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00:00I live here.
00:00There's been a report of a domestic disturbance at this address.
00:03We've nothing to hide.
00:04So she gave Amy the happily ever after and put Stevie on the mainland ferry?
00:07It was an impossible call.
00:09Morag, did the Shannon sisters know that you were involved in their case?
00:12Did you set us up?
00:13I thought the stuff was on that boat.
00:15So that means they still need to land the gear, right?
00:17If it's not on the boat, then they're going to know someone talk.
00:19Jesus Christ!
00:21What did I tell you, sir?
00:26There is a couple of missing paper statements.
00:28I will try and find them.
00:29This is a police officer we're talking about.
00:32Don't be the word of this to Billy.
00:34That's how you lot operate, isn't it?
00:36Something like this happens and you go looking for a scapegoat.
00:39The one I saw in the dead woman's garden, it was her.
00:41Seems there were some disturbing reports
00:43that came from the children's homes where Stevie was placed.
00:46I don't trust her, Amy.
00:48We're a family after all.
00:50You, your mum, me.
00:53I'm going to win this time.
01:08No, you're not.
01:09Yes, I am.
01:11Snap!
01:12I win.
01:17Stephen!
01:32Mum! Mum! Mum!
01:34What have you got, Mum?
01:49Hello.
01:52I'm Edie Tulloch.
01:53I'm a social worker.
01:54I need to have a wee word with your mum.
01:57Is she here?
01:59Guatemala?
02:00No, what have you got?
02:01Go.
02:02You're welcome.
02:04Oh-
02:58Will says he's working for you. Last thing he needs is to get dragged into any more ship.
03:08Hooray! And here he is.
03:11You're up early.
03:13I've got a wee favour to ask you.
03:18Stuart will you give us a minute please?
03:22Cheers.
03:27I don't think your mum likes me very much.
03:30Don't!
03:32Stuart's my best pal and I've known him since I was seven.
03:36Don't.
03:40What do you want?
03:42Well, we arrested a couple of couriers who were bringing drugs in for the Callaghan's. Long story short, they've got a man here in Shetland who they're working with.
03:53And?
03:55And I want you to get me the name.
03:57How am I supposed to do that?
03:59You work at the harbour. You see things.
04:04Then you know exactly who can get me that name.
04:07What if I don't want it?
04:09Well we'll just have to call you a parole officer, won't we?
04:12In fact, should we, should we do that now?
04:16Do it.
04:18Do it!
04:20Would you rather go back inside and be your lackey for the rest of my life?
04:23But you listen here.
04:25I have been working on this case for more than six months and I am this close to getting a result.
04:31You get me that name.
04:33I'll drop me a charge.
04:35How about that?
04:43Call me when you've got something.
04:47Give me plenty of water and tell your mum no more bloody cake.
04:51Call you later.
04:55Everything okay?
04:57Uh, Aidan was sick last night and Luke can't seem to calm him down.
05:03Well, I guess it's good that Luke's mum's there.
05:06She can look after him.
05:10So, I was thinking, since it's just us, we should do something.
05:17You know, we, maybe we could go to the beach or I could go and get stuff for a picnic.
05:22Don't you think it would be better going to the police station?
05:25Why?
05:26To tell them about you being at Edie Tulloch's house.
05:29Stevie, this is why I stayed. You asked me to help you.
05:33Aye, but I didn't think that we'd just stroll in and confess.
05:37Well, it's better that you come forward with the truth than then find out your lies.
05:40Look, I'll come with you.
05:43Okay, we'll explain that you made a mistake and we'll just get it all sorted out.
05:47Amy, it doesn't work like that.
05:50What?
05:54Look, I'm...
05:56There's Calpoll in the bag.
05:58I'm going to go to the shops.
05:59What?
06:01Stevie.
06:02Good morning, Stevie.
06:10I'm afraid we're going to need you to come back down to the station.
06:13Sorry, I don't have time.
06:14Well, you're going to have to make time.
06:16Or we could do it here, at your flat.
06:20Right.
06:32Oh, man.
06:46Oh, man.
06:53Decent prices today.
06:54What?
06:55I was looking for some work, I wondered if maybe you could help me out.
06:58I was looking for some work. I wondered if maybe you could help me out.
07:02I've got all the crew I need, son.
07:04Well, it's not for fishing work. It's for the other sort of work.
07:09Callaghan sort of work.
07:12I think you've got the wrong guy.
07:15Well, maybe you know the right guy, though.
07:17Like, can you point me in the right direction or give me a phone number or something?
07:20Move!
07:28Chris Burnett is positive he saw Stevie in Edie Tulloch's garden on the day we think she was killed.
07:38And then there's the taxi driver who picked up a woman who looked like Stevie and drove her to Luniswick.
07:43And her motive is what? Revenge?
07:45Well, essentially, yes. Stevie blamed Edie for putting her into care.
