- 11 hours ago
Category
š„
Short filmTranscript
00:00Transcribed by ESO, translated by ā
01:59We're right back.
04:29We're right back.
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05:31We're right back.
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06:47Welcome to the show, Kailash.
06:51Kailash, you all know what you're looking for.
06:55But here, you're looking for something else.
06:59You're looking for a live show.
07:03So, you're going to tell me what you're looking for.
07:07I'm going to tell you.
07:09Kailash, there's a fraud case on you.
07:13How do you tell me about that?
07:15I don't know who you're looking for.
07:19Definitely not the media.
07:21You're looking for a criminal.
07:23You're looking for my name.
07:25You're looking for the publicity.
07:27You're looking for the industry.
07:29So, you're looking for what you're looking for?
07:33Doesn't make sense.
07:35In a middle class family,
07:37there's no support for anyone.
07:39There's no support for me.
07:41I'm looking for a criminal.
07:43I'm looking for a criminal.
07:45I'm looking for the public.
07:47I'm looking for the people.
07:49Who's looking for the fans?
07:51Sir, you're looking for the fans.
07:53Oh, fans, sir.
07:55No, I'm looking for a criminal.
07:57I don't know the fans.
07:58What make me do that,
08:00if I'm looking for a police,
08:01I'm looking for a criminal.
08:02You're looking for a criminal case now.
08:03This is a criminal case.
08:05When I'm looking at him,
08:06the devil is coming to my partner.
08:08Hmm?
08:17What's that?
08:24No, no.
08:25I'm not going to be the one.
08:26You're the one who tells you hero.
08:27You're the one who loves you.
08:36Naina, watch this.
08:38You're the one who talks about fans.
08:40Tell me about everything.
08:42We encourage audience participation.
08:49Tell me.
08:52No, no.
08:53You're the one who loves you.
08:55You're the one who gives the best actor award.
08:59Tell me.
09:00If you're the one who wins,
09:02you're the one who wins.
09:08You're the one who wins.
09:10You're the one who wins.
09:14Naina,
09:15I'm the one who ends up going up.
09:16Nagesh, Kamalahasan, Raghuvaran, Prakash Raj, Nasar.
09:23These are the people who are here.
09:25And you...
09:27Nena, they are going to talk to you there.
09:29Sir, you are not in the seat.
09:31They are going to talk to you there.
09:33You are going to think about it.
09:36You are going to talk to me like this.
09:39Nena, who is this?
09:40Are you waiting?
09:41Kailash...
09:43Go, please.
09:45Nena, request Kailash to sit down, please.
09:47Where are you going to talk to me?
09:48Hey, turn off the camera.
09:50Cut.
09:51Cut.
09:52It's over here.
09:53It's over here.
09:54Hmm.
09:55Who is going to cut?
09:57You are not going anywhere.
09:59I am going to cut.
10:01Hmm?
10:02Sir, can you tell me something?
10:03Yo, go ahead.
10:04Kailash, let me handle this, please.
10:05Sir, I request you, please, go to your seat.
10:08Kailash!
10:15Kailash!
10:17Kailash!
10:19Kailash!
10:20Kailash!
10:21Alkandra weights!
10:21Okay, ourå
10:23Kailash!
10:24č» understands
10:25Kailash!
10:26Kailash.
10:28Kailash!
10:41Silence!
10:45Silence!
10:49Silence!
10:53Silence!
10:55Silence!
10:57Silence!
11:01Thank you!
11:03You did a little corporate.
11:05I have to kill this cinema.
11:07You were killed by the cinema.
11:09You were killed by the violent.
11:11If I do anything,
11:13I'll do it.
11:15You're not allowed to get into the door.
11:17You're locked.
11:19You're not allowed to get into the door.
11:21Let's go to the seat.
11:23Let's go!
11:25Good.
11:27Come on.
11:29Sit!
11:31Sit!
11:33Sit, sit!
11:35Harry, the camera is set up.
11:41If you cut the live telecast,
11:43I'll come back with you.
