Long Live the Greek Song [Dionysis Savvopoulos] 1987 ERT Archives episode 15, out of 18, 65 min

Μίλτος Σ. Αρβανιτάκης

Long Live the Greek Song [Dionysis Savvopoulos] 1987 ERT Archives episode 15, out of 18, 65 min Tribute to Thessaloniki Dionysis Savvopoulos returns to the city where he was born and recalls essential moments of his life. As he roams the streets of Thessaloniki, he remembers incidents from the past, such as the first time he saw Vasilis Tsitsanis. At the same time, he meets the writers Takis Simotas and Nikos Papazoglou, with whom he collaborates musically. He also stops by the school he attended, where he meets his old classmate George Hatzinasios, and, together with Dimitra Galani and Tania Tsanaklidou, offers us unique musical moments. The band Tripes also appears on the show, performing the song “6th of August" on the beach of Thessaloniki. Dionisis Giatras and Vasilis Kazoulis also appear on the show.Hooray! Long Live THE GREEK SONG, A BROADCAST BY DIONYSIS SAVVOPOULOS FOR HIS BIRTHDAY CITY, THESSALONIKI. 1987  Long Live the Greek Song was a television show about modern Greek music production, hosted by Dionysis Savvopoulos and broadcast on ERT1 in 1986-1987.  The total number of episodes was 19, and the one in Thessaloniki was one of the last in 1987 and has not been posted on the official page of the digital archiving of the show's episodes, so it does not appear anywhere on the internet.  This particular show concerns the city of Thessaloniki's birthday and was filmed exclusively in Thessaloniki, showcasing the local music scene of the time, the then-emerging and later global rock band Trypes, and the great, already recognized composer, musician, lyricist, and singer, the late Nikos Papazoglou. Also appearing in a cameo as a foolish fisherman on the beach is Takis Simotas, their mutual friend and lyricist for Papazoglou's great hits.  It is noteworthy that at his funeral, people bid him farewell with his most emblematic song, set to lyrics by Simotas.  https://el.wikipedia.org/wiki/%CE%96%CE%AE%CF%84%CF%89_%CF%84%CE%BF_%CE%B5%CE%BB%CE%BB%CE%B7%CE%BD%CE%B9%CE%BA%CF%8C_%CF%84%CF%81%CE%B1%CE%B3%CE%BF%CF%8D%CE%B4%CE%B9  https://archive.ert.gr/7706/

Transcript

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02:00Maybe it's funny or serious Maybe it's both Maybe it's ridiculous or tragic Maybe it's both

02:14Either way it will become a song that some voice will sing. Either way it will become a song, I hope we can sing it together.

02:28They don't come out at the same time and my lyrics play hide and seek. I immediately forget the new songs and go back to the old ones.

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04:22They were placed on the ceiling of the room.

04:26So I slowly fell asleep next to the Athenian lady.

04:31This light was actually a foreshadowing of the light I encountered later in my life,

04:39others in a grandeur that I cannot describe,

04:42and others in its humble, almost everyday version.

04:46But always comforting in my boredom, incoherence, and worthlessness.

04:54The night is freezing.

05:01And it has me up.

05:16You made me laugh, you made me old, you made me laugh, you made me old,

05:30You made me laugh, you made me old, you made me laugh, you made me old,

05:53Every time I come to Thessaloniki, I feel like I'm from somewhere else,

05:58as if I were born in the lost Atlantis.

06:01I am stunned by the magnitude of her change.

06:07Not that she should stay the same.

06:10Life changes, people change.

06:12Yes, but everything man makes new,

06:14it must correspond with the old one.

06:18But what is happening now, here,

06:23It has no relation to what Thessaloniki was like.

06:28He was parachuted down.

06:31It was worn on us.

06:33And so it's like we live nowhere.

06:36Of course, that's how I feel to a point, as I told you.

06:44Because deep down, something else is happening,

06:50which I will tell you later.

06:53Meanwhile,

06:57let's see another new talent.

07:14Bent over inside my jacket,

07:25night line Piraeus,

07:29as the lines squeal.

07:32Something is burning inside me.

07:39My friends have told me,

07:44Forget about the light, Billy.

07:49no matter how much you want it now,

07:53It's not going to come back.

07:56The faces around me are horrible,

08:20and they look at me ironically,

08:26as she looked at me,

08:32a few minutes ago.

08:36My friends have told me,

08:41Forget about the light, Billy.

