- 2 days ago
Category
🎥
Short filmTranscript
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00:03:19THEN I
00:03:20MUST TELL YOU
00:03:21THERE IS NO
00:03:22TALENT HERE
00:03:23MEREALLY
00:03:24INDUSTRY
00:03:25AND INTELLIGENCE
00:03:26YOU WILL NEVER BE
00:03:27ANYTHING
00:03:28BUT MEDIOCRE
00:03:29AND IT IS VERY CRUEL
00:03:30TO DISCOVER ONE'S
00:03:31MEDIOCRATY
00:03:32ONLY WHEN IT IS TOO LATE
00:03:34I KNOW
00:03:37Do you see that?
00:03:38That name does not belong there.
00:03:40It belongs somewhere else.
00:03:42Take your courage in both your hands and make something of your life.
00:03:56Have you anything in mind?
00:03:58Well, you see...
00:04:01I have my limitations.
00:04:02My father was a doctor. I've always been interested in medicine.
00:04:05And if one can't be great, at least one can be of some use to people.
00:04:32I don't know why I should have such a thing upon my bird.
00:04:36I don't know why I should have such a thing upon my bird.
00:04:40I don't know why I should have such a thing upon my bird.
00:05:01I don't. I've never had a day's illness in my life.
00:05:04You've only got to look at me to know that.
00:05:06It's what we call a winter cough.
00:05:08A great many middle-aged women have it.
00:05:09Well, I never. That's a nice thing to say to a lady.
00:05:13No one's ever called me middle-aged before.
00:05:15Oh, it's time you got used to it.
00:05:17All the same. You're a nice one, dearie.
00:05:20Unfortunately, I can't say the same for you. Good day, madam.
00:05:23That'll be all now. The rest you come back tomorrow.
00:05:26Get him ready.
00:05:27All right, sir.
00:05:33Are you the boy's father?
00:05:35Yes, sir.
00:05:38What's the matter with you now?
00:05:39You see well enough what the matter is.
00:05:43The boy has a club foot.
00:05:44Oh, uh...
00:05:46Carrie, you better take this case.
00:05:48It's a subject you ought to know something about.
00:05:59It's only for the looks of the thing, you know.
00:06:01I don't find it no trouble.
00:06:03Don't you?
00:06:04That's wonderful.
00:06:04I always did.
00:06:06Oh, that's because you let them go on at you.
00:06:09You seem to be a little slow, Carrie.
00:06:10I think I'll have to instruct the class.
00:06:12There are many varieties of club feet.
00:06:15This is one of the less interesting.
00:06:17Yours would probably prove more interesting.
00:06:20You have telepis Aquinas, haven't you?
00:06:21Yes, I believe so.
00:06:23Don't mind taking off a sock, do you, Carrie?
00:06:30No, not at all.
00:06:31Keeps his feet nice and clean, doesn't he?
00:06:52Hmm, yes, just as I thought.
00:06:54Telepis Aquinas.
00:06:56Malformation requiring you to walk on the outside of the foot.
00:06:58A very interesting example, I must say.
00:07:02Do you mind if I have a look?
00:07:05Congenital club foot.
00:07:07In simple language, a foot twisted inward.
00:07:09The cause of this twisting is not clear.
00:07:11Hereditary inference plays a part here,
00:07:14as pointed out by Dr. Little,
00:07:15who traces recurring deformity through four generations.
00:07:17Well, then you've quite finished.
00:07:23I say, old man, I like that.
00:07:27French, isn't she?
00:07:27Yes, she was a model in Paris.
00:07:30You know, I can't for the life of me understand why you gave up painting.
00:07:33I'd rather look at that all day long than at this.
00:07:38Woman, you know.
00:07:39You can tell by the pelvis.
00:07:41I like them with a little more...
00:07:47Oh, there's life in the old girl, yes.
00:07:49Don't inhale, dearie.
00:07:50I say, I've got to be getting along.
00:07:54It's a little matter of a barmaid at the crown on anchor.
00:07:57And very nice, too.
00:07:59Cheerio.
00:08:01Funny fellow, isn't he?
00:08:02I say, Carrie, it must have been wonderful having that life in Paris.
00:08:06Well, it was.
00:08:07And do you mean that you really knew all those fascinating women?
00:08:11Well, some of them.
00:08:12I say, you're just the man I'm looking for.
00:08:14I wonder if you couldn't help me.
00:08:15In what way?
00:08:16Well, there's a girl, and I can't get anywhere with her.
00:08:19And you've been to Paris, and all that.
00:08:22I'm sure you could say something that would give me a starter.
00:08:24I'd ask Griffiths, only he couldn't do it and remember whom you was doing it for.
00:08:28Oh, but you're just the man.
00:08:29You know, say something to make her laugh.
00:08:36What?
00:08:37You don't believe it?
00:08:39You are too suspicious.
00:08:51I say, she's marvelous, isn't she?
00:08:53No, she's anemic.
00:08:59You don't suppose she likes that bounder, do you?
00:09:08Of course.
00:09:10Now's your chance.
00:09:11Say something.
00:09:15Well, I see your friend's going.
00:09:17I don't know what you mean.
00:09:20I was referring to the nobleman with the sandy mustache.
00:09:24Has he left you for another?
00:09:25Some people would do better to mind their own business.
00:09:32Why?
00:09:37You have a very nice back.
00:09:39Am I on speaking terms with your back?
00:09:41A woman, you know.
00:09:42You can tell by the pelvis.
00:09:45And that calls himself a gentleman.
00:09:50I apologize.
00:09:51What for?
00:09:52I promised you something charming.
00:09:54And she's turned out to be ill-natured and contemptible.
00:09:57I'm sorry, I let you in for it.
00:09:58Oh, that's all right.
00:09:59You don't suppose I care what an anemic little waitress says to me, do you?
00:10:02Well, I do.
00:10:05I must be going.
00:10:06Coming along.
00:10:08I think I'll have some more tea.
00:10:22Anything you want?
00:10:38Yes, if you don't mind, I'd like to talk to you.
00:10:43Um, filthy weather, isn't it?
00:10:46Makes no difference to me.
00:10:48I have to be here all day.
00:10:49Oh, don't talk like that.
00:10:50I only wanted to say something pleasant.
00:10:53Well, say it.
00:10:55You know, you have a lovely smile.
00:10:57You should use it more often.
00:10:59Now, don't go spoofing me.
00:11:02A girl that works hard all day like I do,
00:11:04don't have much reason to smile.
00:11:07Perhaps I could find a reason.
00:11:09Will you let me try?
00:11:12Well, I don't know whether I will or whether I won't.
00:11:15Well, I hope you'll decide you will.
00:11:19I don't know whether I will.
00:11:20I don't know whether I will.
00:11:21I don't know whether I will.
00:11:22I don't know whether I will.
00:11:23I don't know whether I will.