07:49Because anyone that's been through the care system is a criminal?
07:52No. That's not what we're saying.
07:55You just said she killed Edie because Edie put her into care.
07:58It's a potential motive.
08:01I spent a year in care.
08:03And overall, for me, it was a positive experience.
08:06In fact, if it wasn't for the people who took care of me and my family, I wouldn't be here today.
08:11And we're very grateful that you are here.
08:13But Stevie Shannon did not have a positive time in care.
08:17Her case files prove that.
08:19And if she did resent Edie, maybe she used that resentment to take it out on her.
08:23Yeah, plus, Amy and Stevie's mum died after Edie removed them from their home and they blame her for that.
08:30Chris Burnett's statement won't stand up in court.
08:33And just because Stevie took a taxi to Luniswick doesn't mean she killed Edie.
08:36But there's the unidentified print.
08:38Okay. And if they're a match to Stevie Shannon, you're on your way to building a case.
08:43But she's under no obligation to give you her prints.
08:46Frankly, given what you have, I'm so surprised you even brought her in.
08:51Oh.
08:57He's right. We don't have enough.
09:00But if we can get her prints...
09:02Ugh. There's no way she's going to let us take her fingerprints.
09:05Be lucky if we even get her to talk in there.
09:07So what are we going to do?
09:11I've got an idea.
09:13Sorry to keep you waiting.
09:20Right. Okay.
09:28Okay. Just so you know, Stevie, we have a witness who gave a fairly accurate description of the person that was in Edie Tullock's garden.
09:39Now, we can't say for sure, but we think that person might have been Amy.
09:48Look, we know this is difficult.
09:50Amy's your sister.
09:52But we wanted to ask whether you might be able to give us some insight into her state of mind.
09:58What?
09:59Well, because you've been around her recently.
10:03Yeah, and you said yourself, Amy blames Edie over the death of your mum.
10:09No, I didn't.
10:11Oh.
10:12Um, I'm pretty sure you did.
10:14Hang on.
10:15Someone?
10:16Yeah.
10:17You said, Amy's never come to terms with what happened to mum.
10:21She wants someone to blame and Edie's convenient.
10:28I mean, Amy had issues with Edie, didn't she?
10:31She was suing social services.
10:34Maybe the case was taking too long.
10:36She got frustrated.
10:37I've used to lost your minds.
10:41You think that Amy killed Edie Tullock.
10:45It's a pretty compelling motive.
10:47And given recent events, I mean, it's pretty clear that something's not right in that flat.
10:53Oh.
10:54What events?
10:55Someone called the police to report that Aidan was in danger.
11:00Yeah, it was just a prank call.
11:01How can you be so sure?
11:04Because Amy isn't violent. I know her.
11:06But do you?
11:08I mean, you two only got back in touch, what was it, a year ago?
11:14That's practically strangers.
11:16You don't know what you're talking about.
11:17You've got no idea what me and Amy are. You'd never understand.
11:21And see this, what you two are trying to do. Get between us.
11:25They've been trying to do it for years. Social work, the courts, the police.
11:28You've all tried to keep us apart so it won't work.
11:34See the shit that we went through when we were kids?
11:36It bonds you for life.
11:41Sounds to me like you didn't get anything from her.
11:44She said she knew it was a prank call.
11:46What?
11:47Alex, the domestic at Amy Shan is the other night.
11:50Do we know who reported it?
11:51I'm still saying it's anonymous.
11:53Yeah, but there'll be a recording of it somewhere, yeah?
11:54Do you think I could get a copy of it?
11:56Mm-hmm.
11:57Now? Today? Thank you.
11:58Sure, I'm on it.
11:59You think Stevie made that call?
12:01Well, maybe, yes.
12:02Why on earth would she report her own sister to social services?
12:05Well, because Stevie thinks the whole world is trying to get in between her and her sister.
12:09And maybe, maybe, that includes Luke and Aidan too.
12:13Yes, Alan, what?
12:18Sorry to catch you at work, but I think you're gonna need to come up to the clerk.
12:21Erm, this might be important.
12:27Okay.
12:28Alright.
12:29I've been through everything. Twice.
12:43I still can't explain where the Tulloch money came from.
12:46Unless...
12:48We entertain the idea that Robert Tulloch was taking bribes.
12:54What about the missing bank statement? Did you find it?
13:00No.
13:01I contacted the bank and they're sending a copy over to you today.
13:04But even without that, there's a clear pattern of what was going on.
13:10Look, maybe we should talk to Billy.
13:13He worked with Robert.
13:15Might be able to throw some light on all of this.
13:17I would like us to have a little more evidence before we go accusing his dead friend of corruption.
13:24So how do we move forward?
13:29Ray Powell.
13:30Gina Powell's husband.
13:32Ray was one of Robert Tulloch's old cases.
13:36Gina doesn't trust the police.
13:38Said they ruined our family.