08:44no matter how much you want it now,

08:50It's not going to come back.

09:14The road home is dark,

09:20I stumble on the stairs,

09:24Alone in the room,

09:29and Dylan singing to me.

09:34My friends have told me,

09:38Forget about the light, Billy.

09:41no matter how much you want it now,

09:48It's not going to come back.

09:55Excuse me, you are an architect,

09:59in fact, architect of our city,

10:02In fact, you have a share of the responsibility,

10:04because in 1962 I admired you

10:06the students and supervisors of architecture,

10:08I was almost in love with you,

10:11because you know we of law and philosophy,

10:14We were kind of miserable,

10:16somewhat withered with some coats,

10:18while you are a breeze with long hair,

10:20with the abechons,

10:22the grave,

10:23and in your rooms some cornices,

10:25some candles,

10:26joambaez,

10:27Let's talk about what happened with all this,

10:28Here's what you made.

10:29Secondly, we are hers.

10:31The distributive society,

10:32capitalism.

10:33Well, of course, the distributive society,

10:35capitalism,

10:36Agreed, sir.

10:36Excuse me,

10:37but you know,

10:37I sat down and believed.

10:38that certain professions,

10:40on which it depends

10:41not only the happiness of all of us,

10:43but history and culture,

10:45must be served

10:46from people

10:46as a specific moral resistance.

10:49That is,

10:49the exams at these schools

10:51they must be strict.

10:53People should specialize like this,

10:55to become capable,

10:56more capable than us

10:57to cope

10:58in the incoherence of society

11:00and everyday ones,

11:01let's say, temptations.

11:02That is, how do they take it for granted?

11:04the loki or paratroopers

11:05or the frogmen

11:07to emerge through strict choices.

11:10Why shouldn't it be like that with architects?

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14:39And I liked that back then.

14:42In this fact, in that I liked it

14:47There must be the beginning of my subsequent incoherence

14:51As a person and as an artist

14:53Why did I like it?

14:54For two reasons

14:56One is that the pear has a tail behind it.

15:00And the greatest disaster is sweet at first

15:03Then we see the results

15:05But it's too late now

15:07The second reason is strange.

15:10It seems

15:12That at the same time

15:14Where everything was falling apart

15:16And new ones were being built

15:17Inside me at the same time I say

15:20Nostalgia was building.

15:23Of my future

15:24As if I knew it then

15:28That I would be here now someday

15:32Walking and talking

15:33On this

15:34They were building inside me for the first time

15:39The birth city

15:41From above to which then

15:44My everything was founded

15:47In any incoherence

15:49And if they appeared

15:51Is this selfishness?

15:54Can

15:56But it is something that the body feels.

15:58Listen to what happened to me once.

16:01What is yes?

16:06Shopping

16:07The whole area was like that back then.

16:10As far as your eye can see

16:11Joy of God

16:12Apartment buildings, garages, cafeterias, pizzerias

16:15Video clapper, supermarket

16:17Noise, garbage

16:18Whatever your soul was craving

16:20And then what happened?

16:21They tore it all down, planted trees

16:24The city says it wants green space

16:26In the cool of a climbing wall

16:39Of perennial rain

16:41Against the light of the dissolved moon

16:45We will sing in surprise

16:49The end of the beginning with melodies of the good old days

16:56In dark opulences, underground

17:09As spring will not begin, it will pour

17:15We will fall in love with the shadow of each other's minds

17:21We will be the few or the eclectic in the hand

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19:30It used to be full of potholes and cobblestones, now it was asphalt.

19:34I was walking on the street, in front of the camera, and suddenly a strange thing happened.

19:41My foot felt like there was a puddle here and a hill here.

19:46These things existed, but they existed under the asphalt.

19:50And my foot, with its physical memory, responded to the deeper reality.

19:57When I felt this, I was flooded with optimism.

20:01Not everything is going to go to waste, I thought, not everything is going to fall apart.

20:04My Thessaloniki exists.

20:06That's why I said at the beginning of the show that when I come to Thessaloniki sometimes,

20:11That is, I often feel that I am soft, I feel it only to a point.

20:15Because deep down, Thessaloniki exists for me.

20:18And every person has their own Thessaloniki, except that some, like me, can only experience it by living in Athens.

20:29Good morning.

20:29Good morning. You know the composer, minister and singer friend, Nikos Papazoglou, also a sound engineer, farmer, owner of the Agricultural Studio.

