- 13 hours ago
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00:00I live here.
00:00There's been a report of a domestic disturbance at this address.
00:03We've nothing to hide.
00:04So she gave Amy the happily ever after and put Stevie on the mainland ferry?
00:07It was an impossible call.
00:09Morag, did the Shannon sisters know that you were involved in their case?
00:12Did you set us up?
00:13I thought the stuff was on that boat.
00:15So that means they still need to land the gear, right?
00:17If it's not on the boat, then they're going to know someone talk.
00:19Jesus Christ!
00:21What did I tell you, sir?
00:26There is a couple of missing paper statements.
00:28I will try and find them.
00:29This is a police officer we're talking about.
00:32Don't be the word of this to Billy.
00:34That's how you lot operate, isn't it?
00:36Something like this happens and you go looking for a scapegoat.
00:39The one I saw in the dead woman's garden, it was her.
00:41Seems there were some disturbing reports
00:43that came from the children's homes where Stevie was placed.
00:46I don't trust her, Amy.
00:48We're a family after all.
00:50You, your mum, me.
00:53I'm going to win this time.
01:08No, you're not.
01:09Yes, I am.
01:11Snap!
01:12I win.
01:17Stephen!
01:32Mum! Mum! Mum!
01:34What have you got, Mum?
01:49Hello.
01:52I'm Edie Tulloch.
01:53I'm a social worker.
01:54I need to have a wee word with your mum.
01:57Is she here?
01:58No, no, no...
02:18If you keep an eye game?
02:52Will says he's working for you. Last thing he needs is to get dragged into any more ship.
03:08Hooray! And here he is.
03:11You're up early.
03:13I've got a wee favour to ask you.
03:15Stuart, will you give us a minute please?
03:21Cheers.
03:28I don't think your mum likes me very much.
03:30Don't!
03:32Stuart's my best pal and I've known him since I was seven.
03:36Don't.
03:41What do you want?
03:42Well, we arrested a couple of couriers who were bringing drugs in for the Callaghan's. Long story short, they've got a man here in Shetland who they're working with.
03:53And?
03:54And I want you to get me the name.
03:57How am I supposed to do that?
03:59You work at the harbour. You see things.
04:02Then you know exactly who can get me that name.
04:07What if I don't want it?
04:09We'll just have to call you a parole officer, won't we?
04:12In fact, should we do that now?
04:16Do it.
04:18Do it!
04:20Would you rather go back inside and be your lackey for the rest of my life?
04:24But you listen here.
04:25I have been working on this case for more than six months and I am this close to getting a result.
04:31You get me that name.
04:33I'll drop me a charge.
04:35How about that?
04:37Hmm?
04:43Call me.
04:44When you've got something.
04:47Give him plenty of water and tell your mum no more bloody cake.
04:54Call you later.
04:56Everything okay?
04:58Aidan was sick last night.
05:01Luke can't seem to calm him down.
05:03Well, I guess it's good that Luke's mum's there.
05:07She can look after him.
05:10So...
05:12I was thinking, since it's just us, we should do something.
05:17You know, maybe we could go to the beach or...
05:20I could go and get stuff for a picnic.
05:22Don't you think it would be better going to the police station?
05:25Why?
05:26To tell them about you being at Edie Tulloch's house.
05:29Stevie, this is why I stayed.
05:31You asked me to help you.
05:33Aye, but I didn't think that we'd just stroll in and confess.
05:36Well, it's better that you come forward with the truth than then find out your lies.
05:41Look, I'll come with you.
05:43Okay?
05:44We'll explain that you made a mistake and we'll just get it all sorted out.
05:47Amy, it doesn't work like that.
05:49What?
05:50Look, I'm...
05:51There's cowpaw in the bag.
05:52I'm going to go to the shops.
05:53What?
05:54Stevie!
05:55Good morning, Stevie.
05:56I'm afraid we're going to need you to come back down to the station.
05:57Sorry, I don't have time.
05:58Well, you're going to have to make time.
05:59Or we could do it here, at your flat.
06:00Right.
06:01Right.
06:02Right.
06:03Right.
06:04Right.
06:05Right.
06:06Right.
06:07Right.
06:08Right.
06:10You're not going to go.
06:11You are.
06:12You are.
06:13You're not going to go to the station.
06:14I'm afraid we're going to need you to come back down to the station.
06:15Sorry, I don't have time.
06:16Well, you're going to have to make time.
06:17Or we could do it here, at your flat.
06:18Right.
06:19Right.
06:20Right.
06:50Right.
06:56Decent prices today.
06:58What?
07:00I was looking for some work. I wondered if maybe you could help me out.
07:02I've got all the crew I need, son.
07:04Well, it's not for fishing work.
07:06It's for the other sort of work.
07:10Callaghan sort of work.
