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SO PLEASE SUBSCRIBE THE CHANNEL AND SHARE WITH YOUR FRIENDS. and also i will created all episode playlist in english on youtube, so make sure you subscribe
follow for more and also like it because woth your support i am able to upload videosfollow for more and also like it because woth your support i am able to upload videos
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FunTranscript
00:00Let me go, let me try, 나를 던져, I'm breaking the world
00:08진짜 나를 보여주겠어
00:14Let me go, let me try, 다시 한번, I'm breaking the world
00:30Let me go, let me go, let me try
00:54You're left, let me go
00:58Chicken fight.
00:59This is the truth.
01:00Chicken fight.
01:01Come on.
01:02Come on.
01:03Chicken fight.
01:17Come on.
01:19What happened?
01:21Chicken, if you're a Gaman Di, what would you say?
01:24Pride?
01:26What?
01:27Pride Chicken.
01:28Anything.
01:29Come on.
01:30Come on.
01:31Come on.
01:32Come on.
01:33Look.
01:34Pride Chicken.
01:35I've heard it.
01:37I like a lot of fun.
01:40Yes, I do.
01:42One minute.
01:43This, this.
01:45It's nice.
01:47It's nice.
01:49It's nice.
01:50How did you see this?
01:55How did you see this?
01:56This, as a result,
01:57...
02:02Let's go.
02:03I've done a lot of work.
02:04Now, we're closed.
02:05Okay.
02:06Listen.
02:07Listen.
02:08Do you have to do this delivery?
02:10I mean, you won't go.
02:14Right?
02:15That's right.
02:16That's my place.
02:17That's right.
02:18That's right.
02:19That's right.
02:20That's right.
02:21That's right.
02:22Let's go.
02:23Let's go.
02:24I'll give it.
02:25I'll give it.
02:26I'll give it.
02:27That's right.
02:28Okay.
02:29Let's go to the house, man.
02:30Oh, no, man.
02:31If you'll see it,
02:32you'll have to look at it.
02:34Yeah.
02:35I'll go like this.
02:37You'll never know who you are, right?
02:40You'll wear a hat and wear a hat.
02:42You'll wear a hat and wear a hat.
02:44Wait.
02:45Do you know that you're living like this?
02:49What will you do now?
02:50I don't know.
02:51My heart can also change.
02:52So, go.
02:53I'll go.
02:54Hey!
03:19You guys go here.
03:21I have to go to my house.
03:24Mr. Home.
03:25Listen to me.
03:26Listen to me.
03:27I'm telling you,
03:28we're going to have a girlfriend and boyfriend.
03:31But, when is this?
03:33If this is coming out,
03:36I'll leave everything.
03:37I'll leave everything.
03:39I'll leave everything.
03:41I'll leave everything.
03:42I'll leave everything.
03:43I'll leave everything.
03:44This is your problem.
03:45And tell me,
03:46why do I do this thing?
03:47And look,
03:48there are so many proofs.
03:49You're talking to me.
03:50You're talking to me.
03:51Oh, this is...
03:53Why are you talking to me,
03:54you're saying...
03:55You're saying I'm not forgetting.
03:56I'm helping.
03:57I want to live everything.
03:58So,
03:59I'm saying,
04:00I won't get into a shooting.
04:01This is why
04:02I don't have anything to take me.
04:03That's why I didn't have anything going on to me.
04:08Just tell something you too.
04:10Don't tell me that I'm saying the truth.
04:16Please.
04:17Hey, why didn't you look at this? Don't do everything here.
04:21Get up.
04:23He told you the truth.
04:25He...
04:28I was a dumb guy.
04:30Hang Sir...
04:33Don't tell me this story.
04:35Listen.
04:36There is no relationship between us.
04:39Don't tell me this story.
04:41Mr. Hung.
04:42Please.
05:04These big people are so small.
05:06Why do you find these small people?
05:33I'm sorry.
05:38I'm sorry.
05:52Miss V, are you coming here?
05:57What are you doing here alone?
05:59Where is the director?
06:00How can I meet you alone with your level?
06:07Sit here.
06:22For the Safe Zone Season 2,
06:24I'm going to stay in the U.S. for six months.
06:27So there's no time to get there.
06:29Yes, in the new shooting,
06:30there's no time to get there.
06:32If you're prepared for this project,
06:34then what will I do for eight months?
06:35I'll be waiting for eight years.
06:40I've come here for the script.
06:42Oh, Imbaboo, you've come here. Thanks.
06:44Why are these gilas?
06:46They're in the rain.
06:47Imbaboo, you've come here for six months.
06:50So what is this?
06:51That's what we've been doing on the script.
06:52We've been doing custom print.
06:54Well, I'll move on.
06:55One minute.
06:58Thank you so much.
07:04It's very good.
07:05Good.
