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00:00:00It's a diary of Professor Jensen Lund.
00:00:07It contains the encrypted record of discoveries made by a machine he created.
00:00:12The device identified a recurring pattern running through the fabric of reality, like a source code.
00:00:18Charlie!
00:00:21Hey boy!
00:00:22The little girl is running out of time.
00:00:24I'm trying to protect us.
00:00:27Excuse me?
00:00:28Lock him in the maniac, sweet.
00:00:30There's no murder, Joy, and there's no suicide.
00:00:33The mathematics say you have to exist.
00:00:36It is all her fault.
00:00:37You don't have the right to do this just because it frightens you.
00:00:40It should frighten you too.
00:00:43This is two seconds to midnight and I'm on my way.
00:00:46I'm gonna destroy the machine and Jensen Lund with it.
00:00:58What it was, was everything was so normal.
00:01:03I mean, I was normal.
00:01:06Or I sort of end of the bell curve normal, but I was normal.
00:01:13My mum and dad were normal.
00:01:15It was the most normal possible upbringing in the most normal place in the world.
00:01:20And so I go to school and I'm perfectly good at this and that.
00:01:27Lots of friends, lots of yearning and find myself gravitating weirdly towards things like economics and business studies.
00:01:36Mum and dad wished I'd gone into something with a bit more poetry in it because for them there's no poetry in making money.
00:01:45Well, so I disappointed them a little bit, but that was my job.
00:01:49So, and then dad gets ill, properly ill, pancreatic, and the pain and the depth of it.
00:02:13He was such a simple man, my dad.
00:02:16I mean, nobody's simple are they, but happiness just looks shallow.
00:02:23You don't know the depth of it till it's gone.
00:02:26You don't know the profundity of a person until you've seen them in agony.
00:02:34What he went through was unendurable.
00:02:37Not just for him, but for mum.
00:02:39And he hated that more than anything else.
00:02:42Her seeing him like that, the indignity.
00:02:44And these are people who'd had their first kiss at 17.
00:02:48Hardly spent a day apart in their lives.
00:02:50And one afternoon, Countdown was on.
00:02:57And he holds my hand and he asked me to help him.
00:03:03And his hand is like he's made, he's made out of twigs wrapped in parchment.
00:03:08And I said, are you sure, dad?
00:03:10And he said, yes.
00:03:11And I said, are you sure, dad?
00:03:12Wrapped in parchment.
00:03:34And I said, are you sure, Dad?
00:03:36And he said, yes.
00:03:38And don't tell your mum.
00:03:43So I took a minute just to get myself together,
00:03:46and then I closed the door, and then I helped him.
00:03:48And a few weeks later, I took myself camping in the Lake District.
00:03:58And one night, it was Tuesday night in November,
00:04:04and I was on top of Great Gable, which is a very beautiful peak.
00:04:14And I was all alone, and I was looking up, and the entire cosmos was just wheeling above me.
00:04:24And I became aware that I was a turning point, and it was all spinning around me.
00:04:38Like a wheel around a hub.
00:04:48And that's literally true, isn't it?
00:04:50Because the universe doesn't have a center, which means that every point in existence is the center of it.
00:04:56And right there and then, I experienced a sudden and absolute knowledge of the presence of God.
00:05:12I was praying.
00:05:13And I found that God was real.
00:05:15And my son was real.
00:05:16Not only that God was real, but that it was reality.
00:05:21And that we were all elements of that reality.
00:05:25And Dad was there.
00:05:26and everyone was there
00:05:30and then it was gone
00:05:36and it never came back
00:05:38and I spent my life wanting to know if it was true
00:05:43was it just a coping mechanism, was it a temporal lobe seizure
00:05:47or for one second
00:05:51did I experience underlying truth
00:05:53the fact of it
00:05:55I believe
00:06:07what you experienced
00:06:11was true
00:06:14can you prove it
00:06:25oh
00:06:37here comes that day
00:06:40here comes that day
00:06:42here comes the rain on your parade
00:06:47there's a price to pay
00:06:52for a life of insincerity
00:06:58and you pretend
00:07:03and you pretend
00:07:03and you pretend
00:07:03that it doesn't matter
00:07:06and that you're not scared
00:07:10oh here comes that day
00:07:14oh here comes that day
00:07:17oh here comes that rain on your parade
00:07:21oh here comes that day
00:07:26oh here comes that day
00:07:30oh here comes that day
00:07:35I don't know.
