- 2 days ago
🎁🔥[Hot NF 2025] 🏡NEW FILM🏆🏆🏆🏆🏆
Welcome everyone to NEW FILM,
This Channel shares good movies. Check me out for great Action, Comedy, Family, Horror, Drama, Thriller, Romance, Westerns, Sci Fi, Docs and more.
Hope you will have interesting experiences. Follow me and Let's enjoy entertaining movies together now.
Love and Respect!
Welcome everyone to NEW FILM,
This Channel shares good movies. Check me out for great Action, Comedy, Family, Horror, Drama, Thriller, Romance, Westerns, Sci Fi, Docs and more.
Hope you will have interesting experiences. Follow me and Let's enjoy entertaining movies together now.
Love and Respect!
Category
🎥
Short filmTranscript
00:00oh
00:21Martin what the hell is wrong with you? I'm letting them work it out by killing each other
00:27other. Preston! Wyatt! Stop it! Preston! Apologize to your brother! He took my iPad! Preston!
00:36Wyatt took my iPad. He started it. And you finished it. Here. You go put this on your eye
00:47and get yourself cleaned up. Yes, sir. Hey, Uncle Rick. What happened to your eye? You run into a
00:54wall? No, I just kicked Wyatt's ass. Preston said he just kicked Wyatt's ass. Reminds me of you when you
01:01were young. You never met a kid you didn't want to hit. Yeah, only because I knew my big brother had
01:06my back. Except for that one time. You let those Korean punks give me a beatdown. No, I was trying
01:13to teach you a lesson. Not that you ever listened to a word I said. So I got to talk to you about
01:22something. What about your other son? What'd he do now? Survival of the fittest. That is my
01:34father's dogma. He's a nominal Catholic. His real religion is Darwinism. Hmm. The self-made man.
01:41Yeah, he was a he was an orphan who supported himself and his half-brother by working on a dairy
01:45farm. Shoveled cow shit every day before school. Never let us forget it. And for all his kicking
01:52and screaming, I pulled my father into the future. Got him to take a couple of big swings and I grew
01:58the business tenfold. A year from now, I will have redrawn the skyline, the largest multi-use project
02:04this city's seen in a generation. That's my legacy. But not your father's? Progeny. That's what drives
02:14him. Generations of little Jarvis's just carrying his genes into the future. You never wanted kids?
02:21More people to hate you when you're dead? No thanks. Making something worth leaving behind? That's as close
02:27as any of us get to immortality. Isn't that why you write? I don't know about that. I think I write
02:36to, uh, to make sense of what I, I don't understand. How's that going? We were talking about you
02:46and your father. Right. When do you think I'll get to meet him? Look, he's, he's a big character
02:56in your story. I've got some questions. He won't talk to you. He said that? I know my father.
03:04You haven't told him, have you? About the book. Why not?
03:18Do you know how my mother died? Ovarian cancer. When you were two. She had cervical stenosis.
03:25A dozen miscarriages before she had Marty. I mean, the pregnancy nearly killed her. Um,
03:34and the doctor said never again. But my father wanted more and he wasn't about to adopt. So
03:38five miscarriages later, she had me. Hemorrhage so badly, she almost bled out on the table.
03:45Emergency hysterectomy, and that's how they found the cancer. So dad was left with the two of us.
03:50Until Marty OD'd at 31. And when my father finally got it through his head that I wasn't going to have
03:57children, he went out and got himself another Mrs. Jarvis. He spent half a mil for IVF until he got
04:03two more sons and they turn eight on Sunday. My father's legacy is his own business, but he doesn't
04:14get to control mine. By denying him grandchildren, is that a power move? A big middle finger?
04:23It's got nothing to do with him. I love them too much. Is that even possible? You tell me.
04:34I love them too much. Is that even possible? You tell me.
