- 2 days ago
Category
🎥
Short filmTranscript
00:00:00The End
00:00:30Are you ready to get started?
00:00:37I think you are.
00:00:38We've got to make some art here, people.
00:00:40Okay, that's it.
00:00:41All right, let's go.
00:00:42Bring that light right into it.
00:00:43Down here.
00:00:44All right.
00:00:45All right, that's not it.
00:00:46No, I need more light than that.
00:00:47I'm ready.
00:00:48You're in the spot.
00:00:49It's about anything.
00:00:50Okay.
00:00:51Right there.
00:00:52All right.
00:00:53Good boy.
00:00:55Yeah.
00:00:56All right.
00:00:57Let's go.
00:00:58I told you, it's too hot.
00:01:00Give me the other flat side, idiot.
00:01:02Come on, let's go.
00:01:03Come on.
00:01:04Oh, Jesus Christ.
00:01:05Come on.
00:01:06Oh!
00:01:07All right.
00:01:13Good, back in there, back in there, back in there.
00:01:15That's a good dog.
00:01:16That's such a good dog.
00:01:18Good dog.
00:01:19Good dog.
00:01:20Good dog.
00:01:21Good dog.
00:01:22Good dog.
00:01:23Good dog.
00:01:24Good dog.
00:01:25Good dog.
00:01:26Good dog.
00:01:27Good dog.
00:01:28Good dog.
00:01:31Good dog.
00:01:33All right.
00:01:35That's fine.
00:01:36Hang on.
00:01:37That's right.
00:01:38Hang on.
00:01:39Hang on.
00:01:40Great dog.
00:01:41I think he looks good, don't you?
00:02:08Hey, we're out of film.
00:02:09All right, take five.
00:02:10We're reloading now.
00:02:10This is the dumbest dog in the whole world.
00:02:13Where the hell did you get such a dumb dog?
00:02:15It's my dog.
00:02:16I trained that dog.
00:02:17I love this dog.
00:02:19And you are as dumb as the dog.
00:02:37All right.
00:02:38Is everybody ready?
00:02:40Is your camera loaded?
00:02:41Yeah.
00:02:42Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:48This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:06I'm Melissa Kent.
00:03:07I'm Melissa Kent.
00:03:08I'm Sander Davis.
00:03:09I'm Sander Davis.
00:03:09In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:21At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Valarie, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:43She denies any interest in the job of president of the women's press club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:55She's been described as the highest-paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:18When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:28Yes, I did.
00:04:30I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:46Things are changing.
00:04:53Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Oh, God.
00:05:07This is really great stuff.
00:05:09This is great stuff.
00:05:10Jesus.
00:05:16Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:30They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:36They will tell you that there is no sexual harassment in the workplace.
00:05:43And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:54This is really great stuff.
00:05:56All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:24I want to thank you so much for having me here tonight.
00:06:46I will cherish this woman for the rest of my life.
00:06:54Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:14I will tell you you should remain barefoot and pregnant.
00:07:20Well, ladies, all of this is going to change, ladies.
00:07:25Yes, 50-50.
00:07:2650%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50-50.
00:07:37All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45When I'm talking peace, ladies, I'm not talking a small piece.
00:07:51I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Just get the back of it.
00:08:01Just get them, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:08I will treasure this for the rest of my life.
00:08:41I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:50For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:54Now, we aren't sure about after Paris.
00:08:58Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:03Phil, what do you do when I'm not in town?
00:09:07No, come on.
00:09:07You can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:23I know you're a very good boy.
00:09:53I know you're loving, but it won't be me.
00:10:00Girl, it's not a ton of art.
00:10:07Girl, I can't see you with somebody else.
00:10:13I've got to have you, darling, now.
00:10:18Hold me at nobody else.
00:10:23I'm going to make you love me.
00:10:25Hold you through the night.
00:10:30Look what you've done to my heart.
00:10:35Girl, I've got to find what you've just done to my heart.
00:10:40Oh, yeah.
00:10:41Look what you've just done to my heart.
00:10:46Look what you've just done to my heart.
00:10:48Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:15Let me tell you a little about men, ladies.
00:11:21They'll tell you anything they want you to hear.
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:32God, I hope not.
00:11:35Oh, Lord, woman.
00:11:38We have a problem here, Emmanuel.
00:11:43It's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:49So, why don't you just come out and say, men, you're blessed with great beauty.
00:11:56You should be satisfied with that advantage.
00:11:58But you're not.
00:11:59I think all you girls should remember the terminology.
00:12:04Manpower.
00:12:05Manipulate.
00:12:06The rights of man.
00:12:09Manhole.
00:12:09I mean, all you girls can climb down, and it's still going to be a manhole in the eyes of God.
00:12:13In the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:22You have a lot to learn, Emmanuel.
00:12:26And one Richard Tate is going to teach you, darling.
00:12:30Okora Hotel.
00:12:51Oh, yes, Miss Manuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Yes, tell her that our studio driver has arrived.
00:12:58One moment, please.
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:10No.
00:13:11Alright, fine.
00:13:14I'll be down in a minute.
00:13:15Ok, thank you.
00:13:40I'll be down in a minute.
00:14:10Hey, buddy.
00:14:30I smell some gas back here.
00:14:36Hey, guy.
00:14:37You got a leak or something?
00:14:39Can't you get the window down?
00:14:50Hey, mister.
00:14:52Hey, mister.
00:14:53What are you doing?
00:14:54What are you doing?
00:14:58Open my window.
00:14:59No.
00:14:59What are you doing?
00:15:20What are you doing?
00:15:22What are you doing?
00:15:44What are you doing?
00:15:46Don't worry, baby, I'm here to help you.
00:16:15Everything's gonna be just fine.
00:16:45Hello?
00:17:07What's going on?
00:17:20Where am I?
00:17:23Why do you ask?
00:17:26Who the fuck are you and why am I here?
00:17:31I don't like women who use profanity.
00:17:34You don't?
00:17:35No.
00:17:36Well, then you just tell me a few things.
00:17:44What the fuck is going on, where the fuck am I, and who the fuck are you?
00:17:51You'll find out, Manny.
00:17:58What the fuck is going on?
00:18:14Listen to me, you bastard.
00:18:19You let me out of here right now or I'm gonna see that you go to jail for the rest of your life.
00:18:37Well, if you haven't already figured it out, you're the one that's in jail.
00:18:44And for how long depends entirely on you, my pretty.
