- 15 hours ago
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00:00Where are you, where are you, where are you?
00:30It's really a shame.
00:31And it's a joy to be happy.
00:33Is it so much fun to eat my hand?
00:35Inspector, he's not getting my husband.
00:38What's going on, sir?
00:39My husband is not getting my husband, Inspector.
00:42Come on, son.
01:00I'm not getting my husband.
01:19I love you.
01:21You know, I love you.
01:23I love you.
01:25I love you too.
01:27I love you too.
01:30But I'm like, what?!
01:35You're just walking.
01:39I don't think so.
01:41You just be like, oh, okay.
01:43Oh, god.
01:44I just wake up and go.
01:47How can I get this?
01:49I'm going to get this.
01:51I'll get this.
01:53I'll get this.
01:55I'll get this.
01:57I'll get this.
02:03It's morning, please.
02:05Please, doctor, call me.
02:07I've been shooting my heart.
02:09I've been shooting my fingers on my head.
02:11I've been shooting my fingers.
02:13I've been giving so much.
02:15I've been shooting my fingers.
02:17That's why I'm telling you, doctor, call me.
02:19Can you tell me?
02:21I'm getting hit by my head and hit my head.
02:23I think we should call the ambulance.
02:45I'm getting hit by my head.
02:47I'm getting hit by my head.
02:49Ali, you were so happy.
02:53You were so happy.
02:55We were so happy.
02:57You're okay?
02:59I'm getting hit by my head.
03:01I'm getting hit by my head.
03:03I'm getting hit by my head.
03:05You are coming from the door.
03:07You are coming from the door.
03:09I was on my head.
03:11When I got up, I saw that Abba-chan
03:15She was standing outside the door.
03:19Is it on the other door?
03:22Yes, Baba.
03:24Then, they got out of the door.
03:29Then, she went outside the door.
03:32Then, she got out of the door.
03:35Is that the door of the kitchen?
03:38Yes, Baba.
03:40Yes, Baba.
03:42I wanted to know something.
03:44I wanted to know something.
03:46But I didn't hear anything.
03:50We were talking about it.
03:52But I didn't hear anything.
03:55Baba-chan was muted.
03:58Yes, Baba.
04:01But I didn't hear anything.
04:04Then, she got out of the door.
04:08I didn't hear anything.
04:10I didn't hear anything.
04:12I didn't hear anything.
04:14I didn't hear anything.
04:16I didn't hear anything.
04:18Drown-chan?
04:20Yes, Baba-chan.
04:22Drown-chan was there.
04:24If this was a dream,
04:28then, how would I get out of my CV?
04:32Drown-chan was there.
04:34Drown-chan.
04:35Drown-chan Keeper &
04:53This is the picture of Ali's family.
04:59Yes, yes.
05:01In this article, the history of this family is about 200 years ago.
05:07But you have to look at this heading.
05:10The Unfortunate Mansion.
05:13This family has never been able to be able to be able to be able to be able to be able to be able.
05:18Either people in this area, they are lost or they are killed.
05:23I told you there was a plaid.
05:26I'm not sure.
05:28In the article, it is written that Hafsiyuddin was above 70-80 years of birth.
05:35The father of Hafsiyuddin was constructed in their Arctic с Tumbas.
05:40He was also very astro-rasook,
05:43and he had related to the land.
05:46But...
05:46But what?
05:48Look at this.
05:51Before this land, there was a good place in this land,
05:55which the villages are called, the villages, the villages,
05:58that it's a safe place.
06:01What?
06:01What does this mean?
06:02These are so many people who are living here.
06:10Ali?
06:12Jay, what happened?
06:14So, you should be able to open this door.
06:16No, I'm okay.
06:19Brother,
06:20you should never have to open this door and see this door?
06:26What is the need for, Ali?
06:28It's okay.
06:31As long as it is, the house has been used to be used.
06:34It's such a big deal.
06:36If you open this door, it will also be able to help.
06:39You're very worried about it.
06:41But there is no reason to close this to this camera.