04:53You're late. Where's Gold? Rick's showing him around the house. I told him I needed a few more minutes
05:15alone with you. Something wrong? Oh, you tell me. Because I am curious. When are you going to tell me
05:24about this book, Niall, before or after it was published? I wasn't aware I needed a permission slip.
05:33The whole point of moving out of Manhattan was to keep you off of page six, at least until
05:38Jarvis Yards is finished, and you have gone out of your way to invite more scrutiny. Your plan for me to go into
05:44exile isn't working. If anything, it's backfiring because I need to control the narrative.
05:49Oh? And what makes you so sure that you can control Agatha Wiggs? The same thing that makes you so sure
05:54I can't. It's a mistake. Well, then let's just agree to disagree.
06:01Yeah. Hello, Niall. Councilman? I thought I was going to need breadcrumbs to find my way back here.
06:11Well, once again, thank you for coming out to see us on such short notice.
06:16And I hope I'm not rushing you, but I've got a Parks Commission hearing in about an hour.
06:20It's okay, Phineas. We're done talking. Right, Dad?
06:26Yeah. Why don't we sit over here?
06:39You know, Benita has just, she came out of nowhere. Community organizing, grassroots, all that crap. By the time Patel started taking her campaign seriously, it was too late.
06:50How did this even happen? I thought phase two was supposed to be an automatic approval.
06:54Look, no one on the committee has been a greater advocate for Jarvis Yards than me.
06:58No one has supported your political career more than us. That's not what I asked you.
07:05Benitez is leaning on some of the more vulnerable committee members. Apparently, she's getting some traction by exploiting Niall's situation.
07:13And from what I'm hearing, she's already managed to flip Tiernan and Olshansky.
07:17Shit.
07:18No, we've still got the votes to shut her down, all right?
07:21Margin will be tighter than I'd like it to be, but we'll be fine.
07:25Good. We're counting on you to hold the line, Phineas.
07:29Phineas.
07:52Welcome.
07:59These paintings are wonderful. The, the scale and the color work.
08:08Thanks.
08:11Was Alice Neel an influence or Lucian Freud?
08:16Um, mostly my son.
08:20He needs to spend hours coloring with his crayons and, um,
08:24Burnt Sienna was his favorite.
08:27Nina Jarvis.
08:30Shelly Morris.
08:31Pleasure.
08:32So are you a, um, collector?
08:34Yes.
08:35Well, mostly an occupational hazard.
08:37I'm a gallerist.
08:38I own the J-Con gallery in Chelsea.
08:41Oh.
08:43You're that Nina Jarvis.
08:45Yeah.
08:46Married to that Niall Jarvis.
08:50Don't worry.
08:51I'm, I'm used to the look.
08:53Uh, well, I, I, I love the J-Con.
08:56I, um, I saw the Winogred show there last year.
09:01Mm-hmm.
09:02I was blown away.
09:03Oh, yeah.
09:04Her career took off after that.
09:06And of course, once it did, the Gojin swooped in and grabbed her.
09:10Well, it's, uh, it's heartening that you're still scouting around open studios.
09:20I have to confess, um, I actually came here because of you.
09:26Me?
09:29I saw one of your earlier paintings and I wanted to see what you were working on now.
09:35You did?
09:36Where?
09:37I, I just, there's, there's not a lot of my work out there.
09:40I saw it at Aggie's house.
09:42We're neighbors.
09:43My husband and I just moved in a couple weeks ago.
09:46Uh, wait, so you, you and Aggie are friends?
09:50Um, friendly.
09:51We just met.
09:52But, but I was over there briefly and I saw one of your paintings, the one in the living room, which is stunning, by the way.
09:59Um, did Aggie ask you to come here?
10:02What?
10:03No.
10:04Nothing like that.
10:05No, I noticed it hanging and, and I was really taken by it.
10:09And I just asked Aggie if you had representation, that's all.
10:13And I was curious to see how your work has evolved.
10:20Okay.
10:22Well, um, would you care for some boxed wine?
10:26Mm.
10:27What vintage?
