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High Noon (1952) is a classic western that follows a dedicated marshal as he faces a critical day in his town while relying on courage, determination, and his sense of duty. With memorable performances, dramatic storytelling, and iconic cinematography, the film explores themes of responsibility, integrity, and standing up for what is right. Its timeless narrative and engaging characters make it an enduring and inspiring cinematic experience for viewers of all ages.
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Transcription
00:04:59My goodness gracious
00:15:47Don't be here when it's over.
00:15:49You're asking me to wait an hour to find out
00:15:51if I'm going to be a wife or a widow.
00:15:53I say it's too long to wait. I won't do it.
00:15:55Amy!
00:15:56I mean it. If you won't go with me now,
00:15:58I'll be on that train when it leaves here.
00:16:02I've got to stay.
00:16:17Oh, save me all my time.
00:16:27Glad you got here first.
00:16:42Have you forgotten that I'm the man who passed sentence on Frank Miller?
00:16:47You shouldn't have come back, Will.
00:16:49You're stupid.
00:16:50I figured I had to. I figured I had to stay.
00:16:54You figured wrong.
00:16:55I can deputize a posse. Ten, twelve guns is all I need.
00:16:58My intuition tells me otherwise.
00:17:01Why?
00:17:04No time for a lesson in civics, my boy.
00:17:07In the fifth century BC, the citizens of Athens,
00:17:10having suffered grievously under a tyrant,
00:17:12managed to depose and banish him.
00:17:14However, when he returned some years later
00:17:16with an army of mercenaries, those same citizens
00:17:18not only opened the gates for him,
00:17:21but stood by while he executed members of the legal government.
00:17:26A similar thing happened about eight years ago
00:17:28in a town called Indian Falls.
00:17:30I escaped death only through the intercession of a lady
00:17:35of somewhat dubious reputation
00:17:38and the cost of a very handsome ring
00:17:40which once belonged to my mother.
00:17:42Unfortunately, I have no more rings.
00:17:44You're a judge.
00:17:46I've been a judge many times in many towns.
00:17:49I hope to live to be a judge again.
00:17:51I can't tell you what to do.
00:17:55Why must you be so stupid, Will?
00:17:56Have you forgotten what he is?
00:17:57Have you forgotten what he's done to people?
00:17:59Have you forgotten that he's crazy?
00:18:01Don't you remember when he sat in that chair and said,
00:18:03you'll never hang me, I'll come back?
00:18:06I'll kill you, Will Kane.
00:18:07I swear it, I'll kill you.
00:18:09There you are, ma'am. This will take you to St. Louis.
00:18:19Thank you.
00:18:28Maybe you'd rather wait somewhere else.
00:18:29Like at the hotel, maybe.
00:18:31All right. Thank you.
00:18:33I'm awfully sorry about all this, Mrs. Kane.
00:18:35But don't you worry.
00:18:36The marshal will take care of himself, all right?
00:18:38Thank you very much.
00:18:41Hey, that wasn't here five years ago.
00:18:44So what?
00:18:46Nothing.
00:18:47Yet.
00:18:53Harvey.
00:18:55Don't you think Kane will be looking for you out now?
00:18:57Yeah.
00:18:59You're really sore at him.
00:19:01Wouldn't you be if you were me?
00:19:03I suppose.
00:19:04If I were you.
00:19:08I'll be back in a little while.
00:19:09I'll be back in a little while.
00:19:14I'll be back in a little while.
00:19:38Goodbye, Will.
00:19:39Goodbye.
00:19:41Think I'm letting you down, don't you?
00:19:42No.
00:19:44Look, this is just a dirty little village in the middle of nowhere.
00:19:47Nothing that happens here is really important.
00:19:49Now get out.
00:19:51There isn't time.
00:19:54What a waste.
00:19:55Good luck.
00:19:56Good luck.
00:20:09Johnny.
00:20:13Why aren't you in church?
00:20:14Why aren't you?
00:20:15Look, will you do something for me?
00:20:17Sure.
00:20:18Go find Joe Henderson, Mark Howe and Sam Fuller and tell them I want them here.
00:20:21Right.
00:20:22And then find Harv Pell.
00:20:23Don't have to do that.
00:20:24Here I am.
00:20:26Well, where have you been?
00:20:27Busy.
00:20:29You know what's doing?
00:20:30Sure.
00:20:31Come on, we've got lots to do.
00:20:32Hold up a second.
00:20:34This ain't really your job, you know.
00:20:36Well, that's what everybody keeps telling me.
00:20:37Yeah, when I tell you it means something, so you can just listen a second.