11:47This is the same, Harry.
11:49You're not the best friend.
11:52Okay.
11:54Good. Thank you.
12:01Sir...
12:03Hmm?
12:05One doctor.
12:07He's got a bleeding.
12:09See, I'm going to get a knife.
12:11I'm going to get a knife.
12:13I'm going to get a knife.
12:15I'm going to get a knife.
12:23Don't hurt me.
12:25You're going to kill me.
12:27Take it.
12:29Cut it.
12:33But...
12:35I'm going to kill you.
12:37I'm going to kill you.
12:39I'm going to kill you.
12:41I'm going to kill you.
12:43I'm going to kill you.
12:45Police, military, government...
12:47I'm going to kill you.
12:49I'm going to kill you.
12:51One hour.
12:53The time starts now.
12:55I'm going to kill you.
12:57I'm going to kill you.
12:58I'm sorry.
12:59I'm going to kill you.
13:00I'm going to kill you.
13:01I'm going to kill you.
13:02Wait for you.
13:03Wait for me.
13:04Wait for me, please.
13:05Wait for me.
13:06Wait for me, sir.
13:07Good evening, sir.
13:08Kabir.
13:09Kabir.
13:10There's a situation.
13:11There's a deal.
13:12He's going to negotiate.
13:13He's going to negotiate.
13:14Work out.
13:15I need your permission to go in by force, sir.
13:18What do you do, Kabir?
13:19Just ensure there are no casualties on live TV.
13:22Okay, sir.
13:49How are you doing?
13:50How are you doing?
13:51He's standing in front of me.
13:53Who is going to be here?
13:56No.
13:57No.
13:58No.
13:59No.
14:00No.
14:01No.
14:03No.
14:04No.
14:05No.
14:06No.
14:07No.
14:08No.
14:09No.
14:10No.
14:11No.
14:12No.
14:13No.
14:14No.
14:15No.
14:16No.
14:17No.
14:18No.
14:19No.
14:20No.
14:21He's hiding behind him.
14:22Without evil.
14:23He was hiding behind us.
14:24How did he have lost a blind eye?
14:25That guy...
14:26He's using the TV station again.
14:27No, he's strange.
14:28No.
14:29No.
14:30He's dead.
14:31Or he arrived.
14:32Girls depart.
14:34Who call him?
14:35Who calls him?
14:37Who calls him.
14:40Who calls him?
14:41Who calls him?
14:43We call him?
14:46All day, there is no time.
14:48I'm going to tell you the time.
15:18So police, what are you going to do?
15:25Sir.
15:28How did he get the gun inside?
15:29I don't know, sir.
15:30That's why I told him.
15:31We have to evoke the rest of the building.
15:37It's okay, sir.
15:38If you're telling me,
15:39we're going to kill you.
15:41Please.
15:43Please, sir.
15:45I've seen this video.
15:47Layout and blueprint.
15:48But you know I'm going to go.
15:50Sir.
15:53No matter what I'm saying...
15:54I'm going to leave.
16:00Jameen!
16:01If you wouldn't tell him,
16:03he'd take care of him.
16:04He's gonna smoke.
16:05He's doing good support.
16:06He's gonna be helping him.
16:08He's going home.
16:10He'd be attacked by a man.
16:11Whatever he's going to do,
16:12he's going to die.
16:15I told him that he was a big one.
16:28Tell me, sir. Who are you? What are you doing? What are you doing?
16:35My name is Alagar. I'll talk a little bit.
16:40That's him.
16:45A man named Araghar has hijacked the broadcast of the show.
16:49Hijacked the studio.
16:51Then, he's going to go to Kailash.
16:53He's going to go to Kailash.
16:58Sir, can you tell Harry a call?
17:01Hello.
17:02Mr. Hari?
17:03Yes, sir.
17:04Mr. D.C.P. Kabir.
17:05We'll get you out soon.
17:06Sorry, sir.
17:07Are you guys okay?