07:06We've been doing this for you.
07:07especially for you.
07:12Tell me.
07:18Vidaic Haki Wen,
07:20they just know their P.A. to make their clothes.
07:23Changwen City Redevelopment,
07:25they don't have any hand in their hands.
07:27The whole money,
07:29the P.A. has taken care of their P.A.
07:31Yes, absolutely right.
07:32How bad is it?
07:33You know Mr. Wuyang so,
07:35they were going to meet me next time.
07:39So how can they die?
07:41Now, one of the breaking news.
07:42This morning,
07:43in a private parking in Seoul,
07:45the P.A. has taken care of the P.A.
07:48with a P.A. with a P.A.
07:49with a P.A. with a P.A.
07:51and a P.A.
07:53from there,
07:54this is going to be a suicide.
07:56Ms. Wuy,
07:57I know,
07:58you're so sad to have such great news.
08:00But the fact is the end of the fact.
08:03Huh?
08:04The pain of the news is the end of the day.
08:06He's also me.
08:07That's how Mr. Wuyang's family
08:09doesn't want to make a deal of news.
08:12So if you ask questions again,
08:13then many people will be disappointed.
08:15Do you understand?
08:16This is yours?
08:18Huh?
08:19Huh?
08:20Huh?
08:21Where is it?
08:48What?
09:05You got a good job.
09:08Just like a piece.
09:18Bhaqas, why are we hiding?
09:22What kind of shit are you doing?
09:36I thought that you are.
09:39I met a few days later.
09:41I didn't change the way I thought.
09:43Where did you come from?
09:49Why did you come here?
09:53I knew I was here, right?
09:56I didn't want to come here.
09:58What do you think?
10:00Will you look at me as a gift?
10:02What?
10:03Or are you really sad?
10:13Some days, whenever you come here…
10:17must be taken alone.
10:19Keep thinking.
10:23Fact your mind.
10:25I love you.
10:32Anyway, when I'm feeling like family.
10:34I'm really lonely when I came here,
10:37I'll be here because I knew you were here, right?
10:49I didn't want you to come here.
11:07I'll be here.
11:32I'll be here.
11:36I'll be here.
11:46Who are you?
11:49Who are you?
11:51Who are you?
11:53Who are you?
11:55I'm going to die.
11:57How are you in the car?
11:59Where are you?
12:01I'll be here.
12:02I'm going to die.
12:04I'll be there.
12:06I'll be here.
12:08I don't know the name of the bridge, I'll tell you about the name of the bridge.
12:11This is the Yong Dong Bridge.
12:13Yong Dong Bridge, Yong Dong Bridge, come on Yong Dong Bridge.
12:16This guy is crazy.
12:18What's going on?
12:19What's going on?
12:23Let's see, since you're going wrong with your understanding,
12:26you're here to come,
12:27let's take a look at dashcam footage.
12:31Look at this.
12:38This footage was in front of the camera.
12:49And now this.
12:51I'm going to go back.
12:53I'm going to go back.
12:55Okay, so you've seen it.
12:57The story is clear, right?
12:59That it's just coming to my car.
13:01That's why I'm not alone.
13:02Let's see.
13:03Maybe I don't know if he was familiar with it.
13:06I don't know if he heads up.
13:07Wow, my mind is bad, what?
13:11Just go, look.
13:12Let's see.
13:13Let's save this video, please.
13:14Yes, it's coming up.
13:16You don't want to come here.
13:22You don't want to come here?
13:23What this means to me?
13:26I don't know what this means.
13:27I just have to tell you that I'm not going to move.
13:30I'm on the whole face stuck.
13:32I'm on a pair of faces.
13:34Hey, your acting is also a disability.
13:37You should learn a little bit.
13:39From the beginning, it's not better than before.
13:42It's right now.
13:44That's a good job, that's a good job, that's a good job, that's a good job, that's a good job.
13:48That's a good job, that's a good job.
13:51That's a good job, that's a good job.
13:55Who are you?
13:57You were in a lot of anger, right?
14:07So, can I understand this?
14:16Sorry, I'm sorry.
14:18Yes, okay, I'm sorry.
14:21Then there's a kidnapping for me.
14:24No, I'm sorry.
14:26But the police are in a hospital.
14:28But the police are in a hospital.
14:30And the police are in a hospital.
14:32And the police are in a hospital.
14:34I'm sorry, I'm not a fool.
14:38Oh yeah.
14:40A fool!
14:42What's wrong?
14:44You're the hero!
14:46Surya, you're the hero.
14:49You should be in jail.
14:51If I don't like this, I don't know what I'm going to do in jail.
14:55Please leave me in jail.
14:57Please leave me in jail.
14:59Please leave me in jail.
15:01This is a lot of pain in honor.
15:04So now I can go from here, okay?
15:10Okay, sir.