00:20:39All right, I'm listening.
00:20:42Well, this is the way I see it.
00:20:44If you'd gone with a new marshal not due a little tomorrow, I'd be in charge around here, right?
00:20:48Right.
00:20:50Well, tell me this then.
00:20:51If I'm good enough to hold down the job when there's trouble,
00:20:54how come the city fathers didn't trust me with it permanently?
00:20:56I don't know.
00:20:58Don't you?
00:20:59No.
00:21:00That's funny.
00:21:01I figured you carried a lot of weight.
00:21:03Maybe they didn't ask me.
00:21:04Maybe they figured you were too young.
00:21:06Do you think I'm too young too?
00:21:08You sure act like it sometimes.
00:21:10Come on.
00:21:21It's very simple, Will.
00:21:22All you got to do is tell the old boys when they come that I'm the new marshal.
00:21:26And tomorrow they can tell the other fellow they're sorry but the jobs fill.
00:21:30You really mean it, don't you?
00:21:31Sure.
00:21:32Sure.
00:21:35Well, I can't do it.
00:21:37Why not?
00:21:39If you don't know, it's no use me telling you.
00:21:41You mean you won't do it?
00:21:42Have it your way.
00:21:44All right.
00:21:45The truth is you probably talked against me from the start.
00:21:50You've been sore about me and Helen Ramirez right along, ain't you?
00:21:54You and Helen Ramirez?
00:21:55It so happens I didn't know and it doesn't mean anything to me one way or the other.
00:22:00You ought to know that.
00:22:02Yeah, you've been washed up for more than a year.
00:22:04Well, you go out and get yourself married.
00:22:05Only you can't stand anybody taking your place there, can you?
00:22:09Especially me.
00:22:10Europe.
00:22:11Europe.
00:22:19I haven't got time, Mark.
00:22:21Okay.
00:22:22Let's get out of business.
00:22:24You want me to stick, you put the word in for me like I said.
00:22:26Sure, I want you to stick, but I'm not buying it.
00:22:29It's got to be up to you.
00:22:41I thought you'd grew up by now.
00:22:58I thought your disposition might have sweetened up a little down there.
00:23:05Je pensais qu'il s'est élevé.
00:23:08Je pensais que l'intérêt a été élevé dans Abilene.
00:23:12Je pense qu'on est tous rome.
00:23:22C'est tellement drôle.
00:23:24Est-ce que tu penses que tu peux mettre ça ?
00:23:27Pourquoi ?
00:23:28Quand tu vas s'éloigner ?
00:23:30Je m'en souviens de ce genre de choses.
00:23:32Alors s'éloigner ?
00:23:33Qu'est-ce que tu veux ?
00:23:34C'est parti !
00:23:40C'est bon.
00:23:42Pourquoi est-ce qu'il n'est pas pour ça ?
00:23:43Il m'a besoin.
00:23:44Il m'a besoin quand Frank Miller est là.
00:23:46C'est possible.
00:23:47Il m'a dit qu'il m'a fait marshaler.
00:23:49Il m'a juste sour.
00:23:50Sour de vous et moi.
00:23:52Est-ce qu'il est ?
00:23:53Bien.
00:23:54Tu m'as dit ?
00:23:55Bien.
00:23:58Tu es un fou.
00:23:59Bien.
00:24:02Tu m'as dit ?
00:24:03C'est quoi ?
00:24:05Hey !
00:24:07Qui a fait la marche ?
00:24:08C'est lui !
00:24:14C'est parti, Javi !
00:24:16Je peux juste faire ça !
00:24:18C'est parti !
00:24:21Tu ne veux pas ça !
00:24:23C'est parti !
00:24:25Vous allez parler différemment
00:24:26quand Frank Miller est là-bas.
00:24:28Vous allez voir quelqu'un autour de vous
00:24:29quand vous expliquez ce qu'il s'est passé.
00:24:31C'est parti !
00:24:33C'est parti !
00:24:34C'est parti !
00:24:35C'est parti !
00:24:36C'est parti !
00:24:42Je ne vais pas revenir !
00:24:43Bien !
00:24:56C'est parti !
00:24:57Je ne vais pas voir quelqu'un.
00:24:59Je ne vais pas voir quelqu'un.
00:25:00C'est parti !
00:25:01C'est parti !
00:25:02Je pense que je vais parler avec Mr. Weaver.
00:25:07Vous allez sortir ?
00:25:08Oui !
00:25:09Vous voulez que Cainte un coup ?
00:25:18Non.
00:25:19OK !
00:25:20Je ne vais pas voir.
00:25:31Je vais attendre pour la nuit.