13:41Maybe she knows something about Robert.
13:43I can pull that case by.
13:45Yeah, okay great.
13:47And Sandy.
13:50We keep this between you and me for now.
13:52Okay?
13:53Of course.
14:02An assault.
14:04A violent, unprovoked assault on a defenceless boy.
14:08I'm a grown man too.
14:10And Tom Jameson did this to you?
14:15Why did he do it?
14:16What does that matter?
14:18Fact is, he committed a crime.
14:19You need to go over there and arrest the man.
14:21Margaret, do you think-
14:22All to your respect, Minister.
14:23I'm talking with your sister now.
14:27Ethan.
14:29Was this about Jess being pregnant?
14:33Yeah.
14:34And her dad, not happy about it.
14:36He banned me from seeing her.
14:37You were with her yesterday though.
14:40Are you trying to justify this?
14:42I'm just trying to understand it.
14:45Well, understand this.
14:47None of us are happy about this baby.
14:50Ethan's too young to be a parent.
14:54We try to speak to them.
14:56Try to persuade them that Jess should-
14:58Make an arrangement, but they wouldn't hear of it.
15:04Isabelle, of course, digging her heels in.
15:07I've never met a woman so keen to become a gran.
15:10So, here we are.
15:12Two kids.
15:14Their whole lives ruined.
15:16Jess wants to get the baby adopted.
15:18You never told me that.
15:21She was talking to Edie about it.
15:23Edie Tulloch?
15:26Edie said she'd look into it.
15:29That was before she, you know, died.
15:33Who else knew about this?
15:35What's your name?
15:39Will Loudon.
15:41Give me your phone.
15:43What?
15:44Your phone.
15:45Go here.
15:47Say Jacob sent you.
15:49Cute kid, by the way.
15:51What?
15:53What's your name?
15:55What's your name?
15:57Will Loudon.
15:59Give me your phone.
16:00What?
16:01Your phone.
16:07Go here.
16:09Say Jacob sent you.
16:11Cute kid, by the way.
16:15Gina.
16:22Can I have a word?
16:31I've been going over your late husband's case file.
16:34Why?
16:35We've had cause to look into Robert Tulloch's time in the police.
16:39Robert arrested Ray in connection with the robbery of a goods container at Lairwick Docks.
16:45According to the transcript of his first interview, Ray said that he was with you and David at the time that the robbery happened.
16:52So?
16:54So, there's no mention of the alibi in his second interview.
16:59He just submitted a signed confession.
17:02I don't understand the problem.
17:04Was Ray with you that night?
17:07Well, it doesn't matter now.
17:09Gina.
17:11If he didn't do it, he shouldn't have gone to prison.
17:15Back then.
17:16All this.
17:17Here.
17:18Lan is weak.
17:19This was Robert's kingdom.
17:22Hemenides.
17:24But bloody Ray couldn't resist it.
17:27Pulling off jobs right underneath Robert's nose.
17:29Way too big a temptation.
17:31He made an enemy of Robert Tulloch.
17:33Sorry, are you telling me that Robert framed Ray because Ray was goading him?
17:42You don't get it.
17:43I'm telling you that Ray wasn't with us the night of the robbery.
17:48Just like he said in his confession.
18:09A fish upper, please.
18:15I'm Will.
18:18Sheila.
18:21Jacob sent me.
18:26Jacob from the Harbour.
18:28Does Jacob want chips?
18:30No. He told me to come here to see about some work.
18:33You want to work here?
18:38Maybe I can speak to the boss?
18:40I'm the boss.
18:42Salt and vinegar?
18:45No. No.
18:48That's 15.
18:53Yep.
19:01Thanks.
19:02What the hell's that about?
19:14I don't know.
19:20I'm going to take my break, Sheila.
19:22I'll be back an hour.
19:23Make sure you are.
19:24Are you alright?
19:25Stevie, where the hell have you been?
19:36Hi, Amy.
19:38How are you doing?
19:39It's just a routine follow-up.
19:40Routine?
19:42You're here because you think I'm an unfit mother.
19:45Nobody thinks that, Amy. And it's for your protection too. It means if we get any more of these anonymous reports, we can take them with a pinch of salt.
19:54Where is the wee one anyway?
19:55Where is the wee one anyway?
19:57He's with Luke. It's Luke's mum's. The whole family's up there this week.
20:00Oh, you didn't want to go?
20:01Oh, you didn't want to go?
20:02I was planning to, but I had to stay here. Stevie needed me for...
20:05And how is Stevie?
20:06Um, aye. She's, uh, she's fine.
20:09I admit, I was in the wrong eye. I should never raise my hands to Ethan.
20:10You make it sound like you give him a clip around the ear. Right?
20:11I don't know.
20:12It's the wee one anyway.
20:13It's the wee one anyway.
20:14It's with Luke. It's Luke's mum's. The whole family's up there this week.
