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Transcript
00:00:00Hey! Hey, hey!
00:00:30Hey, hey, hey, hey, hey!
00:01:00Hey, hey, hey!
00:01:30Hey, hey!
00:02:00Hey, hey, hey!
00:02:29Hey, hey, hey!
00:02:31Hey, hey, hey, hey!
00:02:39I'm taking everyone to a picnic in the sun.
00:02:44With the music, the wrecking music.
00:02:49It don't matter if you're broke.
00:02:52I said your worries are the smoke.
00:02:54Yes, indeed, with the ganja week.
00:03:00Let the music come to the beat.
00:03:02Come and pick me here with me, and we'll be.
00:03:07I said that you killed him.
00:03:14Between each piece we'll glave us.
00:03:16me.
00:03:18All right, I surrender.
00:03:20I surrender.
00:03:20Oh my god, I surrender.
00:03:30Yes, ma.
00:03:31I'm with it.
00:03:32There is something in the air
00:03:38You can feel it everywhere
00:03:41It's the magic
00:03:42Make it happen
00:03:45When your mind is fine
00:03:51Hello?
00:03:57Yes?
00:03:59Oh, all right. Thank you.
00:04:03What's that?
00:04:04The tour. It leaves in ten minutes.
00:04:07Can't we just pass on that?
00:04:10You already paid for the tickets.
00:04:12Yes, but I also...
00:04:14I'd like to pass on that, actually.
00:04:16Paid for this.
00:04:19What is it?
00:04:21It's gorgeous.
00:04:23Oh, Joe, I love you.
00:04:29Now, what about St. Mary's?
00:04:31Hmm?
00:04:32St. Marie.
00:04:33St. Marie.
00:04:34It's an island, a crazy island, more than most, that's all.
00:04:38I hope you're right.
00:04:40I hope you're right.
00:04:41I hope you're right.
00:04:46Well, we'll be getting to you for an awesome time.
00:04:49Oh, how are you?
00:04:50Fine, thank you.
00:04:51How's your condition now?
00:04:52It works perfectly, thanks to you.
00:04:54Good.
00:04:55Hey, Pa.
00:04:57I met him on a plane coming down.
00:04:59Oh.
00:05:00It's Pa Morse, an ace photographer.
00:05:03Pleased to meet you.
00:05:04No, you don't need more.
00:05:05The famous artist.
00:05:06Oh, no, no, no.
00:05:07Just plain painting, please.
00:05:10Well, if you don't mind, I'm going to go pick up the rest of my stuff.
00:05:13There's no hurry.
00:05:14Pa, save me a seat?
00:05:15Promise.
00:05:20There's a lady next door.
00:05:21She looks good.
00:05:35We're back.
00:05:37Matt.
00:05:41Matt!
00:05:42Look!
00:05:43What did you do that for?
00:05:44A silly tour of yours asleep.
00:05:46You still want to go?
00:05:47Oh, great.
00:05:51Come on, sweetie, real quick.
00:06:14Come on.
00:06:15Come on.
00:06:22Hello?
00:06:25Oh.
00:06:26Oh, thank you.
00:06:27We'll be right there.
00:06:30Come on, lover.
00:06:31Time to go.
00:06:33This son of a honeymoon.
00:06:34Oh, come on, Eddie.
00:06:35It'll be romantic.
00:06:36Yeah.
00:06:37Yes, of course.
00:06:38Of course.
00:06:39Thank you very much.
00:06:44George.
00:06:45George.
00:06:47Time for the cruise.
00:06:49Feel up to it?
00:06:50Oh, sure.
00:06:53You got your pillows?
00:06:55Ethel, don't worry about it.
00:06:56Ten islands in five days.
00:06:57And I haven't forgotten them yet.
00:06:58Emily?
00:06:59Is it this way?
00:07:00Just in time.
00:07:01What if?
00:07:02Thank you, sir.
00:07:03Jerry, what's just for us to get out of here,
00:07:07before you eat another whole banana pie.
00:07:10Now, you listen to me a second.
00:07:11Come on, I'll give you a Hershey bar on the bus.
00:07:12Oh, well, I'll get you home.
00:07:15Well, well, here we are.
00:07:16Everyone look good.
00:07:18This way, please.
00:07:19Three, five, four, three, five, six, seven, seven.
00:07:22To me, I'm all at home.
00:07:23You'll be all at home.
00:07:24This way, please.
00:07:25Three, five, seven, six.
00:07:26I'm at home.
00:07:27I'm at home, Mr. Tommy.
00:07:28Pull the money.
00:07:29No, I'm at home.
00:07:30I'm at home.
00:07:313, 5, this way, this way, this way please, 7, 7, this way please, this way, this way, 11, all present and accounted for.
00:07:49Good afternoon ladies and gentlemen, Brada and Tilly Santours welcome you, and I, Reginald Chomley-Jones, your tour guide, welcome you too.
00:08:00Today our tour will take us to the fascinating island of Saint Marie, our neighboring republic.
00:08:07We're confident that you're about to have one of the most exciting, fun-filled evenings of your entire lives.
00:08:15The reception of the artist with an eye to the beauty of the exotic, to the restless spirits in search of excitement everywhere and anywhere.
00:08:29To the photographer who wishes to preserve this single occasion forever, will you, sir?
00:08:36Will be matchless scenes for wonderments.
00:08:39Strange activities for the students of life and human nature who wish to understand the wellspring of life mysteries.
00:08:48And that's what the Caridia is all about.
00:08:51Oh, my God!
00:10:21Where are you taking me?
00:10:24It's a surprise.
00:10:26There are people upstairs.
00:10:29Don't worry. I need a captain of $20.
00:10:32You've got complete privacy.
00:10:34I don't know, Joe.
00:10:36I really don't feel good about this.
00:10:39No, but I feel very good about this.
00:10:41Oh, where will it be?
00:10:50Oh, right about here.
00:10:51I don't know.
00:11:21I don't believe this.
00:11:38I thought you paid $20.
00:11:40I did pay $20.
00:11:44Open up down there.
00:11:45Ethel has to go to the hand.
00:11:47I do not deserve this.
00:11:48What the hell do you want?
00:11:50Come on, shake a leg.
00:11:55Why don't you just throw me over the side?
00:11:57All the visitors have come to our shores.
00:12:01You are to be congratulated above all.
