ದರ್ಶನ್​​ ಕುಳಿತ ಚೇರ್​ಗೆ ಖರ್ಚಾಗಿದ್ದು ₹50 ಲಕ್ಷ, ಅಭಿಮಾನಿಗಳಿಗಾಗಿ ಥಿಯೇಟರ್​​​ನಲ್ಲಿಡಿ ಎಂದ ದಾಸ​​: 'ಡೆವಿಲ್'​ ಆರ್ಟ್ ಡೈರೆಕ್ಟರ್ ಸಂದರ್ಶನ - video Dailymotion

ETVBHARAT

Mohan B Kere interview: 'ದರ್ಶನ್​​ ಸರ್​ ತಂಡದ ಜೊತೆ ಇದ್ದಿದ್ದರೆ ಪಬ್ಲಿಸಿಟಿ ದೊಡ್ಡ ಮಟ್ಟದಲ್ಲಿರುತ್ತಿತ್ತು' ಎಂದು ಡೆವಿಲ್ ಚಿತ್ರದ​ ಆರ್ಟ್ ಡೈರೆಕ್ಟರ್ ಮೋಹನ್ ಬಿ ಕೆರೆ ಸಂದರ್ಶನದಲ್ಲಿ ತಿಳಿಸಿದ್ದಾರೆ.

Transcript

00:00Hello, my name is Deville Cinema.

00:05There are teasers and songs.

00:08There is a new set of work,

00:12especially in this movie.

00:15There is a lot of people in the meeting.

00:19The first thing is,

00:21what is the song about Deville Cinema?

00:24What is the song about Deville Cinema?

00:27Devil cinema, my life-time achievement is a great experience.

00:37I think that the sets and the other ones are different.

00:44If we were to talk about the set work,

00:48we had a lot of discussion about that.

00:52We had a discussion about three or four months in the film.

00:58We had a discussion about the characters and the character-wise set.

01:09We had a lot of different sets, but we had to match the content and script.

01:17I think that Nirdeshukaru, Milna Prakashwaru,

01:21is the one who can prove it and decide.

01:27They can do it and do it and do it and do it.

01:33They can do it and do it and do it and do it.

01:39They can expect it in a raw feeling.

01:42The glassy feel is not as a digest, but it is not as a environment.

01:51What we expect is that we will be a digest for the beginning days.

01:57After that, we will be able to test our content and set the content in the beginning.

02:10The song is called outskirts of the mineral mill.

02:28The elevation of the mineral mill is called the British structure.

02:38I was very happy to have a lot of the patterns.

02:42I was in the Czech Republic, Mumbai, and Hyderabad.

02:48I was in the Czech Republic and I couldn't match all the locations.

02:53I was able to create a lot of the buildings and I couldn't see the whole floor.

02:59Ashton Dottu Florent, I was able to do a lot of things.

03:07I was able to do some of my ideas as a director and a devop.

03:17Sir, I was working with a warehouse school, and I had a length of 250 feet, height 50 feet, and height of 120 feet.

03:29I was working with a dead floor. I was working with a dead floor, and I was working with a dead floor.

03:39We did a lot of the Vero's, but the Vero's was also a lot of the Vero's.

03:45We had to go to the factory, and then it was like 8-10 days,

03:51150 members, and then we had to go night and day.

04:01We had to go to night and day.

04:03We had to go to night and day.

04:06It's not a good idea.

04:08But when we say, the pattern is not expected.

04:11Climax, the factory environment is created,

04:16the industry's elevations.

04:21It's not expected to be created.

04:26It's usually created in factory and industrial corridors.

04:33But it's not expected to be created.

04:35Actually, I think it's about 80 lakhs, 70 to 80 lakhs.

04:45I think it's about 80 lakhs in the song frame.

04:49I think it's about our set cast, our location, our workers, technicians.

04:57It's about 80 lakhs.

04:59I think it's about how I can understand the content correctly.

05:07We can't digest the song.

05:13I think it's about 80 lakhs in the song.

05:19I think it's about 80 lakhs in the song.

05:23I think it's about 80 lakhs in the background.

05:25That's how everything changes.

05:27Then I have the little certainly,

05:31anrendo pourстве dollars,

05:33and.

05:35Keep setting it up and working the most carefully,

05:37if anything in the moment was already possivel.

05:41But once you obstructed the time,

05:43yes, if you stay properly,

05:45if you stay smoothly,

05:47It was a very simple thing to do with the electric engineers and fans at the same time.

05:58Actually, it was a very simple thing to do with that simple and silly thing to do with the screen.

06:08I am sure you are making a song like Surya Chandra and I was listening to Hilsa.

06:18He was also making a song like Surya Chandra, and I was also making a song.

06:28How many songs were they playing with the set?

06:32I am talking about the sequence, but I am talking about the sequence.

06:48I am talking about the sequence, so you are talking about the sequence.

06:57What do you think of the content?

06:59What do you think of the chair?

07:03The chair is in a rotating room.

07:06The chair is a rebel.

07:10What do you think of the chair?

07:13The chair is in a regular chair.

07:18What is the character in the cinema?

07:22What do you think of the character in the cinema?

07:32The chair should be in a military circuit.

07:35I didn't know that.

07:37But they never give up the discussion.

07:41This day, I was engaged in a discussion.

07:43The other day, Rekash come to me with me, and Tashvini Miriam, and Sudhakar have taught me a bit.

07:48We all have a discussion.

07:51He's not a dance master.

07:54If you're not doing something,

07:56he's a big fan.

07:59He's a hero character.

08:03He's a big fan.

08:06He's a big fan.

08:11He's a big fan.

08:15There is a great pleasure to see the note.

08:18Prakash is not the important part of this.

08:22He will be able to give shots to the note.

08:24I was able to play the note on this.

08:27I am able to reveal it.

08:32I am able to reveal it.

08:34I am able to reveal it on the back plane.

08:36I am able to finish the note with the note.

08:40I am able to finish the note,

08:42and I am able to finish it with the back side.

08:45The chair is designed.

08:47It's not a separate design.

08:53The chair is a shoot.

08:55The technicians are doing it.

09:01They are doing it.

09:03They are doing it.

09:05You are in the theater.

09:08We enjoy the fans and the fans.

09:10You are not afraid of the time.

09:14You will be able to get the chance.

09:17That's why we are now taking the chance to get the chance.

09:23I was given the chance to get the chance.

09:26The chance to get the chance to get the chance to get the chance to be shooting time.

09:30The family, the family, the technicians, the technicians,

09:39when they watch the chair.

09:42When they watch the chair, they JOIN the stand.

09:50If you join the chair in the theater, you can enjoy the fans.

10:03I was able to get a promise that I was ready to get a placement.

10:15I was able to get a photo shoot and get a photo shoot.

10:22I was able to get a picture of that chair.

10:25I was able to start the chair with 3-4 lakhs.

10:31When the front to back was finished, we would have to take the chair, the song.

10:35We would have to take the lines and the back side light.

10:43We would have to pay the chair for 15 lakhs.

10:47If we pay the chair for 15 lakhs, we would have to pay the song for the character.

Category

Transcript

Be the first to comment

Recommended