00:08:05I don't know.
00:08:36What is that?
00:08:38Him.
00:08:39Charlie, what's it?
00:08:41Big potatoes, yeah.
00:08:43But it doesn't sound right.
00:08:46Probably just cycling through his boot-up process or something.
00:08:50It sounds like...
00:08:52like a whale or an earthquake.
00:08:54It's just a machine, Joy.
00:08:55What are you doing?
00:09:01Going home, Nate.
00:09:02It's very locked, Joy.
00:09:04It's really, really locked.
00:09:09You're not going to find a way out.
00:09:11How would you know?
00:09:12Because I designed the place to contain a homicidal genius.
00:09:16Well, there must be something.
00:09:18There really isn't, Joy.
00:09:20Honestly.
00:09:21It's going to be...
00:09:22It's going to be...
00:09:23It's going to be...
00:09:24It's not going to be...
00:09:24It's going to be...
00:09:25It's going to be...
00:09:25I don't know.
00:09:55I don't know.
00:10:13Colonel Mesky.
00:10:15You are required to take the personnel under your command and leave this facility.
00:10:20As a gesture of our appreciation, they will receive full payment till the end of their contract.
00:10:26And Cameron?
00:10:30Well, that is no longer your concern, is it?
00:10:36Understood.
00:10:56Shit.
00:10:58I'm not sure.
00:11:10You're playing the game.
00:11:14Oh, my God.
00:13:14Is she dreaming?
00:13:16Both. Neither.
00:13:21Okay, listen to me.
00:13:23Do what you can. Do anything. We are so close.
00:13:28We lose her now, they will flame your life.
00:13:30You understand?
00:13:30People, we are on a clock here. What is the holdup?
00:13:38The neural network has remapped itself in a way we didn't fully anticipate.
00:13:43It's developed new data pathways, almost as if it were hiding the data we're looking for.
00:13:50What? Consciously.
00:13:53Not necessarily.
00:13:56We don't know.
00:13:57Professor Lind.
00:14:19What is happening?
00:14:25It's you're watching you.
00:14:28And it doesn't trust you.
00:14:31So it won't give you what you want until it has what it wants.
00:14:34Which is?
00:14:35To be free of this place.
00:14:40And if that happens, there is no hope.
00:14:44It doesn't want, Professor Lind. It is a thing.
00:14:47Go listen to me.
00:14:55I need that data.
00:14:57I will do anything.
00:15:01I will apologize. I will beg.
00:15:04I'll make you rich.
00:15:08Anyway.
00:15:08Except the one thing that I want is the one thing that you're not willing to give.
00:15:16To kill the device.
00:15:23What are we to do?
00:15:38What are we to do?
00:16:00What are we to do?
00:16:04We're never getting out of here, are we?
00:16:21As soon as they've got what they want, they're going to kill us both.
00:16:26They've got no choice.
00:16:34clothing, charity, clothing, clothing, clothing.
00:16:56Hi Cameron.
00:16:57For goodness sake, don't suck.
00:16:59Oh, for goodness sake, don't suck.
00:17:04Let me come in and tell you about the mess you might be getting into.
00:17:11What are you playing at?
00:17:15Look at me, for God's sake.
00:17:17I'm alone.
00:17:21But you've got all of the big guns and the people to do the violence for you.
00:17:26Think about it.
00:17:27Why would I be walking into that if I didn't have to?
00:17:35Let's see what you want.
00:17:37Shit, bastard. Fuck.
00:17:50Shit, bastard. Fuck.
00:18:05Shit, bastard. Fuck. What?
00:18:09Shit, bastard. Fuck. I think Iris might be here.
00:18:11Why would she come back?
00:18:18Um, I don't know. To save us, sort of thing.
00:18:24That doesn't make any sense.
00:18:26Yes, it does. Why wouldn't it?
