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00:00:00Music
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00:00:56PIANO PLAYS
00:01:26PIANO PLAYS
00:01:56PIANO PLAYS
00:02:26PIANO PLAYS
00:02:55PIANO PLAYS
00:03:25PIANO PLAYS
00:03:55PIANO PLAYS
00:04:24Parabéns, I liked it.
00:04:30You liked it?
00:04:32I liked it.
00:04:34I liked it.
00:04:36I liked it.
00:04:38I liked it.
00:04:40And you always say that?
00:04:42No, no.
00:04:44I'm joking.
00:04:46I liked it.
00:04:48You are very good actresses.
00:04:52You have been together for a long time?
00:04:58We are on the way.
00:05:00Amanda made a monologue.
00:05:02Ah, Amanda.
00:05:04Of course, Amanda.
00:05:06Good name.
00:05:08Good actress too.
00:05:10And yours?
00:05:12Sonia.
00:05:14I have some songs in my room.
00:05:16These are my songs.
00:05:20Do you want to hear?
00:05:26Let's go to my room.
00:05:32Did you like the scene?
00:05:34Did you like it?
00:05:38The piece shows us a little.
00:05:40To hear the toast.
00:05:42Do you think?
00:05:46Call me.
00:05:48I found a man for us.
00:05:52Amanda.
00:05:54Come, Amanda.
00:05:56Come, Amanda.
00:06:04Amanda is still crying.
00:06:06She has a child a little bit.
00:06:08Amanda.
00:06:10Take your clothes.
00:06:12Take your wig.
00:06:14Let's go.
00:06:44Amanda, ela tá com fome, hein?
00:07:02Deixa ela mamar o teu peito.
00:07:04Amanda, eu tô todo suado.
00:07:14Vem dar banho nela, vem.
00:07:33Ela se chama Cristina.
00:07:50Cris.
00:07:53Não gosta de Cris?
00:07:55Gosto.
00:07:57Gosto.
00:07:58Gosto, sim.
00:07:59Toma-me.
00:08:01A tua boca.
00:08:03Toma-me.
00:08:05A tua boca.
00:08:07Toma-me.
00:08:09A tua boca de linho sobre a minha boca, austera.
00:08:16Toma-me agora.
00:08:17Antes...
00:08:18Antes que a carnadura se desfaça a sangue.
00:08:20Antes que a carnadura se desfaça a sangue.
00:08:25Antes da morte, amor.
00:08:27Da minha morte.
00:08:28Toma-me.
00:08:29Crava a tua mão.
00:08:30Respira meu sopro.
00:08:31Deglute.
00:08:32Tempo do corpo.
00:08:33Esse tempo da fome.
00:08:34Do de dentro.
00:08:35Corpo se conhecendo.
00:08:36Lento.
00:08:37Sol de diamante alimentando o ventre.
00:08:38O leite da tua carne.
00:08:49A minha fugidia.
00:09:04And about us this time, future,
00:09:08the great idea.
00:09:11About us, the life.
00:09:14The life is falling down.
00:09:16Cíclica.
00:09:18Scorrendo.
00:09:21Out, out!
00:09:24This is pure shame.
00:09:26Out, out, out, out.
00:09:28This is pure shame.
00:09:30There is some scandal here.
00:09:33There is a discordant voice in the audience.
00:09:37There is a senhor,
00:09:39that is there,
00:09:40who disagree with the mavios text
00:09:42that said by these two here present.
00:09:45For me, this is shit.
00:09:47This is a theater, sirs.
00:09:51The conflict imminent.
00:09:53Not always.
00:09:55We are in agreement.
00:09:57This is good for the theater.
00:10:00Say shit to the people
00:10:03and be always new.
00:10:06Ah, our Boca de Vento.
00:10:08Blah, blah, blah.
00:10:10Boca de Vento.
00:10:12Boca de Vento.
00:10:14Let's see.
00:10:16Boca de Vento.
00:10:17A nossa Boca de Vento,
00:10:19que aparentemente é vazia,
00:10:22seria o primeiro momento de uma escatologia.
00:10:26Comparada.