00:18:49Well, let's not talk about depressing issues.
00:18:52Let's move ahead into a bright new future.
00:18:55Now, it's lesson time, sweetheart.
00:18:57So pay attention.
00:18:59I think you're gonna enjoy this.
00:19:01This is something very close to your heart.
00:19:04They'll tell you that there's no sexual harassment in the workplace.
00:19:09And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:19:17I must tell you, I love the barefoot and pregnant line.
00:19:22I'm gonna play it for you again and watch the smile that crosses your face just after you say the line.
00:19:27It was great.
00:19:29You were in charge then, and wasn't it wonderful?
00:19:36Good morning, ladies, and welcome to a man's world.
00:19:42You know what?
00:19:43I think we're gonna have to rethink that dumb speech of yours, but don't worry.
00:19:47I mean, we're gonna make it right.
00:19:50You know, I want you to memorize every stupid word you say.
00:19:54I want you to see the look on your face.
00:19:57But, you know, it's like anything else.
00:20:00I want you to see every arrogant, sarcastic expression that you presented to that audience.
00:20:05But don't worry.
00:20:06It's gonna be okay.
00:20:08We're gonna make it out just fine.
00:20:11Now, what would you like for lunch?
00:20:17Nothing.
00:20:19I want nothing from you.
00:20:22Oh, okay.
00:20:23Well, I tell you what.
00:20:24There's a buzzer right on that table in front of the TV.
00:20:29And if you just push it, I'll bring you anything you need.
00:20:35Leave it dirty, Emanuel.
00:20:37No, don't.
00:20:38What?
00:20:39You gotta try.
00:20:40Go.
00:20:41You got it.
00:20:42No, don't know if this is not right.
00:20:44Right?
00:20:45No, don't.
00:20:46Go.
00:20:47Go.
00:20:48I'm gonna throw it.
00:20:50I'm gonna get it.
00:20:51I'm gonna throw it.
00:20:52Yes.
00:20:53You can put me, I'm gonna throw it in.
00:20:55No, I got it.
00:20:56No, I gotta throw it.
00:20:57No, I ne...
00:20:58No, I'm gonna throw it in the face.
00:20:59I'm gonna throw it in.
00:21:00Yeah.
00:21:01I'll throw it in.
00:21:02I'll throw it in.
00:21:03Yeah, let me just follow you around.
00:21:25Alright, give it a shot, baby.
00:21:31Help me!
00:21:36Can somebody help me?
00:21:41Save your breath, sweetheart.
00:21:43You'll need it later.
00:21:45You can't get out if no one can hear you.
00:21:47I'm in charge now.
00:21:48The sooner you get that through your head,
00:21:50the better off you'll be.
00:21:52Just push the buzzer if you need an exam.
00:22:01Hey, mister!
00:22:06Hey, asshole!
00:22:10You know your fucking TV set isn't working?
00:22:17Aren't there any other assholes that live in this area?
00:22:29Are you deaf?
00:22:34I can hear this fucking buzzer!
00:22:37Where the fuck are you?
00:22:40Fucking jerk!
00:22:43Are you deaf?
00:22:46Hello?
00:22:47Hello?
00:22:48Hello?
00:22:49Hello?
00:22:51This is your friendly chef.
00:23:07How may I be of service?
00:23:08I'd like something to eat.
00:23:12Mmm.
00:23:13Well, I tell you, that sounds reasonable.
00:23:15All you have to do is use the word please.
00:23:17Please.
00:23:18Please.
00:23:19Well, how do you like that, sweet cakes?
00:23:20You're finally making some progress, and it hasn't been 24 hours.
00:23:21Breakfast is good.
00:23:22No?
00:23:23No, no.
00:23:24No.
00:23:25No.
00:23:26No.
00:23:27No.
00:23:28No.
00:23:29No.
00:23:30No.
00:23:31No.
00:23:32No.
00:23:33No.
00:23:34No.
00:23:35No.
00:23:36No.
00:23:37No.
00:23:38No.
00:23:39No.
00:23:40No.
00:23:41No.
00:23:42No.
00:23:43No.
00:23:44No.
00:23:45No.
00:23:46No.
00:23:47No.
00:23:48No.
00:23:49No.
00:24:06No.
00:24:07Farmer.
00:24:09No.
00:24:10No, no.
00:24:12No.
00:24:17huh? I make my bernet sauce with a little brandy. I'm impressed. Well, thank you. I studied with a
00:24:25great chef at the Waldorf Astoria in New York. Lovely. Well, thank you once again. My specialty
00:24:31is pastry. Wow. Now I want to know who you are and why I'm here. Well, my dear, you already know
00:24:42why you're here. That's to give you time and instruction until you get your pretty little
00:24:46head straightened out. As for me, I am your chef and host. And in due time, if you're really nice
00:24:54and kind, I may even be your lover. You should live so fucking long. I told you that I don't
00:25:04like that kind of language from a woman. I don't have to say it again. What's your name? My
00:25:16name is Richard. Hello, Richard. What did they call you in school? Did they call you Ricky?
00:25:26Did they call you Dicky? Or did they just call you Dick?
00:25:33When did they call you Dicky?
00:25:35I told you I wasn't here. I told her to call you Dicky.
00:25:40How old did they call you Dicky?
00:25:42What did they call you Dicky?
00:25:46I don't know.
00:26:16I don't know.
00:26:46I don't know.
00:26:52You're about as dumb as a boxer at rocks.
00:26:54I mean, what the hell made you think you could get your ass through that small open, huh?
00:26:58Please help me.
00:27:00Honey, you just said a magic word.
00:27:02Please.
00:27:03My neck gun is caught on something here at the waist.
00:27:05I can't pull back out.
00:27:07Oh.
00:27:08Well, that's no problem.
00:27:11Okay, try it again.
00:27:15Go on.
00:27:19I can't do it.
00:27:21Why not?
00:27:22You got in there.
00:27:22Well, that's obvious, but now I can't get back out.
00:27:25Okay, well, I'll tell you what.
00:27:26Let me check out the situation.
00:27:28Let me check this out.
00:27:29Okay?
00:27:30Okay?
00:27:31All right, I'm checking it out.
00:27:33You know, the only thing I can figure is that your tits got bigger.
00:27:38You are a disgusting pig.
00:27:42Well, I'll tell you what.
00:27:42I can take this thing off its hinges, and you'll be wearing a door for the rest of your life.
