- 2 days ago
Category
🎥
Short filmTranscript
00:00:00Music
00:00:30Music
00:01:00Music
00:01:30Music
00:01:32Thank you all
00:02:02Thank you all
00:02:32In fact, this San Sebastiano is a Hellenistic statue set within a stunning Leonardo-esque setting.
00:02:43His misery doesn't really touch us.
00:02:46Notice how Perugino, this humble villager, transfigured the peasants of his land into saints, blesseds and madonnas.
00:02:54Notice how he is able to render this tragedy of pain with an almost lyrical indifference.
00:02:59Perugino reluctantly paints blood and tears which are a kind of dew deposited on the eye socket.
00:03:06He rarely suffers a dramatic air on his scenes and this is true both in the San Sebastiano of Stockholm and in that of the Uvre.
00:03:13The whole thing is immersed in an almost supernatural elegance.
00:03:18Here the figure is placed as a tracing of the Greek
00:03:22In his own way, very much in his own way, Perugino had absorbed the lesson of the great Piero della Francesca
00:03:30To then decline in recent years towards an involuted and provincial formalism
00:03:37Which definitely weakens its strength
00:03:39Dampening the flair of his later production
00:03:43Well, that's all, Farocci
00:03:46Come on, Danny, I want to ask him something on the way out
00:04:00Maria, Professor, excuse me, but what you were saying about Perugino
00:04:13Don't you think your analysis was a bit too severe?
00:04:17Was it?
00:04:18In the St. Sebastian, the Louvre, you completely ignore the intensely spiritual aspect of the figure
00:04:23Why, it's practically overflowing with holiness
00:04:26Is that how it affects you?
00:04:28Yes
00:04:28Do you believe Perugino was capable of that?
00:04:32Vasari says he was a person with so little genuine religion
00:04:34He could never make anyone believe in the immortality of the soul
00:04:37He presents him as an atheist painting saints and madonna
00:04:41I'll buy that, Professor
00:04:43Although I find it strange that he never painted any blood on the bodies of his martyrs
00:04:48He was a painter, not a butcher
00:04:51He was a common sense bourgeois
00:04:53And he liked to show sentimentality without all the melodrama
00:04:56You're going a bit too far
00:04:58We'll talk about this again
00:05:00Well, goodbye
00:05:02Bye
00:05:02Danny, can I give you a lift home?
00:05:06No, I'll go with Jane
00:05:07Poor Stefano, you didn't have to be quite so rude to him
00:05:22Oh, he's hounded me for years, I can't shake him off
00:05:25Just to be near me, he enrolled in a university, now, summer school
00:05:40He's crazy
00:05:41Well, you don't find that kind of devotion very much
00:05:43Well, I hope so
00:05:45Flo, are you coming over this evening?
00:05:48I would if I weren't busy
00:05:50Ah, then good luck
00:05:52Val
00:05:53Flo
00:05:55Flo
00:05:55Thank you all.
00:06:25Thank you all.
00:06:55Thank you all.
00:07:25Thank you all.
00:07:55Son of a bitch!
00:07:57What happened?
00:07:58That guy was spying on us.
00:08:00Sean, what's the camp he was?
00:08:02Come back, Sean.
00:08:05Sean, come here.
00:08:06Where are you going?
00:08:25Sean?
00:08:47Sean?
00:08:47Sean?
00:08:48Sean?
00:08:51Sean?
00:08:51Sean?
00:08:55Sean?
00:08:56Sean?
00:08:56Sean?
00:09:06Sean?
00:09:09Where are you?
00:09:11Sean?
00:09:15Thank you all
00:09:45Thank you all
00:10:15Thank you all
00:10:45Thank you all
00:11:15Poop mouthpiece
00:11:17But today when I saw it I felt blocked
00:11:20That's all, see?
00:11:21In here
00:11:22Collect the deposition
00:11:23That one's 1,000 years
00:11:25I'll take it
00:11:28Are you making a few sales under the counter today?
00:11:56I'm prepared to do a bit of fine, too
00:11:59That's right
00:12:00Junk and cast-off
00:12:01They're not in my line
00:12:03Thank you and come again
00:12:07Who is he?
00:12:09He's a doctor
00:12:10Well, at least he seems to have good taste
00:12:12Carol!
00:12:16Hi
00:12:17Hi, Carol
00:12:19HI
00:12:20Have you seen the paper?
00:12:22No
00:12:24What?
00:12:24What?
00:12:24Wait
00:12:25You haven't heard?
00:12:27No, what's happened?
00:12:28Can I have your paper?