07:12I think you've got the wrong guy.
07:14Well, maybe you know the right guy, though.
07:18Can you point me in the right direction now?
07:20Did he give me a phone number or something?
07:22Move!
07:32Chris Burnett is positive he saw Stevie in Edie Tulloch's garden
07:36on the day we think she was killed.
07:38And then there's the taxi driver who picked up a woman who looked like Stevie
07:42and drove her to Luniswick.
07:44And her motive is what? Revenge?
07:46Well, essentially, yes.
07:48Stevie blamed Edie for putting her into care.
07:50Because anyone that's been through the care system is a criminal?
07:52No.
07:54That's not what we're saying.
07:56You just said she killed Edie because Edie put her into care.
07:58It's a potential motive.
08:00I spent a year in care.
08:02And overall, for me, it was a positive experience.
08:06In fact, if it wasn't for the people who took care of me and my family,
08:09I wouldn't be here today.
08:11And we're very grateful that you are here.
08:13But Stevie Shannon did not have a positive time in care.
08:17Her case files prove that.
08:19And if she did resent Edie, maybe she used that resentment to take it out on her.
08:23Yeah, plus, Amy and Stevie's mum died after Edie removed them from their home.
08:29And they blame her for that.
08:31Chris Burnett's statement won't stand up in court.
08:33And just because Stevie took a taxi to Luniswick doesn't mean she killed Edie.
08:37But there's the unidentified print.
08:39Okay. And if they're a match to Stevie Shannon, you're on your way to building a case.
08:43But she's under no obligation to give you her prints.
08:47Frankly, given what you have, I'm so surprised you even brought her in.
08:57He's right.
08:59We don't have enough.
09:01But if we can get her prints...
09:03There's no way she's going to let us take her fingerprints.
09:05We'll be lucky if we even get her to talk in there.
09:07So what are we going to do?
09:09I've got an idea.
09:17Sorry to keep you waiting.
09:21It's okay.
09:28Okay, just so you know, Stevie, we have a witness
09:33who gave a fairly accurate description of the person
09:37that was in Edie Tullock's garden.
09:39Now, we...
09:41We can't say for sure, but...
09:43We think that person...
09:45Might have been Amy.
09:49Look, we know this is difficult.
09:51Amy's your sister, but...
09:53We wanted to ask whether you might be able to give us some insight
09:57into her state of mind.
09:59What?
10:00Well, because you've been around her recently.
10:04Yeah, and you said yourself...
10:06Amy blames Edie over the death of your mum.
10:09No, I didn't.
10:11Oh.
10:12Um...
10:13I'm pretty sure you did.
10:14Hang on.
10:16Yeah, you said...
10:18Amy's never come to terms with what happened to mum.
10:21She wants someone to blame and Edie's convenient.
10:24I mean, Amy had issues with Edie, didn't she?
10:30She was suing social services.
10:34Maybe the case was taking too long.
10:36She got frustrated.
10:38Have you used to lost your minds?
10:41You think that Amy killed Edie Tullock?
10:45It's a pretty compelling motive.
10:47And given recent events, I mean, it's pretty clear that something's not right in that flat.
10:53Oh.
10:54What events?
10:56Someone called the police to report that Aidan was in danger.
11:00Yeah, it was just a prank call.
11:01How can you be so sure?
11:04Because Amy isn't violent. I know her.
11:06But do you?
11:08I mean, you two only got back in touch, what was it, a year ago?
11:14That's practically strangers.
11:16You don't know what you're talking about.
11:18You've got no idea what me and Amy are.
11:20You'd never understand.
11:21And see this, what you two are trying to do.
11:24Get between us.
11:25They've been trying to do it for years.
11:26Social work, the courts, the police.
11:28You've all tried to keep us apart so it won't work.
11:34See, the shit that we went through when we were kids,
11:36it bonds you for life.
11:42Sounds to me like you didn't get anything from her.
11:44She said she knew it was a prank call.
11:46What?
11:48Alex, the domestic at Amy Shannon's the other night.
11:50Do we know who reported it?
11:51Still saying it's anonymous.
11:53Yeah, but there'll be a recording of it somewhere, yeah?
11:55Do you think I could get a copy of it?
11:56Mm-hmm.
11:57Now? Today? Thank you.
11:58Sure, I'm on it.
11:59You think Stevie made that call?
12:01Well, maybe, yes.
12:02Why on earth would she report her own sister to social services?
12:05Well, because Stevie thinks the whole world
12:07is trying to get in between her and her sister
12:09and maybe, maybe, that includes Luke and Aidan too.
12:17Yes, Alan, what?
12:18Sorry to catch you at work,
12:19but I think you're going to need to come up to the clerk.
12:21Erm, this might be important.
12:27Okay.