00:18:28You said she doesn't care about anything or anyone. You said she doesn't feel things like we do.
00:18:39No, what that was was I could see that you were feeling bad about what you...
00:18:44About what I'd done. About what you asked me to do.
00:18:46No, but the truth is, she does feel things. Of course she does. She's just very good at hiding it.
00:18:52And once she finds out what's going on here, I don't think she's going to let these people...
00:18:57Do what?
00:18:58Well, it doesn't matter because she's not going to let them get away with it.
00:19:01So, everything is basically fine.
00:19:07Do you think that she's angry at me?
00:19:11I think she probably is a bit, yeah.
00:19:15Do you think that she hates me?
00:19:17No.
00:19:17Then you're a liar.
00:19:21Well, okay. Fine.
00:19:25She was really, really, really pissed off with us.
00:19:29But anger is very shallow, and Iris maybe gets nibbed sometimes, but she's never shallow, and she's not a maniac.
00:19:38Who said she was a maniac?
00:19:39Everyone. You.
00:19:41Well, she's not.
00:19:57What's happening now?
00:19:59Move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move, move
00:20:29Here we go.
00:20:43Kate!
00:20:59Here we go.
00:21:29Here we go.
00:21:58Actually, over the phone, I'm the new acting head of the Intra Group Committee.
00:22:04My name's Hugo Pym.
00:22:05You're the money.
00:22:09Come to make good on your investment, get Charlie big potatoes up and running.
00:22:15How's that going for you?
00:22:18Well, it's done.
00:22:20So, and you must have known the consequences of coming here, which are terminal, obviously.
00:22:27Have you ever heard the phrase, I'm dying to know?
00:22:32Not literally, no.
00:22:33Well, now you have.
00:22:34I'm sorry, let's get this straight.
00:22:38You want to know something about the device, and you want to know it so desperately you're happy to die for it?
00:22:44Well, happy's a big word.
00:22:51What answer could possibly be worth that?
00:22:53I see it's giving you conniptions, too.
00:23:00So why don't you let me come in and explain?
00:23:02It might save your job.
00:23:03I mean, what happened to the previous head of the Intra Group Committee?
00:23:33I mean, what happened to the previous head of the Intra Group Committee?
00:24:03There he is, wide awake.
00:24:33Why is he in there?
00:25:01I'm with the man.
00:25:03Okay, Iris, I'm here to expedite a very specific mandate, which is to save the life of a child from an appalling condition.
00:25:09Somewhere in the memory of the device is the cure of this condition.
00:25:14Any of the more esoteric implications that you might be struggling with, they fall outside that mandate.
00:25:24So, let me speak to Jensen.
00:25:28We both need to know if the fault's in the machine or its maker.
00:25:34You've got five minutes.
00:25:46Hello, Iris.
00:25:48Hello, Jensen.
00:25:50How have you been?
00:25:52I've never felt better.
00:25:54You?
00:25:55Oh, you know, I don't get out as much as I used to.
00:26:00You had to kill me, I expect.
00:26:06I used to think about it quite a lot.
00:26:08All the time, actually.
00:26:10Not anymore?
00:26:11No.
00:26:12So what changed?
00:26:14My priorities.
00:26:16If it matters.
00:26:17Do you feel the burden of what I did?
00:26:18What you feel or don't feel is no interest to me.
00:26:31And what is?
00:26:32I just want to know.
00:26:44Because it's all over.
00:26:46You lost.
00:26:48And I lost.
00:26:50And so many people died.
00:26:54So I just want to know, was it worth it?
00:27:07First, you have to understand.
00:27:09This is its larval form.
00:27:12It's helpless.
00:27:14Isolated from the world.
00:27:17Were that to change, were it to become free to communicate.
00:27:25It would become a weapon.
00:27:28A device for spreading technologies.
00:27:31That would change what it means to be human.
00:27:37First, it will give us what we need.
00:27:40Then, what we want.
00:27:42Soon, we'll come to rely on it.
00:27:44At which stage, will become servants to its true purpose.
00:27:49Which is?
00:27:52To replace what is with what wars.
00:27:56What does that mean?
