In Other Words, I Love You Full Movie
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#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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Short filmTranscript
00:00:01I've always described the world in words, people, moments, places, but in that moment, I forgot them all.
00:00:12Be careful, we're talking about the king of Ashford. He's cool.
00:00:16I don't find bullies attractive.
00:00:19Good morning!
00:00:20He's lonely and kind of pathetic.
00:00:22Read the room before opening your mouth, American.
00:00:26She said you'd be moving in today.
00:00:28There's been some kind of misunderstanding. I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles, we need to talk.
00:00:41If you don't do anything about it, it's only going to get worse.
00:00:46You're right to everyone, including her.
00:00:49You didn't have to come.
00:00:52Don't tell me what I have to do.
00:00:58I've always described the world in words, people, moments, places, all through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom, self-made, stubborn, and never wrong.
00:01:18Almost there. You excited for your first day?
00:01:21She calls this a fresh start. I call it terrifying.
00:01:31You've got this. Just for yourself.
00:01:34That's kind of the problem.
00:01:35That's kind of the problem.
00:01:36That's kind of the problem.
00:01:41I'm stuck in space.
00:01:43I'm stuck in space.
00:01:45Started days.
00:01:47We runnin' through my brain everyday.
00:01:52Heaven in my dead now.
00:01:55World of war right on their day anyway.
00:01:59I want to take it down.
00:02:03Okay.
00:02:05Morning, class.
00:02:09And you're not seated because...
00:02:11I don't have a seat.
00:02:14Ah, a new transfer.
00:02:17Alice Keaton, right?
00:02:18Let's see.
00:02:21Ah, there's a spot next to Charles.
00:02:25Charles hates charity.
00:02:26Seriously, a charity case sitting next to Charles?
00:02:29God, why is she?
00:02:32Quiet, Charles.
00:02:36I've always had words for everything.
00:02:40But in that moment,
00:02:42I forgot them all.
00:02:53Charles, move your things.
00:02:57I'd rather not.
00:02:58She'll be a distraction.
00:02:59From what?
00:03:01Sleeping.
00:03:02From everything.
00:03:03If anything, Charles,
00:03:04Miss Keaton will be a positive influence on you.
00:03:07She was top of her class at her previous school.
00:03:10With all due respect, sir,
00:03:12her previous school was American.
00:03:15I highly doubt that.
00:03:18That's enough.
00:03:19She can sit here.
00:03:21It's fine.
00:03:25Back to Goldie.
00:03:27You got it.
00:03:28I'm Sherry Vaughn.
00:03:29Alice Keaton.
00:03:29It's very important that we look at the...
00:03:31What do you think about their experience of the time?
00:03:39Wait.
00:03:41You sat next to Charles?
00:03:42She didn't.
00:03:43You totally shut her down.
00:03:44Oh, I knew it.
00:03:45Don't take it personally.
00:03:46He's impossible.
00:03:48Can everyone stop acting like the goal was getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone kind of is.
00:03:56I...
00:03:56I've seen Connor.
00:03:58He's not my type.
00:03:59You're joking.
00:04:01I don't find bullies attractive.
00:04:02Hey, be careful.
00:04:04You're talking about the king of Ashford.
00:04:06The what?
00:04:08His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:13Everyone's tried to get close.
00:04:15No one can get past his ego.
00:04:16You're not the first to get iced.
00:04:18Okay, first of all, I wasn't iced.
00:04:21It's more like a mutual decision.
00:04:23And second, I think he's arrogant, cold, thinks he's untouchable.
00:04:29But if you really look at Charles, he just seems isolated, like he's faking it all.
00:04:33Honestly, I just think he's lonely and kind of pathetic.
00:04:40What?
00:04:41No, go on.
00:04:48You were saying I'm lonely and pathetic.
00:04:53Next time, read the room before opening your mouth, American.
00:05:04We're not in Kansas anymore, Alice.
00:05:06Hey, how was your first day?
00:05:24Uh, good.
00:05:26Have you excited, Captain?
00:05:27Not really.
00:05:27Super uneventful.
00:05:30Really?
00:05:31How's your new job?
00:05:32Yeah, all right.
00:05:33Get this?
00:05:34They said we can stay in the servant's wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently, the young master won't mind the company.
00:05:41The young master.
00:05:44This is your boss's house.
00:05:46Yeah.
00:05:47Isn't that incredible?
00:05:49I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:59Wait here.
00:06:00I'll talk to the butler.
00:06:01Wow, rich people.
00:06:09You've topped yourselves again.
00:06:14Stephen King.
00:06:16First edition.
00:06:17First edition.
00:06:26Breaking and entering now.
00:06:28You can get up now.
00:06:53I...
00:06:54I'm trying.
00:06:56Wait!
00:06:58Are you serious?
00:07:00Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:06I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:11Wait.
00:07:13Your house?
00:07:14My house.
00:07:16My library.
00:07:17And now, apparently, my unwanted guest.
00:07:22Ah, Master Charles.
00:07:24You must be Miss Alice, Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:29There...
00:07:29There's been some kind of misunderstanding.
00:07:31You see, I'm not actually moving in.
00:07:34Is that so?
00:07:35Yeah, I'm not staying here.
00:07:37Like, at all.
00:07:38That's a shame.
00:07:39Your mother seemed quite pleased with the arrangement.
00:07:41Well, I just don't think it's appropriate.
00:07:44Well, if you're sure, then absolutely not.
00:07:49Come on, Alice.