15:11Please leave me in jail.
15:21Please leave me in jail.
15:42You'll be so drunk.
15:44Don't laugh at any other living room, thank you.
15:47Thank you so much.
16:17Thank you so much.
16:47Thank you so much.
18:51Good morning.
18:55Good morning.
18:59Good morning.
19:11Good morning.
19:13Good morning.
19:15Good morning.
19:17Good morning.
19:19Good morning.
19:21Good morning.
19:23Good morning.
19:25Good morning.
19:27Good morning.
19:29Good morning.
19:31Good morning.
19:33Good morning.
19:35Good morning.
19:37Good morning.
19:39Good morning.
19:41Good morning.
19:43Good morning.
19:45Good morning.
19:47Good morning.
19:49Good morning.
19:51Good morning.
19:53Good morning.
19:55Good morning.
19:57Good month.
19:59Good morning.
20:01Good morning.
20:03But this is my first feature film.
20:05It won't be bad, but I can't forgive these mistakes.
20:15Tell me, where are the mistakes?
20:17Let me show you.
20:19Like this character's name is Da Yun-san.
20:22But Da Yun-san is written here.
20:24And on the cover, it's a little red tint,
20:27when I wanted a soft look.
20:30Besides, his left-right balance has increased.
20:33There are 2 mm between the sides.
20:36And I had a hamstring baton extended bold font,
20:39but they just extended it.
20:41So, let me show you.
20:47That's it.
20:48Yes.
20:50You said that time is very low, right?
20:52Sorry, I didn't tell you before.
20:54I just want this one tomorrow.
20:57It's fun. What was the place?
21:00No.
21:01No.
21:02No.
21:03No.
21:06No, I wasn't.
21:07She said that it was bold.
21:10Bold.
21:15Okay.
21:16Okay.
21:17Okay.
21:19God.
21:20This is too bad from the TV station.
21:22I thought you were going to kill it.
21:24Then I was going to kill it.
21:25Yes.
21:26Then I was going to kill it.
21:27Yes.
21:28Then I was going to kill my hand.
21:29No.
21:30But if you kill it,
21:31then your hand will kill it.
21:32Oh, no, no.
21:33Now.
21:34You're going to kill it.
21:35Oh.
21:36Oh, you did.
21:37Oh, he.
21:38No, he.
21:39Oh, not the board?
21:40Suddenly, as you were going to kill it.
21:41Him is trying to do it.
21:42Why am I doing that?
21:43Why aren't you doing this?
21:44Where are you talking about it?
21:45I'm going to try to eliminate it.
21:46I'm going to explain it.
21:47Not by it.
21:48I've seen it.
21:49Good Detectiv Khang Pilgo.
21:52The title is very strange.
21:54This is also some kind of name.
22:12This is a fool.
22:15This is a genius.
22:20Let us get the hang of the foot.
22:23Of course, my life was old.
22:25A young boy was wild.
22:31You will hold the arm.
22:33We will hold the arm with a single bolt.
22:37Your heart is bad.
22:40My heart attacked me.
22:43What did you know?
22:45What did you remember?
22:48Where did you go?
22:51I didn't remember where to go.
22:53I didn't remember where to go.
22:55I didn't remember where to go.
22:57I didn't remember where to go.
22:59But when I was sleeping,
23:01I remember that you were in the sad walls.
23:04You're an actor.
23:06You were so far away from me.
23:09You didn't remember me.
23:11I'm going to cast you.
23:15My film is Good Detective Kang Pilgu.
23:19The main character is Kang Pilgu.
23:34Let's go.
23:40Let's go.
23:45Hey, get out of here.
23:47Get out of here.
23:48Get out of here.
23:49Get out of here.
23:51Get out of here.
23:53I mean, the red color will be white.
23:55People will get wet.
23:57Ohhhh.
23:59Oh, you have to print it off.
24:02Let me go.
24:03Let me go.
24:04Let me try.
24:05Let it on time.
24:06I'm breaking the world.
24:08Ohhhh.
24:09Ohhhh.
24:10Ohhhh.
24:11Ohhhh.
24:12Ohhhh.
24:13Hero Sahib.
24:14Why are you scared?
24:15Ohhhh.
24:16Ohhhh.
24:17Why are you here?
24:18I'm coming here.
24:19I'm coming here.
24:20I'm coming here.
24:21I'm coming here.
24:22Hero Sahib.
24:23Hero Sahib.
24:24I'm not doing acting.
24:25Go, go.
24:26You're coming here.
24:27Why are you sitting here?
24:28Hero Sahib.
24:29Ohhhh.
24:30Hero Sahib.
24:31Hero Sahib.
24:32Ahhhh.
24:33This will make me a mess.
24:36Hero Sahib.
24:37No, no, no.
24:38Hero don't tell me.
24:39Run.