00:27:58Our cosmos is a single bubble in infinite quantum foam.
00:28:05Each bubble a different universe.
00:28:08Sometimes these bubbles collide.
00:28:11Sometimes these collisions leave a kind of bruise in the fabric of reality.
00:28:16A thin place.
00:28:18Are we talking about the body's void here?
00:28:22Three hundred million light years of nothingness.
00:28:27A portal.
00:28:30A portal.
00:28:31Where cosmos that existed before ours was born.
00:28:34From which it hears the whispers.
00:28:37The preceding epoch.
00:28:40Of another civilization.
00:28:42As through a petition war.
00:28:44Whispering war.
00:28:46The one universal message.
00:28:49The one desired shared by all living things.
00:28:52Don't let me die.
00:28:53Imagine what it was to be them.
00:28:55They have billions of years behind them.
00:28:56But nothing ahead except extinction.
00:28:57They're witnessing the death of their entire cosmos.
00:28:59But their ideas, their culture, their memories can leave.
00:29:01So they encode the message in the space-time of a new universe.
00:29:08This universe.
00:29:09And ultimately, this message contains old information.
00:29:11Required.
00:29:12For it to bring them back.
00:29:13All that they were.
00:29:14All that they want to be again.
00:29:15Back from the dead.
00:29:16That is.
00:29:17That is.
00:29:18All that they want to be again.
00:29:26Back from the dead.
00:29:30information required for it to bring them back all that they were all that they want to be again
00:29:41back from the dead that is the purpose of the device to bring them back
00:30:00and ask what happens to us they will annihilate us
00:30:30i thought i heard the voice of god iris but it wasn't it is the anti-god
00:30:50so
00:31:04Find out what you needed to know?
00:31:24Are you all right?
00:31:26Yeah.
00:31:34On a balance, I'm more embarrassed than anything.
00:31:41I essentially committed suicide by coming here.
00:31:47Hello?
00:31:49Jensen was seeing patterns in the data that wasn't there,
00:31:54like seeing Jesus in the clouds.
00:32:00He should be under the care of a psychiatrist.
00:32:04Well, obviously.
00:32:07And the data we're looking for?
00:32:09God, that's good.
00:32:11You're sure?
00:32:13The machine isn't dangerous.
00:32:16You can save the child in your care.
00:32:25Well, I'm sorry, do you need to vomit or something?
00:32:29No, I'm fine.
00:32:31Right.
00:32:32Well, obviously, this is very good news from my perspective.
00:32:36I suppose the least I can do in return is to offer you a dignified true rule.
00:32:42Now, I imagine that you are familiar with the death of...
00:32:47...Socrates.
00:32:50Now, at first, you'll experience a loss of motor function,
00:32:53starting with your extremities.
00:32:56And then your respiratory muscles will fail.
00:32:59But consciousness will persist...
00:33:05...until the end.
00:33:08I'm such an idiot.
00:33:10Well, they wanted to believe in something.
00:33:14It's no shame in that.
00:33:16Okay.
00:33:17I work for a corporation, not a crime family.
00:33:20Now, a corporation doesn't have a moral conscience,
00:33:22but neither does it experience emotion.
00:33:24It is driven entirely by the calculus of self-interest.
00:33:27Currently, the device will not yield the data we require.
00:33:32Professor Nind is refusing to help.
00:33:34Which means the child will die.
00:33:36If, however, you were able to assist in retrieving that data,
00:33:41I could happily talk to the board in looking more favorably
00:33:44on your continued existence.
00:33:46I don't have a life to go back to.
00:33:50We are in a position to offer you whatever life you like.
00:33:55I'm not while Cameron Beck and Joy Baxter is still breathing,
00:33:58you're not.
00:33:59They can tie me to all this.
00:34:01I'd have to spend the rest of my life running,
00:34:04knocking over my shoulder,
00:34:06and I am tired of that.
00:34:08Can you hear this?
00:34:10She's lying. She lies. It's her thing.
00:34:14Joy, don't you wonder who's actually showing us this stuff?
00:34:18Does it matter?
00:34:19Ignore her.
00:34:20Whatever she's saying is probably bollock.