00:12:29Sure, here you are
00:12:30I must be going
00:12:31Sorry, I can't wait for you
00:12:32Okay, bye
00:12:33HI
00:12:37She was a friend of yours, wasn't she?
00:12:41Dad
00:12:41No
00:12:42No
00:12:42No
00:12:43No
00:12:44Daniela
00:12:45Passes have been canceled to today
00:12:47I think that painting's one of the most moving things I've ever seen
00:12:56Isn't it true that you changed Perugina's opinion?
00:13:00I didn't understand, I didn't understand.
00:13:03I didn't understand, I didn't understand.
00:13:04I didn't understand, I didn't understand.
00:13:06Yes, we teachers also come with our children...
00:13:08and they looked at the opinion.
00:13:10Well, I like the opinion.
00:13:12Opinion is the spice of life.
00:13:14In my case, it's necessity.
00:13:16Variety is the spice of life.
00:13:18Necessity is the sound of invention.
00:13:20No, I didn't understand.
00:13:21Necessity is the mother of invention.
00:13:23And we have become.
00:13:25I did not understand.
00:13:27But can you offer me a drink or something?
00:13:29I did not understand.
00:13:31But only under conditions that do not discuss artistry or university.
00:13:35No, no, I didn't understand.
00:13:37You never let me do it.
00:13:39You never let me do it.
00:13:41You never do it to me.
00:13:43You never do it to me.
00:13:45You never make me understand.
00:13:47You never make me understand.
00:13:49You never make me understand.
00:13:51You never make me understand.
00:13:53You never make me understand.
00:13:55You never make me understand.
00:13:57You never make me understand.
00:13:59You never make me understand.
00:14:01You never make me understand.
00:14:03You never make me understand.
00:14:05Besides, you never make me understand.
00:14:07You never make me understand.
00:14:09You never make me understand.
00:14:11You never make me understand.
00:14:13You never make me understand.
00:14:15You never make me understand.
00:14:17You never make me understand.
00:14:19But I do and fuck for fuck's sake in Italy.
00:14:21Who can you?
00:14:23Of course I do.
00:14:24I thought you might.
00:14:26If I should get a couple of invitation tickets to an Academy concert,
00:14:29you wouldn't mind coming along?
00:14:31I'd love to.
00:14:32In fact, I'll count on it.
00:14:33Thank you.
00:14:35There's no need to thank me.
00:14:37It's been a pleasure.
00:14:38Goodbye, friend.
00:14:39Goodbye, Jane.
00:14:53I'm sorry, but I don't want to go over all that again.
00:14:59I told you, Carol, I won't be able to see you anymore.
00:15:02Oh, no, you don't.
00:15:03You're not leaving me.
00:15:04I never promised you anything.
00:15:06I can't face it alone.
00:15:07Friend of yours, sir.
00:15:16Next time, handsome.
00:15:17Hi beautiful.
00:15:23Come on, honey.
00:15:44Take off all the rest.
00:15:45I've got another appointment.
00:15:47What's wrong?
00:15:51Oh, I get it.
00:15:53You want a little persuasion, huh?
00:15:59You're cute.
00:16:08What's the matter?
00:16:10Hmm?
00:16:13If you need something more,
00:16:15I have a mirror
00:16:16and nice movies.
00:16:18Swedish movies.
00:16:21Of course, it'll cost you a little extra
00:16:22if that's what you want.
00:16:23Well, that's a real good start.
00:16:27Why do all hang-ups come my way?
00:16:30Honey, even if you're queer or infant,
00:16:33you're paying the price I charge just the same.
00:16:38Don't kill me.
00:16:39Don't kill me.
00:16:40Say that to me.
00:16:41I'll kill you, you bitch.
00:16:42I'll kill you.
00:16:42I'll kill you.
00:16:43I'll kill you.
00:16:58I'll kill you.
00:16:58All right.
00:17:09Carol, where have you been?
00:17:11Have you been away?
00:17:12What happened?
00:17:13What's wrong?
00:17:14Can't you tell me?
00:17:15Nothing.
00:17:16Nothing.
00:17:17I have to go.
00:17:18I have an appointment.
00:17:19It's very urgent.
00:17:20I'm sorry.
00:17:21Bye.
00:17:22Watch out!
00:17:23Watch out, Danny.
00:17:28Watch out.
00:17:53Watch out!
00:18:03Coffee?
00:18:05Thank you all.
00:18:35Thank you all.
00:19:05Thank you all.
00:19:35Thank you all.
00:20:05Thank you all.
00:21:05Thank you all.
00:21:07Thank you all.
00:21:37Thank you all.
00:21:39Thank you all.
00:21:41Thank you all.
00:22:11Thank you all.
00:22:41Thank you all.
00:23:11Thank you all.