24:40Run from here.
24:41Oh, sir.
24:42I need you in my film.
24:44It's a good college, sir.
24:46You will get a lot of actors there.
24:48Why do you want to give me that role?
24:50I mean, this is a graduation film,
24:53but it shouldn't be flop.
24:55Don't flop.
24:56That's why I'm doing this.
24:57Oh.
24:58What the hell?
24:59Okay.
25:00Tell me.
25:01He's an action hero.
25:02Why do you do that?
25:04Because I know that you will do it.
25:07Look, I know that you will not be confident.
25:10It's a great deal.
25:11But look at me.
25:12I will make a good film.
25:13I will make a job.
25:14We will definitely do it.
25:15There are a lot of chasing and fight sequences.
25:19But I don't want to fight.
25:21There's a lot of rage in my face.
25:23You understand?
25:24Let's go.
25:25Let's go.
25:26Let's go.
25:27What are you doing?
25:28Don't do it.
25:29Don't do it.
25:30Don't do it.
25:31Let's read it.
25:32Let's read it.
25:33Don't do it.
25:34Yes.
25:36Don't do it.
25:37Don't do it.
25:38Don't do it.
25:39Don't do it.
25:40Don't do it.
25:41Why are you doing it?
25:42How many people are watching a college student?
25:43How many people are watching a college student?
25:44How many people are watching?
25:45Oh, if anyone has watched a film, I will have to sink in water.
25:46And if anyone doesn't watch a college student, why do you want to watch a college student?
25:48How many people are watching?
25:49Oh, if anyone has watched a film, I will have to sink in water.
25:53And why do you want to watch a film?
25:56Why do you want to shoot such a film?
25:57Don't shoot such a film.
25:58Look, I've read a script.
26:03Wow!
26:04It's a story of Kamal.
26:06Look, the director has experienced it or not.
26:09But I don't mind reading such a script.
26:11What do you want to do in this film?
26:13Huh?
26:15That's right.
26:16Hmm.
26:17Hmm.
26:23When I was doing theater in the first years and the agency was making me,
26:27then you were the first manager, right?
26:29Yes.
26:30Then how did I do?
26:33Then...
26:35Then you...
26:37Sir,
26:41you were removed.
26:42You were a top man.
26:43Let's go.
26:47Hmm.
26:48If you don't have love with that,
26:50then today you don't have to be a problem.
26:53You're a traitor.
26:55You left it and it's been a part of it.
26:58You should have to be a traitor.
27:00But it gave you a shame.
27:02You left it on your head.
27:03You're a shame.
27:04What are you seeing?
27:08One minute.
27:09You're not thinking about this.
27:11You're going to be a small film.
27:12You're going to be a world-famous film star.
27:15When did I say that?
27:17No.
27:18You said it's okay, right?
27:19But why are you angry?
27:24Hey.
27:25We started printing press from zero.
27:28But now it's gone.
27:29And it's going on.
27:30And it's going on.
27:32The people of you are buying cars.
27:34They're going to play golf.
27:36And you...
27:37What do you do for yourself?
27:38Tell me.
27:39You know?
27:40This is what you're doing.
27:41What's your hobby?
27:42What's it?
27:43Sometimes you do.
27:44Don't think of your mind.
27:45Don't think of printing press.
27:46I'll see.
27:47I'll be right, right?
27:48I'll be right.
27:49Don't think of everything.
27:50You don't think of it.
27:51Understand?
27:52I'm right.
27:53Let's go.
28:23Let's go.
28:53Let's go.
28:54Let's go.
28:55Let's go.
28:56Let's go.
28:57Let's go.
28:58Let's go.
28:59Let's go.
29:00Let's go.
29:01Let's go.
29:02Let's go.
29:03Let's go.
29:04Let's go.
29:05Let's go.
29:06Let's go.
29:07Let's go.
29:08Let's go.
29:09Let's go.
29:10Let's go.
29:11Let's go.
29:12Let's go.
29:13Let's go.
29:14Let's go.
29:15Let's go.
29:16Let's go.
29:17Let's go.
29:18Let's go.
29:19Let's go.
29:20Let's go.
29:21Let's go.
29:22Let's go.
29:23Let's go.
29:24Let's go.
29:25Let's go.
29:26Let's go.
29:27Let's go.
29:28Let's go.
29:29Let's go.
29:30Let's go.
29:31Let's go.
29:32Let's go.
29:33Let's go.
29:34Let's go.
29:35Let's go.
29:36Let's go.
29:37Let's go.
29:38Let's go.
29:39Let's go.
29:40Let's go.
29:41Let's go.
29:42Well, I'm going.
29:43I don't want to say something.
29:44Don't think so much about it.
29:45Right?
29:46Yes?
29:47Yes.
29:48Of course.
29:49And you can.