20:15Oh, you didn't want to go?
20:16I was planning to, but I had to stay here. Stevie needed me for...
20:21And how is Stevie?
20:24Um, aye. She's, uh, she's fine.
20:31I admit, I was in the wrong eye. I should never raise my hands to Ethan.
20:35You make it sound like you give him a clip around the ear.
20:38Right. This is what Ethan's mum woke up to this morning.
20:44Jesus. I'm sorry. I, uh, that was...
20:49Yesterday was a tough day.
20:51Was it?
20:52It's not an excuse. I'm just saying that isn't something that I would normally do.
20:57Ethan says you've banned him from seeing Jess. Is that right?
21:00That your thing, is it? Deciding who your daughter gets to spend time with?
21:04No. I never said they couldn't speak to each other ever again.
21:07This baby has caused a lot of grief between us and Ethan's family, so I thought it best if they kept away from each other until after the baby was born.
21:13Yeah, Margaret Stone doesn't seem too happy about Jess being pregnant.
21:16Margaret's never happy.
21:17What about you and Isabel? How do you feel about Jess becoming a mum?
21:22It's what she wants, so we're behind her.
21:26Is it? Is it what she wants?
21:28Did you know that Jess had gone to Edie Tulloch about putting the baby up for adoption?
21:36No, I didn't.
21:38You don't seem too surprised by it.
21:40Jess is alone to herself. She stopped surprising me years ago.
21:43Did Edie speak to you about it?
21:49No, I barely spoke.
21:51Apart from a grudging hello now and again.
21:53You never discussed it with her?
21:54No.
21:56So why do you think Jess went to Edie?
21:58Like I say, Jess is unpredictable.
22:01So how do you feel about it now?
22:05Knowing what they were planning.
22:07Luke, you brought me in here because of what happened with Ethan, right?
22:10Now, I've admitted to the assault.
22:12So let me just sign whatever it is I have to sign so that I can go.
22:17I need to get home.
22:18Is Ethan okay?
22:31Well, he's got a sore face, but I think he'll live.
22:34Poor kid.
22:36Still, at least now we know Tom Jameson's got a violent streak.
22:40Well, yes and no. I mean, to be fair, the man's had a tough time.
22:44He's lost his job, he's got health issues and now his daughter's gone and got herself up the duff.
22:48That doesn't excuse beating up a kid.
22:51No, it does not.
22:53Alex, could we charge Tom Jameson in bailing for now and get someone to drop him off back home?
22:59Sure.
23:00Anyway, we're going to have to find some time to talk to Jess.
23:03See when she last saw Edie.
23:05According to Ethan, Jess went to see Edie a couple of weeks ago about finding a family to adopt the baby.
23:10Well, it makes sense, doesn't it, given Edie's history and family services.
23:14Did the Jamesons know that Jess has given up the baby?
23:16Tom Jameson didn't, was this?
23:19Oh, er, I've got to, I've got to go and see Loudon.
23:23I'll catch you later.
23:24Okay.
23:25Can I get you some tea?
23:27No, I'm good.
23:30Everything alright?
23:32Actually, I went out to Lynneswick to see Gina Powell.
23:40I think we need to have a chat about Robert Tulloch.
23:43Robert? Why?
23:45Some things have come to light, Billy.
23:48Things I can't explain.
23:51You know what?
23:52I'll wait.
23:55Thanks.
24:11Aw.
24:13He's a handsome boy.
24:15Amy, it's me!
24:16Good to see you, Stevie.
24:25Ah, Morag's just checking in after the police visit the other day.
24:29Nothing to worry about.
24:31Like I said to Amy, just an informal visit.
24:34See how everybody's doing.
24:36You have to give notice.
24:38Well, that's not strictly true.
24:40I'm pretty sure you can't show up on an ounce like.
24:43Stevie, will you leave it?
24:45Amy, listen to me.
24:46There's rules and procedures that she's not following.
24:48It's fine, okay?
24:49It's.
24:50Not.
24:51Fine.
24:52This is my family.
24:55Now, go in the other room and let me and Morag finish up here.
25:10I'm sorry about that.
25:21No, you're fine.
25:23She's just looking out for you.
25:24Like a sister should.
25:27Look, I'll need to drop by again when Aidan's here, but as far as I'm concerned there's nothing to worry about.
25:33Except, what you have with Aidan and Luke.
25:36That's what's important.
25:37Don't let anyone get in the way of that, Amy.
25:41No matter who they are.
25:54What do you mean, you can't do it?
25:57It's only been a morning.
25:59It's just too dangerous.
26:01It's just a name-loading.
26:02I think they're onto me.
26:03Who?
26:04The people who work for the Callahans.
26:05Right, and what makes you think that?
26:09I got a tip-off this morning and it turned out to be bullshit.
26:12Why do you know?
26:13Because why would they piss me about like that?