00:10:27A nossa Boca de Vento,
00:10:29na verdade, são duas Boca de Vento.
00:10:35Boca do Nada.
00:10:37Partindo do Nada,
00:10:40nós chegaremos a infinitas conclusões.
00:10:45Caro senhor,
00:10:46depois do nada,
00:10:48vem tudo de mão beijada.
00:10:54Fora!
00:10:55Fora!
00:10:56Fora!
00:10:57Fora!
00:10:58Fora!
00:10:59Fora!
00:11:00Fora!
00:11:01Fora!
00:11:02Fora!
00:11:03Fora!
00:11:04Fora!
00:11:05Fora!
00:11:06A minha loucura,
00:11:07outros que me atomem com que nela ira.
00:11:09Se é loucura o que é o homem,
00:11:11mas que besta sadia,
00:11:12cadáver adiado que procria.
00:11:14Ah!
00:11:15O teatro é arte do agar,
00:11:17o imprevisível já tá no roteiro.
00:11:26Mas o que está acontecendo?
00:11:29Parece que nós atingimos o nervo exposto
00:11:32dessa simpática sociedade.
00:11:36Chutamos o saco deles.
00:11:38Todo mundo gostou.
00:11:40Uma catarse.
00:11:43Nós provocamos uma catarse nessa gente.
00:11:49Não é essa a nossa função?
00:11:52Nós liberamos os fantasmas,
00:11:54as forças sobrenaturais,
00:11:55os ódios reprimidos,
00:11:57os desejos recalcados.
00:11:59Nós dividimos a plateia.
00:12:02Nós enlouquecemos o público.
00:12:08Que maravilha!
00:12:11Que belo exemplo esse que vocês dão.
00:12:13Um bando de vagabundos,
00:12:15querendo me convencer que faz teatro.
00:12:17Que merda de teatro é esse que vocês fazem?
00:12:20Senhor delegado,
00:12:22nós não poderíamos transferir a discussão estética pra depois?
00:12:28Do que somos acusados?
00:12:30Atentado ao pudor.
00:12:32E vamos ficar muito tempo aqui?
00:12:37Tempo suficiente.
00:12:39O suficiente.
00:12:40Tem comida e roupa lavada, pelo menos?
00:12:43A criança é de vocês?
00:12:47Esqueceram, Paul?
00:12:49Esqueceram, Paul?
00:12:51A criança é de vocês?
00:12:52Esqueceram, Paul?
00:12:57Thank you very much.
00:13:27And tell us a little bit about our lives.
00:13:31We do theater.
00:13:34You know what is theater?
00:13:40The theater is like a mirror.
00:13:44You understand?
00:13:45We look and see reflected.
00:13:48With a beautiful scene behind.
00:13:50Luzes, colors, music.
00:13:54Everything is like a life.
00:13:57It's a life, reflected in the mirror.
00:14:00And you are our scene.
00:14:03It's a life, separated.
00:14:06And made to pieces.
00:14:09Respeitable public,
00:14:11the company of artists Mambembe
00:14:14presents a show entitled
00:14:16The history of pieces of our lives
00:14:19and how we were forbidden to exercise our profession
00:14:22with Amanda,
00:14:24Sonia,
00:14:27Santiago,
00:14:29this that you tell us
00:14:32and the little Cris, of course.
00:14:34The history of students
00:14:40Even if they look up,
00:14:45the timbre.
00:14:45The timbre.
00:14:46The time is going to laugh.
00:14:48The time is going to cry,
00:14:48the time is coming.
00:14:50The time is going to let the show
00:14:53start.
00:14:54The time is coming.
00:14:55The time is going to show up,
00:14:56let us introduce yourself.
00:14:59I'm a poet, I'm a poet, I create the characters, I create the dialogue, I invent...
00:15:08If you want to call your voice, you have to say, the show will start and ready?
00:15:14Yes, sir.
00:15:16And you don't have the right to be revealing our secrets?
00:15:20Yes, sir.
00:15:22I don't pay much, sir?
00:15:24I have my doubts, sir.
00:15:26Calma a boca, eu vou aí e quebro a sua cara.