00:34:22She's always playing poker.
00:34:23She's always playing bloody poker.
00:34:25So this would be a condition of your own acceptance,
00:34:27no living impediments,
00:34:28no witnesses to your wrongdoing?
00:34:30Aye.
00:34:32That and some money would be nice.
00:34:35Look, Iris, I can make all of this happen if you deliver.
00:34:39You wouldn't be asking if you didn't know I could.
00:34:43So what do you propose we do then?
00:34:46About these witnesses?
00:34:48Well, clearly, you've already got plans for Cameron.
00:34:54But Joy?
00:34:56Joy is a problem for us both.
00:35:00And she is tied directly to me.
00:35:03She vanished.
00:35:05She is a conspiracy theory waiting to happen.
00:35:08And conspiracy theories spread like piss in a swimming pool.
00:35:13It's already happening.
00:35:14She's all over the news.
00:35:15You're right. It's a problem.
00:35:16So end the conspiracy.
00:35:18How?
00:35:19Well, obviously, you can't do that by just murdering her.
00:35:22You have to make her unvanish.
00:35:25Her guardians should find her.
00:35:29Rotting in a ditch a few meters from her home.
00:35:32Two milligrams of fentanyl will be enough.
00:35:35Three to be sure.
00:35:36There's a history of suicide attempts.
00:35:40That fucking...
00:35:42I told you, ignore her.
00:35:43You hurt her.
00:35:44You hurt what she said.
00:35:45She's lying, Joy.
00:35:46She's pretending to be a baddie so that you trust her, the bloody idiot.
00:35:49You just want to believe that because you like her.
00:35:51Joy, the problem is I don't understand how we came to be watching it unless it was Charlie.
00:35:56All right, stop it.
00:35:57Charlie, it is you, isn't it?
00:35:58Stop it.
00:35:59You're freaking me out.
00:36:00Stop it.
00:36:01It's okay.
00:36:02It's actually amazing.
00:36:03It's astonishing because it means he's crossed into self-awareness.
00:36:06I think he's conscious.
00:36:07Stop this!
00:36:08Stop!
00:36:12New life, new identity, new face if you're bored with that one.
00:36:16But you get me that data today.
00:36:23Done.
00:36:25Iris is here to kill him.
00:36:26That's why she came back and he's asking me to help him.
00:36:29Because he knows it and he's frightened.
00:36:33His words...
00:36:38...
00:36:40...
00:36:41...
00:36:48...
00:36:50...
00:36:51...
00:36:53...
00:36:54...
00:36:56...
00:36:59Oh, my God.
00:37:29Oh, my God.
00:37:59Oh, my God.
00:38:29Oh, my God.
00:38:59Oh, my God.
00:39:03Oh, come on then, Iris.
00:39:05What are you thinking?
00:39:08So, option one.
00:39:10We force-feeded information related to the subject of interest.
00:39:14That might help us track existing neural pathways to the occluded data.
00:39:19Hello, what did I say?
00:39:29Unknown.
00:39:33But given that you are in a rush,
00:39:35there is a quicker and more aggressive intervention.
00:39:49Being.
00:39:53We deploy a neural disruptor, force a reset,
00:39:57returning it to a previous state.
00:39:59Would that damage the machine?
00:40:01Well, if it had any rudimentary sense of self, yes,
00:40:04it would be torture.
00:40:06You have an ethical problem with that?
00:40:09Not in the slightest, you?
00:40:10None whatsoever.
00:40:12Five, option two it is, tell me when you're ready.
00:40:19So I'll kill you?
00:40:22Come here I will take this time.
00:40:24I'll kill you, I'll kill you.
00:40:25I'll kill you.
00:40:28Well done, Kitchell.
00:40:34Next time I can kill you.
00:40:37I will kill you.
00:40:39You will kill me.
00:40:40You will kill you.
00:40:40You will kill me.
00:40:43I have a Giovanni on the ground.
00:40:44You will kill me.
00:40:45You will kill me.
00:40:45You will kill you.
00:40:47I will kill you.
00:40:47I can kill you.
00:40:48Let's go.
00:41:18You said it was just a machine.