26:15What if they know that I'm working for you lot?
26:17I think you've been paranoid, Mick.
26:18I'd rather be paranoid than dead.
26:20I'm done.
26:21Sorry, I'm done.
26:22Alright.
26:23Hey.
26:25What if I did something for you?
26:26Like what?
26:27I don't fucking know. What do you want?
26:29I want to see my daughter.
26:30What?
26:31Erin. I want more access to Erin.
26:32Oh, come on.
26:33Please.
26:34Why didn't you know I can't do something like that?
26:35Oh, gee, yeah.
26:36Alright.
26:37Alright.
26:38Alright.
26:39Okay.
26:40I'll make a phone call.
26:41Alright.
26:42I'll make a phone call.
26:43I'm sorry.
26:44I'll go.
26:45I'll go.
26:46What if I did something for you?
26:47What if I did something for you?
26:48Like what?
26:49I don't fucking know.
26:50What do you want?
26:51I want to see my daughter.
26:52What?
26:53Erin.
26:54I want more access to Erin.
26:55Alright.
26:56Alright.
26:57Okay.
26:58I'll make a phone call.
26:59It's me.
27:00I found the grass.
27:01Well, she said she had no concern, so maybe that'll be the end of it.
27:18Look, I'll call you back.
27:20What are you doing?
27:22I think it's better if I go.
27:27What?
27:28Go?
27:29Go where?
27:30Back to Aberdeen.
27:32Why?
27:33I'm obviously in the way.
27:36That's not true.
27:38Amy.
27:39I heard you at the door.
27:41You and my Gabe talking about getting rid of me.
27:45I mean, she made it perfectly clear that I shouldn't be around you or Aidan.
27:49That's not what she meant.
27:51That's exactly what she meant.
27:54She was just talking, okay?
27:56And it's not...
27:57It's not like I agree with her.
27:59Didn't disagree with her, though.
28:01Didn't stand up for me, did you?
28:03Stevie, stop.
28:07I'm sorry, okay?
28:09I...
28:10Just this stuff with Aidan, it's freaking me out.
28:13But I don't want you to leave.
28:15I...
28:16I need you.
28:19Especially now.
28:22Look, um...
28:23Why don't we, uh...
28:25Why don't we do that picnic?
28:28Here, just you and me.
28:32Be like the old days, back in the house.
28:34Except this time we'll actually have something to eat.
28:40Tell you what, why don't you, um...
28:42You take the car.
28:44Go to the supermarket and get some food.
28:46Nothing healthy, I mean.
28:48Just junk food and wine.
28:49I'll get everything sorted here.
28:51Please...
28:53Stay.
28:55Just...
28:58At least for one more night.
29:02Bye.
29:19You were right.
29:20I'm always right.
29:21But remind me again what it is I'm right about this time.
29:24Alex got the recording of the 999 report made about Amy Shannon.
29:27Stevie Shannon made the call.
29:29So she did report her own sister?
29:31Let's go.
29:32What?
29:33Now?
29:34She made a malicious report, we have grounds to her aether.
29:36And then we'll have her prints.
29:48Your sister's been lying to us.
29:51About what?
29:52About being in Edie Tulloch's house.
29:57On the day she died.
29:59Okay.
30:00She...
30:01She went up there, yes.
30:02But she didn't see or talk to Edie.
30:05So you knew about this?
30:07You were gonna come by the station today to explain.
30:10She's already been at the station.
30:12Yeah.
30:13This morning.
30:14And do you know what?
30:15She never said anything about being at Edie Tulloch's house.
30:19Okay.
30:20Well, like I said, she's worried about how it looks.
30:24But even if she went up there, she didn't do anything to Edie.
30:27How can you be sure?
30:28Because she would have told me.
30:29Could she tell you about the phone call?
30:31What phone call?
30:33What phone call?
30:34Listen, the couple are always arguing.
30:35And there's a wee boy in there.
30:36I'm just...
30:37I'm worried that he might be in danger.
30:38Are you okay?
30:52Why would she do that?
30:53and there's a wee boy in there.
30:55I'm just, I'm worried that he might be in danger.
31:01Are you okay?
31:04Why would she do that?
31:12Now, if that's Stevie, can I talk to her?
31:15I didn't know if you wanted red or white,
31:18so I just got both.
31:20Are you okay to you, Stevie?
31:21After everything I've done for you.
31:28Aidan's my son, your nephew,
31:31and you told them he was in danger.
31:33No, they're lying.
31:36That's not true.
31:37I heard the recording, Stevie.
31:38Let me talk to her.
31:40That's not me.
31:41They've made it up.
31:42They're faking it, so it sounds like me.
31:45No, no, no, there is no they.
31:47There is no big conspiracy working against us.
31:50There is only you.
31:52And I'm...
31:54And I'm done with you.
32:01Amy, I think you should come with us to the station.
32:09Fuck!