00:12:04You are men and women of great pastes and discrimination.
00:12:08You spurned the artificial.
00:12:10For the minds of genuine.
00:12:12You have demanded a real thing, and you shall have it!
00:12:15On the beautiful island of San Marino.
00:12:17Come on, let's go, let's go, let's go, let's go.
00:12:40What you're about to see is not black magic, but truly a religious ceremony.
00:13:06What you're about to see is not black magic.
00:13:36What you're about to see is not black magic.
00:14:06What you're about to see is not black magic.
00:14:09What you're about to see is not black magic.
00:14:11You have colored colors.
00:14:14Let's go, let's go, let's go, let's go, let's go.
00:14:17That is, that now.
00:14:36That is, that now.
00:14:39That is, that now.
00:14:47That, now, now,
00:14:49I have to get ready.
00:17:17I don't think this is for me.
00:17:19Yeah.
00:17:20I think you're right.
00:17:26Don't worry.
00:17:30It's just about.
00:17:32God, I hope you're right.
00:17:33See you.
00:17:33God, I hope you're right.
00:18:22Eddie, you're like a love-starved kid.
00:18:26I'm just hungry for you, baby.
00:18:28Well, it's getting late. You're going to have to wait.
00:18:31Oh, man, you're as bad as you were before we got married.
00:18:35I still say we have to wait.
00:18:37And I say it's never too late.
00:18:42Word of love.
00:18:52Word of love.
00:19:22Word of love.
00:19:52Word of love.
00:20:20Did you believe it?
00:20:22I don't know.
00:20:23It's too scary for me.
00:20:24It's poppycock. Don't worry about it.
00:20:27I don't know.
00:20:28I don't believe it.
00:20:29It's just a show.
00:20:30Seeing is believing.
00:20:32Hey, where's Donna?
00:20:34She couldn't handle it.
00:20:35She and Aya took a walk in the middle of the mass.
00:20:37Never mind them. Where's our tour guide?
00:20:39That's right.
00:20:40Maybe the zombies kidnapped him.
00:20:43Don't make jokes. This is serious.
00:20:46We're all alone here. God knows where.
00:20:48Yes.
00:20:51Where is that character?
00:20:52This place has given me the creeps.
00:20:54I am telling you, Hunley, it was only a show.
00:20:58Show? I know what I saw.
00:21:01Here you are, Reverend.
00:21:03This is for the church collection box.
00:21:05Thank you, Mr. Jones.
00:21:06We just aren't getting as many visitors as we're used to.
00:21:09Yes, I'm aware of that, Mr. Jones.
00:21:11I'm sorry to hear that, Reverend.
00:21:13Do not concern yourself, Mr. Jones.
00:21:16The gods will provide me with other means.
00:21:21Best you go look after our guests.
00:21:24Right you are, Reverend.
00:21:25Mr. Jones.
00:21:31Take this to help you guide your way.
00:21:34Thank you, Reverend. Good night.
00:21:36Farewell, Mr. Jones. Farewell.
00:21:41What was that?
00:21:43Simply the cry for Jungle Bird, my dear.
00:21:45Where did he come from?
00:21:46No, my friends.
00:21:47I'd best get you back to the boat in time for dinner.
00:21:50This way, please.
00:21:51Let's go.
00:21:52Let's get out of here.
00:21:58Someone please get those torches first.
00:22:00Careful, watch your steps.
00:22:16Hey there, Roy.
00:22:29Here we are.
00:22:31Start her up.
00:22:34Watch it now.
00:22:41Come on, Roy. Start her up.
00:22:46Roy.
00:22:51Roy.
00:22:57What's the problem?
00:22:59A bit of an accident, I'm afraid.
00:23:01What kind of an accident?
00:23:02I'm sure I don't know, but our driver seemed to have disappeared.
00:23:05Wait a minute, what's that?
00:23:07Probably the foggiest.
00:23:09Hey, Buster.
00:23:10Are you supposed to stand around here all night?
00:23:11This driver seems to have taken off.
00:23:12Hey, Chumlee, the keys are in here.
00:23:13Let's go.
00:23:14Of course, of course.
00:23:15Silly of me, huh?
00:23:16That's for sure.
00:23:17All aboard.
00:23:18Let's go.
00:23:19Everything's ship-shaped shortly.
00:23:20Where do you want to stop?
00:23:21Come on.
00:23:22Come on.
00:23:23Come on.
00:23:24Come on.
00:23:25Come on.
00:23:26Come on.
00:23:27Come on.
00:23:28Come on.
00:23:29Come on.
00:23:30Come on.
00:23:31Come on.
00:23:32Come on.
00:23:33Come on.
00:23:34Come on.
00:23:35Come on.
00:23:37Come on.
00:23:38Come on.
00:23:39Come on.
00:23:40Come on.
00:23:41Come on.
00:23:42Come on.
00:23:43Come on.
00:23:44Come on.
00:23:45Come on.
00:23:46Come on.
00:23:47Come on.
00:23:48Come on.
00:23:49Come on.
00:23:50Come on.
00:23:51Come on.
00:23:52Come on.
00:23:53Come on.
00:23:54Come on.
00:23:55Come on.
00:23:56Come on.
00:23:57Come on.
00:23:58Come on.
00:23:59Come on.
00:24:00Come on.
00:24:01Come on.
00:24:02Come on.
00:24:03Come on.
00:24:04Come on.
00:24:05Come on.
00:24:06Come on.
00:24:07Come on.