00:27:50Please.
00:27:52That's better.
00:27:53You know what?
00:27:54You're starting to get to me.
00:27:55The possibility exists is that you may even be getting better.
00:28:02But I doubt it.
00:28:07I don't believe this.
00:28:12Children.
00:28:16Dealing with children.
00:28:25Oh, this is that fake butter.
00:28:27I hate this shit, don't you?
00:28:32All right.
00:28:34All right, this is the gold we have been searching for.
00:28:41Oh, yes.
00:28:43Oh, yes.
00:28:46Yes, baby.
00:28:49Oh, yeah.
00:28:50Come on, come on, come on.
00:28:51Move over a little bit.
00:28:52I see a touch of you, babe.
00:28:54Come on.
00:28:54Come on, honey.
00:28:56Come to daddy.
00:28:57That's it.
00:28:57That's better.
00:28:58That helps.
00:28:59Not enough.
00:29:00Just get your magi-
00:29:02Oh, come on.
00:29:03Get in the view.
00:29:04Come on.
00:29:05Let me strike a close-up on your magic spot.
00:29:12What are you doing to me?
00:29:16Come on.
00:29:24I want to go someplace where I can totally be lost, but at the same time, if I wish to escape
00:29:35into some excitement, it's nearby.
00:29:38Well, I understand that thing.
00:29:41But I want it to be magnificent, first class all the way.
00:29:45Of course.
00:29:46I like the ocean, but it has to be more than that.
00:29:51I want something that oozes love.
00:29:56Oh, oozes?
00:29:59I beg your pardon?
00:30:00Oh, excuse me.
00:30:01Oozes.
00:30:02I was just flashing on something.
00:30:04Oh, right.
00:30:04Uh, what do you have in mind?
00:30:07Well, the, uh, people in the travel business might call me Mr. T because T stands for travel,
00:30:15of course, so you've come to the right place.
00:30:17Oh.
00:30:17What I'm about to show you, young man, is splendor in the sand.
00:30:23Oh.
00:30:25Hold your breath.
00:30:26You'll be screaming for oxygen.
00:30:27This.
00:30:29This is Antigua, the island of beaches.
00:30:35Five years ago, very dear, well, close, intimate, a friend of mine and I spent five glorious days
00:30:45there.
00:30:45It was magnificent, I'll never forget it.
00:30:47We'd lay on the beach and write love poems to each other and put them in a seal, an empty
00:30:56orange juice, a bottle of night and under this rock.
00:30:59Look, this is the very rock.
00:31:01And the nights, don't ask, the nights were magical.
00:31:07The wind, the people, island, the beaches, the love poems.
00:31:15And then when the mood struck us, which was quite often, we would adjourn to our magical
00:31:22suite.
00:31:24Yeah.
00:31:24Well, this is the actual suite just between us.
00:31:32We did it everywhere.
00:31:34Upstairs, downstairs, in my lady's chamber, so to speak.
00:31:38It was magnificent.
00:31:41It was magnificent.
00:31:43I bet.
00:31:45What a memory.
00:31:47Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me, will you be traveling alone?
00:31:53Uh, no, I'll be traveling with my wife.
00:31:56Do I?
00:32:00Mm-hmm.
00:32:00Of course.
00:32:02Sorry.
00:32:02No harm done.
00:32:05Now, you want me to write that up?
00:32:08Yeah, sure thing, pal.
00:32:12Like I said, I want a first class all the way.
00:32:14I'll take the beach, I'll take the sand, I'll take the nightlife.
00:32:16But, I definitely do not want that wrong.
00:32:19Oh.
00:32:22Oh.
00:32:36Hello.
00:32:37This is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard.
00:32:43I have nothing against you.
00:32:47Please let me go.
00:32:49Not until your act is together, my darling.
00:32:52Okay.
00:32:54You're right, I'm sorry.
00:32:56Let me explain something to you, darling.
00:32:58Okay?
00:32:59I kidnapped you.
00:33:01I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved with this as we speak even here.
00:33:06And I'm not going to let you out until you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:15Look, Richard.
00:33:17I have nothing against you.
00:33:20Please let me go.
00:33:22Not until you get your act together.
00:33:25I know.
00:33:27You're right.
00:33:27I'm sorry.
00:33:29Not only do I hate women who use foul words,
00:33:33but I hate women who lie.
00:33:35Good night, sweetheart.
00:33:37Oh, no.
00:33:39Richard.
00:33:40Richard, come back.
00:33:43Oh, please, don't go away.
00:33:47Oh, please, you've got to come back.
00:33:50You've got to talk to me, Richard, please.
00:33:54Oh, God.
00:33:58Oh, God, no, God.
00:34:04Please, Richard.
00:34:05Yes, my darling.
00:34:13I can hear you.
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard.
00:34:20I have money.
00:34:22I have a lot of money.
00:34:25I don't need new money.
00:34:27What do you want, then?
00:34:31I want you to be a nice little girl.
00:34:33I want you to be nice to the men who support you.
00:34:37I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:40Look, I will do whatever you want.
00:34:47I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:58I want to see you.
00:35:00You can see me?
00:35:06You've been watching me?
00:35:10Just relax, baby.
00:35:13How do I turn off this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:19What is it?
00:35:22Is it a peephole dick, you prick?
00:35:25Oh, no, not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it,
00:35:39and I will find it,
00:35:42I am going to smash the shit out of it.
00:35:45Don't even give it a thought, baby.
00:35:46You'll never find it.
00:35:48Never.
00:35:48You bastard.
00:35:50You sick son of a bitch.
00:35:52Who do you think you are, anyway?
00:35:54You listen to me, and you pay attention.
00:35:56I'm the guy with a key to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest of the low.
00:36:05You listen to me, Dickie Boy.
00:36:07When I get out of here,
00:36:09you are dead meat.
00:36:11Don't do it!
00:36:15Don't do it!
00:36:21That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:27Fuck you!
00:36:31Good night, sweetheart.
00:36:34Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality get to be too much for you?
00:36:41Huh?
00:36:42Reality gets to be a little tough,
00:36:44and you can't take it.
00:36:45You've got to turn off the sound,
00:36:47huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still going to find it.
00:36:52And when I find it,
00:36:54you can watch yourself
00:36:55for the rest of your fucking life!
00:36:59Ah!
00:36:59I'm still going to find it.
00:37:00I'm still going to find it.