10:28Oh, it's a very rare 20, 24 Hoboken varietal.
10:45Hi.
10:47Hey.
10:59It's just, uh, a temporary place.
11:03How long have you been here?
11:06Six years.
11:08I was, I was living with my, um, my ex before that and Murray Hill and things kind of unraveled.
11:17Epically.
11:19Was that before or after the Jarvis case?
11:21Oh.
11:23Yeah.
11:24You can, uh, you can add my marriage to the list of casualties.
11:28Do you want a beer?
11:31Well, um, thank you for meeting me.
11:34Well, like I said, there's not much I can do.
11:36Did you have any luck at all?
11:38Buddy works for Nassau County.
11:39PD owed me a favor.
11:41Slipped me a copy of Phoenix's case file.
11:44Don't get too excited.
11:45Not much there.
11:49Knock yourself out.
11:50Come on.
11:59Let's get you dry.
12:01Wash, wash, wash.
12:11Hey, shut up!
12:13Hey, hey, hey!
12:20Come on.
12:21Come on.
12:22Come on.
12:23You told my father about the book.
12:26Why are you stirring up trouble?
12:29I knew you wouldn't tell him yourself.
12:31I was planning to.
12:32Then what's the problem?
12:33The problem is this arrangement isn't working for me.
12:40Well, talk to your father.
12:41He's the one who put me here.
12:42And I indulged him because I felt sorry for you.
12:43You're a charity case.
12:44Honestly.
12:45I mean, who else would hire you?
12:46I guess he didn't convince you to drop the book.
12:47It's not his call.
12:48It's not his call.
12:49It's my decision.
12:50And I know what I'm doing.
12:51And I'm sure you know I got the wages talking to the FBI.
12:52Hmm?
12:53Yeah.
12:54Your old pal Brian Abbott.
12:55I know.
12:56Okay.
12:57Oh, I'm sure you know.
12:58I got the wages talking to the FBI.
12:59Hmm?
13:00Yeah.
13:01Your old pal Brian Abbott.
13:02It's the same thing.
13:03I know.
13:04I'm sure you know Agatha Wages talking to the FBI.
13:05Hmm?
13:06Yeah.
13:07Your old pal Brian Abbott.
13:10Oh no.
13:11Yeah.
13:12Yeah.
13:13I know.
13:14You all, you know.
13:15I'll talk to your father.
13:18He's the one who put me here.
13:19I know.
13:20You can't say!
13:21Hey.
13:22He's the one who put me here.
13:23Don't worry, I didn't tell your dad.
13:28The part I left out.
13:30Not to protect you, to protect him.
13:36My brother's heart attack, that was all you, Niall.
13:39Hm?
13:41I'm here to make sure you don't give him another one.
13:44I will do whatever I have to do to protect him.
13:47You didn't know that already.
13:50You do now.
13:53Come on. Yeah.
13:58Fanning was last seen at Roberto's around 9.50 p.m.
14:01He left his co-worker, Julian Barrow, to close up the restaurant
14:04so he could see his girlfriend, but he never showed.
14:07They've been dredging the water for almost a week.
14:10Wouldn't they have found him by now if he really did drown himself?
14:13Well, with the storm, could have pulled him pretty far out.
14:15At that point, you're dealing with a larger search area
14:17between predation from fish and sharks
14:20and what salt water does to the body.
14:22Teddy's co-worker said he was acting totally normal.
14:27So did his mother and girlfriend.
14:29Yeah, well, suicidal people tend not to announce their intentions.
14:32Is there surveillance footage?
14:34There used to be a camera at Roberto's.
14:36Broken.
14:37We're not hooked up, apparently.
14:39No one saw him leave.
14:40And then, of course, there's the, uh, note.
14:46Sorry for the pain I've caused.
14:52That's it.
14:53Awfully short.
14:54Well, we're not all writers.
14:56So they're not even considering foul play?
15:00There's no reason to.
15:01I mean, your name pops up a few times.