00:25:37Je l'ai dit que je vais attendre au lobby
00:25:38à la nuit plus tard.
00:25:41Bien sûr, Madame.
00:25:43Merci.
00:25:46Vous êtes Mrs. Cain ?
00:25:47Oui.
00:25:49Vous êtes en train de la nuit ?
00:25:51Oui.
00:25:52Mais votre mariage n'est-ce pas ?
00:25:54Non, pourquoi ?
00:25:55Pas de raison, mais c'est intéressant.
00:25:57Moi, je ne viendrai pas à la nuit pour tout le thé en Chine.
00:26:02Non, ça va être un plaisir à voir.
00:26:47Il a lévé sa son,
00:26:49Il a lévé sa son,
00:26:51Il a lévé sa son,
00:26:53Il a lévé sa son de la mort.
00:26:55Il a lévé sa son.
00:27:06Je ne sais pas, c'est ça.
00:27:09Je me suis dit.
00:27:11Je me suis dit.
00:27:13C'est parti pour les femmes et les enfants qui vivent.
00:27:17Il n'y a pas d'une autre chose.
00:27:19J'espère que les gens vont faire ça.
00:27:21Qu'est-ce qu'il y a ?
00:27:23Qu'est-ce qu'il y a d'autres ?
00:27:26N'y a pas encore.
00:27:30Tu devrais aller.
00:27:32Je vais revenir en 10 minutes.
00:27:34J'en vais.
00:27:43J'en vais.
00:28:07Qu'est-ce qu'il y a ?
00:28:09Il est en route.
00:28:11Il n'y a pas d'autre.
00:28:18Je suis venu.
00:28:19Bonjour, M. Ramirez.
00:28:20Bonjour.
00:28:21Merci.
00:28:25Est-ce qu'il y a quelque chose, M. Ramirez ?
00:28:27Non.
00:28:28Alors, pourquoi est-ce qu'il m'a envoyé ?
00:28:29Je vais partir de la ville.
00:28:30Je veux vendre.
00:28:31Tu veux me acheter ?
00:28:33Qu'est-ce que tu veux ?
00:28:352,000.
00:28:36Je pense que c'est fair.
00:28:38C'est fair, mais...
00:28:40Je n'ai pas d'argent.
00:28:42Qu'est-ce que tu peux ?
00:28:43Oh...
00:28:441,000 dollars.
00:28:47All right.
00:28:49You can pay Sam the rest in six months.
00:28:52And he'll get it to me.
00:28:53A deal ?
00:28:54Yes, ma'am.
00:28:56All right, Mr. Wilber.
00:28:58Thank you.
00:29:01Mrs. Ramirez.
00:29:02I want to thank you for everything.
00:29:04I mean...
00:29:05When you first called me in and put the deal to me about...
00:29:08Staking me in the store and being a silent partner.
00:29:11You know, my wife thought...
00:29:16What I really mean to say is that...
00:29:19You've been real decent to me right along.
00:29:22And I want you to know that I've been honest with you.
00:29:24I know you have, Mr. Wilber.
00:29:26Goodbye.
00:29:27Goodbye, Mrs. Ramirez.
00:29:29And good luck to you.
00:29:30Thank you.
00:29:31Amy, you've changed your mind.
00:29:51I thought you'd changed yours.
00:29:56No, Wilber.
00:29:57I have my ticket.
00:30:02I see.
00:30:05Open 19 and clean it up good.
00:30:06Mr. Miller's very particular.
00:30:09Is Helen Ramirez in?
00:30:10I guess so.
00:30:13Think you can find it all right?
00:30:25Come in.
00:30:31What are you looking at?
00:30:40You think I have changed?
00:30:46Well, what do you want?
00:30:48You want me to help you?
00:30:49You want me to ask Frank to let you go?
00:30:51You want me to beg for you?
00:30:53Well, I would not do it.
00:30:54I would not lift a finger for you.
00:30:57I came to tell you he was coming.
00:30:59I should have figured you'd know about it.
00:31:01I know about it.
00:31:03I think you ought to get out of town.
00:31:04I might not be able to...
00:31:05Well...
00:31:07Anything can happen.
00:31:09I'm not afraid of him.
00:31:11I know you're not, but you...
00:31:13You know how he is.
00:31:17I know how he is.
00:31:21Maybe he doesn't know.
00:31:22He's probably got letters.
00:31:26Probably.
00:31:30Nothing in life is free.
00:31:32I'm getting out.
00:31:34I'm packing now.
00:31:36That's good.
00:31:44Un año sin verde.
00:31:47Si, lo se.