20:45He seemed to have been around since he was a child. He used to make radios out of galinite. Where did you make the galinite, Nikos?

20:51Yes, it was difficult, but even if we didn't find galinite, we would use the shell casings from the shells, the burnt ones, you know.

20:57Ovides.

20:58Yes. Oh, what a place it was.

20:59From cannons and so on, yes.

21:01How was it there?

21:03These have a mercury bomb inside, which when it explodes causes some strange oxidation, and this oxide also has anti-inflammatory properties, just like galena, a cyanide.

21:14What is science to you, little one, we called him Puspul.

21:19This is the paraxoplutus.

21:21Because...

21:21Buckle up.

21:22We called it a buzzword, because when we had an amplifier and wanted to know what brand it was, we would ask Nikos, as an expert, to tell us.

21:32Whether he told us that the amplifier was good or bad, he would tell us that it was very good, it was a blast.

21:39What did you mean, pussy?

21:40Well, pushup was a reinforcement system that was new at the time.

21:44But he sorted out how much it was.

21:47How is my farm doing?

21:49Agriculture is going well.

21:52We make about a dozen records a year, and they come out great.

21:55But it just takes up a lot of my time and I want to dedicate more time to singing.

22:07You were setting the groups on fire in a festive competition

22:15And you didn't accept the comic child

22:24But now the Kanarvounas are drowning in the struggle

22:33They turned the pie itself on my side.

22:41Beautiful things live with blood and sacrifices

22:52For the benefit of all of you and the common good

22:59He won't praise you, he doesn't know flattery.

23:10And for your happiness, time pays

23:20My cheeks are curved like charcoal

23:31Puffed up spifitsa

23:35With a starry sky that speaks

23:44Like a fish that has been eaten

23:48Ah, multiplication is hot

23:53And like a carob tree

23:57Come on Kyriaki with the Parisian tempo

24:05Lord, Sophia, Vembo

24:09We were listening there.

24:13Igeri separately

24:17So the new one is another thing

24:21Whoever wants them, get them.

24:26It costs a lot.

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28:07December 44

28:11With a motorcycle

28:15Of Greece

28:18My mother is about to give birth, death is coming back

28:29Here is mom rolling up her sleeve

28:39This is how I was born in Thessaloniki

28:52From the soil and with the air

29:09Ladies and gentlemen, this garage that you see on your screens

29:21Better not to see it was once the Mediterranean Hotel

29:25What an amazing building, this one, like so many others in Thessaloniki, is a must-see.

29:31Streets, houses, gardens, everything that was saved from the reparations that plagued my city in the early 1960s

29:39The 1978 earthquake came, not to demolish it because such things don't get demolished.

29:44Too much to suffer any cracks

29:46No, the earthquake came to give the demolitionists a pretext

29:49That both sides were dangerous for implementing their thankless contracting plans

29:56Welcome to Thessaloniki. I deliver the new releases to you.

30:01The new releases, a familiar face. Let's get to know each other.

30:10The new releases

30:13We'd better see some new talent than the ones they sent us tapes of.

30:28For a few minutes, connection to Athens

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30:58I never know what story to tell you.

31:01It might be funny or serious.

31:05Maybe it's both together.

31:08Maybe it's funny or tragic

31:12Maybe it's both together.

31:15Either way, it will be a song that some voice will sing.

31:22Either way, it will be a song, I hope we can sing it together.

31:29They don't come out at the same time and my lyrics play hide and seek

31:36I immediately forget the new songs and go back to the old ones.

31:44I immediately forget the new songs and go back to the old ones.

31:51Either way, it will be a song that some voice will sing.

31:58Either way, it will be a song, I hope we can sing it together.

32:05Either way, it will be a song that some voice will sing.

32:12It will be a song anyway

32:17I hope we can say it together.

32:20I hope we can say it together.

32:24I hope we can say it together.

32:27When I was very young, five or six years old

32:36he came to visit us at home

32:40A family friend

32:43A lady, Athenian

32:44She had traveled alone from Athens.

32:46I think she was divorced.

32:48He got my mother's permission.

32:50To accompany her to the shops one afternoon

32:52In Miski

32:53Then he set the table for me.

32:54Then we went up to the convent, albeit a tent.

32:56Where he lived

32:57We lay down, I was tossing and turning in bed

33:02I wasn't sleeping.

