Raj Tarun & Jabardasth Abhi Exclusive Interview About Chiranjeeva Movie

Mana entertainment

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Transcript

00:00Hey hello everybody welcome to our channel Manu Stars

00:02In this interview we will be with special guests

00:05and special power

00:06The one who has come to the boom

00:07is the guest of VIP or the RIP

00:09This is the topic here

00:12We are doing S.A.T.I, different things

00:13We could play this out

00:15Already successful as we're all streaming

00:17We like to see this

00:18Just enjoying this

00:19But we want to live the whole life

00:21We want to do Brahma

00:23That's the same

00:24You know..

00:26You know that's what we want

00:28V.I.P. or R.I.P.

00:30Yes, that's it.

00:32If you think about it, you think about it.

00:34Thank you so much.

00:36If you have a challenge, I will try it.

00:38Very good, very good.

00:40You have a writer in you. Good.

00:42As long as stories, it's interesting.

00:44It's interesting to me.

00:46I'm an expert on it.

00:48But if you don't have any situations,

00:50it's very exciting.

00:52So, these are different situations.

00:54Like an ambulance driver,

00:56that guy was able to tell you about it.

00:58It's a beautiful screenplay.

01:00But how do you see it?

01:02It's interesting.

01:04To tell you about a variety of stories,

01:08we can tell different stories.

01:10In the end,

01:12we don't have a person's life.

01:14It's not a person's life,

01:16it's not a meter.

01:18It's like a green meter or red meter.

01:20But at one stage,

01:22we've made a development process

01:24the story is ready.

01:26So, Aishu Delida is not a basic line.

01:29In other words, we have gone into the book,

01:33more digitalized.

01:36So, we have gone into entertainment.

01:42In your journey, there is a lot of comedy.

01:45There is a lot of interesting story.

01:48There is a lot of exit.

01:50What was your first narration?

01:52The main point is very interesting.

01:55Scenarios are very interesting.

01:57So, that was where my acceptance started.

01:59That was very interesting.

02:01Now, we are learning a lot of challenges.

02:04But, we have some news.

02:05I have a question.

02:06I have revealed that.

02:08There is a little doubt.

02:09I can't do that.

02:10And yes, there is a spoiler.

02:13Okay.

02:14There is no spoilers.

02:16Spoilers.

02:17There is no matter.

02:19There is no matter.

02:20There is no matter what you want.

02:22You can't do that.

02:23You can do that.

02:24You can do that!

02:25You can do that.

02:26Yes.

02:27Yes!

02:28Yes!

02:29That is spoiler.

02:31Yes!

02:32Yes!

02:33So, that is true.

02:35If we were able to get the power, we were able to get the power, and we were able to get the excitement.

02:40So, that's why I wanted to get the reason.

02:43The title of the hero's name is Chiranjeeva.

02:48Hero is a blessed kid.

02:50Yes.

02:51That's why I wanted to reveal the sequel.

02:55Even in Avengers, there is a little power.

02:58Now, I will explain the series of Avengers.

03:03A little bit of a universe creator.

03:05I will be able to get a writer to get the ideas.

03:09No, I will.

03:11I will be able to get it.

03:15There are a lot of surprises.

03:16The last floor of India has been in Malya.

03:18There are a lot of thoughts.

03:21First of all, they have a response to this.

03:25We have a lot of scale.

03:27In the media show, it was a shock.

03:30There must be a lot of things.

03:32There must be one entertainment throughout the show.

03:33You can even think that you can engage and touch the camera.

03:36You could show

03:37At least, you can taste it.

03:38You can experience the camera.

03:39You can always like the crowd.

03:40Why, why.

03:41You can watch the camera and see the camera.

03:42You can watch the camera and see the camera.

03:43Why, you can only get the camera,

03:44but why not?

03:45What was the best compliments you got for Charanjeeva?

03:50I didn't watch Charanjeeva, but I didn't watch it.

03:56It's the best compliment you got here.

04:00Sir, I want to develop your story.

04:04If you want to make your stories,

04:07then you'll be the best compliment you got here.

04:11So, if you want to make your stories,

04:16then you'll get to know.

04:19I want to make the best compliment you got here.

04:22First of all, the response is the greatest compliment from me.

04:25I want to tell you about vintage Rajasthan.