12:28I know.
12:40I've been through everything.
12:42Twice.
12:43I still can't explain where the Tulloch money came from.
12:47Unless...
12:50we entertain the idea that Robert Tulloch was taking bribes.
12:58What about the missing bank statement?
13:00Did you find it?
13:01No.
13:02I contacted the bank
13:03and they're sending a copy over to you today,
13:05but even without that,
13:06there's a clear pattern of what was going on.
13:11Look, maybe we should talk to Billy.
13:14He worked with Robert.
13:16Might be able to throw some light on all of this.
13:18I would like us to have a little more evidence
13:21before we go accusing his dead friend of corruption.
13:25So how do we move forward?
13:29Ray Powell.
13:31Gina Powell's husband.
13:33Ray was one of Robert Tulloch's old cases.
13:37Gina doesn't trust the police.
13:40Said they ruined our family.
13:42Maybe she knows something about Robert.
13:44I can pull that case by.
13:45Yeah.
13:46Okay, great.
13:48And Sandy.
13:51We keep this between you and me for now.
13:53Okay?
13:54Of course.
13:58What?
14:03An assault.
14:05A violent, unprovoked assault on a defenceless boy.
14:09I'm a grown man too.
14:11And Tom Jameson did this to you?
14:12Why did he do it?
14:16What does that matter?
14:18Fact is, he committed a crime.
14:19You need to go over there and arrest the man.
14:21Margaret, do you think-
14:22All to your respect, Minister.
14:23I'm talking with your sister now.
14:24Ethan.
14:25Was this about Jess being pregnant?
14:30Yeah.
14:31And her dad not happy about it.
14:36He banned me from seeing her.
14:37You were with her yesterday though.
14:39Are you trying to justify this?
14:42I'm just trying to understand it.
14:45Well, understand this.
14:47None of us are happy about this baby.
14:51Ethan's too young to be a parent.
14:54We try to speak to them.
14:56Try to persuade them that Jess should-
14:58Make an arrangement, but they wouldn't hear of it.
15:03Isabelle, of course, digging her heels in.
15:07I've never met a woman so keen to become a gran.
15:10So, here we are.
15:12Two kids.
15:14Their whole lives ruined.
15:16Jess wants to get the baby adopted.
15:18You never told me that.
15:21She was talking to Edie about it.
15:24Edie Tillich?
15:26Edie said she'd look into it.
15:29That was before she, you know, died.
15:34Who else knew about this?
15:55What's your name?
15:57Will Loudon.
15:59Give me your phone.
16:00What?
16:01Your phone.
16:03Go here.
16:09Say Jacob sent you.
16:11Cute kid, by the way.
16:19Gina.
16:22Can I have a word?
16:23I've been going over your late husband's case file.
16:34Why?
16:35We've had cause to look into Robert Tulloch's time in the police.
16:38Robert arrested Ray in connection with the robbery of a goods container at Lairwick Docks.
16:39According to the transcript of his first interview, Ray said that he was with you and David at the time that the robbery happened.
16:52So?
16:53So?
16:54So?
16:55There's no mention of the alibi in his second interview.
16:59He just submitted a signed confession.
17:02I don't understand the problem.
17:04Was Ray with you that night?
17:07Well, it doesn't matter now.
17:08Gina, if he didn't do it, he shouldn't have gone to prison.
17:14Back then.
17:15All this.
17:16Here.
17:17Lun is weak.
17:19This was Robert's kingdom.
17:22Hamanides.
17:24But bloody Ray couldn't resist it.
17:26Pulling off jobs right underneath Robert's nose.
17:29Way too big a temptation.
17:30He made an enemy of Robert Tulloch.
17:34Sorry, are you telling me that Robert framed Ray because Ray was goading him?
17:42You don't get it.
17:43I'm telling you that Ray wasn't with us the night of the robbery.
17:49Just like he said in his confession.
18:00That fish supper, please.
18:15I'm Will.
18:18Sheila.
18:20Jacob sent me.
18:26Jacob from the Harbour.
18:28Does Jacob want chips?
18:30No, he told me to come here to see about some work.
18:33You want to work here?
18:38Maybe I can speak to the boss?
18:40I'm the boss.
18:42Salt and vinegar?
18:45No.
18:46No.
18:49That's 15.
18:54Here.
19:00What the hell's that about?
19:14I don't know.
19:15I don't know.
19:20I'm going to take my break, Sheila.
19:23I'll be back an hour.
19:25Make sure you are.
19:26Are you alright?
19:27I'm back an hour.
19:28Ah.
19:29I don't know.
19:30I'm so sorry.
19:33I'm here to go with her.
19:35No.
19:37I'm sorry.
19:38I'm sorry.
19:39No.
19:40I'm sorry.
19:42I'm sorry, it's not me.
