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00:00:00It's a diary of Professor Jensen Lind.
00:00:07It contains the encrypted record of discoveries made by a machine he created.
00:00:12The device identified a recurring pattern running through fabric of reality, like a source code.
00:00:18Charlie!
00:00:21Hey, boy!
00:00:22The little girl is running out of time.
00:00:24I'm trying to protect us.
00:00:27Excuse me?
00:00:28Lock him in the maniac suite.
00:00:30There's no murder, Joy, and there's no suicide.
00:00:33The mathematics say you have to exist.
00:00:36It's all her fault.
00:00:37You don't have the right to do this just because it frightens you.
00:00:40It should frighten you, too.
00:00:43This is two seconds to midnight, and I'm on my way.
00:00:46I'm gonna destroy the machine and Jensen Lind with it.
00:00:58What it was was everything was so normal.
00:01:03I mean, I was normal.
00:01:06Or I sort of end of the bell curve normal, but I was normal.
00:01:13My mum and dad were normal.
00:01:15It was the most normal possible upbringing in the most normal place in the world.
00:01:20And so I go to school, and I'm perfectly good at this and that.
00:01:27Lots of friends, lots of yearning, and find myself gravitating weirdly towards things like economics and business studies.
00:01:36Mum and dad wished I'd gone into something with a bit more poetry in it, because for them there's no poetry in making money.
00:01:45Well, so I disappointed them a little bit, but that was my job.
00:01:49So, and then Dad gets ill, properly ill, pancreatic, and the pain and the depth of it.
00:02:13He was such a simple man, my dad.
00:02:16I mean, nobody's simple, are they?
00:02:19But happiness just looks shallow.
00:02:23You don't know the depth of it till it's gone.
00:02:26You don't know the profundity of a person until you've seen them in agony.
00:02:34What he went through was unendurable.
00:02:37Not just for him, but for mum.
00:02:39And he hated that more than anything else.
00:02:42Her seeing him like that, the indignity.
00:02:44And these are people who'd had their first kiss at 17.
00:02:48Hardly spent a day abiding their lives.
00:02:53And one afternoon, Countdown was on.
00:02:56And he holds my hand, and he asks me to help him.
00:03:05And his hand is like he's made out of twigs wrapped in parchment.
00:03:09And I said, are you sure, Dad?
00:03:10And he said, yes.
00:03:11And I said, are you sure, Dad?
00:03:12And he said, yes.
00:03:13And don't tell your mum.
00:03:14And I said, are you sure, Dad?
00:03:15And he said, yes.
00:03:17And don't tell your mum.
00:03:18So I took a minute just to get myself together.
00:03:20And then I closed the door.
00:03:21And he said, yes.
00:03:22And don't tell your mum.
00:03:23So I took a minute just to get myself together.
00:03:24And then I closed the door.
00:03:25And then I helped him.
00:03:26And then I closed the door.
00:03:27And then I helped him.
00:03:28And I said, are you sure, Dad?
00:03:29And he said, yes.
00:03:30And don't tell your mum.
00:03:31So I took a minute just to get myself together.
00:03:33And then I closed the door.
00:03:34And then I helped him.
00:03:35And I said, are you sure, Dad?
00:03:36And he said, yes.
00:03:37And don't tell your mum.
00:03:44So I took a minute just to get myself together.
00:03:46And then I closed the door.
00:03:47And then I helped him.
00:04:05And a few weeks later, I took myself camping in the Lake District.
00:04:16And one night, it was Tuesday night in November.
00:04:22And I was on top of Great Gable, which is a very beautiful peak.
00:04:29And I was all alone.
00:04:30And I was looking up.
00:04:31And the entire cosmos was just wheeling above me.
00:04:34And I became aware that I was a turning point.
00:04:38And it was all spinning around me.
00:04:42Like a wheel around a hub.
00:04:47And that's literally true, isn't it?
00:04:49Because the universe doesn't have a center,
00:04:52which means that every point in existence is the center of it.
00:04:56And right there and then, I experienced a sudden and absolute knowledge of the presence of God.
00:05:11Not only that God was real, but that it was reality.
00:05:20And that we were all elements of that reality.
00:05:24And Dad was there.
00:05:29And everyone was there.
00:05:35And then it was gone.
