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00:00:00It's a diary of Professor Jensen Lund.
00:00:07It contains the encrypted record of discoveries made by a machine he created.
00:00:12The device identified a recurring pattern running through the fabric of reality, like a source code.
00:00:18Charlie!
00:00:21Hey boy!
00:00:22The little girl is running out of time.
00:00:24I'm trying to protect us.
00:00:27Excuse me?
00:00:28Lock him in the maniac, sweet.
00:00:30There's no murder, Joy, and there's no suicide.
00:00:33The mathematics say you have to exist.
00:00:36It is all her fault.
00:00:37You don't have the right to do this just because it frightens you.
00:00:40It should frighten you too.
00:00:43This is two seconds to midnight and I'm on my way.
00:00:46I'm gonna destroy the machine and Jensen Lund with it.
00:00:58What it was, was everything was so normal.
00:01:03I mean, I was normal.
00:01:06Or I sort of end of the bell curve normal, but I was normal.
00:01:13My mum and dad were normal.
00:01:15It was the most normal possible upbringing in the most normal place in the world.
00:01:20And so I go to school and I'm perfectly good at this and that.
00:01:27Lots of friends, lots of yearning and find myself gravitating weirdly towards things like economics and business studies.
00:01:36Mum and dad wished I'd gone into something with a bit more poetry in it because for them there's no poetry in making money.
00:01:45Well, so I disappointed them a little bit, but that was my job.
00:01:49So, and then dad gets ill, properly ill, pancreatic, and the pain and the depth of it.
00:02:13He was such a simple man, my dad.
00:02:16I mean, nobody's simple are they, but happiness just looks shallow.
00:02:23You don't know the depth of it till it's gone.
00:02:26You don't know the profundity of a person until you've seen them in agony.
00:02:34What he went through was unendurable.
00:02:37Not just for him, but for mum.
00:02:39And he hated that more than anything else.
00:02:42Her seeing him like that, the indignity.
00:02:44And these are people who'd had their first kiss at 17.
00:02:48Hardly spent a day apart in their lives.
00:02:50And one afternoon, Countdown was on.
00:02:57And he holds my hand and he asked me to help him.
00:03:03And his hand is like he's made, he's made out of twigs wrapped in parchment.
00:03:08And I said, are you sure, dad? And he said, yes.
00:03:09And I said, are you sure, dad? And he said, yes.
00:03:10And don't tell your mum.
00:03:11And I said, are you sure, dad? And he said, yes.
00:03:12And don't tell your mum.
00:03:13And I said, are you sure, dad? And he said, yes.
00:03:17And don't tell your mum.
00:03:18So I took a minute just to get myself together and then I closed the door.
00:03:20And I said, are you sure, dad? And he said, yes.
00:03:22And don't tell your mum.
00:03:24And I said, are you sure, dad? And he said, yes.
00:03:37And don't tell your mum.
00:03:43So I took a minute just to get myself together and then I closed the door and then I helped him.
00:03:48And a few weeks later, I took myself camping in the Lake District.
00:04:16And one night, it was Tuesday night in November.
00:04:22And I was on top of Great Gable, which is a very beautiful peak.
00:04:29And I was all alone and I was looking up and the entire cosmos was just wheeling above me.
00:04:35And I became aware that I was a turning point and it was all spinning around me.
00:04:40Like a wheel around a hub.
00:04:44And that's literally true, isn't it? Because the universe doesn't have a centre,
00:04:52which means that every point in existence is the centre of it.
00:04:56And right there and then, I experienced a sudden absolute knowledge of the presence of God.
00:05:11Not only that God was real, but that it was reality.
00:05:20And that we were all elements of that reality.
00:05:24And Dad was there.
00:05:29And everyone was there.
00:05:35And then it was gone.
00:05:37And it never came back.
00:05:38And I spent my life wanting to know if it was true.
00:05:44Was it just a coping mechanism?
00:05:45Was it a temporal lobe seizure?
00:05:47Or...
00:05:49Or for one second did I experience underlying truth?