17:08Sir, I'm okay.
17:09But Kailash has a slight bleeding.
17:11I think he'll be fine.
17:12Thank you, Mr. Hari.
17:13Mr. Hari.
17:14We'll get you out soon.
17:19Naina,
17:20If you hand on the Killers,
17:22Are you detailed from their creatives?
17:26High of a hunter,
17:27Aryan,
17:28bleeding heart..
17:30Are you a writer?
17:35I'm a failed writer.
17:39I'm not a publisher.
17:43I'm a publisher.
17:45I've got a book for 10 years.
17:49I've got a research and travel.
17:52I've got a judge for 10 years.
17:55Do you have a publisher?
17:59Go, sir.
18:01Are you a publisher?
18:03Your target?
18:06The floor and the ceiling.
18:08The two are concrete.
18:11The windows are closed and the door is closed.
18:15The door is closed.
18:17So we can't use any explosives.
18:20Are you a mobile phone?
18:22Sir, I'm going to switch off.
18:25Tell me.
18:27I'm going to try to reach you.
18:30Police.
18:31Police.
18:32Police.
18:33You have to go to the door.
18:34If we are coming to a hospital,
18:35I'm going to try to get you.
18:36I'm going to shoot the audience.
18:38How are you going to try to get you?
18:39Sir, what are you doing?
18:40Sir, what do you want to do?
18:56Hello, Adagar.
18:58I'm going to talk to DCP.
19:00I'm going to talk to you.
19:02Hello, Adagar.
19:04I'm going to tell you what you need.
19:10You can't speak to your demands.
19:12I'm not going to tell you.
19:14You can't speak to your demands,
19:16but you can't speak to them.
19:18Sir, I'm not speaking to you.
19:20What's the name of your demands?
19:22You can't speak to them, Adagar.
19:24I don't know.
19:26What do you mean to them?
19:28Is it a publicist?
19:30How do you speak to them?
19:32How are you speaking to them?
19:34Please.
19:36Now,
19:38Do you think you're doing anything right now?
19:42There are all kinds of things in my life.
19:46I've learned how to celebrate the world and celebrate the world.
19:55That's not true.
19:57That's why I've been able to do this world.
20:02You all are one of the characters.
20:06I've been able to create my master piece.
20:09It's a perfect crime story.
20:12Tell me about the plot.
20:15Now, I've been waiting for you.
20:19I've been waiting for you.
20:21I've been waiting for you.
20:23What is it?
20:24The beginning of what?
20:26I've been waiting for you.
20:28I've been waiting for you.
20:30I've been waiting for you.
20:33I've been waiting for you to do this one.
20:36Five-fourth.
20:38Five-fourth.
20:40Five-fourth.
20:42You've been waiting for a long time.
20:44You've been waiting for a long time.
20:46I'm waiting for you.
20:48You will try to kill the cops.
20:57But they will die.
21:03No, no, the police are coming out.
21:05You have to get the news.
21:11This is your perfect crime story, sir.
21:15I'm sorry, but it's such a cliche.
21:26In this plot, I can't read you all three serial killing novels.
21:32You're not original, sir.
21:34You're not original.
21:35In fact, you're not original.
21:45You're not original.
21:46You're not original.
21:47You're not original.
21:48You're not original.
21:49You're not original.
21:50I don't know what you're doing.
21:51You're not original.
21:52You're not original.
21:53You're not original.
21:54I don't know.
22:10Get ready, boys.
22:11Boys, Dora is going to go to the ground.
22:14Team 1, go for the suspect.
22:19Team 2, they will come to the ground with all the civilians.
22:24And Team 3, they will come to the ground and check the background.
22:31They will come to the ground.
22:33They will come to the ground.
22:35Yes, sir!
22:36Sir, you will come to the audience list.
22:52One idea, sir.
22:54You will come to the ground and surrender.
22:57Maximum, you will be in jail.
23:00You will be in a female sight.
23:03You will be in jail.
