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00:00:00The End
00:00:30What time do they do at 9 o'clock?
00:00:55They always do it at 9 o'clock.
00:01:00They always do it at 9 o'clock.
00:01:05Hold on there.
00:01:16Have those when you came in?
00:01:19Yeah.
00:01:20They'll be so dry they'll burn your bloomin' lungs out.
00:01:23I'd smoke a bit of old rope after 18 months of this.
00:01:32Stand up there.
00:01:33Stand up there.
00:01:41All right.
00:01:42Sit down.
00:01:44Old Ealy.
00:01:48Full name?
00:01:49Jimmy O'Leary.
00:01:50Committed from?
00:01:51The Old Bailey.
00:01:52How long?
00:01:53One year.
00:01:54Four and tuppence.
00:01:55Sign them.
00:02:01Come on.
00:02:02Next.
00:02:03Next.
00:02:12They're dropping that island this morning.
00:02:14Yeah.
00:02:15Won't I be glad to get out of here before they do?
00:02:16Next.
00:02:20Full name?
00:02:21Albert Owen Matthews.
00:02:22Where from?
00:02:23Swansea.
00:02:24Committed from?
00:02:25Flixton.
00:02:26How long?
00:02:27Eighteen months.
00:02:28One pound, eight and sixpence.
00:02:29Sign them.
00:02:30Sign them.
00:02:40Come on.
00:02:41This way.
00:03:01Now, don't get upset.
00:03:02Goodbye.
00:03:03Good luck.
00:03:04Well, you'll be out again, Jimmy boy.
00:03:05Dead.
00:03:15Excuse me.
00:03:16Can I have a word with you?
00:03:17What about?
00:03:18You've just been in there, haven't you?
00:03:19So what if I have?
00:03:20No offence, man.
00:03:21I just wondered if you ever got to speak to this chap, Alan.
00:03:24Alan?
00:03:25You mean the fellow they're going to tough this morning?
00:03:27Aye.
00:03:28Did you know him?
00:03:29He wasn't a bad chap.
00:03:31I just wondered how he took it.
00:03:32Now, look here, Jock.
00:03:33You can't go around killing Janes and expect to get away with it.
00:03:36I don't think he meant to kill her.
00:03:37Do you see it?
00:03:38Well, he did, didn't he?
00:03:39And for that stroke, you get...
00:03:40Well, you get the nine o'clock walk.
00:03:42Your fellow yours?
00:03:43No, he's...
00:03:44He's my brother.
00:03:59I see they topped that, Alan.
00:04:14Even with all them people signing that petition.
00:04:15Yeah.
00:04:16All that shemazel didn't do him that good.
00:04:17Well, why should it?
00:04:18There's got to be a law, ain't there?
00:04:19Now, take you and me.
00:04:20Why can I sleep home peacefully at nights?
00:04:21Why?
00:04:22Because you ain't got a lodger, cock.
00:04:23Shorty, me old Charlie.
00:04:24How's the old Charlie here?
00:04:25What's your worry?
00:04:26Shorty.
00:04:27Well, when did you get back?
00:04:28This morning.
00:04:29You're looking good.
00:04:30Well, I ought to be.
00:04:31I've been resting for 18 moon.
00:04:32Give us a cup of the old acamaraca, Charlie, will you?
00:04:33Sure.
00:04:34Be like the old times.
00:04:35See you around the flesh again, Shorty.
00:04:36That's right.
00:04:37Give us a fresh packet of facts, will you?
00:04:38Yeah.
00:04:39I had these when I went to sleep.
00:04:40I had these when I went to sleep.
00:04:41Well, I had these when I went to sleep.
00:04:42All that shemazel didn't do him that good.
00:04:43Well, why should it?
00:04:44There's got to be a law right there.
00:04:45Now, take you and me.
00:04:46Why can I sleep home peacefully at nights?
00:04:47Why?
00:04:48Because you ain't got a lodger, cock?
00:04:49Shorty, me old Charlie.
00:04:50What's your worry?
00:04:51I'm seeing you around the place again, Shorty.
00:04:52That's right.
00:04:53Give us a fresh packet of facts, will you?
00:04:56Yeah.
00:04:57I had these when I went in and they burned like your grandmother's feather bed.
00:05:01Yeah.
00:05:02How's all the boys, Murray?
00:05:03Oh, all right.
00:05:04Most of them all right.
00:05:05Some of them have been away for a bit.
00:05:07You know how it is.
00:05:08Oh, then I know a lot of flatties after you all the time.
00:05:10Never giving a fella a chance.
00:05:12What have you been doing, Murray?
00:05:13Oh, a little of this, a little of that.
00:05:16I've been lucky.
00:05:17I'm running the pins and needles club now.
00:05:19Cutting into my business, he is.
00:05:21Oh, is that so?
00:05:22All the boys still hang out there?
00:05:24Yeah.
00:05:25You'll be along again, I suppose.
00:05:27You try and keep me out.
00:05:29You better spend your money in here, Shorty.
00:05:31Your snooker will be too rusty to play with that bunch.
00:05:33I'll pick it up quick enough.
00:05:35I'll be seeing you then.
00:05:36So long.
00:05:37So long.
00:05:38See you tonight.
00:05:39All right.
00:05:42You know, Charlie, my boy, this is the real stuff out of the wash I've been used to.
00:05:45Got some milk in it.
00:05:46I should say so.
00:05:48What are you going to do, Shorty?
00:05:50Are you going back on the old lark?
00:05:52What else can I do?
00:05:53Why don't you get out of it?
00:05:55Get a straight job.
00:05:56Look at me.
00:05:57The boys are my best customers.
00:05:59But not yours truly.
00:06:00No.
00:06:01I stay off the crook and keep me nose clean.
00:06:03And when I go away, it's only the south end.
00:06:06Well, that's all right for you.
00:06:07But ever since I was a kid, they've had it in for me.
00:06:09Ah, come off it.
00:06:10It's not as bad as that.
00:06:11That's all you know.
00:06:12For once you've been inside, they keep on after you.
00:06:14And they'll put you in a stir for nothing just because you've got a record.
00:06:16Charlie?
00:06:17Oh, what's your maple?
00:06:18Hello.
00:06:19Tell a packet of the usual.
00:06:20Sure.
00:06:29Here you are, sweetheart.
00:06:30Chalk it up, will you?
00:06:31Oh, all right.
00:06:32Long time since you've been that close to her, Judy, eh, Shorty?
00:06:34Too long.
00:06:35Who's she?
00:06:36One of the regulars.
00:06:37Remember Alice?
00:06:38Alice Carson out hang out with?
00:06:39Yeah.
00:06:40Is she still about?
00:06:41Is she still about?
00:06:42I should say she is.
00:06:43Got a job at the Pallidy dance.
00:06:44Oh.
00:06:45Dance hostess.
00:06:46And the clothes.
00:06:47I don't know where she comes to.
00:06:48I'm going to go.
00:06:49I'm going to go.
00:06:50You're going to go.
00:06:51You're going to go.
00:06:52I'm going to go.
00:06:53I'm going to go.
00:06:54I'm going to go.
00:06:55I'm going to go.
00:06:56I'm going to go.
00:06:57I'm going to go.
00:06:58Oh.
00:06:59Dance hostess.
00:07:00And the clothes.
00:07:01I don't know where she gets them from.