04:28I want to tell you about vintage Rajasthan.

04:31I want to tell you about the next lifetime.

04:34I want to tell you about this.

04:36I want to tell you about vintage Rajasthan.

04:39I want to tell you about vintage Rajasthan.

04:43But you also know that you've enjoyed the vintage Rajasthan.

04:48And there is also a gap between entertainment.

04:51Maybe that's why.

04:53But I really enjoy it.

04:54I enjoy entertainment.

04:56And if the customer is feeling good,

04:58then we enjoy the juice.

05:00So, it's nice.

05:01For me, it's always like...

05:03And it's my comfort place.

05:05Yes.

05:06Entertainment.

05:07That's why you always enjoy the vintage Rajasthan.

05:09These films are always like the love of the film.

05:11You don't always enjoy the comedy.

05:13You don't always try something.

05:15But you tell yourself the difference.

05:17It's a lot of different.

05:18It's a lot of different.

05:19It differs from film to film.

05:21I think there is a lot of film to film.

05:23Even if we do film films, we do film all the way around,

05:26and we do film all the way around.

05:29We do a lot of film.

05:30Some people may connect with them, some people may connect with them.

05:32So it is very common, but

05:34we do film all the way around.

05:37I think there is a lot of budget for cinema.

05:39I think there is a lot of OTT.

05:41This is a big deal.

05:43Actually, I think we do film all the way around the OTT cinema.

05:47That's how I get it.

05:49We have budgeted on that side,

05:51and we have budgeted quality.

05:54We have efforts to do this in terms of OTT,

05:58or theatrical,

05:59and the proper quality of the cinema.

06:04We have efforts to do cinema.

06:07In many interviews, I have said that,

06:10we have an honest effort to do cinema,

06:14and we have to do cinema.

06:19That's great.

06:20But, you've got a lot of clothes like Abhigat, right?

06:23You've got a lot of OCD, too.

06:27Meek alone.

06:28OCD?

06:29That's Mr. Profession.

06:31That's right.

06:32You've got a lot of your journey.

06:35I've got anxiety issues.

06:44I've got a lot of things.

06:50It's very simple.

06:52It also makes sense somewhere a little bit.

06:54But, I think, if you're looking at OCD,

06:57it's not about the perfection, it's about the discipline.

07:03I think it's about the time.

07:08So, if you're looking at the discipline,

07:14I'm always going to be able to learn more about it.

07:15But, he was always prepared to do a lot of things.

07:18As we can do a lot of time,

07:20we can do a lot of things.

07:23Today, we can do a lot of things.

07:26We can do a lot of things.

07:28We can do a lot of things.

07:29We can do a lot of things.

07:31It's not a lot of things.

07:32It's a perfect time.

07:34It's a lot of things.

07:35So, he was very sure about it.

07:37Sir, I've read films children,

07:39he's been a little bit more or more story.

07:40We've done it.

07:41How many of you are going to tell me a costume designer?

07:42Why did you say that?

07:43Why do you ask me to ask?

07:44Why?

07:45Costume designer is a big costume designer.

07:48They don't want to know that for a person.

07:50How many people are high-tun.

07:51So, he worked for Bimbisara.

07:54We want to teach Vichiranji and Vishwambara.

07:56And now, he's working for Paradise.

07:59That's why he's making movies.

08:00So, he was doing this movie.

08:03We forced to design this movie.