33:03And the Athenian lady scolded me

33:05And then I peed myself

33:06There was a great uproar.

33:08Finally I curled up on the pillow

33:11And I was comforted

33:13In my life and my destiny

33:15With this sparkle

33:17Of light

33:19Which reflects on the sea

33:22It was passing through the shutters.

33:24And they were projected onto

33:25On the ceiling of the room

33:28So slowly

33:30I fell asleep next to the Athenian lady

33:33This light

33:34It was always a suspicion

33:38Of the light I encountered later in my life

33:41They are changing in a grandeur

33:43Which is impossible to describe

33:45And they are left in the humble

33:46Its almost everyday version

33:49But always comforting

33:50In boredom

33:52Incoherence

33:53And in my unworthiness

33:55The night is freezing.

34:03And he has set me up.

34:14You made me laugh.

34:24You made me laugh.

34:27You made me laugh.

34:30You made me laugh.

34:46You made me laugh.

34:49Every time I come to Thessaloniki

34:58I feel like I'm from somewhere else.

35:00As if I was born in lost Atlantis

35:03I am stunned.

35:06Faced with the magnitude of the change

35:08Not that she should stay the same

35:12Life changes.

35:13People change.

35:15Yes, but everything man makes is new

35:17It must respond

35:19With the old one

35:20But what is happening now

35:23Here

35:24Which has no relation

35:27With everything that has been

35:29As Thessaloniki

35:30He was parachuted down.

35:33It was worn on us.

35:35And this is how we live

35:37Nowhere

35:38Of course so

35:41Feel

35:43To a point

35:44As I told you

35:46Because deep down

35:49Something else is happening.

35:52Which I will tell you later.

35:54Here between

35:56Let's see another new talent

36:02Bent over inside my jacket

36:25Piraeus Diktory Line

36:30As the lines trill

36:35Something is burning in me.

36:38Something is burning inside me.

36:40My friends have told me

36:45Forget it, Bill, what's up?

36:49As much as you want it now

36:54It is not going to

36:57To come again

36:59The faces around me are horrible.

37:23And they look at me ironically

37:27Just like she looked at me

37:32A few minutes ago

37:37My friends have told me

37:42Forget it, Bill, what's up?

37:47As much as you want it now

37:52It's not going to come back.

37:56The road home is dark

38:20I stumble on the stairs.

38:25In the room, what can I see?

38:30And let her sing to me

38:35My friends have told me

38:40Forget it, Bill, what's up?

38:44As much as you want it now

38:49It's not going to come back.

38:54Excuse me

38:59Are you an architect?

39:01Yes

39:02Architect of our city

39:05You have a share of the responsibility.

39:07Because in 1962

39:09I admired you.

39:09The students of architecture

39:12I was almost in love with you.

39:14Because you know we of legal and philosophical

39:17We were kind of miserable.

39:18Somewhat withered with some coats

39:21You mean a breeze with long hair?

39:23With the ambechonas

39:24The taff

39:25And in your rooms something very hot

39:27Some candlesticks

39:29Joanbaez

39:30Let's talk about what happened with all this.

39:31Here's what you made.

39:32You don't want us.

39:33The distributive society

39:35Capitalism

39:36Of course, the distributive society

39:38Capitalism

39:38Agreed, sir.

39:39We apologize.

39:40But you know

39:40I always believed

39:41What certain professions

39:42On which it depends

39:44Not just happiness

39:45Our Holon

39:46But the story

39:46And culture

39:47They must be served

39:49From people

39:49Of particular morality

39:51Resistance

39:52That is, the exams

39:53In these schools

39:54They must be strict.

39:55People must

39:56To specialize like this

39:58To become capable

39:59More capable than us

40:00To cope

40:01Incoherence

40:02Of society

40:03And the everyday ones

40:04Let's say temptations

40:05So how do they take it for granted?

40:07The locks

40:07Or the paratroopers

40:08Or the frogmen

40:10To come inside

40:10From strict choices

40:12Why should they stay like this?

40:13And with the architects

40:40Friend and writer Simotas

40:49On the beach

40:50Fishing

40:51Let's see.

40:53What fish did he catch today?

40:55What story will he tell us?

40:57Good morning

41:07Good morning

41:08It stings.

41:12It stings.

41:13How does it not sting?

41:14And if you catch the fish

41:18What are you doing?

41:18I fried them to eat them.

41:20I fried them to eat them.