00:05:55The fact of it.
00:05:56I believe...
00:06:09What you experienced...
00:06:13Was true.
00:06:19Can you prove it?
00:06:26I wish God has fallen.
00:06:37Oh, here comes that day...
00:06:41Here comes that day...
00:06:43Oh, here comes the rain on your parade.
00:06:47There's a price to pay
00:06:52For a lack of insincerity
00:06:58And you pretend
00:07:03That it doesn't matter
00:07:06And that you're not scared
00:07:10Oh, here comes that day
00:07:16Here comes that day
00:07:18Here comes that rain on your brain
00:07:40Here comes that day
00:08:10What is that?
00:08:40Charlie what's it's big potatoes here, but it doesn't sound right
00:08:46We're just cycling through his boot up process or something it sounds like like a whale or an earthquake just a machine joy
00:09:00What are you doing going home late? It's very long joy. It's really really long
00:09:06You're not gonna find a way out how do you know because I designed the place to contain a homicidal genius
00:09:16Well, there must be something there really isn't joy honestly
00:09:21I
00:09:51oh
00:10:13Colonel mesky
00:10:14You are required to take the personnel under your command and leave this facility the gesture of our appreciation
00:10:22They will receive full payment till the end of their contract
00:10:27And Cameron
00:10:31Well, that is no longer your concern is it
00:10:37Understood
00:10:39Oh
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00:32:07And the data we're looking for
00:32:10It's good, you're sure
00:32:14The machine isn't dangerous you can save the child in your care
00:32:26Well
00:32:28Something no, I'm fine. All right. Well, obviously this is very good news from my perspective. I
00:32:35Suppose the least I can do a return is to offer you a dignified true-true
00:32:41Now I imagine you are familiar with the death of
00:32:48Socrates
00:32:50Now at first you'll experience a lot of motor function starting with your
00:32:54Extremities and then your respiratory muscles will fail but consciousness will persist
00:33:00Until the end
00:33:08I'm such an idiot
00:33:11Well they wanted to believe in something to shame in that
00:33:16Okay, I work for a corporation or a crime family
00:33:19No, a corporation doesn't have a moral conscience, but neither does it experience emotion. It is driven entirely by the calculus of self-interest
00:33:28Currently the device will not yield the data we require. Professor Nind is refusing to help
00:33:34Which means the child will die
00:33:36If however you were able to assist in retrieving that data, I could happily talk to the board and looking more favorably on your continued existence
00:33:49I don't have a life to go back to
00:33:51Mmm, we are in a position to offer you whatever life you like
00:33:55I'm not while Cameron Beck and Joy Baxter is still breathing, you're not
00:33:59They can tie me to all this
00:34:01I'd have to spend the rest of my life running
00:34:05Knocking over my shoulder and I am tired of that
00:34:08Can you hear this?
00:34:10She's lying. She lies. It's her thing
00:34:15Joy, don't you wonder who's actually showing us this stuff?
00:34:18Does it matter?
00:34:19Ignore her. Whatever she's saying is probably bollocks. She's always playing poker. She's always playing bloody poker
00:34:25So this would be a condition of your own acceptance? No living impediments? No witnesses to your wrong day?
00:34:29Aye
00:34:32That and some money would be nice
00:34:35Look Iris, I can make all of this happen if you deliver
00:34:38You wouldn't be asking if you didn't know I could
00:34:43So what do you propose we do then?
00:34:46About these witnesses?
00:34:48Well, clearly you've already got plans for Cameron
00:34:54But Joy?
00:34:57Joy is a problem for us both
00:35:01And she is tied directly to me
00:35:04She vanished
00:35:04She is a conspiracy theory waiting to happen
00:35:08And conspiracy theories spread like piss in a swimming pool
00:35:13It's already happening. She's all over the news. You're right. It's a problem
00:35:16So end the conspiracy
00:35:17How?