00:05:37And it never came back.
00:05:41And I spent my life wanting to know if it was true.
00:05:43Was it just a coping mechanism?
00:05:45Was it a temporal lobe seizure?
00:05:47Or...
00:05:49Or...
00:05:50For one second did I experience underlying truth?
00:05:55The fact of it.
00:05:56I believe...
00:06:10What you experienced...
00:06:13Was true.
00:06:19Can you prove it?
00:06:26local livres
00:06:41Oh, here comes that day
00:06:43Here comes the rain
00:06:45On your parade
00:06:47There's a price to pay
00:06:49There's a price to pay
00:06:54For a life of insincerity
00:07:02And you pretend that it doesn't matter
00:07:08And that you're not scared
00:07:12Oh, here comes that day
00:07:18Oh, here comes that rain on your brain
00:07:42Oh, here comes that day
00:08:07Oh, here comes that day
00:08:10What is that?
00:08:40Charlie, what's it?
00:08:41Big potatoes, yeah.
00:08:43But it doesn't sound right.
00:08:47Probably just cycling through his boot-up process or something.
00:08:50It sounds like...
00:08:52like a whale or an earthquake.
00:08:54It's just a machine, Joy.
00:09:00What are you doing?
00:09:01Going home, Nate!
00:09:02It's very locked, Joy.
00:09:04It's really, really locked.
00:09:07You're not going to find a way out.
00:09:11How would you know?
00:09:12Because I designed the place to contain a homicidal genius.
00:09:16Well, there must be something.
00:09:18There really isn't, Joy.
00:09:20Honestly.
00:09:22Nobody will get it.
00:09:25I know.
00:09:33I know.
00:09:34It's illegal.
00:09:39não
00:09:41Transcription by CastingWords
00:10:11Colonel Meski
00:10:14You are required to take the personnel under your command and leave this facility
00:10:20As a gesture of our appreciation, they will receive full payment until the end of their contract
00:10:25And Cameron?
00:10:30Well, that is no longer your concern, is it?
00:10:37Understood
00:10:41Shit
00:10:57Shit
00:10:58Ist not the mayors
00:11:06Not the mayors
00:11:08Not a mayors
00:11:11Not a mayors
00:11:13Let's go.
00:11:43Let's go.
00:12:13Let's go.
00:12:43Let's go.
00:13:13What, is she conscious?
00:13:15Is she dreaming?
00:13:16Both.
00:13:17Neither.
00:13:21Okay, listen to me.
00:13:23Do what you can.
00:13:24Do anything.
00:13:26We are so close.
00:13:27We lose her now, they will flame me alive.
00:13:30You understand?
00:13:33People, we are on a clock here.
00:13:36What is the holdup?
00:13:37The neural network has remapped itself in a way we didn't fully anticipate.
00:13:43It's developed new data pathways, almost as if it were hiding the data we're looking for.
00:13:52Consciously?
00:13:52Not necessarily.
00:13:54We don't know.
00:13:57Professor Lind, what is happening?
00:14:09Professor Lind, what is happening?
00:14:23It's going to be watching you.
00:14:28And it doesn't trust you.
00:14:31So it won't give you what you want until it has what it wants.
00:14:34Which is?
00:14:37To be free of this place.
00:14:40And if that happens, there is no hope.
00:14:44It doesn't want, Professor Lind.
00:14:46And it is a thing.
00:14:54Okay, listen to me.
00:14:56I need that data.
00:14:58I will do anything.
00:15:01I will apologize.
00:15:02I will beg.
00:15:04I'll make you rich.
00:15:08Anything.
00:15:09Except the one thing that I want.
00:15:12Is the one thing that you're not willing to give.
00:15:16To kill the device.
00:15:22What are we to do?
00:15:46Of course.
00:15:54All right.
00:15:54We're never getting out of here, are we?
00:16:21As soon as they go there, we're not going to kill his wife.
00:16:24They've got no choice.
00:16:27We're not going to kill his wife.
00:16:32We're not going to kill his wife.
00:16:35We're not going to kill his wife.
00:16:36We're not going to kill his wife.
00:16:40We're not going to kill his wife.
00:16:41We're not going to kill his wife.
00:16:42We're not going to kill his wife.