00:24:08That explains it that explains what somebody took to describe the cow so I must have taken it with him
00:24:27yeah what so no one would steal the bus uh-huh what are you doing to go to hotwire
00:24:33hotwire just take my word for without a descriptive account we'll never get this thing moving
00:24:39well then there's only one thing for it what there's a phone booth just down the road
00:24:47I'll have to go ahead and call for help hey pa what's going on I'll be within a minute
00:24:52listen this is your tour mr. Jones you got us here you get us oh yes yes yes of course of course
00:25:01that would be the thing to do wouldn't it right get with it sure
00:25:07what's the hold up huh it looks like the driver hurt himself somehow he must have gone to get help for
00:25:31himself he must have gone to get help for himself what's wrong with the motor the driver took the
00:25:36distributor cab with him what on earth for so the natives wouldn't steal the bus that's obvious
00:25:43so what are we supposed to do now our charming guy has gone down the road to use to pay for
00:25:48i knew something terrible was gonna happen nothing terrible has happened ever since they started
00:25:53playing around with those dead bodies this is rightful how's he service i say i'm probably gonna have
00:25:59me right here hmm i heard that hey listen while everybody's carrying on what happened to the
00:26:05newlyweds don't worry about them why oh my god
00:26:22what in the name of god is happy
00:26:49there's a Hospice
00:26:53there's a variety of friends who really tried it
00:26:54there is no other way
00:26:55there's a formula that your bridgeman does not get a head to the Henke
00:26:57dole
00:26:58there's no options happen to be out here
00:27:00there's no option for you to know where the ivory brick
00:27:01where the black electrical arividual harbour
00:27:03is and is going contact it
00:27:03you know it can't be that gibi
00:27:05that kinda dental hospital
00:27:06what You You You You You You Are You Are¡
00:27:10know it is a valid system that they live in the diaper
00:27:11I should feel that now face
00:27:12a family come back and over
00:27:13you know it can occur
00:27:14it's probably that kinda They have one person
00:27:15if you're like
00:27:17Who are you studying with, Adler?
00:27:21What? Steve?
00:27:24He went down the road.
00:27:25Down the road?
00:27:26You have to see what's keeping the tool man.
00:27:28Oh, yeah, sorry.
00:27:29Still drowsy.
00:27:30That must be him now.
00:27:32Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:27:46What's the story?
00:27:56No story.
00:27:57What do you mean?
00:27:58I mean no tour guide.
00:28:00And the paint bone was ripped up.
00:28:03So there's nothing, only this.
00:28:05This hat.
00:28:07And no Chumlee what's-his-name to go with it.
00:28:09I just knew something awful was gonna happen.
00:28:11You know, there's something fishy about all this.
00:28:13Yeah, voodoo magic, maybe.
00:28:15Hey, honey, don't make jokes.
00:28:17Sorry.
00:28:18Right, we've already lost two people.
00:28:19Plus the driver.
00:28:20And now the tour guide's abandoned us.
00:28:23So, what do we do now, Mr. Big?
00:28:25Beats the hell out of me.
00:28:27Not my kind of decision.
00:28:28Why doesn't everybody just relax?
00:28:31It's supposed to be a fun picnic, remember?
00:28:34We can always contact the voodoo people.
00:28:38Not on your life.
00:28:40And there's one thing I'm certainly not doing.
00:28:42What's that?
00:28:43Spending my night cooped up on this stupid bust.
00:28:46Yeah, this place getting creepy about a minute.
00:28:48Wait a minute.
00:28:49Here's always the house.
00:28:50What house?
00:28:51That villa a couple miles down the road.
00:28:53I didn't see any villa.
00:28:54That's because you don't have my fine painter's eye.
00:28:56It's on the mountain.
00:28:57Hey, maybe they have a phone.
00:28:58Yeah, maybe they don't.
00:29:00Listen, Joe.
00:29:01Anything's better than just sitting here.
00:29:04The zombies coming to life over there?
00:29:06No, thank you.
00:29:07Hey, hold your horses.
00:29:08Maybe we'll be better.
00:29:09I'll wait in here until morning.
00:29:11How many people want to stay here tonight?
00:29:13Or how many want to try and get to the house?
00:29:15No way.
00:29:16No way.
00:29:17I agree with Joe.
00:29:18Hold it.
00:29:19Hold it.
00:29:20I agree with Joe.
00:29:21Let's try it again.
00:29:22This time with the hands.
00:29:24No, George.
00:29:25Not with Joe.
00:29:26Listen, some zombie touched my throat.
00:29:28What puts my heart.
00:29:30We go with the majority.
00:29:32Okay, that's it.
00:29:33All hands.
00:29:34Let's go.
00:29:49Why me?
00:29:50Angel, you're the one who saw the village.
00:29:53Either way.
00:29:56Let's watch your footing.
00:29:57Okay, you'd be kind of treacherous.
00:29:59Oh, I'm right here.
00:30:00Ready?
00:30:06Hey, what's happening?
00:30:07I've seen what else we can use.
00:30:11This should come in handy for chopping a trail or something.
00:30:14Yeah, something like a zombie.
00:30:18Ah, here's a first aid kit.
00:30:20In case we have to patch him up again.
00:30:22That's it?
00:30:23No, hold it.
00:30:24There's another light.
00:30:25Oh, yeah.
00:30:26This would light the way for the honeymooners.
00:30:27Great.
00:30:28But hurry up, okay?
00:30:29Good.
00:30:30Good.
00:30:31But hurry up, okay?
00:30:32Good.
00:30:33But hurry up, okay?
00:30:34Let's go!
00:30:58Everybody watch their step, okay?
00:31:02What's wrong?
00:31:04The honeymooners.
00:31:06We got...
00:31:08Everybody watch their step, okay?
00:31:10Here, let me have his back.
00:31:12What's wrong?
00:31:14The honeymooners.
00:31:16We got...
00:31:18You got to try and tell them how to find the house.
00:31:20Well, how do we do that?
00:31:22I'll leave instructions.
00:31:24Anybody got some paper? Yeah, I do.
00:31:26Oh, good.
00:31:28You sure you want to go back there?
00:31:30I'm sure I don't want them on my conscience.
00:31:32Okay, we'll take it slow, all right?
00:31:34Don't worry about it. It's only one row.
00:31:36Hey, what's happening?
00:31:38I've got my percopator boots.
00:31:40That is not funny.
00:31:42Do you think they'll find it?
00:31:44What's so funny that the aunt was jumping off?
00:31:46I thought it was funny.
00:32:00I felt that my car was jumping off.
00:32:02I felt a lady, I thought it was my car.
00:32:04I felt that she was jumping off.
00:32:06I thought that the aunt was jumping off.
00:32:08I know.
00:32:10That's not funny.
00:32:11That's a little bit.
00:32:12That's not funny.
00:32:13I thought it was funny.
00:32:14It's like my car was on the car.
00:32:16I was looking for the car.
00:32:18You know.
00:32:19Oh, my no.
00:32:21That was funny.
00:32:22There was no way.
00:32:23I was waiting for you to escape.
00:32:24But you were going to be,
00:32:25I wouldn't wait for you to see the car.
00:32:26I'm looking for you to get the car.
00:32:27Let's go.
