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The Fantasticks (2000) is a charming musical film that follows the whimsical story of young lovers navigating unexpected adventures and joyful experiences. Full of enchanting songs, colorful performances, and heartwarming moments, the story emphasizes friendship, love, and personal growth. With delightful storytelling and memorable characters, it provides an engaging and entertaining experience suitable for audiences of all ages.
The Fantasticks, The Fantasticks movie, The Fantasticks 2000, The Fantasticks film, charming musical, family friendly musical, whimsical story, enchanting songs, colorful performances, heartwarming moments, friendship story, love and adventure, memorable characters, delightful storytelling, entertaining musical, engaging film, inspiring story, classic musical, joyful adventures, character driven story, 2000s movies, musical romance, fun musical film, captivating performances

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Transcription
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00:10:12Ils pensent qu'ils qu'ils voulaient !
00:10:14Un mariage pré-arrangé ?
00:10:16Ils préfèrent être mort !
00:10:20Children !
00:10:22Lovers !
00:10:24Fantastiques !
00:10:26Geese !
00:10:28C'est cool !
00:10:30C'est crafty !
00:10:32Pour manipuler les enfants, vous dites...
00:10:34Non !
00:10:36Oh !
00:10:38A dog's got to bark !
00:10:40A mule's got to bray !
00:10:42Soldiers must fight !
00:10:44And preachers must pray !
00:10:46And children, I guess,
00:10:48Must get their own way !
00:10:50The minute that you say no !
00:10:54Why did the kids pour jam on the cat ?
00:10:58Raspberry jam all over the cat !
00:11:02Why should the kids do something like that ?
00:11:06When all that we said was no !
00:11:10Why did the kids put beans in their ears ?
00:11:12No one can hear with beans in their ears !
00:11:16After a while, the reason appears !
00:11:18They did it !
00:11:20Because waste !
00:11:22Time !
00:11:23Now !
00:11:24Time !
00:11:25Time !
00:11:26Time !
00:11:27Time !
00:11:28Time !
00:11:28Time !
00:11:29Time !
00:11:30Time !
00:11:31Time !
00:11:32I'm sorry !
00:11:33That's fair !
00:11:34Why did the kids put beans in their ears ?
00:11:36No one can hear with beans in their ears !
00:11:37Sous-titrage MFP.
00:12:07A June comes right after May, sure as the night comes right after day, you can be sure the devil's to pay the minute that you say no. No. Make sure you never say no.
00:12:38Kids! Won't it be nice when our kids are married so they can drive each other crazy instead of us?
00:12:44Right. And they're nearly there.
00:12:47There's just one thing missing for our hero and hero in a climax.
00:12:51You watch what you say. You're talking about my daughter.
00:12:54I'm speaking in theatrical terms. We have to find some way to end the feud without them knowing we made the whole thing up.
00:13:00Well, how do you propose we do that?
00:13:05That's the problem.
00:13:09Wait a minute.
00:13:14You see? Whenever you've got a problem, the United States Postal Service comes to the rescue.
00:13:18Yeah, they run a tight ship. Let's go, Bellamy. Let's have a talk with this fellow.
00:13:22Are you crazy? We can't go to the carnival. The kids will see us. They'll think we're looking for them.
00:13:26Instant hate. I seem to remember that's good for romance, isn't it?
00:13:30Ah-ha-ha. Ah-ha. Fuel to the fire.
00:13:32Specialists and dreams come true. Family feuds settled. What are we waiting for?
00:13:50Oh, it is.
00:13:55Oh, get up.
00:13:56Oh, get up.
00:13:56Oh, get up.
00:13:57Oh, get up.
00:14:24Romeo, Romeo.
00:14:25Wherefore art thou, Romeo?
00:14:29But soft, what light through yonder window breaks?
00:14:34It is the east, and Juliet is the sun.
00:14:37Arise, prayer son, and kill the envious moon.
00:14:42What if someone sees us?
00:14:43Come on.
00:14:45Our fathers.
00:14:46I don't care about our fathers.
00:14:48I don't care about the wall.
00:14:49I don't care about anything but you.