00:31:53Good-bye, Norman.
00:31:55Cain.
00:31:57If you're smart,
00:31:59you will get out too.
00:32:02I can't.
00:32:03I know.
00:32:22I can't.
00:32:35May I ask you something?
00:32:37Sure.
00:32:39Who is Miss Ramirez?
00:32:41Mrs. Ramirez?
00:32:43She used to be a friend of your husband's a while back.
00:32:46Before that, she was a friend of Frank Miller's.
00:32:48I see.
00:32:51Thank you.
00:32:55You don't like my husband, do you?
00:32:57No.
00:32:58Why?
00:33:00Lots of reasons.
00:33:02One thing, this place was always busy when Frank Miller was around.
00:33:05I'm not the only one.
00:33:07There's plenty of people around here think he's got a comeuppance coming.
00:33:10You ask me, ma'am, so I'm telling you.
00:33:18You know, I think I'll go get some liquor.
00:33:20You have to have it?
00:33:22Yeah.
00:33:24If you're going after that woman...
00:33:25I said I was going for liquor.
00:33:27You keep away from Cain.
00:33:28Sure.
00:33:29I can wait.
00:33:31Sure.
00:33:32I can wait.
00:33:34I can wait.
00:33:36I can wait.
00:33:38You're going after that woman...
00:33:40I said I was going for liquor.
00:33:42You keep away from Cain.
00:33:44Sure.
00:33:45I can wait.
00:34:00I can wait.
00:34:16Hello, Harv.
00:34:18Where's the 10 star?
00:34:20I turned it in a quick.
00:34:22Smart move.
00:34:25I didn't ask you for your opinion.
00:34:30Hey!
00:34:33Hey!
00:34:35Hey!
00:34:40Hey!
00:34:41Hey!
00:34:42Hey!
00:34:43Hey!
00:34:45Hey!
00:34:56Hey, look who you hear!
00:34:58Hey!
00:34:59C'est parti, Ben.
00:35:01C'est parti, Ben.
00:35:03C'est parti, Ben.
00:35:05C'est parti.
00:35:09C'est un long temps, Ben.
00:35:11Oui.
00:35:13Oui, c'est parti.
00:35:15Il n'est pas à la peine.
00:35:17Il va y avoir un temps à l'école de la ville, Ben.
00:35:25Je ne suis pas surprise.
00:35:29C'est parti.
00:35:31...
00:35:33...
00:35:39...
00:35:41...
00:35:49...
00:35:51...
00:35:53...
00:35:55...
00:36:27You carry a badge and a gun, Marshal.
00:36:44You ain't no call to do that.
00:36:48You're right.
00:36:57I guess you all know why I'm here.
00:37:06I need deputies.
00:37:07I'll take all I can get.
00:37:13You must be crazy coming in here to raise a posse.
00:37:16Frank's got friends in this room.
00:37:18You ought to know that.
00:37:19Some of you were special deputies when we broke this bunch.
00:37:25I need you again.
00:37:26Now.
00:37:29Things were different then, Kane.
00:37:31You had six steady deputies to start off with.
00:37:34Every one a top gun.
00:37:36You ain't got but two now.
00:37:38You ain't got two.
00:37:39Harpell here says he just quit.
00:37:41Why?
00:37:41That's between the two of us.
00:37:47You're asking an awful lot, Kane,
00:37:48considering the kind of man Frank Miller is.
00:37:51All right.
00:37:52We all know what Miller's like.
00:37:54That's why I'm here.
00:37:56How about it?
00:37:57How about it?
00:38:27Sous-titrage MFP.
00:38:57You do like I told you. I'm not home. Don't let him in. No matter what he says, I'm not home.
00:39:13Sam, he's your friend.
00:39:14Don't argue with me. He'll be here in a second.
00:39:17He won't believe me. I know I'm lying.
00:39:19You do like I tell you.
00:39:27Hello, Mrs. Fuller. Is Sam in?
00:39:39No. No, he isn't.
00:39:44Do you know where he is, Mrs. Fuller? It's important to me that I find him.
00:39:47I think he's in church, Will. He's gone to church.
00:39:54Without you?
00:39:56I'm going to go in a little while, as soon as I dress.
00:40:04Thank you, Mrs. Fuller.
00:40:06Goodbye.
00:40:06Goodbye.
00:40:07Qu'est-ce que tu veux ?
00:40:32Tu veux que je me suis mort ?
00:40:34Tu veux que tu veux être une femme ?
00:40:36Non, Sam.
00:40:38Non.
00:40:39Cain !
00:40:43Qu'est-ce que tu veux, Jimmy ?