00:11:24I don't know whether I will.
00:11:25I don't know whether I will.
00:11:26I don't know whether I will.
00:11:27I don't know whether I will.
00:11:28I don't know whether I will.
00:11:29I don't know whether I will.
00:11:30I don't know whether I will.
00:11:31I don't know whether I will.
00:11:32I don't know whether I will.
00:11:33I don't know whether I will.
00:11:34I don't know whether I will.
00:11:35I don't know whether I will.
00:11:36I don't know whether I will.
00:11:37I don't know whether I will.
00:11:38I don't know whether I will.
00:11:39I don't know whether I will.
00:11:40I don't know whether I will.
00:11:41Let's go.
00:12:11Let's go.
00:12:41Let's go.
00:13:11Excuse me, won't you?
00:13:13Yeah, yeah.
00:13:18How do you do?
00:13:19You seem to be in a great hurry.
00:13:21Well, I've been waiting ten minutes.
00:13:26I didn't know you could drop.
00:13:28Didn't you?
00:13:29That meant to be me.
00:13:30Looks like you, doesn't it?
00:13:32Let me look at it that way.
00:13:34Tea?
00:13:37You are a strange sort.
00:13:41I say, will you die with me sometime?
00:13:43And we'll go to the theatre.
00:13:45I don't mind.
00:13:46I don't mind.
00:13:47When will you come?
00:13:48I'm off Thursdays.
00:13:49All right.
00:13:50Shall we say Thursday?
00:13:51Seven o'clock, Victoria Station.
00:13:58All right.
00:13:59I'll meet you, Victoria, in the second-class waiting room.
00:14:01All tickets, please.
00:14:02Show me all tickets.
00:14:03All tickets, please.
00:14:04Show me all tickets.
00:14:05All tickets, please.
00:14:07Show me all tickets.
00:14:08All tickets, please.
00:14:09Show me all tickets.
00:14:10All tickets, please.
00:14:11Show me all tickets.
00:14:12All tickets, please.
00:14:13Show me all tickets.
00:14:14All tickets, please.
00:14:15Show me all tickets.
00:14:16All tickets, please.
00:14:17Show me all tickets.
00:14:18All tickets, please.
00:14:19Show me all tickets.
00:14:20All tickets, please.
00:14:21All tickets, please.
00:14:22Both range, platform 19.
00:14:25All tickets, please.
00:14:27Show me all tickets.
00:14:29All tickets, please.
00:14:31All tickets, please.
00:14:33All tickets, please.
00:14:34All tickets, please.
00:14:35All tickets, please. Show me all tickets.
00:14:39All tickets, please.
00:14:42Show me all tickets.
00:14:44All tickets, please.
00:14:46Show me all tickets.
00:14:48All tickets, please.
00:14:50Boat train platform 19.
00:14:53All tickets, please.
00:15:00Well, I thought you were never coming.
00:15:02I like that, after keeping me waiting.
00:15:04I almost went home.
00:15:06I was in the second-class waiting room.
00:15:07I thought you said you'd be there.
00:15:09Now I say.
00:15:10Is it likely I'll sit in the second class
00:15:12when I could sit in the first?
00:15:14For a gentleman of brains, you don't use them, do you?
00:15:17Perhaps not.
00:15:19Anywhere you're here, so it's all right, isn't it?
00:15:22You certainly do make a girl feel important to you.
00:15:28I love that music.
00:15:30Whenever I hear it, I think of you.
00:15:38How pale you are.
00:15:40How strange, how cold.
00:15:46You are going it.
00:15:48Do you always order champagne?
00:15:52No.
00:15:53Then why'd you do it now?
00:15:58I was hoping it would make you more friendly.
00:16:04Do you think it will?
00:16:05It will.
00:16:06There's one thing I can say for you.
00:16:09A gentleman in every sense of the words.
00:16:23a gentleman.
00:16:39May I see you again?
00:16:41I don't mind.
00:16:43Doesn't it make any difference to you?
00:16:46No.
00:16:48You don't take me out, someone else will.
00:16:53I'll say goodnight here.
00:17:08Won't you stay for a moment?
00:17:09No.
00:17:10Why not?
00:17:11Why?
00:17:12People will think I don't know what all.
00:17:14I'll say goodnight here.
00:17:16Won't you stay for a moment?
00:17:18No. Why not?
00:17:20Why? People would think I don't know what all.
00:17:44I'll say goodnight here.
00:18:14I love that music.
00:18:24Whenever I hear it, I think of you.
00:18:27Whenever I hear it, I think of us.
00:18:44I've never danced with anyone who dances like you.
00:18:54I've never danced with anyone who dances like you.
00:19:07I've been looking for you all my life.
00:19:12You don't seem to have much to do with your time.
00:19:16I should be studying.
00:19:18Why don't you?
00:19:20Well, I'd rather see you.
00:19:22Any of the girls notice you're waiting for me?
00:19:24I don't know.
00:19:25What difference does it make?
00:19:27They all laugh at you, you know.
00:19:29Do they?
00:19:30Why?
00:19:31They say you're in love with me.
00:19:32May I call you Mildred?
00:19:33I don't mind.
00:19:34I don't mind.
00:19:35Look here.
00:19:36Don't say that anymore, will you?
00:19:37Why not?
00:19:38Why not?
00:19:39Well, I'd rather see you.
00:19:41Any of the girls notice you're waiting for me?
00:19:43I don't know.
00:19:44Why, what difference does it make?
00:19:45They all laugh at you, you know.
00:19:47Do they?
00:19:48Why?
00:19:49They say you're in love with me.
00:19:52They say you're in love with me.
00:19:57May I call you Mildred?
00:19:58I don't mind.
00:20:01Look here.
00:20:02Don't say that anymore, will you?
00:20:04Why not?
00:20:05Well, alternate, I'll call you Mildred.
00:20:08And you call me Philip, will you?
00:20:11If I think of it.
00:20:13I, um...
00:20:15I'm a little awkward at this, but...
00:20:17Will you kiss me goodnight?
00:20:19No.
00:20:22Oh, Mildred.
00:20:24Will you come to the theater with me on Saturday?
00:20:26I don't mind.
00:20:37You're sure they're for Saturday?
00:20:38Certainly.
00:20:52No.
00:20:59My name is Mildred.
00:21:00Emile Mildred.
00:21:01We should know each other.
00:21:02Why?
00:21:03Well, we are both interested in the same thing.
00:21:07Thing?
00:21:08My dear young man, you are so, um...
00:21:11So, uh...
00:21:13Artistic.
00:21:14You, you should be more...
00:21:17Like so.
00:21:18Cool.
00:21:19Thanks.
00:21:20Thanks very much.
00:21:21That's, uh...
00:21:22That's all right.
00:21:24It change?
00:21:30Well, what time should I see you?