00:23:13Thank you all.
00:23:43Thank you all.
00:25:43Thank you all.
00:25:47Thank you all.
00:25:49Thank you all.
00:25:51Thank you all.
00:25:55Thank you all.
00:26:57Thank you all.
00:26:59Thank you all.
00:27:01Thank you all.
00:27:03to everyone.
00:27:05to everyone.
00:27:07to everyone.
00:27:09to everyone.
00:27:11to everyone.
00:27:41to everyone.
00:28:11to everyone.
00:28:13to everyone.
00:28:15to everyone.
00:28:17to everyone.
00:28:19to everyone.
00:28:21to everyone.
00:28:23to everyone.
00:28:25to everyone.
00:28:27to everyone.
00:28:29to everyone.
00:28:30to everyone.
00:28:31to everyone.
00:28:33to everyone.
00:28:35to everyone.
00:28:37to everyone.
00:28:38to everyone.
00:28:39to everyone.
00:28:41to everyone.
00:28:43to everyone.
00:29:13to everyone.
00:29:15to everyone.
00:29:17to everyone.
00:29:19to everyone.
00:29:20you.
00:29:22you're laughing.
00:29:24to everyone.
00:29:26to everyone.
00:29:28tuinationni.
00:29:30to everyone.
00:29:31to everyone.
00:29:32to everyone.
00:29:33to everyone.
00:29:34Pragiatovino.
00:29:35to everyone.
00:29:36in the end.
00:29:37中共 saili険a.
00:29:39to everyone.
00:29:40to everyone.
00:29:41a good supper.
00:29:43to everyone.
00:29:44martial arts.
00:29:46At the purem большine took them.
00:29:49Yes, you must know about all the citizens, right?
00:29:57Oh no, no. Excuse me, sir.
00:30:00It's like a country, this country.
00:30:01There are spaces every day.
00:30:03There are different colors, there are different ones.
00:30:06Actually, I don't know, I don't know.
00:30:08Oh no.
00:30:09I believe me, I keep looking, but...
00:30:10but how can we do that?
00:30:13For example?
00:30:16Do you sell scotch? Do you sell this one?
00:30:17I handle those, that kind
00:30:21Japanese silk prints
00:30:23But, uh, I mean, they're rather ordinary
00:30:26I have some right over there
00:30:28Better sell this full hour?
00:30:31I might have sold one, of course
00:30:33I can't recall them all
00:30:34But can you remember who might have bought one?
00:30:36It's very important
00:30:37No, I do a steady business, even if it does look unimportant
00:30:41Do you believe I can recollect
00:30:43who bought what here?
00:30:45Who bought this? Who bought that?
00:30:46They come in crowds and they go in crowds
00:30:48If you do remember, call me at headquarters
00:30:51You got that?
00:30:53That's for Inspector Martino
00:31:16Bad news?
00:31:40Ah, you know
00:31:41I'm Johnny Tommaso
00:31:43The scarf seller in the square
00:31:45Because this afternoon the inspector was snooping around
00:31:49I believe I should sell the business
00:31:52No, I'm not trying to blackmail
00:31:55You want me to keep a friendly secret
00:31:57To make sure I can pretend that I never sold you that full hour
00:32:02Two million lire will be plenty now
00:32:06Pretty cheap
00:32:08We ought to pay the initial expenses
00:32:10How do you mean?
00:32:14Have the money
00:32:15You're responsible for my complete silence
00:32:18See you tonight
00:32:20So let's all meet at the station tomorrow
00:32:24At three o'clock
00:32:24All right?
00:32:26Look, Ursula's plans I'm making out tonight
00:32:29Seeing as we're off for a lean weekend
00:32:30HI
00:32:31HI
00:32:32HI
00:32:32Dani
00:32:53Dani
00:32:54Stop not letting go
00:32:56Dani
00:32:58I have to talk to you
00:33:00The musts
00:33:02Why don't you go away?
00:33:05Why don't you leave me alone?
00:33:07I've got to speak to you
00:33:08You're going to listen
00:33:09Dani, you have to
00:33:13I don't
00:33:15Dani!
00:33:20Dani, you've got to belong to me
00:33:22And no one else
00:33:23Classes have been canceled for today
00:33:26No, no, let me go
00:33:36Let me go
00:33:38Let me go
00:33:38Tania, open this door
00:33:42I've got to speak to you
00:33:44What's going on up there?
00:33:46Who's out on the stairs?
00:33:49What are you doing up there?
00:33:50What are you doing up there?
00:33:50What are you doing up there?
00:33:50What are you doing up there?
00:33:54Oh, hello, Jane
00:34:07Can you come over right away?