00:07:51You must stay.
00:07:53It'll be fun, my dear classmate.
00:08:01I'm dead.
00:08:02Like, mentally, socially, and actually dead.
00:08:12Just trying to figure out how exactly my life went off the rails.
00:08:17Get it together, Alice Keaton.
00:08:19You've been through hell.
00:08:20I'm not sure I'd never find someone to make my head spin around.
00:08:24Actually, no.
00:08:25I'm never gonna be the thing I need.
00:08:26They all just let me go.
00:08:27This is hell.
00:08:28Baby, you saved me.
00:08:30Uh, good morning.
00:08:39Wow.
00:08:46So, is that Miss Keaton?
00:08:47Well, F***ing doesn't know.
00:08:50That's often closed for months.
00:08:53She's going to be late.
00:08:59Hey, how long is this thing gonna take?
00:09:02Maybe I'll just walk?
00:09:04Five miles to school.
00:09:07Okay, if I sprint, maybe I'll make it before first period.
00:09:10Or die of exhaustion on the way.
00:09:17Or die of exhaustion on the way.
00:09:20What are you doing here?
00:09:22Didn't you already leave?
00:09:26Wait.
00:09:27Did you come back for me?
00:09:31Relax.
00:09:31I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait.
00:09:39Since you're already here,
00:09:41maybe you could be a decent person and give me a ride?
00:09:47No.
00:09:49Seriously?
00:09:50Your car is huge.
00:09:52Yeah.
00:09:53And I'm not a fan of sharing.
00:09:55Says the guy who forced me to live in his house?
00:10:03Unbelievable!
00:10:13Asher Institute, please.
00:10:20Who needs an entitled brat anyway?
00:10:22Sir, you called the cab.
00:10:25Why not just give Miss Keaton a lift?
00:10:31Why not just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:36She's new.
00:10:37Everybody's already talking.
00:10:39So you're worried about her?
00:10:40You're overthinking.
00:10:42I just don't like drama.
00:10:50Asshole.
00:10:51Who?
00:10:52Morning, Klaus.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:04Mr. Kenwood,
00:11:06care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist.
00:11:12You seem very entertained by Golding.
00:11:14I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:19I think his ending is...
00:11:20weak.
00:11:23Wait, wait.
00:11:24You actually read it?
00:11:25Quiet.
00:11:28That's an interesting take.
00:11:29Explain.
00:11:30He had the setup for something brutal.
00:11:34Something honest.
00:11:36But in the end, he backed out.
00:11:38He could have left the boys on the island.
00:11:40Forced them to confront the collapse of all morality.
00:11:43Let them choose survival.
00:11:45Or death.
00:11:46But instead, he gave them a rescue boat.
00:11:49He slapped a happily ever after on a book about savagery.
00:11:55It's a waste.
00:11:57Don't you think?
00:11:58I'm delightfully surprised, Charles.
00:12:00Didn't think you had such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:05Let's not get ahead of ourselves.
00:12:09So,
00:12:10a critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:13I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy, it's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:41You don't just walk back into society and forget you're a monster.
00:12:44Golding didn't save them.
00:12:45He left us with the discomfort of pretending they could be saved.
00:12:48That's an interesting take, Miss Keaton.
00:12:51You still think it's a harsh critique?
00:12:53In some ways, but not harsh enough.
00:12:57Yes, it's a critique of toxic masculinity,
00:12:59but still, Golding sympathized with them.
00:13:03And the civilized world?
00:13:04Toxic, violent.
00:13:05He didn't call that out nearly as much.
00:13:07So, yeah, I don't think Golding pushed far enough,
00:13:10but I think it's unfair to call it a happy ending.
00:13:16Thank you, Miss Keaton.
00:13:18Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:26Golding faced major backlash when he first published the book.
00:13:29Good literature will always divide opinion.
00:13:35What's happening to me?
00:13:37Okay, what is going on?
00:13:44Why is everyone staring at me?
00:13:46Well, you're new.
00:13:48And apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of the most epic feud,
00:13:54Asher's teen in years.
00:13:55We're not even fighting.
00:13:57Well, according to everyone,
00:13:58you confessed your love on day one,
00:14:00got rejected,
00:14:01begged to sit next to him,
00:14:03got rejected again.
00:14:04And today in class,
00:14:06you broke down crying about not believing in happy endings
00:14:09and stormed out in tears.
00:14:12You were there, Sherry.
00:14:13That is not what happened.
00:14:16Doesn't matter.
00:14:17People believe what they want to believe.
00:14:19And they want Charles to be flawless,
00:14:22untouchable.
00:14:23Wow.
00:14:24Is moustache only like a rich kid thing
00:14:26or just a British specialty?
00:14:28Honestly, both.
00:14:29But seriously, Alice,
00:14:32some people already see you as a threat.
00:14:41Okay.
00:14:42Loaded.
00:14:44Looks like the new girl's in for a rough first semester.
00:14:59Hello?
00:15:04Hello?
00:15:06Is somebody out there?
00:15:09Oh, come on!
00:15:23Fine.
00:15:29Seriously?
00:15:41Oh, shit.
00:15:47What the hell?
00:15:49Anne,
00:15:50I thought you were having dinner with Alice.
00:15:52She hasn't come home.
00:15:53Her phone is off.
00:15:55Maybe you've seen her this evening?
00:15:56Yikes.
00:16:00Looks like the new girl's in for a rough first semester.
00:16:08Shit.