00:37:00I'm still going to find it.
00:37:01I'm still going to find it.
00:37:02I'm still going to find it.
00:37:03I'm still going to find it.
00:37:04I'm still going to find it.
00:37:05I'm still going to find it.
00:37:05I'm still going to find it.
00:37:06I'm still going to find it.
00:37:07I'm still going to find it.
00:37:08I'm still going to find it.
00:37:09I'm still going to find it.
00:37:10I'm still going to find it.
00:37:11I'm still going to find it.
00:37:12I'm still going to find it.
00:37:13Ha ha ha!
00:37:43BIRDS CHIRP
00:38:13turner detective agency um jerry turner please sam weston calling please hold
00:38:33hello uh mr turner this is sam weston hey sam just make it jerry okay okay jerry
00:38:43how are we doing well sam while you were flying in uh first class from new york i found the last
00:38:51person to see emmanuel griffith alive good yep japanese girl i worked at the hotel helped her
00:38:59out to the phony limo okay sam i gotta tell you i run one of the best detective agencies in this
00:39:06area why don't we get this thing wrapped up real quick and go out and do some more business together
00:39:12i can have her here on uh wednesday how's one p.m. for you sounds good she'll be here good
00:39:19hello
00:39:31hello
00:39:45i have no water in here
00:39:50how many ways do i love you i'm gonna show you now i'll buy you nice little things and a big diamond ring
00:40:18oh wow you said that you didn't love me honey i got class and style i'll make sure we're together
00:40:35how many ways do i love you let me tell the world let me tell them all i'll buy you a rainbow
00:40:54i'll buy you the moon i'll buy you boats and planes horses and trains i'll buy the size of the hall
00:41:04i'll throw in the sleeves and all you'll be the queen of the fall
00:41:10the gown is six hundred and two five however if you wish to purchase the undergarments we discussed
00:41:28i'm sure we can come to some kind of agreement for a discount let's say um five percent
00:41:35well that sounds okay i'll tell you what why don't uh why don't you have her try the brown
00:41:41i'm sorry sir but we don't model underwear
00:41:46why not company policy who said what company this company you in charge of this company i am
00:41:52you set forth the rule i did why you can't do that i mean why is everybody going to spoil my fun
00:41:57sir this is a respectable establishment are you suggesting that i'm not respectable
00:42:08honey could you go over and give me the gold dress
00:42:11i mean i don't like this at all i gotta tell you i don't want that at all i deal with gold
00:42:15and i love gold i mean look at the shimmering of this i mean this is beautiful
00:42:18well i'll tell you what why don't you throw all this shit in the box and uh oh let's see a ten
00:42:28percent discount seems uh pretty respectable to me don't you think
00:42:48well look at that front page above the fold in living color
00:43:06i really am fantastic
00:43:11Good morning, Emmanuel.
00:43:37I have something very special for you.
00:43:39Something pink for pink lady.
00:43:45How are you?
00:43:46Hey you!
00:43:47What's going on here?
00:43:48Plug it back in.
00:43:49There's a little bra for you in black.
00:43:50I've been calling you all day.
00:43:51I don't have any water.
00:43:52Where the hell's my food?
00:43:53Plug it back in and things will be quite beautiful for you.
00:43:56Here's something royal for a royal lady.
00:43:58Oh yes!
00:43:59You prick!
00:44:00Here's some golden threads for you.
00:44:01Just plug it back in.
00:44:03Another thing for pink lady.
00:44:04Here's a little thing for purple.
00:44:05I want some goddamn water.
00:44:07I don't know what the hell you're talking about.
00:44:09Well try running for the goddamn water with these tennis shoes.
00:44:13You bet your life.
00:44:14There they are.
00:44:15Run for it baby.
00:44:16I'm gonna stick these shoes right up your ass.
00:44:18Give me some water.
00:44:19Here's the little undies for the baby.
00:44:21You prick.
00:44:22You turned the water off, didn't you?
00:44:24You got it sweetheart.
00:44:25And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:30Oh.
00:44:31Well.
00:44:32Well.
00:44:33Jesus Christ.
00:44:34I got faith in you.
00:44:36I mean, I think you'll figure it out.
00:44:39I'm not taking any calls sweetheart.
00:45:08And I'm going to get some water, all right?
00:45:11Jeez.
00:45:12I'm not taking any calls sweetheart.
00:45:17And I'm going to get some water, all right?
00:45:20Jeez.
00:45:21I'm not taking any calls.
00:45:34I'm not taking any calls.
00:45:43God, you are persistent.
00:46:08Jesus.
00:46:09Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what, I'm gonna make it as easy on you as possible.
00:46:23Now all you gotta do to get started again is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're gonna be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:39All you gotta do is come over here and plug it back in.
00:46:43You want something to drink?
00:46:45Plug it back in.
00:46:46You want something to eat?
00:46:47Plug it back in.
00:46:48It's that simple.
00:46:49Plug it back in.
00:46:50I wouldn't do that if I were you.
00:46:52That's your only contact with the outside world.
00:46:56What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:03You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:08All right, Richard.
00:47:09We'll do it your way.
00:47:15We'll do it your way.
00:47:30Now you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:36Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:42Soon you'll have running water.
00:47:45And tonight, tonight I'm gonna fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Maddie.
00:47:53I love you with my heart and soul, and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:16It's wonderful.
00:48:21Why don't you try the steak?
00:48:25It's great.
00:48:26I mean, I'd like to see what you think.
00:48:37It's very good.
00:48:38Later I'll share the method and the recipe with you,
00:48:41as soon as we get to know each other better.
00:48:43The secret is, though, that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:06That's quite up to you.
00:49:07You know that by now.
00:49:09Why don't you pour yourself some more wine, okay?
00:49:14You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:21No, no.
00:49:23I can't trust you to go any place.
00:49:25No.
00:49:26Oh, yes, you can. I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:36I'll hear this toast, okay?
00:49:41Oh, it's just a little lower.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:55By my name.
00:49:59They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:15No.
00:50:21Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:30I represent the truth.
00:50:34You have a very nice voice.
00:50:38I love compliments.
00:50:46Here's looking at you, kid.
00:51:06Oh, I got your back on now.
00:51:09So, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:22No, just, just lucky.
00:51:24What about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:32That was funny.
00:51:33I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:47So what happened?
00:51:49I found out I was no actress.
00:51:54Then what?
00:51:57My mom needed money.