06:47And my brother told me that when you came to this house,
06:50all the cameras were opened.
06:53Only this camera was opened.
06:56And this camera wasn't even in the house.
07:01I don't know.
07:04Just like this,
07:06you can add more information to this camera.
07:13I'll tell you something.
07:15Yes, sir.
07:16Yes, sir.
07:17Tell me.
07:19When the officers had a diary,
07:21they had written a diary.
07:24I've never seen anyone in front of me.
07:27I've never seen it.
07:28I've never seen it.
07:30I've never seen it.
07:32So I've seen it.
07:34But I've never seen it.
07:36I knew it.
07:37I've never seen it.
07:38Okay?
07:40But we are not in the camera.
07:43Why, brother?
07:45Tell me, we've been here so quickly.
07:48We have not seen it.
07:50I've never seen it.
07:51We've only been in the bag of clothes and in the back.
07:55But the camera, you've seen it.
07:58I'm going to go to Islamabad.
08:01I'm going to go to Islamabad.
08:04I'll go to the house.
08:07I'll go to the house again.
08:10She said,
08:12when the job doesn't have to go to the house,
08:15she'll be able to go to the house.
08:18One minute is possible to stay in the house.
08:20But it's just the only way to stay here.
08:22Brother, for staying in this house,
08:28we need to know about this house.
08:31I don't know, Abba.
08:52I'm going to go to the house.
08:54Well, you didn't know about the house.
08:56You were two days ago.
09:00And you were saying, why are we?
09:02I remember, I was going to go to the house.
09:04So, I went to the house.
09:08How did you go to the house?
09:10The next six days.
09:12I've got a 15 days.
09:14You were saying a week ago.
09:17Why are you going to go to the house?
09:19They're the leaders of the house.
09:21Now what do you mean?
09:23What do we mean?
09:25We must do it.
09:29Look at what I have done.
09:33What is it?
09:34My mother gave a gift.
09:36A real estate of the village.
09:38It's a real estate of the village.
09:43The village of 24 hours is over and over.
09:46The whole road is closed.
09:49I didn't know how to do it.
09:51There is no need to do anything.
09:56Whatever I will do, I will do.
10:02Today, I will eat their food in the morning.
10:07In the morning, everyone will get hurt.
10:12Together, everyone will be done.
10:21What happened to me?
10:25I always think about them every time.
10:29What do you think about me?
10:34We are so happy.
10:38We are so happy.
10:43We are so happy.
10:48We are so happy.
10:51We are so happy.
10:54We are so happy.
10:56Whatever happens in my heart.
11:01We are so happy.
11:02We are so happy.
11:03We are so happy.
11:04We are so happy.
11:06You are so happy.
11:07You are so happy.
11:08You are so happy.
11:09You are so happy.
11:12What do I do now?
11:14I am going to do the rest of my life.
11:16Tell me.
11:18Why are you off your mood?
11:21Listen.
11:22I have a very important thing to you.
11:24Yes.
11:25I am happy.
11:26Do it.
11:27I think I am scared of those.
11:28I was thinking about it.
11:29That's my mother.
11:30Oh, my son!
11:31Do it.
11:32Oh, my son.
11:34Don't forget toodize me.
11:36I cannot reach the house with those.
11:37We are not gonna do the house.
11:38Do we go for the house?
11:39Put up on our side?
11:40Do we go out and do it?
11:42Do you know them?
11:43Oh, my brother.
11:44What is so happy,
11:49You don't have to say anything about it.
11:51That's not what it is.
11:53What about Nadia?
11:55Come on, my brother has so much gone.
11:58I don't understand what you have to do with the problem.
12:02She's a good girl. She's a good girl.
12:05She's a good girl.
12:07She's a good girl.
12:09She's a good girl.
12:11But she's a good person.
12:15Nadia's a good girl.
12:17Don't leave me alone.
12:47She's a good girl.
12:49She's a good girl.
12:51She's a good girl.
12:53Don't leave me alone.
12:55Don't leave me alone.