19:44Amy, where the hell have you been?
19:46Hi, Amy. How are you doing?
19:52It's just a routine follow-up.
19:54Routine? You're here because you think I'm an unfit mother.
19:58Nobody thinks that, Amy.
20:00And it's for your protection too.
20:02It means if we get any more of these anonymous reports,
20:05we can take them with a pinch of salt.
20:08Where is the wee one anyway?
20:10He's with Luke.
20:12It looks mum's. The whole family's up there this week.
20:15You didn't want to go?
20:16I was planning to, but I had to stay here.
20:19Stevie needed me for...
20:21And how is Stevie?
20:24Aye, she's fine.
20:31I admit, I was in the wrong eye.
20:33I should never raise my hands to Ethan.
20:35You make it sound like you give him a clip around the ear.
20:38Right.
20:40This.
20:42It's what Ethan's mum woke up to this morning.
20:44Jesus.
20:46I'm sorry.
20:47I...
20:48That was...
20:50Yesterday was a tough day.
20:51Was it?
20:52It's not an excuse.
20:53I'm just saying that isn't something that I would normally do.
20:57Ethan says you've banned him from seeing Jess.
20:59Is that right?
21:00Not your thing, is it?
21:01Deciding who your daughter gets to spend time with?
21:04No.
21:05I never said they couldn't speak to each other ever again.
21:08This baby has caused a lot of grief between us and Ethan's family,
21:10so I thought it best if they kept away from each other until after the baby was born.
21:14Yeah, Margaret Stone doesn't seem too happy about Jess being pregnant.
21:17Margaret's never happy.
21:18What about you and Isabel?
21:19How do you feel about Jess becoming a mum?
21:22It's what she wants, so we're behind her.
21:26Is it?
21:27Is it what she wants?
21:31Did you know that Jess had gone to Edie Tulloch about putting the baby up for adoption?
21:35No, I didn't.
21:38You don't seem too surprised by it.
21:40Jess is alone to herself. She stopped surprising me years ago.
21:47Did Edie speak to you about it?
21:49No, I barely spoke.
21:51Apart from a grudging hello now and again.
21:53You never discussed it with her?
21:54No.
21:56So why do you think Jess went to Edie?
21:59Like I say, Jess is unpredictable.
22:01So how do you feel about it now?
22:05Knowing what they were planning.
22:07Luke, you brought me in here because of what happened with Ethan, right?
22:10Now, I've admitted to the assault, so let me just sign whatever it is I have to sign so that I can go.
22:17I need to get home.
22:27Mum?
22:29Is Ethan okay?
22:31Well, he's got a sore face, but I think he'll live.
22:34Poor kid.
22:36Still, at least now we know Tom Jameson's got a violent streak.
22:40Well, yes and no. I mean, to be fair, the man's had a tough time.
22:44He's lost his job, he's got health issues and now his daughter's gone and got herself up the duff.
22:49That doesn't excuse beating up a kid.
22:51No, it does not.
22:52Alex, could we charge Tom Jameson and bail him for now and get someone to drop him off back home?
22:58Sure.
22:59Anyway, we're going to have to find some time to talk to Jess, see when she last saw Edie.
23:05According to Ethan, Jess went to see Edie a couple of weeks ago about finding a family to adopt the baby.
23:10Well, it makes sense, doesn't it, given Edie's history and family services.
23:14Did the Jamesons know that Jess has given up the baby?
23:17Tom Jameson didn't, was this?
23:20Oh, I've got to go and see Loudon.
23:23I'll catch you later.
23:24Okay.
23:25Can I get you some tea?
23:27No, I'm good.
23:30Everything all right?
23:33Actually, I went out to Lynneswick to see Gina Powell.
23:40I think we need to have a chat about Robert Tulloch.
23:43Robert? Why?
23:45Some things have come to light, Billy.
23:48Things I can't explain.
23:51You know what?
23:53I'll wait.
23:55Thanks.
24:12Aw.
24:14He's a handsome boy.
24:16Amy, it's me!
24:23Good to see you, Stevie.
24:25Ah, Morag's just checking in after the police visit the other day.
24:29Nothing to worry about.
24:30Like I said to Amy, just an informal visit.
24:34See how everybody's doing.
24:36You have to give notice.
24:38Well, that's not strictly true.
24:41I'm pretty sure you can't show up on an ounce like,
24:43Stevie, will you leave it?
24:45Amy, listen to me, there's rules and procedures that she's not following.
24:48It's fine, okay?
24:49It's.
24:50Not.
24:51Fine.
24:52This is my family.
24:55Now, go in the other room and let me and Morag finish up here.
24:58I'm sorry about that.
24:59No, you're fine.
25:00She's just looking out for you, like a sister should.