00:51:59I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed.
00:52:07It was in all the papers.
00:52:09What?
00:52:12I did nude dancing at a Times Square bar.
00:52:17Well, I mean, uh, how'd you handle that?
00:52:20How'd you handle that?
00:52:22It was easy.
00:52:26I actually enjoyed it.
00:52:31I got off on guys watching me.
00:52:34It was a turn on.
00:52:38That's what all models do.
00:52:39Turned guys on.
00:52:43Hmm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:58Well, men just take advantage.
00:53:01Oh.
00:53:05So, when you're stuck naked in front of those good old boys.
00:53:10I mean, uh, who has the advantage then?
00:53:13Why don't you play me some music?
00:53:24I want to dance for you.
00:53:28I want to dance for you.
00:53:58I want to dance for you.
00:54:02So, if you do need to dance for you.
00:54:03I'm yours forever.
00:54:05You are good.
00:54:09I'm yours forever.
00:54:10Please take these words I say.
00:54:13Hold them inside your heart.
00:54:22Oh, baby.
00:54:24I'll be there.
00:54:25Oh, girl
00:54:29I need you, darling
00:54:33Inside my world
00:54:38I'm yours for heaven
00:54:46Please hear the song I sing
00:54:52I'll be down in the living room. Just come down the stairs and bear to your left.
00:55:22I'll be down in the living room. Just come down the stairs and I'll be down in the living room.
00:55:35I'll be down in the living room. Just come down in the living room. Just come down the stairs.
00:55:42I'll be down in the living room.
00:55:59hello hello come down and join me
00:56:29sit down
00:56:35i got a present for you
00:56:39it's by your side under that pillow
00:56:47open it
00:56:55try it
00:57:04it's very nice
00:57:12yeah it blends with your body
00:57:18it's you all the way
00:57:25it
00:57:27is
00:57:30so
00:57:32okay
00:57:36i
00:57:37Yeah.
00:58:07Show yourself, baby.
00:58:16Come to daddy.
00:58:18If you think you can escape Richard Tate, you must be crazy.
00:58:23Not in a million years.
00:58:26There you are.
00:58:28Let's go.
00:58:37Come on, baby.
00:58:52Where are you?
00:58:53You can't hide.
00:58:55Come on.
00:58:56Come on.
00:59:07Come on, baby.
00:59:23It's over, baby.
00:59:25I'll find you.
00:59:26You know what?
00:59:28You lied to me, baby.
00:59:30You lied to me after I gave everything to you, and you're trying to run from me and hide
00:59:36from me.
00:59:37When you deal with Richard, you're dealing with style, class, and elegance.
00:59:44You're used to punks.
00:59:46You're used to no-class guys.
00:59:48I give you the best of wine, the best of food, the best of clothes, and the best of perfume.
00:59:57Perfume that I can smell a million miles away.
01:00:02Let's go.
01:00:04Let's go.
01:00:08We got there.
01:00:09Let's go.
01:00:10For a while, man is in charge if you flirted with your
01:00:19erman wanted, Cool.
01:00:23Why, what's going in?
01:00:24We'll do it virtually.
01:00:26We'll dominate you.
01:00:27Marked I ?
01:00:28Let go.
01:00:30We'll run!
01:00:31Hmm.
01:00:35Hmm.
01:00:55White house.
01:00:57Patrice.
01:01:05Needless to say, you've upset me.
01:01:07You're a liar, a thief, and a cheat.
01:01:09And that somewhere down the road, baby,
01:01:11somewhere down the road,
01:01:13you're gonna come along and say,
01:01:15Dicky boy, I'm sorry!
01:01:17You got that?
01:01:27I'm sorry.
01:01:55You haven't had enough money.
01:01:57You haven't seen me yet, baby.
01:02:03I really appreciate your help for this.
01:02:05No problem.
01:02:07There she is, go for it.
01:02:09So,
01:02:11I understand you,
01:02:13you helped carry her bags downstairs.
01:02:15Yes.
01:02:17And what time day was this?
01:02:19Yes.
01:02:21It was about 8 a.m.
01:02:238 a.m.
01:02:25Did you grab the limo?
01:02:27Yes.
01:02:29Go ahead.
01:02:31It was wrong.
01:02:33Wrong?
01:02:35Yes.
01:02:37Long?
01:02:38Yes.
01:02:39Most of them are.
01:02:41You remember what kind of the car?
01:02:43It was a brake.
01:02:44And the driver?
01:02:45Do you remember what he looked like?
01:02:49Yes.
01:02:51Well, describe him.
01:02:55He was tall.
01:02:57He had on a brake jacket and a brake hat.
01:03:01Was it a brake man?
01:03:03No.
01:03:04What man?
01:03:05Let's go back to that long limo.
01:03:07Do you remember what kind it was?
01:03:09Oh, you mean a...
01:03:10You remember what kind it was?
01:03:12Oh, you mean a...
01:03:13Cadillac or Lincoln?
01:03:15Yeah.
01:03:16Oh, I don't know.
01:03:18Miss, I've come a real long way to talk to you.
01:03:26Thank you very much.
01:03:28Thank you very much.
01:03:30Is there anything you can do to...
01:03:35Jerry, she's your witness, ma'am.
01:03:38Jump right on in here.
01:03:39I want to concentrate on what this man looked like.
01:03:44Yes.
01:03:45Can you handle that?
01:03:48Handle what?
01:03:51What the guy looked like.
01:03:54Oh, yes.
01:03:55Yes, I can.
01:03:56Well, great.
01:03:57What did he look like?
01:03:58He had a...
01:04:00Black head.
01:04:01Oh, wait, wait, wait.
01:04:02Please, please.
01:04:03Let's forget about the hat, okay?
01:04:04Let's just try this real.
01:04:06Picture yourself standing in front of the hotel, okay?
01:04:10That morning, alright?
01:04:11You see the guy.
01:04:13He's standing right in front of you.
01:04:14You got it?
01:04:15Yes.
01:04:16Okay.
01:04:17Picture it there now.
01:04:18Yes.
01:04:19Now, tell us.
01:04:20What do you see?
01:04:23I see a big round head of a face.
01:04:26Yes.
01:04:27Thank you very much.
01:04:28Jesus Christ.
01:04:29Thank you very much.
01:04:30You're a very nice lady.
01:04:31Thank you very much.
01:04:32You're a very nice lady.
01:04:33Thank you very much.