00:14:51If we were in Verona long ago
00:14:55And just like the story, our true love forbidden
00:14:59I would study sword play
00:15:03And I'd stand and fight them all
00:15:06Anyone who'd come between us
00:15:09Would have to deal with me
00:15:14I'd stand and face them all
00:15:18As one by one they'd fall
00:15:21You'd fight them all
00:15:25They'd start to fall
00:15:27Love conquers all
00:15:31Love, you are love
00:15:36Better far than a metaphor can ever ever be
00:15:41Love, you are love
00:15:44I am love
00:15:45My mystery
00:15:46Is mystery
00:15:48To me
00:15:49Of love
00:15:50Of love
00:15:55You are Polaris
00:15:58The one trustworthy star
00:16:00You are
00:16:01I am
00:16:02You are
00:16:03I am
00:16:04I am
00:16:05You are September
00:16:06A special mystery
00:16:08To me
00:16:09To he
00:16:10To me
00:16:11To he
00:16:12You are
00:16:13You are
00:16:14Sunlight
00:16:15Moonlight
00:16:16Mountains
00:16:17Valleys
00:16:18The microscopic inside of a leaf
00:16:19Of love
00:16:20My joy
00:16:21Yes, I am his joy
00:16:22My grief
00:16:23Yes, I am his grief
00:16:24Yes, I am his grief
00:16:25My star
00:16:26Yes, I am his star
00:16:27My leaf
00:16:28Yes, I am his leaf
00:16:29Oh, love
00:16:30I am love
00:16:31I am love
00:16:32You are love
00:16:33I am love
00:16:34Better far than any metaphor can ever ever be
00:16:40Love
00:16:41I am love
00:16:43You are love
00:16:45I am love
00:16:46My mystery
00:16:50My mystery
00:16:51Yes, I am
00:16:52My mystery
00:16:53My mystery
00:16:54Is mystery
00:16:57Of
00:16:58Love
00:16:59Love
00:17:00Love
00:17:02Love
00:17:04Love
00:17:06Love
00:17:07Love
00:17:08Love
00:17:12Love
00:17:15Love
00:17:20Vous parlez de l'anglais ?
00:17:22Oh, mon Dieu !
00:17:23C'est quoi ?
00:17:24C'est mon père !
00:17:26C'est mon père !
00:17:27C'est mon père !
00:17:28C'est mon père !
00:17:29Ils ne sont pas là !
00:17:30C'est nous !
00:17:31C'est nous !
00:17:32C'est nous !
00:17:33C'est nous !
00:17:34Nous nous sommes demain demain, par la grande bâtisse.
00:17:37Dans la lumière ?
00:17:38Dans la lumière !
00:17:39Dans la lumière !
00:17:42C'est la nuit de la lumière !
00:17:47Je ne vais jamais voir de la lumière !
00:17:50Qu'est-ce que j'ai le droit ?
00:17:51Enchanté !
00:17:52C'est quoi ?
00:17:56What the devil ?
00:17:57At your service !
00:18:02You're the famous El Gallo !
00:18:04El G interpretaja.
00:18:05Oh, eh, eh, eh, see, see, see,
00:18:07look !
00:18:08We got your advertisement in the mail,
00:18:09and we got ourselves a little problem.
00:18:12A love problem ?
00:18:13You two ?
00:18:14Have a love problem ?
00:18:15And you seek sympathy from our little band of outcasts ?
00:18:18Alors, qu'est-ce que vous pourriez faire en front d'une audience?
00:18:23Now, wait a minute, boy...
00:18:24We're not talking about us.
00:18:26We're talking about our kids.
00:18:27Yeah, who happen to be a boy and a girl.
00:18:30Less challenging.
00:18:31Follow me.
00:18:34Although we're not yet fully prepared
00:18:36for the official opening of the entire carnival,
00:18:38I think we can proceed with our business here.
00:18:40One moment, I'll check my files.
00:18:43I'm sorry, what did you say your names were?
00:18:46Hucklebee!
00:18:46Bellamy, I do bear your pardon.
00:18:48This is N through Z.
00:18:50Yes, there we are.
00:18:52A through M.
00:18:53How'd you do that?
00:18:53It wasn't easy.
00:18:54It took months to set up these files.
00:18:55Oh, my.
00:18:55Oh.
00:18:56Shh, quiet.
00:18:57I'm beginning to get a picture.
00:19:00You said you had a daughter?
00:19:02Yes.
00:19:03I see a girl.
00:19:04Is her name Louisa?
00:19:06Is that your daughter's name?
00:19:07Yes.
00:19:07It's her.
00:19:08Oh, look.
00:19:09Look, she's standing next to a young man
00:19:11who must be, um...
00:19:12must be, um...
00:19:13Quick, before the image fades.
00:19:15Man!
00:19:16That's it!
00:19:17You're amazing.
00:19:20Well, they seem to be happy enough.
00:19:21But what about the feud?
00:19:22Of course that's there.
00:19:23I said seem.