00:07:02She's a million dollar baby now.
00:07:04Too rich for your blood, Shorty.
00:07:05She is, is she?
00:07:06Well, I can soon take care of that.
00:07:09Where does she live?
00:07:10Around the corner in Drummond Street.
00:07:11Oh.
00:07:12Over the news agents.
00:07:13Well, I might go along one of these days and have a butcher's.
00:07:14Sure.
00:07:15Why not?
00:07:16She'd be glad to see you for old time's sake.
00:07:17Yeah.
00:07:18Well, let me start with her, Charlie.
00:07:19That's all right.
00:07:20It's on the house.
00:07:21Glad to see you back again.
00:07:22Oh, well, thanks.
00:07:23I think I'll go along and see if I can find one or two of the boys.
00:07:26Oh, sure.
00:07:27And if you don't find them, come back here about seven o'clock.
00:07:30Someone will be in for a cert.
00:07:31Sure.
00:07:32I'll give you a meal, Charlie.
00:07:34Um, Shorty.
00:07:35Give my luck to Alice.
00:07:37Clouds lady, Clouds lady.
00:07:42Clouds, Clouds.
00:07:43Clouds, Clouds.
00:07:44Lovely blooms.
00:07:45How much of your roses, ma'am?
00:07:46A chilling of market fun.
00:07:47Give you a tanner.
00:07:48Ah.
00:07:49All right, ducks.
00:07:50God bless you.
00:07:51Clouds, Clouds.
00:07:52Clouds.
00:07:53Clouds.
00:07:54Clouds.
00:07:55...
00:07:57...
00:07:58...
00:08:00...
00:08:01...
00:08:05Let's go.
00:08:35Alice.
00:08:51Blimey, Alice.
00:09:02You don't have to sleep.
00:09:05Alice.
00:09:17Alice.
00:09:21Alice.
00:09:27Alice.
00:09:29Alice.
00:09:31Alice.
00:09:33Alice.
00:09:35Alice.
00:09:37Alice.
00:09:39Alice.
00:09:41Alice.
00:09:43Alice.
00:09:45Alice.
00:09:47Alice.
00:09:49Alice.
00:09:51Alice.
00:09:53Alice.
00:09:55Alice.
00:09:57Alice.
00:09:59Alice.
00:10:01Alice.
00:10:03Alice.
00:10:05Alice.
00:10:07Alice.
00:10:09Alice.
00:10:11Alice.
00:10:13Alice.
00:10:15Alice.
00:10:17Alice.
00:10:19Alice.
00:10:20Alice.
00:10:22Morning, Ma.
00:10:23Yeah, not so fast.
00:10:24What are you doing in my house?
00:10:25I was just looking for a palomine up them stairs.
00:10:28Oh, you were, were you?
00:10:30Yes.
00:10:31It's that Alice.
00:10:32I told her when she took a room here, I says,
00:10:34none of your tricks here, Miss I says.
00:10:35I don't know what you're talking about.
00:10:36I don't know anything about no Alice.
00:10:38I was just looking for a palomine, like I said.
00:10:41Come on, I won't get out of here.
00:10:42I'm going upstairs to put her right out,
00:10:44so don't you let me catch you here again.
00:10:51Listen here, my girl.
00:11:13Help! Help!
00:11:15My dog, please!
00:11:21Hold me tight, stop.
00:11:23Hoping风, my gal,
00:11:24I'm gonna rest and give it with you.
00:11:26Okay.
00:11:29Here it is.
00:11:32Okay.
00:11:42Let's go.
00:12:12Let's go.
00:12:42Let's go.
00:13:11Let's go.
00:13:41Let's go.
00:13:42Let's go.
00:13:43Let's go.
00:13:44Let's go.
00:13:45Let's go.
00:13:46Let's go.
00:13:47Let's go.
00:13:48Let's go.
00:13:49Let's go.
00:13:50Let's go.
00:13:51Let's go.
00:13:52Let's go.
00:13:53Let's go.
00:13:54Let's go.
00:13:55Let's go.
00:13:56Let's go.
00:13:57Let's go.
00:13:58Let's go.
00:13:59Let's go.
00:14:00Let's go.
00:14:01Let's go.
00:14:02Let's go.
00:14:03Let's go.
00:14:04Let's go.
00:14:05Let's go.
00:14:06Let's go.
00:14:07Let's go.
00:14:08Let's go.
00:14:09Let's go.
00:14:10Let's go.
00:14:11Let's go.
00:14:12Let's go.
00:14:13Let's go.
00:14:14Let's go.
00:14:15Let's go.
00:14:16Let's go.
00:14:17Let's go.
00:14:18Let's go.
00:14:19Let's go.
00:14:20Let's go.
00:14:21I like to go.
00:14:22Let's go.
00:14:23Let's go.
00:14:24Let's go.
00:14:25Let's go.
00:14:26Let's go.
00:14:27Let's go.
00:14:28Let's go.
00:14:29Let's go.
00:14:30Let's go.
00:14:31Let's go.
00:14:32That's about all.
00:14:33We may want to talk to you again.
00:14:34Sure.
00:14:35Sure.
00:14:36Any time.
00:14:38Well who'd have thought it of the little Blighter.
00:14:39Can you beat it?
00:14:40I hate splitting on him, but what can you do?