01:04:34You're an asshole, Jerry.
01:04:35Thank you very much.
01:04:36It was a big head.
01:04:37Good morning, Mr. Richard.
01:04:38Estella, I called you.
01:04:39I left you a message.
01:04:40I'm not going to need you for a while.
01:04:41I told you that.
01:04:42I got no message.
01:04:43Yes, but you don't understand.
01:04:44I'm not going to need you for a while.
01:04:45I already been paid for this, so I clean up when I can today.
01:04:48Yeah, but nothing is dirty, can't you?
01:04:49See you around, everything is clean.
01:04:50I do dishes and I change sheets.
01:04:51Yeah, you did.
01:04:52Well, listen, I'm going to wait for a month or so, so come on.
01:04:53I'll tell you what.
01:04:54I'll give you a buzz as soon as I get back.
01:04:55Okay?
01:04:56I'll give you a buzz.
01:04:57No, no, Mr. Richard.
01:04:58I got a pen and I got some ones.
01:05:00And I got some ones.
01:05:01I need to get some money.
01:05:02I'm not going to need you.
01:05:04You're not going to need you for a while.
01:05:05I'm not going to need you for a while.
01:05:06I'm not going to need you for a while.
01:05:07I've already been paid for this, so I clean up when I can today.
01:05:08But nothing is dirty, can't you?
01:05:09See you around, everything is clean.
01:05:10I do dishes and I change sheets.
01:05:11Yeah, you did.
01:05:12Well, listen, I'm going to wait for a month or so, so come on.
01:05:13I'll tell you what, I'll give you a buzz as soon as I get back.
01:05:14No, no, no.
01:05:15Okay?
01:05:16I'll give you a buzz.
01:05:17No, no, Mr. Richard.
01:05:18You've been good to me.
01:05:19I mean, you do good work.
01:05:20And I'll be in touch with you as soon as I get back from the vacation.
01:05:22No, no, Mr. Richard.
01:05:23Here, I got a pen and I got some ones.
01:05:27God, I don't want money.
01:05:28And I got some change.
01:05:29I don't want money from you.
01:05:30Okay?
01:05:31I don't want money from you.
01:05:32Here, here.
01:05:33You're going to die in there, Mr. Richard.
01:05:34If it weren't for me, you would die like a rat.
01:05:36Oh, God.
01:05:37Listen, Stella, I'll be in touch with you, okay?
01:05:38I promise I'll be in touch with you as soon as I get back from the vacation.
01:05:40All right, darling?
01:05:41All my best.
01:05:42God bless.
01:05:43God bless.
01:05:48You better not take much longer, baby, or we're going to die like rats in here.
01:05:57You're fucking up my life here.
01:05:59You understand that?
01:06:00Huh?
01:06:01I had to fire the goddamn maid.
01:06:04You know what that means?
01:06:05No clean laundry.
01:06:07No clean dishes.
01:06:08Garbage up the yin yang.
01:06:10Dust everywhere.
01:06:11Come on, honey.
01:06:12Get your eyes together.
01:06:13We're living like pigs here.
01:06:15Come on, lady.
01:06:16You're going to have to make some son of a bitch contribution here.
01:06:19Do you know that?
01:06:20I mean, come on.
01:06:21Get in your head.
01:06:22I supply the food, the clothes, the shelter, the clean sheets, the clean towels, the toilet
01:06:27paper, and the best of kind.
01:06:29And complete attention to your selfish ass.
01:06:32Come on.
01:06:33Get your act together, goddammit.
01:06:35Or else I'll never lay on this goddammer.
01:06:37You got that?
01:06:38Now you get it together, lady, or you're on your way out.
01:06:41And I mean way out.
01:06:43Here's my gun permit from New York, North Carolina, Texas.
01:06:56I got a whole bunch of them things if you want to look at them.
01:06:59That won't be necessary.
01:07:01May I call you Sam?
01:07:02I've been called a lot worse.
01:07:04Sam, we're doing everything we can to find this girl.
01:07:09I'm sure you are.
01:07:11But I don't feel that there's anything that you could possibly do that would add anything
01:07:16to the situation.
01:07:17That might well be, but I've been hired by her mother, who's paying me a lot of money
01:07:21to come on out here and help your boys locate her baby girl.
01:07:25Now, I know you don't want me to lose out on good money.
01:07:29And I know you don't want me backing out an employment line, do you?
01:07:32What I want is for you to keep us informed of everything you're doing and anything that
01:07:38you might come up with.
01:07:40No problem.
01:07:41Used to be a cop.
01:07:42I know what it's like.
01:07:44We don't want no double work, do we?
01:07:46No.
01:07:47All right.
01:07:48My goodness.
01:07:49All you've got to do is tell me what you boys have found out so far.
01:07:54Nothing.
01:07:56Well, there you go.
01:07:58Then there's absolutely nothing for me to interfere with since you boys got nothing to start with.
01:08:03But you'll let us know if you come up with something.
01:08:06May I call you Jim?
01:08:08Why not?
01:08:09Jim, you're the first name on my list.
01:08:16It's a hot day today, isn't it?
01:08:18Richard, I feel weak.
01:08:23Oh, come on.
01:08:24Women give birth.
01:08:25It's got to be worse than this.
01:08:27Well, that makes me feel a lot fucking better.
01:08:30I'm sorry I didn't mean to swear.
01:08:32Come on, I want to believe.
01:08:34But you make it hard.
01:08:35You make it hard on both of us.
01:08:37I know I'm sorry.
01:08:38Yeah, I know.
01:08:41Good.
01:08:42It's just that sometimes you can't seem to control it.
01:08:45You have to help me.
01:08:49All right.
01:08:51I will.
01:08:54Have to pan up, you know.
01:08:57You know, perhaps it's something in your childhood.
01:09:01Maybe it's your parents.
01:09:02I mean, did you have any brothers and sisters?
01:09:05Yes, my brother is a lawyer and my sister, she's a teacher.
01:09:10Mm-hmm.
01:09:11And what about your mother?
01:09:14My mother?
01:09:16She's fine.
01:09:18Did she swear a lot?
01:09:20No, never.
01:09:21Oh.
01:09:22All right.
01:09:23Well, what about your father?
01:09:26My father died in Vietnam.
01:09:29The service?
01:09:30Yes.
01:09:31What branch?
01:09:33The Navy serving with the Marines.
01:09:35The Marines?