00:21:32Oh, I forgot to tell you, Philip.
00:21:33I can't go.
00:21:35Why not?
00:21:36Me aunt's ill.
00:21:41Oh.
00:21:42Well.
00:21:49What's the sense in that?
00:21:51You don't suppose I want to go by myself, do you?
00:21:53I only got them for your sake.
00:21:55Well, you needn't go on about it.
00:21:56Violet.
00:22:03Violet.
00:22:04Quit violence.
00:22:06Violet.
00:22:07Violet.
00:22:08Violet.
00:22:09Violet.
00:22:11Violet.
00:22:13Violet, drop in the valley.
00:22:15Violet, drop in the valley.
00:22:17Violet, drop in the valley.
00:22:19You're spying on me.
00:22:20I always thought you were a gentleman with every sense of the word.
00:22:23Are you going out with Miller?
00:22:24No.
00:22:25Violets, sweet violets, duppin's a bunch.
00:22:29Well, what if I am?
00:22:31I can go out with him if I want to, can't I?
00:22:33Violets, sweet violets, duppin's a bunch.
00:22:36He's keeping you waiting, isn't he?
00:22:38Well, I'd rather wait for him than if you wait for me.
00:22:41Violets, sweet violets, duppin's a bunch.
00:22:46Won't you change your mind?
00:22:48I'll get some more tickets and we'll...
00:22:49No.
00:22:51Violets, sweet violets, duppin's a bunch.
00:22:55Violets, you keep looking for him the way I look for you.
00:23:01Violets, Violets, if you don't come out for me tonight, you'll never see me again.
00:23:08Good riddance to bad rubbish.
00:23:09Violets, Violets, Violets, Violets.
00:23:25Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Violets, Viol
00:26:55And so do I.
00:27:00What do you mean?
00:27:02I'm sorry.
00:27:03I didn't mean...
00:27:05You're a bit too superior for me, my fine young friend.
00:27:07You're a bit too late.
00:27:08You're a bit too late.
00:27:09You're a bit too late.
00:27:14You're a bit too late.
00:27:15I didn't mean to be a bit too late.
00:27:19You don't like me.
00:27:20I'm a cripple.
00:27:21Oh, Bill.
00:27:22It's a mess.
00:27:23Oh, yes.
00:27:24I've done it all along.
00:27:25You're a bit too late.
00:27:26You're a bit too late.
00:27:27You're a bit too late.
00:27:32You're a bit too late.
00:27:33You're a bit too late.
00:27:39You're a bit too late.
00:27:40You're a bit too late.
00:27:46You're a bit too late.
00:27:47You're a bit too late.
00:27:53You're a bit too late.
00:27:55You don't know what you're doing.
00:27:56What sort of practice can you expect to have with a wife like that?
00:27:59I don't know.
00:28:00Let me ask you something.
00:28:01Why do you want to marry this girl?
00:28:05Because I'm so in love with her.
00:28:07Oh.
00:28:16That ring with the little design is very popular, sir.
00:28:19We celebrate many of them.
00:28:20They're 30 shillings.
00:28:25Thank you, sir.
00:28:26Hello.
00:28:27Hello.
00:28:28Were you surprised by asking you to take me to dinner tonight?
00:28:31I was delighted.
00:28:33Were you?
00:28:34Yeah.
00:28:35Why?
00:28:36Oh, I don't know.
00:28:37You've been so sweet to me all day.
00:28:39I've got something to ask you and it makes it so much easier for me.
00:28:42It makes it easier for me, too.
00:28:44I have something to tell you.
00:28:46No, no, no.
00:28:47Let me tell you first.
00:28:52There it is.
00:28:53I want you to marry me.
00:28:56I'm so sorry, Philip.
00:28:58That's just what I was about to tell you.
00:29:01I shouldn't have waited so long.
00:29:03The fact is,
00:29:05I'm going to be married.
00:29:08Are you?
00:29:10To whom?
00:29:11A man I know.
00:29:13He earns very good money.
00:29:14Yes, I'm sure of it.
00:29:17Now, you won't go on about it, will you, Philip?
00:29:20All right.
00:29:21I'm getting on.
00:29:22Twenty-four.
00:29:23It's time I settled down.
00:29:24This gentleman earns seven pounds,
00:29:25and Whitney's got good prospects.
00:29:26Well, this is goodbye.
00:29:27I hate to eat and run, Philip, but it's time I settled down.
00:29:29This gentleman earns seven pounds,
00:29:31and Whitney's got good prospects.
00:29:33Well, this is goodbye.
00:29:34I hate to eat and run, Philip, but...
00:29:35Well, I have an engagement.
00:29:36I'm going to the theatre with the gentleman I'm going to marry.
00:29:40I hate to eat and run, Philip, but...
00:29:42Well, I have an engagement.
00:29:43I'm going to the theatre with the gentleman I'm going to marry.
00:30:04Love me tonight.
00:30:05Make a song for the day.
00:30:06Love me tonight.
00:30:08That's me!
00:30:11Bye.
00:30:12Give me a song for the day,
00:30:13that's where you'll come from here.
00:30:14Let's go.
00:30:15Talk to me tonight.
00:30:16Let's go.
00:30:17Also, come here.
00:30:18Come here tonight.
00:30:20拜 este!
00:30:21All the ladies and I think.
00:30:26And hung us.
00:30:28Come here tonight.
00:30:29All the ladies and when you're coming in.
00:30:31Come here tonight.
00:30:32All the ladies and when you've gone.
00:30:33Let's go.
00:30:34Let's go.
00:30:35See.
00:30:37L edge ladies and with the ladies,
00:30:38All the ladies open to the night.
00:31:08Have you seen her since?
00:31:14No.
00:31:14Well, London is the largest city in the world.
00:31:17And you know the cure for one woman.
00:31:19Another.
00:31:20Right-ho.
00:31:22Right-ho.
00:31:25Have you seen her since?
00:31:28No.
00:31:30Well, London is the largest city in the world,
00:31:32and you know the cure for one woman.
00:31:35Another. Right-ho.
00:31:48Nora, you don't read such junk, do you?
00:31:52No, I write it.
00:31:53What?
00:31:55That's how I earn my living.
00:31:57I didn't earn.
00:31:58Successful?
00:31:59Very.
00:32:00I have an immense popularity amongst kitchen maids.
00:32:03They think me so refined.
00:32:09Let's not talk about that.
00:32:13Let's talk about us.
00:32:23Let's talk about that.
00:32:27Nora.
00:32:29You're not really fond of me, are you?
00:32:33Clever boy.
00:32:34You ask such foolish questions.
00:32:37Oh, my dear. It never struck me that you could be.
00:32:40Pleased?
00:32:41Delighted.
00:32:43And so proud and so happy and so...
00:32:45so grateful.
00:32:47I wish you hadn't been in love with...
00:32:49what was her name?