00:14:43How do I stand for catching another bus up north you won't get our bus tonight I must be on somewhere
00:15:03I'll tell you there ain't why what's the hurry well I got my mother in the night better get up
00:15:07there see well I'm sorry chum but you're out of luck here wait a minute you get up the great
00:15:10north road you might come a little my lorry I'll tell I say there's a transport cap a couple of miles
00:15:15from here try that okay pal thanks good night
00:15:40you don't have to be going up north mate do you might be why I want to get up to checking
00:15:52oh yeah the mess is up there well I'll see what I can do I'm gonna have a cup of charge better
00:15:56come on in hello boys are you going up north again already blimey I go down to the yard and unload
00:16:07they turn me around and send me back again like a blooming train what a drum thing about to get an
00:16:10extra 10 bob for yourself don't you Bob even with the extras you can't make a decent living at this
00:16:15job if it wasn't for the missus making a bit on the side with the calf he'd blooming well stop come
00:16:20on miss come on let's have a cup of tea get that tea now what's yours chum no mate this is my treat
00:16:25same for me pleasing one of them sausage rolls leave it to me ducks how's business down your way
00:16:31well not so bad the old woman's half dead tonight serving teas and all i shouldn't know you got to
00:16:35work out for your dough these days it's a proper charlie asking all right good evening hello wally
00:16:40lovely night ain't it sorry ducks nothing doing what do you mean nothing doing i'm not going your way
00:16:45and i can't give you a lift who asked for a lift anyway now looky i can't lose my job over you
00:16:50lorry girls lorry girls what do you mean aye aye aye cut it out you keep your mouth shut i ain't going
00:16:55to let no big step of the lorry driver get fresh with me
00:16:59take your filthy hands off me take your filthy hands off me i'll have the police on you
00:17:20them giants are the curse of the road they get tougher every day well them two was tough all
00:17:24right do you find many of them up and down the place yeah dozens of them and knock it take the
00:17:30butchers of that bloke with wally so your missus lives in chefie yeah she works there she's got a
00:17:36business there there you are there it is his name's matthews you and your matthews how could he get here
00:17:45oh i don't know about that but anyway it says here he's a little bloke with dark hair wearing a gray suit
00:17:51you better ask wally come on get your mind back on the game what is it mate oh sorry i just thought
00:17:57i saw a chap i know so
00:18:02oh wally what come here i didn't see you what
00:18:09what is it just take a look at this
00:18:13i thought it was you
00:18:14what's the matter with you i'll teach you to go around running after another fella's missus
00:18:23what you're potty i never seen this book before no and i ain't never seen you before neither only
00:18:29once but you've been seen plenty of a certain party ain't you mr blooming smith smith
00:18:35now i know he's office now don't you try that on with me my domain smith and i never told no when
00:18:39it was of course he's not smith this man's name's mackenzie wait a minute is this straight up of course
00:18:46it's the last one to kill anybody well i'm sorry well chap can make a mistake can't he you can't go
00:18:53on making mistakes like that you see i only saw this fellow once and well well all i can say is if
00:18:59you ain't him well you're his twin that's all okay okay but i'd like to give you back that when you
00:19:05gave me take that on tea will you come on here bill what get a basin full of this all the time
00:19:12we was talking about him he was thinking i was no better in his lodger and we thought you was a
00:19:16murderer this matthews they're looking for matthews who's he the bloke what done in that girl today
00:19:21oh him yes come on let's what's he gonna be rosie leave for me i don't have a cup of tea what made you
00:19:26think i was this matthews well the paper said he was a little bloke wearing a gray suit i've been
00:19:30telling job there's thousands of little blokes in this world and thousands of gray suits too that's
00:19:35right and there's one too many now isn't there yeah all right oh tell us um do you know this fellow
00:19:40smith john smith his name is and he drives a lorry too no no no no no if i knew they'd have gone
00:19:45there wouldn't i yeah i suppose you would well a bit of drink up if you're coming along with me
00:19:50how much is that mate see you four tees now and the other lot give us a bob there you are
00:19:53well no hard feelings eh no that's all right mate okay but here if you come across this george smith
00:20:02give him the same what you give me will you
00:20:23you're going far tonight to the side of bedford my wife runs one of these here caps oh she
00:20:42i should wrap your legs up in some of them sets we're not binnipi come
00:20:58now look here son i don't think you've proved you aren't this fellow they're looking for
00:21:02don't let it worry your chum i ain't who are you anyway my name's thompson what thompson
00:21:06no got something to prove it well perhaps i haven't perhaps i haven't what's it going to
00:21:12do with you anyway why do you take me up if you think i'm this fellow matthews what if i said
00:21:16anything in the cap i might have got an innocent bloke into trouble and i wasn't sure
00:21:22it wasn't meaning you are now i can always change my mind who do you think you are running the rule
00:21:27over me i ain't running the rule over you don't look at the fix i'm in i'll give you a lift and if you
00:21:31are this year matthews also get into trouble what you're going to do nothing but when you get to bedford
00:21:36you'll have to explain yourself to the cops now look here don't you try any copers with me
00:21:40i ain't so good tempered as a jock
00:21:45listen i admit it i'm shorty matthews i'm the fellow they're looking for but i didn't do it
00:21:49so help me i didn't what you couldn't turn me in you couldn't you said just now you'd never get
00:21:54an innocent fellow in a trouble while i'm innocent see and why are you doing a scarper because
00:21:57they'd never give me a break i got a record see and and once they caught me well they wouldn't
00:22:00even start looking for the fellow that really done it look you didn't do it there must be some way
00:22:03of proving it there isn't actually there isn't they got me on this thing they called
00:22:06circumstantial evidence you're only making it worse we're running away i've got to keep away from
00:22:10them i might strike lucky you never know they they might find the guy that really done it by accident
00:22:14perhaps you sound as if you're telling the truth let them cut no eyes it ain't up to me if you get
00:22:19away and lose my job they topped me for the dead search look here son i got a wife
00:22:36done it
00:22:54oh
00:23:54Hi, mate.
00:23:56What's up?
00:23:57Had a bit of a skid.
00:23:58Nearly broke my ruddy neck.
00:23:59Are you all right?
00:23:59Well, I am if this perishing wagon is.
00:24:01Have a look, will you, chum?
00:24:02Yeah, all right.
00:24:07She looks all right to me.
00:24:10Headlamp's a bit bent.
00:24:12How's the steering?
00:24:13Well, it don't seem so bad.
00:24:15I'll straighten her up.
00:24:16All right, go on.
00:24:16Back as you are.
00:24:17She'll do.
00:24:28Blimey, a bit shaky, ain't it?
00:24:30That would you be if you'd just miscopped in the package.
00:24:32Yeah, they stopped you tonight.
00:24:33Who?
00:24:34The coppers.
00:24:35They're now looking for some bloke from London.
00:24:37I've been stopped twice.
00:24:38You have?
00:24:39Yeah.
00:24:39I ain't seen nobody.
00:24:40You will.
00:24:41Well, if your phone gets to RTL, I'll back you up.
00:24:43You was dazzled.
00:24:44I was what?
00:24:44You was dazzled by headlights.
00:24:45Oh, I'll get you.
00:24:47As drivers are going to stick together.
00:24:49Life's tough enough without losing your job over an accident.
00:24:51Sure, well, I was dazzled by headlights,
00:24:53and if the phone cuts up rough, I'll let you know.
00:24:54Yeah, okay.
00:24:55Oh, I'm Sid Parsons, driving for Noel Brothers, Lancaster.
00:24:59Thanks, chum.
00:24:59Okay, so long.
00:25:00Good luck.
00:25:00So long.
00:25:11How are you feeling, chum?
00:25:31Oh, it's...
00:25:33It's my head.
00:25:35I thought you'd put it in your...
00:25:36past your brains, house.
00:25:38Can we get up under the seat?
00:25:39I don't think so.
00:25:40Come on.
00:25:41Thanks.
00:25:42Where are we?
00:25:45We've just come through a place called Midwell.
00:25:46Oh, yes.
00:25:47I know.
00:25:48How far is this cafe of yours?
00:25:50Oh, about...
00:25:51About 10 miles.
00:25:53Oh.
00:25:55You don't half look bad to me.
00:25:57I'll come.
00:25:57Last, all right, we'll get to my place.
00:26:01Oh.
00:26:02I think I'd better get out the next place and try and get you something.
00:26:04You sit tight.
00:26:16I won't be half a moment.
00:26:16It'll be half a moment.
00:26:18Oh, no.