25:01Look, I'll need to drop by again when Aidan's here, but as far as I'm going to tell you, I'm sorry about that.
25:07No, you're fine.
25:08She's just looking out for you, like a sister should.
25:11Look, I'll need to drop by again when Aidan's here, but as far as I'm concerned, there's nothing to worry about.
25:15Except what you have with Aidan and Luke, that's what's important. Don't let anyone get in the way of that, Amy.
25:16No matter who they are.
25:17I'm sorry about that.
25:18No, you're fine.
25:19She's just looking out for you, like a sister should.
25:20Look, I'll need to drop by again when Aidan's here, but as far as I'm concerned, there's nothing to worry about.
25:33Except what you have with Aidan and Luke. That's what's important. Don't let anyone get in the way of that, Amy. No matter who they are.
25:43What do you mean, you can't do it? It's only been a morning.
25:58It's just too dangerous.
26:00It's just a name-loading.
26:02I think they're onto me.
26:03Who?
26:04The people who work for the Callaghan's.
26:06Right, and what makes you think that?
26:09I got a tip-off this morning and it turned out to be bullshit.
26:12Why do you know?
26:13Because why would they piss me about like that? What if they know that I'm working for you lot?
26:17I think you've been paranoid, Mick.
26:18I'd rather be paranoid than dead.
26:24I'm done. Sorry, I'm done.
26:30Alright. Hey.
26:34What if I did something for you?
26:36Like what?
26:37I don't fucking know. What do you want?
26:42I want to see my daughter.
26:43What?
26:44Erin. I want more access to Erin.
26:45Oh, come on.
26:46Please.
26:47Why didn't you know I can't do something like that?
26:52Oh, gee.
26:53Alright.
26:54Alright.
26:55Okay.
26:56I'll make a phone call.
26:57It's me.
26:58I found the grass.
26:59Well, she said she had no concern, so maybe that'll be the end of it.
27:02Look, I'll call you back.
27:03What are you doing?
27:04I don't know.
27:05I think it's better if I go.
27:06What?
27:07Go?
27:08Go where?
27:09Back to Aberdeen.
27:10I think it's better if I go.
27:11You're going.
27:12To go.
27:13I think it's better if I go.
27:14I mean, go.
27:15I think it's better if I go.
27:16What?
27:17I mean, I'll go.
27:18wanted my phone call.
27:19I'm not going to go.
27:20You can't go.
27:21I don't know.
27:22Why?
27:23I'm going to go.
27:24I'm going to go.
27:25I think it's better if I go.
27:26What?
27:27Go?
27:28Go where?
27:29Back to Aberdeen.
27:30Why?
27:31I'm obviously in the way.
27:33That's not true.
27:34Amy?
27:35I hear the voice.
27:36It's one of my words.
27:37It's one of my words.
27:38It's one of my words.
27:39I'm not very much in my words.
27:40I heard you at the door.
27:42You and my Gabe talking about getting out of me.
27:45I mean, she made it perfectly clear that I shouldn't be around you already, then.
27:50That's not what she meant.
27:51That's exactly what she meant.
27:54She was just talking, okay, and it's not...
27:57It's not like I agree with her.
27:59Didn't disagree with her, though.
28:02Didn't stand up for me, did you?
28:04Stevie, stop!
28:06I'm sorry, okay?
28:10Just this stuff with Aiden, it's freaking me out.
28:14I don't want you to leave.
28:16I need you.
28:18Especially now.
28:21Why don't we do that picnic?
28:27Here, just you and me.
28:31Be like the old days, back in the house.
28:35Except this time we'll actually have something to eat.
28:40Tell you what, why don't you, um...
28:42You take the car.
28:44Go to the supermarket and get some food.
28:47Nothing healthy, I mean, just junk food and wine.
28:50I'll get everything sorted here.
28:52Please.
28:54Stay.
28:56Just at least for one more night.
29:02Bye.
29:04You were right.
29:20I'm always right.
29:21But remind me again what it is I'm right about this time.
29:24Alex got the recording of the 999 report made about Amy Shannon.
29:27Stevie Shannon made the call.
29:29So she did report her own sister?
29:31Let's go.
29:32What?
29:33Now?
29:34She made a malicious report, we have grounds to her ether.
29:36And then we'll have her prints.
29:38Oh.
29:39Your sister's been lying to us.
29:51About what?
29:53About being in Edie Tillach's house.
29:56On the day she died.
29:59Okay, she went up there, yes, but she didn't see or talk to Edie.
30:05So you knew about this?
30:07You were going to come by the station today to explain.
30:10She's already been at the station.
30:12Yeah.
30:13This morning.
30:14And do you know what?
30:16She never said anything about being at Edie Tillach's house.
30:19Okay, well like I said, she's worried about how it looks.