00:32:52Mildred.
00:32:54Because if she hadn't treated you so abominably...
00:32:57it wouldn't have taken you so long to understand how I feel.
00:33:00I saw you.
00:33:01I wasn't very quick.
00:33:02Let's go out and play.
00:33:03Not until you've passed that exam.
00:33:04No.
00:33:05No.
00:33:06No.
00:33:07No.
00:33:08No.
00:33:09No.
00:33:10No.
00:33:11No.
00:33:12No.
00:33:13No.
00:33:14No.
00:33:15No.
00:33:16No.
00:33:17No.
00:33:18No.
00:33:19No.
00:33:20No.
00:33:21No.
00:33:22No.
00:33:23No.
00:33:24No.
00:33:25No.
00:33:26No.
00:33:27No.
00:33:28No.
00:33:29No.
00:33:30No.
00:33:31No.
00:33:32No.
00:33:33No.
00:33:34No.
00:33:35No.
00:33:36No.
00:33:37No.
00:33:38No.
00:33:39No.
00:33:40No.
00:33:41No.
00:33:42No.
00:33:43No.
00:33:44No.
00:33:45No.
00:33:46No.
00:33:47No.
00:33:48No.
00:33:49No.
00:33:50No.
00:33:51No.
00:33:52No.
00:33:53No.
00:33:54No.
00:33:55No.
00:33:56No.
00:33:57No.
00:33:58No.
00:33:59Tell me, darling, what do you get out of this?
00:34:03You'll never know.
00:34:06I'm afraid you don't get much fun with me.
00:34:09I wish...
00:34:11If only I could take you dancing.
00:34:14I know how you love it.
00:34:16Philip, it's very silly of you to be so sensitive about your foot.
00:34:20You know, other people don't think about it nearly as much as you do.
00:34:24They notice it when they first see you, and after that they forget all about it.
00:34:27You know, I only speak of it because I love you.
00:34:31And I don't want it to make you unhappy.
00:34:34Now, will you please stay here and go on cramming for that exam?
00:34:42There's a lady to see you, sir.
00:34:45I'm sorry.
00:34:47I'm sorry.
00:34:49I'm sorry.
00:34:51I'm sorry.
00:34:53I'm sorry.
00:34:55There's a lady to see you, sir.
00:34:57Oh, is there?
00:34:58I shouldn't have let her in, but she was that upset.
00:35:01I just...
00:35:02Nora!
00:35:10What do you want?
00:35:11I don't think I'd ever see you again.
00:35:17I didn't think I'd ever see you again.
00:35:27What's the matter?
00:35:30He's left me.
00:35:32Emo.
00:35:35Oh, has he?
00:35:37Yes.
00:35:42Of course, I'm going to have a baby.
00:35:43Well, why don't you sit down?
00:35:46Well, why don't you sit down?
00:35:49Well, why don't you sit down?
00:36:11I suppose you want him back.
00:36:13He'll never come back.
00:36:15Why not?
00:36:17He just won't, that's all.
00:36:19Well, you're his wife.
00:36:20He has to provide for you.
00:36:22He won't give me anything.
00:36:29Even if he did, I wouldn't take it.
00:36:31Why not?
00:36:33No matter what's happened, I've still got my pride.
00:36:38That's something, isn't it?
00:36:39Have you got any money?
00:36:42No.
00:36:45Well, you'd better get yourself a place to live.
00:36:47After that, we'll see what can be done.
00:36:49Oh, Philip.
00:36:51You're always so good to me.
00:36:53That's why I knew I could come to you.
00:36:57Now, look here, Mr. Miller.
00:36:59I'd like to know what you're going to do.
00:37:01What do you want?
00:37:03What do you want?
00:37:04What do you want?
00:37:05What do you want?
00:37:06What do you want me to do?
00:37:08Well, I expect you to take care of her.
00:37:10You married her, you know.
00:37:12I?
00:37:14I married Mildred?
00:37:16I married her?
00:37:18I married Mildred?
00:37:20Ah!
00:37:22I married her.
00:37:24Even one.
00:37:28Well, all the same, I'd still like to know what you intend to do about it.
00:37:30Me?
00:37:31I can do nothing.
00:37:33One man cannot solve the problem of the unmarried mother.
00:37:36Why didn't you tell me?
00:37:38I just couldn't.
00:37:40Well, brace up.
00:37:42Everything will be alright.
00:37:44I will not.
00:37:46I will not.
00:37:51How do you start to look at her?
00:37:53Why didn't you tell me?
00:37:55I just couldn't.
00:37:58Well, brace up.
00:38:00Everything will be alright.
00:38:13Philip, do you still like me?
00:38:31Really?
00:38:33Strange as it may seem, I always have.
00:38:36I suppose I always shall.
00:38:39I did everything I could to make you love me.
00:38:41I thought you were incapable of loving anybody.
00:38:46It seems horrible to think that you were willing to sacrifice everything for that man.
00:38:51I'm awfully sorry, Philip.
00:38:54I shall never forget you wanted to marry me.
00:39:11Philip.
00:39:14Yes?
00:39:16You've been so nice to me.
00:39:21I'll do anything you want.
00:39:25Will you?
00:39:26Why?
00:39:27Why, I owe it to you.
00:39:31Oh, do you?
00:39:33You're not angry?
00:39:41No.
00:39:47Then will you stay and have some dinner?
00:39:50Yes, if you want me to.
00:39:52Of course, Philip.
00:39:55Nothing could like me more.
00:39:57Just a moment and I'll have everything ready.
00:40:00Let's see.
00:40:00Please, it's perfect.
00:40:00THE END
00:40:30Come in.
00:40:41Hello, darling.
00:40:43Nora.
00:40:46How did you happen to come?
00:40:48Just passing by.
00:40:52I wanted to rub my nose against your door.
00:40:58Philip.
00:41:00Why haven't I heard from you?
00:41:02I was just going to write.
00:41:04Why haven't you come to see me?
00:41:07Well, I've been busy.
00:41:12Why so silent?
00:41:15Well, you see...
00:41:17Nora.
00:41:20I've got something strange to tell you.
00:41:22You've been so good to me, it only makes it harder.
00:41:24Philip, what's wrong?
00:41:30I'm sorry, it's just over.
00:41:33You mean you don't care for me anymore?
00:41:36I'm afraid so.
00:41:38What have I done?
00:41:39Nothing.
00:41:40You've been wonderful to me.
00:41:42It's just that I...
00:41:43I...
00:41:43Of course, I knew you never loved me as much as I love you.
00:41:53Yes, I'm afraid that's usually the case.
00:41:56There's usually one who loves.
00:41:58And one who is loved.
00:41:59Well, it's always the same.
00:42:03If you want a man to be nice to you, you have to be rotten to him.
00:42:07If you treat a man honestly, you...
00:42:14Philip.