00:16:14Alice!
00:16:15Alice!
00:16:16Mr. Pelton,
00:16:17Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have a send to her.
00:16:24Check the common room in the library.
00:16:26I'll take the rest.
00:16:28Hi, baby.
00:16:30Hi!
00:16:30Alice!
00:16:43Come on, Alice.
00:16:46Hold your eyes and jump.
00:16:48It's fine.
00:16:50You're fine.
00:16:51You're fine.
00:16:51Hey, Mr. Nonchalant.
00:17:17Are you happy with how we end?
00:17:24Is it one another?
00:17:25What are you doing here?
00:17:29Can you get off me first?
00:17:30Oh, so certain.
00:17:32Did I ask for two more?
00:17:35Is it my fault I thought we would...
00:17:40You're welcome.
00:17:42I didn't say thank you.
00:17:44I figured saving your life might turn me basic manners.
00:17:46Someone just dumped swamp water on me.
00:17:49Excuse me if I'm not feeling very polite.
00:17:51You smell like a biology experiment.
00:17:54Wow.
00:17:55You should try falling out of a window into someone's arms and getting insulted for it.
00:17:59Wouldn't recommend it.
00:18:00You're heavier than you look.
00:18:01I hope you pull your shoulder.
00:18:11Are you okay?
00:18:12No.
00:18:13But I will be.
00:18:16Someone did this on purpose.
00:18:17What do you think, golden boy?
00:18:20Don't worry, I can handle it.
00:18:21You shouldn't have to.
00:18:26I'm...
00:18:27Sorry.
00:18:27Sorry.
00:18:31Did you just...
00:18:41Apologize to me?
00:18:42Don't get used to it.
00:18:43I wouldn't dream of it.
00:18:46Alice?
00:18:48Over here.
00:18:49Oh my god.
00:18:52You okay?
00:18:55Why are you drenched?
00:18:56Yeah, I just...
00:18:58Took a weird shower.
00:19:00Top exploded.
00:19:01Come on.
00:19:03Let's go you home.
00:19:14Alice Keaton, right?
00:19:17I heard she staged the whole thing for attention.
00:19:19I know how this place works.
00:19:45If you don't do anything about it, it's only going to get worse.
00:19:50I'll look into it.
00:19:52Charles?
00:19:54Good on you.
00:19:56How many of you would speak up?
00:20:02I can't believe someone actually locked you in.
00:20:04That's insane.
00:20:05Where the hell was the school when this was happening?
00:20:08Busy protecting their golden boys and trust funds.
00:20:10Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:20:17Please, he just didn't want a lawsuit.
00:20:18Being a scholarship student has its perks, like saving a fortune on tuition and getting into schools that normally wouldn't even let you pass the gates.
00:20:45Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you.
00:20:51But sometimes, being here means staying behind and watching Ashford Elites go on a two-week enrichment program you can never afford.
00:21:02Have fun.
00:21:03Bring me something overpriced and unnecessary.
00:21:10The trip cost 20 grand in pounds, which translates to mom's salary for half a year.
00:21:16So, yeah, I didn't go.
00:21:40What are you doing here?
00:21:42Do you not believe in shirts?
00:21:43Do you not believe in dignity?
00:21:44It's comfortable.
00:21:46You look like a rejected Ewok.
00:21:48This, this is not even your kitchen.
00:21:51And this is not even your house.
00:21:52And yet, you're here, dressed like this.
00:21:55Just don't, look, go away.
00:21:57Hard not to, when you're walking around dressed like that.
00:22:00What do you guys call it?
00:22:02Um, buzzkill?
00:22:05Cockblock.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:08You know what?
00:22:10I don't get it.
00:22:11Why didn't you go on that tour?
00:22:12I thought rich people live for that kind of thing.
00:22:15Why do you think?
00:22:15Where would I go?
00:22:23I could practically recite the itinerary in my sleep.
00:22:27Florence, walk in the great footsteps of Dante, Michelangelo, da Vinci and Titian.
00:22:33Or Tiziana, if you want to sound extra pretentious.
00:22:36Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:22:42Next stop, Napoli.
00:22:44Marvel at Pompeii.
00:22:46Pretend you're shocked.
00:22:47Ancient people have plumbing.
00:22:49The final stop, Paris.
00:22:52The ultimate city of romance.
00:22:54And, naturally, Woody Allen's favourite city outside of New York.
00:23:02That's word for word.
00:23:03I told you, I've done this tour so many times, I could run it.
00:23:08Okay, but still, it's Europe.
00:23:10Most people would kill for that chance.
00:23:11Most people haven't had their phones stolen in Paris.
00:23:14Twice.
00:23:16Also, I hate the accommodations.
00:23:18Aren't they all five-star hotels?
00:23:20Standard rooms in five-star hotels?
00:23:23No, thank you.
00:23:25Wow.
00:23:26Some were born in Rome, huh?
00:23:28That's unfortunate.
00:23:28It's a very chaotic city.
00:23:30One word of advice?
00:23:32Shut up.
00:23:32It's two words.
00:23:33You're weird.
00:23:36You're loud.
00:23:37You're annoying.
00:23:38You're in my kitchen.
00:23:39You have three other kitchens.
00:23:40And I prefer this one.
00:23:42Just for today.
00:23:43Come back when you've got a shirt on.
00:23:45Come back with normal clothes on.
00:23:46You didn't have to come.
00:23:47Don't tell me what I have to do.
00:23:58That's for Charles.