00:34:09I must talk to you
00:34:10Right now
00:34:10It's urgent
00:34:11It's Stefano
00:34:15What's Stefano's?
00:34:16He was wearing that scarf the day Flo died
00:34:18Jane, it's terrible
00:34:21Oh, come on
00:34:23You need to relax
00:34:24Let me help you two
00:34:26No, Jane
00:34:30I remember it so well
00:34:31Stefano was really wearing that scarf
00:34:33And he didn't ever wear it again
00:34:34What have you got against that boy?
00:34:37He's so strange
00:34:39So violent
00:34:40He frightens me
00:34:41And then
00:34:42Then what?
00:34:46Jane, you won't tell anyone, will you?
00:34:48Of course I won't
00:34:49Surely you're not afraid of me, too
00:34:53Oh, no, Jane
00:34:55But I received this phone call from the killer
00:34:57And he threatened to kill me, too
00:34:59If I told anyone who it was
00:35:01That I'd seen wearing that scarf
00:35:03As in
00:35:06Excuse me
00:35:08I just wanted to say goodbye
00:35:10Good evening, Jane
00:35:11Good evening
00:35:12I'll have to go now
00:35:14If not, I'll miss my flight at ten
00:35:16I'll phone you from Paris when I arrive
00:35:18Take care of her, Jane
00:35:20All right, until tomorrow morning
00:35:23I can't go up to the villa until later
00:35:24I have a few things to do in town
00:35:25You didn't tell me
00:35:26No, but I told Ursula and Katya
00:35:28I'm sorry
00:35:29Oh, you'll be all right
00:35:30You'll have the others with you
00:35:31You'd better dry off
00:35:33I have to go
00:35:35Have a good trip
00:35:37But you promised
00:35:40Yes, but I want to talk to Stefano first
00:35:42He may be a strange boy, as you say
00:35:45But that doesn't mean the killer's Stefano
00:35:47I'll drive out later
00:35:48Don't worry
00:36:07I'll drive out later
00:36:08I'll drive out later
00:36:10Thank you all.
00:36:40Thank you all.
00:37:10Thank you all.
00:37:40Thank you all.
00:38:10Thank you all.
00:38:40Anyone home?
00:38:44Anyone home?
00:38:50Is anybody there?
00:38:53Stefano?
00:38:57Stefano?
00:39:03Stefano?
00:39:09Stefano?
00:39:13Stefano?
00:39:15Stefano?
00:39:17Stefano?
00:39:21Stefano?
00:39:23Stefano?
00:39:27Stefano?
00:39:29Stefano?
00:39:30Stefano?
00:39:31Stefano?
00:39:32Stefano?
00:39:37Stefano?
00:39:38Stefano?
00:39:39Stefano?
00:39:41Did I want something, mademoiselle?
00:39:54I was looking for Stefano Vance. Excuse me.
00:39:58Mr Vance's bed was unoccupied last night.
00:40:00I don't know if he's in town.
00:40:01Hebia?
00:40:11I don't know.
00:40:41I don't know.
00:41:11I don't know.
00:41:18Look at all those knockers.
00:41:32Brother, up here you can see the sauce of the Nile.
00:41:39Where's she from?
00:41:41You mean the one with the suntan makeup?
00:41:42She didn't buy it.
00:41:43Oh, with those legs, she could outrun a rabbit.
00:41:44I'm a rabbit.
00:41:45Hey, what do you think I'm here for?
00:41:47Make eyes at me.
00:41:48Come on, let's go.
00:41:52We still have a lot of shopping to do.
00:42:02Oh!
00:42:04Bring the bread and the milk every morning.
00:42:06Please don't forget.
00:42:08I'll remember, miss.
00:42:09Every morning.
00:42:10Thank you.
00:42:10Pretty girl, isn't it, Ballack?
00:42:34If you could only speak to them how they'd love it.
00:42:38The way they looked at you, you saw.
00:42:40Say, why don't you go up to the villa and pay them a visit?
00:42:42They're expecting you.
00:42:43Yeah.
00:42:43Sure.
00:42:44No kidding, Ballack.
00:42:45You can measure them for shoes.
00:42:46What they came here for is a strong man like you.
00:42:50They love leather.
00:42:52Don't miss your chance, Ballack.
00:42:54Save one for me.
00:42:55Yeah.
00:43:16Save one for me.
00:43:46Oh!
00:44:01With all the windows barred, it seems like a prison.
00:44:05There's no one here most of the year.
00:44:07It was a paradise for thieves, so we put up the bars to discourage them.
00:44:10God, where's Jane?
00:44:11She must have found the roads full of traffic.
00:44:13Or she couldn't leave.