00:26:35lorry now i thought you'd been away well you see money i've turned it in now and i'm going straight
00:26:39see and i've changed my moniker too you call me bert will you well that's smashing shorty oh i mean
00:26:44bert how's alice seen her lately no i haven't done yet funny how she was always saying as
00:26:48how she wished you'd quit before well before it was too late that's right oh yes she was working
00:26:54with me at the old palais started just after you went away did she we were mucking in together
00:26:57before i got that screwy idea about going to manchester sorry but i got my mate been took
00:27:01by that from the lorry see now i've got to get on with it someday you're going to get into trouble
00:27:05picking up these lorry girls well if you never take chances you never get nowhere and this one's worth
00:27:09a bit of trouble pretty hot ain't you if you ain't careful they'll be looking for you like this bloke
00:27:14down in london who do you mean this matthew's fella oh yes i read about him not me boy i treat them rough
00:27:21but not too rough bye
00:27:22all right
00:27:27cover tea chum no time me mate's just been took brady i haven't got anything have you got some
00:27:31aspirin okay i'll do how are you getting back to town oh i've been copping lips this is my chauffeur
00:27:36come on keep let's have a walk okay how much is that brandy well goodbye bet cheerio all the best
00:27:47who's your friend just a bloke i used to know in london come on okay
00:27:52you'll get to london all right sweetheart don't you worry there's a place up here i want to stop at
00:28:19first if you're thinking of starting anything you're farming you're gonna be nice to a fellow
00:28:24ain't you oh you're nice to me
00:28:34feeling better yes frank's you know you're taking a lot of trouble for me considering the fix you're
00:28:39in oh forget it what are you going to do i'm going to drop you off your wife's cap and then go off on me
00:28:44now look here you don't stop and turn around i'm going to get out i'll stop it all right here we are
00:29:01here what's all this you've got nothing to worry about sweetheart now don't you come any capers with
00:29:09me give us a little kiss won't you yeah you let go of me come on let go of me
00:29:15come here you're little stay drunk let go let go let go let go what's that
00:29:31Oh, yeah.
00:29:35Fight.
00:29:39Help! Help!
00:29:41Help! Help!
00:29:43Shorty!
00:29:45You get inside that lorry, go on.
00:29:47You keep out of this.
00:29:49If you touch her, I'll kill you. Shorty!
00:29:51Shorty? Shorty Matthews!
00:29:53Oh, but what are the cops you're looking for for killing that James?
00:29:55Shorty!
00:29:57Come on, get in, quick.
00:29:59Shorty, is it true what he said?
00:30:01Come on, get in, quick.
00:30:03Tell me. What happened? I want to know.
00:30:05I tell you this.
00:30:07I want to know now.
00:30:09Molly.
00:30:11It was... it was Alice.
00:30:13Alice?
00:30:15Some bloke down her end, you see.
00:30:17And they think it was me, but...
00:30:19but it wasn't.
00:30:21So help me.
00:30:23It wasn't.
00:30:25It wasn't.
00:30:27It wasn't me.
00:30:29I tell you, I didn't do it, Molly.
00:30:31She was dead when I found her, see?
00:30:33And I lost me head and I ran away.
00:30:35I lost me head, I tell you.
00:30:36Get away from me!
00:30:37I didn't do it, I tell you, Molly.
00:30:39Come on, in, quick.
00:30:40Come on, get in, quick.
00:30:44Now, here.
00:30:45It's all right, she's a palerman.
00:30:46I'll tell you about it later.
00:30:50Oh, but Shorty, I've got to know.
00:30:51You, Shorty, listen to me.
00:30:52Now, here, chum, what is all this?
00:30:54I've got to know it is...
00:31:10Yes.
00:31:11I am.
00:31:12Evening.
00:31:13Good evening.
00:31:14Seen anyone in a McIntosh a grey suit about 5 foot 7'.
00:31:15What, you mean, the Shorty Matthews?
00:31:16That's the one.
00:31:17No.
00:31:18I haven't seen nobody but a couple of lot of drivers.
00:31:19One of them's a bloke I know, the other one's a stranger.
00:31:20Oh?
00:31:21Wait a minute.
00:31:22He was about that size.
00:31:23Nobody had on the lorry driver's cap.
00:31:24Which way did he go?
00:31:25I don't know.
00:31:26How long ago was this?
00:31:27About half an hour.
00:31:28He was in a hurry, too.
00:31:29Looks all nervous.
00:31:30Had a guess I'd say he was heading north.
00:31:32See what kind of lorry he was driving?
00:31:34No.
00:31:35Do you think it was really him?
00:31:36We'll let you know when we had a look at him.
00:31:37Good night.
00:31:38Thanks.
00:31:45Here we are.
00:31:46This is it.
00:31:47Okay, well, I'll just help you inside and I'll breeze off.
00:31:50You'd better come in for a minute.
00:31:51Shorty, where are you going?
00:31:52What's I got to do with you?
00:31:53You don't believe me anyway.
00:31:54Doesn't matter what I believe.
00:31:55You helped me, didn't you?
00:31:56You'd better come on in, Shum.
00:31:57We may be able to think of something.
00:32:07Wait a minute.
00:32:08Let's have a deco first.
00:32:11Okay, it's empty.
00:32:12Come on.
00:32:17Wally, what's it, Mr Mercer?
00:32:21It's all right.
00:32:22Doc's had a accent.
00:32:23Called a fortney one.
00:32:24Do you think I'd better call the doctor, sir?
00:32:25No, no.
00:32:26Don't be so daft.
00:32:27I don't want to see a doctor.
00:32:28Come on in the back room.
00:32:29Well, I shall call the doctor.
00:32:30It's all right, I'll tell you.
00:32:31Come on.
00:32:37Now, what's the matter, Wally?
00:32:38Oh, nothing.
00:32:39This bloke helped me out and I want to have a bit of a chat.
00:32:41That's all.
00:32:42Evening.
00:32:43Look at your forehead.
00:32:44Oh, it's all right.
00:32:45I'll tell you about it, my dear.
00:32:46Go and get us some tea, there's a dear.
00:32:47Oh, all right.
00:32:49Now, look here, chap.
00:32:50You took an end of a chance in the open house.
00:32:51If you're telling the truth,
00:32:52why don't you take another one and give yourself up?
00:32:53Yeah.
00:32:54Well, that's what I say.
00:32:55If you didn't do it, why are you running away?
00:32:56It's easy enough to talk like that when you haven't been in stir.
00:32:58If you ain't got a record, I have.
00:32:59Yes, but you shouldn't have run away.
00:33:00Now, listen.
00:33:01This chap, Alan, they just hanged for the same thing.
00:33:03But I lost my head, that's all.
00:33:04I couldn't help it.
00:33:05Anybody would have.
00:33:06Yes, I quite see that.
00:33:07Now, Olly Mason.
00:33:08Will you or will you not tell me what this is all about?
00:33:11I'll be a sport and I'll give me five minutes and I'll tell you the old story.
00:33:13Don't worry.
00:33:14It ain't nothing to do with me.
00:33:15Oh.
00:33:16All right.
00:33:17Shorty, suppose I say I believe you.
00:33:18Yes.
00:33:19Where are you going to get running away like this?
00:33:20But can't you see if I manage to keep away for a bit,
00:33:21they might find the chap that really done it.
00:33:22And I...
00:33:23...and I...
00:33:24...ceiling?
00:33:25...ceiling of a stranger?
00:33:26A short man, gray suit, dark hair.
00:33:27Who has a really?
00:33:28What?
00:33:29I say, you look for the...
00:33:30...!!!
00:33:31...ceiling of a stranger, a short man, gray suit, dark hair,
00:33:32...and white.
00:33:33You're not.
00:33:34Okay, you see what's wrong?
00:33:35I've got him.
00:33:36I've got it.
00:33:37The man has a rough face.
00:33:38I've got a rough face.
00:33:39You think he's got a rough face.
00:33:40I've got some and I've got some problems.
00:33:42I've got some trouble and a lot of vrai.
00:33:44There's a rough face.
00:33:45You know what?
00:33:46I've got a rough face.