00:32:57Let's go.
00:33:27Let's go.
00:33:57Let's go.
00:33:58Let's go.
00:33:59Let's go.
00:34:00Let's go.
00:34:01Let's go.
00:34:02Let's go.
00:34:03Let's go.
00:34:04Let's go.
00:34:05Let's go.
00:34:06Let's go.
00:34:07Let's go.
00:34:08Let's go.
00:34:09Let's go.
00:34:10Let's go.
00:34:11Let's go.
00:34:12Let's go.
00:34:13Let's go.
00:34:14Let's go.
00:34:15Let's go.
00:34:16Let's go.
00:34:17Let's go.
00:34:18Let's go.
00:34:19Let's go.
00:34:20Let's go.
00:34:21Let's go.
00:34:22Let's go.
00:34:23Let's go.
00:34:24Let's go.
00:34:25Let's go.
00:34:26Let's go.
00:34:27Let's go.
00:34:28Let's go.
00:34:29Let's go.
00:34:30Let's go.
00:34:31Let's go.
00:34:32Let's go.
00:34:33Let's go.
00:34:34Let's go.
00:34:35Let's go.
00:34:36Let's go.
00:34:37Let's go.
00:34:42Okay.
00:34:43Let's go.
00:34:44Come here, let's go.
00:34:47Let's go.
00:34:48You have enough to do this.
00:34:51Let's go.
00:34:52Let's go.
00:34:53Let's go.
00:34:55Let's go.
00:35:00Let's go.
00:35:02As a matter of fact, it's right up there.
00:35:06At least we could have put our wife in the room now.
00:35:09Oh, George, this is no time for jokes.
00:35:11Laugh is the best medicine.
00:35:13The region's digest says so.
00:35:15George, you're incorrigible.
00:35:17All right, let's go. Let's go to Mexico, all right?
00:35:19Right behind you.
00:35:23We're almost there now.
00:35:25Maybe we'd be better off on our own.
00:35:27This bunch is jinx.
00:35:29Suit yourself now. With me, it's safety in numbers.
00:35:32Let's go.
00:35:44Jesus, some people.
00:35:46Stop complaining.
00:35:48Nearly took my eye out.
00:35:50Only thing putting your eye out is that pretty young butt up front there.
00:35:53What the hell you talking about?
00:35:55Max, Max, look at that scheme here.
00:35:58What do you want, up or down?
00:36:00Come on, up her, up her.
00:36:02Excuse me.
00:36:03Thanks, honey.
00:36:04Did you guys know that was suspicious?
00:36:06No, we wouldn't be here.
00:36:08I don't like the sound of that jungle.
00:36:10I don't like the sound of that jungle.
00:36:12Drummer, you know.
00:36:13I don't like the sound of that jungle.
00:36:14Drummer, you know.
00:36:16Hold a second.
00:36:17What's the problem now?
00:36:18I don't like the sound of that drumming.
00:36:36Drummer, you know?
00:36:39Hold a sec. What's the problem now?
00:36:45I'm not sure.
00:36:49I smell it.
00:36:51Yeah, scum cabbage.
00:36:53Yeah, it smells like rotten eggs.
00:36:55No, rotten meat. I smell it back at the bus.
00:36:59It's following us.
00:37:01Oh, God.
00:37:02Let's not panic.
00:37:04We're almost there. The house can't be but another quarter of a mile or so down the path.
00:37:07George! George! George!
00:37:15George! Oh, my God, my God, it's just hard. George!
00:37:24George! Oh, my God, this is hard.
00:37:30Oh, my God, this is hard.
00:37:32Oh, damn.
00:37:34Come on. Come on.
00:37:35Come on. Come on.
00:37:36Oh, George. Here, George.
00:37:38Oh, George.
00:37:40Oh, George.
00:37:42Do you think we can carry him?
00:37:44Yeah, we could, but we shouldn't.
00:37:46Yeah, I'll read you.
00:37:48So what do we do?
00:37:50You guys go up to the house and get help if you can.
00:37:52Well, what about you?
00:37:54I'll stay here with him until you get back.
00:37:56Yeah, what about...
00:37:58Get going.
00:38:00I'll hold it for you, okay?
00:38:04Okay, folks.
00:38:06Paul and George are gonna take a little rest here.
00:38:08The rest are gonna go to the house and get help, okay?
00:38:10I'm not leaving him.
00:38:12I'm not leaving him.
00:38:14I am not leaving him.
00:38:16Okay, we'll go to help you back before you know it.
00:38:18I'm not leaving him.
00:38:20Come on.
00:38:26Come on, darling.
00:38:28He's gonna be fine, right?
00:38:30He's gonna be fine, right?
00:38:32He's gonna be fine.
00:38:40He's gonna be fine.
00:38:42He's gonna be fine.
00:38:44He's gonna be fine.
00:38:46That's a good walk.
00:38:48I'm not leaving him.
00:38:50He's gonna be fine.
00:38:52He's gonna be fine.
00:38:54He's gonna be fine.
00:38:56I'm going to go first.
00:39:26I'm going to go first.
00:39:33Hey, that's so slow.
00:39:36The facility spins a loose.
00:39:39This isn't very sturdy.
00:39:43I'm going to go first.
00:39:53Come on.
00:39:54Watch out.
00:39:56Jerry.
00:39:58Come on.
00:40:00I'm coming.
00:40:01I'm right.
00:40:04Jerry.
00:40:08Jerry.
00:40:13Jerry.
00:40:14Helen.
00:40:15Helen.
00:40:16Helen.
00:40:17I can't see this.
00:40:18Oh, my God.
00:40:19Helen.
00:40:20Jerry.
00:40:21Helen.
00:40:22Hey, what's that?
00:40:24I don't know.
00:40:25Something's over there.
00:40:26Jerry.
00:40:27Oh, my God.
00:40:28Jerry.
00:40:29Hey, what's that?
00:40:31It's here?
00:40:32I don't know.
00:40:33Something's over there.
00:40:34Jerry.
00:40:35Oh, my God.
00:40:36Jerry.
00:40:37Oh, my God.
00:40:38Jerry.
00:40:39Oh, my God.
00:40:41Oh, my God.
00:40:43Oh, my God.
00:40:45Oh, my God.
00:40:49Oh, my God.