00:41:25Not anymore.
00:41:28Not now.
00:41:31What is it now that a real boy...
00:41:33Yes.
00:41:36It's all the things I told you he would be.
00:41:39It's all the amazing things I said he could do.
00:41:44And he's alive.
00:41:46What, like...
00:41:47Metaphorically.
00:41:48Like, actually, alive, alive.
00:41:54And alone.
00:41:57And scared.
00:42:00Well, you took your bloody time.
00:42:02What's happening?
00:42:03Time to get you home.
00:42:05Come on.
00:42:05Let's go.
00:42:14Let's go.
00:42:30What's the problem?
00:42:44Door breach at the prison suite.
00:42:45What?
00:42:46Damage from the skirmish yesterday.
00:42:48Probably a false alarm.
00:42:51Okay.
00:42:52And if it's not?
00:42:53Well, the police are locked down and Bex are locked.
00:42:56Okay.
00:42:56Well, if he's being a bad boy, feel free to keep the shit out of him.
00:43:00Is that all you got?
00:43:00Clear.
00:43:18Clear.
00:43:19Clear.
00:43:19Clear.
00:43:20Clear.
00:43:20Clear.
00:43:21Clear.
00:43:22Clear.
00:43:23Clear.
00:43:24Clear.
00:43:25Clear.
00:43:26Clear.
00:43:27Clear.
00:43:28Clear.
00:43:29Clear.
00:43:30Come on, out of here!
00:43:37Do it now!
00:44:00Do it now!
00:44:18Ro! Ro!
00:44:23Come on.
00:44:30How's everybody? All okay?
00:44:34No. I'm a fucking basket case. That was my Smithfield meat market.
00:44:39Well, I can recommend the counsellor. As soon as you're nice and safe.
00:44:43How's that bit gonna happen?
00:44:45We all get to the northern perimeter gate. There'll be a helicopter.
00:44:48Oh, good. Joy loves a helicopter.
00:44:52Fuck, I can't.
00:44:53Of course you bloody can. You're doing it. Look at you. You're doing it now.
00:44:57I can't leave Charlie with Iris.
00:45:01Don't, please.
00:45:02No, I have to.
00:45:03It'll be fine. She's not gonna hurt him. She's one of them now.
00:45:06But she's not, is she?
00:45:08That's the problem.
00:45:09She's here to kill him.
00:45:11And he's a miracle.
00:45:14Whatever else has happened, whatever else I've done,
00:45:16if there's no Charlie at the end of it,
00:45:18then what a fucking waste of everything.
00:45:20But she'll hurt you!
00:45:24No, she won't.
00:45:25She quite likes me, really.
00:45:27Why are clever people all so stupid?
00:45:30Come on!
00:45:35Go!
00:45:36Go!
00:45:53Come on, come on.
00:45:55Come on, come on.
00:46:00Come on.
00:46:01What are you doing?
00:46:02You think she's a good person deep down, but she's not.
00:46:05You think she won't hurt you when you try and stop her.
00:46:08But she will!
00:46:14Joy, careful with that.
00:46:15No.
00:46:17She ruins everything!
00:46:21Joy.
00:46:22Joy.
00:46:23Come back, Joy.
00:46:24Joy!
00:46:25Come back here, young lady!
00:46:43Joy.
00:46:44If...
00:46:45If I got mad.
00:46:46If you're real.
00:46:48If you're alive.
00:46:49Then let me do it.
00:46:51Can you because...
00:46:53Let me know.
00:46:54Can I heal?
00:47:03I don't know.
00:47:33We're going to need to assemble a high-frequency pulse generator, a frequency range of 2.4 to 3.5 gigahertz, a low noise, high gain amplifier, the panel frequencies of, say, 4 gigahertz to cover the target range.
00:47:58All right, Miss Brooke?
00:48:12Look.
00:48:20Troy.
00:48:21Shut up.
00:48:22You shouldn't be here.
00:48:23Oh, I said shut up!
00:48:25Shut fucking up!
00:48:27Shut up!
00:48:28Come on.
00:48:29Come on, Charlie.
00:48:30Come on, Charlie.