00:33:47Good evening.
00:33:48Good evening.
00:33:49Good evening.
00:33:50Good evening of a stranger.
00:33:51A short man.
00:33:52Gray suit.
00:33:53Dark hair.
00:33:54No.
00:33:55No, I haven't.
00:33:56Hmm.
00:33:57You seem pretty nervous.
00:33:58Something wrong here?
00:33:59No, there's nothing wrong.
00:34:00Everything's all right.
00:34:01Well, there's nothing wrong.
00:34:02You don't mind if we have a look around, do you?
00:34:03Well, I...
00:34:05Come on.
00:34:12Hey!
00:34:13Come on.
00:34:14You try that way.
00:34:15Now then.
00:34:16Now then.
00:34:17You take that side, I'll go up here.
00:34:43Why?
00:34:44Okay, this way.
00:34:45You go down there.
00:34:46I'll have to look over here.
00:35:07The End
00:35:37Oh, that's all right. Your husband's story sounds straight enough.
00:36:03You'd better come along to the station and talk it over there.
00:36:05You're wasting your time. He picked me up on the road. I don't know anything about any murders.
00:36:09Just come for the ride.
00:36:11That's all right. I'll back you up. Don't you worry.
00:36:12Thank you. I hope your head's better at the moment.
00:36:14Good night.
00:36:17I'll tell you, you're wasting your time.
00:36:19Oh, come on.
00:36:21Here, wait a minute.
00:36:24Johnson, we're taking her along. Keep your eye on her.
00:36:35Johnson, we're taking her along.
00:36:45Here we go.
00:36:45This is what we're taking.
00:36:45We're taking her along.
00:36:47Here we go.
00:36:48Shorty! Shorty, watch it!
00:37:16Shorty! Shorty, watch it!
00:37:18What are you doing?
00:37:19Shut up. I know what I'm doing.
00:37:33Don't, sir. Don't, sir.
00:37:36Harbour!
00:37:38Beeks!
00:37:41Shorty, you're crazy. They'll kill you for this.
00:37:43Not if they don't catch me. They won't.
00:37:44Oh, sure.
00:37:45You shut up.
00:37:46You believe me, don't you, Molly?
00:37:48I suppose I do.
00:37:49That's a good kid. I thought you would.
00:37:50Well, you know what I fell about Alice, don't you?
00:37:52I would never have done that to her.
00:37:53I'll tell you what I'm going to do, see?
00:37:55I'm going to drive this car on for a bit,
00:37:56then I'm going to ditch her, see?
00:37:57And your story will be that I wouldn't stop to let you out, see?
00:37:59But you're worse off than ever stealing a police car.
00:38:01I can't help that now.
00:38:02Here's one.
00:38:03I'm a police officer, Carstall, and I mistake yours.
00:38:04Certainly, but I'm afraid I don't drive any further.
00:38:05Oh, that's all I like. I can drive.
00:38:06Oh, excellent. I'll move right over.
00:38:07Now, up this side, see? You can get in the back.
00:38:08Well, this is where my scoffer is.
00:38:09I'm a police officer, Carstall, and I mistake yours.
00:38:12Certainly, but I'm afraid I don't drive any further.
00:38:13Well, that's all I like. I can drive.
00:38:14Excellent. I'll move right over.
00:38:15Now, up this side, see? You can get in the back.
00:38:17Sure, I, I, I, you see?
00:38:22Well, this is where I scarf her.
00:38:38So long.
00:38:39Shorty.
00:38:40Yes.
00:38:41I want to help you on this, I do, but I wish I could make you see there's only one right
00:38:44thing to do.
00:38:45I've got to work this out for myself, kid.
00:38:46Don't you worry about me.
00:38:47I'll be all right.
00:38:48So long.
00:38:49Here.
00:38:50Half a quid?
00:38:51Yeah, but look here.
00:38:52Oh, take it and shut up.
00:38:53I've got enough to get along on.
00:38:55You're a great kid.
00:38:57So long.
00:38:58Oh, shorty.
00:38:59If you ever want me, remember, I'll be at the palais again.
00:39:02Okay.
00:39:03Well, I'll.
00:39:20Well, where is he?
00:39:21I don't know.
00:39:22Go on.
00:39:23Scat around, boys.
00:39:24Well, what's the matter?
00:39:25Well, I'm frightened in a car with a murderer.
00:39:27You put me here.
00:39:28Oh, I'm sorry about that, but don't worry.
00:39:29We only want to ask you a few questions.
00:39:30No.
00:39:31No.
00:39:32No.
00:39:35No.
00:39:36No.
00:39:37No.
00:39:38I'm scared.
00:39:39But it's a little trick.
00:39:40No.
00:39:41No.
00:39:42That's the whole thing.
00:39:43Cool.
00:39:44I'm sorry.
00:39:45No, sir, we.
00:39:46Sorry about that.
00:39:47But don't worry.
00:39:48THE END
00:40:18THE END
00:40:48THE END
00:40:50THE END
00:40:52THE END
00:40:54THE END
00:40:56THE END
00:40:58THE END
00:41:00THE END
00:41:02THE END
00:41:04THE END
00:41:06THE END
00:41:08THE END
00:41:10THE END
00:41:12THE END
00:41:14THE END
00:41:16THE END
00:41:18THE END
00:41:20THE END
00:41:22THE END
00:41:24THE END
00:41:26THE END
00:41:28THE END
00:41:30THE END
00:41:32THE END
00:41:34THE END
00:41:36THE END
00:41:38THE END
00:41:40THE END
00:41:42THE END
00:41:44THE END
00:41:46THE END
00:41:48THE END
00:41:50THE END
00:41:52THE END
00:41:54THE END
00:41:56THE END
00:42:00THE END
00:42:02THE END
00:42:04THE END
00:42:06THE END
00:42:08THE END
00:42:10THE END
00:42:12THE END
00:42:14THE END
00:42:16THE END
00:42:18THE END
00:42:20THE END
00:42:22THE END
00:42:49Mary?