00:44:15Why not telephone?
00:44:16There we are.
00:44:17That's it.
00:44:18HI.
00:44:19HI.
00:44:28Yes, Iorina?
00:44:29Excuse me.
00:44:31Can you show me the road to Villa Santa Alba?
00:44:33Oh, yes.
00:44:34It's just up the hill, but slow down.
00:44:36It's bumpy.
00:44:37Well, I'd better have you check the car.
00:44:38I think there's a broken spring.
00:44:40It's impossible to check that until morning.
00:44:42But tonight, if you like, I'll go with you.
00:44:45Yes, if you please.
00:44:46You'll have to walk up the hill, though.
00:44:49I'm sorry.
00:45:01They told me she left three hours ago.
00:45:03Ah, then she's found interesting company, I guess.
00:45:06Stop joking.
00:45:07I'm afraid.
00:45:08I'm worried that...
00:45:09No.
00:45:16Hey, girls.
00:45:19You can open this door or not.
00:45:21It's Jane.
00:45:22Yes, yes, yes.
00:45:52The one the inspector showed us was just the opposite.
00:45:55I'm so confused.
00:45:59If Stefano wasn't wearing that scarf,
00:46:02then who?
00:46:05I know he saw it on somebody.
00:46:07Look, forget about the scarf.
00:46:09I won't hear any more about it.
00:46:12Now, I could do with a drink.
00:46:13I think I've caught a cold.
00:46:15What a terrible day.
00:46:17Forget it, boys.
00:46:18Those three birds aren't for the likes of us.
00:46:20Forbidden fruits, the best there is.
00:46:21There's some grapes.
00:46:23Well, that niece of the owner is really right.
00:46:25I wouldn't mind spoiling her a little bit more.
00:46:27She looks willing enough to me.
00:46:28Let's go up there and give him a try.
00:46:29Yeah, we'll be wasting our time.
00:46:30Let's play bocce ball.
00:46:32Listen to Castanova, that's how you get to leave so much.
00:46:34I'd go for that exotic meal.
00:46:36The one with the long legs.
00:46:37Oh, yeah.
00:46:37Wow, what a grip she must have.
00:46:38She looks like a man-eater.
00:46:40I'd feel safe with one of the others.
00:46:41Ah, they're all the same in the dark.
00:46:42Well, maybe, but I'd like to start with that little boy.
00:46:44You got it all worked out, huh?
00:46:47You should give him a workout.
00:46:51Well, I'm off to bed.
00:46:56Good night, Danny.
00:46:57Good night.
00:47:21Good night.
00:47:51Good night.
00:48:21Good night.
00:48:51Good night.
00:48:52Good night.
00:48:59Good night.
00:49:00Thank you all.
00:49:30Thank you all.
00:50:00Thank you all.
00:50:30Thank you all.
00:51:00Thank you all.
00:51:30Thank you all.
00:52:00Thank you all.
00:53:00Come on, you lizards.
00:53:01Breakfast is here.
00:53:04Come on.
00:53:05So is he.
00:53:07Oh, no, I twist my ankle.
00:53:21How awful.
00:53:22Milk, bread, and eggs.
00:53:28And things.
00:53:31Don't worry.
00:53:34It'll be all right.
00:53:35It's not broken.
00:53:36Why the hell are you standing there?
00:53:41Go get a doctor, quickly!
00:53:42Yeah, sure.
00:54:06I don't think it's anything serious.
00:54:19But if the swelling hasn't gone down by tomorrow, call me and we'll have it x-rayed.
00:54:25In case you don't sleep tonight, young lady, because of the pain, I'll leave you these.
00:54:29But don't take more than two.
00:54:32Some vacation.
00:54:34Hadn't I seen you somewhere before?
00:54:36You might have.
00:54:39On the train? I remember now.
00:54:41You were in the same compartment.
00:54:43Yes, that's right.
00:54:46You weren't with your friends.
00:54:47I came later by car.
00:54:49If necessary, I can bring you into town tomorrow.
00:54:51Oh, my ankle isn't broken.
00:54:53I can drive myself tomorrow.
00:54:54Well, I'll be off.
00:54:56And if you want to reach me, you know where to find me.
00:54:59I'll see you till the door.
00:55:00Goodbye.
00:55:01Goodbye, doctor.
00:55:05Doctor's all right, huh?
00:55:06Not bad.
00:55:10You know, you should have something done about that road.
00:55:13It's not easy getting up here.
00:55:15Oh, excuse me.
00:55:20Hello?
00:55:21Oh, it's you, uncle.
00:55:23How are you?
00:55:24You were right.
00:55:26I'm okay.
00:55:27But where are you?