08:06happy and pitch in the intente and a particular style of Raja Tarangarik

08:10Koka style Satu Payalwan Koka style Srinu Yadav Koka style and even Manaha

08:15Raj Ravindra Kari Kiko so okokkori ke okoka style undalam

08:19Maita it discusses Kunao our styles Ayana we discusses Kuna

08:23Tharavata Nenisthan me Kuchud and the styles and Jepi sit

08:25Nanka as a no word ok next discussion lead tees Kuna on the

08:29and itchindhi and the baha plange sir yes that shets chala

08:33Zara Vonda I think you chala fast to the public

08:36Lohga Ravindra Haarty design

08:38Rati design Rati design Rati design

08:41Rati design Sharanthiva shets are in back form

08:43Ravindra Haarty design Sharanthiva shets are in back form

08:45we know but ok Srinumar Raskun up to the skin plate

08:48one magic chest up to the high and lows

08:51but we Raskun up to the main

08:54what made even concentration in the middle moreover challenge

08:56main main entertainment and then that

08:58and then we concentrate the same

08:59maddha lokka chinna conflict undali

09:01and edhi anakone a conflict ki kuda

09:03story reveal jedang athani

09:05athana kocchina yedethe varam undho

09:08adhi varamah

09:09lake pooth aadokko shapamane stage lho

09:11kakak dhalama kriye jes

09:12so like you know adha

09:15adha oka conflict pet kundha

09:16and gatt is alaa yeltha onta ok

09:18ipaday varam ochinthi dhin toila yelah

09:19ches kundu nana gada

09:20aniragakko unta up and down

09:22adundali gada anjee pese adhi pet kundha

09:24an 很 confusing

09:26actor , aditsu

09:28like the the directors game

09:29mega pooth

09:30eighteen even coming to me

09:32also came to my anchor

09:36which is a central na

09:37anchoring

09:38and from other If we reach the

09:40eledjournal

09:41an actor as a director

09:43a director as a director

09:44an involved

09:46an anchoring

09:46i enjoyed it

09:47very much

09:49but i think last time the reason

09:50gave me

09:52thinking

09:53But I think last time, recently, I was doing the last time, of course.

09:57Yes, that's why I was doing it in the cinema pre-release,

10:01I was doing it, yes.

10:03But normally, when I was doing it in international shows,

10:07then I was doing it, and I was doing it.

10:15So, I was doing it in the TV show,

10:18but I was doing it in international shows,

10:19in the US, in Australia,

10:21and I was doing it in various countries,

10:23in the entire Germany.

10:25In various countries, I was doing it in the entire show.

10:28I enjoy that.

10:29Because there is a crowd and interaction,

10:31the audience,

10:32and there are some contestants and participants,

10:35and also fun,

10:36and performance.

10:38I loved it.

10:39But I think that's why I was doing it,

10:41because I was doing it for a foreign ticket.

10:44No, I didn't do it,

10:45because I was doing it for the audience.

10:48But I was doing it for a long time.

10:52That's a moment, one moment.

10:53I was doing it for a long time.

10:55What a moment is it?

10:56That's a magic moment.

10:59to be asked,

11:01what a moment is I don't have to do it for the audience.

11:04He asked that,

11:05what the classes are in school.

11:06What are some of my students?

11:07What I do in the job is,

11:09what are some of my students?

11:09What are some of my students?

11:11What are some of my students?

11:11For some of my students?

11:13Like, what are some of my students?

11:13Because I came through someone else, because I came through someone else in the narration.

11:28No, I didn't realize, I didn't have anything in my mind.

11:31Yeah, so, yeah, artist-artist-artist first minute,

11:38he also comes from the direction department.

11:46Okay, so, it was a good combination.

12:00But, are you a technician-like,

12:02instead of whether you're a technician,

12:03or not in a telecom actor?

12:05I don't want to talk about it,

12:07especially when they talk about it.

12:08That's a good part.

12:09Actually, the reason is,

12:11the direction department,

12:13the direction department has to talk about it.

12:16I don't know,

12:17I have to talk about it.

12:19I can't hear it.

12:21I can't hear it.

12:22So, even if I'm talking about that,

12:24we can't talk about it.

12:26Bro, here,

12:27PUNCH CHECKUUNDA AM, ADISCUSION EMPHORDA KAYA THAPPPA EFRAME ITNTHU BETKUULA LEADU,A FRAME ATTENDHU BETKUULA LEADU NELLA DISCUSION EPPIDURA ALLEG

12:35EINT CINE AAN NADIGEO VALU, MENCINE EINT AANJOY EMPHORDA ONCE Okay Okay Okay Okay Done

12:40One of the scenes are chooses KUNNEH MATRAN DIALOGZ AANEE GURTHU UNDEPOTTAY AYENAKE, AADO KU BEST QUALITY

12:45MALLDI AYENAK PROMPTING GIVAS NAOUUSRAANGGA NEE EDIYA DIANJA JAPPADAANGA NAOUUSRAAM EUUULDU LLEG

12:50I was able to do that with the artist's dialogue,

12:52and then the dialogue, the dialogue, the dialogue, the dialogue,

12:54I was able to do that.