30:24But even if she went up there, she didn't do anything to Edie.
30:28How can you be sure?
30:29Because she would have told me.
30:30Did she tell you about the phone call?
30:32What phone call?
30:35Well isn't the couple are always arguing?
30:52And there's a wee boy in there.
30:54I'm just...
30:56I'm worried that he might be in danger.
30:59Are you okay?
31:02Why would she do that?
31:04Now if that's Stevie, can I talk to her?
31:14I didn't know if you wanted red or white, so I just got both.
31:19How could you Stevie?
31:21After everything I've done for you.
31:25Aidan's my son, your nephew.
31:30And you told them he was in danger.
31:32No, they're...
31:34They're lying.
31:35That's not true.
31:36I heard the recording, Stevie.
31:38Let me talk to her.
31:39That's not me.
31:40They've made it up.
31:41They're...
31:42They're faking it so it sounds like me.
31:44No, no, no.
31:45No, no.
31:46There is no they.
31:47There is no big conspiracy working against us.
31:50There is only you.
31:52And I'm...
31:54And I'm done with you.
31:56Amy, I think you should come with us to this station.
32:08If Jess and Ethan hadn't called the ambulance, who knows what would have happened.
32:21You know, I do owe you my life, Jess.
32:36What happened?
32:37Just...
32:38Took my prints, asked me a few questions.
32:39Did they charge you?
32:40So you're gonna go to prison?
32:41So I'm right if he does go.
32:42Jess.
32:43What?
32:44He attacked Ethan.
32:45And I said I was sorry.
32:46So?
32:47That doesn't change anything.
32:48I never thought you were capable of doing something like that.
32:50We've all got our secrets.
32:51What?
32:52What?
32:53What?
32:54What?
32:55What?
32:56What?
32:57What?
32:58What?
32:59What?
33:00What?
33:01What?
33:02What?
33:03What?
33:04What?
33:05What?
33:06What?
33:07What?
33:08What?
33:09What?
33:10What?
33:11What?
33:12What?
33:13What?
33:15Jess.
33:16I'll deal with her.
33:34Make yourself comfortable.
33:39I'll get you some water.
33:40Thanks.
33:44What is it?
33:45You don't know them like I do.
33:46What are you talking about?
33:47You don't know how they work.
33:48They twist things.
33:49Stevie, you made that call.
33:50You sent the police to my house.
33:51I know.
33:52And I'm sorry.
33:53But don't worry.
33:54But don't worry.
33:55I'm going to put everything right.
33:56I promise.
33:57And I'm going to make sure she can't take anything off you.
33:58I promise.
33:59I promise.
34:00And I'm going to make sure she can't take Aidan off you.
34:05If you don't know who I'm going to tell you.
34:06I'm going to make sure it's done.
34:07You're not trying to take me off.
34:08I don't know who the hell.
34:09all you want your time is here.
34:12But don't worry.
34:13I've got to call a police to my house.
34:14I know.
34:15And I'm sorry.
34:16But don't worry.
34:17I'm going to put everything right.
34:18I promise.
34:19And I'm going to make sure she can't take Aidan off you.
35:23Like what?
35:25She said she was going to make sure she didn't take Aidan away.
35:28Is she? Sorry, who is she?
35:30Stevie was there this afternoon when she came round to visit.
35:33When who came round to visit, Amy?
35:35Oh, Christ.
35:41Billy.
35:42Morag, where are you?
35:44I'm back at the house.
35:45I need you to get in the car and come into the station.
35:49What?
35:50Just do as I ask, Morag.
35:54Morag?
35:55Yeah, no, no, I'm here, I'm here.
35:57What's going on?
35:59We can't find Stevie Shannon.
36:01I think she might head to the house.
36:03I think she's here.
36:12Morag?
36:28Stevie?
36:28Do you want to come out, pet?
36:36If you want to talk, I'm here.
36:40Stevie?
36:43Okay, Sandy, find out if there's anyone near the house and get them over there.
36:47On it.
36:48No, no, no, no, no, no, no, Billy.
36:50You need to stay here.
36:51The hell with that.
36:53I know you had it tough, Stevie, and I'm sorry.
36:56You got a bad deal and you have every right to blame us, but we were just doing our jobs.
37:01You took her from me.
37:05You stole her.
37:06You and Tulloch.
37:08We had to, Stevie.
37:09Your mum was a good person, but she couldn't cope.
37:12My mum.
37:13You think I give a shit about that useless junkie?
37:16You took Amy from me.
37:18I remember everything.
37:22Even Tulloch had just got outside.
37:25I saw the looks between yous.
37:28I remember you grabbing me while she threw Amy in the car.
37:35I can still smell your perfume.
37:39You were wearing it now, weren't you?
37:41It fucking stinks.
37:45You.