41:22Well, the infection too

41:25Thermal pollution

41:26It's an infection, sir.

41:28If the fish is fresh

41:38What are all these things?

41:52What am I running to love?

41:56What are all these things?

42:06What am I running to catch up on?

42:11Half a life has passed

42:15Without understanding

42:20Half a life has passed

42:25What am I trying to understand?

42:31What am I trying to understand?

43:01At the door to go out

43:04Look at me in the mirror.

43:09And if I throw a punch at her

43:14I smile at the liar

43:19And if I throw a punch at her

43:24I smile at the liar

43:30Thessaloniki began to deteriorate in the 1960s

43:36Everything was falling apart.

43:39You saw apartment buildings springing up everywhere.

43:42And I liked that then too.

43:45In this event

43:47That is, what I liked

43:50The beginning of the later must be found

43:53My incoherence as a human being and as an artist

43:56Why I liked it

43:57For two reasons

43:59One is

44:00That the pear has a tail behind it

44:03And the biggest disaster

44:04It's sweet at first.

44:06Then we see the results

44:08But it's too late now

44:10The second reason is strange.

44:13It seems that at the same time

44:17Where everything was torn down and new things were built

44:20Inside me at the same time I say

44:23The nostalgia for my future was building.

44:27As if I knew it then

44:31That I would be here now someday

44:35Walking and talking about it

44:37They were building inside me for the first time

44:42The birth city

44:44On which then

44:47My everything was founded

44:50In any incoherence

44:52And if they appeared

44:54Is this selfishness?

44:57Can

44:59But it is something that the body feels.

45:01Listen to what happened to me once.

45:04What is it?

45:09Shopping

45:10The whole area was like that back then.

45:13As far as your eye can see

45:14Joy of God

45:15Apartment buildings, garages, cafeterias, pizzerias

45:18Video clip, supermarket

45:20Noise, garbage

45:21Whatever your soul was craving

45:23And then what happened?

45:24They tore it all down, planted trees

45:27The city says it wants green space

45:29In the shadow of a rebellion

45:42Of perennial rain

45:44Against the light of the dissolved moon

45:48We will wake up in shock.

45:53The end of the beginning

45:55With melodies of the good old days

45:59In dark polyps

46:11Against the earth

46:12As spring

46:15He won't come, he'll bark.

46:18We will fall in love with each other.

46:22The shadow of another mind

46:24We will be the chosen few

46:27And in the hand

46:28We will be the chosen few

46:35And in the hand

46:36I live in dark places.

46:46We will be the chosen few

46:51We will be the chosen few

46:56We are the chosen few.

47:05小小

47:05Great!

47:35Great!

48:05Great!

48:35Great!

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49:35You know the friend, composer, co-writer and singer, Nikos Papazoglou, also a sound engineer, farmer, owner of the Agricultural Studio.

49:48He seemed to have been around since he was a child. He used to make radios out of galinite. Where did you make the galinite, Nikos?

49:54Yes, it was difficult, but even if we didn't find galena, we would get the shell casings from the shells, the burnt ones, you know.

50:00Ovids?

50:01Yes.

50:01Oh, what a place it was.

50:02From cannons and so on, yes.

50:04How was it there?

50:06These have a lot of mercury inside, which when it explodes causes some strange oxidation.

50:12And this oxide also has miabogic properties, just like galena and syndrophyrite.

50:17What is science to you, little one? We called him "puspul".

50:22This is absurd.

50:24Because...

50:24I don't see you.

50:26We called him "puspul" because...

50:28When we had no amplifier and wanted to know what life is like,

50:33We asked Nikos as an expert to tell us something, to tell us whether the amplifier is good or bad.

50:39We get the feeling that he's very good, he's "pussul".

50:41What did you mean by "pusspool"?

50:42Well, "puspul" was a reinforcement system that was new at the time.

50:47He sorted it by how much it was.

50:50How is my farm doing?

50:52Agriculture is going well.

50:53We make about a dozen records a year, and they come out great.

50:59But it takes up a lot of my time, Mora, and I want to dedicate more time to singing.

51:08You were setting the groups on fire in a festive competition

51:18and you didn't accept the comical child.

51:28But now the canary islands are drowning in the struggle

51:37who have the same pie on their side.

51:43Live the good things with blood and sacrifices

51:55How is the interest of all of you and the common good

52:01He won't praise you, he doesn't know flattery.

52:12and time pays for your happiness.

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