12:55So, that perfection was made.

12:57Because, we had 2-3 hours to do it,

13:01and we had to do it in single take,

13:03and we had to do it in the footage.

13:05Time saving.

13:06One of the nostalgic moments I was sharing.

13:09After 2015, I graduated.

13:11I was in the 10th grade.

13:12I was in the Vajag,

13:13I was in the first actor,

13:15and I was scared.

13:17I was in the first half,

13:18and then I was just in the second half.

13:20And then I got my name.

13:21He was in the first half.

13:22He was in the first half.

13:23He was in the first half.

13:24He was in the first half.

13:25He was in the first half.

13:26He was in the first half.

13:28I was inspired by him.

13:30But did I get the same person?

13:32I was a little more.

13:33I was acting as a social media player.

13:35I was trying to get involved.

13:37You were also talking about Vajag.

13:39I told my story about Vajag.

13:41I was like,

13:42and I was doing something like that for the industry,

13:45and I was only thinking about Vajag.

13:47I don't know why I'm going to go to Viseag.

13:49If you don't like it,

13:51I'm going to go to Viseag.

13:53I'm going to go to Viseag.

13:55Viseag and Nostalgia.

13:57That's why you are in Viseag.

13:59If you want to be an inspiration for me,

14:03I want to be a friend,

14:05I want to be a friend,

14:07I want to be an inspiration.

14:09In Viseag,

14:11there are many short films in Viseag.

14:13There are many cameras.

14:15When you are at Viseag,

14:17you can say,

14:19I'm going to go to the target,

14:21your inspiration,

14:23and that's why.

14:25You're going to accept Viseag.

14:27Then, you're going to cheat on that time.

14:29You're not cheating.

14:31I'm going to go to the carletics.

14:33I'm going to go to the carletics.

14:35What is this?

14:37I'm not cheating.

14:39I don't know why I'm going to go to the carletics.

14:41I'm going to go to the carletics.

14:43I'm going to go to the carletics.

14:45Please,

14:46you're going to do something.

14:47Not at any time,

14:48you're going to try an end

14:53but you are going to cheat on the carletic.

14:55If you are too young,

14:57you can do something.

14:59In the cinema too.

15:01We can't do anything to go to the Andhra University,

15:03we can't do anything in the fishing carpara.

15:05Yes.

15:06Now, the name is the next time.

15:09Yes.

15:10Why is that a platter?

15:11That's the studio.

15:12How do you study RKB's road?

15:16In this cinema, Chiranjiva's cinema,

15:19it's a meter juice.

15:21If you watch it, you can watch it.

15:23Right.

15:24So, in that shot, I'm a gorilla shot.

15:27That's why I'm in the crowd.

15:30It's not a lot of juniors.

15:32It's not a lot of studios.

15:34We've got a lot of artists in the world,

15:37but we're able to take a lot of tours.

15:39We're able to take a lot of tours and see the camera.

15:41That's why we've got a lot of tours.

15:43They're all the same.

15:44In my mind, they see this as acting,

15:46and they see the camera side.

15:48It's like...

15:50it's so fast.

15:52But finally, I shot the star of Kavaas,

15:54I'm a very happy.

15:56Sir, I'm a guy who's an actor.

15:58But he is himself with that.

15:59Not necessarily.

16:00Unlike others.

16:02And at least the most important thing about the director is to make an income in the director.

16:10But as a basic actor, it's not a challenge.

16:13It's not a challenge, it's a lot of help actually.

16:15My job will make it easier.

16:17If I do that, I don't have any matches.

16:20I don't want to do anything in my creativity.

16:24He himself is such a great actor.

16:26If I look at it, I don't have any matches.

16:30I think he is a extreme actor then.

16:34He is a cinema actor and I think he is like an actor.

16:37He's a young actor.

16:40He has a senior actor.

16:42He's a female actor.

16:44He's a big actor.

16:45I have to write a director.

16:48He's a little poem.

16:50He's this story.

16:52He's not a character.

16:54and then the director or actor

16:58came to the stage and said,

16:59I don't know, you're not in the scene.

17:01I'm not sure.

17:03I'm not sure.

17:05And that's why I'm not sure.

17:06I'm not sure.

17:08I'm not sure.

17:10That's an excitement.