00:19:24Obviously, your children are feeling
00:19:25a great deal of torment.
00:19:27You can't!
00:19:28And you've come to me
00:19:29for some kind of magic, eh?
00:19:31You're in luck.
00:19:32Frankly, we came to you
00:19:38to find out how to end this feud.
00:19:40Many paths lead to the summits.
00:19:42Follow me.
00:19:45You know, we kind of thought
00:19:47it'd be a good idea
00:19:47if my mild-mannered son
00:19:49was turned into a rip-roaring hero.
00:19:52Really?
00:19:52Well, yes, that would be
00:19:53the first thought
00:19:54of the common rural mind.
00:19:55And by an amazing coincidence,
00:19:56it's also mine.
00:19:57Ah, boy, are we lucky.
00:19:59Of course, to have a hero,
00:20:00you must first have a villain.
00:20:03Well, that makes sense.
00:20:05But who?
00:20:06Well, let's think.
00:20:07The young lady knows both of you,
00:20:09so that wouldn't work.
00:20:13What about you?
00:20:14Me?
00:20:15Oh, I couldn't do it.
00:20:17For free.
00:20:19But for a small donation
00:20:19to my favorite charity.
00:20:22Yeah.
00:20:22Would $60 be an insult?
00:20:35Yes, but I'm used to abuse.
00:20:37Oh, yes.
00:20:38I see it.
00:20:39I start to kidnap his daughter.
00:20:40Your son runs in to save her.
00:20:42Then a battle.
00:20:42I allow the boy to defeat me.
00:20:43Your son becomes a hero.
00:20:45The parents relent.
00:20:46The feud is over forever.
00:20:48She melts into his arms.
00:20:50How much for such a drama?
00:20:54That, signor, depends.
00:20:55Depends on what?
00:20:57What else?
00:20:57The quality of the rape.
00:21:03Rape?
00:21:03No!
00:21:04No rape!
00:21:05Oh, very well, then.
00:21:06The abduction.
00:21:07The raid.
00:21:07The chase.
00:21:08The kidnapping.
00:21:09Call it what you will.
00:21:11From the Latin.
00:21:12Repare.
00:21:13Meaning?
00:21:13To seize.
00:21:14Abductions.
00:21:17Abductions.
00:21:18Abductions.
00:21:19Theatrical abductions.
00:21:20Complete with maidens in distress
00:21:22and fabulous productions.
00:21:25The sort of thing you see
00:21:27upon the operatic stage.
00:21:30Two lovers are meeting.
00:21:31Their happiness is fleeting.
00:21:33For all at once,
00:21:34a band of men is standing there
00:21:36repeating surrender
00:21:37and so forth.
00:21:39Give us the girl!
00:21:40And so forth.
00:21:41Ensure they are surrounded
00:21:42by a gang of angry men.
00:21:44I see it.
00:21:45I see it.
00:21:46A gang of angry men.
00:21:48Heaven!
00:21:50I cannot show you this is...
00:21:53Heaven!
00:21:54The six young lovers out of...
00:21:56Seven!
00:21:58This is a dream of ecstasy.
00:21:59How can we deny them
00:22:00such a dream of ecstasy?
00:22:03Sounds a bit expensive.
00:22:04I would like to know the fees.
00:22:06The people are cheering.
00:22:08I'm standing censor-learing.
00:22:10I wear a cape and sneer.
00:22:11and a sneer that's really quite endearing.
00:22:14I enter.
00:22:14And so forth.
00:22:15I grab the girl and so forth.
00:22:17I'll ravish her and start to carry her
00:22:19into the night.
00:22:21The hero is Caesar.
00:22:23He grabs the girl and frees her.
00:22:25He tries to tweak me by the nose.
00:22:26We certainly should please her.
00:22:28We argue and so forth.
00:22:30We draw our swords and so forth.
00:22:32We shout, I guard and fight
00:22:33until I stagger and I die.
00:22:36They're fighting exciting.
00:22:37El Gallo starts to die.
00:22:39The parents relenting.
00:22:41Rush off the scene presenting.
00:22:43A perfect picture of content
00:22:44with both of them consenting.
00:22:46To marriage and so forth.
00:22:48To end the feud and so forth.
00:22:50They swear to tear the wall apart
00:22:52and live in harmony.
00:22:54The lovers are kissing.
00:22:56The parents reminiscing.
00:22:57The scene is one of utter bliss
00:22:59with not a cliche missing.
00:23:01There's laughter and so forth.
00:23:03A happy dance and so forth.