29:50Let me.
29:51I mean the answer.
29:52Let me.
29:53I'll tell you.
29:54But first,
29:55let's go.
29:56Let's go.
29:57Let's go.
29:58Yeah.
29:59Yeah.
30:00Yeah.
30:01Yeah.
30:02Absolutely.
30:03It's good.
30:04Sure.
30:05Absolutely.
30:06Director, sir.
30:07Yes.
30:08Let's tell you what you think about your character.
30:13Hmm.
30:14That's...
30:15He keeps his confidence in the people's power and...
30:20And he's a little bit of a badmash type.
30:24Just this.
30:26I think.
30:27Hmm.
30:28Hmm.
30:29So, what do you think about his character?
30:31That's the same thing.
30:32But his character will be different.
30:36Like Kiss.
30:37Right.
30:38So, you're wrong with your character.
30:40Hmm.
30:41Hmm.
30:42Hmm.
30:43Hmm.
30:44Hmm.
30:45Hmm.
30:46Hmm.
30:47Hmm.
30:48Hmm.
30:49Hmm.
30:51Hmm.
30:52Hmm.
30:53Hmm.
30:54Hmm.
30:55Hmm.
30:56Hmm.
31:01Hmm.
31:02Hmm.
31:03Hmm.
31:04Hmm.
31:05Hmm.
31:06That's right. You need to become that character yourself.
31:15Okay.
31:20What are you doing?
31:22Today is a lot of work. We have to reach orders.
31:25I'll go.
31:26No one can change.
31:30No one can change.
31:32But I can change.
31:33I can change.
31:34I can change.
31:35I can change.
31:36I can change.
31:37I can change.
31:38I can change.
31:39I can change.
31:41Stop.
31:42I can change.
31:44I can change.
31:56Look, Joe!
32:03Look, Joe!
32:05Look, Joe!
32:09Look, Joe!
32:23Cut!
32:25Oh, oh, oh, oh, oh, okay.
32:29Director, you're a fool.
32:31There's a sequence of chasing three days.
32:37Three days, five days.
32:39And we don't want to show you that you're going to be a bad person.
32:44Khang Pilgu will be a bad person, right?
32:49Oh, absolutely.
32:50You're going to be a bad person.
32:52You're going to be a bad person.
32:56Let's do it again.
33:06Okay, ready?
33:08Action!
33:10Cut, cut, cut, cut, cut.
33:12Action!
33:13Cut, cut, cut, cut.
33:14Action!
33:15Cut, cut, cut, cut.
33:16Action!
33:17What?
33:18What?
33:19What are you doing?
33:20What are you doing?
33:21You don't have to stop until I say cut until I say cut.
33:32Everyone is on their own position.
33:34Ready!
33:36Action!
33:37Hit it!
33:38Cut, cut, cut.
33:41I'm done.
33:42Ready?
33:43I'm done.
33:44Good.
33:45Cut.
33:46Cut.
33:47Cut.
33:48Good.
33:49How are you doing?
33:51I'm going to do this.
33:53Taking it.
33:54yeah
34:06say it
34:07cut
34:08oh man
34:14you've done a lot of work
34:24I think we'll pack up today.
34:31There are also scenes.
34:33It seems that you don't have time to understand the character.
34:37So, we'll do all the scenes again.
34:40Okay?
34:41We'll pack up today.
34:42Wait, sir, listen to me.
34:44Your mind is broken.
34:47And it's not that it's a budget.
34:50You're making a small film, so shoot it like that.
34:53Or then, tell me that you don't have to do a job.
34:55I'm a big fan of this.
34:56Just do it, man.
34:57What do you think?
34:58You'll get a picture of the Oscar.
34:59Bong Joon Ho and Park Chan Book don't shoot like that.
35:03But how do you know?
35:04Because you've worked with Bong Joon Ho and Park Chan Book.
35:09What did you say?
35:10Just sit down and sit down and sit down.
35:13I'm out of the way.
35:14I was reading it.
35:15I was reading it.
35:16I was reading it.
35:17You've got your hand and your hand.
35:18That's why I'm ready for your picture.
35:20They're also free.
35:21And what did you say to me?
35:24If you know that you're such a bad actor,
35:26you don't have your hand.
35:31Okay.
35:32You've got all your hands.
35:35Now, whatever you want to do,
35:37you don't understand?
35:38Go around shooting.
35:39Okay.
35:40Cut.
35:41We'll do it once again.
35:42Bola.
35:43Cut.
35:44Then we'll get back here.
35:45Ready.
35:46Action.
35:47Bola.
35:48Cut.
35:49And ready.
35:50Action.
35:51Bola.
35:52Bola.
35:53Kaltip, you are your detective.
35:57Bola.
35:58Bola.
35:59Bola.
36:00This is your detective.
36:01I will try again.