17:12I'm not sure.

17:14I'm not sure.

17:16I'm not sure.

17:20That's so much.

17:22See, I'll tell you,

17:24everyone is talking like this,

17:26and what you say is,

17:28what you say doesn't make sense.

17:32And if you are repeatedly doing,

17:34if you are saying a sentence,

17:36you can repeat it,

17:38first time, okay.

17:40Yeah, yes.

17:42That's what you do.

17:44If what you say makes sense,

17:46obviously you can do it.

17:48Because I need an actor's job to do,

17:50the director. Right, exactly.

17:52That's why I'm telling you.

17:56What's that?

17:58Lakshho, Lakshasya Lakshayana Lakshabhya.

18:00It's Sark, Nostalgia,

18:02and Vintage.

18:04No, no, no.

18:06It's Vintage.

18:08Why don't you say that?

18:10No, play school.

18:12Why don't you say that?

18:14Why don't you say that?

18:16No, you just introduced me.

18:18So, I am telling you

18:20that I am telling you.

18:22My friends are telling me

18:24all about Facebook.

18:26I am telling you that.

18:28Very talented.

18:30I'm telling you that.

18:32I'm telling you how you say that.

18:34It's not that I am telling you

18:36that I am telling you

18:38like you don't know what's going on.

18:40If you are on YouTube, Ramo and you are making a message on Facebook.

18:45You are making a lot of short films for a short film.

18:48So thank you sir for making a message on Facebook.

18:50You are making a lot of money.

18:52So you are making a lot of money on Facebook?

18:55No.

18:56What I am saying is,

18:58if you have a talent,

19:00you are making a short film,

19:03you are making a message.

19:05That's the same thing.

19:07But if you are making a lot of money,

19:10I don't think it is correct.

19:11But now,

19:12there are a lot of access to this place.

19:16What do you do?

19:17Yes, yes.

19:18About networking,

19:20you are making a lot of money on Facebook.

19:22There are other people.

19:23There are other people.

19:24There are other people.

19:25There are other people.

19:26There are other people in the community.

19:28They are making a short film.

19:30And they say,

19:31Hi Bro,

19:32which software you are used to edit?

19:34Where to download it?

19:36There are many people.

19:37There are other people.

19:38I can't remember.

19:39But,

19:40we are making an improvement in the podcast.

19:44Do you think the same thing is changing the whole stage?

19:46Yes.

19:47Do you think technology is changing the whole stage?

19:49No,

19:50and

19:51see,

19:52it is always good.

19:54That's okay.

19:55That's what the stage is

19:57that

19:58it is changing the whole stage.

20:01That's it.

20:02The repercussions, all of this,

20:06why should we not be able to do any short film in a short film?

20:09No, no, no, no.

20:11That's it.

20:12One short film can be able to do any short film.

20:14But, anyway,

20:16we need to do resources,

20:19You're saying creativity.

20:21That's great.

20:22We don't have to do any facilities.

20:25We need to do good quality in the lake,

20:27and we need to do good quality in the lake.

20:30Let's talk about it.

20:32Steven Spielberg, when he was making Jaws,

20:34when he was ready for the shark,

20:36we knew what he was doing.

20:39That's not a shark.

20:41Now, when he was talking about logic in the first film,

20:44the shark's thesis,

20:46just like this,

20:48that's iconic.

20:50Now, the first movie is Duel.

20:54It's a TV movie.

20:56So, that was a villain.

20:58He was making a movie in the first film.

21:00He was making a movie and a half of them.

21:02He was making a movie and a man,

21:05so he was making a movie.

21:06The next film,

21:07he was making a film.

21:08It was a crisis management.

21:09Exactly.

21:10But, that became iconic.

21:11But, it's also made the creative thoughts.

21:13It's made the output of the audience.

21:15It's made the applause of the audience.

21:17You are not just giving me a couple of examples.

21:20I'm telling you, I'm telling you.

21:22Okay.

21:23I'm telling you, I'm telling you.

21:24I'm telling you, you're talking about a little bit.

21:26It's not a problem.

21:27It's not a problem.

21:28That's when we're talking about crisis management,

21:32we're talking about crisis management,

21:34we're talking about the same thing,

21:37we're talking about better output.

21:39Exactly.