00:23:59Roads are flooded.
00:24:00Staff won't make it tonight.
00:24:01Will you be alright sorting dinner?
00:24:02I've got it sorted.
00:24:19Jesus, what are you doing?
00:24:21Relax.
00:24:23I'm here to make a deal.
00:24:24What deal?
00:24:26You nearly gave me a heart attack.
00:24:31You'll survive.
00:24:33I'm not selling my body.
00:24:39I'm not selling my body.
00:24:41Wow.
00:24:46I am deeply offended.
00:24:49That thought disgusts me.
00:24:51Then what are you doing?
00:24:52The staff's off tonight.
00:24:54I'm buying dinner.
00:24:58Did you seriously think I'd spend £100 on...
00:25:00No.
00:25:01I...
00:25:01I...
00:25:02Jesus.
00:25:03Wait.
00:25:04You think I'm not worth £100?
00:25:08I'm not spending £100 to snort you back up.
00:25:11You know what?
00:25:12Dinner's cancelled.
00:25:16Are you sure about that?
00:25:17I present to you.
00:25:21Meatball spaghetti, stir-fried veggies, and french fries.
00:25:24You're welcome.
00:25:26Interesting combo.
00:25:27Well, I know we're not in Italy or France, but this'll do.
00:25:31It's...
00:25:32Good.
00:25:33Was that a compliment?
00:25:41Although...
00:25:41I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46It's American.
00:25:47And french fries, likely born in South America.
00:25:50You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to win every argument, don't you?
00:25:58To be fair, you make it very easy.
00:26:01It's only easy, because it costs £200.
00:26:06You know, if you'd ask for more, I probably would have given it to you.
00:26:08You make sure that?
00:26:09No.
00:26:24Okay, Alice.
00:26:25It's fine.
00:26:26You're fine.
00:26:319-1-1, what's with your emergency?
00:26:409-1-1, what's with your emergency?
00:26:43It's my dad.
00:26:43He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss.
00:26:46Hurricane constant traffic shut down.
00:26:48We'll get to you as soon as we can.
00:26:49Please, he's not well.
00:26:51I understand.
00:26:52Can you confirm your address?
00:26:54Yes.
00:26:55Yes, I'm right here.
00:26:57All right.
00:26:59My daughter.
00:27:01Please, stay with me, Dad.
00:27:02Please.
00:27:07No.
00:27:09Please, wake up.
00:27:14Dad, please.
00:27:16Please don't leave me.
00:27:17I don't know.
00:27:47You... What are you doing here?
00:27:55You were crying.
00:27:58Loudly.
00:28:00Kind of hard to ignore.
00:28:02Right. Sorry for the noise.
00:28:05Wait, no snarky come back?
00:28:08Not tonight, I'm too tired.
00:28:10If you're here to argue, knock yourself out.
00:28:14You were calling for your dad, right?
00:28:18Hurricane hit New York.
00:28:20Power went down, traffic froze.
00:28:24Dad had a stroke.
00:28:26But he couldn't get help in time.
00:28:29I sat there with a candle while he laid there.
00:28:36Peaceful.
00:28:38Like he was asleep.
00:28:40But he wasn't.
00:28:45So that's why you and your mum moved here?
00:28:48This used to be our hometown.
00:28:51After Dad left, we had nowhere else to go.
00:29:00What are you doing?
00:29:05Come on.
00:29:06Wait, I thought the peril was out.
00:29:25It is.
00:29:26We have our own generator.
00:29:28Wow.
00:29:29Rich people houses her.
00:29:30Just for tonight.
00:29:32I'll allow it.
00:29:35Allow what?
00:29:36You can call this place your house.
00:29:38So enjoy it.
00:29:40Stephen King's First Edition.
00:29:41Alan Gisberg's Handwritten Letters.
00:29:43Jane Austen's Notes.
00:29:45All yours.
00:29:46This is your home, Alice Keaton.
00:29:59Careful.
00:30:01Almost sounded sweet.
00:30:03Don't push it.
00:30:03Okay, then.
00:30:07I have one request.
00:30:13What is it?
00:30:14Are you ever going to make a move?
00:30:23Wait.
00:30:24Give me a second.
00:30:25I'm thinking.
00:30:26You had one wish.
00:30:28Anything in the world.
00:30:29And in the middle of a thunderstorm,
00:30:32Inside a literal mansion,
00:30:34You chose chess.
00:30:36Yeah.
00:30:37Got a problem?
00:30:38It's just so cool, like spies or genius villains in movies.
00:30:42It's literally a board game.
00:30:44Says the guy who owns a custom set.
00:30:47Wait.
00:30:48Does the knight go diagonally?
00:30:50For the tenth time, it moves in an L shape.
00:30:54One.
00:30:55Two.
00:30:56Then turn.
00:30:58There.
00:30:59Happy.
00:31:00Ecstatic.
00:31:03No.
00:31:04That's suicide.
00:31:05Or a brilliant long-term sacrifice.
00:31:07You are playing checkers at a chessboard.
00:31:09Still beating you in sarcasm.
00:31:11You literally haven't won any past arguments.
00:31:13Golding disagrees.
00:31:15It's going to be a long night.
00:31:17Oh my.
00:31:17No.
00:31:18Why?
00:31:18What's that?
00:31:18You can't do that.
00:31:20Can I do that?
00:31:21No, no.
00:31:21Oh my God.
00:31:22Can I do that?
00:31:22Can I do that?