23:06The famous English writer, Geoffrey Archer Madhuri,
23:10is a good guy.
23:12Tom Olivier, you will be in jail tonight.
23:22I have published debt, Peter will come to TIME.
23:28Let me discuss the comments on the broadcast.
23:30One name is Argar.
23:38He's a name of Argar.
23:41His name is Argar.
23:45Sir, Argar is Argar.
23:51Aram sir.
23:53They're not going to be able to get me.
23:55You are Argar.
23:56I'm going to be a mank F.
24:00You're a mank F.
24:06I've been a mank F.
24:08You've been a mank F.
24:11I've been a mank F.
24:12But, you're an Argar.
24:16Just mine.
24:18Just, wait, wait.
24:19I'm not going to leave.
24:22I've been a mank F.
24:23I'm 5B.
24:24If I'm going to come and say,
24:26now, that you've got to die first?
24:28I'm going to go and leave.
24:30If I'm going to go and do this,
24:31how can I do this?
24:33Is that a cliche?
24:35Hmm?
24:43I said to myself,
24:45I'm a prime witness.
24:47You're a real person.
24:48You're a very good question.
24:50I'm telling you,
24:52you're a good person.
24:54You're a hero.
24:56You're a bad guy.
24:57You're a villain.
24:59You're a hero.
25:01You're a hero.
25:03You're a hero.
25:05You're a hero.
25:07You're a hero.
25:09You're a hero.
25:11You're a hero.
25:27Ladies and gentlemen,
25:29now with the army,
25:31my perfect crime story.
25:33Murder Number One.
25:35I'm sorry,
25:37you're not.
25:59Thank you very much.
26:29What's wrong with me, sir?
26:31I can't handle the case.
26:33For the election protection duty,
26:35the C.M. office is a direct request.
26:38So, this case is a variety of things.
26:42But it can't be regular.
26:44If you handle the case,
26:47someone who is really good and efficient.
26:57Bobby,
26:58how about that boy of yours?
27:00He's doing the same thing.
27:02Oh.
27:07Very good choice.
27:09He's smart, efficient and a worker colleague, sir.
27:19Okay.
27:21Now, where are you?
27:28I've got a feeling.
27:29I'm gonna be watching you.
27:30I'm gonna be watching you.
27:31Come here and see you again.
27:32I'm just going through that.
27:33The C.M. office for this,
27:34we are just doing the decisions, man.
27:35Come here, man.
27:37I'm gonna try next to us.
27:38Let's go.
27:39Amal, you told me that you're going to tell me that you're going to be a judge or a right.
27:51Okay, I'll wait for you.
28:09I don't want to be happy with you.
28:12How did you explain to yourself what you did?
28:18You're talking to yourself.
28:24You're talking to yourself.
28:26Stop it!
28:27Stop it!
28:29Come in!
28:31Come in!
28:33Come in.
28:34I'm going to meet you.
28:36Not you!
28:41Madame, you didn't say anything in me and a couple of times.
28:45Since I'm 20 years old, I'm 14 years old.
28:50I strongly think we should legally part ways.
28:55Nambi.
28:57Nambi!
28:59If you have a marriage like this, do you also want a divorce?
29:05Madam, I'm a police officer.
29:07Work-life balance is not easy.
29:09I'm trying to figure out what I'm doing.
29:13I'm transparent.
29:15I'm fine with this marriage.
29:18What marriage, Lumbi?
29:20If you're in a house,
29:22you don't meet a marriage on weekends.
29:24That's friendship.
29:25Guys, listen.
29:26I'm not a therapist.
29:28It's not a marriage counseling session.
29:30It's not a marriage counseling session.
29:32I need a final consent from both of you.
29:36Are you both ready for divorce?
29:38Yes.
29:39No.
29:40Your Honor,
29:42my client, Anita Shankar,
29:44is very happy with my mother.
29:46But Mr. Numbi,
29:47I don't have any interest in that situation.
29:49Ma'am, this is totally unfair.
29:50We need some time to respond.
29:52Okay.