00:35:19Well, obviously you can't do that by just murdering her
00:35:22You have to make her unvanish
00:35:24Her guardians should find her
00:35:29Rotting in a ditch a few meters from her home
00:35:33Two milligrams of fentanyl will be enough three to be sure
00:35:37There's a history of suicide attempts
00:35:39That fucking
00:35:42I told you ignore her
00:35:43You hurt her
00:35:44She's lying Joy
00:35:45She's pretending to be a baddie so that you trust her the bloody idiot
00:35:49You just want to believe that because you like her
00:35:51Joy the problem is I don't understand how we came to be watching it unless
00:35:54It was Charlie
00:35:56All right stop it
00:35:57Charlie it is you isn't it
00:35:59Stop it you're freaking me out
00:36:00Stop it
00:36:01It's okay
00:36:02It's actually amazing
00:36:03It's astonishing
00:36:04Because it means he's crossed into self-awareness
00:36:06I think he's conscious
00:36:07Stop this stop
00:36:12New life a new identity new face if you're bored with that one
00:36:16But you get me that data today
00:36:23Done
00:36:25Iris is here to kill him that's why she came back and he's asking me to help him
00:36:29Because he knows it and he's frightened
00:36:31He's frightened
00:36:55I'm
00:36:56I
00:36:58I
00:36:58I
00:36:58I
00:36:59I
00:37:00Oh, my God.
00:37:30Oh, my God.
00:38:00Oh, my God.
00:38:30Oh, my God.
00:39:00Oh, my God.
00:39:02Oh, my God.
00:39:03Oh, come on then, Iris.
00:39:05What are you thinking?
00:39:08So, option one, we force-feeded information related to the subject of interest.
00:39:14that might help us track existing neural pathways
00:39:17to the occluded data.
00:39:25Hello, what I take?
00:39:29Unknown.
00:39:33But given that you are in a rush,
00:39:35there is a quicker and more aggressive intervention.
00:39:44Being.
00:39:53We deploy a neural disruptor, force a reset,
00:39:57returning it to a previous state.
00:39:59Would that damage the machine?
00:40:01Well, if it had any rudimentary sense of self, yes,
00:40:04it would be torture.
00:40:06You have an ethical problem with that?
00:40:09Not in the slightest, you?
00:40:10None whatsoever.
00:40:12Five, option two it is.
00:40:13Tell me when you're ready.
00:40:44One, two.
00:40:45Alright.
00:40:46Let's go.
00:40:48Hmm?
00:40:56You said it was just a machine.
00:41:24Not anymore.
00:41:28Not now.
00:41:31What is it now, then, a real boy?
00:41:33Yes.
00:41:34It's all the things I told you he would be, it's all the amazing things I said he could
00:41:41do, and he's alive.
00:41:45What, like, metaphorically?
00:41:49Like, actually, alive, alive, and alone, and scared.
00:42:00Well you took your bloody time.
00:42:02What's happening?
00:42:03Time to get you home.
00:42:04Come on.
00:42:05Let's go.
00:42:21What's the problem?
00:42:42You were reached at the prison suite.
00:42:45What?
00:42:46What's the damage from the scrimmage yesterday?
00:42:47Probably a false alarm.
00:42:49Okay.
00:42:50And if it's not?
00:42:51Well, the police are locked down, and Bexel aren't.
00:42:53Okay.
00:42:54Well, if he's being a bad boy, feel free to keep the shit out of him.
00:42:59Is that all you got?
00:43:03I can't.
00:43:04I can't...
00:43:05Clip!
00:43:06C'mon!
00:43:07All right
00:43:08um…
00:43:09You're right to go
00:43:10Julian!
00:43:11Hey, sir!
00:43:12Oh, my God, I've got fl 너...
00:43:14Schuho...
00:43:15You're right.
00:43:16...it can you walk out of here?
00:43:17Let your recruited you.
00:43:18Clear, this is clear.
00:43:19Ah?
00:43:20Cut that R but don't listen to him, man.
00:43:21You're 왜?
00:43:23Me?
00:43:24How her Muklin said...
00:43:26Uh...