00:15:29Calma, senhor.
00:15:31Não, senhor. Diga o que tem que ser dito pro público saber qual é a verdade.
00:15:38Distinto público, o teatro é uma atividade muito bem paga e a mais honrosa das profissões.
00:15:47E não pode ser mau exemplo pra ninguém.
00:15:50E não pode ser mau exemplo pra ninguém.
00:15:53E não pode ser uma merda, como disse o nosso delegado.
00:15:56E não é uma merda, como disse o nosso delegado.
00:15:59Muito bem. Quanto eu lhe devo?
00:16:02Cinco moedas, senhor.
00:16:04Eu lhe dou uma.
00:16:07E agora, vamos começar!
00:16:10Abre a janela, minha querida comédia. Vamos entrar em função?
00:16:21Peraí, meu poetinho. Eu ainda tô me maquiando.
00:16:24Cara, tragédia. Estamos esperando?
00:16:27Eu sempre entro por último. Quem é que vai me dar a deixa?
00:16:30Dessa vez, vamos improvisar.
00:16:32Que papel vou fazer, meu amor?
00:16:34O seu próprio.
00:16:35Vai contar a minha história?
00:16:37Mais ou menos.
00:16:38Ah, não. Eu não quero saber de drama.
00:16:41Não quero ver ninguém chorando na minha frente.
00:16:43Não tem perigo. Nós nunca estaremos juntas no palco.
00:16:47Calma, gente. Não vamos brigar.
00:16:49O público está esperando. O espetáculo não pode parar.
00:16:53Vem cá, velho.
00:16:54O que a gente vai fazer? Para a minha julieta?
00:17:08Para com isso. Vem cá. Tô precisando de carinho.
00:17:14Sempre fugindo.
00:17:32Não é isso. Eu estou sempre em movimento.
00:17:36Movimento.
00:17:38Movimento? Para onde?
00:17:40Sei lá. Para lá e para cá.
00:17:43A gente nunca sabe.
00:17:45Me deixou largada lá.
00:17:48Nenhum adeus.
00:17:50Para que despedida?
00:17:52Que diferença faz?
00:17:54Nesse seu mundo de merda, que diferença faz?
00:17:58Não é um mundo perfumado.
00:18:00Mas é um mundo em que vivemos.
00:18:03Estou cheia dessa vida.
00:18:06Isso que a gente faz...
00:18:08Muita gente chama de arte.
00:18:13Mas tem uma virtude.
00:18:16A redenção.
00:18:18Bela droga.
00:18:22Pode ser tragédia.
00:18:25Se for alta a tragédia, melhor.
00:18:29Pode ser também...
00:18:31A risada do homem forte.
00:18:37De onde você tirou isso?
00:18:39Alguém escreveu.
00:18:42Anda pelas ruas sórdidas de armada.
00:18:46Um homem que não é sórdido.
00:18:50Quem é esse homem?
00:18:52Ele é jovem.
00:18:55E ele é pobre.
00:18:57É um homem comum.
00:18:59Ou não poderia andar com as pessoas comuns.
00:19:05Ele não aceita o dinheiro desonesto de ninguém.
00:19:09E também não aceita a insolência da parte de ninguém.
00:19:12Ele fala...
00:19:16Como uma pessoa da sua idade.
00:19:19É áspero.
00:19:21Tem senso do grotesco.
00:19:24Mas é espirituoso.
00:19:28E ele fala...
00:19:30Com total desprezo pela mesquinheza alheia.
00:19:34Belo perfil.
00:19:37E a sua história?
00:19:40A sua história...
00:19:43É a aventura de procurar uma verdade oculta.
00:19:49Não seria uma aventura se não ocorresse com um homem talhado para a aventura.
00:19:59Se todos...
00:20:01Fossem como ele...
00:20:03Este mundo seria mais belo.
00:20:08Mas não de interessante ao ponto de não se querer viver nele.
00:20:13Eu gostaria de amar esse homem.
00:20:16Eu gostaria de conhecê-lo.
00:20:19E aí
00:20:49BIRDS CHIRP
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00:22:55I don't know.
00:33:25We're right back.
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