21:40You're talking about the same thing as a supermarket scene.

21:44So, that's...

21:46The basic idea of Dhani is the best way to do the short films,

21:50what is the best way to do the short films,

21:52what is the best way to do the short films?

21:55So, you have to do the exercise,

21:56you have to do the training for your mind.

21:58We have done a point-blank movie,

22:01I am a hero, I am a hero.

22:03So, Dhani has a camera inside the locker.

22:07But in the locker, there is no camera in my size.

22:10There is no camera size, there is no locker in the locker.

22:12There is no budget in that time.

22:20So, what is the best way to do?

22:22What is the best way to do the short films?

22:25In the stationery shop or Kirana shop,

22:28there is a cotton box.

22:30There is a cotton box.

22:33There is a silver foil inside it.

22:35There is a camera inside it and a short disc.

22:38So, it gave the same impact.

22:41You have to go to the Atlantic.

22:43You have to go to the training.

22:45One final question out of the challenge.

22:47Did you miss the conversation with Raj Mowgli and Prabhas?

22:50In the prime time,

22:51you have to have an upgrade.

22:53You have to have an aspirants.

22:55You have to have a guide and a route path.

22:57You have to have a route path.

22:58You have to have a miss out of the challenge.

23:00No.

23:01You have to have a plan.

23:04You have to have a guide on the back of the challenge.

23:14So, I'm going to talk about Chiranjee, Rajamoligarth, Travel Jays, and Prabhasanath.

23:21So, now, at least we can do that.

23:28Now, going forward, I'm happy to have a great time spent.

23:38We hope that Chiranjee has already got trademarks.

23:41Thank you, thank you.

23:42Next to budgets, stories, that is, castes.

23:45I'm a bigger expert.

23:47Definitely.

23:48Next movie is Kamakhya.

23:51That's a thriller again.

23:55Next movie is a bit different.

24:00Step by step, let's see how it goes.

24:02But the audience is very simple.

24:04We have a director of the cinema.

24:06I don't know what other shade is.

24:08I have a director of the film.

24:10If you're a comedian, you can make a character.

24:11You can perform the capabilities of your character.

24:12At least, you can do the work.

24:13You can do the capabilities of your character.

24:16I don't know.

24:17We're looking at a proper energetic actor.

24:20I'm going to start.

24:21But, definitely, he's a good actor.

24:26and he can give, he can deliver any kind of performance.

24:31Also everyone likes him as an energetic actor only.

24:34Going forward we can try like Joker type of movies.

24:38I always want to play bad guy.

24:41Proper film character.

24:44I don't know.

24:46I don't know.

24:48What was that film?

24:51Bharat character.

24:54Bharat character.

24:55Prem Chetarang.

24:57Prem Chetarang.

24:58Nishala.

25:00Shahrukh Khan.

25:02Der.

25:03Der?

25:04Yeah.

25:05That's iconic.

25:07We hope we will see better roles and better films from both of you.

25:12I hope we will see better roles and better films from both of you.

25:16I hope we will see better roles and better films from both of you.

25:19I hope we will see better roles and better films from both of you.

25:22I hope we will see better films from both of you.

25:24I hope we will see more of you.

25:26Any conclusion note sir?

25:27Nothing.

25:28The only thing is,

25:29Happy got two hours to include.

25:32We will see more of you.

25:34We will see more of you.

25:36So,

25:37Haha to subscribe to Haha.

25:39We will see more of you.

25:42Sir, Conclusion.

25:44Same thing.

25:45We will see more of you.

25:46Now we will see more of you.

25:47Now we will see more of you.

25:49So,

25:50Same thing we will see.

25:52Haha Preakshakulakhi,

25:54Telugu Preakshakulakhi.

25:55In order to see the work of your work.

25:58And to see the work of your work.

26:00We will see the work of your work.

26:02We will encourage you to see what you have done.

26:04Ilaanti products, Ilaanti manchimanchi cinema linka istham and maku motivation gauntundi, meemalini goda entertain jestham and prane chestham.

26:11Thank you sir. It was a lovely, funny project for both of you regularly waiting for the next projects.

26:17So guys, already Ahala successful streaming ga utthundi.

26:19So, charanjeeva ni, happy ga meera andru goda, my family is the intro gochun chuu sandwich. Thank you so much.

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