00:42:16There's someone else.
00:42:17There's someone else.
00:42:21Yes.
00:42:24Who is she?
00:42:26Mildred.
00:42:28She's come back.
00:42:31After all she's done.
00:42:34How could you?
00:42:37That's what I'd like to know.
00:42:40Just as though you were...
00:42:41bound to her in some way.
00:42:44Yes.
00:42:45As I am to you.
00:42:49As she was to Miller.
00:42:51As every human being is.
00:42:54To something or other.
00:43:09Funny-looking little thing, isn't it?
00:43:12I can't believe it's mine.
00:43:13No, if you'll excuse me.
00:43:24So glad it's over, darling.
00:43:27You've been so good to me, Philip.
00:43:30From now on, things will be different.
00:43:31Now, you will take good care of her, won't you?
00:43:41That I will, Mum.
00:43:46Good day.
00:43:47Good day.
00:43:47I know you don't like it, Philip.
00:43:50I can't do anything else if I'm going to work.
00:43:52No, I suppose not.
00:43:53But be sure and go over on Sundays and see the baby's properly taken care of.
00:43:57I will.
00:43:58What are we going to do this afternoon?
00:44:00Uh, I asked Griffiths to come over.
00:44:01Oh, did you?
00:44:02Why?
00:44:03Well, I know you'll find him amusing and I, I'm always afraid of boring you.
00:44:08Well, I know you'll find him amusing and I, I'm always afraid of boring you.
00:44:14Hello, hello, hello.
00:44:15Hello, hello.
00:44:16Sorry, I'm late.
00:44:17Had to get rid of a girl.
00:44:18Why didn't you bring her along?
00:44:19Oh, I'm not interested in my girl.
00:44:20I'm only interested in other men's girls.
00:44:21Do you like me?
00:44:22Do you like me?
00:44:23Yes.
00:44:24Yes.
00:44:25Yes.
00:44:26Yes.
00:44:27Yes.
00:44:28Yes.
00:44:29Yes.
00:44:30Yes.
00:44:31Yes.
00:44:32Yes.
00:44:33Yes.
00:44:34Yes.
00:44:35Yes.
00:44:36Yes.
00:44:37Yes.
00:44:38Yes.
00:44:39Yes.
00:44:40Yes.
00:44:41Yes.
00:44:43Yes.
00:44:44Yes.
00:44:50Yes.
00:44:51Oh.
00:44:52I think I like you lots.
00:44:53I'd like you a lot more if you've got him to take us out to dinner tonight.
00:44:58And if you do I'll tell you some funny stories.
00:45:00You'll laugh and think you're having a wonderful time.
00:45:02What will he do?
00:45:03Oh.
00:45:04Pay the bill.
00:45:05What's that, Bill, your missus, I'm sorry, I thought it was your sister.
00:45:35Good night, Philip.
00:45:41Good night.
00:46:06Just a moment.
00:46:08Are you in love with Mildred?
00:46:10I?
00:46:13So that's what you've been so funny about, huh?
00:46:16Well, my dear old boy, I...
00:46:18It doesn't matter to you, Harry, you've got so many women.
00:46:22Don't take Mildred away from me.
00:46:24But my dear old boy, she's nothing to me at all.
00:46:28Nothing at all.
00:46:35Do you like it, Philip?
00:46:36Very much.
00:46:38So nice of you to give it to me.
00:46:43What are you thinking about?
00:46:45You were having quite a flirtation with Griffiths last night.
00:46:47Yes, I am.
00:46:49Yes, I am.
00:46:51Yes, I am.
00:46:53What are you thinking about?
00:46:55You were having quite a flirtation with Griffiths last night.
00:46:57Yes, I am.
00:46:59Yes, I am.
00:47:01Yes, I am.
00:47:02As a matter of fact, well...
00:47:05I'm sort of in love with him.
00:47:07Well, I'm not surprised.
00:47:09Why, what do you mean?
00:47:11Well, Griffiths is good-looking, he's amusing, he says the kind of things that make you laugh.
00:47:14Oh, thank you not to make fun of me.
00:47:16You're a bit too superior for me, my fine young friend.
00:47:18Oh, good heavens, Mildred, I wasn't making fun of you.
00:47:19Well, you certainly don't act as if it's serious.
00:47:21Well, I don't think it is.
00:47:22Oh, you don't, eh? Why not?
00:47:23Because Griffiths isn't in love with you.
00:47:25How do you know?
00:47:27I asked him.
00:47:28Would you like to read a letter I got from him this morning?
00:47:43I've been up all night thinking about you.
00:47:46And I've just sent for a special messenger who will take this to you in the dawn.
00:47:49You've no notion of the time I had with... with your friend last night.
00:47:56He kept asking me if I love you, and of course, what could I say?
00:48:01He'll doubtless tell you all this, so I'm making sure that you...
00:48:06Well, can't help it if I love him, can I?
00:48:18No, I suppose not, but...
00:48:19Then whatcha going on about?
00:48:21Nothing.
00:48:23Only I was fool enough to think that you cared for me.
00:48:26I do, Philip.
00:48:28As a friend.
00:48:30Not in any other way.
00:48:31But you do care for Griffiths in... the other way.
00:48:38But you're... you're rather cold.
00:48:40That... that sort of thing doesn't mean anything to you.
00:48:44That's what you think.
00:48:56There's no use going on about it, Philip.
00:48:57Said yourself I couldn't help it if I'm in love with him.
00:49:08Well, if there's anything else to be said, say it.
00:49:11That's a nice dress you have on, Mildred.
00:49:16I couldn't afford it, but I paid for it.
00:49:19You have a nice apartment.
00:49:22I couldn't afford it, but I paid for...
00:49:23If you're a gentleman, do you think you'd throw what you've done for me in the face?
00:49:27Do you think it matters to me whether I'm a gentleman or not?
00:49:30If I were a gentleman, you don't suppose I'd care for a cheap bugger little...
00:49:35I'm sorry, Philip.
00:49:38I didn't want to end this way.
00:49:44Harry's waiting for me.
00:49:46What do you intend to do?
00:49:48We're going to Paris.
00:49:49Get out.
00:49:51Get out!
00:49:53Get out!
00:50:19Get out!
00:50:21Get out!
00:50:23Get out!
00:50:24Get out!
00:50:26Get out!
00:50:27Get out!
00:50:31Get out!
00:50:33Get out!
00:50:35Get out!
00:50:37Get out!
00:50:39Get out!
00:50:41Get out!
00:50:43Get out!
00:50:45Get out!
00:50:47I've moved three times.
00:50:49And each time this woman's hounded me down.
00:50:52I don't like to do this, but...
00:50:53All right, sir.
00:50:54I'll move on.
00:50:56Come on, girl lady.
00:50:57You can't stay here.
00:50:59Come on now.
00:51:24Look here, Carrie.