29:53You have three or four times.
29:55You have two.
29:56You have to file in section 13B.
29:58Okay?
29:59Yes, ma'am.
30:05I'm an advocate.
30:06Idiot.
30:07Sorry, Numbi.
30:08You have to file in section 13B.
30:09You have to file in section 13B.
30:10You have to file in section 13B.
30:11You have to file in section 15B.
30:12You have to file in section 15B.
30:13But this was below the belt.
30:14Hey,
30:15I'm not saying that
30:16but the lawyer just gave me a feeling.
30:18Do you have to file in section 15B?
30:19You're not going to tell me.
30:21Tell me.
30:23No need to control everything.
30:26Especially love.
30:31I don't care about you.
30:34I care a lot about you.
30:36But I'm not in love with you.
30:38That's why I know you're good.
30:40But I know you're good.
30:42I don't understand why you accept it.
30:49Sorry, got to go.
30:52Sir, I'm looking at the case file.
30:54I'm on my way.
31:24See you soon!
31:54Are you going to go out with me for a coffee?
32:23Yeah.
33:23Yeah.
33:24Yeah.
33:25Yeah.
33:26Yeah.
33:27Yeah.
33:28Yeah.
33:29Yeah.
33:30Yeah.
33:31Yeah.
33:32Yeah.
33:33Yeah.
33:34Yeah.
33:35Yeah.
33:36Yeah.
33:37Yeah.
33:38Yeah.
33:39Yeah.
33:40Yeah.
33:41Yeah.
33:42Yeah.
33:43Yeah.
33:44Yeah.
33:45Yeah.
33:46Yeah.
33:47Yeah.
33:48Yeah.
33:49Yeah.
33:50Yeah.
33:51Yeah.
33:52Yeah.
33:53Yeah.
33:54Yeah.
33:55Yeah.
33:56Yeah.
33:57Yeah.
33:58Yeah.
33:59Yeah.
34:00Yeah.
34:01Yeah.
34:02Yeah.
34:03Yeah.
34:04Yeah.
34:05Yeah.
34:06Yeah.
34:07Yeah.
34:08Yeah.
34:09Yeah.
34:10Yeah.
34:11Yeah.
34:12Yeah.
34:13Yeah.
34:14Yeah.
34:15Yeah.
34:16Yeah.
34:17Yeah.
34:47Jai, what's this?
34:54What are the preparations?
34:56Local Dargafa store, sir.
34:57Oh, okay.
34:59I'm on media investigation start to each school.
35:06Guys, guys, later, later.
35:17Let's go.
35:37The front door is locked.
35:38Yes, sir.
35:39The front door is locked.
35:49Hello, sir.
35:52Hi.
35:53Nice to meet you.
35:54Sir, I have given my statement.
35:57I don't know.
35:59I'll tell you about the details.
36:02Where are you from?
36:07Sir, the house is locked.
36:08If the house is locked,
36:09the house is locked.
36:11Family?
36:13Relatives?
36:14I've been here, sir.
36:15His wife's name is Alice.
36:17I'll tell you.
36:18I'll tell you.
36:19Do you have a convert?
36:20No, sir.
36:21His wife is Alice.
36:24His wife is Salom.
36:29There's a wife in the 18th, sir.
36:31His wife's name is Surya.
36:33His wife's wife is still alive, sir.
36:35He's still alive, sir.
36:36He's still alive, sir.
36:37He's still alive, sir.
36:38He's still alive, sir.
36:39He's still alive, sir.
36:40Sir, this guy is In-Robert.
36:41He's still alive.
36:42He's still alive.
36:43He's still alive.
36:44Okay.
36:45I'll tell you about a local government.
36:47And I'll tell you.
36:48Sir.
36:49Sir.
36:50Sir.
36:51Sir.
36:52Sir.
36:53Sir.
36:54Sir.
36:55Sir.
36:56Sir.
36:57Sir.
36:58Sir.
36:59Sir.
37:00Sir.