36:02Kaltip is your detective.
36:03Bola.
36:04Then we're going to try.
36:05You are the detective.
36:07Tell me.
36:08You are your detective, Kang.
36:10Let's do it again.
36:36Ah!
36:37Ah!
36:38Ah!
36:39Ah!
36:40Ah!
36:45Ah!
36:58Ah!
37:06Ah!
37:07Ah!
37:08Ah!
37:09Ah!
37:10A man can't change anything.
37:14But I can change.
37:24Got it!
37:28Guys, this was the last shot of the last shot of the detective, Kang.
37:31Well done, everyone!
37:36foreign
37:38yeah
37:40hello
37:42hello
37:44good detective khanag pilgui
37:46mehnat se kame karne ke liye
37:48aap sabku thanks
37:50ye jam
37:52hummari film ke na
37:54chalo chalo chalo
37:56chalo chalo pio pio pio
37:58äh sharmamat yaan
38:00oh
38:02chalila akard gaar
38:04humari film poori hoi hou hi gaj
38:06hai kinehi
38:08may maan ta hoon ki
38:10mayna aap ko bahaat parih shan ki
38:11mayna janta hoon ki
38:12mayri hai, niya director on na
38:14mayna janta hoon ki apko mudhse baot shikai't hain
38:16but please is a peak haina
38:18joobhi shikai't hai
38:20sab bulh jai hai
38:22na na na na na na
38:28oh
38:30This is our hero's name!
38:37Inyonjun! Inyonjun! Inyonjun! Inyonjun! Inyonjun! Inyonjun!
38:53This is your name!
39:10I will not see this manhub's face!
39:17The best actor award is for the detective of Hong Kong, Kim Jong-un.
39:23Inyonjun! Inyonjun! Inyonjun! Inyonjun! Inyonjun!
39:29This is my life in the night and night.
39:33I will not be able to go to this.
39:37I want to be an actor.
39:40I will never forget to call me.
39:46Once again, I will be acting for many years.
39:50Thank you!
39:52Night and night, my life changes completely.
39:55Thank you! Thank you!
40:01Thank you!
40:02Black and White documentary, my life,
40:03Like my life, my life, and my life,
40:06Romantic Comedy.
40:33Like my life, my life, and my life, and my life,
40:39And my life, and my life, and my life,
40:42My life, and my life, and my life,
40:45and my life, and my life,
40:46Why're you scared?
40:47You can't go out.
40:49I was seeing if your battery is okay,
40:52And, this car I bought from my own money.
40:56Why can't I run?
40:58You're looking at all.
41:01When you're working, you're going to drive the company's car.
41:04Then I should have a role of a big boss or a big doctor, right?
41:08Then I should have a role of driving such cars and no one will say anything, right?
41:12When you see, I'm getting a role of detective.
41:14Then I should have a role of driving such cars and everyone will get into it, man.
41:18I don't know who I am, who I am.
41:20They are just like Khang Pilgu.
41:22Sometimes my name is not like Khang Pilgu.
41:24Maybe Khang Pilgu is going to be like this.
41:26That's okay, big brother. The next project is like this, that your image will change.
41:32Yes, Khang, let's do it. I'm ready, let's do it.
41:36And yes, don't call me big brother in front of everyone.
41:41But why don't I call it? What's in it?
41:43If you say big brother, then I'm going to be old, right?
41:46Why don't you help me to make my image?
41:49Oh, and what's going to happen to my image?
41:52Oh, my God, what a figure. What a beautiful thing you are looking at.
42:00Let's go with me with my camera. I'll give you a good money.
42:05I'll give you a good money.
42:06Don't let me see.
42:07Oh.
42:09Let me see.
42:11Let me see. How are you looking at it?
42:13You don't know what you guys are saying.
42:15You don't know what you are saying.
42:23You don't know what you are saying.
42:25You don't know what you are saying.
42:31You don't know what you are saying.
42:33You don't know what you are saying.
42:35You don't know what you are saying.
42:41You don't know what you are saying.
42:43You don't know what you are saying.
42:57that first of all, the Civil War of Syria was seen.
43:10A bad-bless-blessed woman in a pair,
43:12like this, after the operation,
43:14has been a lot of difficult time for them.
43:19This is why they are the youngest
43:21Korean Journalist of the Year,
43:23Mr. V. Cheong-se.
43:57Meeting time.
44:27Meeting time.
44:29Meeting time.
44:33Meeting time.
44:35Meeting time.
44:37Yes sir, I got the news.
44:49Viewership is about 28 percent. In the four seasons, viewership is about 30 percent.
44:55What else can happen with this? 30 percent, 30 percent, 30 percent.
44:59Our company has gained so much from good detective Khangphilgu
45:02that the building has to buy the building.
45:04We have to say that the drama is not going now.
45:07That's why we closed it.