15:03Me?
15:04Yeah.
15:05Yeah, you threatened him in the past.
15:07Jesus.
15:08It doesn't matter.
15:09Because nothing here suggests this is anything but a suicide,
15:12and that is how police are treating it.
15:14Except they still haven't found him.
15:16Just like Madison Jarvis, which he left a note too, right?
15:21I mean, it's, it's just a few words.
15:24Niall could have copied Teddy's writing, right?
15:27Or, or, or forced him to write it.
15:29I mean, look at that.
15:32Look at that handwriting.
15:33Doesn't, doesn't it look a little wobbly to you?
15:35Like, like his hand was shaking?
15:41There's no mention of Niall anywhere.
15:43There's no connection between them.
15:45The only connection between them is you.
15:47His wife was out of town that night.
15:49He was on his own.
15:50What, you think that's a coincidence?
15:52He could have been outside of Roberto's waiting for Teddy.
15:55He's recognizable.
15:56Yeah, he could have been a lot of places, right?
15:58But we have no way of knowing.
16:02Or maybe we do.
16:06Um, okay.
16:07He has, he has like this ring.
16:10Um, it's like a Fitbit on steroids.
16:14It, um, it tracks everything.
16:16His metrics, his bodily functions.
16:18You know, so he can optimize whatever the fuck he's trying to optimize.
16:21I, I don't understand.
16:22Okay.
16:23Here.
16:24In your 2012 GQ profile, you called yourself a biohacker.
16:28We all get the same 24 hours.
16:31How much of it we waste is up to each of us.
16:33You see this?
16:34So this records all my vitals.
16:36Sleep quality, hormones, adrenals.
16:38My run this morning.
16:41So the...
16:42So this tracks where I peaked, where I flagged, um, glucose levels, cardiac metrics.
16:53It's a constant stream of data for radical optimization.
16:56It, it tracks everything, including your geo-location.
16:59Well, I doubt he's gonna turn that on if he was gonna commit a crime.
17:02No, he wouldn't have had to.
17:03It, it activates when your heart rate's above 90.
17:06It, it's automatic.
17:07Anytime it thinks you're exercising.
17:09Grabbing Teddy off the street.
17:10Something tells me he might have broken a sweat.
17:13All of this data is on his laptop.
17:15There must be some way to hack it.
17:17Don't, don't you have people who do that?
17:19Not without a warrant.
17:20Well, how long would that take?
17:21There's never gonna be a warrant, Aggie.
17:24I, I don't know, I don't know how much clearer I need to be.
17:32Then maybe I can do it.
17:34While I'm there interviewing him.
17:36When he goes to take a pee or, or, or a call or something.
17:40Nothing you found would be admissible in court.
17:43But it would tell us if he was there.
17:44It would be something.
17:49I could get him to his laptop.
17:51I know his password.
17:53What?
17:54I've been paying attention.
17:55When he opens his phone, his computer.
17:58I, I know it.
18:02I think you might be crazier than me.
18:09Look, there is some part of you that thinks I'm right.
18:11Or you wouldn't still be talking to me.
18:13There's a digital forensics analyst I can ask.
18:20Do you trust him?
18:26Holy shit.
18:30Now I need to answer.
18:31Hey, put it on, put it on speaker.
18:37Hello?
18:38Hey neighbor.
18:39Where are you?
18:42I'm writing.
18:43Why?
18:44Are you?
18:45I was just knocking on your door.
18:48Uh, no.
18:49I'm, I'm in the city.
18:50I, uh, I'm at the public library.
18:52I, I, I just left.
18:55I can meet you at Jarvis Yards in 30 minutes.
18:58Something I want to show you.
19:00Uh, now?
19:01It's nine o'clock.
19:03You said you just left.
19:05Well, what is it?
19:08It's a surprise.
19:12Can it wait until tomorrow?
19:14Actually, it can't.
19:15Meet me at the south entrance.