37:01Sir.
37:02Sir.
37:03Sir.
37:04Sir.
37:05Sir.
37:06Sir.
37:07Sir.
37:08Sir.
37:09Sir.
37:10Sir.
37:11What do you think about it?
37:36I'm a lunatic.
37:38He is a loser in life.
37:40He has a reaction to his life.
37:43He can also say,
37:45But...
37:47But what else?
37:49If there are any shows,
37:51he will do it in this show.
37:53We will do it in another channel.
37:58Hi, TRP.
38:00Maximum viewership? Primetime?
38:02No matter what.
38:04You are a beautiful anchor.
38:05Celebrities and film stars.
38:07But that is very important.
38:12There is no reason to choose this show.
38:34Studio floor security system is hacked.
38:37There is a studio floor of control.
38:39Minimum 200 hostages.
38:41That is very important.
38:42Your show is in the same time.
38:43If you have one day,
38:45that is not enough.
38:48But Sir,
38:49there is no reason for attention.
38:51I don't think he will do this stage.
38:53But in the end,
38:55that is a TV show.
38:56There is a lot of details.
38:57There is a lot of details.
38:58Then,
38:59we will use the gun.
39:07That is not easy to arrange it.
39:08No.
39:09No, Sir.
39:10No.
39:11No.
39:12No.
39:13No.
39:14No.
39:15No.
39:16No.
39:17No.
39:18No.
39:19No.
39:20No.
39:21No.
39:22No.
39:23No.
39:24No.
39:25No.
39:26No.
39:27No.
39:28No.
39:29No.
39:30No.
39:37No.
39:38No.
39:43No.
39:44Correct.
39:46If you get the amount of money,
39:48you'll be happy.
39:53So, if we can do something,
39:55something is still not adding up.
40:10How is it even possible?
40:12It makes no sense.
40:14Nambi, take a proper look.
40:16If you invest in a threat,
40:18you'll be able to invest.
40:20Keep it low-profile.
40:21Media attention is still there.
40:23Election time is over.
40:25So, handle it sensitively.
40:27Close it immediately.
40:29And your report to Bobby?
40:30Sir.
40:37What is it?
40:41Sir, it's an old diary.
40:43Mr. Nambi, he meant every word he said.
40:56Do you think Kalagar will kill again?
40:57I'm not sure.
40:58Do you?
40:59Do you think Kalagar will kill again?
41:00I'm not sure.
41:01Do you?
41:02I'm not sure.
41:03Do you?
41:04I'm not sure.
41:06I'm not sure.
41:07I'm not sure.
41:08I'm not sure.
41:09I'm not sure.
41:10I'm not sure
41:13Do you?
41:40Good evening.
41:45Are you kidding me?
41:48I'm not sure.
41:50I'm not sure.
41:52I'm not sure.
41:55I'm not sure.
41:57I'm not sure.
41:59I'm not sure.
42:01I'm not sure.
42:03I'm not sure.
42:10I'm not sure.
42:12I'm not sure.
42:14I'm not sure.
42:15Ladies and gentlemen,
42:29of my story.
42:32Murder Number 2.
42:33Ashok.
42:37Hey, Ashok, where are you?
42:39Ashok. Ashok. Ashok.
42:59He was supposed to be the guest at the talk show that R&M came to us.
43:06We're going to be here to do an alert for you.
43:09How does it look like that?
43:15Yo, DGP, I'm like, I'm going to be watching everyone.
43:21You?
43:22Huh?
43:23You don't know what you're talking about at the next light?
43:25At the TV show, there are no guests.
43:28If I'm looking at that, I'm going to see what I'm looking for.
43:32Just a miss.
43:34I'm looking for this.
43:38I'm not looking for this.
43:40So, I'm looking for this.
43:42Sir, how are you going to go?
43:44I'm going to ask Abhimanyu,
43:47I'm going to ask you,
43:48I don't know how to do this.
43:50I'm going to kill him.
43:52I'm going to kill him.
43:55I'm going to kill him.
