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Joel Kim Booster Shares His Thoughts on Artificial Intelligence at the Spirit Awards 2024 | THR Video
Hollywood Journal
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7 minutes ago
Joel Kim Booster tells THR whether he gets nervous going on stage while on the red carpet for the Film Independent Spirit Awards. Plus, he shares his thoughts on A.I., the advances of technology and how it can impact a creator.
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00:00
Joel Kambusar, you look amazing. Tell me about this suit.
00:02
This is a Helmut Lang suit.
00:04
It is giving sort of like made-up country and a Netflix rom-com royalty.
00:10
That is my vibe today.
00:13
And the prince who didn't know he was a prince is...
00:15
It's really working.
00:17
And tell me about the pin. This is the Artist for Ceasefire.
00:19
Artist for Ceasefire pin.
00:21
Listen, you know, it is quite literally the least I could do in this moment, I think,
00:26
is bring a little awareness to what's going on in Gaza right now
00:29
and hopefully move some hearts and minds to really dig deep
00:33
and look into what's going on over there
00:35
and how we can, you know, affect a little bit of change.
00:38
But, again, I'm just an actor and a writer on a red carpet.
00:42
So I know that the impact is probably not that big.
00:46
But, again, it's just a small gesture for something that I care a lot about.
00:51
Yeah, and getting the message out.
00:53
Joel Kambusar, you're presenting today, right?
00:55
What, first of all, did, do you ever get nervous getting up on stage?
01:00
You're on stages every night, so...
01:01
Yeah, it's a little different here, though,
01:03
because normally I'm on stage in front of people
01:06
who either don't care if I live or die or really, really like me.
01:11
And at things like this, I'm getting on stage in front of people
01:15
that I hugely respect and admire who raised me in many cases.
01:19
And so it is a little more nerve-wracking, for sure.
01:23
And do you just take the script they give you, or do you offer notes?
01:26
No, actually, Natalie and I, listen, whoever wrote the script was great,
01:31
and it was Natalie and I collaborated with them a little bit
01:33
to, like, you know, bring our voices a little more into it.
01:36
And, you know, I rarely, a lot of war shows don't give you that leeway.
01:42
So it was nice that Natalie and I were able to, like, sort of sit down
01:46
and, like, look at what they gave us and just make it a little changes
01:49
and touches that made it just sound a little more like us, you know?
01:52
And everyone talks at these shows about the host
01:56
and the tone they set for the show.
01:58
As a comedian, obviously, you have a good eye and an ear for what works best.
02:03
What can you say about A.D. Bryan?
02:04
Or tell me this, what kind of tone do you appreciate
02:08
when you watch an award show?
02:10
Because you're also somebody who loves this culture, too.
02:13
So what do you look for, what do you like, what do you respond to most?
02:16
For me, first of all, I think A.D. is a brilliant choice for this gig.
02:20
I think that she is sort of, she brings sort of a comedic aloofness
02:25
but also a reverence, too, which I think is the key,
02:29
is that, like, yes, I think we want to be roasted a little bit.
02:32
We want, you know, you take the piss out of Hollywood a little bit,
02:35
but there has to be, like, sort of a baseline reverence for it, too.
02:38
You have to love the movies and the, you know, awards of it all and things like that.
02:44
And so you can sort of tell when it's coming from a place of, like, superiority versus irreverence,
02:49
and I think that's the key is, like, you know, the best hosts, I think, in my opinion,
02:55
come to it with a knowledge and a love for Hollywood and movies and TV,
03:00
but also love it enough to know what they can make fun of, you know?
03:05
And so I think that's, striking that balance is really difficult,
03:08
and I think it's one I expect A.D. to pull it off without a hitch.
03:12
And then I wanted to ask you, too, you know, we're standing here
03:15
on what could be the precipice of major change instituted by AI and Sora and all these things.
03:22
How are you feeling as a creator?
03:24
I mean, you're more than an actor.
03:25
You're a writer, a producer, somebody who works in all facets of the business.
03:30
Are you scared about what's to come?
03:32
Yeah, absolutely.
03:33
I think it's really nerve-wracking, and I think the advances that we're seeing,
03:38
it's happening quicker than I think we're able to adjust to it.
03:42
But I think at the end of the day, like, listen, our jobs, what we bring to it,
03:50
what human beings, what artists bring to the work, I think is undeniable,
03:55
and I think people can see through it and sense, like, the real heart.
04:01
And I think especially awards like the Indie Spirits, like, really demonstrate that,
04:07
of, like, what the power of human storytelling can bring to art.
04:11
And, listen, like, I think if anyone's job should be replaced by AI, it should be the execs, you know?
04:20
In terms of, like, the skill sets, I think it aligns a little bit more with what AI is able to do
04:26
in terms of just sort of distilling algorithms and, you know, what can be bought and sold
04:33
and things like that.
04:34
But I don't know.
04:35
We'll see.
04:35
We'll see.
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