45:09But Khangphilgu is still doing it again.
45:13It may seem strange to me, but Khangphilgu has also been saved.
45:16No!
45:17What?
45:18I know that you will write such a drama.
45:21Like the old country diaries,
45:23they should be running for 10-20 years.
45:26American show, CSI, NCIS,
45:29Las Vegas, Miami, New York.
45:32If you don't know how many seasons will come out.
45:37Yes!
45:38Good detective Khangphilgu will make us 10-20 seasons.
45:41The truth is true,
45:42but what is it,
45:43we can give it to our hero-sahab?
45:45What do you say, hero-sahab?
45:47That means that the detective is running after the death of the detective.
45:50The chief Gil Grissom was running there.
45:51How did he run into the other roles?
45:52Do you have to run into the other roles?
45:53How did he run into the CSI Las Vegas?
45:54Just without my acting career,
45:55just without all Khangphilgugu is in my own.
45:57I don't know anything.
45:58Get some more.
45:59I don't know what I'm doing.
46:00Chief Gil Grissom Hood was running away from the other roles.
46:04How did CSI Las Vegas go?
46:06I just remember all of my acting career.
46:09And I don't remember anything else.
46:11Bring something else.
46:17Yes.
46:20That's right.
46:21I also...
46:24I want to do all of this.
46:25That's right.
46:26That's right.
46:27That's right.
46:28That's right.
46:29That's right.
46:30You are good to do 2% rom-com.
46:32Keep doing the khanag pilgu.
46:33Why?
46:34Yes,
46:37It's better.
46:40But the thing is that
46:41I'm scared,
46:43today
46:44I'm scared.
46:45For the long time,
46:47we have to stop the khanag pilgu.
46:51I mean,
46:52it's too late.
46:53You're a very great actor.
46:55In the daily show, Raquel's role are killed by the actors in the public.
46:59But this is a joke.
47:01Where is it?
47:02Where is it?
47:03Yes, that's right.
47:04Hello.
47:05Hello.
47:06Yes, yes, yes.
47:08Oh, yes.
47:10Yes.
47:11Yes.
47:12Yes.
47:13Yes.
47:14Yes.
47:15Yes.
47:16Yes.
47:18Yes.
47:19Yes.
47:20Yes.
47:21Yes.
47:22Yes.
47:23Yes.
47:24Yes.
47:25Sir.
47:26Good.
47:27Yes, sir.
47:28Yes.
47:31He is a bitch.
47:33Yes.
47:34Yes.
47:35Yes.
47:36No one will look.
47:38Yes.
47:39Yes.
47:40You're a bitch.
47:41Sir.
47:42Sir.
47:43Sir.
47:44Sir.
47:45Sir.
47:46Maybe she is not still a bitch.
47:47Yes.
47:48Sir.
47:49Sir.
47:50Sir.
47:51Yes.
47:52Sir.
47:53Sir.
47:54Are you here?
48:01If he came to Zid, then we'll find a supporting role in it.
48:05Who would like to take a rom-com or drama in this movie?
48:08There's also a lot of things like Kang Pilgu.
48:10He's interested in his life, so he can show his mind.
48:24What? Journalist ghusi?
48:29Yeah, journalist ghusai.
48:31You've seen it.
48:32I've seen it.
48:33Wait, who are you?
48:38Go!
48:54What are you doing?
49:11Sorry, sorry. Just a little while. I'll go.
49:14But this is the men's room.
49:15Where are you?
49:19What are you doing?
49:21You need me.
49:24What?
49:27My leg!
49:41My sand, keep them there.
49:44Hurry, hurry, hurry.
49:46Thank you. Sorry, I'll give you my phone.
49:48Okay, 0259-2151. Call me.
49:50Okay?
49:51My phone?
49:52Why?
49:53Oh my god.
49:55My phone is gone.
49:56Your dog.
50:02What the hell?
50:04Hey.
50:05Hey.
50:11Hey.
50:12Hey.
50:13A fool here.
50:14She was just in the men's room.
50:15And she was probably my...
50:16My pizza?
50:17What?
50:18She was too.
50:19She was a bad person.
50:20She was a bad person.
50:21I was in the men's room.
50:22Then she came here.
50:23She got here, here.
50:24She got here.
50:25And she...
50:26My phone fell in the toilet.
50:28Yeah.
50:29Detective Khan Pilgo.
50:30Detective Khan Pilgo.
50:34I don't believe it.
50:35You're in front of me.
50:36I've seen every season of every episode.
50:40Thank you so much.
50:42Did someone cry in the men's room?
50:45No.
50:46No.
50:47Don't lie.
50:48You're in Kamal.
50:49Are cause?
50:50If I can't talk.
50:51If I don't even know.
50:52Why will the actor have nobility?
50:54Oh yes.