00:40:51What happened an accident Helen and Jerry they went under slipped I think you think it was hard to tell
00:41:06listen Helen was almost over to the other side and suddenly she was falling in the water
00:41:10and Jerry dove in to help her what's the matter didn't they see something over there oh Paul
00:41:15it happened so quickly it was over like that hey Joe hey what no man it's so dark I can't see
00:41:45so
00:42:15Yeah, what do we do we can't leave them there
00:42:45we can't unless it's your suicide who was it did you see what it was let's
00:42:54been some kind of crazy human or not listen let's get to the house first
00:42:58then decide what to do okay yeah right you two go ahead
00:43:15what happened how did she fall in I thought you're gonna stay back there and cover our asses
00:43:33now Matt you better cover your own ass what's that supposed to mean it means that something out there
00:43:41is after us you gotta be kidding what did we do to anybody yeah who knows it
00:43:47doesn't seem to matter I'll tell them George and Ethel they're both dead
00:43:53murder oh my first Helen and Jerry now George and Ethel somebody out there wants us all dead
00:44:01sure you want to stay and check it out
00:44:05keep going baby
00:44:09yeah take it easy you take it easy as soon as we get to this house up there
00:44:13oh we better think this one over why why because that nutcase may be operating out of the house
00:44:25yeah who knows but right now he's behind us across the river there so so we check out the house okay
00:44:33okay
00:44:39i knew we never should come yeah yeah yeah
00:44:41mexico would have been so much nicer yellows greasers with their guitars
00:44:45i love
00:45:15let's go
00:45:17let's get out of here let's go come on
00:45:19come on let's go
00:45:21oh
00:45:23oh
00:45:25oh
00:45:27oh
00:45:29oh
00:45:31oh
00:45:33oh
00:45:35oh
00:45:37oh
00:45:39oh
00:45:41oh
00:45:43oh
00:45:49oh
00:45:53oh
00:45:55oh
00:45:57oh
00:45:59oh
00:46:03oh
00:46:07oh
00:46:09oh
00:46:11oh
00:46:43Hello? Anybody home?
00:46:47If Igor answers, I'm leaving.
00:46:50Igor?
00:46:50You know Igor, Dr. Frankenstein's butler?
00:46:52Sick.
00:46:53No, not sick.
00:46:55Just tell me...
00:46:56Sick!
00:47:06Hello?
00:47:09Anybody home?
00:47:10It's a emergency, if you need a telephone.
00:47:15Anybody home?
00:47:17It's a emergency, if you need a telephone.
00:47:28Hello?
00:47:29Hello?
00:47:29Hello?
00:47:37Is there another match?
00:47:39Yeah.
00:47:42Oh, civilization.
00:47:55Looks like everybody left in a hurry.
00:47:57If they left.
00:47:59And what's that supposed to mean?
00:48:01They could all be dead in their bed upstairs.
00:48:05Well, they could, couldn't they?
00:48:11Paul, let's check it out.
00:48:13Keep an eye on the girls, okay?
00:48:15Okay.
00:48:17Okay.
00:48:23I've got a really taking headache.
00:48:26A small window.
00:48:28I think I've got some ice cream.
00:48:30Just like a Girl Scout.
00:48:32Always prepared.
00:48:39Let's see if we can find some water.
00:48:47Let's see if we can find some water.
00:49:06A light.
00:49:17If you don't bother him, he won't bother you.
00:49:30More good news.
00:49:32No dead bodies upstairs.
00:49:34Ladies, I'll take care of this.
00:49:47ah!
00:49:53Oh!
00:49:55No wonder.
00:50:01What the hell is saying?
00:50:02You cannot tell anyone?
00:50:03When you talk to me.
00:50:04No wonder.
00:50:05Maybe there's ago.
00:50:06Maybe there's a new fire.
00:50:07Me not?
00:50:08No wonder, no wonder.
00:50:09From the beginning, by the way back to second house.
00:50:11I'm surprised just to see aанger's house
00:50:14You can just kill me, man.
00:50:15Ayo.
00:50:16You know, if you ask me, I think everybody is missing the point.
00:50:35Oh, and what's that?
00:50:37Well, I think we should be trying to get in touch with someone, to tell them what's happening to us.
00:50:46Here's some more news. Good and bad. First, the bad news. No telephone calls. That's out.
00:50:56And now, the good news.
00:51:00Now we've got some real protection.
00:51:04Where the hell did you find that?
00:51:06Out in the backyard.
00:51:08So they had a shootout here.
00:51:10I told you they could all be dead.
00:51:12Is that thing loaded?
00:51:14Yeah, but only two rounds.
00:51:16Please, Joe. Be careful.
00:51:19Don't worry. I've been handling guns all my life.
00:51:22Is that a fact?
00:51:23That is a fact.
00:51:30Can I take a look?
00:51:32If you're gonna wear it like that, you better keep it like this.
00:51:39And actually, they wouldn't make Sandy very happy.
00:51:42Or you, Sandy.
00:51:44Oh.
00:51:45Oh, no.
00:51:47Terrific.
00:51:48Damn it.
00:51:49Just get me to leave.
00:51:51Damn it.
00:51:53Old places like this.
00:51:55They are usually on generators.
00:51:58We better check the basement.
00:52:00You'll be able to be okay.
00:52:03Are you kidding with this cannon?
00:52:06Come on, Joe.
00:52:09This is not high view.
00:52:12Please put that away until we really have reason to use it.
00:52:16All right.
00:52:23God.
00:52:24Watch that green ball.
00:52:25Looks like it.
00:52:27Give it a crank.
00:52:29Give it a crank.
00:52:32Nice.
00:52:36Hey.
00:52:37Anybody know what Anthropologie or Fagie is?
00:52:42Mm-mm. Not I.
00:52:45Joe.
00:52:49Joe.
00:52:51What?
00:52:52You took Anthropologie 35.
00:52:54You ought to know.
00:52:55How do you spell it?
00:52:58Well, it's anthro, and then it's...
00:53:06P-O-P-H-A-G-Y.
00:53:10Cannibalism.
00:53:11What?
00:53:12Oh, my God.
00:53:14There's a whole shelf here.
00:53:16German, French, and Italian.
00:53:18And all on cannibalism.
00:53:20What?
00:53:21Oh, my God.
00:53:22There's a whole shelf here.
00:53:23French and Italian.
00:53:24And all on cannibalism.