00:23:05Then all of one's a harpist
00:23:06and a piano starts to play.
00:23:08I hear it.
00:23:09He hears it.
00:23:10How beautifully they play.
00:23:13Drama.
00:23:14Let's start it!
00:23:15That's what he's offering.
00:23:16It's drama.
00:23:17Oh, bloody.
00:23:18He likes a faded cyclorama.
00:23:21Oh, what a sight.
00:23:22He tries to shed the little light.
00:23:24It's so exciting.
00:23:25You shed the little light.
00:23:28Really?
00:23:28The lovers kiss.
00:23:29I must admit that this is thrilling.
00:23:31Oh, such happiness.
00:23:33And it can happen if I'm willing.
00:23:35How can it miss?
00:23:37Just make sure the price is right.
00:23:38So why be pikers?
00:23:39Just make sure the price is right.
00:23:41Why should we be pikers?
00:23:43Just make sure the price is right.
00:23:45Abductions! Abductions!
00:23:47Theatrical abductions!
00:23:49Complete with maidens in distress
00:23:50and fabulous productions.
00:23:52With moonlight and so forth.
00:23:54A happy end and so forth.
00:23:56That it all depends on what...
00:24:01It all depends...
00:24:03Depends on what we pay...
00:24:09Pay...
00:24:11Pay...
00:24:13Or pay!
00:24:14First class it is.
00:24:18Now, uh, let's see.
00:24:20What else should we use?
00:24:22Oh!
00:24:24Two on Jojo, the chicken lady.
00:24:27I-I don't think so.
00:24:28Or I know, the, uh, the Bavarian baby.
00:24:30I've got one who's very talented.
00:24:32He can swallow a sword.
00:24:33If you throw in four dollars extra,
00:24:34he cleans up after himself.
00:24:36What about that act?
00:24:37What?
00:24:38The Shakespearean company,
00:24:40direct from London.
00:24:41Third Royal Drury Lane.
00:24:43No, no, you don't want that.
00:24:47Now, inside...
00:24:47I think Shakespeare's a great idea.
00:24:49After all, my son thinks he's Romeo.
00:24:51My daughter would be a perfect Julian.
00:24:53Now, really, gentlemen, I assure you,
00:24:54it's not a good idea.
00:24:57Now, for a first class abduction.
00:25:00But Shakespeare, that's real classed.
00:25:03You know, I was in a Shakespeare play once.
00:25:05Really?
00:25:06Uh-huh.
00:25:07My daughter would like Shakespeare.
00:25:08So would my son.
00:25:10He likes that I am the pantomime, whatever.
00:25:13And with Shakespeare, it's sure to be done in good taste.
00:25:20Sir, the players have arrived.
00:25:25Thank you.
00:25:26But your services will not be necessary.
00:25:28Now, or ever.
00:25:29Back in the trunk.
00:25:30These men are from London?
00:25:32Straight from Theatre Royal Drury Lane?
00:25:34Oh, absolutely.
00:25:35One long, straight ride.
00:25:38Down.
00:25:39Don't see us as we are.
00:25:40Gentlemen, please.
00:25:42Remove ten pounds of road dust
00:25:44from these aged, wrinkled cheeks.
00:25:46See makeup, Kate, in glowing powder pink.
00:25:49Imagine a beard, full-blown
00:25:51and blowing like the whiskers of a bear.
00:25:54Imagine hair.
00:25:55In a box.
00:25:56I have all colors.
00:25:57Please, I beg of you.
00:25:59Imagine hair.
00:26:06And not these clothes, dear God.
00:26:08No, no.
00:26:09Not rags like every beggar has.
00:26:13But see me in a doublet.
00:26:15Mortimer, fetch the doublet.
00:26:16There you go.
00:26:24Gentlemen, if you insist on Shakespeare,
00:26:26my advice is don't over-rehearse them.
00:26:28Say a cue.
00:26:28You'll see.
00:26:29I'll know it.
00:26:30Go on.
00:26:30Try me.
00:26:32Friends, Romans, countrymen.
00:26:34Is what?
00:26:37Friends, Romans, countrymen.
00:26:38No, no, no, no, no.
00:26:39Don't tell me.
00:26:40I'll get it.
00:26:41You'll see.
00:26:42Ah, yes, of course, of course.
00:26:47Why, that's easy.
00:26:49Why didn't you pick a hard one?
00:26:50Now, here, watch this.
00:26:55Friends, Romans, countrymen.
00:27:02Screw your courage to the sticking place
00:27:05and be not sick
00:27:08and pale with grief.