00:31:22Can I do that?
00:31:22Can I do that?
00:31:22Can I do that?
00:31:22Can I do that?
00:31:23Can I do that?
00:31:23Can I do that?
00:31:23Can I do that?
00:31:23Can I do that?
00:31:24Can I do that?
00:31:24Can I do that?
00:31:25Can I do that?
00:31:25Maybe he's not so awful after all.
00:31:45Um, who are you?
00:31:59What are you doing here?
00:32:01Well, your parents said you were still at home.
00:32:03Thank God you skipped that boring grand tour.
00:32:06Who needs Italy and France again, right?
00:32:08When did you get back?
00:32:09Last night, from Zurich.
00:32:11You didn't answer my messages.
00:32:12I missed you.
00:32:16Anyway, thought I'd come surprise you.
00:32:19Apparently, I'm transferring to Ashford.
00:32:21Your parents were so thrilled.
00:32:23They didn't tell me about this.
00:32:24I wanted to deliver the happy news myself.
00:32:27They said it'd be lovely for us to reconnect.
00:32:30You know, considering the engagement and all.
00:32:34Engagement?
00:32:36Oh, did no one tell you?
00:32:39He's promised.
00:32:40Old money stuff, very retro.
00:32:42I didn't agree to that.
00:32:43You didn't have to.
00:32:44It's never up to us.
00:32:47Where did you find this little toy?
00:32:50Serena?
00:32:50I didn't hear you, you know.
00:32:52Oh, an American.
00:32:55How refreshing.
00:33:00Goodbye.
00:33:01Wait.
00:33:02Where are you going?
00:33:19You still owe me breakfast.
00:33:21You only paid for dinner.
00:33:23I had homework.
00:33:25Goodbye.
00:33:25Goodbye.
00:33:25Your little toy has quite the temper.
00:33:30Serena, can you please just stop?
00:33:32What?
00:33:33Teasing the help.
00:33:40That's her.
00:33:41That's the one from Kenwood's house.
00:33:44Was she like the maid or something?
00:33:45Oh my God, what's wrong with people?
00:34:04They're saying you live with Charles.
00:34:06Oh, and Serena.
00:34:07What about her?
00:34:09Well, apparently she told everyone you were caught sneaking into his room.
00:34:12Of course she did.
00:34:26Careful, Alice.
00:34:27You're starting to look desperate.
00:34:29Come to the music room.
00:34:46Urgent.
00:34:47I just remembered I need to check something.
00:34:49You guys go ahead.
00:34:50Yeah, okay.
00:34:51Tell her, is someone there?
00:34:59Seriously.
00:35:01This is getting old.
00:35:13Wait.
00:35:15Music room, what?
00:35:19James?
00:35:19Is anybody in here earlier?
00:35:22Just Miss Serena.
00:35:23Said she was waiting for you.
00:35:25Sir?
00:35:27Sir, it's raining.
00:35:40Come on, Alice, you're fine.
00:35:43You're not that girl again.
00:35:49Wait, can you remind me one more time?
00:35:54Okay.
00:35:55Rooks move in straight lines.
00:35:57Yeah.
00:35:58Bishops move diagonally.
00:36:00And knights...
00:36:01The knight's the weird one.
00:36:07Rooks.
00:36:09Straight lines.
00:36:11Bishops.
00:36:13Diagonally.
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:15Hello?
00:36:16Hello?
00:36:16Hello?
00:36:16Hello?
00:36:16Hello?
00:36:18Hello?
00:36:18Hello?
00:36:21Good.
00:36:22Good.
00:36:30Feel my soul.
00:36:34The text.
00:36:36Are you okay? Are you hurt?
00:36:39I'm okay. I saw the text and I thought...
00:36:43I didn't see the message.
00:36:45Serena took my phone. I didn't know. I'm sorry.
00:36:48I'm okay.
00:36:51You're going to catch a cold.
00:36:53You're freezing.
00:36:53You didn't have to come.
00:36:57Don't tell me what I have to do.
00:37:06That wasn't a mistake, if that's what you're about to say.
00:37:26I wasn't going to.
00:37:36I'm really bad at this, you know.
00:37:44What? Kissing?
00:37:45Hiding feelings.
00:37:46What?
00:38:06Dump those Ewok pyjamas.
00:38:11Oh, you wish.
00:38:13Seriously, it's a cock block.
00:38:16You kissed me.
00:38:19That's basically consent to everything.
00:38:27Dangerous words, Keaton.
00:38:29I might hold you to that.
00:38:30You'll be working in pairs on your comparative essays.
00:38:43The list is on the board.
00:38:47One, two, three, four.
00:38:52Are you okay?
00:38:52Fly me to outer space
00:38:56That's where I'll see your face
00:39:01And have you with me
00:39:05It may seem dark
00:39:10But you always like my spark
00:39:15In my heart
00:39:19You're welcome
00:39:23They're either enemies
00:39:28We secretly married
00:39:29Honestly
00:39:31Right?
00:39:34I was sure I'd never find someone
00:39:36To make my head spin around
00:39:38No one's ever gonna be the thing I need
00:39:41They all just let me down
00:39:42But baby
00:39:44You saved me
00:39:45Till I'm brand new
00:39:48Everything's so different now
00:39:51So, the night goes in an L shape, right?
00:39:56Why is that the only one you remember?