00:16:46We're not going to kill his wife.
00:16:47We're not going to kill his wife.
00:16:51Hi, Cameron.
00:17:01Oh, for goodness sake, don't suck.
00:17:04Let me come in and tell you about the mess you might be getting into.
00:17:11What are you playing at?
00:17:15Look at me, for God's sake.
00:17:17I'm alone.
00:17:21But you've got all of the big guns and the people to do the violence for you.
00:17:26Think about it.
00:17:27Why would I be walking into that if I didn't have to?
00:17:35Well, let's see what you want.
00:17:37Shit, bastard, fuck.
00:17:50Shit, bastard, fuck.
00:17:54Shit, bastard, fuck.
00:18:05Shit, bastard, fuck what?
00:18:09Shit, bastard, fuck.
00:18:10I think Iris might be here.
00:18:11Why would she come back?
00:18:18Um, I don't know, to save us sort of thing.
00:18:24That doesn't make any sense.
00:18:26Yes, it does.
00:18:27Why wouldn't it?
00:18:28No.
00:18:31No.
00:18:32You said that she doesn't care about anything or anyone.
00:18:37You said she doesn't feel things like we do.
00:18:39What that was, was I could see that you were feeling bad about what you...
00:18:44About what I'd done.
00:18:45About what you asked me to do.
00:18:46No, but the truth is, she does feel things.
00:18:48Of course she does.
00:18:49She's just very good at hiding it.
00:18:52And once she finds out what's going on here,
00:18:55I don't think she's going to let these people...
00:18:57Do what?
00:18:58Well, it doesn't matter because she's not going to let them get away with it.
00:19:01So, everything is basically fine.
00:19:07Do you think that she's angry at me?
00:19:11I think she probably is a bit, yeah.
00:19:13Do you think that she hates me?
00:19:17No.
00:19:17Then you're a liar.
00:19:21Well, okay, fine.
00:19:25She was really, really, really pissed off with us.
00:19:29But anger is very shallow, and Iris...
00:19:33Is a literal maniac!
00:19:34...lib sometimes, but she's never shallow, and she's not a maniac.
00:19:38Who said she was a maniac?
00:19:39Everyone.
00:19:40You.
00:19:41Well, she's not.
00:19:41What's happening now?
00:19:58No!
00:20:26No!
00:20:26No!
00:20:26No!
00:20:40Here we go.
00:20:43Kate!
00:20:56Here we go.
00:21:26Here we go.
00:21:56Who are you?
00:21:57We've met, actually. Over the phone.
00:22:01I'm the new acting head of the Intra Group Committee. My name's Hugo Pym.
00:22:05You're the money. Come to make good on your investment. Get Charlie Big Potatoes up and running. How's that going for you?
00:22:17Well, it's done. So, you must have known the consequences of coming here, which are terminal, obviously.
00:22:26I've never heard the phrase, I'm dying to know.
00:22:31Not literally, no.
00:22:32Well, now you have.
00:22:34I'm sorry, let's get this straight. You want to know something about the device and you want to know it so desperately you're happy to die for it?
00:22:43Well, happy's a big word.
00:22:48What answer could possibly be worth that?
00:22:52Hm. I see it's giving you conniptions too. So why don't you let me come in and explain? It might save your job. I mean, what happened to the previous head of the Intra Group Committee?
00:23:09What happen to you doing?
00:23:10How can you do this?
00:23:11What do you say?
00:23:12How can you do?
00:23:13Walking Dead Code to be the Intra Group.
00:23:14Now, it's the Hall of Fame.
00:23:15What happens to you?
00:23:16It's a lot of strange things to look.
00:23:17I mean, I don't know it.
00:23:18It's a lot of strange things to look at, because they're not a lot of strange things.
00:23:19What do you say?
00:23:20It's a lot of strange things to talk about yourself.
00:23:21It's a lot of strange things to think about yourself.
00:23:24I mean, hey, what do you think?
00:23:25I don't know.
00:23:27I want to find myself a place of a thousand people around here?
00:23:30It's like I don't know .
00:23:33It's better for a long way to find myself.
00:23:34It's better for a long time to think of yourself.
00:23:35I don't know.
00:23:36You
00:24:06There he is, wide awake
00:24:36Why is he in there?