19:16Oh, at least give me some idea what this is about.
19:19Niall?
19:24You are not seriously going to meet him.
19:27I have to, right?
19:28You don't have a gun like a bar, do you?
19:35I'm joking.
19:37It's a joke.
19:39I'll be fine.
19:44I'll call you afterwards, okay?
19:47Wait, wait.
19:52I'll come with you.
19:54What?
19:55You're not going alone.
19:57Well, I've been alone with him before.
19:58What do you think he's gonna do?
20:00You're gonna take your own car.
20:02I will follow you.
20:03I'll wait nearby so if something's off,
20:04or even if you get a bad feeling, you...
20:08Don't call my phone.
20:10I've got a burner phone around here somewhere.
20:14I'll give you the number.
20:15I'll give you the number.
20:45I'll give you the number.
20:46Listen.
20:47Let's go.
20:48You're late.
20:49Thought maybe you'd stood me up.
20:55So, what is it you want me to see?
20:56You're late.
21:09I thought maybe you'd stood me up.
21:11So, what is it you want me to see?
21:26I don't know.
21:56Scared at heights?
22:03This will be worth it, I promise.
22:19Jesus.
22:20So, I've been thinking about our conversation, legacy, monuments, what we leave behind.
22:33I can talk all I want, but words only do so much.
22:38Some things you really need to see for yourself.
22:55Let's go.
22:55Let's go.
22:56Let's go.
22:57Let's go.
22:58Let's go.
22:59Let's go.
23:00Let's go.
23:01Let's go.
23:10Come closer.
23:35I'm good, thanks.
23:37You can't see anything from there.
23:40Sometimes when I'm standing up here, I get this irrational urge just to step off the
24:01edge.
24:02The French coined a term for it, la pelle du vide, the call of the void.
24:08It's not a suicidal compulsion, exactly.
24:12Just that uncanny impulse.
24:15It's common.
24:16It's a widespread phenomenon.
24:19You want to know my theory?
24:21What's that?
24:22We'd rather jump than fall.
24:27Or be pushed.
24:30Are you talking to the FBI, Aggie?
24:36Excuse me?
24:37Are you talking to someone in the FBI about me?
24:48Yes.
24:49Brian Abbott.
24:55He investigated you for financial crimes for nearly two years before Madison went missing.
25:01And when she did, he made it his mission to pin it on me with no evidence, no support from
25:06the Bureau.
25:07Exactly.
25:08Anyone that obsessed with Niall Jarvis is someone I should talk to, don't you think?
25:13You should have asked me first.
25:14Oh, so every time I interview a source, I'm supposed to clear it with you?
25:19That's not how I work.
25:20You know what, Aggie?
25:27I don't think this book is such a good idea anymore.
25:34Yeah, maybe you're right.
25:41You don't want me talking to your father.
25:43You don't want me talking to Abbott.
25:44So what's the point?
25:47What about Madison's parents?
25:48Am I not supposed to talk to them either?
25:51You say you're misunderstood, but who's going to believe anything I write if I only talk
25:54to you?
25:57Although, considering how high my editor is on this project, she might tell me to write
26:04it anyway.
26:06The unauthorized version.
26:08Talk to everyone but you.
26:12You're pretty ballsy for someone negotiating a hundred stories up in the air.
26:16It's not like you'd hurt me, would you, Niall?
26:25I want editorial control.
26:36That'll never happen.
26:39Even if my publisher agreed, which he won't.
26:44It would destroy any credibility I have.
26:46How do I know it's not a hit job?
26:48Because a hit job is boring.
26:51I'm better than that.
26:55Are you?
26:58I'll let you read the first hundred pages, okay?
27:02Off the record, no one can know that.
27:04What if I have notes?
27:05I'll take them under advisement.
27:06How's that?
27:07Okay.
27:08Okay.
27:09I'm still in.
27:10For now.
27:11Oh.
27:12What are you doing tomorrow?
27:13You said you wanted a full picture.