00:55:29Paris.
00:55:31It sounds as if you were calling from the next room.
00:55:34Uh-huh.
00:55:36Oh, yes.
00:55:37The weather's marvelous here.
00:55:38Oh, my God.
00:55:42Oh, yes.
00:55:47Oh, yes.
00:55:57Oh, yes.
00:56:06Oh, my God.
00:56:07Oh, how it was.
00:56:09Oh, right.
00:56:11Oh, right.
00:56:13At least it's warm in the sun.
00:56:15Oh, thank goodness.
00:56:25Stefano!
00:56:29Stefano!
00:56:31Come out!
00:56:35What are you doing there?
00:56:39Danny.
00:56:43But I don't see anyone.
00:56:45I'm sure I saw someone a moment ago.
00:56:47It looked like Stefano.
00:56:49But Danny, you were frightened, that's all.
00:56:51It was Stefano.
00:56:55Let's go home now.
00:56:57If it was Stefano,
00:56:59you would have answered, no?
00:57:09Come on, Jane, this'll fix you up.
00:57:11The James Anchor.
00:57:13Bottoms up.
00:57:15Oh, boy.
00:57:17Nisa didn't in champagne.
00:57:19She won't wake us up in the morning.
00:57:21Let's not excite the patient.
00:57:23She's full of goof pills now.
00:57:25She needs some rest.
00:57:27It's a tornado.
00:57:29Yeah.
00:57:30How about a lullaby?
00:57:31Come on, then.
00:57:32Good night.
00:57:33Good night, everybody.
00:57:34Good night.
00:57:35Good night, Jane.
00:57:36Weren't the lights off?
00:57:37You can turn the big one off.
00:57:38I'm going out like a light, too.
00:57:40Night.
00:57:41Night.
00:57:42Footnote?
00:57:46Yeah.
00:57:48By the way.
00:57:49Would you bless the man?
00:57:50No.
00:57:51To the dark nerves.
00:57:59Troper like me.
00:58:04Oh.
00:58:05Just as of the darkness shallots,
00:58:07No, no, no, no.
00:58:37Maybe it's the doctor paying a late call.
00:58:55Who's there?
00:58:57Come on, you might as well open the door.
00:58:59Stephen!
00:59:05Stephen!
00:59:11Help!
00:59:13Help!
00:59:15Help!
00:59:21Help!
00:59:23Help!
00:59:25Help!
00:59:29Yes, yes.
00:59:59Yes, yes.
01:00:29Yes, yes.
01:00:59Yes, yes.
01:01:01Yes.
01:01:02Yes.
01:01:03Yes.
01:01:04Yes.
01:01:05Yes.
01:01:06Yes.
01:01:07Yes.
01:01:08Yes.
01:01:09Yes.
01:01:10Yes.
01:01:11Yes.
01:01:13Yes.
01:01:14Yes.
01:01:16Yes.
01:01:17Yes.
01:01:18Yes.
01:01:19Yes.
01:01:20Yes.
01:01:21Yes.
01:01:22Yes.
01:01:23Yes.
01:01:24Yes.
01:01:25Yes.
01:01:26Yes.
01:01:27Yes.
01:01:28Yes.
01:01:29Yes.
01:01:30Yes.
01:01:31Yes.
01:01:32Yes.
01:01:33Yes.
01:01:34Yes.
01:01:35Yes.
01:01:36Yes.
01:01:37Yes.
01:01:38Yes.
01:01:39Yes.
01:01:40Yes.
01:01:41Yes.
01:01:42Yes.
01:01:43Yes.
01:01:44Yes.
01:01:45Yes.
01:01:46Yes.
01:01:47Yes.
01:01:49Yes.
01:02:02Yes.
01:02:03Yes.
01:02:17Damage?
01:02:37Damage?
01:02:47Damage?
01:03:11Damage?
01:03:17Damage?
01:03:47Damage?
01:03:49Damage?
01:03:52The rege...
01:03:53Trude?
01:03:54...
01:03:57...
01:04:00...
01:04:06Yes.
01:04:36Anyone home?
01:04:50I have to pick up the empties!
01:05:06Anyone home?
01:05:09Well?
01:05:36See you later...
01:06:06Thank you all.
01:06:36Thank you all.
01:07:06Thank you all.
01:07:36Thank you all.
01:08:06Thank you all.
01:08:36Thank you all.
01:09:06Thank you all.
01:09:08Thank you all.
01:09:10Thank you all.
01:09:12Thank you all.
01:09:14Thank you all.
01:09:46Thank you all.
01:09:48Thank you all.
01:10:18Thank you all.
01:10:20Thank you all.
01:10:22Thank you all.