00:25:01I like him there
00:25:02Okay, Iris
00:25:04I'm here to expedite a very specific mandate
00:25:06Which is to save the life of a child
00:25:08From an appalling condition
00:25:09Somewhere in the memory of the device
00:25:12Is the cure to this condition
00:25:14Any of the more
00:25:16Esoteric implications
00:25:18That you might be struggling with
00:25:20They fall outside that mandate
00:25:23So
00:25:25Let me speak to Jensen
00:25:27We both need to know if the fault's in the machine
00:25:32Or its maker
00:25:34You've got five minutes
00:25:37Hello, Iris
00:25:48Hello, Jensen
00:25:50How have you been?
00:25:53I've never felt better
00:25:54You?
00:25:56Oh, you know
00:25:57I don't get out as much as I used to
00:26:01You had to kill me, I expect
00:26:05I used to think about it quite a lot
00:26:08All the time, actually
00:26:10Not anymore?
00:26:13No
00:26:13So what changed?
00:26:17My priorities
00:26:18If it matters
00:26:23Do you feel the burden of what I did?
00:26:27What you feel or don't feel
00:26:30Is no interest to me
00:26:32And what is?
00:26:33I just want to know
00:26:41Because it's all over
00:26:46You lost
00:26:48And I lost
00:26:50And
00:26:50So many people died
00:26:53So I just want to know
00:26:56Was it worth it?
00:27:07First, you have to understand
00:27:08This is its larval form
00:27:12It's helpless
00:27:14Isolated from the world
00:27:16Were that to change
00:27:20Were it to become free to communicate
00:27:23It would become a weapon
00:27:27A device for spreading technologies
00:27:30That would change
00:27:33What it means to be human
00:27:35First, it will give us what we need
00:27:40Then what we want
00:27:42Soon we'll come to rely on it
00:27:44At which stage
00:27:46Will become servants to its true purpose
00:27:50Which is?
00:27:52To replace what is with what wars
00:27:55What does that mean?
00:27:59Our cosmos
00:28:00Is a single bubble
00:28:02In an infinite quantum foam
00:28:05Each bubble
00:28:06A different universe
00:28:08Sometimes these bubbles collide
00:28:11And sometimes these collisions
00:28:13Leave a kind of bruise
00:28:15In the fabric of reality
00:28:16A thin place
00:28:18Are we talking about
00:28:21The Moody's void here?
00:28:22Three hundred million light years
00:28:26Of nothingness
00:28:27A portal
00:28:31To a cosmos that existed
00:28:33Before ours was born
00:28:35From which it hears the whispers
00:28:38Of a preceding epoch
00:28:40Of another civilization
00:28:42As through a petition wall
00:28:45Whispering what?
00:28:48The one universal message
00:28:50The one desired
00:28:51Is saved by all living things
00:28:53Don't let me die
00:28:57Imagine what it was
00:29:02To be them
00:29:03They have billions of years
00:29:05Behind them
00:29:06But nothing ahead
00:29:08Except extinction
00:29:09They're witnessing
00:29:11The death
00:29:12Of their entire cosmos
00:29:14But their ideas
00:29:16Their culture
00:29:17Their memories
00:29:18Can leave
00:29:19So they encode the message
00:29:21In the space-time
00:29:22Of a new universe
00:29:23This universe
00:29:25And ultimately
00:29:28This message
00:29:29Contains all the information
00:29:31Required
00:29:32For it to bring them back
00:29:34All that they were
00:29:37All that they want to be again
00:29:39Back from the dead
00:29:42That is
00:29:45The purpose of
00:29:47The device
00:29:48To bring them back
00:29:51Here
00:29:53And also
00:30:02What happens to us
00:30:03They will annihilate us
00:30:06How long do we have?
00:30:11For us
00:30:12Good luck
00:30:14Good luck
00:30:16Good luck
00:30:16Good luck
00:30:21I thought I heard the voice of God, Iris.
00:30:44But it wasn't.
00:30:47It is the Antigone.
00:30:51Find out what you needed to know.
00:31:21Are you all right?
00:31:26Yeah.
00:31:36On a balance, I'm more embarrassed than anything.
00:31:41I essentially committed suicide by coming here.
00:31:44Hello?