32:20If Jess and Ethan hadn't called the ambulance,
32:32who knows what would have happened.
32:34You know, I do owe you my life, Jess.
32:38What happened?
32:39Just took my prints, asked me a few questions.
32:40Did they charge you?
32:41So you're gonna go to prison?
32:42Sir's I'm right if he does go.
32:43Jess.
32:44What?
32:45He attacked Ethan.
32:46And I said I was sorry.
32:47So?
32:48That doesn't change anything.
32:50I never thought you were capable of doing something like that.
32:53We've all got our secrets.
32:54What?
32:55Jess.
32:56I'll deal with her.
32:57I'll deal with her.
32:58You're going to go to the station.
32:59In the station, I'm out.
33:01But I'm out.
33:02I'm out.
33:03I'm out.
33:04Let's see.
33:05I'm out.
33:06I'm out.
33:07I'm out!
33:08I'm out.
33:09I'm out.
33:10I'm out.
33:11I'm out.
33:12I'll do it.
33:13I'm out.
33:15Jess.
33:16I'll deal with her.
33:33Make yourself comfortable.
33:38I'll get you some water.
33:40Thanks.
33:44What is it?
33:54You don't know them like I do.
33:56What are you talking about?
33:58You don't know how they work.
34:00They twist things.
34:02Stevie, you made that call.
34:04You sent the police to my house.
34:06I know.
34:08And I'm sorry.
34:10But don't worry.
34:12I'm gonna put everything right.
34:16I promise.
34:18And...
34:20I'm gonna make sure she can't take Aiden off you.
34:22You can feel it.
34:28The Sarah權.
34:30The Sarah's side.
34:32She heard pela etapa YEECA.
34:34The Jason Stevenson.
34:36She promised her.
34:40You're free
34:56Stupid people
34:58Oh no!
35:02Oh no!
35:10I'll fade away
35:17And did she say where she was?
35:19No, but she sounded weird, like she was going to do something.
35:23Like what?
35:24She said she was going to make sure she didn't take Aidan away.
35:28Is she? Sorry, who is she?
35:29Stevie was there this afternoon when she came round to visit.
35:32When who came round to visit, Amy?
35:34Oh, Christ.
35:40Billy.
35:41Morag, where are you?
35:43I'm back at the house.
35:45I need you to get in the car and come into the station.
35:48What?
35:50Just do as I ask, Morag.
35:54Morag?
35:55Yeah, no, no, I'm here, I'm here.
35:57What's going on?
35:59We can't find Stevie Shannon.
36:01I think she might head to the house.
36:08I think she's here.
36:10Morag.
36:12Morag.
36:28Stevie.
36:31Do you want to come out, pet?
36:36If you want to talk, I'm here.
36:40Stevie?
36:43Okay, Sandy, find out if there's anyone near the house and get them over there.
36:47On it.
36:48No, no, no, no, no, no, Billy.
36:49You need to stay here.
36:50The hell with that.
36:53I know you had it tough, Stevie, and I'm sorry.
36:55You've got a bad deal and you've every right to blame us, but we were just doing our jobs.
37:01You took her from me.
37:02You stole her.
37:03You and Tulloch.
37:04We had to, Stevie.
37:05Your mum was a good person, but she couldn't cope.
37:07My mum.
37:08You think I give a shit about that useless junkie.
37:09You took Amy from me.
37:10I remember everything.
37:12You and Tulloch took us outside.
37:13I saw the looks between yous.
37:14I remember you grabbing me while she threw Amy in the car.
37:19I can still smell your perfume.
37:20You were wearing it now, weren't you?
37:21It fucking stinks.
37:22You.
37:23You.
37:24You took my sister from me.
37:26You've still got Amy.
37:27You!
37:28I remember you grabbing me while she threw Amy in the car.
37:35I can still smell your perfume.
37:38You're wearing it now, aren't you?
37:41It fucking stinks.
37:45You...
37:48You took my sister from me.
37:51You've still got Amy.
37:53It is not the same!
37:55She is different! She has Aidan and Luke and her work in a flat with fucking tea towels!
38:01I want the old Amy!
38:03You know, just me and her, nobody else, just like it was in the flat!
38:08You can't have that.
38:10I know.
38:12You can't have it, Steve.
38:13I said!
38:15I know.
38:18You can't. You can't have it, Ben.
38:22You can't.
38:25You can't have it.
38:27I'm sorry.
38:34I'm so sorry.
38:41Morag?
38:46Morag?
38:48I don't want a charge, Sandy.
38:50As far as I'm concerned.
38:51I don't want a charge, Sandy.
38:54As far as I'm concerned, there was no crime here.
39:06Did she say anything, Morag?
39:09About what?
39:10Edie.
39:11No.
39:12No.
39:13She was speaking about the day we took her and Amy away.
39:16What do you mean, Edie?
39:17We should have handled things better.