01:10:24Thank you all.
01:10:26Thank you all.
01:10:28Thank you all.
01:10:30Thank you all.
01:11:00Thank you all.
01:11:02Thank you all.
01:11:04Thank you all.
01:11:06Thank you all.
01:11:08Thank you all.
01:11:10Thank you all.
01:11:12Thank you all.
01:11:14Thank you all.
01:11:16Thank you all.
01:11:18Thank you all.
01:11:20Thank you all.
01:11:22Thank you all.
01:11:24Thank you all.
01:11:28Thank you all.
01:11:54Thank you all.
01:12:24Thank you all.
01:12:54Thank you all.
01:13:24Thank you all.
01:13:54Thank you all.
01:14:24Thank you all.
01:14:54Thank you all.
01:15:24Thank you all.
01:15:54Thank you all.
01:15:56Thank you all.
01:16:24Thank you all.
01:16:26Thank you all.
01:16:28Thank you all.
01:16:30Thank you all.
01:16:32Thank you all.
01:16:34Thank you all.
01:16:36Thank you all.
01:16:38It's strange.
01:16:41Oh, what are they doing? Is it even stopping?
01:16:42Oh, we're fine. Look, doctor, they're making license plates.
01:16:52But what are they doing?
01:16:53Look, I have a lot ready.
01:16:55Take the license plate number and file a claim with the insurance company.
01:16:57But what license plate? But what insurance?
01:16:59But are you talking? Come here.
01:17:01He's a cuckold.
01:17:08But what insurance?
01:17:38But what insurance?
01:17:40But what are they doing?
01:17:42No.
01:17:44No, no, no, no, no.
01:18:14No, no, no, no, no.
01:18:15Six gorgeous legs.
01:18:16Six, not eight.
01:18:17Yeah, well, I was there, wasn't I?
01:18:19I know there's another two.
01:18:22There's eight legs, eight titties, and four sets of ass.
01:18:27Yeah, balls.
01:18:28Either you were drunk, you never set foot in the film.
01:18:30Yeah, he's dreaming.
01:18:31Yeah, wet dreamin'.
01:18:32You were jealous because you weren't there.
01:18:35I tell you, there were four girls up there.
01:18:37The fourth one came by car.
01:18:38Her car's still down there at the filming station.
01:18:41Go see for yourself if you don't believe me.
01:18:443 or 4 or 1,000,
01:18:45we can't lay a finger on them
01:18:46in this lousy town.
01:18:48I bet they get plenty where they come.
01:18:49Yeah, that's why they come here,
01:18:50for vacation.
01:18:51Wish they'd settle here.
01:18:53You still wouldn't have a chance.
01:18:54Well, that's the advantage
01:18:55of a university education.
01:18:57As far as they're concerned,
01:18:58we're illiterate.
01:18:59I can read and write.
01:19:00What I have in mind,
01:19:01you don't need to know my chance.
01:19:03Come on, let's go play some snooker.
01:19:05I'll buy the beer.
01:19:06All right.
01:19:14She dainty, though,
01:19:17to what happened.
01:19:18Did a tank hit you,
01:19:19or was it one of our good women drivers?
01:19:20It was my fault I popped on a curve.
01:19:22Oh, an American license.
01:19:25Who is it?
01:19:26Belogues to one of the girls
01:19:27staying up there at the old villa.
01:19:29Broke a spring.
01:19:30I repaired it myself,
01:19:31but she hasn't picked up the car.
01:19:32I drove it up there myself,
01:19:33but they were all gone.
01:19:35Well, she sprained her ankle.
01:19:37Perhaps one of her friends
01:19:38took her home.
01:19:39Strange.
01:19:40They must have left last night
01:19:41because, well,
01:19:42I've been here since early this morning,
01:19:44I've seen no one go up or down all day.
01:19:47Well,
01:19:48shall I fill it up, Totoro?
01:19:50No, no, no, thanks, sir.
01:19:52Not now.
01:19:57Well?
01:20:14Well,
01:20:28Thank you all.
01:20:58Thank you all.
01:21:28Don't look at me like that.
01:21:32I had to do it.
01:21:34I had to, Jane.
01:21:35I had to.
01:21:37They were only dolls.
01:21:40Stupid dolls made out of flesh and blood.
01:21:43But you're not like the others.
01:21:44You're different, Jane.
01:21:45You're pure.
01:21:47Everything would have been different with you.
01:21:48It was chance and necessity, remember?
01:21:51In me, they're monstrously inverted.
01:21:55It was a chance
01:21:56that drove me to the necessity to kill dolls.
01:22:02Lisa, if you let me see you without your panties,
01:22:05I'll go and get your doll.