00:51:26Mildred and I are all washed up.
00:51:28That's too bad.
00:51:31If you'll excuse me, I'm due in the ward.
00:51:32Anything interesting, Carrie?
00:51:34I was just thinking what an unusual name you have.
00:51:36It's a very old Yorkshire name.
00:51:37Once took a day's riding across our estates.
00:51:39And here I am in a chamber in a chamber in a chamber in a chamber in a chamber in a chamber in a chamber in a chamber in a chamber.
00:51:42Because my father loved fast,
00:52:08As of the mighty a fallen!
00:52:09Hi, Father.
00:52:13Hello!
00:52:19This is my daughter, Maria Del Sol.
00:52:23Her mother always called her Sally.
00:52:26This young man is a student here.
00:52:28He's been very nice to me.
00:52:30And with some inducement, he might be nice to you.
00:52:32Now, Father,
00:52:34Father's genius is saying the wrong thing.
00:52:36He thinks it's fun to embarrass me.
00:52:39It is.
00:52:41Why don't you try it sometime, Carrie?
00:52:43I will, if I get the chance.
00:52:45You shall have it.
00:52:47You're coming to see us the first Sunday I'm home.
00:52:50Oh, yes, please do.
00:53:06What a quaint house.
00:53:21Yes, it is, but it's not very sanitary.
00:53:23Sanitation be hanged, give me art.
00:53:26I've got nine children and they thrive on bad dreams.
00:53:29Look at that now.
00:53:31I am, with great admiration.
00:53:37Shall I bring the ale, Father?
00:53:38Right, my girl. The sooner the better.
00:53:42I hope you didn't have the table in here on my account.
00:53:45I'd have been quite happy to have had dinner with Mrs. Athelny and the children.
00:53:48Oh, no. I always take meals by myself.
00:53:51I like these antique customs.
00:53:53I don't think women ought to sit down at table with men.
00:53:56Oh, don't you? Why not?
00:53:58It ruins conversation.
00:54:01I'm sure it's very bad for them.
00:54:02It puts ideas in their heads.
00:54:04And women are never at ease with themselves when they have ideas.
00:54:08You sound like the voice of old England.
00:54:10I am, sir.
00:54:12And it's this fine old Yorkshire pudding that gives me strength to carry on.
00:54:15Now, stop getting up and down like a jumping jack every time she comes into the room.
00:54:20She doesn't want you to make a fuss about her, do you, Sally?
00:54:22And she won't to get rude if you sit still while she waits on you.
00:54:26She don't care to hang for chivalry, do you, Sally?
00:54:29No, father.
00:54:31You speak quietly while I even the young man so boldly.
00:54:37Yes, father.
00:54:39You know what I'm talking about, Sally?
00:54:42How could I, darling? You're so clever.
00:54:45Don't stand by my chair in order to make eyes at him.
00:54:49Better get Phillip some more ale.
00:54:59Ah, thy word. Is there anything better than English ale?
00:55:05Let us thank God for simple pleasures, a good appetite, roast beef and beer.
00:55:11I was married to a lady once.
00:55:16Good heavens.
00:55:18Never marry a lady, my lord.
00:55:20Oh, really? Why?
00:55:21Because a lady has a point of view, a personality and an individuality.
00:55:26All to devil you with.
00:55:28Hang it all, you want a waifuga and cook your dinner and look after your children.
00:55:33Don't you think so, Sally?
00:55:35Father, I think you'll talk the hind leg off a donkey.
00:55:37Well, it's clean fun.
00:55:39Now, Sally, wait it on me, I'll wait on you.
00:55:41Take my chair here.
00:55:43While I fetch you and the young man some cheese.
00:55:45Thank you, father.
00:55:47What do you think of us?
00:55:48You don't know what this means to me.
00:55:52You see, I frankly never had any family.
00:55:55This is almost the only place I've ever known that's had the quality of,
00:55:58of home.
00:56:02Well, thank you, father.
00:56:10It's no use mooning over her, Carrie.
00:56:14Sally never kisses a gentleman until he's been here twice.
00:56:19You must ask me again sometime.
00:56:24Do it yourself.
00:56:26Why don't you come next Sunday?
00:56:27I'll see you next Sunday.
00:56:28I'll see you next Sunday.
00:56:29I'll see you next Sunday.
00:56:57May I walk to the station with you?
00:56:59No.
00:57:00Why not?
00:57:01It's too late when you're a child.
00:57:03I'm twenty.
00:57:05Let's talk it over when you're thirty.
00:57:08If I'm twenty.
00:57:10I'll see you next Saturday.
00:57:12Well, I'll see you next Sunday.
00:57:14It'll be about six.
00:57:16When you're thirty.
00:57:18I'll see you next Sunday.
00:57:19No.
00:57:20Why not?
00:57:21It's too late and you're a child.
00:57:23I'm twenty.
00:57:25Let's talk it over when you're thirty.
00:57:43Did you hear what I said, old man?
00:57:45Yes, I heard.
00:57:48Sorry if I brought up a painful subject,
00:57:50only I thought you'd be interested to hear about Mildred.
00:57:53Sorry she's had such a bad time.
00:57:55I gave her all I could, but you know me,
00:57:57or Stoney Broke.
00:58:00I thought perhaps you'd want to...
00:58:01I can't do anything.
00:58:03Got another cigarette?
00:58:06I don't blame you.
00:58:08I wouldn't have told you, only she asked me to give you her address.
00:58:13Gave me a bit of a jolt, I can tell you,
00:58:14of seeing her lugging that baby around and asking for something to eat.
00:58:18She has the baby with her?
00:58:20Yes.
00:58:21It's not difficult to imagine her next step.
00:58:44No!
00:58:45I don't think I was.
00:58:46I'm tired.
00:58:47No, I don't think I was.
00:58:48I can't do anything.
00:58:49I don't know.
00:58:49I don't know.
00:58:50No?
00:58:50No.
00:58:51No.
00:58:51Okay.
00:58:51Yeah.
00:58:52No.
00:58:52No.
00:58:53No.
00:58:53No.
00:58:54No.
00:58:55No.
00:58:56No.
00:58:57No.
00:58:58No.
00:58:58No.
00:58:59No.
00:58:59No.
00:59:01No.
00:59:02Baby, all right?
00:59:17I'm very grateful to you, Philip.
00:59:20If I could afford it, I'd have given you a place of your own.
00:59:23As it is, you're welcome to my room.
00:59:27I don't know what will become of me and...
00:59:30And Baby, you hadn't taken us in.
00:59:33Oh, you'd have got on, I expect.
00:59:36You've always been much nicer to me than I deserved.
00:59:40I'm beginning to realise how silly I've been.
00:59:43Well, you couldn't help how you felt.
00:59:45Let's not talk about it, shall we?
00:59:49I don't feel like that now.