01:09:37I knew it.
01:09:38I knew it.
01:09:39I know all about them.
01:09:40All they're trained to do is drink, swear and kill, and not necessarily in that order.
01:09:45My father was a chaplain.
01:09:48A chaplain?
01:09:52Well, I tell you what.
01:09:54I'll get you some water, I'll get you some clothes, and even through too much.
01:10:00Yeah, my name is Sam Weston.
01:10:02Now, you people rent limousines, right?
01:10:07Say that again?
01:10:09I'm sorry, I don't understand you.
01:10:15Um, my question is, you people rent limousines, right?
01:10:20limousines, right?
01:10:24Well, let's try this one.
01:10:28Do you have anybody
01:10:31who works for your company that speaks English?
01:10:35Comprende English?
01:10:37Well, can I talk to your boss?
01:10:43I want to talk to the guy that you work for.
01:10:46Comprende?
01:10:50Yes, sir.
01:10:54And how are you?
01:10:55Well, thank you very much.
01:10:57Sam Weston here.
01:10:59I understand you people rent limousines.
01:11:02Uh, big, long cars?
01:11:06Yes, I'm a private detective and I'm trying to track down a black limo I rented on April
01:11:115th of this year.
01:11:17I don't understand you, sir.
01:11:20Where are you from?
01:11:23Korea.
01:11:24Yes.
01:11:25That's a nice town, sir.
01:11:26I just love that place.
01:11:30You got anybody else who speaks English at your place?
01:11:36What's wrong?
01:11:41What's wrong?
01:11:43I'm alone here.
01:11:45I don't like being alone.
01:11:48I hate being alone.
01:11:50I hate being alone.
01:11:52Look, calm down, okay?
01:11:54Richard, I'm trying.
01:11:55I can't take any more.
01:11:57I'm trying, but I just can't take any more.
01:12:03I'm trying, but I just can't take any more.
01:12:04Everything's gonna be fine, okay?
01:12:06Richard, this is not fine.
01:12:09This is weird.
01:12:10When it's fine, it's fine.
01:12:11When it's weird, it's weird.
01:12:12This is weird.
01:12:13When it's fine, it's fine.
01:12:14When it's weird, it's weird.
01:12:15This is weird.
01:12:16Just don't cry anymore, okay?
01:12:17I can't stand it when you cry, all right?
01:12:18Just stop it.
01:12:19I need some space.
01:12:21I need something for me.
01:12:24I tried to make a statement.
01:12:26I was wrong.
01:12:26I tried to say some things.
01:12:27I was wrong.
01:12:28You know what?
01:12:28I think we're making a statement now for you.
01:12:29Everything's gonna be fine, okay?
01:12:30It's gonna be fine, okay?
01:12:31Richard, this is not fine.
01:12:33This is weird.
01:12:35When it's fine, it's fine.
01:12:38When it's weird, it's weird.
01:12:39This is weird.
01:12:40Just don't cry anymore, okay?
01:12:41I can't stand it when you're crying, alright?
01:12:43Just stop it.
01:12:44I need some space.
01:12:46I need something for me.
01:12:47some headway here headway i am dying in here and you are talking about headway
01:13:01i'm gonna die in this stinking rotten hole
01:13:07richard
01:13:12the night we spent together was the most beautiful night of my life
01:13:18i want that again
01:13:22i swear to you i will do whatever you want
01:13:26all i want is more of you it's all i had is that too much
01:13:39i have to get out of here
01:13:43i have to see you
01:13:44to touch you
01:13:48i don't believe you
01:13:53i don't believe you
01:14:02god this is exasperating
01:14:18immanuel
01:14:33i'm sorry
01:14:34i really am sorry i feel your pain and yet
01:14:41i desperately need your love
01:14:42i feel your strength
01:14:48the strength of your beauty even through this metal door
01:14:52nothing could separate us
01:14:53and i mean nothing
01:15:04the look of you
01:15:06the thought of you
01:15:08it permeates my mind
01:15:10you know anger anger has made me say and do many many ugly things
01:15:19that i'm not proud of
01:15:20when you're not proud of you
01:15:31so that i can tell you how much i love you
01:15:38so that I can tell you how much I love you.
01:15:44If you can find a way to forgive me,
01:15:47and I mean forgive me,
01:15:49and if you can find a way to reciprocate my love,
01:15:53I will be with you always.
01:15:59Jesus Christ.
01:16:08Jesus Christ.
01:16:38You don't even believe this girl has been kidnapped, do you?
01:17:05Do you know whether she's up in Aspen, Colorado,
01:17:10shacked up with some guy,
01:17:12or in New York, or France, or, huh?
01:17:16No, I don't know where she is.
01:17:19And neither do I.
01:17:20This is a shitty way to make a living.
01:17:29Let's go to lunch.
01:17:35You need to get out of here, man.
01:17:38Blow the snake off of you.
01:17:40Let the lady come in and clean the place up.
01:17:43Start fresh.
01:17:43A cop with a heart?
01:17:46I love him.
01:17:50Just brush my teeth.
01:17:53All right, my back.
01:17:54I'll make a couple of calls off your list.
01:17:56Hello, this is Sergeant Lytel of LAPD.
01:18:13Yes, do you rent limos out of your place?
01:18:15I want to know if you're renting out a black limo 18 days ago.
01:18:23That would be the fifth.
01:18:24Yeah.
01:18:25Okay, I'll wait.
01:18:32Yeah?
01:18:325.45, you say?
01:18:35A black one?
01:18:37Uh-huh.
01:18:39And do you happen to have the guy's name?
01:18:42Yeah, sure, I got it.
01:18:45You don't have his address, do you?
01:18:47Uh-huh.
01:18:48Yeah, got it.
01:18:49Thank you, thank you.
01:18:51Yes, if I need anything else, I'll give you a call, okay?
01:18:57That's Stu Latch.
01:18:59Hey, I got a lead.
01:19:02You got a what?
01:19:04A lead.
01:19:05You know what a lead is, don't you?
01:19:08Talk to me, Jim.
01:19:09I called this guy up in Pacoio.
01:19:12He says that he rented a black limo to this guy at this address at 5.45 a.m. on the morning of the fifth.
01:19:21Great.
01:19:21Hey, I just dialed the next number on your list.
01:19:27What's the problem?
01:19:29No problem.
01:19:31Yeah, but you're acting like there's a problem.
01:19:34Me?