27:15Come to my brother's birthday party.
27:16You meet the whole gang in their natural habitat.
27:18Take a shot at my father yourself.
27:22I'm still in.
27:23I'm still in.
27:24I'm still in.
27:25For now.
27:26Oh.
27:27What are you doing tomorrow?
27:28You said you wanted a full picture.
27:29Come to my brother's birthday party.
27:30You meet the whole gang in their natural habitat.
27:32Take a shot at my father yourself.
27:36Fuck.
27:49You okay?
27:54What happened?
27:56He knows I'm talking to you.
27:59What?
28:01He took me up 24 floors.
28:04And for a second I really thought he might push me off.
28:10And then he asked me point blank if I was talking to you.
28:13He knows.
28:15Fuck.
28:16I have no idea.
28:23So what did you tell him?
28:26He said it was, you know, research for the book.
28:29Okay.
28:30Okay.
28:31Did he buy that?
28:32Yeah, he seemed to.
28:34But he's suspicious, clearly.
28:36He threatened to back out.
28:37I mean, he still might.
28:41So how'd you leave it?
28:45He invited me to a kid's birthday party.
28:49His, um, twin half-brothers, Martin Jarvis' estate.
28:55They were renting an elephant, apparently.
29:06Yeah.
29:10Is Niall going to this party?
29:13Yeah.
29:15And Nina.
29:17Yeah, why?
29:18Maybe that's an opening.
29:24An opening for what?
29:26For us.
29:39No, listen to me.
29:40Felicity cannot go to the park without her EpiPen.
29:42She's going to be fine.
29:43No, Frank.
29:44She will not be fine.
29:45Well, I don't know what to tell you because it's not here.
29:47Look in the back of the drawer again.
29:48I did.
29:49Twice.
29:50Just, can you check it again, please?
29:52I am telling you.
29:58Yep.
30:00I found it.
30:02I'll pick up the kids after dinner, okay?
30:04Christina, isn't the Mendelssohn briefing supposed to be happening now?
30:09It was canceled.
30:10Brian called in sick.
30:12Yeah, I gotta go.
30:13Yeah, I gotta go.
30:44Hey.
30:45I heard you were sick, so I was going to bring over some bone broth.
30:49Oh, no.
30:50I don't want you to catch this thing.
30:51Some kind of, uh, some kind of virus.
30:53I'll keep my distance.
30:54No, I appreciate the thought.
30:56I just, uh, it's best not to risk it.
31:00You don't sound very sick.
31:02Oh, you wanna, you wanna take my temperature?
31:07Erica?
31:09The other day, you said you got a call about the Mendelssohn case,
31:12but you were talking to Agatha Wiggs.
31:20Are you spying on me?
31:22You've been coming in late, leaving early, and now you're calling sick?
31:25So, yeah, I had your phone log pulled.
31:27There was nothing, I swear.
31:29Then why lie about it?
31:31She's writing a book on Nile Jarvis.
31:36She had some questions.
31:38Jesus, Brian.
31:39Hey, hey.
31:40I spoke to her on background once.
31:42Yeah.
31:43She's talking to everyone.
31:44Once?
31:45Once.
31:46That's it, I swear.
31:47Brian, listen.
31:48You can't do this again.
31:52I know.
31:53I know.
31:54I'm okay.
31:55I'll call you later.
31:56Brian.
31:57I'll call you later.
31:58Brian.
31:59I'll call you later.
32:17Yes.
32:18I don't get why this is so hard for you.
32:33It would have been a nice gesture.
32:35Lila wanted it for the boys.
32:37I'm not wearing safari gear to an eight-year-old's birthday party.
32:42They're your brothers.
32:43They're my half-brothers.
32:44You're still family.
32:49You wanted one thing.
32:50You couldn't just show up.
33:00Hey.
33:01You coming?
33:02As soon as I finish walking him.
33:03I'll see you there.
33:04Great.
33:14Hey, hey.