12:57It's a joy, it's a joy
13:03Maybe it's time to listen to it
13:08But it doesn't get it, it doesn't get it
13:12It's a joy, it's a joy
13:16It's a joy, it's a joy
13:21It's a joy, it's a joy
13:27Keep it, it's a joy
13:31Keep it, it's a joy
13:42Where are you, man?
13:43You're already dead
13:44Why are you doing video calls?
13:46I don't know that signals don't come to Avili
13:49You couldn't call me away from Avili
13:52You're just getting angry
13:54I'll tell you
13:56I'll tell you
13:57I've also given you a very interesting information
13:59About Avili
14:01Which Avili?
14:03I'll tell you all the details
14:05Okay, listen, I'm going to F-10
14:07I'll share your location
14:09Okay?
14:11Okay, listen
14:13I don't want to bother me
14:15Okay?
14:17Yes, I don't do it
14:18Okay, listen
14:19I'll drive
14:20Okay, bye
14:48Just see ya
14:51Okay, I'll tell you
14:53Shhh...
15:23Here we go.
15:53ooh
15:55ooh
15:57ooh
15:59ooh
16:05ooh
16:07ooh
16:13ooh
16:15I
16:17One, Sonny, Aik Aisii Kaastaan
16:22Mera hai yeh jahan
16:25Phir bhi hou la magaan
16:29Ujhto hai tehe
16:32Aur meri dmyaan
16:35Mena tehe paas hou
16:38Tu boya hai kahan
16:43Mena khaboshi ya yeh meri
16:47Kuch kere rahi hai tumse
16:50Kiyo tu samjhe na mehra baat
16:56Mena tehe hu chup mein
16:59Koi raz janay na
17:02Abad ho teri
17:06Tung peh janay na
17:09Mena tehe hu chup mein
17:12Koi raz janay na
17:16Abad ho teri
17:19Tung peh janay na
17:23Mena tehe hu chup mein
17:28Tung peh janay na
17:30Tung peh janay na
17:32Mena tehe hu chup mein
17:33My father was a very good man of God
18:03Beepادت گزار
18:05اور اللہ کے بہت قریب
18:08میں نے انہیں کبھی قضا نماز پڑھتے نہیں دیکھا
18:13کیونکہ ان کی نماز کبھی چھوٹی ہی نہیں تھی
18:17ہم سب ایک چھت کے نیچے اس حویلی میں رہتے تھے
18:22حویلی میں ہر وقت ہنسی اور کہہ کہہ پویتے تھے
18:27لیکن پھر ایک دن ہمارے خوشین کو نظر لگ گئی
18:32Azarazad ho ga.
18:35Na jaan e kis tarah wot tespiir thud gai?
18:38Phrar hemari hawaili hadiswot ka shikar ho ne lagi.
18:42Biemariyan fwoot padi.
18:44Bicchi zheeru khani se merne lagi.
18:47Hem kis kis ko buchate.
18:49Hemare paas siref 4 taweez thae.
18:53Ye taweez zada ne binai thae.
18:55Or wo hi bina sakti thae.
18:58Kambخت karana hai ye jinnu ka.
19:00Every time we get them
19:03And every time they get rid of them
19:08Dude..
19:30Yeah, Nadia?
19:32Ali, you have sent me a pin location.
19:34Oh sorry, I forgot.
19:36Hey, do not work. We get out of the way.
19:39Okay, come. Then go to the restaurant.
19:42Okay, I'm coming.
19:44Okay, bye.
20:06Okay, come.
20:20Yes, who do you want to meet?
20:23I'm Nadia's mom.
20:25Aunt?
20:26Yes, you?
20:27Yes, that's it.
20:29Nadia told me that there are signals in the house.
20:32I didn't understand how to do this.
20:35Oh, oh.
20:38Adi, come and talk to me.
20:40What?
20:40How are you coming?
20:41You talk to me in the car.
20:43Why are you talking to me in the car?
20:44I'll tell you. Let's go.
20:45Come on.
21:00This is my heart's heart
21:04Where is my heart and where is my heart?