00:40:44Nothin'.
00:40:45I've been looking for you.
00:40:47I want a gun.
00:40:49I want to be with you when that train comes in.
00:40:52Can you handle the guns ?
00:40:54Sure I can.
00:40:55I used to be good.
00:40:57Honest.
00:40:58It ain't just getting even.
00:41:00It's a chance.
00:41:01See, it's what I need.
00:41:02Please, Cain.
00:41:03Let me get in on this.
00:41:05All right, Jimmy.
00:41:06I'll call you if I need you.
00:41:08Get yourself a drink meanwhile, huh ?
00:41:11You're leaving town.
00:41:12Where are you going ?
00:41:13I don't know yet.
00:41:14That doesn't make much sense.
00:41:15You're leaving town.
00:41:16Where are you going ?
00:41:17I don't know yet.
00:41:18That doesn't make much sense.
00:41:22You're afraid, huh ?
00:41:23Afraid of Miller ?
00:41:24No.
00:41:25Sure you are.
00:41:26You wouldn't be running.
00:41:27You got nothing to be worried about as long as I'm around.
00:41:28You know that.
00:41:29I'm not as scared of Miller.
00:41:30I'll take him on any time.
00:41:31I believe you.
00:41:32Then why are you going ?
00:41:33You're cutting out with Cain ?
00:41:35Oh, Harvey.
00:41:36And why are you going ?
00:41:37Why are you going ?
00:41:38Why are you going ?
00:41:39I don't know yet.
00:41:40I don't know yet.
00:41:41That doesn't make much sense.
00:41:43You're afraid, huh ?
00:41:44Afraid of Miller ?
00:41:45No.
00:41:46Sure you are.
00:41:47You wouldn't be running.
00:41:48You got nothing to be worried about as long as I'm around.
00:41:51You know that.
00:41:52I'm not as scared of Miller.
00:41:53I'll take him on any time.
00:41:54I believe you.
00:41:56Then why are you going ?
00:41:58You're cutting out with Cain.
00:42:00Oh, Harvey.
00:42:01And why are you going ?
00:42:02What difference does it make ?
00:42:03It's Cain.
00:42:04It's Cain.
00:42:05I know it's Cain.
00:42:06It isn't Cain.
00:42:07But I'm going to tell you something about you and your friend Cain.
00:42:10You're a good looking boy.
00:42:12You have big bro shoulders.
00:42:13But he is a man.
00:42:15You take more the big bro shoulders to make a man, Harvey.
00:42:18And you have a long way to go.
00:42:22You know something ?
00:42:23I don't think you will ever make it.
00:42:26Let me tell you something.
00:42:28You're not going anywhere.
00:42:30You're staying here with me.
00:42:31It's going to be just like it was before.
00:42:38You want to know why I'm living ?
00:42:40Then listen.
00:42:41Cain will be a dead man in half an hour.
00:42:43And nobody's going to do anything about it.
00:42:46And when he dies, this town dies too.
00:42:49I can feel it.
00:42:50I am all alone in the world.
00:42:52I have to make a living.
00:42:54So I'm going someplace else.
00:42:56That's all.
00:43:00And as for you,
00:43:01I don't like anybody to put his hands on me unless I want him to.
00:43:05And I don't like you too.
00:43:07Anymore.
00:43:08He made a vow for a little sick.
00:43:13How could he be my life forgiven ?
00:43:17I'm not afraid of death alone.
00:43:20What will I think ?
00:43:25Our text today is from Malachi, Chapter 4.
00:43:28For behold.
00:43:29The day cometh that shall burn as an oven.
00:43:31And all the proud, yea, and all that do wickedly shall be as . . . .
00:43:35Yes ?
00:43:36I'm sorry, Parson.
00:43:37I don't want to disturb the services.
00:43:38You already have.
00:43:39You don't come to this church very often, Marshal.
00:43:41And when you got married today, you didn't see fit to be married here.
00:43:56What could be so important to bring you here now ?
00:43:59I need help.
00:44:06It's true, I haven't been a church-going man.
00:44:08And maybe that's a bad thing.
00:44:10And I didn't get married here today because . . .
00:44:12Because my wife's a Quaker.
00:44:13But I came here for help because . . .
00:44:16Because there are people here.
00:44:18I'm sorry, Marshal.
00:44:21Say what you have to say.
00:44:23Maybe some of you already know it.
00:44:27But if you don't . . .
00:44:28It looks like Frank Miller's coming back on the noon train.
00:44:32I need all the special deputies I can get.
00:44:39Well . . . .
00:44:41What are we waiting for ? . . .