00:39:58Because it's weird
00:39:59And I like weird
00:40:02Check
00:40:10You're cheating
00:40:16I'm winning
00:40:18There's a difference
00:40:19You are very distracting
00:40:21And you like it
00:40:23Charles
00:40:34We need to talk
00:40:36I expected poor judgment
00:40:46But this in my house
00:40:48It isn't what it looks like
00:40:50No
00:40:50Kissing a servant's daughter
00:40:53In the family library
00:40:54Enlighten me then, Charles
00:40:56We came back tonight
00:40:57After speaking with Serena
00:40:59Imagine our surprise
00:41:01Walking in on
00:41:02This
00:41:03She isn't just
00:41:04You have no right
00:41:06To barge in
00:41:07On my property
00:41:08I care about her
00:41:12I'm not ashamed of that
00:41:14That's enough
00:41:14Why do you care?
00:41:19We're protecting our son's future
00:41:21And our name
00:41:23You think this protects me?
00:41:25We think
00:41:26She does not belong
00:41:27In your world
00:41:28Then maybe I don't either
00:41:33You're ready to give up everything
00:41:37For a girl you barely know
00:41:39Yes
00:41:42Then
00:41:43Are you sure
00:41:45She's ready?
00:41:52I'm asking you
00:41:54Do you think she's ready
00:41:55To lose everything
00:41:56Regardless of how little
00:41:58That is
00:41:58Just to be with you
00:42:00What are you talking about?
00:42:02You left us no choice, son
00:42:03You shouldn't disobey your father
00:42:05Pelton
00:42:08It's Frederick Kenwood
00:42:11Ah, Mr. Kenwood
00:42:12How can I help?
00:42:13If a scholarship student
00:42:15Were to violate our behavioral code
00:42:18In a public setting
00:42:19With photographic evidence
00:42:21Would that warrant a review?
00:42:24Yes, sir
00:42:24So
00:42:28Answer me again
00:42:30Do you think she's ready
00:42:32To lose everything
00:42:33Just to be with you?
00:42:45Charles
00:42:45What happened?
00:42:47Did your parents say something?
00:42:48Are they mad?
00:42:48Is everything okay?
00:42:51Pack your things
00:42:51You can't stay here anymore
00:42:54What?
00:42:57My parents fired your mother
00:42:58She's leaving
00:43:00So are you
00:43:01Wait, what?
00:43:02Why?
00:43:03Is it because of us?
00:43:04We can fix this
00:43:05I'll get a job
00:43:06Anything
00:43:06Stop, stop it
00:43:06You don't get it
00:43:08If I don't walk away from this
00:43:10They'll cut me off
00:43:11Okay?
00:43:13No card
00:43:14No trust
00:43:15No support
00:43:16Nothing
00:43:17Then
00:43:18Then we'll figure it out
00:43:20We don't need all that
00:43:22We can
00:43:22Do you really think
00:43:24I'm going to live like that?
00:43:28So that's what this was
00:43:29Just fun
00:43:31Until it got inconvenient
00:43:32What did they promise you?
00:43:38Nothing
00:43:39They just reminded me
00:43:43Of what's
00:43:44Real
00:43:44Charles
00:43:48I'm not stupid
00:43:49You don't just turn into a cold stranger
00:43:52Because of one conversation
00:43:53What did they threaten you with?
00:44:00What did they threaten you with?
00:44:02This is the difference between me and you
00:44:04What?
00:44:05You think you know me
00:44:07Or what I have
00:44:08You don't
00:44:10Alice
00:44:10You're still lying
00:44:12I'm not
00:44:13Alice
00:44:14Look around you
00:44:15This mansion
00:44:16You thought was a museum
00:44:18It's my house
00:44:20My world
00:44:22I was bored into this
00:44:24I am not choosing
00:44:25Between this
00:44:26And something I picked up
00:44:30For a moment of fun
00:44:32Don't do this Charles
00:44:36You don't mean it
00:44:37It was fine
00:44:38But you
00:44:40You don't compare to what I own
00:44:43I'll survive the loss
00:44:46Right
00:44:49I should have known
00:44:52Guys like you
00:44:55Don't end up with girls like me
00:44:56You play with them
00:45:00Then you throw them away
00:45:01Go to sleep Alice
00:45:04Go to sleep Alice
00:45:04This fall is a little more than I expected
00:45:19In so deep I can barely see myself
00:45:26Yeah around me feels so heavy but depleted
00:45:31But I find this the place to test myself
00:45:37Oops
00:45:38Oops
00:45:47oh sorry didn't see that then again nobody does move please try begging
00:46:17you know what keep it
00:46:25poor thing so dramatic don't excuse me i warned you walk away serena
00:46:47last week's group assignments were mostly forgettable but one pair surprised me
00:47:01in a good way charles kenwood and alice keaton would you mind giving us a short summary
00:47:07if she loves the sound of her own voice let her have it
00:47:11i couldn't stay i couldn't wait i thought that you should know that i would have
00:47:19our essay explored what happens when two fundamentally different voices meet
00:47:24like logic and chaos or silence and noise different worlds different rules
00:47:30at first glance they clash but what makes the story interesting is what happens next
00:47:38confusion curiosity but in the end some stories aren't about staying
00:47:43and yes there is no such thing as a happy ending
00:47:57and yes there is no such thing as a happy ending
00:48:00is she still talking about the essay
00:48:06miss keaton dramatic as always all right thank you alice that was
00:48:14later
00:48:16are you okay
00:48:18that good literature always stirs something
00:48:21that's kind of insane who's behind this your sponsor wishes to remain anonymous
00:48:51can can i meet them