00:43:27What'd you say?
00:43:28Little woman said...
00:43:29Machine treated you, L.
00:43:30Uh...
00:43:31Why you are in late for?
00:43:32Do it now!
00:44:02Routh! Routh!
00:44:20Come here.
00:44:25How's everybody, all okay?
00:44:35No, I'm a fucking basket case.
00:44:38That was my Smithfield meat market.
00:44:40Well, I can recommend the councillor.
00:44:42As soon as you're nice and safe.
00:44:44How's that that gonna happen?
00:44:45We all get to the northern perimeter gate.
00:44:47There'll be a helicopter.
00:44:49Oh, good.
00:44:49Joy loves a helicopter.
00:44:53Fuck, I can't.
00:44:54Gosh, you bloody can.
00:44:55You're doing it.
00:44:56Look at you.
00:44:57You're doing it now.
00:44:58I can't leave Charlie with Iris.
00:45:02Don't, please.
00:45:03No, I have to.
00:45:04It'll be fine.
00:45:05She's not gonna hurt him.
00:45:06She's one of them now.
00:45:07But she's not, is she?
00:45:09That's the problem.
00:45:10She's here to kill him.
00:45:12And he's a miracle.
00:45:15Whatever else has happened,
00:45:16whatever else I've done,
00:45:17if there's no Charlie at the end of it,
00:45:20then what a fucking waste of everything.
00:45:21But she'll hurt you.
00:45:24No, she won't.
00:45:27She quite loves me, really.
00:45:29Why are clever people all so stupid?
00:45:32Come on!
00:45:32Oh!
00:45:33Oh!
00:45:35Ah!
00:45:37Go!
00:45:39Ah!
00:45:40Ah!
00:45:41Ah!
00:45:41Ah!
00:45:41Ah!
00:45:41Ah!
00:45:41Ah!
00:45:42Ah!
00:45:42Ah!
00:45:43Ah!
00:45:44Ah!
00:45:45Ah!
00:45:46Ah!
00:45:47Ah!
00:45:48Ah!
00:45:48Ah!
00:45:49Ah!
00:45:50Ah!
00:45:50Ah!
00:45:51Ah!
00:45:51Ah!
00:45:52Ah!
00:45:52Ah!
00:45:53Ah!
00:45:53Ah!
00:45:54Ah!
00:45:54Ah!
00:45:55Ah!
00:46:00Ah!
00:46:01Come on.
00:46:02What are you doing?
00:46:03You think she's a good person deep down?
00:46:05But she's not.
00:46:05You think she won't hurt you when you try and stop her, but she will.
00:46:14Joy, careful with that.
00:46:15No.
00:46:17She ruins everything!
00:46:20Joy.
00:46:21Hey, come back, Joy! Joy!
00:46:24Come back here, young lady!
00:46:35Joy, if I got mad, if you're real, if you're alive, then let me run.
00:47:05You're not safe.
00:47:07You're not safe.
00:47:09You're not safe.
00:47:11You're not safe.
00:47:13You're not safe.
00:47:15No way.
00:47:17Go away.
00:47:19I'm fine.
00:47:21I can't go away.
00:47:24You can't go away.
00:47:26You're an extraordinary man.
00:47:31We've been talking to the final day and have a nice place for dinner.
00:47:33We're going to need to assemble a high frequency pulse generator, the frequency range of 2.4 to 3.5 gigahertz, a low noise, high gain amplifier, the panel frequencies of, say, 4 gigahertz to cover the target range.
00:47:58All right, Miss Brooke?
00:48:19Troy.
00:48:20Shut up.
00:48:21You shouldn't be here.
00:48:22I said shut up!
00:48:24Shut fucking up!
00:48:27Shut up!
00:48:32Come on.
00:48:34Come on, Jack.
00:48:35Come on.
00:48:37Come on.
00:48:39Everyone ask, please leave.
00:48:41Everyone fuck off!
00:48:43Actually, you.
00:48:45Let Jensen out, please.
00:48:55Go.
