10:44For those who killed me, I was going to play a drama with him.
10:50The people, then, we also got a lot in Punjab.
11:02The Great Sardar, the director, was very strong in Pollywood.
11:07Do you have anything to do with that?
11:11In my sense, I will focus a little bit as an artist.
11:16Because as an artist, I have a good project.
11:20I will do that.
11:22I have written some good concepts.
11:24I have kept it.
11:26My problem is that my producer has also been accident.
11:30I know that I will die.
11:32That shows it that I had to kill and kill themselves.
11:37And that's why I just asked this question.
11:38I've never thought that there was a huge audience that's coming.
11:41There's no huge crowd around me.
11:44There's no huge crowd around me.
11:47There's no huge crowd around me.
11:51I have no huge crowd around me.
11:55Didn't see that all the people around me are at the moment.
11:58There won't be a huge crowd around me.
12:01It doesn't have a concept too.
12:03It's a concept too.
12:05You can't do anything with comedians and artists.
12:08It's a concept that you're making and what's going on.
12:13What's people like?
12:14People don't know what they're doing.
12:16It's a great job.
12:17Did you say that the film is opening up in the background?
12:20The film will be in the background.
12:21The film will be in the background.
12:25And the other thing is,
12:27I'm going to do some concepts to my son.
12:30I'm going to do some concepts.
12:32I'm going to produce something.
12:34I'm going to do some good messages.
12:36I'm going to do some good things.
12:38My son is directing.
12:40It's a good messageable film.
12:42It's a good messageable film.
12:44It's a good concept.
12:46I'm working on it.
12:48I'm working on it.
12:50This is a new film.
12:52What will you say about it?
12:54Will you come back to the moment?
12:56The time of it for a few?
12:58I'm working on it again.
13:00I'm working on it for a few months.
13:02Since December.
13:04We started it for a new film.
13:08Hopefully, from the same time,
13:10For another one.
13:12and Mantri Ji is a very cool-minded director and a very good person
13:18and he is doing a good work and he is doing a good work
13:21and the artistry is a great person and I have understood that
13:27if a director has a free-minded character, he will do a good casting and a good film
13:33or if a actor has a good actor or a cast of people, or if a person has a good actor
13:43then the director can't do the character or not do the director
13:48I can say the director needs to open the character
13:52so the character needs to be shot, that will be the cast
13:57and in this film it is the same thing
14:00I don't know why I don't remember the character that you play.
14:14There are so many characters and artists.
14:18I think it's a different direction.
14:22Yes, you know, the same thing you should have thought about the cinema, the music, the music, the music, the music, the music, the music, the music, the music, the music, the music.
14:40But I asked the question, why did the female singers have been able to do that?
14:45Why did they do that?
14:47Or they did that.
14:49Or they did that.
14:52So, female singers can't reach that blind?
14:57Look, female singers have reached their blinds.
15:01I've got a blinds.
15:03I've got a blinds.
15:05I've got a blinds.
15:09It's a good job, it's a good job, it's a good job, but it's not a good job.
15:14We have to try a little bit of a bond.
15:19It doesn't mean there's no trouble.
15:22Where there's a bond, there's a company that's open to work.
15:27It's the case that a woman is always looking at the bond.
15:32It doesn't matter, it doesn't matter, it doesn't matter.
15:35I will tell everyone about this and this field.
15:41You can work on the industry.
15:45You can do good songs.
15:48You can do good songs.
15:52You can do good songs.
15:54You can do good songs.
15:56You can do good songs.
16:00You can do good songs.
16:03I think we have to do good songs.
16:06I'm very happy to learn.
16:08I can say, listen to people, and go to the village,
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