00:59:52Okay, Mildred.
00:59:54Let's have no misunderstanding about this.
00:59:56The reason you're here is because...
00:59:58I know.
01:00:00Because you once liked me enough to want to marry me.
01:00:06Yes.
01:00:07Well, at least I can cook for you and keep your flat clean.
01:00:15Maybe someday you'll...
01:00:18You'll feel better about me and...
01:00:20Things will be like they used to be.
01:00:22Well, goodnight.
01:00:27Oh, thanks.
01:00:29I'll smoke it later.
01:00:34Well...
01:00:36Goodnight.
01:00:40Goodnight.
01:00:41All right.
01:01:11The landlubbie came upstairs a little while ago, she said, Mrs. Carey, she said, how can
01:01:40you stand it?
01:01:42Well, what's the matter with them?
01:01:45They're indecent.
01:01:46Disgusting, I calls it, to have drawings of naked people about.
01:01:50If you want to know what I think, I've half a mind to take them down myself.
01:01:55You do nothing of the kind.
01:02:00I love those pictures, Mildred.
01:02:03I love them for what they were meant to be.
01:02:10What happened to it?
01:02:15Hmm?
01:02:16What?
01:02:17The way you used to love me.
01:02:19Oh, I don't know.
01:02:21I was disappointed so often and hurt so much.
01:02:25Besides, what difference does it make, anyway?
01:02:28Nothing, only remember how you got when I was so cold to you?
01:02:32Getting me that way because you're so cold to me.
01:02:33No one else is there.
01:02:34No one else, is there?
01:02:35No one else is there.
01:02:36No, no.
01:02:37Why?
01:02:38No.
01:02:39Why?
01:02:40What?
01:02:41What?
01:02:42What?
01:02:43The way you used to love me.
01:02:44Oh, I don't know.
01:02:45I was disappointed so often and hurt so much.
01:02:47Do you remember how you got when I was so cold to you?
01:02:50You're getting me that way.
01:02:52But you're so cold to me.
01:02:55No one else, is there?
01:03:17No, no.
01:03:39He's not in love with anybody.
01:04:17Where were you?
01:04:26Athelnes.
01:04:28What are you doing up?
01:04:30I couldn't sleep.
01:04:36Hadn't you better put on something warmer?
01:04:39Oh, I'll be all right.
01:04:43Just let me stay here.
01:04:47Phil.
01:04:54Phil, I love you so much.
01:04:56No nonsense.
01:04:57It isn't.
01:04:58I can't live without you.
01:05:00Please get up.
01:05:02You're making a fool of yourself and a fool of me.
01:05:04Oh, Phil, please.
01:05:17I can't go on like this.
01:05:25Nonsense.
01:05:25You haven't anywhere to go.
01:05:27Stay here as long as you like.
01:05:29But with the definite understanding that...
01:05:30You disgust me.
01:05:42You disgust me.
01:05:42I disgust you.
01:05:51You.
01:05:52You.
01:05:54You're too fine.
01:05:56You won't have none of me.
01:05:57But you'll sit here all night looking at your naked females.
01:06:00Mildred.
01:06:00You.
01:06:01You.
01:06:01You.
01:06:01Cared.
01:06:02You dirty swine.
01:06:04I never cared for you, not once.
01:06:06I was always making a fool of you.
01:06:08You bored me stiff.
01:06:09I hated you.
01:06:10It made me sick when I had to let you kiss me.
01:06:13I only did it because you begged me.
01:06:15You hounded me.
01:06:15You drove me crazy.
01:06:16And after you kissed me, I always used to wipe my mouth.
01:06:21Wipe my mouth.
01:06:23But I made up for it.
01:06:24For every kiss I had a laugh.
01:06:26We laughed at you.
01:06:27Miller and me and Griffiths and me.
01:06:29We laughed at you because you was such a mug, a mug, a mug.
01:06:34You know what you are, you gippy-legged monster.
01:06:37You're a cripple, a cripple, a cripple.
01:06:46You love these things.
01:06:49You love what they were meant to be.
01:06:51Well, here's what they were meant to be.
01:07:12You want to be a doctor.
01:07:16This will take you through medical school.
01:07:46You're leaving?
01:08:04Why?
01:08:06My money's gone.
01:08:07What do you intend to do?
01:08:09Oh.
01:08:11Anything.
01:08:12Before you go out into the world, don't you think we ought to try and do something about that foot?
01:08:21Think it'll do any good?
01:08:23I'll know better tomorrow.
01:08:29How are you, Philip?
01:08:31I'm all right, Sally.
01:08:32How's the foot?
01:08:34Well.
01:08:36Let's try, shall we?
01:08:37All right.
01:08:41Careful now.
01:09:42Nothing.
01:10:12Why haven't you been to see us?
01:10:35I don't know.
01:10:36I've had things to do.
01:10:38Well, you've been putting on weight.
01:10:42I'm sure you haven't.
01:10:44Why do you say that?
01:10:45The way you look.
01:10:46Oh, that's only my look.
01:10:48I'm afraid it's more than that.
01:10:50I sent you a note last Sunday, and when you didn't answer, I went round to your room.
01:10:55Your landlady said she had to put you out.
01:10:57Hello, Philip.
01:10:58Hello, Philip.
01:10:59Hello, Philip.
01:11:00My dear fellow, by peer raid signal, my daughter just communicated to me confirmation of our suspicions.
01:11:06As you know, I've been on the beach most of my life.
01:11:07In fact, in Tahiti, I was president of the Beachcombers Union.
01:11:11And as such, I'd like to inquire into your amateur standing.
01:11:12Where have you been staying?
01:11:13Oh, anywhere.
01:11:14Why didn't you come here?
01:11:15False modesty, I suppose.
01:11:16Now stop being an Englishman.
01:11:17When a man is on his opposite time, he came down to the house.
01:11:18Now, you know what?
01:11:19You know what?
01:11:20I saw this very well.
01:11:21I know.
01:11:22I've been on the beach.
01:11:23And I saw this very well.
01:11:24I know.
01:11:25I've been on the beach most of my life.
01:11:26I've been on the beach most of my life.
01:11:27I've been on the beach most of my life.
01:11:28In fact, in Tahiti, I was president of the Beachcombers Union.
01:11:29And as such, I'd like to inquire into your amateur standing.
01:11:34Where have you been staying?
01:11:35Oh, anywhere.
01:11:36Why don't you come here.
01:11:37False modesty, I suppose.
01:11:39Now stop being an Englishman.
01:11:41When a man's on his opposite time, he came down to earth.
01:11:44We want you here with us.
01:11:46Well, I...
01:11:49Thanks very much, but I...
01:11:50Don't talk trash.
01:11:52You've got to stay here until you get your bearings.
01:11:54And I want no more fine talk about it.
01:11:56It's all arranged.
01:12:00Well...