43:57I'm going to kill him.
43:58Are you going to kill him?
44:00That's a problem.
44:01I'm going to kill him.
44:06That's it.
44:07You too.
44:08I'm going to kill him.
44:10How do you see a video?
44:12Pre-recorded?
44:14Yes, sir.
44:15Pre-recorded message.
44:16But sir,
44:17all the threats are coming.
44:19Who is the show?
44:21Sir,
44:22all the target of the minister,
44:24Ashok Selvar,
44:25I'm going to kill him.
44:27The target minister,
44:28when he's sitting in the TV studio,
44:30he's going to abort.
44:30He's going to kill him.
44:32If our target is Ashok,
44:34we won't know.
44:36The name of the city is Ashok,
44:38he's been able to have a filter.
44:39We can identify the LED screen feed,
44:41how he hacked.
44:44Maybe,
44:45maybe,
44:46somebody's help.
44:47So,
44:48Let's go.
45:18I don't know.
45:48I don't know.
46:18I don't know.
46:48I'm ACP trainee Shrestha and this is explosives expert SI Ali Akbar, sir.
46:52Sir.
46:52You're the caterer team, Nangadha, sir.
46:54Okay.
46:55We can do a spot and we can't do a spot.
46:57Let's keep it low profile.
46:58Let's go.
46:59Let's go.
47:00Let's go.
47:00Let's go.
47:01Let's go.
47:02Let's go.
47:03Let's go.
47:03Let's go.
47:04Let's go.
47:05Let's go.
47:05Let's go.
47:06Let's go.
47:07Let's go.
47:07Let's go.
47:08Let's go.
47:09Let's go.
47:10Let's go.
47:11Let's go.
47:12Let's go.
47:13Let's go.
47:14Let's go.
47:15Let's go.
47:16Let's go.
47:17Let's go.
47:18Let's go.
47:19Let's go.
47:20Let's go.
47:21Let's go.
47:25Let's go.
47:26Let's go.
47:27Let's go.
47:28Let's go.
47:29Let's go.
47:30Let's go.
47:31Let's go.
47:32Let's go.
47:34Perfect.
47:35What is the explosive?
47:36RDX or SEMTAX.
47:38It's a RRAST mechanism.
47:39It's a self-activity mechanism, sir.
47:41Nice, sir.
47:43Who is in the talk web?
47:45Yes, sir.
47:46This explosive, origin, source, contacts, local suppliers,
47:50we will be in custody.
47:52Sir.
47:53Jay, we have some details.
47:55Okay, sir.
47:56Who is using a mobile phone?
47:58Who is using a coin booth?
48:00Who is using a coin booth?
48:02Who is using a coin booth?
48:04Who is using a coin booth?
48:06Who is using a coin booth?
48:08Who is using a coin booth?
48:10I'm not going to say anything.
48:11We are at the same time.
48:12We are not able to tell you the series.
48:13We are going to have many a coin booths.
48:15Why?
48:16We are going to have a coin booth in the name of the Yagadish.
48:19That's why we are able to do that.
48:21How can we begin to do this?
48:22We can see a few things.
48:24We are going to be looking for this country.
48:27We are going to be leaving our country.
48:28We are going to be getting known for this country.
48:31We are going to be leaving our country.
48:40I don't know what I'm doing.
49:10Ashokar's room, sir.
49:24Sir, Ashokar's room is not here, sir.
49:28Sreshta. Sir.
49:29Neighbors say Ashokar's room.
49:31Handle it sensitively.
49:32Yes, sir.
49:40Hi!
49:58Hi!
52:43Tell me.
52:44I don't know if you saw the show recording.
52:46You're talking about books.
52:48Right?
52:49Yeah.
52:51Iofa Hunter, Crimson Sky, Bleeding Heart and Aryan.
52:57Aryan?
53:00I've read all the books.
53:01Except...
53:02Aryan?
53:03Yeah.
53:04Yeah.
53:05How do you know?