33:31Come on, come on, come on, come on.
33:36Hey.
33:37Yeah, yeah, yeah, yeah.
33:38Come on.
33:40Come on.
33:40Good, good doggies.
33:42Good doggies.
33:46Come on.
33:49Good doggies.
33:50Good doggies.
33:50Good doggies.
34:10I have to get me.
34:18Who is her?
34:21Where are you?
34:22Oh, my God.
34:24Oh, my God.
34:28It's a change in the world.
34:30It's a change in the world.
34:40It's going to be bad.
35:10Cooper, put on your shoes and let's go.
35:14Aggie, I'm not raising my voice.
35:17Hey, Cooper, we are not doing this now, so pick up your shoes and put them on.
35:21Aggie.
35:21Aggie.
35:25Oh, fuck.
35:27Oh, fuck.
35:40Excuse me.
35:50You can't smoke here, ma'am.
35:52She can smoke anywhere she wants.
35:59Sorry, I really shouldn't.
36:02My brother used to shoot up out here.
36:04I'd cover for him, too.
36:06Are you okay?
36:08Yeah.
36:09Yeah, I'm fine.
36:10I guess I haven't been around kids very much since.
36:19I hadn't thought of that.
36:23Me neither.
36:27Come on.
36:28I'll show you around.
36:30What should I?
36:32I'm just there.
36:34Let's go on a safari.
36:36See the wild animals.
36:37Oh.
36:37The unsuspecting victim grazes happily on caviar, unaware to the dangers all around.
36:47That is our family's latest accountant.
36:51I'd be lucky if he lasts a year.
36:54Are these mostly friends of your father?
36:56Friends.
36:57Colleagues.
36:58Leeches.
37:00Oh, wow.
37:01I hope they drugged that poor bastard.
37:05Shouldn't have to do this sober.
37:06Come on, I'm going to show you something over here.
37:12So, that is my childhood bedroom.
37:17When I was 10, I jumped out and I landed in those hedges.
37:21I broke three ribs.
37:23You jumped on purpose?
37:25Yeah.
37:25Why?
37:26I wanted to see what it would feel like.
37:29Of course, you know Uncle Rick.
37:32Multiple felonies.
37:34Unemployable to anyone other than my father.
37:37He's, um, he's a loser, but he's loyal.
37:40So, what exactly does he do for you?
37:45He takes care of the dogs.
37:46He takes care of the dogs.
38:16Oh, here's the dark o'er lord himself.
38:27You ready?
38:32So, any kind of complaints that you're going to have about it, you know what?
38:35Dad.
38:37All right, get out.
38:38It's all right.
38:38Thank you for coming.
38:40She's like the wigs, the writer I was talking about.
38:43Yeah, I know who she is.
38:44And this is Lila.
38:47So glad you could be here.
38:49You have a beautiful home.
38:51Gold just showed up.
38:53Oh.
38:55Excuse me.
39:02Did you pet the elephant yet?
39:04No.
39:04It's not very soft, actually.
39:09Skin feels kind of like the bottom of a foot.
39:16All right.
39:17Gentlemen, what a party.
39:19The boys must be over the moon.
39:21You said you'd have an update.
39:22How exactly does one procure an elephant?
39:25You have to get some kind of permit or something?
39:27You call Callahan?
39:28Uh, yes.
39:30Well, I did.
39:31And the truth is, it's complicated, I'm afraid.
39:35Complicated how?
39:37See, you've got to understand.
39:40If this was 10 years ago, it wouldn't even be a question.
39:43But this generation has changed.
39:45You know, they're all swept up in this populist wave without the first clue about basic economics.
39:51Which is why they need to be educated.
39:54And I've tried, believe me, but Benitez has more sway than I'd anticipated.
39:59And what the fuck does that mean?
40:01It's not just Tiernan and Olshansky.
40:04She also managed to flip Haas.
40:05It's your district.
40:07They're willing to vote against you?