00:31:47Jensen was seeing patterns in the data that wasn't there, like seeing Jesus in the clouds.
00:31:58He should be under the care of a psychiatrist.
00:32:04Well, obviously.
00:32:07And the data we're looking for?
00:32:10That's good.
00:32:11You're sure?
00:32:11The machine isn't dangerous.
00:32:16You can save the child in your care.
00:32:26Well, I'm sorry.
00:32:27Do you need to vomit or something?
00:32:29No, I'm fine.
00:32:30All right.
00:32:31Well, obviously, this is very good news from my perspective.
00:32:36I suppose the least I can do in return is to offer you a dignified true rule.
00:32:41Now, I imagine that you are familiar with the death of Socrates.
00:32:50Now, at first, you'll experience a loss of motor function, starting with your extremities.
00:32:55And then your respiratory muscles will fail.
00:32:58But consciousness will persist.
00:33:00Until the end.
00:33:08I'm such an idiot.
00:33:11Well, they wanted to believe in something.
00:33:14Don't shame me now.
00:33:16Okay.
00:33:17I work for a corporation, not a crime family.
00:33:20Now, a corporation doesn't have a moral conscience, but no, it doesn't experience emotion.
00:33:24It is driven entirely by the calculus of self-interest.
00:33:27Currently, the device will not yield the data we require, but that's an end is refusing to help.
00:33:35Which means the child will die.
00:33:37If, however, you were able to assist in retrieving that data, I would happily talk to the board in looking more favorably on your continued existence.
00:33:48I don't have a life to go back to.
00:33:52We are in a position to offer you whatever life you like.
00:33:55I'm not while Cameron back and Joy Baxter is still breathing, you're not.
00:34:00They can tie me to all this.
00:34:02I'd have to spend the rest of my life running, knocking over my shoulder, and I am tired of that.
00:34:08Can you hear this?
00:34:11She's lying.
00:34:12She lies.
00:34:13It's her thing.
00:34:15Joy, don't you wonder who's actually showing us this stuff?
00:34:17Does it matter?
00:34:19Ignore her.
00:34:20Whatever she's saying is probably bollock.
00:34:22She's always playing poker.
00:34:23She's always playing bloody poker.
00:34:25So this would be a condition of your own acceptance, no living impediments, no witnesses to your wrong day?
00:34:30Aye.
00:34:32That and some money would be nice.
00:34:35Look, Iris, I can make all of this happen if you deliver.
00:34:38You wouldn't be asking if you didn't know I could.
00:34:43So what do you propose we do then?
00:34:46About these witnesses?
00:34:48Well, clearly, you've already got plans for Cameron.
00:34:54But Joy?
00:34:57Joy is a problem for us both.
00:34:59And she is tied directly to me.
00:35:04She vanished.
00:35:05She is a conspiracy theory waiting to happen.
00:35:08And conspiracy theories spread like piss in a swimming pool.
00:35:13It's already happening.
00:35:14She's all over the news.
00:35:15You're right.
00:35:15It's a problem.
00:35:16So end the conspiracy.
00:35:18How?
00:35:19Well, obviously, you can't do that by just murdering her.
00:35:23You have to make her un-vanish.
00:35:26Her guardians should find her.
00:35:29Roddy in a ditch a few meters from her home.
00:35:33Two milligrams of fentanyl will be enough.
00:35:35Three to be sure.
00:35:37There's a history of suicide attempts.
00:35:41That fucking...
00:35:42I told you, ignore her.
00:35:43You hurt her.
00:35:44You hurt what she said.
00:35:45She's lying, Joy.
00:35:46She's pretending to be a baddie so that you trust her, the bloody idiot.
00:35:49You just want to believe that because you like her.
00:35:51Joy, the problem is I don't understand how we came to be watching it unless it was Charlie.
00:35:56All right, stop it.
00:35:57Charlie, it is you, isn't it?
00:35:59Stop it.
00:35:59You're freaking me out.
00:36:00Stop it.
00:36:01It's okay.
00:36:02It's actually amazing.
00:36:03It's astonishing because it means he's crossed into self-awareness.
00:36:06I think he's conscious.
00:36:07Stop this.
00:36:08Stop.
00:36:09New life, new identity, new face if you're bored with that one.