50:55That's trouble.
50:56Ah.
50:57Well, you hear who does to him.
50:58Oh well, you may notice that he does.
50:59So, that brother.
51:00Okay.
51:01R».
51:02It's a great deal.
51:03You're in front of this.
51:04No.
51:05fantasies.
51:06He is one of the other groups.
51:08I got out for time.
51:13Aye.
51:14Your house?
51:15Now, what happens to you again?
51:16I knew that a private hostess is like this, so why am I going?
51:20Yes, I knew it. That's why I didn't tell you.
51:23Okay, I'll tell you one thing.
51:25I'm telling you, I'm telling you, I'm telling you, I don't want to do these pills.
51:30Yes, that's right. As always, leave that.
51:33Tell me, you'll be able to go to the award function.
51:35You'll be eating herbal pills for rest.
51:39There's no need to go to the award function.
51:41I don't want to get the award.
51:46I met you in the last year, so you'll have to go to this year, right?
51:51Don't get sick.
51:54I'm poor.
51:57I'll eat a bottle again.
52:08Get out of here!
52:12Get out of here!
52:16Get out of here.
52:24Eight.
52:25Yes.
52:26Wow.
52:31Wow.
52:34Your hands.
52:36Yes.
52:37Yes.
52:38In Changwon city redevelopment there's no hand in Changwon city, that's what I want to say.
52:50All the money, the P.A. took care of the P.A.
52:53This morning, in Seoul, there was a P.A. in a private parking with a Hakiwan P.A.
52:57The police didn't know what to do.
52:59Mr. Oook's family doesn't want to make a conversation.
53:02If you ask questions, it will be a lot of people.
53:05Do you understand?
53:08I am not a man.
53:13I am not a man.
53:18But I cannot be the P.A.
53:23I am a man.
53:36You've got a lot of time, Ms. Vee.
53:40Yes, it's been a long time.
53:43It's been 7 years.
53:45Now, there's no need to come.
53:48Thank you for giving me 7 days.
53:51There's a lot of other things.
53:55The people who wanted to tell the truth should know.
53:58How did their death become a suicide?
54:01We're going to take a look at everyone.
54:15I want to forgive for Derry.
54:17That's a journalist.
54:18Do something about her.
54:19Yes, I will.
54:23Sports News?
54:26Everybody do their work.
54:28Entertainment department, you should be.
54:31You're going to ask me?
54:33Why are you sending me sports news?
54:36What happened?
54:37What happened?
54:38You've seen it once again?
54:39You don't see anything right now.
54:41You're going to tell us.
54:42I've heard you.
54:44You don't want to hear anything or listen.
54:46But you're going to know a person,
54:48who's in this video.
54:50You're going to be like,
54:52what's your job?
54:53I've told you,
54:54I'm a big person.
54:55You're going to be like,
54:56I'm a billionaire.
54:57All people are going to get here.
54:58You haven't even seen this job.
54:59Why did you use it?
55:00So, you're going to get the troops?
55:01What did you say?
55:02You're going to be able to get those,
55:03you're going to be like.
55:04I'm a political journalist.
55:05I'm not going to be a political journalist.
55:06Without my permission,
55:07I can't do the transfer.
55:08I'm not going to be the transfer.
55:11You can't do a transfer.
55:17This is a great Sankhi.
55:19Why are they sending them here?
55:21Listen, they want to leave them behind.
55:23That's why they're doing this.
55:25They're a workaholic with zero social skills.
55:27So it's a lot of difficult to deal with them.
55:29We don't have to take all of these Sankhi's problems.
55:31That's true.
55:33Why do you want to transfer from someone to someone?
55:35Why don't you write such a bad story?
55:37Why don't you do that?
55:39There are the Sankhi Awards today, right?
55:41Before the program starts,
55:43who has a dress like one,
55:45who has very bad,
55:47all you know.
55:48The Dress War on the Red Carpet,
55:50who will win and who will win?
55:52Good evening.
55:53The day of the day today,
55:55two people are coming to the Red Carpet.
55:57This is the honor of this award ceremony.
56:01This is the event that was held.
56:03Chairman Yee Jeyo,
56:05this is the new event that
56:06I'm sorry, Mr. Chairman, Mr. Chairman, Mr. Chairman, Mr. Chairman, Mr. Chairman.
56:36Mr. Chairman, Mr. Chairman, Mr. Chairman, Mr. Chairman, tell me something about it.
56:41Where is it?
56:42I'm from Chang's son, Mr. for the apologica desk.
56:44He's not making me a phone, so I'm going to come here.
56:48Let's talk about it.
56:49Mr. Chairman, Mr. Chairman, cancel my transfer.
56:52I'll talk about it.
56:54You are coming.
57:06Let's go.
57:36Let's go.
58:06Let's go.
58:36Let's go.
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