00:44:42Let's go.
00:44:43Hold it a minute.
00:44:44Hold it . . .
00:44:45Before we go rushing out into something . . .
00:44:46That ain't gonna be so pleasant . . . .
00:44:47Let's be sure we know what this is all about . . .
00:44:48What I want to know is this . . .
00:44:59Ain't it true that Kane ain't no longer Marshal?
00:45:01Of course they know that . . .
00:45:03And ain't it true there's personal trouble between him and Miller?
00:45:07And ain't it true there's personal trouble between him and Miller?
00:45:10Why should I . . .
00:45:12Quiet everybody.
00:45:14If there's a difference of opinion let everybody have a say . . .
00:45:18But let's do it like grown up people . . .
00:45:20And let's get all the kids out of the building.
00:45:25Let's get all the kids out of the building . . .
00:45:35Come on . . .
00:45:40Let's go . . .
00:45:59Anything on the train ? . . .
00:46:01It's odd time as far as I know sir . . .
00:46:03Je dis qu'il ne s'agit pas si il y a quelque chose de particulier entre Miller et le marshal ici.
00:46:13Nous savons tous qui Miller et qui Miller est.
00:46:16Qu'est-ce qu'il y a plus, nous voulons pas de temps.
00:46:18All right.
00:46:21Oui, nous savons tous qui Miller est, mais nous avons pris un autrement et qui a sauvé de l'horsion?
00:46:27Les politiciens au nord.
00:46:29Je dis que c'est ce qu'il y a des messes.
00:46:31L'hors de l'horsion.
00:46:31L'horsion, c'est ce qu'il y a des messes, c'est ce qu'il y a des messes.
00:47:02Vous avez l'horsion, Ezra?
00:47:04Je ne sais pas que j'ai entendu des choses qui ont été dit ici.
00:47:07Vous devriez être à l'horsion de vous-même.
00:47:09Bien, nous avons payé cet homme et il était le meilleur marshal de la ville de l'horsion.
00:47:12Et ce n'est pas son, c'est son.
00:47:14Je te dis, si nous ne faisons pas ce qu'il est, nous aurons beaucoup plus de problèmes.
00:47:18Donc, il n'y a pas seulement une chose à faire, et vous savez ce que c'est.
00:47:22Go ahead, Kimmy.
00:47:22C'est ce qu'il y a des messes, c'est ce qu'il y a des messes, c'est ce qu'il y a des messes.
00:47:29Pourquoi n'est-ce qu'il y a des messes, Marshal?
00:47:30Pourquoi n'est-ce qu'il y a des messes où ils devraient être ?
00:47:32Alors, nous aurons seulement des militaires à l'horsion de l'horsion de l'horsion.
00:47:35Je n'ai rien à faire, Mr. Trumbull.
00:47:37Ils n'ont pas fait rien.
00:47:39Il n'y a pas de la loi sur les seuls sur le dépôt.
00:47:43Je ne peux pas parler de ce qu'il y a des messes.
00:47:45Ce qu'il y a des messes, c'est ce qu'il y a des messes ?
00:47:46Tu ne sais pas quand une femme de la bonne femme ne se passait dans la rue dans la mer ?
00:47:50Tu ne sais pas quand ce n'était pas la place pour faire une fille ?
00:47:54Comment tu peux-tu s'en parler et parler et parler et parler comme ça ?
00:47:58Ce qu'est-ce qu'on se sent ?
00:48:00Comment nous savons que Miller est en train de l'horsion de l'horsion ?
00:48:03Nous sommes sûrs qu'il est en train.
00:48:06Le temps est très rapide.
00:48:10Parson, tu as-tu quelque chose à dire ?
00:48:13Je ne sais pas.
00:48:13Le commandement dit que tu ne vas pas pas tu t'es tu.
00:48:17Mais nous nous demandons les hommes pour aller faire ça.
00:48:20Le droit et le droit sont très clair ici.
00:48:23Mais si tu me demandais de me dire que je t'en vais et tu t'es tu.
00:48:26Et peut-être même tu t'es tu.
00:48:29Je suis désolé.
00:48:30Je ne sais pas ce que tu dis.
00:48:32Je suis désolé.
00:48:34All right.
00:48:36Je dis ce que ce que ce pays a dit,
00:48:38c'est qu'il ne peut pas payer avec des maris.
00:48:40Et ne jamais jamais te perdure.
00:48:41Il est le meilleur marshal, peut-être le meilleur marshal qu'on a jamais été.
00:48:46Donc, si Miller viendra ici aujourd'hui, c'est notre problème, pas notre pays.