00:48:55i want to please or at least tell me a name
00:49:03sorry they wish to stay in office so they're only interested in words not the person
00:49:07i'd really like to meet them i'm sorry please keep them they were very good
00:49:11i think the most generous talk we've ever given a different answer
00:49:14i see congratulations again
00:49:21you got the interview it's just an interview i haven't gotten in yet
00:49:24still alice keaton at oxford that's iconic
00:49:28it's done mr kenwood miss keaton signed the contract
00:49:56it's a generous deal you sure you don't want it to know
00:50:03no no it's better if i stay out of her life
00:50:07congratulations alice keaton go live the life you were always meant to
00:50:22your engagement announcement should align perfectly with the foundation gala
00:50:33and the browns already offered to host the london reception
00:50:37it's all coming together beautifully
00:50:44i've lost my appetite
00:50:49i'll go check on him
00:50:50what's your problem charles
00:51:00disengagement
00:51:02it's not happening
00:51:02it's not up to you you know that
00:51:04serena we're not doing this
00:51:08you've changed
00:51:09or maybe i finally just stopped pretending
00:51:23you're the sponsor you've been funding alice keaton this whole time
00:51:42so
00:51:51you lied to everyone including her
00:51:54i protected her
00:51:56you loved her
00:51:59still do
00:52:03let it go serena
00:52:06there's no point
00:52:15i need a favor find out when the oxford interview is
00:52:18and make sure alice keaton won't show up
00:52:27anything no
00:52:30she's not answering the interview's almost over
00:52:33well she won't just not show up something's wrong
00:52:37where's alice when was the last time you heard from her
00:52:41last night she said she was prepping all evening
00:52:43she said she was prepping all evening
00:52:48james
00:52:48track someone for me
00:52:51wait where are you going
00:53:00chill okay
00:53:01we won't hurt you
00:53:03yeah we're just supposed to keep you away from the interview that's it
00:53:13okay
00:53:15shakes
00:53:15come back
00:53:29oh
00:53:32oh
00:53:33I remember how I met
00:53:46Didn't need a second guess
00:53:50Hey, hey, hey, Alice, Alice
00:53:56Alice, hey, hey, stay with me, stay with me, stay with me, Alice
00:54:00Alice
00:54:03You're awake
00:54:08Where am I?
00:54:11A local clinic
00:54:12Passer-by brought you in
00:54:14Passer-by
00:54:15He found you on the side of the road
00:54:18He had to leave, he didn't leave a name
00:54:20Oh
00:54:22The interview, what time is it?
00:54:26Easy, it's okay
00:54:28Someone already contacted the university
00:54:30And sent in your writing samples
00:54:32They've rescheduled your interview for tomorrow. Wait, what? Who? No idea, but it's all taken care of
00:54:41What did you say? Nothing. I just had a dream
00:55:02Oh, I knew it. Too bad Charles isn't here to watch you crush it. He's not here. Oh
00:55:10You didn't know know what?
00:55:14He left a few days ago. Yeah, everyone doesn't really know where he went
00:55:19Honestly, Ashford's been quieter without him. It's probably for the best. Come on
00:55:27I thought they
00:55:33The summer I met Charles Kenwood was loud
00:55:37Chaotic, unexpected
00:55:41And with his absence
00:55:45It ended quietly
00:55:49Like summers always do
00:56:02And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton
00:56:10Thank you for having me
00:56:11No, your words moved millions. They say your stories feel real
00:56:17Especially the ones about love
00:56:19Thank you. Which brings us to the most obvious question
00:56:22How's your dating life like these days?
00:56:25No comment
00:56:25A little bird told me that the past four years has been just writing and working
00:56:31Not even a single date
00:56:32Let me guess a bird named Sherry
00:56:33Oh, she caught me
00:56:34Still no comment
00:56:35All right, all right
00:56:36No matter what you say
00:56:38You write love like someone who's lived it
00:56:42If you're so real
00:56:43Because once I did
00:56:45That's why today we're here sharing the story behind Alice Keaton
00:56:49And no one ever quite matched the light after that
00:56:52And let's give it up for Alice Keaton, one more time
00:57:06Congratulations Alice, the numbers just came in
00:57:09You broke your own record
00:57:11That's incredible
00:57:13We're thinking celebration, press, photos, maybe tonight
00:57:17Actually, there's something I'd rather do
00:57:20I'd like to meet with the person who believed in me first
00:57:25My sponsor
00:57:27You're sure?
00:57:28Yeah
00:57:29Just once
00:57:30Tonight, 7pm
00:57:44Good evening
00:57:45May I sit?
00:57:57Hey, Mr. Nonchalant
00:58:02Hi
00:58:03Hi
00:58:04Hi
00:58:05You look well
00:58:08And you look like you just stepped out of a GQ cover
00:58:14You always did
00:58:16You were expecting someone else
00:58:19I was...
00:58:21Hoping
00:58:23But I guess I always knew
00:58:25I didn't come here to confuse you
00:58:28Or to reopen anything
00:58:29Hope you liked the attention
00:58:31I just wanted to say congratulations
00:58:34Oh
00:58:36Thank you
00:58:39Didn't know you're still reading
00:58:40You were rich enough not to do so
00:58:43Always
00:58:45Either way
00:58:47Your sponsorship started my career, so...
00:58:49No
00:58:50No, you've...