00:27:13For thou, her handmaidens,
00:27:16art far more fair
00:27:17than she
00:27:19is.
00:27:26How's that?
00:27:27Do you think he can do it?
00:27:29The chicky mate is cheaper
00:27:30and you get to keep the eggs.
00:27:31I got faith in the bard.
00:27:33Let's sign him out.
00:27:34Thank you.
00:27:35Thank you.
00:27:39Thank you.
00:27:39Allow me
00:27:42to introduce myself.
00:27:44I
00:27:45am Henry Albertson.
00:27:47And who's that?
00:27:48That's Mortimer.
00:27:50He's been with me all his life.
00:27:51He does death scenes.
00:27:53Would you like to see one?
00:27:54He's an expert.
00:27:55Mortimer,
00:27:56die for the gentleman.
00:27:57And that's the short version.
00:28:22The Indian is out of the question.
00:28:26Besides, I think he's dead.
00:28:28Oh, too bad,
00:28:29because they're a team.
00:28:30Inseparable.
00:28:30So what could we use instead?
00:28:32How about Siamese twins?
00:28:33Two for the price of one.
00:28:34Now we're going to stick
00:28:36with Shakespeare.
00:28:37Yeah.
00:28:37It'll be a lifelong memory
00:28:39for the children.
00:28:40Lifelong memory.
00:28:41It is.
00:28:42Still not sure about the Indian.
00:28:44Gentlemen,
00:28:45we must hurry.
00:28:46We have an abduction, Sir Sage.
00:28:48This very night.
00:28:56Here.
00:28:57You two
00:28:57had better go home
00:28:58and rehearse your parts.
00:29:00Parts?
00:29:01We're not actors.
00:29:02But this is too much
00:29:03to memorize.
00:29:08Not actors, you say?
00:29:09Very well, then.
00:29:12We'll do the abridged version.
00:29:18Abductions, abductions,
00:29:19theatrical abductions,
00:29:21complete with maidens
00:29:22in distress and fabulous
00:29:24that's my heart,
00:29:25with moonlight and so forth,
00:29:27a happy end
00:29:28that's my heart,
00:29:28and it all depends
00:29:31depends on
00:29:32what
00:29:33you
00:29:35pay.
00:29:37That's my part.
00:29:42Hello.
00:29:43Hello.
00:29:45Hello.
00:29:45I should have put on
00:29:54something warmer.
00:29:56I didn't expect it
00:29:56to be so cold.
00:29:59I feel my hand.
00:30:00It's trembling.
00:30:02Oh.
00:30:02Oh.
00:30:03Well,
00:30:04here.
00:30:04I don't need this.
00:30:06Oh, no.
00:30:06You'll freeze.
00:30:07No, no, really.
00:30:08Please.
00:30:08I'm fine.
00:30:08I'm not cold at all.
00:30:10You're gonna wear it?
00:30:17Yeah.
00:30:18You just said
00:30:19you weren't cold, right?
00:30:22Oh, I'm...
00:30:23It's all right.
00:30:34I'm scared, Matt.
00:30:42I'll take care of you,
00:30:43Louise.
00:30:43I...
00:30:43I promise.
00:30:45I'll protect you.
00:30:49I love you, Matt.
00:30:52I want there to be
00:30:53a happy ending.
00:30:55I promise that
00:30:56there will be.
00:31:03Feel that?
00:31:04What?
00:31:04My hand.
00:31:08It's trembling, too.
00:31:13Hear how the wind
00:31:15begins to whisper.
00:31:18See how the leaves
00:31:19go streaming by.
00:31:22Smell how the velvet
00:31:24rain is falling.
00:31:27Out where the fields
00:31:29are warm and dry.
00:31:32Now is the time
00:31:33to run inside
00:31:35and stay.
00:31:37Now is the time
00:31:42to find a hideaway
00:31:46where we can stay.
00:31:52Soon it's gonna rain.
00:31:53Soon it's gonna rain, I can see it.
00:32:05Soon it's gonna rain, I can tell.
00:32:10Soon it's gonna rain, what are we gonna do?
00:32:15We'll find four limbs of a tree, we'll build, four walls and a floor, we'll bind it over with leaves and duck inside to stay.
00:32:36Then we'll let it rain.
00:32:37Then we'll let it rain, we'll let it rain, we'll let it rain, we'll let it rain, rain pell-mell, and we'll not complain, if it never stops at all.
00:32:53We'll live and love.
00:32:56We'll live and love within our own poor walls.
00:33:09Sous-titrage MFP.
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