00:48:51C'est notre problème parce que c'est notre pays.
00:48:54Nous avons fait ça avec notre propre main, de rien.
00:48:56Et si on veut qu'il y ait de vie, nous devons penser très bien aujourd'hui.
00:49:00Et nous devons avoir le courage de faire ce que nous devons faire.
00:49:04Non importe ce qu'il est difficile.
00:49:06All right.
00:49:07Il va y avoir des luttes quand Cain et Miller meet.
00:49:11Et quelqu'un va être blessé, c'est pour sûr.
00:49:14Maintenant, les gens au nord sont pensés de cette ville.
00:49:19Pensés très fort, pensés d'envoyer des dollars pour construire des lieux et de construire des factories.
00:49:25Ça veut dire beaucoup de choses à cette ville, un grand.
00:49:27Mais si ils vont lire de la mort et de la mort, ce qu'ils vont penser de la rue,
00:49:32ce qu'ils vont penser de ce qu'ils vont penser?
00:49:34Je vais vous dire.
00:49:36Ils vont penser que c'est juste une autre ouverture ville.
00:49:39Et tout ce qu'ils ont travaillé pour, c'est en un jour.
00:49:44Aujourd'hui, cette ville va être set back cinq ans.
00:49:46Et je ne pense pas que nous pouvons laisser ça.
00:49:50Mind vous, vous savez comment je me sens de ce qu'il dit.
00:49:54Il est un grand, brave homme, un bon homme.
00:49:57Il n'a pas dû venir ici aujourd'hui.
00:50:00Et pour ses sakes et le sakes de cette ville, je ne pensais pas.
00:50:03Parce que si il n'est pas ici quand Miller vient, mon hunch est qu'il n'y aura pas de problème.
00:50:10Pas un peu.
00:50:11Aujourd'hui, nous avons un nouveau marshal.
00:50:13Et si nous pouvons tous agreeer ici, pour offrir notre service,
00:50:16je pense que nous pouvons faire tout ce qu'il arrive.
00:50:20Pour moi, c'est la même chose.
00:50:21Pour moi, c'est la seule façon de faire de cette ville.
00:50:24Oui, c'est la seule façon de faire de cette ville, c'est la seule façon de faire de cette ville.
00:50:54C'est la seule façon de faire de cette ville.
00:51:24C'est la seule façon de faire de cette ville, c'est la seule façon de faire de cette ville.
00:51:54C'est la seule façon de faire pour la procedures.
00:52:21Vous avez été mon ami toute ma vie.
00:52:26Vous m'avez fait ce travail.
00:52:28Vous m'avez envoyé ça pour moi.
00:52:31Depuis que je suis jeune, je voulais être comme toi, Marc.
00:52:34Vous avez été un homme de loi toute votre vie.
00:52:37Oui, oui, toute ma vie.
00:52:39C'est une grande vie.
00:52:40Vous risquez de se battre des killis,
00:52:42et les juristes se déroulent pour qu'ils revient à vous de nouveau.
00:52:46Si vous êtes honnête, vous êtes plus pauvre de votre vie.
00:52:49Et en fin de fin, vous allez mourir en un petit déroulé.
00:52:54Pour quoi ?
00:52:55Pour rien.
00:52:57Pour une petite star.
00:52:59Listen, les juristes ont abandoné,
00:53:01les harvés, et je suis en train d'avoir des députés.
00:53:04Il s'agit.
00:53:05Tout a fait très vite.
00:53:07Les gens doivent se déroulent de l'ordre avant qu'ils ne se déroulent pas.
00:53:12Peut-être parce qu'ils ne se déroulent pas.
00:53:15Ils ne se déroulent pas.
00:53:19Ils ne se déroulent pas.
00:53:21Ils n'ont pas de mort.
00:53:23Leclerc, Marc.
00:53:28Je voulais que vous ne viendriez pas.
00:53:31Vous savez pourquoi je viendrie.
00:53:32Non pour se déroulent pas.
00:53:33Sous-tour-ils.
00:53:35Sous-tour-ils, les gens ne se déroulent pas.
00:53:39C'est pas ça.
00:53:40C'est pas tout plan, c'est pourquoi ils sont tous ici.
00:53:44Qu'il se déroulent, Will.
00:53:46Qu'il se déroulent.
00:53:49Sous-titrage Société Radio-Canada
00:54:19Don't worry about me. It's too one-sided like it is.
00:54:29So long, Martin. So long.
00:54:33It's all for nothing, Will. It's all for nothing.
00:54:49Excuse me. What is Mrs. Ramirez's room number?
00:54:54Three.
