- 1 week ago
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😹
FunTranscript
00:00It's mine!
00:02Come on!
00:04Come on!
00:05What are you doing?
00:07Come on!
00:08No!
00:09No!
00:10No!
00:11No!
00:12Oh!
00:13Let's go!
00:14Let's go!
00:15Let's go!
00:16Come on!
00:17You don't have to play ground
00:20which has come for her?
00:21No!
00:22She hasn't come for her
00:24She hasn't come for her
00:25I feel like she has come for her
00:28Yes, ma'am!
00:31I'm her son
00:33Hmm?
00:34Even that...
00:35IAre just a burottle
00:37This
00:38Y вполне...
00:39This Warden Mum
00:39This is personally she demands
00:42It's also...
00:43A person's shi's
00:53Her cientÃfic
00:55Are you ì–´ë–¤...
00:56Oh, my friend, sir.
00:58Don't you say what?
01:00I didn't want to come here.
01:02That's right.
01:03No, that's right.
01:04No, that's right.
01:05No, no, no, no, no, no.
01:07Hey, you?
01:08What's your name?
01:09My name is Beer Bahadur.
01:12That's right.
01:13Hey, I've seen a lot of Beer Bahadur.
01:17Hey, madam, that's the problem.
01:21Why are they scared me?
01:23They think that I'm a dog.
01:26He's a good dog.
01:29You're a dog.
01:31You're a dog.
01:32You're a dog.
01:37Madam, this will take me dust.
01:40That's right.
01:41That night, I saw her.
01:43Her body was yellow.
01:46Oh, how many times have you understood?
01:49It was a night bar.
01:51Madam, it was a night bar.
01:55That's why I thought that I'm blue.
01:58Okay.
01:59And every morning,
02:00your new skin,
02:01who you're wearing?
02:02That's her.
02:03Oh, that's why I made you.
02:06This.
02:07This.
02:08No, no, no.
02:10Please.
02:11инdance.
02:12What?
02:13It's okay.
02:14It's okay.
02:15What?
02:16You see?
02:17I mean, it's okay.
02:18Put it down.
02:19That's it.
02:20Put it like this.
02:21It's okay.
02:22Put your hand on my hand.
02:23Just take it away.
02:24Save it.
02:25Save it.
02:26Save it.
02:27Save it.
02:28You see, madam.
02:29Hey, look, you have to take him to the doctor. Why did he take him to the doctor?
02:34Hey, madam, what can someone be better than you?
02:38Doctor!
02:40I've heard that you understand what you're saying.
02:44You understand what you're saying.
02:46You understand what you're saying.
02:48Madam, you're also a woman, right?
02:52Please, help me.
02:55Hey, help me.
02:58No.
02:59It seems that she's very sad.
03:02Madam, please help her.
03:03What is your woman?
03:05Oh, this emotional family drama.
03:08My heart is a good job.
03:10This child's recommendation is also coming.
03:12Let's go.
03:13I'll explain to her husband.
03:16And I'll remove her in her mind.
03:19Are you happy?
03:20Yeah, thank you.
03:21Very good. You have a nice meeting.
03:23Bye.
03:24Yes.
03:28How much of your teeth are in your mouth?
03:38My teeth are in your mouth.
03:4041, madam.
03:41You won't have to pay for more than 40.
03:44I'll give you 40.
03:45Madam, madam.
03:47I'm not a man.
03:48What should I do, madam?
03:49Madam, I'm not a man.
03:50Madam, I was telling you that you were watching the Naughty Nagin.
03:54And in that Naughty Nagin film, you're scared.
03:58Now, madam, you know that you're scared of a man.
04:04No, no, no, no.
04:05What's that?
04:06Is that no light in your mouth?
04:07It's an idea.
04:09What's that?
04:10To me, I'm the idea that in The Party had a question interesting.
04:14There was no other question.
04:16There was no other question, but I'll give it up.
04:18I can't get her back in her mother's own baby
04:23So, I'm thinking that I'll do two things in one-third.
04:28I'll remove the fear of one man's mind
04:32and the other man's mind, which is already the fear of one man's mind,
04:36I'll raise his hand and I'll do it with him.
04:41Who left with whom?
04:43I've asked myself in my opinion, who left with whom?
04:47We have to go like this,
04:50because you've got to go like this.
04:56This is my opinion.
04:58Don't do it, sir.
05:00We'll make the tree from the tree to the old man's house.
05:04We'll come to our house with cement.
05:07Mr. Nijepaddi, sir.
05:08We'll put the tree and the tree will become the tree.
05:10You'll hear me.
05:13When did you start to become the tree, sir?
05:16Are you a road contractor?