53:06I'm going to search for a few books.
53:07There's only one book.
53:09But...
53:10This book is not published yet.
53:12Okay.
53:13Sir...
53:14The two years ago, they were called the novel.
53:18I told my master piece, I'm going to teach him.
53:22Did you teach him?
53:23No, sir.
53:24I told him to teach him.
53:28He told him the book name of the master piece, Aryan.
53:33I don't know, sir.
53:35No, sir.
53:37You've been teaching your father's life?
53:40No, sir.
53:44Who's the books, cinema, and royalty cast?
53:48I don't know, sir.
53:49There's an advocate here.
53:53Who's the advocate?
53:54Tell me, sir.
53:56The time comes, the advocate will tell us.
54:03Who's the advocate?
54:04Yes, sir.
54:08One of the serial killers,
54:10they're doing a psychological gratification.
54:14This is a unique case.
54:16Our killer will die.
54:18We'll break all the concepts of psychology.
54:22I don't know, sir.
54:24I'm going to see you in the night.
54:26I'm going to see you here.
54:29I'm going to see you in the night.
54:31I'm going to see you in the night.
54:34But, your attorney will be here.
54:36Anyway, you know it's a villain.
54:38What you say is the villain, sir?
54:39You're trying to have a villain in the night.
54:40I'm going to see you at the night.
54:42I'm going to tell you about it.
54:43Ladies and gentlemen.
54:44Murder number one.
54:46Alagar.
54:50Alagar is one victim.
54:56If you are the mother, you are quite tight.
55:07Sir, Alagar is a show.
55:09You both have a psychological profile.
55:11You both have a victim.
55:13There are similarities, Sir.
55:15They both are in their fifties.
55:16The two wives are not a woman.
55:18I am a woman.
55:19If you don't have a woman, you are the one.
55:20They are a woman.
55:21It's a very lonely.
55:23Sir, you are talking about the truth as I am.
55:26We are talking about the truth and the truth is that we are calling the truth to the truth.
55:30If you don't know about the truth,
55:32you will be talking about the truth with your father?
55:45In the pattern, sir, I'm going to choose the target.
55:48So,
55:49I'm going to be a victim, a lonely old man.
55:57We will end this soon, sir. Don't worry.
56:04Sir, I'm going to go.
56:06Sir.
56:07I'm going to go.
56:08Sir, Ashoka is going to leave.
56:10You can wait for the next time.
56:11We won't be able to wait until you get there.
56:12Sir.
56:13I'm going to go.
56:14Sir.
56:15I'm going to go.
56:16Sir.
56:17Vanna,
56:18ignore you.
56:19I'm going to be a little bit.
56:20I'm going to go.
56:21I'm going to go.
56:22Sir.
56:23If you want to ask him,
56:24I'm going to go.
56:25Sir.
56:26If you want to ask him to ask him,
56:28you can ask him to ask him.
56:29Ashoka,
56:30we are going to go.
56:31Sir.
56:32Sir.
56:57What?
56:58Channel?
56:59Channels?
56:59That's right.
57:00This is a serial telecaster hack.
57:09Falling is a money line.
57:11Gender equality.
57:15Murder no.3
57:18Razia.
57:29Why are you doing that?
57:31Now that the target of this lonely old man,
57:33that's why I'm telling you.
57:35What are you doing?
57:37Why are you investigating?
57:39This is all right.
57:40If you think about this,
57:42you're going to panic in the first state.
57:44What are you doing?
57:46Get out and stop this madman.
57:48That's all.
57:49Sorry.
57:59Guys, listen carefully.
58:09This is what we have done with our predictions.
58:12This is where we track the Razia.
58:20The Razia is a Muslim.
58:21The Muslim area is a public broadcast.
58:23Track down as many Razias as possible.
58:25There are so many police units in the city.
58:27I'll focus on this.
58:28Go, go, go, go.
58:58Jesus, I'll see you later.
59:00My dear wife.
59:01Transcription by CastingWords
59:31CastingWords
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