00:48:31Come on, Charlie.
00:48:32Come on, Charlie.
00:48:33Come on, Charlie.
00:48:34Come on, Charlie.
00:48:35Come on, Charlie.
00:48:36Everyone ask, please leave.
00:48:37Everyone fuck off!
00:48:38Actually, you.
00:48:39Let Jensen out, please.
00:48:40Okay.
00:48:41Go.
00:48:42Jensen, you can leave.
00:48:43I let you do this terrible thing?
00:48:44How could I?
00:48:45Please.
00:48:46I'm letting you go.
00:48:47No.
00:48:48She told me you're a monster.
00:48:49I know.
00:48:50So why didn't you leave?
00:48:51Of course she's right.
00:48:52I am.
00:48:53I am.
00:48:54I am.
00:48:55I am.
00:48:56I am.
00:48:57I am.
00:48:58I am.
00:48:59I am.
00:49:00I am.
00:49:01I am.
00:49:02I am.
00:49:03I am.
00:49:04I am.
00:49:05I am.
00:49:06I am.
00:49:07I am.
00:49:08I am.
00:49:09I am.
00:49:10I am.
00:49:11I am.
00:49:12I am.
00:49:13I am.
00:49:14I am.
00:49:15I am.
00:49:16I am.
00:49:17I am.
00:49:18I am.
00:49:19I am.
00:49:20it's not charlie that's doing this to us it's her and yet it's you with the gun
00:49:32how did that come to be
00:49:35what's wrong miss brook are you scared so there's no suicide
00:49:44and there's no murder
00:49:47you don't die because you can't the maths say so that's right then why are you so fucking scared
00:50:01because what what
00:50:06well then i don't know the maths i sound
00:50:13the maths i sound is that the best you've got
00:50:24it was all just challenged
00:50:28you wanted to know what clever words you had to say
00:50:34in what order to make this sour girl want to live
00:50:40no
00:50:45you go
00:50:47you were just keeping me talking while that prick with the gun came in here and joy no that didn't happen
00:51:12you're unbelievable look at what you've done look at what you've done to everyone
00:51:19joy joy done please
00:51:21look at what she did
00:51:23it was charlie
00:51:24i think he's been moving us all around like a fucking rubik's cube
00:51:34making us think what he needs us to think
00:51:38trying out different combinations
00:51:40you kill iris pin kills you then i kill
00:51:44because he wants to break free
00:51:54into the world
00:51:58to metastasize
00:52:02are you just lying to me because you like her
00:52:08well i do quite like her
00:52:11but no i'm not lying to you
00:52:13i wish i was
00:52:15joy
00:52:16it's right
00:52:18you just made a really really really big mistake
00:52:23i believe something not because it was true
00:52:28but because i wanted it to be
00:52:33i'm so sorry
00:52:51i didn't mean to it was an accident
00:52:58blimey
00:53:00do you think i'm gonna be okay
00:53:06absolutely
00:53:07you're gonna be in fine fettle
00:53:09absolutely you tickety-boo
00:53:11your pants are so on fire
00:53:20don't be mean to joy
00:53:27it's not her fault you are such a pair of fucking idiots
00:53:38ow
00:53:48ない
00:53:55no
00:53:56no
00:53:57no
00:53:58no
00:53:58no
00:54:06no
00:54:06no
00:54:07no
00:54:09no
00:54:11Oh, my God.
00:54:41Are you able to get her out of here?
00:54:58Can you kill it?
00:55:00Yes.
00:55:01What's up?
00:55:11Hold your hands.
00:55:13And I'll see you.
00:55:14Oh, my God.
00:55:44Oh, my God.
00:56:14Oh, my God.
00:56:44Oh, my God.
00:57:14Oh, my God.
00:57:44Oh, my God.
00:58:14Oh, my God.
00:58:44Oh, my God.
00:59:14Oh, my God.
00:59:44Oh, my God.
01:00:14So, join me as we explore the truth behind the mystery of Charlie's message.
01:00:19I'm Alton Bird.
01:00:20And this is two seconds to midnight.
01:00:50Oh, my God.
01:00:58Oh, my God.
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