40:09Oh, they're not voting against him.
40:12He's voting with them.
40:14You're flipping, aren't you?
40:16Okay.
40:16Aren't you?
40:17Martin, listen.
40:19Okay, trust me when I tell you, I don't make this decision lightly.
40:24Oh, you realize what this means.
40:26This is not what I want, but we've lost the PR warrant.
40:30It's an election year.
40:31We've funded your campaign for a decade.
40:33Guys, if I vote yes, no amount of cash is going to get me re-elected.
40:37We'll find out.
40:38Now fuck off.
40:41I'm sorry.
40:42I wanted to come here in person, out of respect.
40:47I said get the fuck off my father's property.
40:58I'll call Derek.
41:00Whitford, too.
41:01We're going to need optical researcher on every fucking committee member right tomorrow morning.
41:05Get it done.
41:05Get it done.
41:35Oh, my God.
42:05Oh, my God.
42:35Oh, my God.
43:05Oh, my God.
43:35Oh, my God.
44:05Oh, my husband.
44:07No, are you in love with him?
44:08Madison.
44:18Aggie.
44:20Aggie.
44:20Oh, hi.
44:22Hi.
44:24You poor thing.
44:25Did Niall leave you stranded?
44:26I think he had some work stuff to discuss with his father.
44:30Well, listen, I'm so glad you're here because I actually wanted to thank you for introducing me to Shelly's work.
44:36Um, you saved me, you saved me, even if it was accidental.
44:39Oh?
44:40That painting that, um, I saw in your living room, I loved it so much that I got curious, and I went to her open studio yesterday.
44:49In Bushwick?
44:50Her new work is, is remarkable.
44:56Have you seen it?
44:57Uh, not the new stuff.
45:00Well, I was blown away, and it turned out to be kismet because I just had an artist fall out of our November show.
45:06He's a total head case.
45:08He needs professional help, but the point is, I offered the show to Shelly.
45:13Her first solo show in the city.
45:18I mean, that's, that's incredible.
45:22Um, uh...
45:23Oh, what?
45:25Well, I, I worry about the optics.
45:29I mean, I'm writing a book about your husband.
45:32It could look like a conflict of interest.
45:35You're divorced.
45:38Well, still, some people might see it as a conflict.
45:44I thought you'd be happy for her.
45:46I mean, she's never had anywhere close to that level of exposure.
45:50You want me to take that away from her?
45:54Nina, if, if this book is going to be taken seriously, it can't look like you and Niall are trying to influence what I write.
46:00Frankly, I'm surprised Niall didn't think it was a problem.
46:03I assume you told him.
46:09Because my guess is, is he'll have a definite opinion.
46:13We're leaving.
46:14We just got here.
46:15Stay as long as you want.
46:16We have to go now.
46:20It's good to see you.
46:21What the fuck?
46:34All right.
46:42Okay.
46:48Maggie.
46:49Niall's going home.
46:50He just left with Nina.
46:51There was some work crisis.
46:53I'm not sure what exactly.
46:55Files are still downloading.
46:56You need to get out of there now.
46:58They'll be there in 10 minutes, if that.
47:02Did you hear me?
47:03Yeah.
47:04Call me when you're up.
47:07And that bitch Benitez is dragging them all over
47:10to her side one by one.
47:12Maybe Gold's just fishing for more money.
47:14It's not about the money.
47:16Then what is it?
47:17It's a fucking revolution.
47:34Huh?
47:45Huh?
47:45Oh, my God.
47:52Wow.
47:53Oh.
47:54Oh.
47:55Niall, once your head's clear enough to listen, we need to talk about Aggie.
48:24What about her?
48:25Well, for starters, Niall, are you even listening?
48:36Niall.
48:38What is it?
48:54What is it?
49:00What is it?
49:04What is it?
49:11What is it?
49:21It must have been a squirrel.
49:28Yeah, it must have been.
49:32Something about Aggie.
Be the first to comment