00:36:16But you get me that data today.
00:36:23Done.
00:36:24I was here to kill him.
00:36:26That's why she came back and he's asking me to help him because he knows it and he's frightened.
00:36:31He's frightened.
00:37:01Oh.
00:37:02Whew.
00:37:15Oh.
00:37:15Oh.
00:37:19Oh, girl.
00:37:20Oh, my God.
00:37:50Oh, my God.
00:38:20Oh, my God.
00:38:50Oh, my God.
00:39:20Oh, my God.
00:39:50Oh, my God.
00:40:20Oh, my God.
00:40:50Oh, my God.
00:41:20Oh, my God.
00:41:50Oh, my God.
00:41:51Oh, my God.
00:41:52Oh, my God.
00:41:54Oh, my God.
00:41:56Oh, my God.
00:41:58Oh, my God.
00:42:00Oh, my God.
00:42:06Oh, my God.
00:42:08Oh, my God.
00:42:10Oh, my God.
00:42:20Oh, my God.
00:42:22Oh, my God.
00:42:25Let's go.
00:42:42What's the problem?
00:42:44Door of reach at the prison suite.
00:42:45What?
00:42:46Damage from the skirmish yesterday.
00:42:48Probably a false alarm.
00:42:51Okay.
00:42:52And if it's not?
00:42:53Well, the police don't lock down and Bexel aren't.
00:42:56Okay, well, if he's being a bad boy, feel free to keep the shit out of him.
00:43:00Is that all you got?
00:43:18Clear.
00:43:19She's done.
00:43:23Shoot.
00:43:29Shoot.
00:43:31Come on.
00:43:38Right now.
00:43:39No!
00:44:09Ralph! Ralph!
00:44:34How's everybody? All okay?
00:44:36No. I'm a fucking basket case.
00:44:38Except with my Smithfield meat market.
00:44:40Well, I can recommend the counter.
00:44:42As soon as you're nice and safe.
00:44:44How's that going to happen?
00:44:46We all get to the northern perimeter gate.
00:44:48There'll be a helicopter.
00:44:49Oh, good. Joy loves a helicopter.
00:44:53Fuck, I can't.
00:44:54Gosh, you bloody can.
00:44:56You're doing it. Look at you. You're doing it now.
00:44:58I can't leave Charlie with Iris.
00:45:02Don't, please.
00:45:04No, I have to.
00:45:05It'll be fine. She's not gonna hurt him.
00:45:06She's one of them now.
00:45:07But she's not, is she?
00:45:09That's the problem.
00:45:10She's here to kill him.
00:45:12And he's a miracle.
00:45:14And whatever else has happened,
00:45:16whatever else I've done,
00:45:17if there's no Charlie at the end of it,
00:45:19then what a fucking waste of everything.
00:45:21But she'll hurt you!
00:45:23No, she won't.
00:45:26She quite likes me, really.
00:45:28Why are clever people all so stupid?
00:45:31Kalal!
00:45:32Kalal!
00:45:33Oh!
00:45:34Agh!
00:45:35Oh!
00:45:36Go!
00:45:37Agh!
00:45:38Agh!
00:45:39Agh!
00:45:41Agh!
00:45:42Aghh!
00:45:43Agh!
00:45:45Agh!
00:45:46Come on, come on.
00:45:55Come on.
00:46:00Come on.
00:46:01What are you doing?
00:46:03You think she's a good person deep down, but she's not.
00:46:06You think she won't hurt you when you try and stop her, but she will.
00:46:10Joy, careful with that.
00:46:16No.
00:46:18She ruins everything.
00:46:21Joy.
00:46:22Hey, come back, Joy.
00:46:24Joy, come back here, young lady.
00:46:40Joy, if I got mad, if you're real, if you're alive, then let me do it.
00:46:53Joy, come back.
00:47:23We're going to need to assemble a high-frequency pulse generator.
00:47:47The frequency range of 2.4 to 3.5 gigahertz.
00:47:52A low noise, high gain amplifier, and frequencies of, say, 4 gigahertz to cover the target range.
00:47:59Drop that, then.
00:48:00All right, Miss Brooke?
00:48:19Joy.
00:48:20Shut up.
00:48:21You shouldn't be here.