01:19:35Acting like there's a problem?
01:19:37Oh, yeah.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43He got nothing.
01:19:45Now, you make one phone call, and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:54You people.
01:19:55How you work.
01:19:55Because I know damn well that since you know you can't go in and arrest him, you want me to do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:05And what the hell do you mean by you people?
01:20:07I don't tell me the racial innuendos are starting.
01:20:10There was no racial innuendos.
01:20:17I just call them as I see them.
01:20:20I call a spade a spade.
01:20:22I was talking about LAPD, the way you people do business.
01:20:26I should have spoken more clearly.
01:20:31I should have been referring to you people as assholes.
01:20:34Real nice.
01:20:36Real good.
01:20:37I'm out of here.
01:20:38Sam.
01:20:41What?
01:20:43Good luck.
01:20:49You owe me 50 cents for that phone call.
01:20:53See ya.
01:20:56It's a little rough up in here.
01:21:05Come on, mate.
01:21:06Great.
01:21:09Well, come here.
01:21:10I want you to see something.
01:21:13Look at that view.
01:21:16I don't see much of anything.
01:21:20Well, you will when I cut that tree down.
01:21:22Hey, look at this rope.
01:21:23Here, grab this, okay?
01:21:24Because we're going to have to pull ourselves up the rest of the hill.
01:21:26I'm going to lead the way, okay?
01:21:28Okay, you were behind me?
01:21:29Yeah.
01:21:29Okay, here we go.
01:21:31Pull up.
01:21:38Where are you taking me?
01:21:39You said you wanted to go out.
01:21:41Well, when I said out, I meant out.
01:21:43This is the back of your house.
01:21:45No, out, out.
01:21:46Look up there.
01:21:46You see the sky?
01:21:47That's out.
01:21:49I mean, you're about as far out as I can trust you.
01:21:53Here, come on.
01:21:54Grab my hand.
01:21:55Come on.
01:21:56Swing up in here.
01:21:56That's it.
01:21:57Way to go.
01:22:04Well, here it is.
01:22:06What do you think?
01:22:10It's fantastic.
01:22:11Come on.
01:22:17Really is nice up here, isn't it?
01:22:20Yeah.
01:22:25All it takes is a little cooperation.
01:22:27I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not going to go to jail for this.
01:22:35I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42It's a relief for me.
01:22:44So it's, uh, it's you and me against the world from here on in, huh?
01:22:48You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You gotta forget that woman.
01:22:58She doesn't exist.
01:23:01I'll tell you something.
01:23:04Let's do it together.
01:23:07You and me.
01:23:09Let's make it happen.
01:23:11I mean, I've got the money.
01:23:13I've got the power.
01:23:14I've got the power.
01:23:18You've got the talent.
01:23:23Let's make it a team play.
01:23:31You really mean that?
01:23:33Yes, I do.
01:23:42Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's going to be just fine.
01:23:48I know it will.
01:23:49Listen, I'm going to get your clothes, okay?
01:23:51So why don't you go down there and just get in bed?
01:23:53I'll be waiting for you, baby.
01:23:55All right, honey.
01:24:02Mwah!
01:24:03Emmanuel!
01:24:15Emmanuel!
01:24:17Emmanuel!
01:24:17Come on, honey.
01:24:19We made a deal.
01:24:21Don't break a deal.
01:24:22Come on, open the door!
01:24:25Open the goddamn door!
01:24:27I need a deal.
01:24:49All right, girl.
01:24:52Hi, Dick.
01:25:16How's it going?
01:25:20Hi.
01:25:21Is that you?
01:25:22How you doing?
01:25:23It's me, Richard.
01:25:25Listen, it was all over, baby.
01:25:27I mean, it was all over.
01:25:28I was letting you go.
01:25:29You're free to go anywhere you want, anytime you want, any place you want.
01:25:33I love you, babe.
01:25:35Thanks, Dick.
01:25:37You're welcome.
01:25:37Listen to me.
01:25:39I got us first-class tickets to the Bahamas.
01:25:43Just you and me, baby.
01:25:45Just you and me.
01:25:46I mean, all the way.
01:25:47Do you understand that?
01:25:48I mean, are you staying with me?
01:25:49Royal Danish Cruise Lines.
01:25:51You don't believe me?
01:25:51Well, check it out, okay?
01:25:53Check it out, guys.
01:25:53I got the tickets in my tan coat.
01:25:55I mean, go ahead.
01:25:56You see?
01:25:57Inside breast pocket.
01:25:58Go up there and look.
01:25:58Please for me, okay?
01:25:59Please for me right now.
01:26:01Would you check one for me?
01:26:03God, I miss you.
01:26:04I miss you, baby.
01:26:08Are you listening to me, honey?
01:26:10You're not thinking of leaving me here, are you?
01:26:16Of course I hear you, sweet cakes.
01:26:19Oh, thank God.
01:26:21Jesus, you made me feel alone.
01:26:25What would you like for dinner?
01:26:28For dinner?
01:26:29For dinner?
01:26:53Yes?
01:26:55Emmanuel Griffith?
01:26:57Yes.
01:26:59I'm Sam Weston.
01:27:02I was hired by your mother to find you.
01:27:06Oh.
01:27:08Well, you found me.
01:27:10Hold it.
01:27:13Lady, a lot of people worried about you.
01:27:19The thing is, Sam, I just needed a break.
01:27:24I needed some time for myself, okay?
01:27:26So you tell my mom I love her, everything's fine, and I'll send her the money for the rent.
01:27:34You tell the rest of the world I love them, too.
01:27:36You tell them he'll be back.
01:27:38You tell them he'll be back.
01:27:41Thanks a lot, Sam.
01:27:42Yeah.
01:27:43Yeah.
01:27:43Good morning, ladies, and welcome to a man's world.
01:27:54Good morning, ladies, and welcome to a man's world.
01:27:56Good morning, ladies.
01:28:02Now, I don't know.
01:28:09Now, you can come in a while...
01:28:11But I hope you can...
01:28:14I'm making a difference.
Recommended
1:28:02
|
Up next
1:28:02
1:21:07
1:32:55
1:18:40
1:33:23
2:43
1:15:23
58:00
1:24:14
1:54:09
1:41:37
1:43:11
1:55:52
1:24:41
1:16:31
1:44:16
1:29:07
1:37:38
10:29
1:35:59
1:51:31
1:30:35
1:39:56
Be the first to comment