00:53:29Hey, you know you're right.
00:53:30And what do they say?
00:53:31Different strokes for different...
00:53:32Joe!
00:53:33Hey.
00:53:36What's wrong?
00:53:40That awful smell.
00:53:41It's back again.
00:53:43Jesus, I forgot to lock the door.
00:53:49Connie.
00:53:50Hold the other guys.
00:53:53Go.
00:53:56Sandy.
00:53:57Get out of sight.
00:53:59Sandy.
00:54:00Oh.
00:54:03I can't move.
00:54:12Don't move.
00:54:15Joe.
00:54:17Don't leave me.
00:54:18I promise I'll be right back.
00:54:26Joe.
00:54:27Don't go.
00:54:45Hey, Joe. Go ahead.
00:54:48All right.
00:54:49Steve.
00:54:51Sorry.
00:54:52What's going on?
00:54:53Steve.
00:54:54I'm sorry.
00:54:55Steve.
00:54:56I'm sorry.
00:54:58Steve.
00:55:00This is my guest.
00:55:02I'll be right back.
00:55:04Steve.
00:55:05Steve.
00:55:06Don't.
00:55:07What's going on?
00:55:09We're going to be right back.
00:55:10Steve.
00:55:13Steve.
00:55:14Steve.
00:55:15Steve.
00:55:16Steve.
00:55:17Oh, my God.
00:55:47Joe! Hey, Joe! You all right?
00:56:06Just one shot.
00:56:08Fast, as quick as lightning.
00:56:11Goodbye, 38.
00:56:13Goodbye, Joe Chase.
00:56:14The bad guy's got it now.
00:56:17You want to go up against him with just that?
00:56:19No way.
00:56:44He's a monster.
00:56:49Thank God it.
00:56:53I asked him not to leave him.
00:56:56I told him not to go out there.
00:56:58I pleaded with him.
00:57:01No, no.
00:57:04He had to be the cowboy.
00:57:06Just like a little boy.
00:57:09Poor, stupid cowboy.
00:57:15This just can't be happening.
00:57:31I don't believe that I'll never see him again.
00:57:36He was always playing tricks on me.
00:57:39Little boy tricks.
00:57:41It's scary sometimes, but always fun.
00:57:45We fight and make up, but it was just a big game between us.
00:57:50I can't believe it was the last time.
00:57:53I just can't.
00:57:54It's not fair.
00:57:55And I won't believe it.
00:57:57I need you, Joe.
00:58:07Sandy, maybe he'll turn up.
00:58:09Turn up?
00:58:11What, like the other?
00:58:13Lying in a filthy pit, in like a rabbit?
00:58:16There's nothing to do.
00:58:18Oh, you're such a sweet guy.
00:58:22I was like a little boy.
00:58:23Oh, I didn't see how it's sweet.
00:58:49Rue.
00:58:50I'll get the lights.
00:58:53Oh, my God.
00:58:55Oh, my God.
00:58:56Oh, my God.
00:58:56Oh, my God.
00:58:57Oh, my God.
00:58:58Oh, my God.
00:58:58Oh, my God.
00:58:59Oh, my God.
00:59:00Oh, my God.
00:59:04Oh, my God.
00:59:05It's up here.
00:59:15We can't go up against a .38 with just that.
00:59:18There's only one slug left.
00:59:20Would you want to be a hero?
00:59:23No, thanks. How about you?
00:59:26Wait a minute.
00:59:28What else is there?
00:59:30Court call.
00:59:39Man!
00:59:43Get the hell out of here!
00:59:48What's going on?
00:59:55We're welcoming, Matt.
00:59:58Or a friend zombie.
01:00:00You mean fried zombie.
01:00:12I certainly hope it works.
01:00:18How are you coming?
01:00:21I'm set.
01:00:22All right.
01:00:23Let's go to the bathroom.
01:00:25Okay.
01:00:26Okay.
01:00:27Are you really serious?
01:00:55About you? Very serious. Lucky me.
01:01:02This is Caribbean, isn't it? Boy meets girl, vice versa.
01:01:06I meant about fried zombies.
01:01:10Listen, I don't know what to believe anymore.
01:01:13Walking corpses, zombies, Bacchus, whatever.
01:01:19What do you think, Paul?
01:01:22Up to now, all the monsters I've seen have been human.
01:01:25I can't give anything.
01:01:52No!
01:01:57No!
01:01:59No!
01:02:01No!
01:02:02No!
01:02:03No!
01:02:05No!