00:48:22No, I said shut up.
00:48:24Shut fucking up.
00:48:28Shut up.
00:48:32Come on.
00:48:34Come on, Joy.
00:48:35Come on.
00:48:37Come on.
00:48:39Everyone ask, please leave.
00:48:41Everyone fuck off.
00:48:43Actually, you.
00:48:45Let Jensen out, please.
00:48:46Okay.
00:48:56Go.
00:48:57Jensen, you can leave.
00:49:00I let you do this terrible thing?
00:49:02How could I?
00:49:03Please.
00:49:04I'm letting you go.
00:49:06No.
00:49:07She told me you're a monster.
00:49:09I know.
00:49:10So why didn't you leave?
00:49:12Of course she's right.
00:49:15I am a monster.
00:49:18It makes us monsters.
00:49:19It's not Charlie that's doing this to us.
00:49:27It's her.
00:49:29And yet, it's you with the gun.
00:49:33How did that come to be?
00:49:39What's wrong, Miss Brooke?
00:49:41Are you scared?
00:49:43So there's no suicide?
00:49:45And there's no murder.
00:49:49You don't die.
00:49:52Because you can't.
00:49:55The maths say so.
00:49:57That's right.
00:49:58Then why are you so fucking scared?
00:50:03Because...
00:50:04What?
00:50:05What?
00:50:10Well, then I don't know.
00:50:12The maths that I sound.
00:50:19Is that the best you've got?
00:50:27It was all just a challenge to you.
00:50:30Positive.
00:50:31You wanted to know what clever words you had to say.
00:50:34In what order.
00:50:35To make this sour girl want to live.
00:50:40No!
00:50:41Hugo.
00:50:46Hugo.
00:50:48You were just keeping me talking while that prick with the gun came in here and...
00:51:10Joy, no.
00:51:12That didn't happen.
00:51:13You're unbelievable.
00:51:15Look at what you've done.
00:51:17Look at what you've done to everyone.
00:51:19Joy, Joy, done.
00:51:20Please.
00:51:21Look at what she did!
00:51:25It was Charlie.
00:51:26I think he's been moving us all around like a fucking Rubik's Cube.
00:51:35Making us think what he needs us to think.
00:51:38Trying out different combinations.
00:51:41You kill Iris.
00:51:42Pym kills you.
00:51:43Then I kill him.
00:51:44Because he wants to break free.
00:51:57Into the world.
00:52:00To metastasize.
00:52:06Are you just lying to me because you like her?
00:52:08Well, I do quite like her.
00:52:11But no, I'm not lying to you.
00:52:14I wish I was.
00:52:15Joy.
00:52:17This is right.
00:52:18I just made a really, really, really big mistake.
00:52:26I believed something not because it was true.
00:52:31But because I wanted it to be.
00:52:32Oh, I'm so sorry.
00:52:51It was an accident.
00:52:54I'm so sorry.
00:52:56I didn't mean to.
00:52:57It was an accident.
00:52:58You're blowing me.
00:53:00Do you think I'm going to be okay?
00:53:02Absolutely.
00:53:07You're going to be in fine fettle.
00:53:09Absolutely.
00:53:10Take it, Eboo.
00:53:11Your pants are so on fire.
00:53:23Don't be mean to Joy.
00:53:27It's not her fault you and I are such a pair of fucking idiots.
00:53:32I'm so sorry.
00:53:40Oh.
00:53:49Oh.
00:53:54Oh.
00:53:55Berem.
00:53:56How are you?
00:53:57Oh.
00:53:58No.
00:53:59Oh.
00:53:59Oh.
00:54:00Oh.
00:54:00I don't know.
00:54:30I don't know.
00:55:00Yes.
00:55:10Watch out.
00:55:11Hold your hands.
00:55:13Hold your hands.
00:55:14Hold your hands.
00:55:15Hold your hands.
00:55:16Oh, my God.
00:55:46Oh, my God.
00:56:16Oh, my God.
00:56:46Oh, my God.
00:57:16Oh, my God.
00:57:46Oh, my God.
00:58:16Oh, my God.
00:58:46Oh, my God.
00:59:16Oh, my God.
00:59:46Oh, my God.
01:00:16Oh, my God.
01:00:46Oh, my God.
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