21:09I'll tell you what I'm talking about.
21:12I'll tell you what I'm talking about.
21:14I'll tell you what I'm talking about.
21:16Oh!
21:17I'll tell you what I'm talking about.
21:19I'll tell you what I'm talking about.
21:19Oh!
21:20How are you talking about?
21:22I'm telling you what you are talking about.
21:22What you are talking about?
21:22Tell me.
21:23I'll tell you something here.
21:25Go ahead.
21:25Go ahead.
21:26I'll tell you all.
21:27But how are you?
21:29And you're my mother?
21:30That's the case.
21:30Mother was away and I didn't know where to go.
21:33You're alone.
21:33That's why I'm here.
21:35Stop it!
21:36Stop it, stop it, stop it.
21:38Let's go.
21:39But, son.
21:40Yes, yes.
21:41That's right.
21:42But Zara, why are you here in the jungle?
21:45Look, there's so much love.
21:47It's so good.
21:49Yes, it's so good.
21:51But why are we here?
21:53Let's leave these things.
21:55Let's hear it.
21:56What do I want to hear?
21:58That you're here in this way?
22:01What do you want to hear?
22:03Yes.
22:04The other thing is,
22:06Nadia is my own daughter.
22:08I'm a single parent.
22:10And she doesn't see anything from me.
22:12I can tell you all.
22:13I know.
22:14Nadia told me that your friend's zone is fixed.
22:18Yes.
22:19So, what does that mean?
22:20I don't have any problems with that?
22:22No, no, auntie.
22:24Why would I have a problem?
22:25You've done my job.
22:27Look, Zara, I'm a journalist.
22:30And I'm sorry to be a journalist.
22:32I'm sorry to be a journalist.
22:33I think that every journalist should understand
22:35that no other news should reach the audience.
22:38And that they should reach us
22:40is our fault.
22:41And the first thing is the truth.
22:43That's okay, auntie.
22:44But why do you want to tell everyone this thing?
22:47See, people should know about you.
22:51About the relationship.
22:52About this relationship.
22:53No, auntie.
22:55You don't like Asad to the show.
22:59We're going to do this relationship with a lot of friends.
23:03A relationship?
23:05Which relationship?
23:08You didn't talk about Nadia and Ali's relationship?
23:14No.
23:16I'm talking about Hawali's relationship.
23:19What?
23:20Nadia told you.
23:23How hard can he tell anyone this story?
23:27Look auntie, we can't do anything about this.
23:31We're going to get the price of our family.
23:33And we'll stay where we're going.
23:36That means that this is true.
23:39This family is really the same.
23:41I'll give you this.
23:43Because I can't go into this.
23:45Auntie, please don't say this.
23:48Please don't say this.
23:51Don't think about it.
23:53It will be my top story.
23:56It will look like this in the world.
23:59It will look like our family.
24:01No, auntie.
24:03No?
24:04Why?
24:05Look at this.
24:10Look at this.
24:11There's a whole article in your family.
24:14There's a whole article in our family?
24:16That...
24:17Ali...
24:18...
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26:47We have come to complete the
26:50Asad and Ali's Abba Jaan.
26:54What do you mean?
26:55We have to go to the Kamaskam Svaheli in Kamaskam.
27:02And in these six months,
27:05I think my marriage should be.
27:09Otherwise, the whole family will be gone.
27:11But marriage is not so big.
27:14We can do it.
27:16You can do it.
27:20However, it's a difficult task for those who have to spend a lot of time.
27:27But if you listen to God like humans, then I'll say,
27:32I'll say, brother.
27:34You don't have to look at anyone.
27:36It's so big.
27:37We'll stay together.
27:38It won't be a problem.
27:39Really?
27:40It's so big.
27:42Even my mother and I can move on to my side.
27:45No?
27:47No, no.
27:49I'm just watching.
27:51But thank you so much.
27:52You're doing so many efforts.
27:56Asana Ali, my name is Dill.
27:59And I'll leave the work I'm doing.
28:04Okay.
28:15I'll leave the work I have done.