01:12:03Well, here goes my amateur standing.
01:12:07I really have no place to go.
01:12:09It's awfully good of you.
01:12:11Nonsense!
01:12:12As you know, the house is completely unsanitary.
01:12:14You'll probably wind up with some foul disease.
01:12:17Now, let him alone, Father. I want to talk to him.
01:12:19Well, I suppose youth must be served,
01:12:21but I must say I'm sick and tired of serving it.
01:12:24Nine of them.
01:12:29Will that do?
01:12:30Looks as if it might.
01:12:32It wouldn't be a very nice night to be out.
01:12:39Not very, no.
01:12:42It's going to be jolly having you here.
01:12:44I hope I shan't have to stay very long.
01:12:46You do? Why?
01:12:47I can't go on like this, you know.
01:12:49I need a job.
01:12:51That's right. Father and I discussed that.
01:12:53There isn't much you've overlooked.
01:12:55I have to sew that on too.
01:12:58And Father has a job for you.
01:12:59Has he where?
01:13:00Where he works.
01:13:01And Father has a job for you.
01:13:02Has he where?
01:13:03Where he works.
01:13:31He's where he comes from.
01:13:32Oh, I have a job.
01:13:33He's not.
01:13:34I don't care why he's here.
01:13:35There's no trouble.
01:13:36He'll be sorry for you.
01:13:58You walk all right now.
01:13:59Now, I saw you in the window.
01:14:06Well, if I never thought you'd come to that.
01:14:12You're very hoarse, throat sore.
01:14:17You haven't forgotten your doctorate, have you?
01:14:20No.
01:14:22Because that's what I want to see you about.
01:14:26Why not go to a doctor?
01:14:32Well, there's the free hospital.
01:14:34Have all them students staring at me.
01:14:40What seems to be the trouble?
01:14:42Well, I cough all the time.
01:14:47Let's have a look at your throat.
01:14:56Phil...
01:15:01It's not the blood.
01:15:03It's not...
01:15:06...my lungs, is it?
01:15:07Phil, it's not my lungs, is it?
01:15:37Where's the baby?
01:15:41She died.
01:15:45Last summer.
01:15:47Oh.
01:15:48You might say you're sorry.
01:15:50I'm not.
01:15:51I'm very glad.
01:15:57I'm afraid I can't help you much.
01:16:07Don't leave me, Philip.
01:16:09I know I've treated you shocking.
01:16:11But don't leave me.
01:16:12Not yet, please.
01:16:14There's no one I can go to.
01:16:16You're the only one that ever treated me like I was human.
01:16:19You're a gentleman, Philip.
01:16:21The only one I've ever met.
01:16:30Some things you need.
01:16:37There's no toxins coming out.
01:16:38You're theulse.
01:16:39When you've been stuck...
01:16:41I know.
01:16:42I know.
01:16:43We'll still be stuck there.
01:16:44Can't wait up.
01:16:45Come on.
01:16:46I know I know.
01:16:47I'm going to look for you.
01:16:48Come on!
01:16:49Let's go.
01:16:50Little House of Pines.
01:16:51Martha.
01:16:52Come on!
01:16:53Let's go!
01:16:54You might say you'redelivitiated.
01:16:56Do you have to leave?
01:16:57After the reason.
01:16:58How don't they get me hooked up?
01:16:59Never knew I'm running through!
01:17:00I know they're happening.
01:17:01So he knows let me see youuestos.
01:17:03From there.
01:17:04I know nothing you will do.
01:17:06Your last day.
01:17:16My Sally, my darling.
01:17:22I was so determined not to let you see.
01:17:26I was so determined not to let you see.
01:17:30My dear, my dear,
01:17:32I was so determined not to let you see.
01:17:37Well, that's sweet of you, to care because I'm going away.
01:17:43I suppose I'm a fool to care, but it doesn't mean you have to do anything about it.
01:17:49You can't help it just because someone loves you and you don't love back.
01:17:55Sally, look at me.
01:17:56Do you think you'll always feel like this about me?
01:17:59Yes.
01:18:03I've known it since the first time you came to our house.
01:18:07I thought at first that I meant something to you, too.
01:18:11Oh, but you did. You do.
01:18:17When I come back, if you still feel the same, will you marry me, darling?
01:18:21When I come back, if you still feel the same, will you marry me, darling?
01:18:31Don't you mean if you still feel the same?
01:18:52Well, this is what you might call the irony of fate.
01:18:57Come on, now. Be quick. Get her out of here.
01:19:02I don't want the likes of her on me, Ann.
01:19:11I understand there's an interesting case.
01:19:13Look here, old man. Don't go in there.
01:19:15Why not?
01:19:18If you please. It's no use.
01:19:19It's no use.
01:19:21I don't want to know if you can come.
01:19:22Oh, Philip, I'm sorry I'm late.
01:19:50You're not. I'm not going.
01:20:00What's that?
01:20:04My wedding present to my wife.
01:20:10When do you intend to marry me?
01:20:13Right away.
01:20:15Thank you, Philip.
01:20:17I beg your pardon.
01:20:20You don't seem very pleased.
01:20:22Well, I am, and I'm not.
01:20:24Why?
01:20:25I'm afraid it's only a noble gesture.
01:20:28That's not enough for marriage.
01:20:29No, no, Sally. It isn't just that.
01:20:32I feel like I like you far too much to ever stand in your way.
01:20:36I'm afraid it's not enough for you.
01:20:39No, no, no, no.
01:20:40I'm scared.
01:20:42Philip, you're free.
01:20:44Oh, yes.
01:20:45Philip, I'm scared.
01:20:49I have a dream.
01:20:50Philip, you're free.
01:20:53Yes, but suddenly...
01:20:55suddenly there's nowhere to go.
01:20:57Actually, sir.
01:20:59No, thanks.
01:21:00I had to be free to realize that.
01:21:05I had to be free to understand that
01:21:07all those years that I dreamed of escaping,
01:21:11it was because I was a young man.
01:21:14I was a young man.
01:21:16All those years that I dreamed of escaping,
01:21:19it was because I was limping through life.
01:21:21Taxi, sir?
01:21:22No, thank you.
01:21:24And because I was bound up with a person who was incredible to me.
01:21:29But that's all over.
01:21:31I'm not limping anymore. My life's all right.
01:21:34Then why don't you go?
01:21:38Because everything that's beautiful to me is right here.
01:21:42Won't you please marry Miss Annie?
01:21:45If you like.
01:21:48But don't you want to?
01:21:51There's no one else I'd marry.
01:21:58How about a taxi, sir?
01:22:00What?
01:22:01How about a taxi?
01:22:03Yes.
01:22:15What?
01:22:16What?
01:22:17What?
01:22:18You into the右 arm?!
01:22:20What?
01:22:21Really?
01:22:22Your John?
01:22:26What?
01:22:27What?
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