01:02:07where'd he go he just disappeared well let's try and find out what happened to joe
01:02:18hey steve
01:02:44look
01:02:44looks like it goes off this way
01:03:01just one round left and you bet he didn't have time to use it that's all we do
01:03:12hold it right there mister
01:03:35anything you say friend what are you doing here oh i'm i'm tracking that creditor just bust out of here
01:03:44you get him no no no he moves faster than lightning but i will eventually though okay
01:03:51come up but nice and slow oh how the only way i can take it yeah i've been mickey mousing around these
01:04:01jungles for the past two three days what have you been doing out there i told you i've been tracking that
01:04:09things or things
01:04:13names uh whitney elliot whitney
01:04:19i had a house over there other side of the valley you had a house
01:04:24yeah yeah they burned me out that's custom around here it seems
01:04:30i'm from i'm from boston originally i retired down here to get away from those new england winters
01:04:37when i get instead what did you get uh trouble trouble there's nothing but trouble from the from the
01:04:46critic
01:04:48kill my wife murder my partner who did that
01:04:54political terrorists indians crazy on ganja weed or maybe some prehistoric tribe beats me
01:05:03uh bloodthirsty is all i know miss uh sorry mr whitney this is sandy this is connie ladies
01:05:14well you uh boys plan to spend the night out here
01:05:23where's joe still no sign of him i don't understand steve
01:05:33i'm sorry but there's nobody else out there alive anyway is it the voodoo people who took him
01:06:00away oh i really don't know a bunch of us came up from the port for the voodoo mass and ever since
01:06:07then it's been nothing but trouble are these murderers these monsters are they cannibals well
01:06:14where the devil did you get that idea because the bookcase in there is full of books on cannibalism
01:06:20oh well i'll tell you when columbus first arrived here these islands were inhabited by the arawak indians
01:06:28they were beastly they were beastly types but then they were invaded by the carriage they came up from
01:06:35columbia and venezuela they were fierce bloodthirsty types they swept through the islands of cuba and
01:06:4280 and jamaica all the islands that we know today is the caribbeans the language that they spoke was caravan
01:06:51the latin form for caravan is cannibal the flesh eaters well that's what the the caribbeans really were
01:07:02well i don't know what to say about it for today but frankly i don't even like to think about it
01:07:11is there someplace here that i could wash up a bit sure i'll show you
01:07:15what the hell has gone wrong
01:07:45what the hell has gone wrong
01:07:55everything and now what later we've got to get them out of this house
01:08:01i'm going to try and hold them till morning then we'll make a run for it or the shotgun would be a big
01:08:16help she'll be lying in two hours and then what do we do then we tear up and run for it yeah if we have the time
01:08:24you know something no but maybe we should ask mr whitney he seems to be the local expert expert expert on what
01:08:32what to expect next well i don't think that anybody will be safe here any longer why not and as i've told
01:08:40you arson is a way of life around here you look at a man cross-eyed and the next thing you know he's burning
01:08:47down your house as you've learned there's a lot of things that are at issue here what the hell do we do
01:09:07now out in the jungle oh it wouldn't work why not well they're expert track is they furrow us out in no
01:09:13time what else is there ambush are you kidding there's a million miles of jungle out true but we know where
01:09:20they are now down by the road and to get here they'll have to cross the river human or subhuman they'll take
01:09:27this shortest route especially since you wounded one okay let's get organized come on sandy here here
01:09:38here you take these yeah you're in better shape than i am to handle the blunderbuss out this way
01:09:57no it's all right it's just a little spill
01:10:27twisted something can you walk i'm afraid not you go right ahead i'll i'll be all right we can't leave you
01:10:35here alone no no go my dear go ahead i'll i'll be just fine listen we can't waste any time exactly
01:10:42you've got to get to the river first you go ahead i'll hide us in the underbrush you sure positive
01:10:50okay we'll come back for you after it's over
01:11:07i love you angel
01:11:18now what the hell is going on here oh my dear girl it's all classic for barry the what double cross
01:11:37and then lizzie paid off the columbians and counterfeit and then he and his pusa girlfriend
01:11:43planned to skip with the real green and so what happened well the cowboys they burned them out they
01:11:50turned them at that shop they they come up in the middle of the night and toss a couple of bottles of
01:11:58cocktails then swish up a lifetime of work goes up in smoke and flames here everybody has to handle
01:12:06no problem we got no fire department but that was the last problem hermanders and his lure had to face
01:12:15that's only half of it and the other half well there's there's an informant on your end of new
01:12:20york when the columbians got a tip that someone in this tour group had the cash on this trip they
01:12:26sent up a hit squad so i wasn't thinking oh absolutely not they just simply started eliminating you
01:12:32one by one and then searching for the bags for the payment and what's the drill now
01:12:37business as usual my dear but what about all that needless hocking up of all my dear girl it's all
01:12:43part of the subculture women and children and even babies are not immune to their revenge or
01:12:50or instruction plus the fact that i imagine that someone employed some torture who's got the goodies and
01:12:57all of that i don't find amusing oh no well my dear girl it's all part of the total scene there's fun and
01:13:04games and good times isn't that what it's all about huh oh sorry just give me a second it seems that
01:13:15you're a bit out of condition my dear this hit squad whitney why do they smell so awful
01:13:23huh it's rotten bark and and trees and and slimy jungle things and it's a concoction that they
01:13:34smear on themselves so they smell like rotting corpses certainly isn't chanel is it oh you're
01:13:42you're beginning to feel a little better i see huh well it's true but it keeps the local primitives at
01:13:50arm's length and it reminds them of their zombies and it keeps them at distance it's really quite amusing
01:13:57though you've got a great sense of humor i'll die laughing i i rather doubt it
01:14:04hernandez and this whore certainly didn't
01:14:14i'll beat him to it okay it's crossfire all right sandy you get behind paul all right come on
01:14:21i'll take it come off
01:14:34i'll beat him to it steve look like somebody's on outside
01:15:04i'll beat him to it
01:15:10oh
01:15:14oh
01:15:16oh
01:15:18Tell my...
01:15:48Tell your wife, your folks?
01:15:52Tell... Tell Miami.
01:15:55Miami?
01:15:57Tell Miami. D-E-A.
01:16:02You're not dead. You don't get help.
01:16:05D-E-A. Drug Enforcement Agency.
01:16:11We're looking for... a connection.
01:16:16Us.
01:16:18Like... ten little Indians.
01:16:23Only one left.
01:16:28You... hell.
01:16:37Promise.
01:16:46Sandy.
01:16:50Sandy!
01:16:59What was all that shooting about?
01:17:01The boys from Bogota. Greeting your friends.
01:17:04Those animals have been following us all night.
01:17:06Trust that everything has been properly settled. I hate loose ends.
01:17:10Be careful, my dear.
01:17:19Well, you certainly seem at home.
01:17:21I ought to. This is my house.
01:17:23But the fire, you said...
01:17:25Ah, that was Hernandez.
01:17:27Cocaine cowboys. They wanted me alive and well.
01:17:30At least until I completed the last transaction.
01:17:33Do you have it?
01:17:34Of course.
01:17:35Well, let me see it.
01:17:36Let's see the candy first.
01:17:37You are a tough customer.
01:17:40I've always been a great believer of Edgar Allan Poe.
01:17:44The purloid leather, you know.
01:17:46You want to hide something, you hide it in plain sight.
01:17:50Have no fear. It's top grade. Number nine rock.
01:17:57Yeah, but you're supposed to have enough for ten mules to haul back to the States.
01:18:01After I see your end, my dear.
01:18:04Five million. U.S.
01:18:2125 million on your end.
01:18:23Ah, but I'm the one taking the chance getting it back to New York.
01:18:26Ah, back to your little discotheques and plane pens.
01:18:30My dear friend, don't knock it if you don't know it.
01:18:33Of course not, my dear.
01:18:47Right this way, my dear girl.
01:18:52Now just keep your eye on it.
01:19:00Magic.
01:19:03One.
01:19:06One.
01:19:15Very efficient.
01:19:17Efficiency is the key to industry and profit.
01:19:22Steve, you startled me.
01:19:23Yeah.
01:19:25I'll bet.