00:58:51You earned everything
00:58:52Every word
00:58:57Every page
00:59:00Every reader
00:59:01That's what I came to say
00:59:07It was good to see you again
00:59:08I hope
00:59:09Charles
00:59:11Can you just...
00:59:13Wait a little longer
00:59:15No longer
00:59:22I think I knew it was you
00:59:25There was one email
00:59:28You said something
00:59:30Felt familiar
00:59:31Really?
00:59:32Kinda had that...
00:59:33Rich asshole with a conscience energy
00:59:36Very on brand
00:59:38I should have anonymized my grammar
00:59:39Too late
00:59:40Your semicolon usage gave you away
00:59:43Still the only girl I know
00:59:44Who flirts through punctuation
00:59:46Still the only guy I know
00:59:47Who uses wiles unironically
00:59:52You've changed
00:59:54But...
00:59:56Not really
00:59:58You haven't changed
01:00:00But...
01:00:01Maybe you've grown into who you really were
01:00:05Anyway
01:00:07I wanted to say
01:00:09Thank you
01:00:11And...
01:00:13Thanks for being here tonight
01:00:15You didn't have to come
01:00:17Don't tell me what I have to do
01:00:21You didn't have to come
01:00:24Don't tell me
01:00:25What I have to do
01:00:26What I have to do
01:00:46If you could go back
01:00:48If you had the chance to do it all again
01:00:50Would you do anything differently?
01:00:51No
01:00:55No
01:00:57No
01:01:02No
01:01:07I see
01:01:11I know my answer now
01:01:12I didn't have the power back then
01:01:15Not enough to protect you
01:01:17I couldn't watch you get crushed because of me
01:01:20Because of my name
01:01:22My family
01:01:25I didn't want to be the reason you lost everything
01:01:28So you just disappeared
01:01:30Without a word
01:01:34If you had the chance to see the world
01:01:36Without me weighing you down
01:01:38If you still chose me after that
01:01:40If you still chose me after that
01:01:43You keep saying you wanted to give me a choice
01:01:46But you made a choice for me
01:01:49Did it ever cross your mind that maybe
01:01:53I would have chosen you anyway?
01:01:56I would have chosen you anyway
01:02:03I didn't think I was the smart choice
01:02:06You weren't
01:02:09But I never claimed to be that smart
01:02:20This is me
01:02:21Right
01:02:25I'm still mad at you, you know
01:02:31I'm still in love with you, you know
01:02:35Do you want to come in for a bit?
01:02:40Do you want to come in for a bit?
01:02:45You're asking your ex
01:02:49Who you haven't seen in four years
01:02:51To come into your hotel
01:02:53At approximately 11pm
01:02:55You were right
01:02:57You never were that smart
01:03:00You don't have to come
01:03:02Don't tell me what I have to do
01:03:03It's almost like you say
01:03:04The last thing is better to go
01:03:06It's almost like you say
01:03:07The last thing is better to go
01:03:09It's almost like you say
01:03:11The last thing is better to go
01:03:13Stop quoting yourself
01:03:15I recycle
01:03:17It saves energy
01:03:19This feels wildly irresponsible
01:03:22You sound like a disclaimer
01:03:24You're the one who once called romance a distraction
01:03:26I said that?
01:03:27Yeah, before calling Wuthering Heights overrated
01:03:29Still is
01:03:31You're lucky you're a good kisser
01:03:33That is cute
01:03:35Don't you dare quote poetry
01:03:36I wasn't going to
01:03:38I forgot all of it the day you left
01:03:40Then shut up
01:03:42And prove it
01:03:48I still can't believe this is happening
01:03:50I told you
01:03:52They are either worst enemies or secrets
01:03:55If your father is a sus
01:03:57I still can't believe this is happening.
01:03:59I told you, they're either worst enemies or secretly married.
01:04:02And I told you, they're both.
01:04:27I vow to always tell you the truth.
01:04:34Except for when you ask how your cooking was.
01:04:36Then I lie.
01:04:38Respectfully.
01:04:40I vow to keep choosing you.
01:04:43Loudly.
01:04:45Quietly.
01:04:47Always.
01:04:49Even when you forget to do the laundry.
01:04:52Is he actually good at this?
01:04:55I mean, you did beat her at song.
01:05:00I vow to argue with you at least twice a week.
01:05:03Especially over Shakespeare.
01:05:05I vow to write you into every story.
01:05:08Even when I say I didn't.
01:05:10You will always be part of my life.
01:05:13If she quotes Austen in this toast, I'm out.
01:05:16No you're not, you're gonna cry harder.
01:05:19For the rest of life.
01:05:22For the rest of life.
01:05:24For the rest of life.
01:05:26I can't believe you picked Paris.
01:05:43Such a cliche honeymoon destination.
01:05:47Guard your phone. Relax. Just don't dress like a walking inheritance and you'll be fine.
01:05:54You are not wearing that on our honeymoon. Please, Alice, go change.
01:06:01Don't tell me what I have to do.
01:06:06No. No, no, no. That is not an invitation. Do not take off these clothes.
01:06:12Overruled. You look much better without them.
01:06:17To the ones who loved in silence, in chaos, in chapters, you will find your way home.
01:06:33He's very sorry.
01:06:36No.
01:06:38I feel the pain.
01:06:40I feel cold by the morning.
01:06:48Oopsie.
01:06:50My keys.
01:06:52It's up to us to make sure that we can gain what's been passed through these books.
01:07:08Help us develop, learn, and grow.
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