00:54:55Thank you.
00:54:56Come in.
00:55:15Yes?
00:55:16Mrs. Ramirez. I'm Mrs. Cain.
00:55:23I know.
00:55:26May I come in?
00:55:28If you like.
00:55:35Sit down, Mrs. Cain.
00:55:37No, thank you.
00:55:38What do you want?
00:55:39Please, it's just that I'm afraid if I sat down, I wouldn't be able to get up again.
00:55:43Why?
00:55:45It wasn't easy for me to come here.
00:55:47Why?
00:55:49Look, Mrs. Ramirez, Will and I were married an hour ago.
00:55:53We were all packed and ready to leave and then this thing happened and he wouldn't go.
00:55:57I did everything. I pleaded. I threatened. I just couldn't reach him.
00:56:01And now?
00:56:03Well, that man downstairs, the clerk, he said things about you and Will.
00:56:09I've been trying to understand why he wouldn't go with me and now all I can think of is that it's got to be because of you.
00:56:16What do you want from me?
00:56:18Let him go. He still has a chance. Let him go.
00:56:22I cannot help you.
00:56:24Please.
00:56:26He isn't staying for me.
00:56:27I have spoken to him for a year until today.
00:56:35I am living on the same train you are.
00:56:37Then what is it? Why is he staying?
00:56:40If you don't know, I cannot explain it to you.
00:56:46Well, thank you anyway. You've been very kind.
00:56:52What kind of woman are you?
00:56:54How can you leave him like this?
00:56:55Does the son of guns frighten you that much?
00:56:59No, Mrs. Ramirez. I've hurt guns.
00:57:02My father and my brother were killed by guns.
00:57:05They were on the right side, but that didn't help them any when the shooting started.
00:57:09My brother was 19. I watched him die.
00:57:14That's when I became a Quaker.
00:57:15I don't care who's right or who's wrong.
00:57:19There's got to be some better way for people to live.
00:57:25Will knows how I feel about it.
00:57:28Just a minute.
00:57:30Are you going to wait for the train downstairs?
00:57:33Yes.
00:57:35Why don't you wait here?
00:57:36Well, I've got no use for Cain, but I'll say this. He's got guts.
00:57:54Mighty broad-minded, Joe.
00:57:56Now, you, Hob. I always figured you for guts.
00:57:58I never give you any credit for brains till now.
00:57:59What does that mean?
00:58:01Nothing.
00:58:02Only takes a smart man to know when to back away.
00:58:03I can't pick my company when I drink in here. I ain't coming in here anymore.
00:58:07Okay.
00:58:09All right.
00:58:11The boy with the tin star.
00:58:13All right.
00:58:15That's where you want it.
00:58:17All right.
00:58:18That's where you want it.
00:58:20Okay.
00:58:22All right.
00:58:24All right.
00:58:26All right.
00:58:28All right.
00:58:30All right.
00:58:33What are you going to have?
00:58:35All right.
00:58:36All right.
00:58:37All right.
00:58:38All right.
00:58:39All right.
00:59:03Man.
00:59:04Are you ready?
00:59:05All right.
00:59:06All right.
00:59:07All right.
00:59:08Okay.
00:59:13Come on.
00:59:14...
00:59:44...
00:59:55Put a saddle on him, Cain.
00:59:57Go on, saddle him up.
00:59:59He'll go a long way before he ties.
01:00:01That's what you were thinking, wasn't it?
01:00:02Kind of.
01:00:04You scared?
01:00:06I guess so.
01:00:09Sure.
01:00:11Stands to reason.
01:00:15Come on.
01:00:17Give me help, huh?
01:00:24Seems like all everybody and his brother wants is to get me out of town.
01:00:28Well, no one wants to see you get killed.
01:00:33Holder, where are you going?
01:00:34I don't know. Back to the office, I guess.
01:00:35Oh, no. You're getting in that house and you're getting out.
01:00:37What's the matter with you?
01:00:41You were ready to do it yourself. You said so.
01:00:43Look, Harv, I thought about it because I was tired.
01:00:48You think about a lot of things when you're tired.
01:00:50But I can't do it.
01:00:52Why?
01:00:53I don't know.
01:00:55Get on that horse, Will.
01:00:59Why is it so important to you? You don't care if I live or die.
01:01:02Come on.
01:01:04Don't shove me, Harv. I'm tired of being shoved.
01:01:23Well, I think that you can keep going down.
01:01:26What are you about?
01:01:28What's the without you?
01:01:41You're the best boy shall be.
01:01:43Wait,la?
01:01:45Yes!
01:01:46C'est parti !
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