28:17Is that something I can do with?
28:22You're welcome.
28:23You're welcome.
28:24Shhhhhh
28:34Shhhhhh
28:38Shhhhhh
28:40Shhhhhh
28:42Zara, you have seen her?
28:44No, I was making a kitchen.
28:46I was looking for a place to see where she went.
28:50Where did she go?
28:52I was listening to the bell.
28:54I was going to see her on the door.
28:56Of course, she won't come.
28:58She won't come.
29:00She won't come.
29:02She won't come.
29:04Shhhhhh
29:12What's going on?
29:14What's going on?
29:16What's going on?
29:18Come on, come on.
29:20Shhhhhh
29:28...
29:30You can't get a drink.
29:31You can't get a drink.
29:33You can't get a drink.
29:34You can't get a drink.
29:35No, no, no, no, no, no, no.
29:41What are the things that are made?
29:43What do we need to do with this house?
29:45We need to take care of ourselves.
29:46I'll take you a drink.
29:47I'll take you a drink.
29:48I'll take you a drink.
29:49I'll take you a drink.
29:54Look, auntie,
29:55I've told you something else.
29:57Now you'll understand why we don't want to publish this story.
30:01Please.
30:02Yes.
30:03That's right.
30:04Okay.
30:08Oh, Zharab.
30:12There's a little problem.
30:15He told me my boss last morning
30:18that I'm writing a story there.
30:21What?
30:22Auntie, what have you done?
30:24What?
30:25I don't know.
30:26Asad will know,
30:27he'll be very angry.
30:28Okay.
30:29Don't figure it out.
30:30First of all,
30:31this is the first thing.
30:32Our business is very bad.
30:33No one knows.
30:34Yes.
30:35And then I'll do that
30:36I'll change the location of Vaili.
30:39I'll change the name of Vaili.
30:41I'll change the name of Vaili.
30:42I'll change the name of Vaili.
30:43I'll change the name of Vaili.
30:44I'll change the name of Vaili.
30:45I'll change the name of Vaili.
30:46What?
30:47I'll change the name of Vaili.
30:48Can you change the name of Vaili?
30:49I'll change the name of Vaili.
30:50So, you know…
30:51Yes.
30:52You're sure.
30:53I'll tell you, Vaili.
30:54I'll take a look.
30:55Yes.
30:56I'm so sorry.
30:57My guess is that
30:58they're very angry with me.
31:01Hmmmm…
31:02I'll never meet him.
31:04I can't see him.
31:05I'll try to see him.
31:07I want to meet him.
31:08I'll be there now.
31:09No, no.
31:10You're not.
31:11If you're not going to do it again,
31:12then I'll definitely make him a role.
31:14Inshallah.
31:16But look, how big he is and how old he is.
31:21How old he is.
31:23How old he is.
31:24If anyone can get married to him,
31:27then I'll show you for 5 minutes.
31:31Just like this.
31:33No, auntie.
31:34You don't have to wear a mask.
31:37Don't do anything.
31:39You'll have to wear a mask.
31:41I'm so far away.
31:43I don't have to wear a mask.
31:45I don't have to wear a mask.
31:47If I go in this way,
31:49then I'll go inside 5 minutes.
31:51Please, baby.
31:53Okay.
31:55Then, I'll see something.
31:57You can say,
31:59I'll stop here.
32:01I'll stop here.
32:05Ah, ah.
32:07Ah.
32:09Ah.
32:11Ah.
32:12Ah, ah.
32:14Ah.
32:15Ah.
32:16Ah.
32:17Ah.
32:18Where are you going from?
32:19It's a very dangerous place.
32:23Do you know?
32:24It's called Nathal.
32:28It's a place where it is.
32:30It's a place where it is.
32:31It's a place where it is.
32:36I'm honest, the doctor told you about Chini.
32:39I was going to give you Chini.
32:40Go to Chulay, doctor.
32:42Chini, take the whole dog.
32:44Hurry up.
32:48Changes sir, what happened to you?
32:50Changes sir, what happened to you?