37:45You.
37:45You took my sister from me.
37:52You've still got Amy.
37:53It is not the same.
37:55She is different.
37:56She has Aidan and Luke and her work in a flat with fucking tea towels.
38:02I want the whole day, mate.
38:03You know, just me and her.
38:05Nobody else.
38:05Just like it was in the flat.
38:06You can't.
38:07You can't.
38:08You can't have that.
38:10I know.
38:12You can't have it, Stevie.
38:14A bit.
38:15I know.
38:18You can't.
38:20You can't have it, Ben.
38:23You can't.
38:25You can't have it.
38:26I'm sorry.
38:27I'm sorry.
38:34I'm so sorry.
38:42Morag?
38:47Morag.
38:48I don't want a charge, Sandy.
39:07As far as I'm concerned, there was no crime here.
39:20Did she say anything, Morag?
39:22About what?
39:24Edie.
39:25No, no.
39:26She was speaking about the day we took her and Amy away.
39:31Maybe me and Edie wish to handle things better.
39:35You did what you could, love.
39:37Yeah.
39:38And a fat lot of good that did.
39:45She's head of shock.
39:47Aye.
39:48Her and me both.
39:50I'll leave you to it.
39:52Let me know if you need anything.
39:54Sandy?
39:56Enlil.
39:57I thought she was asking about the robot.
39:59Any idea why?
40:01No.
40:03I'm sure it'll keep her.
40:05Just take care of him, Morag.
40:17Hello?
40:18Is that Leighton?
40:21Yeah.
40:22We're here looking for a job.
40:23Right.
40:25Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, hey, how did you get
40:28this number, though?
40:30Look, if you're no interested.
40:32Nah, I am.
40:32Yeah, 100%.
40:33Good.
40:34Because I might have someone on tonight.
40:35Nothing too big, but I need an extra pair of hands.
40:37Oh, okay.
40:38Right.
40:39Well, keep your phone on, yeah?
40:41And I'll let you know when and where later.
40:43Um, I didn't get your name, though.
40:45Ach, we'll do the proper introductions tonight.
40:48I'll be in touch.
40:48She was strangled, tied to a post.
41:02And left to rot in her garden.
41:04Edie Tulloch.
41:11Your social worker.
41:14And then there's Morag McCabe.
41:16Another social worker.
41:18Who you attacked in her own home this afternoon.
41:22I didn't do this.
41:27But you were in Luniswick.
41:30You were in Edie Tulloch's house.
41:32No, I was in her garden.
41:33Why were you in her garden?
41:37I don't know, I just...
41:39I wanted to see her.
41:43Right, so you spoke to her?
41:44No, no.
41:45I mean...
41:47I wanted to look at her.
41:50Why?
41:52I just...
41:53I wanted to look at her.
41:58You know, see if she still looked the way that she did when...
42:02she came to the house that day.
42:05And did she?
42:08No.
42:10She looked like a wee old woman.
42:12Wait, let me get this straight.
42:14You, uh, you didn't go into the house.
42:16You didn't talk to Edie Tulloch.
42:18And you didn't attack her like you tried to attack Morag.
42:21I just watched her through the window.
42:23And then I went back to Amy's.
42:26Okay.
42:31Was she with anyone else?
42:32The thing is, Stevie, it's really hard for us to believe you.
42:39You say one thing, and then you go and do something that completely contradicts that.
42:45This morning, you told us you and Amy were bonded, that you would do anything for each other.
42:51And then we find out that you reported her to children's services.
42:57No, I didn't mean that.
43:01So why did you do it?
43:03I think I wanted her to have that feeling again.
43:07What do you mean?
43:09What feeling?
43:11Like, chaos.
43:14When everything's out of control and you're falling.
43:16When I was 13, I spent a year in a children's home in Bantford.
43:28Well, again, I don't remember.
43:31Anyway, the kids there, they would play this game where they'd imagine the families that would adopt them.
43:38It was bullshit.
43:43Nobody fucking wanted us.
43:49I never fantasized about a new family.
43:53I just wanted to be at home, with Amy, with the chaos, and the falling feeling.
44:03I was happy.
44:06There.
44:06What are you, Amy?
44:14I think Amy's the only person that's ever loved me.
44:28I didn't do this.
44:32So what are your thoughts?
44:33It sounded like the truth to me.
44:34But we've been here before.
44:37Oh, come on.
44:39Even you can't think that children's home story was a lie.
44:42Maybe it was, maybe it wasn't.
44:45Jesus, you are cynical.
44:47What?
44:47I'm not going to form an opinion on someone just because they've given me the little orphan Annie shtick.
44:52Day I called her.
44:53Ah, all right.
44:58Right, thanks.
45:01So, Stevie's prints are not a match for the set that were found at the Tullock house.