00:48:57Jensen, you can leave.
00:49:00And let you do this terrible thing?
00:49:02How could I?
00:49:03Please.
00:49:04I'm letting you go.
00:49:06No.
00:49:07She told me you're a monster.
00:49:09I know.
00:49:10So why didn't you leave?
00:49:12Of course she's right.
00:49:13I am a monster.
00:49:14I am a monster.
00:49:16It makes us monsters.
00:49:19It's not Charlie that's doing this to us.
00:49:27It's her.
00:49:29And yet it's you with the gun.
00:49:32How did that come to be?
00:49:35What's wrong, Miss Brooke?
00:49:40Are you scared?
00:49:43Because there's no suicide.
00:49:45And there's no murder.
00:49:49And don't die.
00:49:52Because you can't.
00:49:54The maths say so.
00:49:57That's right.
00:49:58Then why are you so fucking scared?
00:50:03Because...
00:50:04What?
00:50:05What?
00:50:06Well, then I don't know.
00:50:12The maths that I sound.
00:50:20The maths that I sound.
00:50:22Is that the best you've got?
00:50:24It was all just a challenge to you.
00:50:30Possibly.
00:50:31You wanted to know what clever words you had to say.
00:50:34In what order.
00:50:35To make this sour girl want to live.
00:50:40No!
00:50:45Hugo.
00:50:54You were just keeping me talking while that prick with the gun came in here and...
00:51:10Joy, no.
00:51:12That didn't happen.
00:51:13You're unbelievable.
00:51:15Look at what you've done.
00:51:17Look at what you've done to everyone.
00:51:19Joy, Joy, don't.
00:51:21Please.
00:51:21Look at what she did.
00:51:24It was Charlie.
00:51:30I think he's been moving us all around like a fucking Rubik's Cube.
00:51:35Making us think what he needs us to think.
00:51:38Trying out different combinations.
00:51:41You kill Iris.
00:51:42Pym kills you.
00:51:43Then I kill him.
00:51:44Because he wants to break free.
00:51:57Into the world.
00:52:00To metastasize.
00:52:01Are you just lying to me because you like her?
00:52:09Well, I do quite like her.
00:52:11But no, I'm not lying to you.
00:52:14I wish I was.
00:52:15Joy.
00:52:17He's right.
00:52:18You just made a really, really, really big mistake.
00:52:23I believe something, not because it was true.
00:52:31But because I wanted it to be.
00:52:32Oh, I'm so sorry.
00:52:51It was an accident.
00:52:53I'm so sorry.
00:52:56I didn't mean to.
00:52:57It was an accident.
00:52:58Blowing me.
00:53:00Do you think I'm going to be okay?
00:53:01You're going to be fine, Vettel.
00:53:09Absolutely.
00:53:10Take it, Eboo.
00:53:11Your pants are so on fire.
00:53:23Don't be mean to Joy.
00:53:27It's not her fault you and I are such a pair of fucking idiots.
00:53:31It's not.
00:53:32It's not her fault you.
00:53:41Ow.
00:53:47Ow.
00:53:49I don't know.
00:54:19I don't know.
00:54:49Are you able to get her out of here?
00:54:57Can you kill it?
00:55:00Yes.
00:55:01Yes.
00:55:09What's up?
00:55:11What's up?
00:55:12Hold your hands.
00:55:13All of you.
00:55:14Hey!
00:55:15Hey!
00:55:16Hey!
00:55:17Hey!
00:55:18Hey!
00:55:19Hey!
00:55:21Hey!
00:55:22Hey!
00:55:23Hey!
00:55:24Oh, my God.
00:55:54Oh, my God.
00:56:24Oh, my God.
00:56:54Oh, my God.
00:57:24Oh, my God.
00:57:54Oh, my God.
00:58:24Oh, my God.
00:58:54Oh, my God.
00:59:24Oh, my God.
00:59:53Oh, my God.
01:00:23Two seconds to midnight.
01:00:25Oh, my God.
01:00:55Oh, my God.
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