00:42:52what are you doing in London I come back on me tracks things was getting too hot
00:42:58for me up north so I copped a lorry coming down this way what do you want I'm
00:43:02on the ribs Murray I've got to find a hideout you can't hide out here I don't
00:43:05mean that any other boys about what if they are I won't bother I'm honest I
00:43:09won't all that one's a bit of dough just enough to give me a break okay there's a
00:43:13game on in the card room Tom about Paddy yeah about that
00:43:22what you're looking at me like that for I didn't cook the kid you know that we
00:43:41don't know a thing except what we read in the papers you believe me Paddy don't you
00:43:44Tom what do I know about it all I know is just spawning a game of poker you're in
00:43:49the wrong place if you think you're going to get any change out of us
00:43:52Alice was a good King Matthews I tell you she was dead when I found her if you
00:43:56didn't do it why did you run away well I got scared I knew they'd hang it on to me
00:44:00and the decks two of them in the billet room what they come for him what do you
00:44:05think why the hell did you have to come here boys you wouldn't
00:44:10that's right boys carry on we just called in to see everybody's happy we're as
00:44:26happy as a lot of blinking love fact is we'd like to have a word with an old
00:44:29friend of yours Tom yes who's that Ridge Hammond oh he been around lately ain't seen
00:44:35him in a fortnight get him to give us a ring when you see him again will you sure
00:44:39can you charge the call up to the yard why not as long as he doesn't make it a
00:44:43trunk call what have you got Tom yes I was too good for me come on let's
00:44:47you're kind of so I'm sorry I'll get out and stay out around the back way but you
00:44:58boys do believe me don't you I mean you didn't turn me in don't be a sad Matthews
00:45:02you think we wanted to close a club because you're in here go on beat it
00:45:04where can I go I haven't got any money and who plays about that anyway yeah get
00:45:10on your way and don't come back
00:45:32off light on your feet thanks you're a lucky kid you know getting a picture in
00:45:36the paper am I why no I've had a chance to dance with you the old evening they've
00:45:40been fair queuing up for you the hurry I'll be here tomorrow and every other
00:45:43night what say you and I go to some nice little plate for a snack after the
00:45:46session thanks but my father calls for me every night and he's very strict oh I've
00:45:50heard that one before
00:45:53take it oh thanks good night
00:45:58oh look at her you know with all the lady doll she's not careful the same thing will happen to her
00:46:16it's happened to Alice sorry ducks Alice did take on a lot of dates didn't she yes don't I know it
00:46:21good night girls good night good night well I was off along getting my bus
00:46:26oh where are you living now same old digs oh well I had to go somewhere where I'm good for a
00:46:30week's rent well good night see you tomorrow good night Paulie
00:46:33shorty I had to come back they're still looking for me up north but they're bound to get you
00:46:45no I'm better off down what you're gonna do I don't know I thought perhaps some of my pals might help me
00:46:50but I was lucky the swans didn't turn me in sure now don't you start all that about giving yourself
00:46:53off because I'm not gonna do it see listen kid you believe me don't you well you said you did
00:46:58yes I do shorty well Molly I don't want to drag you into this but you're the only pal I got see
00:47:02will you help me well what can I do well I got an idea first of all I got to find an empty loft
00:47:07somewhere where I can hide out see perhaps an old house you don't have any do you no I don't
00:47:10shorty I got to find some stuff some grub and all wait a minute I believe there is an old
00:47:16house I've all bought it up quite near my digs oh that sounds a ticket well come on I'll take
00:47:20you there okay now you go on first will you they might pick me up and I don't want to get you
00:47:24into trouble again all right you're a funny guy do you have anything to eat no but I'll be all right
00:47:32once I get a hideout you go on yes ma'am sandwiches and a piece of cake take away that's right
00:47:59thank you thank you good night
00:48:29this is it looks all right oh oh and I've got these for you
00:48:36I'll target your knees
00:48:40looks if nobody's lived here for years
00:48:59I'll be silly you watch me
00:49:29this is how I figure it out see this bloke that done Alice in well
00:49:59he didn't drop down from heaven did he I mean he must have come from somewhere wasn't he
00:50:03well where do you figure out he come from eh
00:50:05I don't know well the ballet of course
00:50:08he's one of the blokes that Alice danced with at the ballet
00:50:11well it might have been
00:50:12yeah well if you could keep your eyes open
00:50:15I mean if you wouldn't mind doing it for me
00:50:17well we might get a line on him see
00:50:20it's all right it's only one of them looking glasses
00:50:23you mean it it might have been someone that danced with her a lot
00:50:27that's right well maybe Pauline could help
00:50:29she knows a lot of Alice's regulars
00:50:31well will you see what you can find out
00:50:32yes of course I will
00:50:33Molly when I get out of this I'll I'll make it up to you honest I will
00:50:41it's all right shorty after all you risked your neck for me didn't you
00:50:45it's only right I should do the same for you
00:50:46you know
00:50:47well I've got to go now
00:50:53all right
00:50:54I'll come back tomorrow night and bring you some more grab
00:50:56okay I could do with that
00:50:57wait a minute
00:50:58it's all right
00:51:01is there anything else you want
00:51:04no doubt
00:51:05oh what if you could lay hold of the razor
00:51:06oh all right
00:51:08good night
00:51:08good night
00:51:09Molly
00:51:10I wish I could tell you
00:51:13forget it
00:51:15yeah you haven't got any of these have you
00:51:17what's up
00:51:18good night
00:51:20good night
00:51:45hello
00:51:49hello
00:51:51hello
00:51:53hello
00:51:57hello
00:51:59hello
00:52:01hello
00:52:03hello
00:52:05hello
00:52:07hello
00:52:09hello
00:52:11hello
00:52:13hello
00:55:34Good evening, my dear.
00:55:51Oh, Mr. Fulber, good evening.
00:55:52Am I fortunate enough to find you disengaged?
00:55:54I was just sitting this one out.
00:55:56Oh, too bad. I was hoping that you'd do me the honour.
00:55:58Oh, I feel quite rested now. I'd like to dance.
00:56:01Thank you, my dear.
00:56:02Did you know Alice?
00:56:03Sure, I used to dance with her.
00:56:05I thought I'd seen you with her.
00:56:07She was a nice little kid, could dance well, too.
00:56:09I wish I'd lay my hands on that little crook, Matthews.
00:56:12My dear, your dancing is as perfect as your appearance.
00:56:15Oh, Mr. Fulber, it's such a treat to dance with a real gentleman.
00:56:18I mean, a gentleman a girl can rarely talk with.
00:56:22Tell me, didn't I see you out with Alice one night after the session?
00:56:25Me?
00:56:25Yes.
00:56:26Not me. Must have been some other bloke. I just used to dance with her.
00:56:29Oh?
00:56:30Isn't that Mr. Neil?
00:56:31The young lady whose picture I saw in the papers.
00:56:33Yes, that's her. Stupid little fool.
00:56:35Indeed.
00:56:36Why do you say that?
00:56:37Oh, because she is.
00:56:39She's made all us girls look cheap chasing about like one of those naughty girls.
00:56:42And now she's trying to prove that Shorty Matthews didn't kill Alice.
00:56:45Indeed.
00:56:47Interesting.
00:56:47And how does our charming young detective propose to accomplish that?
00:56:52Oh, she thinks it was someone Alice met here.
00:56:55So she's dancing with all Alice's old clients.
00:56:57Offing them if they did it, I suppose.
00:56:59Then she's quite convinced of Matthews' innocence, is she?
00:57:01She's crackers.
00:57:02He told her he didn't do it and she believes.
00:57:05Would it surprise you very much if I told you that it's quite possible that Matthews did not do it?
00:57:09Why, Mr. Hoover, I wouldn't have expected an educated gentleman like you to say such a thing.
00:57:13Perhaps it's just because I've had the advantage of being educated, as you call it, that I hold an unorthodox view.
00:57:19Why, Mr. Hoover, I'm surprised at you.
00:57:22Oh, Molly, here's a gentleman you ought to meet.
00:57:33You've both got a lot in common.
00:57:34How do you do?
00:57:35Allow me to introduce myself.
00:57:37My name is Hoover.
00:57:38Walter Hoover.
00:57:39How do you do?
00:57:40Whoever did Marge mean?
00:57:41I think she was referring to your belief that Matthews did not murder Miss Carson.
00:57:46What's that to you?
00:57:47Anyway, how do you know what I think?
00:57:49Miss Margery told me.
00:57:50Well, of all...
00:57:51Oh, don't be concerned.
00:57:52My dear, I share your belief to a great extent.
00:57:55You do?
00:57:56Do you know something about it?