45:07So, where does that leave us?
45:10With no suspect and no motive.
45:12Okay, well, look, it's not a total washout.
45:15We can still charge Stevie for making a false report, and that's before the assault on Morag.
45:20Yeah, except Morag's already said she doesn't want to press charges.
45:23That's not her choice to make.
45:26Um, I'll take a view over it.
45:28We should, um, probably release Stevie for now.
45:31I'll go and sort it.
45:32Shit, I'm supposed to be going out.
45:35Er, I'm meeting a friend.
46:02I'll leave you to it.
46:16You...
46:32I'm sorry.
47:02You made it, then.
47:23Sorry, sorry, sorry.
47:25Er, look who I ran into.
47:27It's Ed.
47:28You remember Ed, don't you, Ruth?
47:30Yes, I do.
47:32How are you doing, Ed?
47:33I'm fine.
47:35I thought we could all eat together.
47:37Sit down, both of you.
47:39I'll go to the bar, get us a nice bottle of wine.
47:41Er, no, I'm fine.
47:42No wine for me first.
47:43Yeah, nor me.
47:48We didn't bump into each other.
47:50He called me, invited me for dinner.
47:52It's all right.
47:53I didn't know you were coming.
47:55I don't know what he's playing at.
47:56Well, I think it's pretty obvious.
47:59Look, I'll, uh, get out of your way.
48:01No, no, it's fine.
48:02Just stay.
48:03It's okay.
48:04To be honest, I'm short-staffed at the pub.
48:06I could do it being there.
48:09Tell James I'll get my revenge.
48:12You know, it's not that I don't want to.
48:15At dinner, I meet you.
48:16It's just, you know.
48:18Yeah, yeah, yeah, no, I know.
48:19It's fine.
48:20Catch you later?
48:21Yes, go on, go.
48:22Where's he going?
48:29Did you scare him away?
48:30You scared him away?
48:33Your bloody Silla Black impression.
48:34T.I. Calder, leave a message.
48:43Hi, it's Will.
48:45I've got some information for you, right?
48:47So, just meet me at the fish market in an hour
48:49and don't be late, please.
48:50T.I. Calder, leave a message.
49:20How can I help you?
49:37Hello, I was wondering if I could speak to D.I. McIntosh, please.
49:40Ray was with me the night the robbery at the docks took place.
49:56Robert arrested him at the house the next morning.
49:59At first, I wasn't worried.
50:01I knew Ray hadn't done it.
50:02I figured he'd be at the station a couple of hours
50:05and then he'd come home.
50:06About the day dragged on and he didn't come back.
50:10And then about ten o'clock,
50:15Robert came to see me.
50:17He said they were keeping him in overnight.
50:22Holes in his story.
50:24They needed to check.
50:25I told him you've got it wrong.
50:30He was with me.
50:31What did Robert say?
50:35He said it would be better
50:38if Ray wasn't at home.
50:42That I should lie
50:43and say he'd been out all night.
50:46Robert was tired of him.
50:51Wanted him off the aisles.
50:53He made it quite clear that I was to help him do that.
50:57But you refused.
50:59Yes, of course I did.
51:02But then,
51:04Robert reminded me
51:05that Edie was the head of family services.
51:09And one word from him
51:13and she would start investigating us.
51:18Kids get taken from their mums all the time, Gina.
51:30You can either
51:31stand by Ray
51:34or
51:37or you can lose David.
51:41Did Edie know about this?
51:44I don't know,
51:45but I couldn't take the chance.
51:46I did what he said.
51:47I betrayed Ray.
51:50I mean,
51:51to be fair to him,
51:52he understood why I had to do it.
51:53He never blamed me for it.
51:54Why didn't you report this, Gina?
51:57Who to?
51:59To another police officer.
52:01Sergeant McCabe was here at that time.
52:04Sergeant McCabe?
52:07You mean Robert Tullock's pal?
52:34OK.
52:49Thank you very much.
52:51Here we go.
52:52I'm just saying,
52:54you've got a type.
52:55I don't have a type.
52:56You do.
52:57You're like the charming losers
52:59and the useless arty ones.
53:02You want to be someone's muse.
53:03Shit.
53:05Don't be too hard on yourself.
53:07The heart wants what the heart wants.
53:09Yeah, I'm sorry, James.
53:11I've got to go.
53:14I'll see you later.
53:15I'll see you later.
53:45See if there's a fucking wind-up.
54:03Hi, it's Will.
54:04Sorry, I can't come to the phone right now.
54:06Leave my message.
54:07I'll see you later.
54:25Lowden?
54:29Oh.
54:30Oh.
54:31Oh.
54:31Oh.
54:32Oh.
54:34Oh.
54:35Oh.
54:38Oh.
54:43Oh.
54:48Oh.
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