23:41I mean I'm not going to restrict myself to multistarers
23:43I started off doing a solo film
23:45everything went right for that film
23:47I'm sure it can go right again
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