39:18You did what you could, love.
39:19Yeah.
39:20And a fat lot of good back to me.
39:21I don't want a charge, Sandy.
39:22I don't want a charge, Sandy.
39:23As far as I'm concerned, there was no crime here.
39:24Did she say anything, Morag?
39:25About what?
39:26Edie.
39:27No.
39:28No.
39:29She was speaking about the day we took her and Amy away.
39:31What do you mean, Edie?
39:32We should have handled things better.
39:34You did what you could, love.
39:36Yeah.
39:37And a fat lot of good that did.
39:45She's had a shock.
39:47Aye.
39:48Her and me both.
39:50I'll leave you to it.
39:52Let me know if you need anything.
39:54Sandy.
39:55Elliot.
39:56I thought she was asking about Robert.
39:59Any idea why?
40:01No.
40:02I'm sure it'll keep her.
40:05Just take care of Morag.
40:06Hello?
40:07Is that Loudon?
40:08Yeah.
40:09Are you looking for a job?
40:10Right.
40:11Yeah, yeah, yeah, yeah, yeah.
40:12Yeah, hey.
40:13How did you get this number, though?
40:14Look, if you're not interested.
40:15No, I am.
40:16Yeah, 100%.
40:17Good.
40:18Because I might have someone on tonight.
40:19Nothing too big, but I need an extra pair of hands.
40:20Yeah, okay.
40:21Right.
40:22Well, keep your phone on, yeah?
40:23And I'll let you know when and where later.
40:24I didn't get your name, though.
40:25I didn't get your name, though.
40:26We'll do the proper introductions tonight.
40:27I'll be in touch.
40:28She was strangled.
40:29Tied to a post.
40:30She was strangled, tied to a post.
40:33And left her on.
40:34I was strangled.
40:35Tied to a post.
40:36And left her on.
40:37And they left her on.
40:38I don't know why.
40:39All right.
40:40Well, keep your phone on, yeah?
40:41I'll let you know when and where later.
40:42I didn't get your name, though.
40:45I'll do the proper introductions tonight.
40:47I'll be in touch.
40:52She was strangled.
40:57Tied to a post.
40:59and left to rot in her garden.
41:09Edie Tulloch, your social worker.
41:14And then there's Morag McCabe, another social worker,
41:18who you attacked in her own home this afternoon.
41:25I didn't do this.
41:27But you were in Luniswick.
41:29You were in Edie Tulloch's house.
41:32No, I was in her garden.
41:33Why were you in her garden?
41:37I don't know, I just...
41:39I wanted to see her.
41:42Right, so you spoke to her?
41:44No, no.
41:45I mean...
41:47I wanted to look at her.
41:50Why?
41:52I just...
41:53I wanted to look at her.
41:56You know, see if she still looked the way that she did when she came to the house that day.
42:05And did she?
42:08No.
42:10She looked like a wee old woman.
42:11Right, let me get this straight.
42:14You, er...
42:14You didn't go into the house.
42:16You didn't talk to Edie Tulloch.
42:18And you didn't attack her like you tried to attack Morag.
42:21I just watched her through the window and then I went back to Amy's.
42:24Okay.
42:30Was she with anyone else?
42:34The thing is, Stevie, it's really hard for us to believe you.
42:38You say one thing and then you go and do something that completely contradicts that.
42:45This morning, you told us you and Amy were bonded.
42:49That you would do anything for each other.
42:52And then, we find out that you reported her to children's services.
42:57No, I...
42:58I didn't mean that.
43:01So why'd you do it?
43:02I think I wanted her to have that feeling again.
43:08What do you mean? What feeling?
43:11Like...
43:12Chaos.
43:14When everything's out of control and you're falling.
43:21When I was 13,
43:24I spent a year in a children's home in...
43:26Bantford.
43:28Well, again, I don't... I don't remember.
43:31Anyway, yeah.
43:32The kids there, they would...
43:34They'd play this game where they'd imagine the families that would adopt them.
43:40It's bullshit.
43:43Nobody fucking wanted us.
43:49I never fantasized about a new family.
43:53I just wanted to be at home.
43:55With Amy.
43:57With the chaos.
43:59And the falling feeling.
44:00And...
44:00I was happy.
44:06There.
44:07With Amy.
44:14I think Amy's the only person that's ever loved me.
44:16I didn't do this.
44:32So what are your thoughts?
44:33It sounded like the truth to me.
44:35But we've been here before.
44:37Oh, come on.
44:38Even you can't think that children's home story was a lie.
44:42Maybe it was.
44:43Maybe it wasn't.
44:45Jesus.
44:45You are cynical.
44:47What?
44:47I'm not going to form an opinion on someone just because they've given me the little orphan
44:50and any shtick.
44:51D.I.
44:53I called her.
44:55Ah.
44:57All right.
44:58Right, thanks.