01:19:27Where are the others?
01:19:28Back out there, dead.
01:19:30God, what happened?
01:19:32We were ambushed, just like your friend here planned.
01:19:35My dear young fellow, you give me too much credit.
01:19:37Steve, please, put that thing away.
01:19:39You don't need it here. We're all friends.
01:19:45See that? Money makes strange bedfellows.
01:19:47Man, this is strictly a business transaction.
01:19:51For how much?
01:19:52A few hundred thousand.
01:19:56Is that all?
01:19:58Twelve people dead for a few hundred thousand?
01:20:01I'm not an ungenerous man, young fellow.
01:20:04And now that you're with us, I'd be delighted to share with you.
01:20:12But I owe it to you.
01:20:16Since you've done away with those animals that have been hounding me.
01:20:19Stop running, baby.
01:20:21Because I've got news for you.
01:20:22The feds are...
01:20:35The next one's for you.
01:20:37Aren't you crazy? You just killed that poor man.
01:20:39Poor man, my ass! He's another greedy pig like you!
01:20:49Steve, use your head. I'm not talking thousands, I'm talking millions.
01:21:06Good to hear. Tell Paul and Sandy and all the others dead out there.
01:21:10Forget about them. I had nothing to do with that.
01:21:13Can't you think of the living and the living that we can do together?
01:21:16Living? What about the loving?
01:21:18Wasn't that part of the package too, Angel?
01:21:20The loving, of course it is.
01:21:22You just told me you loved me only an hour ago.
01:21:24Could I have possibly changed so much in so little time?
01:21:27No, you haven't changed. I have.
01:21:29God, Steve, please don't kill me.
01:21:34Kill you? That's not my plan.
01:21:37What are you gonna do with me?
01:21:39Turn you in, sweetheart.
01:21:41A dealer like you should only be 20 years to life.
01:21:44Steve, that's not fair.
01:21:45I'm not playing a sap for you anymore, Angel.
01:21:48Come on, keep moving.
01:21:50I'm frightened, Steve.
01:21:51You didn't mind leading us up here.
01:21:53I can't help it. I'm scared now. Please.
01:21:55Don't worry. Both sides were wiped out except for you and me.
01:21:58Steve, please.
01:21:59Get moving.
01:22:04Look, whatever happens, I want you to know one thing.
01:22:06That I really love you.
01:22:08Okay, maybe in the beginning I was, I was playing you along.
01:22:11But the way you stood up tonight.
01:22:17I gotta hand it to you.
01:22:19When you lie, you lie beautifully.
01:22:21Oh, God, no. Not a lie.
01:22:23The truth, maybe for the first time in my life.
01:22:26And for whatever it's worth to you, I really did fall in love with you.
01:22:30Whatever happened in that house had nothing to do with you or me.
01:22:32I really need you in my life.
01:22:38Dave!
01:22:39Dave!
01:22:55Oh, my God.
01:23:09Oh, my God.
01:23:10Oh, my God.
01:23:12Oh, my God, is coming here.
01:23:14Oh, my God.
01:23:15Oh, my God.
01:23:16Oh.
01:23:17Thanks,
01:23:22Oh, my God.
01:23:23Oh, my God.
01:23:53It's too long to reach me, Mr. Jones.
01:23:58I'll take that now.
01:24:00No way.
01:24:02We needn't quarrel, sir.
01:24:06Let me go! Let me go!
01:24:11Sandy!
01:24:12Steve!
01:24:14Simply quid pro quo.
01:24:23Let me go.
01:24:32I told you the Gods would provide.
01:24:37Now Mr. Jones will escort you back to your home.
01:24:42I told you the Gods would provide.
01:24:45George Jones will escort you back to your home,
01:24:50I know Mr. Jones will escort you back to your boat.
01:25:04This way, folks.
01:25:14Good evening, ladies and gentlemen.
01:25:16Jones-Gors welcomes you.
01:25:18I, Reginald Chumley-Jones, your tour guide, welcome you personally.
01:25:25Our tour today...
01:25:27Are you for tour, sir?
01:25:29This way, please.
01:25:31Our tour today will take us to one of the most fascinating islands of the beautiful Caribbean.
01:25:37I think I can safely promise you a tour you'll never forget.
01:25:42There'll be sights you've never experienced before, thrills you've never experienced before.
01:25:55Of all the visitors who come to these arts, you are to be congratulated above all.
01:26:01You are men and women of great taste and discrimination, who spurn the artificial through the mounds, the genuine, the real things.
01:26:10The real things.
01:26:11The real things.
01:26:12The real things.
01:26:13The real things.
01:26:15The real things.
01:26:18There's things.
01:26:19Get your mind in the groove
01:26:42Let your body stop to move
01:26:44And feel the river
01:26:46The rainy river
01:26:48Cause we're taking everyone
01:26:52To a picnic in the sun
01:26:55With the music
01:26:56The record music
01:26:59It don't matter if you're wrong
01:27:02Or send your worries up and slow
01:27:05Yes indeed
01:27:06With the ganja we
01:27:09Let the music set you free
01:27:13Come and picnic here with me
01:27:15When we'll be
01:27:19Singing la la la la la
01:27:24And we'll la la la la
01:27:29We can ya ya ya ya ya
01:27:36Singing la la la la
01:27:39La la la la
01:27:42If you give it half a chance
01:27:44Everybody stop to dance
01:27:47Start dancing with us
01:27:48To the waking rhythm
01:27:51There is something in the air
01:27:54You can feel it everywhere
01:27:57It's the magic
01:27:59To the waking rhythm
01:28:01We can drink wine
01:28:05When your mind is filled with me
01:28:07What can you do
01:28:09It's just like moving
01:28:12Let the music set you free
01:28:15Come and picnic here with me
01:28:18And with me
01:28:31onlar MY L unsere Yoga
01:28:33With music set you to
01:28:36重 State
01:28:38We can tune into
01:28:38North Canada
01:28:39You can tune into
01:28:40My name out
01:28:41Of how it does
01:28:42You know
01:28:42I love
01:28:44My eyes
01:28:44But my heart
01:28:45I love
01:28:47And with my heart
01:28:48How will that
01:28:48ups and downs
01:28:49You can win
01:28:50With my heart
01:28:50Yourbst obtener
01:28:51Off us
01:28:52But we can only
01:28:53!」
01:29:01You
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