05:17Do you have any dialogue with her?
05:19Do you have any dialogue with her?
05:21Tell me what the work is.
05:24Sir, Madam was saying that she was...
05:26Madam, Madam, Madam, Madam, Madam, Madam.
05:31You need to know all of the tattoos.
05:33Madam, Madam's tattoo.
05:35And here on the name plate, gopina tattoo.
05:39Sir, I would like to suggest that you don't know the name of Madam.
05:44Madam, Madam is a young woman.
05:51Well, then, you will tell me that you are the middle of Madam?
05:54Madam...
05:56...a statue.
05:58Madam is a statue.
06:03Ahahahahha!
06:06Ahahahahha!!
06:08Fuck this, sir.
06:09Madam, in truth, there is no love for me.
06:17That night is also remembered today.
06:21It was a rapid rush.
06:25I was alone alone in Chalki.
06:30The sound of the mendak.
06:34That suddenly the sound of Payal's sound,
06:36someone fell behind me.
06:39I was looking back, but there was no one in there.
06:42And suddenly a woman's ears...
06:47And then...
06:49A woman's head...
06:53And slowly...
06:56A woman's head...
06:59A woman's head...
07:02And that woman...
07:05And that woman...
07:08Who was that woman?
07:18A woman's head...
07:21A woman's head...
07:28Look...
07:29Look...
07:30Don't do it with us...
07:32You both...
07:33We're like our children...
07:35We're like our children...
07:37Hmm...
07:38It seems...
07:39You don't have to believe our story...
07:42Tonight...
07:44There is...
07:45There is...
07:46There is...
07:47There is...
07:48There is...
07:49There is...
07:50You should see...
07:51Look...
07:52Look at...
07:53Madam Ji...
07:54The real rule...
07:58Sir...
07:59Sir...
08:00Sir...
08:01Sir...
08:02Sir...
08:03Sir...
08:04Sir...
08:05Sir...
08:06Sir...
08:07Sir...
08:08Sir...
08:09Sir...
08:10Sir...
08:11It's okay. It's okay. It's okay.
08:14We've got some thoughts.
08:22There's no one here.
08:25There's no one here.
08:29Why did you call me here?
08:41On the other hand, the corner, the corner, the corner, and the corner, and the corner, and the corner, the corner.
08:59You can use them here.
09:02You can use them here.
09:07There are no other questions in this room.
09:11What's your name, madam?
09:18I am a snake.
09:24What?
09:26You're a snake?
09:28You've got hundreds of snakes, right?
09:31There's no snake.
09:34It's not a real snake.
09:39You're a snake.
09:43Why are you so angry?
09:47The snake is very romantic.
09:50We don't have any trouble.
09:54Come on, come on.
09:57Look.
09:59I'm a snake.
10:01I'm scared.
10:06A little bit.
10:09And Eep?
10:14Eep is scared?
10:17No.
10:19Not anything.
10:21Oh, this is a nice thing.
10:23Oh, no.
10:27Oh, no.
10:29Give me this.
10:30Give me this bean.
10:32You'll save the bean.
10:34The bean.
10:35I'll play the bean too.
10:36And I'll play it.
10:38Now the bean and my heart will do it.
10:44Love.
10:45And I'll play it.
10:46Play it.
10:47BACHA!
17:51We're right back.
18:37And inside and leave by his building.
18:39Come.
18:41Get up.
18:42Don't worry, the next time he has a snake attack,
18:46you'll have to wear a blue lens and dance.
18:50It'll be fun.
18:53Thank you, madam.
18:54Okay, bye. Nice meeting. Go, go.
18:56Come, Nikita.
18:57Come.
18:58Excuse me.
18:59I don't know.
19:01And you're going to be a drama, Miss Natin Chota, right?
19:07You're all right.
19:08You're all right.
19:10You're all right.
19:12You're all right.
19:13But you're all right.
19:14You're all right.
19:15Don't you have any drama?
19:17You're all right.
19:19You're all right.
19:21Look, the character's arrangement will be.
19:23Mehendi will be.
19:24So, we'll do the Mehendi and we'll do the Mehendi.
19:26We'll do the question.
19:27Okay, go.
19:28Mehendi and these barati.
19:30Don't leave the marriage.
19:32Oh, God, I'm in the character now.
19:36I'll cut it off.
19:38I'll cut it off.
19:39I'll cut it off.
19:40I'll cut it off.
19:41I'll cut it off.
19:42I'll cut it off.
19:43Excuse me.
19:44This is our first and last warning.
19:47That we and our chambdi are all right.
19:51I'm a good guy.
19:52That's the box.
19:53Yeah.
20:08I'll cut it off.
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