45:00So, Stevie's prints are not a match for the set that were found at the Tullock house.
45:07So, where does that leave us?
45:10With no suspect and no motive.
45:13Okay, well, look, it's not a total washout.
45:15We can still charge Stevie for making a false report.
45:18And that's before the assault on Morag.
45:20Yeah, except Morag's already said she doesn't want to press charges.
45:23That's not her choice to make.
45:26Um, I'll take a view over it.
45:28We should, um, probably release Stevie for now.
45:31I'll go and sort it.
45:33Shit!
45:34I'm supposed to be going out.
45:35Uh, I'm meeting a friend.
45:42I'll leave you to it.
46:06I'll leave you to it.
46:12I'll leave you to it.
46:42I'll leave you to it.
47:12Oh, sorry, sorry, sorry.
47:25Eh, look who I ran into.
47:27It's Ed.
47:28You remember Ed, don't you, Ruth?
47:30Yes, I do.
47:32How are you doing, Ed?
47:33I'm fine.
47:35I thought we could all eat together.
47:37Sit down, both of you.
47:39I'll go to the bar.
47:40Get us a nice bottle of wine.
47:41Eh, no, I'm fine.
47:42No wine for me first.
47:43Yeah, nor me.
47:48We didn't bump into each other.
47:50He called me, invited me for dinner.
47:52It's all right.
47:53I didn't know you were coming.
47:55I don't know what he's playing at.
47:56Well, I think it's pretty obvious.
47:59Look, I'll, uh, get out your way.
48:01No, no, it's fine.
48:02Just stay.
48:03It's just OK.
48:04To be honest, I'm short-staffed at the pub.
48:06I could do with being there.
48:08Tell James I'll get my revenge.
48:10Mm-hmm.
48:11You know, it's not that I don't want to.
48:15At dinner, I meet you.
48:16It's just, you know.
48:18Yeah, yeah, yeah.
48:19No, I know.
48:19It's fine.
48:20Catch you later.
48:21Yes, go on.
48:22Go.
48:27Where is he going?
48:29Did you scare him away?
48:30You scared him away?
48:33You bloody Silla Black impression.
48:34T.I. Calder.
48:42Leave a message.
48:43Hi, it's Will.
48:45I've got some information for you, right?
48:47So just meet me at the fish market in an hour
48:49and don't be late, please.
49:04I've got some information for you.
49:35How can I help you?
49:37Hello.
49:37I was wondering if I could speak to D.I. McIntosh, please.
49:50Ray was with me the night the robbery at the docks took place.
49:56Robert arrested him at the house the next morning.
49:59At first, I wasn't worried.
50:01I knew Ray hadn't done it.
50:02I figured he'd be at the station a couple of hours
50:05and then he'd come home.
50:06About the day dragged on and he didn't come back.
50:10And then about ten o'clock,
50:14Robert came to see me.
50:17He said they were keeping him in overnight.
50:22Holes in his story.
50:24They needed to check.
50:25I told him you've got it wrong.
50:29He was with me.
50:31What did Robert say?
50:35He said it would be better if Ray wasn't at home.
50:40That I should lie and say he'd been out all night.
50:49Robert was tired of him.
50:51Wanted him off the aisles.
50:53He made it quite clear that I was to help him do that.
50:57But you refused.
50:58Yes, of course I did.
51:02But then, Robert reminded me that Edie was the head of family services.
51:11And one word from him and she would start investigating us.
51:18Kids get taken from their mums all the time, Gina.
51:21Gina.
51:21Gina.
51:21Gina.
51:21You can either stand by Ray or you can lose David.
51:41Did Edie know about this?
51:44I don't know, but I couldn't take the chance.
51:46I did what he said.
51:47I betrayed Ray.
51:48I mean, to be fair to him, he understood why I had to do it.
51:53He never blamed me for it.
51:54Why didn't you report this, Gina?
51:57Who to?
51:59To another police officer.
52:01Sergeant McCabe was here at that time.
52:05Sergeant McCabe?
52:07You mean Robert Tulloch's pal?
52:18No.
52:20No.
52:24Oh, man.
52:46Oh?
52:47Oh?
52:47Oh?
52:47OK. Thank you very much.
52:50Here we go.
52:52I'm just saying you've got a type.
52:54I don't have a type.
52:56You do. You're like the charming losers,
52:59the useless arty ones.
53:01You want to be someone's means.
53:03Shit!
53:04Don't be too hard on yourself.
53:06The heart wants what the heart wants.
53:08Yeah, I'm sorry, James.
53:10I've got to go.
53:14I'll see you later.
53:17Look out!
53:43Layden!
53:47Are you there?
53:55See if there's a fucking wind-up.
54:02Hi, it's Will. Sorry I can't come to the phone right now.
54:05Leave my message.
54:17Lorden!
54:25Lorden!
54:31Oh!
54:37Oh!
54:47Oh!
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