00:57:57Nothing, except what a lifetime of speculation on the mysteries of the human mind can teach me.
00:58:02Oh, I see.
00:58:04Well, if you'll excuse me...
00:58:06But I'll say this, Miss O'Neill.
00:58:07My knowledge of psychology makes it seem likely that you're right in supposing that no simple criminal like Matthews did it.
00:58:15It would be the work of a much more highly organized individual.
00:58:19Yes, I suppose so.
00:58:21Well, um, if you'll excuse me.
00:58:23Good night.
00:58:26Good night.
00:58:28Who was that old fogey?
00:58:29Oh, he used to be a schoolmaster.
00:58:31Well, he's barmy.
00:58:32I beg your pardon.
00:58:32And I'll thank you to start meddling in my business.
00:58:35If I want anyone told what I'm doing, I'll take care of it myself.
00:58:38I'm not taking any orders from you, Miss O'Neill.
00:58:41You with your cops and murderers.
00:58:42Thank you, sir.
00:58:48Thank you, sir.
00:58:50Thank you, sir.
00:58:51Good luck to you, Your Governor.
00:58:52Good luck.
00:58:53Good luck.
00:58:53Good luck.
00:58:53Good luck.
00:58:54Good luck.
00:58:54Good luck.
00:58:55Good luck.
00:58:55Thank you, sir.
00:58:56Good luck.
00:58:57Good luck.
00:58:57Good luck.
00:58:57Good luck.
00:58:59thank you sir good luck to me governor ah good evening mr over good evening
00:59:14I'm in the chair what's yours well I'll have a ginger brandy and how's the
00:59:22professor of Psi the word that escapes you mr. Peebles is psychology yes of course yes it
00:59:30shouldn't have escaped me should it we've heard it pretty often in here haven't we at all not often
00:59:35enough it seems now mr. Peebles you know it's a rare treat the way mr. Hoover talks yes indeed it's
00:59:41seldom enough we meet an educated gentleman like mr. Hoover to you mr. Peebles and to you ladies I
00:59:48don't deserve your flattery any news today mr. Hoover news on what subject well you've only been
00:59:58talking on one subject lately haven't you come now mr. Smith surely you don't hold it against me
01:00:03that I've become engrossed in the most interesting problem of abnormal criminal psychology listen to
01:00:09the words come out I mean if I can see anything so interesting in it happens every day of the year
01:00:14my dear mr. Smith miss James I see empty glasses about ask the ladies and gentlemen what they'll
01:00:21have oh thank you very much I'm afraid you only take a superficial view do I yes you see to a
01:00:29student in these matters the impulse that dictates the action and the sense of power that comes from
01:00:35the evasion of the consequences makes each instance unique even though you may say
01:00:39to such a chance to sell on them shows well Sam fairy and mr. Hoover and may your days be as long as
01:00:51your words would you mind repeating that in English certainly the man who killed that girl enjoyed for a
01:00:59moment the sensation of power over life and death now he has the sense of power that comes from knowing
01:01:06something that nobody else in the world knows you do give things a queer twist meaning you still
01:01:14think Matthews didn't do it I'm more convinced than ever this evening how something out mr. Hoover do
01:01:20tell us you don't mean to say that you've got information of course not I have no means of getting
01:01:26information the police have that I merely think and observe oh nonsense do you mean to stand there and
01:01:34say that no arguments here if you please miss James never discourage a skeptic doubt is the
01:01:40stimulator of conversation may amuse you all to know I have come to a not uninteresting conclusion
01:01:47are you going to tell us we can hardly wait the unfortunate Matthews is in London really no they
01:01:58haven't caught him the police don't even know that he is in London then how do you know by the
01:02:03elementary deduction that the criminal always returns to the scene of his crime is that all
01:02:09you've got to go by that and look of fear in a pair of lovely eyes an expression of anxiety on a pretty face and
01:02:19the air in uncle Tom Copley's whiskers I envy you the possession of such a sense of humor I would like
01:02:27to be able to stay longer to enjoy more fully the rapier play of your wit but alas I have an
01:02:33appointment good night and give our love to them beautiful eyes good night crackers crackers the best
01:02:48free show in London that's what he is
01:03:03you know I'm hungry I guess I'm gonna have a bite before we go home thanks Pauline I'm too tired I
01:03:14think I go home if you don't mind right what you got there yeah oh nothing just a pair of old shoes
01:03:19I'm taking very so that's all sure you won't come no thanks I'm too tired honestly oh thanks for
01:03:24helping me tonight though we didn't get very far did we know it's all pretty hopeless Molly what's
01:03:30bothering you I mean something more than just thinking surety didn't do it isn't it no no I'm
01:03:34just tired that's all good night good night
01:04:00shorty shorty shorty shorty
01:05:00I got you things and I brought you some candles and I got the razor.
01:05:07Oh, look, no, not by the window.
01:05:09OK, better be careful.
01:05:17Sit down, will you?
01:05:20Did you ask Pauline about the blokes that Alice danced with?
01:05:23Yes, I even danced with some of them myself.
01:05:25Well?
01:05:26Surely I don't think this is going to be any use.
01:05:29Even if I had the luck to dance with the one that did it, I couldn't tell.
01:05:33Oh, I've tried asking questions and all that, but I'm just no good at it.
01:05:41It's all right, Molly, don't you worry about it. Just an idea of mine, that's all.
01:05:44What are you going to do?
01:05:52Molly.
01:05:53I calmed down this morning and I got her thinking what a wild goose sort of chase I've been sending.
01:05:58And I started using my loaf.
01:06:01Molly, I...
01:06:03I don't care about nobody else besides you and I don't want to go on like this with you thinking I ain't doing the right thing, see?
01:06:08Shorty.
01:06:09Yes, I'm going to do like you said. I'm going to get myself up.
01:06:12It's you what made me do it, Molly. It's...
01:06:16It's for you.
01:06:24Shorty, I'm glad. But you can't do it. I don't want you to now.
01:06:29I'm glad you said that, kid, because...
01:06:31It means you feel the same way I do.
01:06:32I know I do.
01:06:33That's why I've got to go on with it.
01:06:34I've got to run me chances so...
01:06:35When it's all over, I can get a job and go straight.
01:06:37Molly.
01:06:39If everything was all right...
01:06:40Would you marry me?
01:06:41Yes.
01:06:42Molly.
01:06:43Molly.
01:06:46If everything was all right...
01:06:49Would you marry me?
01:06:50Yes.
01:07:12He was at the palais tonight.
01:07:13The palais?
01:07:14Yes.
01:07:15He was dancing with Margie.
01:07:16He talked about you.
01:07:17Well, he ain't a cop, is he?
01:07:18No.
01:07:19He used to be a schoolmaster.
01:07:20I thought he was...
01:07:21Shh.
01:07:22Shh.
01:07:24It's all right.
01:07:29I'd better get him inside.
01:07:30Come on.
01:07:32Come on.
01:07:34Come on.
01:07:36Come on.
01:07:38Come on.
01:07:40Come on.
01:07:41Come on.
01:07:42What are you doing here?
01:07:43In view of the...
01:07:44The somewhat informal nature of our introduction...
01:07:47I might ask you that question.
01:07:49Come of it.
01:07:50If you don't speak up, I'll give you another taste of this.
01:07:51Come on.