01:22:06No, Mama says you're a bad boy,
01:22:08and so is your brother, Franz.
01:22:10Go get your own doll, then.
01:22:11What do I care about?
01:22:12Well, all right.
01:22:13I'll let you look once,
01:22:14but first you've got to get me my dolly.
01:22:16You promise?
01:22:17I'll cross my heart.
01:22:22Careful.
01:22:22It's slippery.
01:22:23No, don't worry, Franz.
01:22:28Johnny!
01:22:29His body dropped down and down.
01:22:39And then the final crash.
01:22:43That sickening thump.
01:22:46The body hits the rocks,
01:22:47and there was blood.
01:22:49Blood everywhere.
01:22:53Blood all over the rocks.
01:22:55Bitches!
01:22:56Bitches!
01:22:57They'll do anything to get what they want.
01:23:00Yes.
01:23:01Like Flo and Carol.
01:23:03They played their filthy little games with me.
01:23:08They seduced me.
01:23:10They flattered me.
01:23:16Then they blackmailed me.
01:23:19Filthy bitches!
01:23:23But they didn't know what was in store for them.
01:23:27I killed them.
01:23:32I hacked them to pieces like dolls.
01:23:35But, Franz,
01:23:37why did the others have to die?
01:23:40Danny saw me
01:23:41when I was following Carol.
01:23:45When she was on the back of that motorbike
01:23:47with those two boys.
01:23:51Danny would have remembered sooner or later
01:23:54that Carol was with those two.
01:23:58And I had the scarf.
01:24:00I couldn't give her time to remember.
01:24:03The colors
01:24:03were reversed.
01:24:06The one Stefano had is red or black
01:24:09instead of black or red
01:24:11like mine.
01:24:13But that must mean
01:24:14you killed Stefano.
01:24:16Yes.
01:24:18He saw me here in the village.
01:24:19He understood.
01:24:21Death is the best keeper of secrets.
01:24:24Why did you come here, Jane?
01:24:25Why?
01:24:26Why?
01:24:29You idiot!
01:24:30You're the doll like the others!
01:24:32Oh!
01:24:33Oh!
01:24:33Oh!
01:24:34Oh!
01:24:35Oh!
01:24:36Oh!
01:24:36Oh!
01:24:37Oh!
01:24:37Oh!
01:24:38Oh!
01:24:38Oh!
01:24:38Oh!
01:24:38Oh!
01:24:39Oh!
01:24:39Oh!
01:24:39Oh!
01:24:39Oh!
01:24:40Oh!
01:24:40Oh!
01:24:40Oh!
01:24:41Oh!
01:24:41Oh!
01:24:41Oh!
01:24:42Oh!
01:24:43Oh!
01:24:43Oh!
01:24:43Oh!
01:24:43Oh!
01:24:44Oh!
01:24:44Oh!
01:24:45Oh!
01:24:45Oh!
01:24:45Oh!
01:24:46Oh!
01:24:47Oh!
01:24:48Oh!
01:24:49Oh!
01:24:50Oh!
01:24:51Oh!
01:24:52Oh!
01:24:53Oh!
01:24:54Oh!
01:24:55Oh!
01:24:56Oh!
01:24:57Oh!
01:24:58Oh!
01:24:59Oh!
01:25:00Oh!
01:25:01Oh!
01:25:02Oh!
01:25:03Oh!
01:25:04Oh!
01:25:05Oh!
01:25:06Oh!
01:25:07Oh!
01:25:08Oh!
01:25:09Oh!
01:25:10Oh!
01:25:11Oh!
01:25:12Oh!
01:25:13Oh!
01:25:14Oh!
01:25:15Oh
01:25:45Oh
01:26:15Oh
01:26:17Oh
01:26:19Oh
01:26:21Oh
01:26:23Oh
01:26:29Oh
01:26:31Oh
01:26:33Oh
01:26:41Oh
01:26:45Oh
01:26:47Oh
01:26:49Oh
01:26:51Oh
01:26:53Oh
01:26:59Oh
01:27:01Oh
01:27:03Oh
01:27:09Oh
01:27:11Oh
01:27:13Let's go for the police and get away from here
01:27:39Perhaps
01:27:45Maybe there really is something written up there that concerns us.
01:27:49If I hadn't stopped at that gas station by chance
01:27:53I never would have realized that you were still here
01:27:55Some would call it providence
01:27:59Providence
01:28:01Franz
01:28:03He called it necessity
01:28:05TO
01:28:07next
01:28:11A
01:28:13May
01:28:17A
01:28:19A
01:28:20Thank you all.
01:28:50Thank you all.
01:29:20Thank you all.
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