32:52Who had a milk in tea?
32:54Milk in tea?
32:55But who?
32:56It's weird.
32:57You're living in the house and you're still asking who has been in the house.
33:01Where are you?
33:03I?
33:06That's Nadia's mother.
33:09What did she do here?
33:11I didn't call them inside.
33:13I've done all these things outside.
33:15But...
33:16What?
33:18But, Asad, they're looking for a lot.
33:22You're crazy.
33:24Who can they call me?
33:26I'll take this registration.
33:27I'll take it straight away, brother.
33:29I'm sorry.
33:30Asad, it's only five minutes.
33:33Please, try to understand something.
33:35Ali's a problem.
33:36We can't do this with them.
33:39You know, there's no girl in the life of Nadia.
33:43Please, try to understand something.
33:46I'm sorry.
33:47You will have to sit here.
33:48But we don't have any clothes and clothes too.
33:52Yes.
33:53Yes, honey.
33:55Yes, honey.
33:57Chacha, let's do it for a little while.
33:59You give it to Farid's auntie for a little while.
34:02I'll give it to him.
34:04I'll give it to him.
34:06I'll give it to him.
34:08No, let's do it for a little while.
34:10You give it to him for a little while.
34:12Because you have to drive in.
34:14You have to go in the car.
34:16After a little while,
34:17he'll see him and see him.
34:19Okay.
34:27Hey.
34:35Hey.
34:38Hey.
34:40Hey
34:44Hey.
34:47Hey a little girl.
34:49Hey
34:53Hey
34:57Come on, please.
35:15Wow.
35:17This is a very big and beautiful.
35:21Nice.
35:24This is Nadia's mother, Farid, auntie.
35:26Yes, as-salamu alaykum.
35:28Wa alaykum as-salam.
35:29I am so sorry.
35:30I want to tell you about it without telling me.
35:33You are already here.
35:35Asit's saying that you did a lot of good work.
35:38You know, we are just like looking at the same faces, so I feel very good that you are here.
35:43Is it, Asit?
35:44Yes, yes.
35:45We are all very good at seeing each other.
35:48If you don't come, then you don't know what happens.
35:51Asit's saying that you don't have a mind.
35:54No, Nadia's mother was like that.
35:56You don't have a mind.
35:57Now you don't have a mind.
35:58Hmm?
35:59And then my husband won't have a mind.
36:04Auntie, come on, I'll show you a family.
36:07We start from the kitchen.
36:09Huh?
36:11Go.
36:11Oh my god, this is so beautiful. Amazing.
36:23And how good it is. It looks like it's made a little bit.
36:27Yes, yes, he made the food.
36:29I think I'll take pictures from a good angle.
36:33Why? Is it in the chat?
36:35No, no. What will anyone know?
36:37What is the kitchen?
36:41Why are you taking pictures?
36:43Actually, I'm writing an article on Havali.
36:47I'll put these pictures with him.
36:49An article?
36:53Asad, the name and location of Havali will not come.
36:57Is that it, auntie?
36:59Yes, absolutely.
37:01I don't want to talk to you outside.
37:05Let's go.
37:07Let's go.
37:09Let's go.
37:11Let's go.
37:13Let's go.
37:19Let's go.
37:21Let's go.
37:23Let's go.
37:25Let's go.
37:27Let's go.
37:29Let's go.
37:31Let's go.
37:33Let's go.
37:35Let's go.
37:37Let's go.
37:39Let's go.
37:41Let's go.
37:43Let's go.
37:45Let's go.
37:47Let's go.
37:49Let's go.
37:51Let's go.
37:53Let's go.
37:55Let's go.
37:57Let's go.
37:59Let's go.
38:00Let's go.
38:01Let's go.
38:02Let's go.
38:03Let's go.
38:04Let's go.
38:05Let's go.
38:16Asad!
38:17Asad!
38:18Asad, come quickly.
38:19Asad!
38:20Why are you doing this?
38:21My mother!
38:23My mother!
38:24Where are you?
38:29દીલ કા હે યે બંજારા
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