01:07:52Oh, my friend.
01:07:53I've had enough.
01:07:54Besides, you've nothing to fear.
01:07:56You haven't a better friend in the world than me.
01:08:00What's he talking about?
01:08:01Search me.
01:08:02That's the way he was talking at the palais tonight.
01:08:03You might add, Miss O'Neill,
01:08:04that I told you that I was convinced of Matthew's innocence.
01:08:08What?
01:08:11That's right.
01:08:12He said that, too.
01:08:13He made a regular speech about it.
01:08:14I thought he was nuts.
01:08:18How did you get here?
01:08:19I took the liberty of following Miss O'Neill.
01:08:21What for?
01:08:22To confirm certain suspicions that I had formed.
01:08:25What sort of...?
01:08:26You see, I am a student of abnormal and criminal psychology.
01:08:30What's that got to do with me?
01:08:31Everything.
01:08:32My insight into the, shall we say, crepuscular recesses of the human mind
01:08:37have convinced me that you are not the man who killed Alice Carson.
01:08:39What?
01:08:40Is that so?
01:08:44Then who done it, then?
01:08:45Now, my dear fellow, you're confusing my function with that of a common detective.
01:08:49Well, if you ain't a tech, then what you're so interested for?
01:08:52That's what I'd like to know.
01:08:53I think I told you.
01:08:54I'm a student of the vagaries of the human mind.
01:08:56Oh, such a pretty cat.
01:08:57My subtle one.
01:08:58Oh, my little miss puss cat.
01:08:59She got some kittens over there, too.
01:09:00No, has she?
01:09:01May I see the kittens?
01:09:02Yes, go on.
01:09:03You're over in that corner.
01:09:04Come on.
01:09:05Help yourself.
01:09:18He done it.
01:09:20What?
01:09:21Um...
01:09:22No, no...
01:09:24No, I'm sorry.
01:09:25No, I didn't go to the office.
01:09:28I don't know.
01:09:29It didn't take any evidence that I was.
01:09:31I don't know.
01:09:32Well, you don't know the mundane process.
01:09:34Lovely auntie.
01:09:39Here.
01:09:43What's your name?
01:09:44Hoover.
01:09:45Walter Hoover.
01:09:50Why did you kill Alice?
01:09:54Alice? That's what I said.
01:09:56My dear Matthews.
01:09:57What makes you so certain Shorty didn't?
01:10:00You're being very ingenious, Matthews.
01:10:02Different though we are.
01:10:04We have one thing in common.
01:10:06Neither of us killed Alice.
01:10:09They're not dead.
01:10:10Well, if we knew that, we wouldn't be here, would we?
01:10:13Well, I mustn't impose any further on your hospitality.
01:10:16Where are you up, Joe?
01:10:18Home, of course.
01:10:19Oh, no, you ain't.
01:10:20You're gonna stop right here.
01:10:21I'm not gonna take any chances of you going to the cops.
01:10:23My dear Mr. Matthews, I believe in your innocence.
01:10:26Well, that's fine.
01:10:27And we'll stay here till they find out who done it, shall we?
01:10:30In that case, I should consider myself your guest.
01:10:33That's right.
01:10:34And thank you for your hospitality.
01:10:36But, uh, why shouldn't we reverse the role?
01:10:40Reverse the what?
01:10:41I have quite a pleasant little flat.
01:10:43If we are to wait till the murderer is caught,
01:10:45we should be much more comfortable there.
01:10:47You mean I can stop at your place?
01:10:52Certainly.
01:10:53It's such a nice home for you, my pretty.
01:10:56The invitation, of course, includes Miss O'Neill.
01:10:59No, you better be getting along.
01:11:00But why?
01:11:01I shall be delighted to show her my little home.
01:11:04Oh, okay.
01:11:06Shall we be doing?
01:11:08Look here.
01:11:09In case you get careless, no funny business.
01:11:12I wish you'd cease mistrusting me. I am determined to prove your innocence.
01:11:17Miss O'Neill, will you bring the kittens?
01:11:28Thank you, sir.
01:11:37You go in first.
01:11:38Oh, yes.
01:11:39Oh, but I insist.
01:11:40No, you go in first.
01:11:50I think we'll put the kittens in my bedroom.
01:12:01There, my pretties.
01:12:03There's a nice comfortable bed for you all to yourselves.
01:12:08And now we'll get to a saucer of milk, shall we?
01:12:14Matthews, you can leave your coat here, if you like.
01:12:16Oh, thanks, sir.
01:12:18Miss O'Neill, if you wish to tidy up, you'll find everything you want in there.
01:12:22Oh, thanks.
01:12:25Come upstairs, Matthews.
01:12:26Perhaps you'd like a drink?
01:12:27Oh, thanks, sir.
01:12:28Thanks, sir.
01:12:29You don't mind.
01:12:30You can take a drink.
01:12:31Sure, but it doesn't mean like that.
01:12:32I don't know you're going to take the piss off once you've got to.
01:12:33I don't know you're going to go to poor, not sure.
01:12:34You're going to take the piss off of the piss off the piss off the piss off the piss off the piss off.
01:12:35Now you make yourself at home, Matthews, while I look after our guests.
01:13:01Guests?
01:13:02The little ones downstairs you know.
01:13:04Oh.
01:13:20Matthews, I hope I shan't have to tell you again that you have nothing to fear from me.
01:13:25Nothing.
01:13:26And I appeal to you in the sacred name of hospitality to look upon me as your host and friend.
01:13:33All right.
01:13:34All right.
01:13:35All right.
01:13:36All right.
01:13:37All right.
01:13:40All right.
01:15:45I know.
01:15:46You can't do that.
01:15:47I won't allow you to do that.
01:15:48What are you so worried about?
01:15:49Well, I'm worried on your account, naturally, knowing you to be innocent as I do.
01:15:55Oh, I thought perhaps she was worried in case I still thought you've done it.
01:15:59Well, I did at first, see, but I understand now you just like studying these things, don't you?
01:16:03Precisely.
01:16:04That's why you must listen to me.
01:16:06No, it's too late.
01:16:07I want to get it on with it.
01:16:08Oh, Matthews, I have a confession to make.
01:16:09Yeah?
01:16:10I've been keeping something from you.
01:16:11Yeah?
01:16:12I know the identity of the murderer.
01:16:14Yeah?
01:16:15Well, who is it?
01:16:17I can't furnish proof yet.
01:16:20But if you'll wait here while I go down and look after our little guests, I will tell you.
01:16:29Against my better judgment, I will tell you.
01:16:33kırk it.
01:16:55I know.
01:16:56Miss O'Neil.
01:16:57Where's Thoughty?
01:16:58He's upstairs.
01:16:59He's upstairs. He'll be down in a moment. He's going to have a bath and a shave.
01:17:06Come and help me feed the kittens.
01:17:25There you are, you little imps.
01:17:30They look so helpless now. You'd hardly think their time will come to play with mice.
01:17:47You scream, you fool. The police will come and mess you through hand.
01:17:50They will happen here!
01:17:54My boy, my boy is dying.
01:17:56She has under theå¼€nEM.
01:17:58They grow up.
01:18:00She takes care.
01:18:02Let's go.
01:18:32Monty!
01:18:34Monty!
01:18:36Monty!
01:19:02Monty!
01:19:32Monty!
01:19:33Monty!
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